Gloria Anzaldua Quotes

Nobody’s going to save you. No one’s going to cut you down, cut the thorns thick around you. No one’s going to storm the castle walls nor kiss awake your birth, climb down your hair, nor mount you onto the white steed. There is no one who will feed the yearning. Face it. You will have to do, do it yourself.

I am mad - but I choose this madness.

I change myself, I change the world.

I want the freedom to carve and chisel my own face, to staunch the bleeding with ashes, to fashion my own gods out of my entrails...

To survive the Borderlands you must live sin fronteras be a crossroads.

I can't seem to stay out of my own way.

The struggle is inner: Chicano, indio, American Indian, mojado, mexicano, immigrant Latino, Anglo in power, working class Anglo, Black, Asian--our psyches resemble the bordertowns and are populated by the same people. The struggle has always been inner, and is played out in outer terrains. Awareness of our situation must come before inner changes, which in turn come before changes in society. Nothing happens in the "real" world unless it first happens in the images in our heads.

Until I am free to write bilingually and to switch codes without having always to translate, while I still have to speak English or Spanish when I would rather speak Spanglish, and as long as I have to accommodate the English speakers rather than having them accommodate me, my tongue will be illegitimate. I will no longer be made to feel ashamed of existing. I will have my voice: Indian, Spanish, white. I will have my serpent's tongue - my woman's voice, my sexual voice, my poet's voice. I will overcome the tradition of silence.

Write with your eyes like painters, with your ears like musicians, with your feet like dancers. You are the truthsayer with quill and torch. Write with your tongues on fire.

Maimed, mad, and sexually different people were believed to possess supernatural powers by primal cultures' magico-religious thinking. For them, abnormality was the price a person had to pay for her or his extraordinary gift.

Nobody’s going to save you. No one’s going to cut you down cut the thorns around you. No one’s going to storm the castle walls nor kiss awake your birth, climb down your hair, nor mount you onto the white steed. There is no one who will feed the yearning. Face it. You will have to do, do it yourself.

We are challenging white feminists to be accountable for their racism because at the base we still want to believe that they really want freedom for all of us.

Nothing happens in the "real" world unless it first happens in the images in our heads

The struggle is inner: Chicano, indio, American Indian, mojado, mexicano, immigrant Latino, Anglo in power, working class Anglo, Black, Asian--our psyches resemble the bordertowns and are populated by the same people. The struggle has always been inner, and is played out in outer terrains. Awareness of our situation must come before inner changes, which in turn come before changes in society. Nothing happens in the "real" world unless it first happens in the images in our heads. (G. Anzaldua Tejana Chicana poet, 1942- )

I sit here before my computer, Amiguita, my altar on top of the monitor with the Virgen de Coatlalopeuh candle and copal incense burning. My companion, a wooden serpent staff with feathers, is to my right while I ponder the ways metaphor and symbol concretize the spirit and etherealize the body. The Writing is my whole life, it is my obsession. This vampire which is my talent does not suffer other suitors. Daily I court it, offer my neck to its teeth. This is the sacrifice that the act of creation requires, a blood sacrifice. For only through the body, through the pulling of flesh, can the human soul be transformed. And for images, words, stories to have this transformative power, they must arise from the human body--flesh and bone--and from the Earth's body--stone, sky, liquid, soil. This work, these images, piercing tongue or ear lobes with cactus needle, are my offerings, are my Aztecan blood sacrifices.

The political writer, then is the ultimate optimist, believing people are capable of change and using words as one way to try and penetrate the privatism of our lives.

Mujeres, a no dejar que el peligro del viaje y la inmensidad del territorio nos asuste-- a mirar hacia adelante y a abrir paso en el monte

The answer to the problem between the white race and the colored, between males and females, lies in healing the split that originates in the very foundation of our lives, our culture, our languages, our thoughts. A massive uprooting of dualistic thinking in the individual and collective consciousness is the beginning of a long struggle, but one that could in our best hopes, bring us to the end of rape, of violence, of war.

They'd like to think I have melted in the pot. But I haven't, we haven't.

As a lesbian I have no face, my own people disclaim me; but I am all races because there is the queer of me in all races.

All responses to the world take place within our bodies. - Gloria Anzaldua

By writing I put order in the world, give it a handle so I can grasp it. I write because life does not appease my appetites and anger... To become more intimate with myself and you.

Humans fear the supernatural, both the undivine ( the animal impulses such as sexuality, the unconscious, the unknown, the alien) and the divine (the superhuman, the god in us). Culture and religion seek to protect us from these two forces. The female, by virtue of creating entities of flash and blood in her stomach (she bleeds every month but does not die) by virtue of being in tune with nature's cycles, is feared. Because, according to Christianity and most other major religions, woman is carnal, animal, and closer to the undivine, she must be protected. Protected from herself. Woman is the stranger, the other. She is man's recognized nightmarish pieces, his Shadow-Beast. The sight of her sends him into a frenzy of anger and fear.

In the Borderlands you are the battleground where enemies are kin to each other; you are at home, a stranger, the border disputes have been settled the volley of shots have scattered the truce you are wounded, lost in action dead, fighting back;

My Chicana identity is grounded in the Indian woman's history of resistance. The Aztec female rites of mourning were rites of defiance protesting the cultural changes which disrupted the equality and balance between female and male, and protesting their demotion to a lesser status, their denigration. Like la Llorona, the Indian woman's only means of protest was wailing.

Maimed, mad and sexually different people were believed to possess supernatural powers by primal cultures' magico-religious thinking. For them, abnormality was the price a person had to pay for her or his inborn extraordinary gift. There is something compelling about being both male and female, about having an entry into both worlds. Contrary to some psychiatric tenets, half and halfs are not suffering from a confusion of sexual identity, or even from a confusion of gender. What we are suffering from is an absolute despot duality that says we are able to be only one or the other. It claims that human nature is limited and cannot evolve into something better. But I, like pother queer people, am two in one body, both male and female. I am the embodiment of the hieros gamos: the comig together of opposit qualities within.

I am a wind-swayed bridge, a crossroads inhabited by whirlwinds, Gloria, the facilitator, Gloria, the mediator, straddling the walls between abysses. "Your allegiance is to La Raza, the Chicano movement,” say the members of my race. “Your allegiance is to the Third World,” say my Black and Asian friends. “Your allegiance is to your gender,” say the feminists. Then there’s my allegiance to the Gay movement, to the socialist revolution, to the New Age, to magic and the occult. And there’s my affinity to literature, to the world of the artist. What am I? A third world lesbian feminist with Marxist and mystic leanings. They would chop me up into little fragments and rag each piece with a label. You say my name is ambivalence? Think of me as Shiva, a many-armed and -legged body with one foot on brown soil, one on white, one in straight society, one in the gay world., the man’s world, the women’s, one limb in the literary world, another in the working class, the socialist, an the occult worlds. A sort of spider woman hanging by one thin strand of web. Who, me, confused? Ambivalent? Not so. Only your labels split me.

I am a wind-swayed bridge, a crossroads inhabited by whirlwinds, Gloria, the facilitator, Gloria, the mediator, straddling the walls between abysses. "Your allegiance is to La Raza, the Chicano movement,” say the members of my race. “Your allegiance is to the Third World,” say my Black and Asian friends. “Your allegiance is to your gender,” say the feminists. Then there’s my allegiance to the Gay movement, to the socialist revolution, to the New Age, to magic and the occult. And there’s my affinity to literature, to the world of the artist. What am I? A third world lesbian feminist with Marxist and mystic leanings. They would chop me up into little fragments and rag each piece with a label. You say my name is ambivalence? Think of me as Shiva, a many-armed and -legged body with one foot on brown soil, one on white, one in straight society, one in the gay world., the man’s world, the women’s, one limb in the literary world, another in the working class, the socialist, an the occult worlds. A sort of spider woman hanging by one thin strand of web. Who, me, confused? Ambivalent? Not so. Only your labels split me.

I don't want to know, I don't want to be seen. My resistance, my refusal to know some truth about myself brings on that paralysis, depression -- brings on the Coatlicue state. At first I feel exposed and opened to the depth of my dissatisfaction. Then I feel myself closing, hiding, holding myself together rather than allowing myself to fall apart.

We have also grown up with a body of literature created by women of color in the last thirty years-- Alice Walker's words about womanism, Gloria Anzaldua's theories about living in the borderlands and Audre Lorder's writing about silences and survival.

All responses to the world take place within our bodies. - Gloria Anzaldua