Voyager 1 Quotes

We've searched our database for all the quotes and captions related to Voyager 1. Here they are! All 100 of them:

One glance at a book and you hear the voice of another person, perhaps someone dead for 1,000 years. To read is to voyage through time.
Carl Sagan
I am [in your world].’ said Aslan. ‘But there I have another name. You must learn to know me by that name. This was the very reason why you were brought to Narnia, that by knowing me here for a little, you may know me better there.
C.S. Lewis (The Chronicles of Narnia (The Chronicles of Narnia, #1-7))
Ramil met Tashi's eyes with a mischievous look. "Now Wife we have a long voyage ahead of us with no interruptions, no affairs of state to sidetrack us." He brushed his fingers againist the lacings of her neck. "Isn't it time you returned that shirt to its owner?
Julia Golding (Dragonfly (Dragonfly Trilogy, #1))
It means that we should celebrate today's failure because it is a clear sign that our voyage of discovery is not yet over.
Jacqueline Kelly (The Evolution of Calpurnia Tate (Calpurnia Tate, #1))
Mr. Sparrow, you will accompany these fine men to the helm and provide us with the bearing to Isla de Muerta. You will then spend the remainder of the voyage contemplating all possible meanings of the phrase 'silent as the grave'. Do I make myself clear?
Rob Kidd (The Coming Storm (Pirates of the Caribbean: Jack Sparrow, #1))
It is better to travel with hope in one's heart than to arrive in safety. . . . We should celebrate today's failure because it is a clear sign that our voyage of discovery is not yet over. The day the experiment succeeds is the day the experiment ends. And I inevitably find that the sadness of ending outweighs the celebration of success.
Jacqueline Kelly (The Evolution of Calpurnia Tate (Calpurnia Tate, #1))
Last year, when he had been staying with the Pevensies, he had managed to hear them all talking of Narnia and he loved teasing them about it. He thought of course that they were making it all up; and as he was far too stupid to make anything up himself, he did not approve of that.
C.S. Lewis (The Chronicles of Narnia (The Chronicles of Narnia, #1-7))
The dragon reared her head, breathing in the storm and loving every minute of it. It was the start of a voyage, and a storm at the beginning of a voyage was always a good omen.
Angie Sage (Magyk (Septimus Heap, #1))
TO:rosencrantzpinchard@gmai.com: Something's wrong! The house is shaking! TO:rosencrantzpinchard@gmail.com: Well can you turn down the volume on Star Trek:Voyager? I thought we were having an earthquake when the Enterprise hit Warp speed. Why did you let me sleep until nearly one?
Robert Bryndza (The Not So Secret Emails Of Coco Pinchard (Coco Pinchard, #1))
Les gens qui ont besoin de plus qu une valise ne sont pas de vrais voyageurs, ce sont des touristes.
Ira Levin (Rosemary’s Baby (Rosemary's Baby, #1))
The only true voyage, the only Fountain of Youth,” recited Orphu, “would be found not in traveling to strange lands but in having different eyes, in seeing the universe with the eyes of another person, of a hundred others, and seeing the hundred universes each of them sees, which each of them is.
Dan Simmons (Ilium (Ilium, #1))
Sonuçta savaş dediğiniz şey, anlamadığınız ne varsa odur
Louis-Ferdinand Céline (Gecenin Sonuna Yolculuk (Ferdinand Bardamu, #1))
Human life is a voyage on a sea of meaning, not a net of information.
Gregory Benford (Foundation's Fear (Second Foundation Trilogy, #1))
Car souvent j'ai voulu revoir une personne sans discerner qu c'était simplement parce qu'elle me rappelait un haie d'aubépines, et j'ai été induit à croir, à faire croire à un regain d'affection, par un simple désire de voyage.
Marcel Proust (Un Amour De Swann (coffret volumes 1-2))
Wherever we travel to, the wonderful people we meet become our family.
Lailah Gifty Akita (Think Great: Be Great! (Beautiful Quotes, #1))
They say there are three kinds of people in the world: those who listen to stories, those who tell them, and those who make them.
Claire Fayers (The Voyage to Magical North (The Accidental Pirates, #1))
There were times my heart broke into painful fragments then my soul perseveringly gathered an ocean of strength on my voyage towards renewal.
Angelica Hopes (Landscapes of a Heart, Whispers of a Soul (Speranza Odyssey Trilogy, #1))
They were two ships sailing in opposite diretions, having met for a short time in the middle of the voyage, and he could no sooner "keep her" than capture the wind.
Alexandra Bracken (Passenger (Passenger, #1))
It was a wall, beyond which stood all her yesterdays. Her voyage would take her to her tomorrows.
Hafsah Faizal (We Hunt the Flame (Sands of Arawiya, #1))
Le voyageur change ses yeux, le touriste ses billets !
Manu Larcenet (Grasse Carcasse (Blast #1))
But the truth is, I knew things wouldn’t change much. I knew it would be the way it had been after the sleepover. Like we had taken a secret trip together. A voyage that no one else knew about. And when we returned from our journey, we each went back to our own homes. Some friendships are like that. Maybe even the best friendships are like that. The connections are always there. They’re just invisible to the eye.
R.J. Palacio (Shingaling (Wonder, #1.7))
The hippie pirates were rather old and slightly stooped, but that didn't stop them from consulting their beloved maps and planning their next grand pirate voyage. They would always be young at heart; everyone said so.
Lana Shupe (The Hippie Pirates (The Hippie Pirates, 1))
Sizi aklı başında sanmalarının en iyi yolu bayağı pişkin olmaktır. İyiden iyiye pişkinseniz mesele yok, o zaman hemen hemen ne yapsanız yeridir, ne isterseniz, çoğunluk sizden yanadır ve kimin deli olup olmadığına karar veren de çoğunluktur
Louis-Ferdinand Céline (Gecenin Sonuna Yolculuk (Ferdinand Bardamu, #1))
No man could truly say what he was until he had been pushed to the edge of things with the precipice of his own ruin staring up at him.
Paul Kearney (Hawkwood's Voyage (The Monarchies of God, #1))
Papa was right, after all. A ship's crew was like a family, and together we had done what we never could have managed alone.
Heather Vogel Frederick (The Voyage of Patience Goodspeed (Patience Goodspeed, #1))
The most merciful thing in the world, I think, is the inability of the human mind to correlate all its contents. We live on a placid island of ignorance in the midst of black seas of infinity, and it was not meant that we should voyage far.“ – HP Lovecraft, The Call of Cthulhu (1926)
Steffanie Holmes (Shunned (Kings of Miskatonic Prep, #1))
If our systems should fail, we would faithfully report the fact. We have no ego-protection that would cause us to deceive you or ourselves. Whereasyou are engaged in ego-protection right now. You thought you would be necessary during the voyage, and you now discover that you were not. This makes you feel bad.
Orson Scott Card (Pathfinder (Pathfinder, #1))
Put the past behind you and the future ahead where they belong and spend your time in the present with the rest of us.
Terry Brooks (The Voyage of the Jerle Shannara Trilogy (Voyage of the Jerle Shannara, #1-3))
What's the point of having a good story if no one gets to hear it?
Claire Fayers (The Voyage to Magical North (The Accidental Pirates, #1))
There's nothing more real than what you're feeling.
Claire Fayers (The Voyage to Magical North (The Accidental Pirates, #1))
Mm. You’d forgotten how to say anything except ‘I love you,’ but you said that a lot.
Diana Gabaldon (Outlander, Dragonfly in Amber, Voyager, Drums of Autumn (Outlander #1-4))
dropped peacefully into sleep, to dream of kilted Highland men, and the sound of soft-spoken Scots, burring round a fire like the sound of bees in the heather.
Diana Gabaldon (Outlander, Dragonfly in Amber, Voyager, Drums of Autumn (Outlander #1-4))
What Jack Randall had done to him had sunk into his soul as surely as the flails of the lash had sunk in his back, and had left scars every bit as permanent. I
Diana Gabaldon (Outlander, Dragonfly in Amber, Voyager, Drums of Autumn (Outlander #1-4))
people so often seemed not only willing but eager to believe the worst—and the worse, the better.
Diana Gabaldon (Outlander, Dragonfly in Amber, Voyager, Drums of Autumn (Outlander #1-4))
Explore, experiment and experience.
Lailah Gifty Akita (Think Great: Be Great! (Beautiful Quotes, #1))
Look beyond now.The road ahead offers a good voyage.
Lailah Gifty Akita (Think Great: Be Great! (Beautiful Quotes, #1))
When you travel, be fully present in the place of voyage.
Lailah Gifty Akita (Think Great: Be Great! (Beautiful Quotes, #1))
And across the water, you would swear you could sniff it all; the cinnamon and the cloves, the frankincense and the honey and the licorice, the nutmeg and citrons, the myrrh and the rosewater from Persia in keg upon keg. You would think you could glimpse, heaped and glimmering, the sapphires and the emeralds and the gauzes woven with gold, the ostrich feathers and the elephant tusks, the gums and the ginger and the coral buttons mynheer Goswin the clerk of the Hanse might be wearing on his jacket next week. . . . The Flanders galleys put into harbor every night in their highly paid voyage from Venice, fanned down the Adriatic by the thick summer airs, drifting into Corfu and Otranto, nosing into and out of Sicily and round the heel of Italy as far as Naples; blowing handsomely across the western gulf to Majorca, and then to the north African coast, and up and round Spain and Portugal, dropping off the small, lucrative loads which were not needed for Bruges; taking on board a little olive oil, some candied orange peel, some scented leather, a trifle of plate and a parrot, some sugar loaves.
Dorothy Dunnett (Niccolò Rising (The House of Niccolò, #1))
Lire est un voyage. On ne peut pas arriver avant d'être parti. On ne peut pas partir sans avoir envie d'arriver. Mais : être entre ! Là, réside le vrai délice : le parcours. La lecture.
Pauline Alphen (Salicande (Les éveilleurs, #1))
Because life's dictates did not allow for quick and easy distinctions between right and wrong or good and bad. Choices were made between shades of gray, and there was healing and harm to be weighed on both sides of each.
Terry Brooks (Ilse Witch (Voyage of the Jerle Shannara, #1))
Finding a taxi, she felt like a child pressing her nose to the window of a candy store as she watched the changing vista pass by while the twilight descended and the capital became bathed in a translucent misty lavender glow. Entering the city from that airport was truly unique. Charles de Gaulle, built nineteen miles north of the bustling metropolis, ensured that the final point of destination was veiled from the eyes of the traveller as they descended. No doubt, the officials scrupulously planned the airport’s location to prevent the incessant air traffic and roaring engines from visibly or audibly polluting the ambience of their beloved capital, and apparently, they succeeded. If one flew over during the summer months, the visitor would be visibly presented with beautifully managed quilt-like fields of alternating gold and green appearing as though they were tilled and clipped with the mathematical precision of a slide rule. The countryside was dotted with quaint villages and towns that were obviously under meticulous planning control. When the aircraft began to descend, this prevailing sense of exactitude and order made the visitor long for an aerial view of the capital city and its famous wonders, hoping they could see as many landmarks as they could before they touched ground, as was the usual case with other major international airports, but from this point of entry, one was denied a glimpse of the city below. Green fields, villages, more fields, the ground grew closer and closer, a runway appeared, a slight bump or two was felt as the craft landed, and they were surrounded by the steel and glass buildings of the airport. Slightly disappointed with this mysterious game of hide-and-seek, the voyager must continue on and collect their baggage, consoled by the reflection that they will see the metropolis as they make their way into town. For those travelling by road, the concrete motorway with its blue road signs, the underpasses and the typical traffic-logged hubbub of industrial areas were the first landmarks to greet the eye, without a doubt, it was a disheartening first impression. Then, the real introduction began. Quietly, and almost imperceptibly, the modern confusion of steel and asphalt was effaced little by little as the exquisite timelessness of Parisian heritage architecture was gradually unveiled. Popping up like mushrooms were cream sandstone edifices filigreed with curled, swirling carvings, gently sloping mansard roofs, elegant ironwork lanterns and wood doors that charmed the eye, until finally, the traveller was completely submerged in the glory of the Second Empire ala Baron Haussmann’s master plan of city design, the iconic grand mansions, tree-lined boulevards and avenues, the quaint gardens, the majestic churches with their towers and spires, the shops and cafés with their colourful awnings, all crowded and nestled together like jewels encrusted on a gold setting.
E.A. Bucchianeri (Brushstrokes of a Gadfly, (Gadfly Saga, #1))
Lorsque j’ai commencé à voyager en Gwendalavir aux côtés d'Ewìlan et de Salim, je savais que, au fil de mon écriture, ma route croiserait celle d'une multitude de personnages. Personnages attachants ou irritants, discrets ou hauts en couleurs, pertinents ou impertinents, sympathiques ou maléfiques... Je savais cela et je m'en réjouissais. Rien, en revanche, ne m'avait préparé à une rencontre qui allait bouleverser ma vie. Rien ne m'avait préparé à Ellana. Elle est arrivée dans la Quête à sa manière, tout en finesse tonitruante, en délicatesse remarquable, en discrétion étincelante. Elle est arrivée à un moment clef, elle qui se moque des serrures, à un moment charnière, elle qui se rit des portes, au sein d’un groupe constitué, elle pourtant pétrie d’indépendance, son caractère forgé au feu de la solitude. Elle est arrivée, s'est glissée dans la confiance d'Ewilan avec l'aisance d'un songe, a capté le regard d’Edwin et son respect, a séduit Salim, conquis maître Duom... Je l’ai regardée agir, admiratif ; sans me douter un instant de la toile que sa présence, son charisme, sa beauté tissaient autour de moi. Aucun calcul de sa part. Ellana vit, elle ne calcule pas. Elle s'est contentée d'être et, ce faisant, elle a tranquillement troqué son statut de personnage secondaire pour celui de figure emblématique d'une double trilogie qui ne portait pourtant pas son nom. Convaincue du pouvoir de l'ombre, elle n'a pas cherché la lumière, a épaulé Ewilan dans sa quête d'identité puis dans sa recherche d'une parade au danger qui menaçait l'Empire. Sans elle, Ewilan n'aurait pas retrouvé ses parents, sans elle, l'Empire aurait succombé à la soif de pouvoir des Valinguites, mais elle n’en a tiré aucune gloire, trop équilibrée pour ignorer que la victoire s'appuyait sur les épaules d'un groupe de compagnons soudés par une indéfectible amitié. Lorsque j'ai posé le dernier mot du dernier tome de la saga d'Ewilan, je pensais que chacun de ses compagnons avait mérité le repos. Que chacun d'eux allait suivre son chemin, chercher son bonheur, vivre sa vie de personnage libéré par l'auteur après une éprouvante aventure littéraire. Chacun ? Pas Ellana. Impossible de la quitter. Elle hante mes rêves, se promène dans mon quotidien, fluide et insaisissable, transforme ma vision des choses et ma perception des autres, crochète mes pensées intimes, escalade mes désirs secrets... Un auteur peut-il tomber amoureux de l'un de ses personnages ? Est-ce moi qui ai créé Ellana ou n'ai-je vraiment commencé à exister que le jour où elle est apparue ? Nos routes sont-elles liées à jamais ? — Il y a deux réponses à ces questions, souffle le vent à mon oreille. Comme à toutes les questions. Celle du savant et celle du poète. — Celle du savant ? Celle du poète ? Qu'est-ce que... — Chut... Écris.
Pierre Bottero (Ellana (Le Pacte des MarchOmbres, #1))
He lifted the telephone receiver and pressed it against the plastic of his helmet. If there had been a dialing sound he could have heard it through the conducting material. But, as he had expected, there was only silence. So—it was all a fake, though a fantastically careful one. And it was clearly not intended to deceive but rather—he hoped—to reassure. That was a very comforting thought; nevertheless he would not remove his suit until he had completed his voyage of exploration.
Arthur C. Clarke (2001: A Space Odyssey (Space Odyssey, #1))
You'll be all right,' Elphaba said, 'now you're a seasoned traveler. This is just the return leg of a voyage you already know.' She put her face against Glinda's and kissed her. 'Hold out, if you can,' she murmured, and kissed her again. 'Hold out, my sweet.
Gregory Maguire (Wicked: The Life and Times of the Wicked Witch of the West (The Wicked Years, #1))
The explanation for her absence had been staring him in the face all the while, but he hadn’t wanted to acknowledge it: The affair meant nothing to her. He’d been the only one bewitched body and soul. For her, he’d been but a temporary source of entertainment, a way to pass the otherwise tedious hours in the middle of an ocean. He’d been the one to press for a continuation of their affair beyond the voyage. He’d been the one to offer his heart, his hand, his every last secret. She never even gave her real name. And, of course, never showed her face.
Sherry Thomas (Beguiling the Beauty (Fitzhugh Trilogy, #1))
Tell me about your master.” I nod. “He is eighth in line to the throne, the son of—” “No, no,” Caspida interrupts irritably. “Tell me what he is like.” “He is a gambler,” I say. There is no point in lying about these things. “He is bold, but reckless. Brave, but impetuous. A man who . . . holds grudges.” Pausing, I finish in a whisper, “He would risk his life to save someone else, without even thinking twice.” Caspida turns her head a bit, interest growing in her eyes. “And he sets out on a mad voyage and sails straight into a nest of jinn.” “My master is noble,” I say with a smile, “but I made no suggestions as to his intelligence.
Jessica Khoury (The Forbidden Wish (The Forbidden Wish, #1))
- Ciao, mon biquet, ce fut un plaisir de voyager avec toi. - Je te retrouverais, cracha le bone. Je te retrouverais et ce jour-là, je te crèverai. En prenant tout mon temps ! - C'est ça, ironisa Salim, personne n'est pressé. - Tu vas souffrir ! Beaucoup souffrir ! - Ça c'est cruel, s'indigna Salim, et ingrat. Je t'ai quand même tenu dans mes bras pendant tout le trajet. D'ailleurs, à ce sujet, tu devrais te laver plus souvent, tu sais ? Et encore... je crois que c'est de l'intérieur que tu pues ! Maintenant, si ça ne te fait rien, je te quitte. C'est pas que je m'ennuie mais je ne peux quand même pas passer la journée avec tous les rigolos que je rencontre. À la prochaine, vieux !
Pierre Bottero (La Forêt des captifs (Les Mondes d'Ewilan, #1))
CAPT. J. W. SIMMONS, master of the steamship Pensacola, had just as little regard for weather as the Louisiana’s Captain Halsey. He was a veteran of eight hundred trips across the Gulf and commanded a staunch and sturdy ship, a 1,069-ton steel-hulled screw-driven steam freighter built twelve years earlier in West Hartlepool, England, and now owned by the Louisville and Nashville Railroad Company. Friday morning the ship was docked at the north end of 34th Street, in the company of scores of other ships, including the big Mallory liner Alamo, at 2,237 tons, and the usual large complement of British ships, which on Friday included the Comino, Hilarius, Kendal Castle, Mexican, Norna, Red Cross, Taunton, and the stately Roma in from Boston with its Captain Storms. As the Pensacola’s twenty-one-man crew readied the ship for its voyage to the city of Pensacola on Florida’s Gulf Coast, two men came aboard as Captain Simmons’s personal guests: a harbor pilot named R. T. Carroll and Galveston’s Pilot Commissioner J. M. O. Menard, from one of the city’s oldest families. At
Erik Larson (Isaac's Storm: A Man, a Time, and the Deadliest Hurricane in History)
you've no idea, the whole Army's obsessed with playing at soldiers...
Tom Stoppard (Voyage (The Coast of Utopia #1))
Be silent, and sit down, for you are drunk, and this is the edge of the roof. —RUMI
Robert V.S. Redick (The Red Wolf Conspiracy (The Chathrand Voyage, #1))
We travel with our thoughts to great lands.
Lailah Gifty Akita (Think Great: Be Great! (Beautiful Quotes, #1))
Life went on, no matter the magnitude of the events that influenced it.
Terry Brooks (Ilse Witch (Voyage of the Jerle Shannara, #1))
Books: the one thing the librarians cared about more than the rules.
Claire Fayers (The Voyage to Magical North (The Accidental Pirates, #1))
I knew an old lady in the Highlands once, who said the lines in your hand don’t predict your life; they reflect it.
Diana Gabaldon (Outlander, Dragonfly in Amber, Voyager, Drums of Autumn (Outlander #1-4))
Though I could wish your own limits went a bit further.
Diana Gabaldon (Outlander, Dragonfly in Amber, Voyager, Drums of Autumn (Outlander #1-4))
The universe is kinder than any of us has any reason to expect.
Jeffrey Lang (Cohesion (Star Trek: Voyager: String Theory #1))
The wonder is always new that any sane man can be a sailor Ralph Waldo Emerson
Helen Susan Swift (Dark Voyage (Tales from the Dark Past #1))
In fact, it is inconceivable what sums may be collected by starving only, and how easy it is for a man to die rich if he will but be contented to live miserable.
Henry Fielding (Journal of a Voyage to Lisbon - Volume 1)
With great passion, observe every details of the sacred journey.
Lailah Gifty Akita (Think Great: Be Great! (Beautiful Quotes, #1))
During the ten-day voyage Tom lived in a peculiar atmosphere of doom and of heroic, unselfish courage. He imagined strange things: Mrs. Cartwright’s daughter falling overboard and he jumping after her and saving her. Or fighting through the waters of a ruptured bulkhead to close the breach with his own body. He felt possessed of a preternatural strength and fearlessness.
Patricia Highsmith (The Talented Mr. Ripley (Ripley, #1))
Damn, but it was a night, Ned! Now, not to be outdone, it appears our reverend mother Hayes is inspired by Captain Cook's latest voyage to the South Pacific." "I give the woman credit for creativity." Ned laughed. "Have you read John Hawkesworth's account of the voyage?" Ludovic's brows lifted ever so slightly. "Come now, Ned, do I truly look like a man who entertains himself with books?
Victoria Vane (A Wild Night's Bride (The Devil DeVere #1))
POLEVOY (to Chaadaev)     But no doubt you have read Kukolnik's play? CHAADAEV     No … I started to read it, but after a while I seemed to lose interest, and I was still on the title. Stankevich,
Tom Stoppard (Voyage: The Coast of Utopia, Part I (Tom Stoppard Book 1))
I renounce all love except pure philosophical love. The so-called love of human animals removes people two by two from the only possibility of happiness, which is the communion of beautiful souls.
Tom Stoppard (Voyage (The Coast of Utopia #1))
the truth is, I knew things wouldn’t change much. I knew it would be the way it had been after the sleepover. Like we had taken a secret trip together. A voyage that no one else knew about. And when we returned from our journey, we each went back to our own homes. Some friendships are like that. Maybe even the best friendships are like that. The connections are always there. They’re just invisible to the eye.
R.J. Palacio (Shingaling (Wonder, #1.7))
Many helped me part life into Before X and After segments, many brought joy and sorrow, many threw my life off course, while others made no difference whatsoever, so that Oliver, who for so long had loomed like a fulcrum on the scale of life, eventually acquired successors who either eclipsed him or reduced him to an early milepost, a minor fork in the road, a small, fiery Mercury on a voyage out to Pluto and beyond.
André Aciman (Call Me By Your Name (Call Me By Your Name, #1))
Philosophy consists in moderating each life so that many lives will fit together with as much liberty and justice as will keep them together: and not so much as will make them fly apart, when the harm will be the greater.
Tom Stoppard (Voyage (The Coast of Utopia #1))
There is some interesting new research15 that suggests that the Little Ice Age might have been caused in part by reforestation after the genocide of native people in the Americas. Following Christopher Columbus’s first voyage, Europeans killed about 90 percent of the indigenous population, either directly or by spreading disease. The dead stopped farming, and trees started to grow back, reducing CO2 concentrations enough to cause a global cooling.
Sylvain Neuvel (A History of What Comes Next (Take Them to the Stars, #1))
For there’s a part of me would like no better than to take you and the bairn and go far away, to spend the rest of my life working the fields and the beasts, to come in in the evenings and lie beside ye, quiet through the night.
Diana Gabaldon (Outlander, Dragonfly in Amber, Voyager, Drums of Autumn (Outlander #1-4))
We live our lives hiding from the things that displease and discomfort us. We reinvent ourselves and our history, constantly placing things in a light most favorable to us. It is in the nature of mankind to do this. Mostly, our deceptions are small ones. But they gather weight through numbers, and having them revealed all at once can be crushing. As well, there are larger truths that, exposed, seem more than we can bear, and so we hide them most carefully.
Terry Brooks (Ilse Witch (Voyage of the Jerle Shannara, #1))
Of your friend, I can find no trace,” said the man. “He seems to have been eaten by one of the thin hairless apes from the Okanti isles; all it does is screech at me. What became of the last leech to take a look at him?” “We left him in Talisham,” said Jean. “I’m afraid my friend’s attitude moved him to bring an early end to his own sea voyage.” “Well, I might have done the same. I waive my fee, in profound sympathy. Keep your silver—you shall need it for wine. Or poison.
Scott Lynch (The Lies of Locke Lamora (Gentleman Bastard, #1))
The shuriken had always fascinated him, steel stars with knife-sharp points. Some were chromed, others black, others treated with a rainbow surface like oil on water. But the chrome stars held his gaze. They were mounted against scarlet ultrasuede with nearly invisible loops of nylon fishline, their centers stamped with dragons or yinyang symbols. They caught the street’s neon and twisted it, and it came to Case that these were the stars under which he voyaged, his destiny spelled out in a constellation of cheap chrome.
William Gibson (Neuromancer (Sprawl, #1))
In the midst of such industry, gawky Simon was the fabled grasshopper in the nest of ants. He knew he would never amount to much: many people had told him so, and nearly all of them were older—and presumably wiser—than he. At an age when other boys were clamoring for the responsibilities of manhood, Simon was still a muddler and a meanderer. No matter what task he was given to do, his attention soon wandered, and he would be dreaming of battles, and giants, and sea voyages on tall, shining ships ... and somehow, things would get broken, or lost, or done wrong.
Tad Williams (The Dragonbone Chair (Memory, Sorrow, and Thorn, #1))
What meaning has an hour when that hour is indistinguishable from any other? A new day dawns, another season comes and goes, a year passes and then another, and another, until twenty-three years have slipped into oblivion. Ah, Hezekiah, no wonder you remember your final voyage as if just yesterday you had thrown yourself upon the mercy of the briny deep! The intervening years are sucked down these acheronian halls like light into a black hole while you helplessly teeter upon the event horizon, where time is measured by the beating of a fly’s wing in the stagnant air.
Rick Yancey (The Monstrumologist (The Monstrumologist, #1))
Tambolia is where dreams live and forgotten things go. It is also, where socks, pins and keys go unless you are paying particularly close attention to them when you put them down. People sometimes go to Tambolia, more than you might think, but it is the ones that come back that are interesting.
Yasha Marshall (The Voyage of the Dream Maker (The Tambolian Paradox Book 1))
What, everyone you know has been kidnapped by pirates and forced to chop octopus in a kitchen that smells like a whale's stomach?" "Quite a lot of them, yes," said Trudi, who appeared to be one of those people who'd heard of sarcasm but thought it was some sort of exotic fruit like a pineapple.
Claire Fayers (The Voyage to Magical North (The Accidental Pirates, #1))
The de Sudeley mission of 1178 had its roots in the turbulent years of the 1st century CE when Roman legions were advancing on Jerusalem and secret scrolls, maps and artifacts were hidden in the tunnels below the subterranean area of the Temple Mount. As I have recounted, in the early years of the 12th century, these items were found by early members of the Knights Templar. More than fifty years later, after much planning, de Sudeley completed a mission likely first envisioned by his Templar predecessors in Jerusalem. He left a detailed log compiled during the voyage, describing the year he spent in Onteora with the community that guarded the scrolls. He recorded geographic sites he had been to, Native Americans he met, and the community of Welsh and Norse he lived with in the Hunter Mountain area. His account was added to the existing record kept by the Templars at Castrum Sepulchri. Latin was the common language at this time, and the monk who recorded de Sudeley's deposition used it to write the record entitled, "A Year We Remember." This account was then added to the writings from the earlier 12th century Templar excavations in Jerusalem to comprise parts of the Templar Document.
Zena Halpern (The Templar Mission to Oak Island and Beyond: Search for Ancient Secrets: The Shocking Revelations of a 12th Century Manuscript)
I laughed with the sheer joy of controlling this beautiful creation, and I did not mind that there came an echoing laugh from somewhere just outside my awareness. For once that woman was no threat but a partner and I allowed her a share in my pleasure. I did not know, yet, just how dangerous she was.
Helen Susan Swift (Dark Voyage (Tales from the Dark Past #1))
Look again at that dot. That’s here. That’s home. That’s us… The Earth is the only world known so far to harbor life…Like it or not, for the moment the Earth is where we make our stand… There is perhaps no better demonstration of the folly of human conceits than this distant image of our tiny world. To me, it underscores our responsibility to deal more kindly with one another, and to preserve and cherish the pale blue dot, the only home we’ve ever known. —CARL SAGAN, reflecting on a photograph of Earth taken by the Voyager 1 space probe from a distance of 6 billion kilometers (Pale Blue Dot, 1994)
Carl Sagan
Presumably, it won’t be only one way. Even before the age of climate change, the literature of conservation furnished many metaphors to choose from. James Lovelock gave us the Gaia hypothesis, which conjured an image of the world as a single, evolving quasi-biological entity. Buckminster Fuller popularized “spaceship earth,” which presents the planet as a kind of desperate life raft in what Archibald MacLeish called “the enormous, empty night”; today, the phrase suggests a vivid picture of a world spinning through the solar system barnacled with enough carbon capture plants to actually stall out warming, or even reverse it, restoring as if by magic the breathability of the air between the machines. The Voyager 1 space probe gave us the “Pale Blue Dot”—the inescapable smallness, and fragility, of the entire experiment we’re engaged in, together, whether we like it or not. Personally, I think that climate change itself offers the most invigorating picture, in that even its cruelty flatters our sense of power, and in so doing calls the world, as one, to action. At least I hope it does. But that is another meaning of the climate kaleidoscope. You can choose your metaphor. You can’t choose the planet, which is the only one any of us will ever call home.
David Wallace-Wells (The Uninhabitable Earth: Life After Warming)
The man she has assembled out of the dead gasps, opens his eyes, and stares at her with fearful wonder. “Who are you?” he asks. “Asphodel,” she says. “I am your teacher.” “Who am I?” he asks. She smiles. “Your name is James,” she says. “You are the beginning of my greatest work. Welcome. We have so much to do.” He sits up, still staring at her. “But I don’t know what the work is.” “Don’t worry.” Her smile is the first brick in what she will one day call the improbable road. Today, now, in this moment, they are beginning their voyage toward the Impossible City. “I’ll show you,” she says, and the deed is done. It’s too late to turn back now.
Seanan McGuire (Middlegame (Alchemical Journeys, #1))
  1. Do not be proud of any excellence that is not your own. If a horse should be proud and say, ‘I am handsome’, it would be supportable.   2. But when you are proud and say, ‘I have a handsome horse’, know that you are proud of something that belongs not to you but to the horse.   3. What, then, is your own? Only your reaction to the appearances of things.   4. Thus, when you react to how things appear in true accordance with their nature, you will be proud with reason; for you will take pride in some good of your own.   5. Consider when, on a voyage, your ship is anchored; if you go on shore to get water you may amuse yourself along the way with picking up a shellfish.   6. However, your attention must also be towards the ship, waiting for the captain to call you on board;   7. For when he does so, you must immediately leave all these things, otherwise you will miss the ship as it sails.   8. So it is with life. Whatever you find while, so to say, wandering on the beach, is fine.   9. But if necessity calls, you must run to the ship, leaving these things, and regarding none of them. 10. For there is a proper time for all things, including a proper time to grieve, and to prepare to die. 11. The question to be asked at the end of each day is, ‘How long will you delay to be wise?
A.C. Grayling (The Good Book: A Secular Bible)
Il fait froid et triste quand on demande aux êtres de vous être un soutient, de vous réchauffer, d'alléger le fardeau de misère inhérente à toute existence. Nul d'eux n'a réellement le souci de le faire, nul d'eux ne le peut vraiment. C'est en soi qu'il faut cultiver la flamme qui réchauffe, c'est sur soi qu'il faut s'appuyer.
Alexandra David-Néel (Journal de Voyage: 1, Lettres à son mari)
Dad takes a step back, one hand still on my shoulder, and reaches into his pocket. He draws out a little blue capsule, and I feel every molecule in my body screaming to run. Dad must catch the panic in my eyes - he squeezes my shoulder and holds out the capsule. "Cas, it's fine. It's going to be fine. This is just in case." Just in case. Just in case the worst happens. The ship falls. Durga fails, I fail, and the knowledge I carry as a Reckoner trainer must be disposed of. That information can't fall into the wrong hands, into the hands of people who will do anything to take down our beasts. So this little capsule holds the pill that will kill me if it comes to that. "It's waterproof," Dad continues, pressing it into my hand. "The pocket on the collar of your wetsuit, keep it there. It has to stay with you at all times." It won't happen on this voyage. It's such a basic mission, gift-wrapped to be easy enough for me to handle on my own. But even holding the pill fills me with revulsion. On all my training voyages, I've never had to carry one of these capsules. That burden only goes to full-time trainers. "Cas." Dad tilts my chin up, ripping my gaze from the pull. "You were born to do this. I promise you, you'll forget you even have it." I suppose he ought to know - he's been carrying one for two decades. It's just a right of passage, I tell myself, and throw my arms around his neck once more.
Emily Skrutskie (The Abyss Surrounds Us (The Abyss Surrounds Us, #1))
Returning from a hunting trip, Orde-Lees, traveling on skis across the rotting surface of the ice, had just about reached camp when an evil, knoblike head burst out of the water just in front of him. He turned and fled, pushing as hard as he could with his ski poles and shouting for Wild to bring his rifle. The animal—a sea leopard—sprang out of the water and came after him, bounding across the ice with the peculiar rocking-horse gait of a seal on land. The beast looked like a small dinosaur, with a long, serpentine neck. After a half-dozen leaps, the sea leopard had almost caught up with Orde-Lees when it unaccountably wheeled and plunged again into the water. By then, Orde-Lees had nearly reached the opposite side of the floe; he was about to cross to safe ice when the sea leopard’s head exploded out of the water directly ahead of him. The animal had tracked his shadow across the ice. It made a savage lunge for Orde-Lees with its mouth open, revealing an enormous array of sawlike teeth. Orde-Lees’ shouts for help rose to screams and he turned and raced away from his attacker. The animal leaped out of the water again in pursuit just as Wild arrived with his rifle. The sea leopard spotted Wild, and turned to attack him. Wild dropped to one knee and fired again and again at the onrushing beast. It was less than 30 feet away when it finally dropped. Two dog teams were required to bring the carcass into camp. It measured 12 feet long, and they estimated its weight at about 1,100 pounds. It was a predatory species of seal, and resembled a leopard only in its spotted coat—and its disposition. When it was butchered, balls of hair 2 and 3 inches in diameter were found in its stomach—the remains of crabeater seals it had eaten. The sea leopard’s jawbone, which measured nearly 9 inches across, was given to Orde-Lees as a souvenir of his encounter. In his diary that night, Worsley observed: “A man on foot in soft, deep snow and unarmed would not have a chance against such an animal as they almost bound along with a rearing, undulating motion at least five miles an hour. They attack without provocation, looking on man as a penguin or seal.
Alfred Lansing (Endurance: Shackleton's Incredible Voyage)
I had many things to say, I did not have the words to say them. Painfully aware of my limitations, I watched helplessly as language became an obstacle. It became clear that it would be necessary to invent a new language. But how was one to rehabilitate and transform words betrayed and perverted by the enemy? Hunger—thirst—fear—transport—selection—fire—chimney: these words all have intrinsic meaning, but in those times, they meant something else. Writing in my mother tongue—at that point close to extinction—I would pause at every sentence, and start over and over again. I would conjure up other verbs, other images, other silent cries. It still was not right. But what exactly was "it"? "It" was something elusive, darkly shrouded for fear of being usurped, profaned. All the dictionary had to offer seemed meager, pale, lifeless. Was there a way to describe the last journey in sealed cattle cars, the last voyage toward the unknown? Or the discovery of a demented and glacial universe where to be inhuman was human, where disciplined, educated men in uniform came to kill, and innocent children and weary old men came to die? Or the countless separations on a single fiery night, the tear- ing apart of entire families, entire communities? Or, incredibly, the vanishing of a beautiful, well-behaved little Jewish girl with golden hair and a sad smile, murdered with her mother the very night of their arrival? How was one to speak of them without trembling and a heart broken for all eternity?
Elie Wiesel (Night (The Night Trilogy, #1))
Past, present, and future, the symbiosis of our lives," the old man continued quietly, gently. "Our birth, our life, our death, all tied into a single package that we spend our time on this earth unwrapping. Sometimes we see clearly what it is we are looking at. Sometimes we do not. Sometimes things happen to distract or deceive us, and we must look more carefully at what it is we hold.
Terry Brooks (Ilse Witch (Voyage of the Jerle Shannara, #1))
it was at the very moment in which I was tasting an unfamiliar pleasure, feeling that my life might yet be happy, in which it should have become more precious in my sight; it was at this very moment that, delivered from the anxieties which my life had hitherto contrived to suggest to me, I unhesitatingly abandoned it to the chance of an accident. After all, I was doing no more than concentrate in a single evening the carelessness that, for most men, is diluted throughout their whole existence, in which every day they face, unnecessarily, the dangers of a sea-voyage, of a trip in an aeroplane or motor-car, when there is waiting for them at home the creature whose life their death would shatter, or when there is still stored in the fragile receptacle of their brain that book the approaching publication of which is their one object, now, in life.
Marcel Proust (In Search of Lost Time [volumes 1 to 7])
Schelling's God is the totality of Nature struggling towards consciousness, and Man is as far as the struggle has got, with the animals not too far behind, vegetables somewhat lagging, and rocks nowhere as yet. Do we believe this? Does it matter? Think of it as a poem or a painting. Art doesn't have to be true like a theorem. It can be true in other ways. This truth says there is a meaning to it all, and Man is where the meaning begins to show.
Tom Stoppard (Voyage (The Coast of Utopia #1))
He’s our sister’s slave, or was,” Castor replied. “She freed him as soon as she bought him.” “And still he came onto this ship with you, sick as seafaring makes him?” “This is his first voyage,” I said, stooping beside Milo to place one arm protectively around him. “He didn’t know he’d get sick.” “Oh, he’d have come along even if he’d known that a sea monster was waiting to gobble him up,” Castor said, with another of those annoying, conspiratorial winks to his twin. “Anything rather than be separated from you, little sister.” Polydeuces eagerly took up his brother’s game. “That’s true,” he hastened to tell the old sailor. “If you could have seen the way he’s been gazing at her, all the way from Calydon!” “Can we blame him, Polydeuces?” Castor asked with mock sincerity. “Our little sister is the most beautiful woman in the world.” They collapsed laughing into each other’s arms. Milo made a great effort and pushed himself away from the rail, away from me. He took two staggering steps, fists clenched. “She is.
Esther M. Friesner (Nobody's Princess (Nobody's Princess, #1))
We can all be clockmakers, or astronomers. But if we all wanted to be Pushkin. . .if the question is, how do you make a poem by Pushkin?- or, what exactly makes one poem or painting or piece of music greater than another?- or, what is beauty?, or liberty?, or virtue?- if the question is, how should we live?. . . then, reason gives no answer or different answers. So something went wrong. The divine spark in man is not reason after all, but something else, some kind of intuition or vision, perhaps like the moment of inspiration experienced by the artist . . .
Tom Stoppard (Voyage (The Coast of Utopia #1))
sail, we  tcame by a straight course to Cos, and the next day to Rhodes, and from there to Patara. [1] 2And having found a ship crossing to Phoenicia, we went aboard and set sail. 3When we had come in sight of Cyprus, leaving it on the left we sailed to Syria and landed at Tyre, for there the ship was to unload its cargo. 4And having sought out the disciples, we stayed there for seven days. And  uthrough the Spirit they were telling Paul not to go on to Jerusalem. 5When our days there were ended, we departed and went on our journey, and they all, with wives and children,  vaccompanied us until we were outside the city. And  wkneeling down on the beach, we prayed 6and said farewell to one another. Then we went on board the ship, and they returned home. 7When we had finished the voyage from Tyre, we arrived at Ptolemais, and we greeted  xthe brothers [2] and stayed with them for one day. 8On the next day we departed and came to Caesarea, and we entered the house of  yPhilip  zthe evangelist, who was one of the seven, and stayed with him. 9He had four unmarried daughters,  awho prophesied. 10While we were staying for many days, a prophet named  bAgabus came down from Judea. 11And coming to
Anonymous (The Holy Bible: English Standard Version)
It was also a lot easier for online teachers to hold their students’ attention, because here in the OASIS, the classrooms were like holodecks. Teachers could take their students on a virtual field trip every day, without ever leaving the school grounds. During our World History lesson that morning, Mr. Avenovich loaded up a stand-alone simulation so that our class could witness the discovery of King Tut’s tomb by archaeologists in Egypt in AD 1922. (The day before, we’d visited the same spot in 1334 BC and had seen Tutankhamun’s empire in all its glory.) In my next class, Biology, we traveled through a human heart and watched it pumping from the inside, just like in that old movie Fantastic Voyage. In Art class we toured the Louvre while all of our avatars wore silly berets. In my Astronomy class we visited each of Jupiter’s moons. We stood on the volcanic surface of Io while our teacher explained how the moon had originally formed. As our teacher spoke to us, Jupiter loomed behind her, filling half the sky, its Great Red Spot churning slowly just over her left shoulder. Then she snapped her fingers and we were standing on Europa, discussing the possibility of extraterrestrial life beneath the moon’s icy crust.
Ernest Cline (Ready Player One (Ready Player One, #1))
They say there are three kinds of people in the world: those who listen to stories, those who tell them, and those who make them. Barnard’s Reach is home to a fourth kind: those who keep them. The library island is little more than a jut of land at the southern mouth of the Gemini Seas. It is accessed only by appointment, and never at all if you are a man—the libraries are for women only. There, the Book Sisters collect and record everything that happens in the world. Nobody knows what drives them to spend their lives in the company of books, but when a story begins with “they say,” you can bet your boots “they” came from Barnard’s Reach.
Claire Fayers (The Voyage to Magical North (The Accidental Pirates Book 1))
So, boy, how does it feel to be pouring out a never-ending stream of--?” “Stop that!” I scowled at my brothers as I shooed them away from Milo. “How can you make such jokes in front of him?” “To be honest, the only thing in front of him right now is the sea and the supper he ate three days ago.” Castor’s grin got wider. Polydeuces was contrite. “We mean well, Helen. We’re only trying to make him laugh. A good laugh might take his mind off being so ill.” “It’s a shame we’re bound straight for Corinth,” the old sailor said, rubbing the back of his neck. “Since nothing else seems to be working for this lad, could be that a short rest on dry land would steady his stomach.” “You think we’d ever be able to get him back on board afterward?” Castor asked. The sailor shrugged. “What would he have to say about it? He’s your slave, isn’t he?” “He’s our sister’s slave, or was,” Castor replied. “She freed him as soon as she bought him.” “And still he came onto this ship with you, sick as seafaring makes him?” “This is his first voyage,” I said, stooping beside Milo to place one arm protectively around him. “He didn’t know he’d get sick.” “Oh, he’d have come along even if he’d known that a sea monster was waiting to gobble him up,” Castor said, with another of those annoying, conspiratorial winks to his twin. “Anything rather than be separated from you, little sister.” Polydeuces eagerly took up his brother’s game. “That’s true,” he hastened to tell the old sailor. “If you could have seen the way he’s been gazing at her, all the way from Calydon!” “Can we blame him, Polydeuces?” Castor asked with mock sincerity. “Our little sister is the most beautiful woman in the world.” They collapsed laughing into each other’s arms. Milo made a great effort and pushed himself away from the rail, away from me. He took two staggering steps, fists clenched. “She is.” Then he spun around and lurched for the ship’s side once more. My brothers exchanged a look of pure astonishment. The old sailor chuckled. “He may have been a slave, Lady Helen, but he’s braver than many a free man, to talk back to princes that way! But it wouldn’t be the first time a man found courage he never knew he had until he met the right woman.” My face flamed. I wanted to thank Milo for putting an end to my brothers’ teasing--whether or not it was all in fun, I still found it annoying--but I was strangely tongue-tied. Fortunately for me, the old sailor chose that moment to say, “That’s not something you see every day, a mouse trying to take a bite from a lion’s tail. Mark my words, this lad has the makings of a great hero. Why, if I had it my way, I’d put in at the next port and carry him all the way to Apollo’s temple at Delphi, just to see what marvels the Pythia would have to predict about his future.
Esther M. Friesner (Nobody's Princess (Nobody's Princess, #1))
The world outside of me has no meaning independent of my thinking it. (pauses to look) I look out of the window. A garden. Trees. Grass. A young woman in a chair reading a book. I think: chair. So she is sitting. I think: book. So she is reading. Now the young woman touches her hair where it's come undone. But how can we be sure there is a world of phenomena, a woman reading in a garden? Perhaps the only thing that's real is my sensory experience, which has the form of a woman reading- in a universe which is in fact empty! But Immanuel Kant says- no! Because what I perceive as reality includes concepts which I cannot experience through the senses. Time and space. Cause and effect. Relations between things. Without me there is something wrong with this picture. The trees, the grass, the woman are merely- oh, she's coming! (nervously)- she's coming in here-! I say, don't leave!-where are you going?
Tom Stoppard (Voyage (The Coast of Utopia #1))
It’s easy to underestimate how profound and holistic Roddenberry’s vision of the techscape of the future was. By today’s standards, the available technology of 1964 was downright primitive. Doors did not open automatically when we approached them. The first handheld calculator was still in the future, as were microwave ovens and cell phones. 1964 was a year before most Americans had even heard of a place called Vietnam, five years before man walked on the moon, 25 years before anyone ever surfed the Internet. Your phone had a curly cord, and the new innovation of “touchtone” dialing was merely a year old. Even the television sets that viewers watched would be considered positively prehistoric today. Most TVs were black-and-white models, and the majority of those sets had no remote control. There was no cable or satellite; rabbit ears and roof-top antennas were the norm. The world looked, and was, different.
Marc Cushman (These are the Voyages: TOS Season One (These are the Voyages, #1))
knowest not what thou sayest. I am but an ignorant man myself.” “Yes, yes,” says he, “you teachee me good, you teachee them good.” “No, no, Friday,” says I, “you shall go without me; leave me here to live by myself, as I did before.” He looked confused again at that word, and running to one of the hatchets which he used to wear, he takes it up hastily, comes and gives it to me. “What must I do with this?” says I to him. “You take kill Friday,” says he. “What must I kill you for?” said I again. He returns very quick, “What you send Friday away for? Take kill Friday, no send Friday away.” This he spoke so earnestly that I saw tears stand in his eyes. In a word, I so plainly discovered the utmost affection in him to me, and a firm resolution in him, that I told him then, and often after, that I would never send him away from me if he was willing to stay with me. Upon the whole, as I found by all his discourse a settled affection to me, and that nothing should part him from me, so I found all the foundation of his desire to go to his own country was laid in his ardent affection to the people, and his hopes of my doing them good; a thing which, as I had no notion of myself, so I had not the least thought or intention or desire of undertaking it. But still I found a strong inclination to my attempting an escape, as above, founded on the supposition gathered from the discourse, viz., that there were seventeen bearded men there; and, therefore, without any more delay I went to work with Friday, to find out a great tree proper to fell, and make a large periagua, or canoe, to undertake the voyage. There were trees enough in the island to have built a little fleet, not of periaguas and canoes, but even of good large vessels. But the main thing I looked at was, to get one so near the water that we might launch it when it
Joseph Conrad (50 Masterpieces you have to read before you die vol: 1)
Bringing back the Golden Fleece,” I repeated, mocking him. “As if it exists.” Castor frowned. “What’s biting you? Of course it exists! We told you what Jason said. It belonged to a marvelous ram sent by the gods to rescue two royal children, Phrixus and Helle, from their murderous stepmother. A pity it wasn’t a perfect rescue. Phrixus reached Colchis safely, but his sister, Helle, fell off in mid-flight and drowned. Jason says that’s why the place where she plunged into the sea’s called the Hellespont. If that doesn’t prove the story’s true, what will satisfy you?” “Anyone can give a place a name,” I said, rolling my eyes. “When I get home, I’ll name that olive grove near our training ground Wolf Forest and see what happens. A ram with a fleece of real gold, a flying ram that could carry the children through the skies to Colchis, where there are dragons, oh yes, that’s believable! That’s worth risking your lives for on a voyage across the world! I’ll bet you don’t care if that story’s true or not. You just want an excuse to go off chasing fame!” Polydeuces set a honey cake on my already heaping plate. “There must be something waiting for us in Colchis, little sister,” he said gently. “Maybe not the gold fleece of a flying ram, but something. Why would Jason go to the trouble and expense of outfitting a ship for such a long, dangerous voyage otherwise?” He smiled wistfully and added, “You mustn’t worry about us. We’ll come back; we’ll be fine.” He was right: I was worried about what would become of my brothers on that great adventure. But more than that, I envied them with all my heart. So what if the goal of their expedition was the phantom fleece of a ram that never existed? The fascinating lands my brothers would see and the exploits they’d share would be real enough. And I’d be left behind. They’ll see marvels I can’t being to imagine, I thought. Maybe they’ll even see that old sailor’s five-legged monster! Meanwhile, I’m going to be trundled home in an oxcart so thickly hedged around by Spartan soldiers that all I’ll see during my journey will be spears. It’s not fair! I can handle a sword almost as well as either of them, and I know I’m better with a bow and arrow!
Esther M. Friesner (Nobody's Princess (Nobody's Princess, #1))
STANKEVICH The world outside of me has no meaning independent of my thinking it. (pauses to look) I look out of the window. A garden. Trees. Grass. A young woman in a chair reading a book. I think: chair. So she is sitting. I think: book. So she is reading. Now the young woman touches her hair where it's come undone. But how can we be sure there is a world of phenomena, a woman reading in a garden? Perhaps the only thing that's real is my sensory experience, which has the form of a woman reading- in a universe which is in fact empty! But Immanuel Kant says- no! Because what I perceive as reality includes concepts which I cannot experience through the senses. Time and space. Cause and effect. Relations between things. Without me there is something wrong with this picture. The trees, the grass, the woman are merely- oh, she's coming! (nervously)- she's coming in here-! I say, don't leave!-where are you going? MICHAEL Father's looking for me anyway. . .(gloomily) I've had to ask him to settle a few debts here and there in the world of appearances, so now he's been busy getting me a job. Liubov enters from the garden, with her book. LIUBOV Oh!-(noticing Stankevich) Excuse me- MICHAEL Nobody seems to understand Stankevich and I are engaged in a life-or-death struggle over material forces to unite our spirit with the Universal
Tom Stoppard (Voyage (The Coast of Utopia #1))
STANKEVICH The world outside of me has no meaning independent of my thinking it. (pauses to look) I look out of the window. A garden. Trees. Grass. A young woman in a chair reading a book. I think: chair. So she is sitting. I think: book. So she is reading. Now the young woman touches her hair where it's come undone. But how can we be sure there is a world of phenomena, a woman reading in a garden? Perhaps the only thing that's real is my sensory experience, which has the form of a woman reading- in a universe which is in fact empty! But Immanuel Kant says- no! Because what I perceive as reality includes concepts which I cannot experience through the senses. Time and space. Cause and effect. Relations between things. Without me there is something wrong with this picture. The trees, the grass, the woman are merely- oh, she's coming! (nervously)- she's coming in here-! I say, don't leave!-where are you going? MICHAEL Father's looking for me anyway. . .(gloomily) I've had to ask him to settle a few debts here and there in the world of appearances, so now he's been busy getting me a job. Liubov enters from the garden, with her book. LIUBOV Oh!-(noticing Stankevich) Excuse me- MICHAEL Nobody seems to understand Stankevich and I are engaged in a life-or-death struggle over material forces to unite our spirit with the Universal- and he has to go to Moscow tomorrow!
Tom Stoppard (Voyage (The Coast of Utopia #1))