Virgil Quotes

We've searched our database for all the quotes and captions related to Virgil. Here they are! All 100 of them:

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Flรฉctere si nรฉqueo sรบperos Acheronta movebo - If I cannot move heaven, I will raise hell.
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Virgil (The Aeneid)
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Your Bracelet," she said. "Acheronta movebo.' It doesn't mean 'Thus always to tyrants.' That's 'sic semper tyrannis.' This is from Virgil. 'Flectere si nequeo superos, Acheronta movebo.' If I cannot move Heaven, I will raise Hell.
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Cassandra Clare
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Fortune sides with him who dares.
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Virgil
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Audaces fortuna iuvat (latin)- Fortune favors the bold.
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Virgil
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Death twitches my ear; 'Live,' he says... 'I'm coming.
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Virgil
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The descent into Hell is easy
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Virgil (The Aeneid)
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Amor vincit omnia, et nos cedamus amori. Love conquers all things, so we too shall yield to love.
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Virgil (Eclogues)
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Let me rage before I die.
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Virgil (The Aeneid)
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If I cannot move heaven, I will raise hell.
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Virgil
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Do the gods light this fire in our hearts or does each man's mad desire become his god?
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Virgil (The Aeneid)
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forsan et haec olim meminisse iuvabit. and perhaps it will be pleasing to have remembered these things one day
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Virgil (Eclogues. Georgics. Aeneid, Books 1โ€“6 (Loeb Classical Library))
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No day shall erase you from the memory of time
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Virgil
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They can because they think they can.
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Virgil
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The greatest wealth is health
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Virgil
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Through pain I've learned to comfort suffering men
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Virgil (The Aeneid)
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Una Salus Victis Nullam Sperare Salutem - (Latin - written 19 BC) The only hope for the doomed, is no hope at all...
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Virgil (The Aeneid)
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The gates of hell are open night and day; Smooth the descent, and easy is the way: But to return, and view the cheerful skies, In this the task and mighty labor lies.
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Virgil (The Aeneid)
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...She nourishes the poison in her veins and is consumed by a secret fire.
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Virgil (The Aeneid)
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Spring shows what God can do with a drab and dirty world.
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Victor Kraft
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I'm so horny the crack of dawn isn't safe.
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John Sandford (Bad Blood (Virgil Flowers, #4))
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Here pity only lives when it is dead - Virgil
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Dante Alighieri (Inferno)
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Each of us bears his own Hell.
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Virgil
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Trust one who has gone through it.
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Virgil
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Let us go singing as far as we go: the road will be less tedious.
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Virgil
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Oh yeah, I heard you got born again.' she said. 'Which you needed since they fucked up the first time.
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John Sandford (Rough Country (Virgil Flowers, #3))
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It is easy to go down into Hell...; but to climb back again, to retrace one's steps to the upper air---there's the rub...
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Virgil
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Just as music is noise that makes sense, a painting is colour that makes sense, so a story is life that makes sense.
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Yann Martel (Beatrice and Virgil)
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Love conquers all; therefore, let us submit to love.
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Virgil
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Gonna rain like a cow pissin' on a flat rock" [drugstore clerk to detective Virgil Flowers] Dark of the Moon, p.7
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John Sandford
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Ah, merciless Love, is there any length to which you cannot force the human heart to go?
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Virgil (The Aeneid)
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Facilis descensus Averni.
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Virgil
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Facilis descensus Averno: Noctes atque dies patet atri ianua Ditis; Sed revocare gradium superasque evadere ad auras, Hoc opus, hic labor est. (The gates of Hell are open night and day; Smooth the descent, and easy is the way: But to return, and view the cheerful skies, In this task and mighty labor lies.)
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Virgil (The Aeneid)
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Death's brother, sleep.
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Virgil (The Aeneid)
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Reading list (1972 edition)[edit] 1. Homer โ€“ Iliad, Odyssey 2. The Old Testament 3. Aeschylus โ€“ Tragedies 4. Sophocles โ€“ Tragedies 5. Herodotus โ€“ Histories 6. Euripides โ€“ Tragedies 7. Thucydides โ€“ History of the Peloponnesian War 8. Hippocrates โ€“ Medical Writings 9. Aristophanes โ€“ Comedies 10. Plato โ€“ Dialogues 11. Aristotle โ€“ Works 12. Epicurus โ€“ Letter to Herodotus; Letter to Menoecus 13. Euclid โ€“ Elements 14. Archimedes โ€“ Works 15. Apollonius of Perga โ€“ Conic Sections 16. Cicero โ€“ Works 17. Lucretius โ€“ On the Nature of Things 18. Virgil โ€“ Works 19. Horace โ€“ Works 20. Livy โ€“ History of Rome 21. Ovid โ€“ Works 22. Plutarch โ€“ Parallel Lives; Moralia 23. Tacitus โ€“ Histories; Annals; Agricola Germania 24. Nicomachus of Gerasa โ€“ Introduction to Arithmetic 25. Epictetus โ€“ Discourses; Encheiridion 26. Ptolemy โ€“ Almagest 27. Lucian โ€“ Works 28. Marcus Aurelius โ€“ Meditations 29. Galen โ€“ On the Natural Faculties 30. The New Testament 31. Plotinus โ€“ The Enneads 32. St. Augustine โ€“ On the Teacher; Confessions; City of God; On Christian Doctrine 33. The Song of Roland 34. The Nibelungenlied 35. The Saga of Burnt Njรกl 36. St. Thomas Aquinas โ€“ Summa Theologica 37. Dante Alighieri โ€“ The Divine Comedy;The New Life; On Monarchy 38. Geoffrey Chaucer โ€“ Troilus and Criseyde; The Canterbury Tales 39. Leonardo da Vinci โ€“ Notebooks 40. Niccolรฒ Machiavelli โ€“ The Prince; Discourses on the First Ten Books of Livy 41. Desiderius Erasmus โ€“ The Praise of Folly 42. Nicolaus Copernicus โ€“ On the Revolutions of the Heavenly Spheres 43. Thomas More โ€“ Utopia 44. Martin Luther โ€“ Table Talk; Three Treatises 45. Franรงois Rabelais โ€“ Gargantua and Pantagruel 46. John Calvin โ€“ Institutes of the Christian Religion 47. Michel de Montaigne โ€“ Essays 48. William Gilbert โ€“ On the Loadstone and Magnetic Bodies 49. Miguel de Cervantes โ€“ Don Quixote 50. Edmund Spenser โ€“ Prothalamion; The Faerie Queene 51. Francis Bacon โ€“ Essays; Advancement of Learning; Novum Organum, New Atlantis 52. William Shakespeare โ€“ Poetry and Plays 53. Galileo Galilei โ€“ Starry Messenger; Dialogues Concerning Two New Sciences 54. Johannes Kepler โ€“ Epitome of Copernican Astronomy; Concerning the Harmonies of the World 55. William Harvey โ€“ On the Motion of the Heart and Blood in Animals; On the Circulation of the Blood; On the Generation of Animals 56. Thomas Hobbes โ€“ Leviathan 57. Renรฉ Descartes โ€“ Rules for the Direction of the Mind; Discourse on the Method; Geometry; Meditations on First Philosophy 58. John Milton โ€“ Works 59. Moliรจre โ€“ Comedies 60. Blaise Pascal โ€“ The Provincial Letters; Pensees; Scientific Treatises 61. Christiaan Huygens โ€“ Treatise on Light 62. Benedict de Spinoza โ€“ Ethics 63. John Locke โ€“ Letter Concerning Toleration; Of Civil Government; Essay Concerning Human Understanding;Thoughts Concerning Education 64. Jean Baptiste Racine โ€“ Tragedies 65. Isaac Newton โ€“ Mathematical Principles of Natural Philosophy; Optics 66. Gottfried Wilhelm Leibniz โ€“ Discourse on Metaphysics; New Essays Concerning Human Understanding;Monadology 67. Daniel Defoe โ€“ Robinson Crusoe 68. Jonathan Swift โ€“ A Tale of a Tub; Journal to Stella; Gulliver's Travels; A Modest Proposal 69. William Congreve โ€“ The Way of the World 70. George Berkeley โ€“ Principles of Human Knowledge 71. Alexander Pope โ€“ Essay on Criticism; Rape of the Lock; Essay on Man 72. Charles de Secondat, baron de Montesquieu โ€“ Persian Letters; Spirit of Laws 73. Voltaire โ€“ Letters on the English; Candide; Philosophical Dictionary 74. Henry Fielding โ€“ Joseph Andrews; Tom Jones 75. Samuel Johnson โ€“ The Vanity of Human Wishes; Dictionary; Rasselas; The Lives of the Poets
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Mortimer J. Adler (How to Read a Book: The Classic Guide to Intelligent Reading)
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Vera incessu patuit dea. (The goddess indubitable was revealed in her step.)
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Virgil (The Aeneid)
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Fortunate is he whose mind has the power to probe the causes of things and trample underfoot all terrors and inexorable fate.
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Virgil
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Do not yield to misfortunes, but advance more boldly to meet them, as your fortune permits you.
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Virgil
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She wanted to be liked. Perhaps this explained the parties, the crystalline laughter, the well-coiffed hair, the rehearsed smile. She thought that men such as her father could be stern and men could be cold like Virgil, but women needed to be liked or theyโ€™d be in trouble. A woman who is not liked is a bitch, and a bitch can hardly do anything: all avenues are closed to her.
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Silvia Moreno-Garcia (Mexican Gothic)
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A work of art works because it is true, not because it is real.
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Yann Martel (Beatrice and Virgil)
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But the queen--too long she has suffered the pain of love, hour by hour nursing the wound with her lifeblood, consumed by the fire buried in her heart. [...] His looks, his words, they pierce her heart and cling-- no peace, no rest for her body, love will give her none.
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Virgil (The Aeneid)
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I will be gone from here and sing my songs/ In the forest wilderness where the wild beasts are,/ And carve in letters on the little trees/ The story of my love, and as the trees/ Will grow letters too will grow, to cry/ In a louder voice the story of my love.
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Virgil
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...in the intoxication of falling, man was prone to believe himself propelled upward.
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Hermann Broch (The Death of Virgil)
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The noblest motive is the public good.
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Virgil
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Omnia vincit amor" - "Love conquers all
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Virgil
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ุงุฌุนู„ู†ูŠ ู‚ุทุนุฉ ู…ู† ุงู„ุญุฌุฑ ูŠุง ู…ูˆู„ุงูŠ ูˆู„ูƒู† ู„ุง ุชุชุฑูƒู†ูŠ ู„ู„ุญูŠุงุฉ
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Constantin Virgil Gheorghiu (ุงู„ุณุงุนุฉ ุงู„ุฎุงู…ุณุฉ ูˆุงู„ุนุดุฑูˆู†)
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the dewy night unrolls a heaven thickly jewelled with sparkling stars
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Virgil (The Aeneid)
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It angered him that his sexuality was an issue at all. As far as he was concerned, who he decided to sleep with was his business alone.
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Christina Westover (Precipice)
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Donโ€™t worry about being goodโ€ฆ. Aspire to be authentic.
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Yann Martel (Beatrice and Virgil)
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Time is flying never to return.
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Virgil
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They are able who think they are able.
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Virgil
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Tu ne cede malis, sed contra audentior ito
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Virgil (The Aeneid)
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Stories--individual stories, family stories, national stories--are what stitch together the disparate elements of human existence into a coherent whole. We are story animals.
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Yann Martel (Beatrice and Virgil)
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Friend, have the courage To care little for wealth, and shape yourself, You too, to merit godhead.
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Virgil (The Aeneid)
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Slice a pear and you will find that its flesh is incandescent white. It glows with inner light. Those who carry a knife and a pear are never afraid of the dark.
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Yann Martel (Beatrice and Virgil)
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A shifty, fickle object is woman, always. (Varium et mutabile semper femina.)
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Virgil (The Aeneid)
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Optima dies...prima fugit (The best days are the first to flee)
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Virgil
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Spare the meek, but subdue the arrogant.
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Virgil
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What good are prayers and shrines to a person mad with love? The flame keeps gnawing into her tender marrow hour by hour, and deep in her heart the silent wound lives on.
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Virgil (The Aeneid)
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Memoryโ€™s oldest trick is convincing us of its accuracy.
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Leif Enger (Virgil Wander)
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Fiction and nonfiction are not so easily divided. Fiction may not be real, but it's true; it goes beyond the garland of facts to get to emotional and psychological truths.
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Yann Martel (Beatrice and Virgil)
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flectere si nequeo superos, Acheronta movebo
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Virgil (The Aeneid)
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If you are pitched into misery, remember that your days on this earth are counted and you might as well make the best of those you have left.
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Yann Martel (Beatrice and Virgil)
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Love conquers all things; let us too surrender to love.
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Virgil
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the dank night is sweeping down from the sky and the setting stars incline our heads to sleep.
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Virgil
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I fear the Greeks even when they bring gifts.
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Virgil
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ุฅู† ุงู„ุฅู†ุณุงู† ูŠุณุชุทูŠุน ุงู„ุณูŠุทุฑุฉ ุนู„ู‰ ูƒู„ ุงู„ุญูŠูˆุงู†ุงุช ุงู„ู…ูุชุฑุณุฉ. ุบูŠุฑ ุฃู† ุญูŠูˆุงู†ุง ุฌุฏูŠุฏุง ุธู‡ุฑ ุนู„ู‰ ุณุทุญ ุงู„ุฃุฑุถ ููŠ ุงู„ุขูˆู†ุฉ ุงู„ุฃุฎูŠุฑุฉ. ูˆู‡ุฐุง ุงู„ุญูŠูˆุงู† ุงู„ุฌุฏูŠุฏ ุงุณู…ู‡ : ุงู„ู…ูˆุงุทู†ูˆู†. ุฅู†ู‡ู… ู„ุง ูŠุนูŠุดูˆู† ููŠ ุงู„ุบุงุจุงุชุŒ ูˆู„ุง ููŠ ุงู„ุฃุฏุบุงู„ุŒ ุจู„ ููŠ ุงู„ู…ูƒุงุชุจ. ูˆู…ุน ุฐู„ูƒ ูุฅู†ู‡ู… ุฃุดุฏ ู‚ุณูˆุฉ ูˆุถุฑุงูˆุฉ ู…ู† ุงู„ุญูŠูˆุงู†ุงุช ุงู„ู…ุชูˆุญุดุฉ ููŠ ุงู„ุฃุฏุบุงู„. ู„ู‚ุฏ ูˆู„ุฏูˆุง ู…ู† ุงุชุญุงุฏ ุงู„ุฑุฌู„ ู…ุน ุงู„ุขู„ุงุช. ุฅู†ู‡ู… ู†ูˆุน ู…ู† ุฃุจู†ุงุก ุงู„ุณูุงุญุŒ ูˆู‡ูˆ ุฃู‚ูˆู‰ ุงู„ุฃุตูˆู„ ูˆุงู„ุฃุฌู†ุงุณ ุงู„ู…ูˆุฌูˆุฏุฉ ุนู„ู‰ ุณุทุญ ุงู„ุฃุฑุถ.
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Constantin Virgil Gheorghiu (ุงู„ุณุงุนุฉ ุงู„ุฎุงู…ุณุฉ ูˆุงู„ุนุดุฑูˆู†)
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Nimium ne crede colori
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Virgil
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ุงู†ู‡ ู„ูŠุณ ุงู„ุฃุณู ู„ู„ุจู‚ุงุก ุจู„ ุงู†ู‡ ุงู„ุญู†ูŠู† ุฅู„ู‰ ุดูŠุก ู†ุนุชู‚ุฏ ููŠ ุตุญุชู‡ ููŠ ุฎูŠุงู„ู†ุงุŒ ุดูŠุก ู„ู† ู†ู…ุชู„ูƒู‡ ุงุจุฏุง ูˆุงุฐุง ุจู„ุบู†ุงู‡ ูุงู†ู†ุง ุณุฑุนุงู† ู…ุง ู†ุฌุฏ ุงู†ู‡ ู„ู… ูŠูƒู† ู‡ูˆ ู…ูˆุถูˆุน ุฃุญู„ุงู…ู†ุง
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Constantin Virgil Gheorghiu (ุงู„ุณุงุนุฉ ุงู„ุฎุงู…ุณุฉ ูˆุงู„ุนุดุฑูˆู†)
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Afterwards, when it's all over, you meet God. What do you say to God?
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Yann Martel (Beatrice and Virgil)
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Forsan et haec olim meminisse juvabit.
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Virgil (The Aeneid)
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No stranger to misfortune myself, I have learned to relieve the sufferings of others.
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Virgil
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Agnosco veteris vestigia flammae.
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Virgil (The Aeneid)
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When gods are contrary they stand by no one.
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Virgil
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Facilis descensus Averni: noctes atque dies patet atri ianua Ditis; sed revocare gradium superasque evadere ad auras. hoc opus, hic labor est.
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Virgil (The Aeneid)
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Art is the suitcase of history, carrying the essentials. Art is the life buoy of history. Art is seed, art is memory, art is vaccine.
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Yann Martel (Beatrice and Virgil)
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He had the heartening bulk of the aging athlete defeated by pastry
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Leif Enger (Virgil Wander)
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E pluribus unum - Out of many, one.
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Virgil
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A person never knows what is next--I don't anyway. The surface of everything is thinner than we know. A person can fall right through, without any warning at all.
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Leif Enger (Virgil Wander)
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Yield not to evils, but attack all the more boldly.
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Virgil
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So Aeneas pleaded, his face streaming tears. Three times he tried to fling his arms around his neck, three times he embraced--nothing...the phantom sifting through his fingers, light as wind, quick as a dream in flight.
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Virgil (The Aeneid)
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Fear reveals baseborn souls!
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Virgil
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This was maybe best of all. I never once expected to be someone's nice surprise.
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Leif Enger (Virgil Wander)
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Was it the forgetfulness of old age or personal incapacity that made the man able to say please but not thank you?
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Yann Martel (Beatrice and Virgil)
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Words are cold, muddy toads trying to understand sprites dancing in a field-but they're all we have.
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Yann Martel (Beatrice and Virgil)
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And as he spoke he wept. Three times he tried to reach arms round that neck. Three times the form, reached for in vain, escaped Like a breeze between his hands, a dream on wings.
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Virgil (The Aeneid)
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Somewhere along the line, it occurred to him that he hadn't spoken to Virgil Flowers. He'd probably taken the day off, and knowing Flowers, he'd done it in a boat. The thing about Flowers was, in Lucas's humble opinion, you could send him out for a loaf of bread and he'd find an illegal bread cartel smuggling in heroin-saturated wheat from Afghanistan. Either that, or he'd be fishing in a muskie tournament, on government time. You had to keep an eye on him.
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John Sandford (Stolen Prey (Lucas Davenport, #22))
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In regard to propaganda the early advocates of universal literacy and a free press envisaged only two possibilities: the propaganda might be true, or the propaganda might be false. They did not foresee what in fact has happened, above all in our Western capitalist democracies - the development of a vast mass communications industry, concerned in the main neither with the true nor the false, but with the unreal, the more or less totally irrelevant. In a word, they failed to take into account man's almost infinite appetite for distractions. In the past most people never got a chance of fully satisfying this appetite. They might long for distractions, but the distractions were not provided. Christmas came but once a year, feasts were "solemn and rare," there were few readers and very little to read, and the nearest approach to a neighborhood movie theater was the parish church, where the performances though frequent, were somewhat monotonous. For conditions even remotely comparable to those now prevailing we must return to imperial Rome, where the populace was kept in good humor by frequent, gratuitous doses of many kinds of entertainment - from poetical dramas to gladiatorial fights, from recitations of Virgil to all-out boxing, from concerts to military reviews and public executions. But even in Rome there was nothing like the non-stop distractions now provided by newspapers and magazines, by radio, television and the cinema. In "Brave New World" non-stop distractions of the most fascinating nature are deliberately used as instruments of policy, for the purpose of preventing people from paying too much attention to the realities of the social and political situation. The other world of religion is different from the other world of entertainment; but they resemble one another in being most decidedly "not of this world." Both are distractions and, if lived in too continuously, both can become, in Marx's phrase "the opium of the people" and so a threat to freedom. Only the vigilant can maintain their liberties, and only those who are constantly and intelligently on the spot can hope to govern themselves effectively by democratic procedures. A society, most of whose members spend a great part of their time, not on the spot, not here and now and in their calculable future, but somewhere else, in the irrelevant other worlds of sport and soap opera, of mythology and metaphysical fantasy, will find it hard to resist the encroachments of those would manipulate and control it.
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Aldous Huxley (Brave New World Revisited)
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โ€ฆ for overstrong was the command to hold fast to each smallest particle of time, to the smallest particle of every circumstance, and to embody all of them in memory as if they could be preserved in memory through all deaths for all times.
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Hermann Broch (The Death of Virgil)
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Of all public figures and benefactors of mankind, no one is loved by history more than the literary patron. Napoleon was just a general of forgotten battles compared with the queen who paid for Shakespeare's meals and beer in the tavern. The statesman who in his time freed the slaves, even he has a few enemies in posterity, whereas the literary patron has none. We thank Gaius Maecenas for the nobility of soul we attribute to Virgil; but he isnโ€™t blamed for the selfishness and egocentricity that the poet possessed. The patron creates 'literature through altruism,' something not even the greatest genius can do with a pen.
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Roman Payne
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How I wish I was like the water, Flowing so freely with every drop Let my every emotion wonder, No need to start, nor even stop How I wish I was like the fire, Burning with every flame up Leaving a trace of hot desire As a Phoenix raises its' wings up How I wish I was like the earth, Raising each flower from the ground Seeing the beauty of death and birth And then returning to the ground How I wish I was like the wind, Hearing each whisper, sound and thought A lonesome and wandering little wind, Shattering all that has been sought Oh, how I wish I was where you are, Not separated by empty space, so far It seems like we're galaxies apart, But we find hope within our heart And how I wish I was all of the above, So I can come below and yet forget, The beauty of angels which come down like a dove And demons who love with no regret.
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Virgil Kalyana Mittata Iordache
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-You've got a . . . Lot of books, he said at last. -it's a sickness. -Are you . . . Seeing anyone for it? -I'm afraid it's untreatable. -is this the . . . Dewey decimal system? -No. But it's based on similar principles. Those are the British novelists. The French are in the kitchen. Homer, Virgil, and the other epics are by the tub. -I take it the . . . Transcendental its do better in the sunlight. -Exactly. -Do they need much water? -Not as much as you think. But lots of pruning. He pointed the volume toward a pile of books under my bed. -And the . . . Mushrooms? -The Russians. -Ah. -Who's winning? -Not me.
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Amor Towles (Rules of Civility)
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To my mind, faith is like being in the sun. When you are in the sun, can you avoid creating a shadow? Can you shake that area of darkness that clings to you, always shaped like you, as if constantly to remind you of yourself? You canโ€™t. This shadow is doubt. And it goes wherever you go as long as you stay in the sun. And who wouldnโ€™t want to be in the sun?
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Yann Martel (Beatrice and Virgil)
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My comrades, hardly strangers to pain before now, we all have weathered worse. Some god will grant us an end to this as well. You've threaded the rocks resounding with Scylla's howling rabid dogs, and taken the brunt of the Cyclops' boulders, too. Call up your courage again. Dismiss your grief and fear. A joy it will be one day, perhaps, to remember even this. Through so many hard straits, so many twists and turns our course holds firm for Latium. There Fate holds out a homeland, calm, at peace. There the gods decree the kingdom of Troy will rise again. Bear up. Save your strength for better times to come.
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Virgil (The Aeneid)
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He pulled out a book here and there, but what kept catching his attention were the diagonal tunnels of sunlight rolling in through the dormer windows. All around him dust motes rose and fell, shimmering, quivering in those shafts of roiling light. He found several shelves full of old editions of classical writers and began vaguely browsing, hoping to find a cheap edition of Virgil's Aeneid, which he had only ever read in a borrowed copy. It wasn't really the great poem of antiquity that Dorrigo Evans wanted though, but the aura he felt around such books--an aura that both radiated outwards and took him inwards to another world that said to him that he was not alone. And this sense, this feeling of communion, would at moments overwhelm him. At such times he had the sensation that there was only one book in the universe, and that all books were simply portals into this greater ongoing work--an inexhaustible, beautiful world that was not imaginary but the world as it truly was, a book without beginning or end.
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Richard Flanagan (The Narrow Road to the Deep North)
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All the books were beginning to turn against me. Indeed, I must have been blind as a bat not to have seen it long before, the ludicrous contradiction between my theory of life and my actual experiences as a reader. George MacDonald had done more to me than any other writer; of course it was a pity that he had that bee in his bonnet about Christianity. He was good in spite of it. Chesterton has more sense than all the other moderns put together; bating, of course, his Christianity. Johnson was one of the few authors whom I felt I could trust utterly; curiously enough, he had the same kink. Spenser and Milton by a strange coincidence had it too. Even among ancient authors the same paradox was to be found. The most religious (Plato, Aeschylus, Virgil) were clearly those on whom I could really feed. On the other hand, those writers who did not suffer from religion and with whom in theory my sympathy ought to have been complete -- Shaw and Wells and Mill and Gibbon and Voltaire -- all seemed a little thin; what as boys we called "tinny". It wasn't that I didn't like them. They were all (especially Gibbon) entertaining; but hardly more. There seemed to be no depth in them. They were too simple. The roughness and density of life did not appear in their books.
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C.S. Lewis (Surprised by Joy: The Shape of My Early Life)
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I guess that sometimes it just takes a long walk through the darkness, a long walk through the darkest shadows and corners of your soul to realize that those are a part of you as well, that you've created through your experiences and thoughts those parts within yourself and as much as you can choose to fear them and repress them, they will require your attention one day, they will need your care and acceptance before you can clean them away and turn the lights on. For you refuse to shine the light on something that is imperfect, because you fear judgement and rejection, but you can always choose to look towards the light as the only source of true beauty and love that can help you in the cleaning process. Healing, after a long time of struggle and mess is a complex process, but a necessary one nevertheless. We are so overwhelmed by the amount of work it requires that we so often choose to run away from the light, hide in our dark corner and hope that we will never be found, hope that we will never be seen, or desperately look outwards for that love and compassion that we can no longer find within ourselves, for our soul's light no longer shines as it used to. And sometimes we just find those people that can see the light beneath all that dust and darkness that's been pilled up, those kind of light workers that understand our broken souls and manage to pick us up and see the beauty within us, when we find it so hard to see it ourselves. Sometimes I get so tired of separation, of division, of groups and different religions and belief systems. Even if you do find the truth, once you've put it into words, books and rules it already becomes distorted by the mind into something that is no longer truth. So I no longer hope for understanding, no longer hope for the opinion of a judgemental mind, but I hope to find the words that touch the soul before the mind, I hope to find the touch that warms the heart from deep inside, and hope to find that far away abandoned part of me which I've left behind.
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Virgil Kalyana Mittata Iordache
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Maybe we're just falling stars, we once danced in the same skyline looking down at the world. And we've fallen like all others, from near and far, we've gathered together, but separated by time and space, keeping a part of that light that we've came with and spreading it in this dark world that we've chosen to live in, in order to shine some light and love around. Maybe we've chosen to believe one truth today, and find it to be false tomorrow. Maybe we're trying to not get attached to the idea that we now know it all. At night, we see the truth of where we've fallen from, gazing in that night sky full of distant stars, constellations, planets, the reflection of the sun on the moon, all with their own stories to tell. Sometimes we wonder why would we leave such a mysterious place, with an infinite amount of stories and wonders. Maybe it's because as stars we could've only seen each other's light from afar, but here we can listen more carefully to each other's story, embrace each other and kiss, discover more and more of what can be seen when infinite star dust potential is put into one body and given freedom to walk the Earth and wander, love and enjoy every moment until coming back. Maybe in the morning, we'll only see one star shining up there and forget the others. Maybe that is also how life and death is, and the beauty of the sunrise and sunset that come in between, our childhood years and old years, when we reflect on the stars that we once were and that we will once again be. Maybe, just maybe.
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Virgil Kalyana Mittata Iordache
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How I miss wandering around with old souls, Aimlessly moving from one place to another How I miss all our dreams and our goals And how we've lost ourselves to find each other Seems like a playful game of hide-n-seek But that's how we'll forever play this life Loving and living the truth that we seek Until embraced we find our way to strive Gazing into strangers' eyes to find our soul mates, Knowing we're so much closer than we thought. Our heart keeps the light that forever radiates Through all the darkness, 'til love is taught And yet again we look into the skies, We see the stars, the moon, that light Missing our home beyond the nights Living in love until the end of the fight.
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Virgil Kalyana Mittata Iordache
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The love that I believe in is something that goes beyond the physical aspects of this world. The love that I believe is one that extends its energy and power through the beautiful souls that I encounter along the way, a love that can be seen in the eyes of a little dog or in the confusion of a cute lost cat who wants to be worshiped like a Goddess. This kind of love goes through a divine crafting of a person's inner self, through personal experience and thousands of years of tears and strength, that can only be seen in the familiar eyes of old souls, the eyes that recognize each other even after long times of separation, the eyes that find themselves familiar with places they have probably been to before, but that nevertheless bring great memories with every visit. This kind of love sees hope in the eyes of new-born children that know way much more than they are capable of putting into words and that bring with their innocence a smile on each person's face who'd wish they could start again. The love that I see when I look at you is a love which has roots deep inside each of us, but that needs care and light to grow and unfold its branches so that they can reach outside of ourselves and even further beyond the skies.
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Virgil Kalyana Mittata Iordache
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One day, it will all make sense, it will all be revealed. Until then, we learn to live and accept our shadows, our Dรฉjร  vu's, our dreams, our intuition that takes us to places that our minds never conceived, our bodies only perceived and our souls gladly remembered. Conversations and experiences amuse me, for I am experimenting with my feelings in ways that I can only do down here. Language makes up for a very interesting, yet bizarre way of putting thoughts into spoken form for the sound to move on in other peoples' ears, but every language, every sound, every word carries with it a long history, a deep culture and the souls of the many people who have previously used it throughout the centuries. Our hearts give us direction, hope and the passion to keep moving forward.. But what we do when they're frozen, broken, torn apart by an unhealthy way of living is what gives us new strength to push forward or kills us completely. Deep inside, we feed the entities that empower the fight between our internal demons and angels. We feed them with our thoughts, our emotions, our self-talk and the external talk that we lower our shields to at times. Whether good or bad, this brings about a change internally and at times there isn't much we can do to protect ourselves. At times, we need to let things be and go along with it. Of course, we're all worried, stressed, confused and lacking direction at times and we're in the same way at peace, stable and walking in the right direction once we get things sorted. Give it some time, give it some light, give it some love. You're not very far away.
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Virgil Kalyana Mittata Iordache