β
The real voyage of discovery consists not in seeking new landscapes, but in having new eyes.
β
β
Marcel Proust
β
One glance at a book and you hear the voice of another person, perhaps someone dead for 1,000 years. To read is to voyage through time.
β
β
Carl Sagan
β
Courage, dear heart.
β
β
C.S. Lewis (The Voyage of the Dawn Treader (Chronicles of Narnia, #3))
β
Books permit us to voyage through time, to tap the wisdom of our ancestors.
β
β
Carl Sagan (Cosmos)
β
It's hard to tell the difference between sea and sky, between voyager and sea. Between reality and the workings of the heart.
β
β
Haruki Murakami (Kafka on the Shore)
β
There was a boy called Eustace Clarence Scrubb, and he almost deserved it.
β
β
C.S. Lewis (The Voyage of the βDawn Treaderβ (The Chronicles of Narnia, #3))
β
The most merciful thing in the world, I think, is the inability of the human mind to correlate all its contents. We live on a placid island of ignorance in the midst of black seas of the infinity, and it was not meant that we should voyage far.
β
β
H.P. Lovecraft (The Call of Cthulhu and Other Weird Stories)
β
Once you have traveled, the voyage never ends, but is played out over and over again in the quietest chambers. The mind can never break off from the journey.
β
β
Pat Conroy
β
It isn't Narnia, you know," sobbed Lucy. "It's you. We shan't meet you there. And how can we live, never meeting you?"
"But you shall meet me, dear one," said Aslan.
"Are -are you there too, Sir?" said Edmund.
"I am," said Aslan. "But there I have another name. You must learn to know me by that name. This was the very reason why you were brought to Narnia, that by knowing me here for a little, you may know me better there.
β
β
C.S. Lewis (The Voyage of the Dawn Treader (Chronicles of Narnia, #5))
β
Make voyages. Attempt them. There's nothing else.
β
β
Tennessee Williams (Camino Real)
β
Adventures are never fun while you're having them.
β
β
C.S. Lewis (The Voyage of the Dawn Treader (Chronicles of Narnia, #3))
β
Never did the world make a queen of a girl who hides in houses and dreams without traveling.
β
β
Roman Payne (The Wanderess)
β
Some beautiful paths can't be discovered without getting lost.
β
β
Erol Ozan
β
But no one except Lucy knew that as it circled the mast it had whispered to her, "Courage, dear heart," and the voice, she felt sure, was Aslan's, and with the voice a delicious smell breathed in her face.
β
β
C.S. Lewis (The Voyage of the Dawn Treader (Chronicles of Narnia, #3))
β
We live on a placid island of ignorance in the midst of black seas of infinity, and it was not meant that we should voyage far.
β
β
H.P. Lovecraft (The Call of Cthulhu: With a Dedication by George Henry Weiss)
β
It is always sad to leave a place to which one knows one will never return. Such are the melancolies du voyage: perhaps they are one of the most rewarding things about traveling.
β
β
Gustave Flaubert (Flaubert in Egypt)
β
There is a tide in the affairs of men
Which, taken at the flood, leads on to fortune;
Omitted, all the voyage of their life
Is bound in shallows and in miseries.
On such a full sea are we now afloat;
And we must take the current when it serves,
Or lose our ventures.
β
β
William Shakespeare (Julius Caesar)
β
It has always been forever, for me, Sassenach
β
β
Diana Gabaldon (Voyager (Outlander, #3))
β
I want to write a novel about Silence," he said; βthe things people donβt say.
β
β
Virginia Woolf (The Voyage Out (The Virginia Woolf Library))
β
If the misery of the poor be caused not by the laws of nature, but by our institutions, great is our sin.
β
β
Charles Darwin (Voyage of the Beagle)
β
In our world," said Eustace, "a star is a huge ball of flaming gas."
Even in your world, my son, that is not what a star is, but only what it is made of.
β
β
C.S. Lewis (The Voyage of the Dawn Treader (Chronicles of Narnia, #3))
β
I feel so intensely the delights of shutting oneself up in a little world of oneβs own, with pictures and music and everything beautiful.
β
β
Virginia Woolf (The Voyage Out (The Virginia Woolf Library))
β
Borges said there are only four stories to tell: a love story between two people, a love story between three people, the struggle for power and the voyage. All of us writers rewrite these same stories ad infinitum.
β
β
Paulo Coelho
β
Do ye not understand?"he said, in near desparation. "I would lay the world at your feet, Claire-and I have nothing to give ye!"
He honestly thought it mattered.
β
β
Diana Gabaldon (Voyager (Outlander, #3))
β
Books permit us to voyage through time, to tap the wisdom of our ancestors. The library connects us with the insight and knowledge, painfully extracted from Nature, of the greatest minds that ever were, with the best teachers, drawn from the entire planet and from all our history, to instruct us without tiring, and to inspire us to make our own contribution to the collective knowledge of the human species. I think the health of our civilization, the depth of our awareness about the underpinnings of our culture and our concern for the future can all be tested by how well we support our libraries.
β
β
Carl Sagan (Cosmos)
β
I am [in your world].β said Aslan. βBut there I have another name. You must learn to know me by that name. This was the very reason why you were brought to Narnia, that by knowing me here for a little, you may know me better there.
β
β
C.S. Lewis (The Chronicles of Narnia (The Chronicles of Narnia, #1-7))
β
To be whole is to be part; true voyage is return.
β
β
Ursula K. Le Guin (The Dispossessed: An Ambiguous Utopia)
β
A mind forever Voyaging through strange seas of Thought, alone.
β
β
William Wordsworth
β
Now, Voyager, sail thou forth, to seek and find."
β
β
Walt Whitman
β
The most merciful thing in the world, I think, is the inability of the human mind to correlate all its contents. We live on a placid island of ignorance in the midst of black seas of infinity, and it was not meant that we should voyage far. The sciences, each straining in its own direction, have hitherto harmed us little; but some day the piecing together of dissociated knowledge will open up such terrifying vistas of reality, and of our frightful position therein, that we shall either go mad from the revelation or flee from the light into the peace and safety of a new dark age.
β
β
H.P. Lovecraft
β
Caminante, no hay puentes, se hace puentes al andar.
(Voyager, there are no bridges, one builds them as one walks.)
β
β
Gloria E. AnzaldΓΊa
β
But the true voyagers are only those who leave
Just to be leaving; hearts light, like balloons,
They never turn aside from their fatality
And without knowing why they always say: "Let's go!
β
β
Charles Baudelaire (Les Fleurs du Mal)
β
One of the most cowardly things ordinary people do is to shut their eyes to facts.
β
β
C.S. Lewis (Chronicles of Narnia: The Voyage of the Dawn Treader (Korean Edition))
β
A person does not grow from the ground like a vine or a tree, one is not part of a plot of land. Mankind has legs so it can wander.
β
β
Roman Payne (The Wanderess)
β
To know what you prefer instead of humbly saying Amen to what the world tells you you ought to prefer, is to have kept your soul alive.
β
β
Robert Louis Stevenson (An Inland Voyage)
β
She belonged to a different age, but being so entire, so complete, would always stand up on the horizon, stone-white, eminent, like a lighthouse marking some past stage on this adventurous, long, long voyage, this interminable --- this interminable life.
β
β
Virginia Woolf (Mrs. Dalloway)
β
Once you've chosen a man, don't try to change him', I wrote with more confidence. 'It can't be done. More important-don't let him try to change you.
β
β
Diana Gabaldon (Voyager (Outlander, #3))
β
Cities were always like people, showing their varying personalities to the traveler. Depending on the city and on the traveler, there might begin a mutual love, or dislike, friendship, or enmity. Where one city will rise a certain individual to glory, it will destroy another who is not suited to its personality. Only through travel can we know where we belong or not, where we are loved and where we are rejected.
β
β
Roman Payne (Cities & Countries)
β
My dear friend, what is this our life? A boat that swims in the sea, and all one knows for certain about it is that one day it will capsize. Here we are, two good old boats that have been faithful neighbors, and above all your hand has done its best to keep me from "capsizing"! Let us then continue our voyageβeach for the other's sake, for a long time yet, a long time! We should miss each other so much! Tolerably calm seas and good winds and above all sunβwhat I wish for myself, I wish for you, too, and am sorry that my gratitude can find expression only in such a wish and has no influence at all on wind or weather!
β
β
Friedrich Nietzsche
β
Into this wild Abyss/ The womb of Nature, and perhaps her grave--/ Of neither sea, nor shore, nor air, nor fire,/ But all these in their pregnant causes mixed/ Confusedly, and which thus must ever fight,/ Unless the Almighty Maker them ordain/ His dark materials to create more worlds,--/ Into this wild Abyss the wary Fiend/ Stood on the brink of Hell and looked a while,/ Pondering his voyage; for no narrow frith/ He had to cross.
β
β
John Milton (Paradise Lost)
β
The untold want, by life and land ne'er granted,
Now, Voyager, sail thou forth, to seek and find.
β
β
Walt Whitman (Leaves of Grass)
β
I was destined to love you, and I will belong to you forever.
β
β
Colleen Houck (Tiger's Voyage (The Tiger Saga, #3))
β
I shook so that it was some time before I realized that he was shaking too, and for the same reason. I don't know how long we sat there on the dusty floor, crying in each others arms with the longing of twenty years spilling down our faces.
β
β
Diana Gabaldon (Voyager (Outlander, #3))
β
The only true voyage, the only bath in the Fountain of Youth, would be not to visit strange lands but to possess other eyes, to see the universe through the eyes of another, of a hundred others, to see the hundred universes that each of them sees.
β
β
Marcel Proust
β
Your heart knows. Your soul remembers.
β
β
Colleen Houck (Tiger's Voyage (The Tiger Saga, #3))
β
Three or four times only in my youth did I glimpse the Joyous Isles, before they were lost to fogs, depressions, cold fronts, ill winds, and contrary tides... I mistook them for adulthood. Assuming they were a fixed feature in my life's voyage, I neglected to record their latitude, their longitude, their approach. Young ruddy fool. What wouldn't I give now for a never-changing map of the ever-constant ineffable? To possess, as it were, an atlas of clouds.
β
β
David Mitchell (Cloud Atlas)
β
The ragamuffin who sees his life as a voyage of discovery and runs the risk of failure has a better feel for faithfulness than the timid man who hides behind the law and never finds out who he is at all.
β
β
Brennan Manning (The Ragamuffin Gospel)
β
From the first day I met her, she was the only woman to me. Every day of that voyage I loved her more, and many a time since have I kneeled down in the darkness of the night watch and kissed the deck of that ship because I knew her dear feet had trod it. She was never engaged to me. She treated me as fairly as ever a woman treated a man. I have no complaint to make. It was all love on my side, and all good comradeship and friendship on hers. When we parted she was a free woman, but I could never again be a free man.
β
β
Arthur Conan Doyle (The Return of Sherlock Holmes (Sherlock Holmes, #6))
β
For so many years, for so long, I have been so many things, so many different men. But here," he said, so softly I could barely hear him, "here in the dark, with you⦠I have no name.
β
β
Diana Gabaldon (Voyager (Outlander, #3))
β
Most of us, I suppose, have a secret country but for most of us it is only an imaginary country. Edmund and Lucy were luckier than other people in that respect.
β
β
C.S. Lewis (The Voyage of the Dawn Treader (Chronicles of Narnia, #3))
β
Two years he walks the earth. No phone, no pool, no pets, no cigarettes. Ultimate freedom. An extremist. An aesthetic voyager whose home is the road. Escaped from Atlanta. Thou shalt not return, 'cause "the West is the best." And now after two rambling years comes the final and greatest adventure. The climactic battle to kill the false being within and victoriously conclude the spiritual pilgrimage. Ten days and nights of freight trains and hitchhiking bring him to the Great White North. No longer to be poisoned by civilization he flees, and walks alone upon the land to become lost in the wild.
--Alexander Supertramp, May 1992
β
β
Christopher McCandless
β
You're forgetting something iadala. Love is not a consequence. Love is not a choice. Love is a thirst --- a need as vital to the soul as water is to the body.
β
β
Colleen Houck (Tiger's Voyage (The Tiger Saga, #3))
β
(...)normalcy is an illusion. Each person is utterly unique. A standard of normalcy is something that most people of the world simply will never access.
β
β
Colleen Houck (Tiger's Voyage (The Tiger Saga, #3))
β
Sleeping on a dragon's hoard with greedy, dragonish thoughts in his heart, he had become a dragon himself.
β
β
C.S. Lewis (The Voyage of the βDawn Treaderβ (The Chronicles of Narnia, #3))
β
This is something you can't deny. You belong with me. You're mine.
β
β
Colleen Houck (Tiger's Voyage (The Tiger Saga, #3))
β
The most irritating thing about cliches, I decided, was how frequently they were true.
β
β
Diana Gabaldon (Voyager (Outlander, #3))
β
It wasn't a thing I had consciously missed, but having it now reminded me of the joy of it; that drowsy intimacy in which a man's body is accessible to you as your own, the strange shapes and textures of it like a sudden extension of your own limbs.
β
β
Diana Gabaldon (Voyager (Outlander, #3))
β
Regrets are only felt by those who do not understand life's purpose.
β
β
Colleen Houck (Tiger's Voyage (The Tiger Saga, #3))
β
And she never could remember; and ever since that day what Lucy means by a good story is a story which reminds her of the forgotten story in the Magician's Book.
β
β
C.S. Lewis (The Voyage of the Dawn Treader (Chronicles of Narnia, #3))
β
Kishan shook his head. 'I'm not going to let you hurt her.'
'Hurt her? I'm not going to harm her. You, on the other hand, I'm going to destroy.
β
β
Colleen Houck (Tiger's Voyage (The Tiger Saga, #3))
β
Then kiss me, Claire," he whispered, "And know that you are more to me than life, and I have no regret.
β
β
Diana Gabaldon (Voyager (Outlander, #3))
β
But I will not tell you how long or short the way will be; only that it lies across a river. But do not fear that, for I am the great Bridge Builder.
β
β
C.S. Lewis (The Voyage of the Dawn Treader (Chronicles of Narnia, #3))
β
Something came out from my heart into my throat and then into my eyes.
β
β
Jean Rhys (Voyage in the Dark)
β
A wise man sees the path all must walk and embraces the free will of humankind, even if to watch it unfold causes him pain.
β
β
Colleen Houck (Tiger's Voyage (The Tiger Saga, #3))
β
You have so many layers, that you can peel away a few, and everyone's so shocked or impressed that you're baring your soul, while to you it's nothing, because you know you've twenty more layers to go.
β
β
Craig Thompson (Carnet de Voyage)
β
He gave you to me," she said, so low I could hardly hear her. "Now I have to give you back to him, Mama.
β
β
Diana Gabaldon (Voyager (Outlander, #3))
β
How poor are they that have no patients! What wound did ever heal but by degrees?'"
"Shakespeare isn't going to save you this time, Superman. Your time's run out."
He scowled. "Perhaps I should have been studying The Taming of the Shrew!
β
β
Colleen Houck (Tiger's Voyage (The Tiger Saga, #3))
β
Do ye want me?" he whispered. "Sassenach, will ye take me - and risk the man that I am, for the sake of the man ye knew?
β
β
Diana Gabaldon (Voyager (Outlander, #3))
β
Love can crystallize things. When love is in the air, distressing rain can become a wonderful avalanche of shimmering diamonds. Raindrops are transformed into a flood of sparkling crystal pearls. The power of love can convert rain into a multitude of glittering prisms. The mental seduction of love and a boundless illusion, inflamed by a profound uprising emotion, can change any ordinary incident into a radiant, luminous voyage. ( "Crystallization under an umbrella" )
β
β
Erik Pevernagie
β
Um...perhaps I will go with Grandfather," Nilima said. She set down the scissors, looked at my expression, and then changed her mind and took them with her.
β
β
Colleen Houck (Tiger's Voyage (The Tiger Saga, #3))
β
Was it too much to ask you to wait for me? To believe in me? Don't you know how much I love you?
β
β
Colleen Houck (Tiger's Voyage (The Tiger Saga, #3))
β
Two years he walks the Earth. No phone, no pool, no pets, no cigarettes. Ultimate freedom. An extremist. An aesthetic voyager whose home is the road. Escaped from Atlanta. Thou shalt not return, 'cause "the West is the best." And now after two rambling years comes the final and greatest adventure. The climactic battle to kill the false being within and victoriously conclude the spiritual revolution. Ten days and nights of freight trains and hitchhiking bring him to the great white north. No longer to be poisoned by civilization he flees, and walks alone upon the land to become lost in the wild.
β
β
Christopher McCandless
β
This was how it was with travel: one city gives you gifts, another robs you. One gives you the heartβs affections, the other destroys your soul. Cities and countries are as alive, as feeling, as fickle and uncertain as people. Their degrees of love and devotion are as varying as with any human relation. Just as one is good, another is bad.
β
β
Roman Payne (Cities & Countries)
β
For upon reaching his destination, a man with a past full of misfortunes can both taste the bitter drops of his sorrow and grin in triumph despite them. In reaching the desired end of his voyage there is an outbreak of joy. Even in a pyrrhic victory, a man of past and present tragedies experiences the sweetness of that unfamiliar emotion.
β
β
Asaad Almohammad (An Ishmael of Syria)
β
Beyond the East the sunrise, beyond the West the sea,
And East and West the wanderlust that will not let me be;
It works in me like madness, dear, to bid me say good-by!
For the seas call and the stars call, and oh, the call of the sky!
I know not where the white road runs, nor what the blue hills are,
But man can have the sun for friend, and for his guide a star;
And there's no end of voyaging when once the voice is heard,
For the river calls and the road calls, and oh, the call of a bird!
Yonder the long horizon lies, and there by night and day
The old ships draw to home again, the young ships sail away;
And come I may, but go I must, and if men ask you why,
You may put the blame on the stars and the sun and the white road and the sky!
β
β
Gerald Gould
β
The very first tear he made was so deep that I thought it had gone right into my heart.
β
β
C.S. Lewis (The Voyage of the Dawn Treader (Chronicles of Narnia, #3))
β
Aye, well, he'll be wed a long time," he said callously. "Do him no harm to keep his breeches on for one night. And they do say that abstinence makes the heart grow firmer, no?"
"Absence," I said, dodging the spoon for a moment. "AND fonder. If anything's growing firmer from abstinence, it wouldn't be his heart.
β
β
Diana Gabaldon (Voyager (Outlander, #3))
β
Only you," he said, so softly I could barely hear him. "To worship ye with my body, give ye all the service of my hands. To give ye my name, and all my heart and soul with it. Only you. Because ye will not let me lie--and yet ye love me.
β
β
Diana Gabaldon (Voyager (Outlander, #3))
β
To become imperceptible oneself, to have dismantled love in order to become capable of loving. To have dismantled one's self in order finally to be alone and meet the true double at the other end of the line. A clandestine passenger on a motionless voyage. To become like everybody else; but this, precisely, is a becoming only for one who knows how to be nobody, to no longer be anybody. To paint oneself gray on gray.
β
β
Gilles Deleuze (A Thousand Plateaus: Capitalism and Schizophrenia)
β
Whatβs all the yelling about?β Kishan asked.
βWould you please tell your sorry excuse for a brother that Iβm not talking to him anymore?β
Kishan grinned. βNo problem. Sheβs not talking to you anymore.
β
β
Colleen Houck (Tiger's Voyage (The Tiger Saga, #3))
β
Kishan is capable of a great many things, and girlfriend
stealing is at the top of his list of skills.
β
β
Colleen Houck (Tiger's Voyage (The Tiger Saga, #3))
β
A day or two after my love pronouncement, now feral with vulnerability, I sent you the passage from Roland Barthes by Roland Barthes in which Barthes describes how the subject who utters the phrase βI love youβ is like βthe Argonaut renewing his ship during its voyage without changing its name.β Just as the Argoβs parts may be replaced over time but the boat is still called the Argo, whenever the lover utters the phrase βI love you,β its meaning must be renewed by each use, as βthe very task of love and of language is to give to one and the same phrase inflections which will be forever new.
β
β
Maggie Nelson (The Argonauts)
β
Most of us know what we should expect to find in a dragon's lair, but, as I said before, Eustace had read only the wrong books. They had a lot to say about exports and imports and governments and drains, but they were weak on dragons.
β
β
C.S. Lewis (The Voyage of the Dawn Treader (Chronicles of Narnia, #3))
β
Because I've died many deaths, mostly over you, and I'm still alive. Trying to have a relationship with you is like trying to rescue someone from Hades. Only a fool would keep going back to get a woman who fights him every step of the way.
β
β
Colleen Houck (Tiger's Voyage (The Tiger Saga, #3))
β
Wanting to Die
Since you ask, most days I cannot remember.
I walk in my clothing, unmarked by that voyage.
Then the almost unnameable lust returns.
Even then I have nothing against life.
I know well the grass blades you mention,
the furniture you have placed under the sun.
But suicides have a special language.
Like carpenters they want to know which tools.
They never ask why build.
Twice I have so simply declared myself,
have possessed the enemy, eaten the enemy,
have taken on his craft, his magic.
In this way, heavy and thoughtful,
warmer than oil or water,
I have rested, drooling at the mouth-hole.
I did not think of my body at needle point.
Even the cornea and the leftover urine were gone.
Suicides have already betrayed the body.
Still-born, they don't always die,
but dazzled, they can't forget a drug so sweet
that even children would look on and smile.
To thrust all that life under your tongue!β
that, all by itself, becomes a passion.
Death's a sad Bone; bruised, you'd say,
and yet she waits for me, year after year,
to so delicately undo an old wound,
to empty my breath from its bad prison.
Balanced there, suicides sometimes meet,
raging at the fruit, a pumped-up moon,
leaving the bread they mistook for a kiss,
leaving the page of the book carelessly open,
something unsaid, the phone off the hook
and the love, whatever it was, an infection.
β
β
Anne Sexton
β
My own plans are made. While I can, I sail east in the Dawn Treader. When she fails me, I paddle east in my coracle. When she sinks, I shall swim east with my four paws. And when I can swim no longer, if I have not reached Aslanβs country, or shot over the edge of the world into some vast cataract, I shall sink with my nose to the sunrise.
β
β
C.S. Lewis (The Voyage of the Dawn Treader (Chronicles of Narnia, #3))
β
Find someone who loves you the way my girlfriend pushes me off a cliff. Without hesitation. With full confidence in your abilities, with the rock-steady belief that your relationship can handle it, and with complete faith that when you come out of the water, assuming you survive, you will totally forgive them for the push. Almost certainly forgive them. Probably.
Bonus points if you find someone with enough chutzpah to say Bon Voyage while they do it.
β
β
Rick Riordan (The Chalice of the Gods (Percy Jackson and the Olympians, #6))
β
Ren grinned. βSoβ¦ you and lady tigers, eh? Is there something you want share, Kishan?β
Kishan shoved a forkful of dinner into his mouth and mumbled, βHow about I share my fist with your face?β
βWow. Sensitive, Iβm sure your lady tiger friends were all very attractive. So am I an uncle?
β
β
Colleen Houck (Tiger's Voyage (The Tiger Saga, #3))
β
O CAPTAIN! my Captain! our fearful trip is done,
The ship has weather'd every rack, the prize we sought is won,
The port is near, the bells I hear, the people all exulting,
While follow eyes the steady keel, the vessel grim and daring;
But O heart! heart! heart!
O the bleeding drops of red,
Where on the deck my Captain lies,
Fallen cold and dead.
O Captain! my Captain! rise up and hear the bells;
Rise up - for you the flag is flung - for you the bugle trills,
For you bouquets and ribbon'd wreaths - for you the shores
a-crowding,
For you they call, the swaying mass, their eager faces turning;
Here Captain! dear father!
This arm beneath your head!
It is some dream that on the deck,
You've fallen cold and dead.
My Captain does not answer, his lips are pale and still,
My father does not feel my arm, he has no pulse nor will,
The ship is anchor'd safe and sound, its voyage closed and done,
From fearful trip the victor ship comes in with object won;
Exult O shores, and ring O bells!
But I with mournful tread,
Walk the deck my Captain lies,
Fallen cold and dead.
β
β
Walt Whitman (Leaves of Grass)
β
The most merciful thing in the world, I think, is the inability of the human mind to correlate all its contents. We live on a placid island of ignorance in the midst of black seas of infinity, and it was not meant that we should voyage far. The sciences, each straining in its own direction, have hitherto harmed us little; but some day the piecing together of dissociated knowledge will open up such terrifying vistas of reality, and of our frightful position therein, that we shall either go mad from the revelation or flee from the deadly light into the peace and safety of a new dark age.
β
β
H.P. Lovecraft (The Call of Cthulhu)
β
Do you know,' he said again softly, addressing his hands, 'what it is to love someone, and never - never! - be able to give them peace, or joy, or happiness?'
He looked up then, eyes filled with pain. 'To know that you cannot give them happiness, not through any fault of yours or theirs, but only because you were not born the right person for them?
β
β
Diana Gabaldon (Voyager (Outlander, #3))
β
I am a sailor, you're my first mate
We signed on together, we coupled our fate
Hauled up our anchor, determined not to fail
For the heart's treasure, together we set sail
With no maps to guide us, we steered our own course
Rode out the storms when the winds were gale force
Sat out the doldrums in patience and hope
Working together, we learned how to cope.
Life is an ocean and love it a boat
In troubled waters it keeps us afloat
When we started the voyage there was just me and you
Now gathered round us we have our own crew
Together we're in this relationship
We built it with care to last the whole trip
Our true destination's not marked on any chart
We're navigating the shores of the heart
β
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John McDermott
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Later that sweltering evening, I climbed into my tiny tent and lay down on top of my bedroll, twisting the lighter blanket around me mummy-style.
Ren ducked his head in to check on me and laughed. βDo you always do that?β
βOnly when camping.β
βYou know bugs can still get in there.β
βDonβt say that. I like to live in ignorance.
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Colleen Houck (Tiger's Voyage (The Tiger Saga, #3))
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Sea-fever
I must down to the seas again, to the lonely sea and the sky,
And all I ask is a tall ship and a star to steer her by,
And the wheel's kick and the wind's song and the white sail's shaking,
And a grey mist on the sea's face, and a grey dawn breaking.
I must down to the seas again, for the call of the running tide
Is a wild call and a clear call that may not be denied;
And all I ask is a windy day with the white clouds flying,
And the flung spray and the blown spume, and the sea-gulls crying.
I must down to the seas again, to the vagrant gypsy life,
To the gull's way and the whale's way where the wind's like a whetted knife;
And all I ask is a merry yarn from a laughing fellow-rover
And quiet sleep and a sweet dream when the long trick's over.
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John Masefield (Sea Fever: Selected Poems)
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Hitch: making rules about drinking can be the sign of an alcoholic,' as Martin Amis once teasingly said to me. (Adorno would have savored that, as well.) Of course, watching the clock for the start-time is probably a bad sign, but here are some simple pieces of advice for the young. Don't drink on an empty stomach: the main point of the refreshment is the enhancement of food. Don't drink if you have the blues: it's a junk cure. Drink when you are in a good mood. Cheap booze is a false economy. It's not true that you shouldn't drink alone: these can be the happiest glasses you ever drain. Hangovers are another bad sign, and you should not expect to be believed if you take refuge in saying you can't properly remember last night. (If you really don't remember, that's an even worse sign.) Avoid all narcotics: these make you more boring rather than less and are not designedβas are the grape and the grainβto enliven company. Be careful about up-grading too far to single malt Scotch: when you are voyaging in rough countries it won't be easily available. Never even think about driving a car if you have taken a drop. It's much worse to see a woman drunk than a man: I don't know quite why this is true but it just is. Don't ever be responsible for it.
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Christopher Hitchens (Hitch 22: A Memoir)
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My turn now. The story of one of my insanities.
For a long time I boasted that I was master of all possible landscapes-- and I thought the great figures of modern painting and poetry were laughable.
What I liked were: absurd paintings, pictures over doorways, stage sets, carnival backdrops, billboards, bright-colored prints, old-fashioned literature, church Latin, erotic books full of misspellings, the kind of novels our grandmothers read, fairy tales, little children's books, old operas, silly old songs, the naive rhythms of country rimes.
I dreamed of Crusades, voyages of discovery that nobody had heard of, republics without histories, religious wars stamped out, revolutions in morals, movements of races and continents; I used to believe in every kind of magic.
I invented colors for the vowels! A black, E white, I red, O blue, U green. I made rules for the form and movement of every consonant, and I boasted of inventing, with rhythms from within me, a kind of poetry that all the senses, sooner or later, would recognize. And I alone would be its translator.
I began it as an investigation. I turned silences and nights into words. What was unutterable, I wrote down. I made the whirling world stand still.
β
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Arthur Rimbaud
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Ithaka
As you set out for Ithaka
hope the voyage is a long one,
full of adventure, full of discovery.
Laistrygonians and Cyclops,
angry Poseidonβdonβt be afraid of them:
youβll never find things like that on your way
as long as you keep your thoughts raised high,
as long as a rare excitement
stirs your spirit and your body.
Laistrygonians and Cyclops,
wild Poseidonβyou wonβt encounter them
unless you bring them along inside your soul,
unless your soul sets them up in front of you.
Hope the voyage is a long one.
May there be many a summer morning when,
with what pleasure, what joy,
you come into harbors seen for the first time;
may you stop at Phoenician trading stations
to buy fine things,
mother of pearl and coral, amber and ebony,
sensual perfume of every kindβ
as many sensual perfumes as you can;
and may you visit many Egyptian cities
to gather stores of knowledge from their scholars.
Keep Ithaka always in your mind.
Arriving there is what you are destined for.
But do not hurry the journey at all.
Better if it lasts for years,
so you are old by the time you reach the island,
wealthy with all you have gained on the way,
not expecting Ithaka to make you rich.
Ithaka gave you the marvelous journey.
Without her you would not have set out.
She has nothing left to give you now.
And if you find her poor, Ithaka wonβt have fooled you.
Wise as you will have become, so full of experience,
you will have understood by then what these Ithakas mean.
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Constantinos P. Cavafy (C.P. Cavafy: Collected Poems)
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Do you mean to say," asked Caspian, "that you three come from a round world (round like a ball) and you've never told me! It's really too bad for you. Because we have fairy-tales in which there are round worlds and I have always loved them β¦ Have you ever been to the parts where people walk about upside-down?"
Edmund shook his head. "And it isn't like that," he added. "There's nothing particularly exciting about a round world when you're there.
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C.S. Lewis (The Voyage of the Dawn Treader (Chronicles of Narnia, #3))
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A song of despair
The memory of you emerges from the night around me.
The river mingles its stubborn lament with the sea.
Deserted like the dwarves at dawn.
It is the hour of departure, oh deserted one!
Cold flower heads are raining over my heart.
Oh pit of debris, fierce cave of the shipwrecked.
In you the wars and the flights accumulated.
From you the wings of the song birds rose.
You swallowed everything, like distance.
Like the sea, like time. In you everything sank!
It was the happy hour of assault and the kiss.
The hour of the spell that blazed like a lighthouse.
Pilot's dread, fury of blind driver,
turbulent drunkenness of love, in you everything sank!
In the childhood of mist my soul, winged and wounded.
Lost discoverer, in you everything sank!
You girdled sorrow, you clung to desire,
sadness stunned you, in you everything sank!
I made the wall of shadow draw back,
beyond desire and act, I walked on.
Oh flesh, my own flesh, woman whom I loved and lost,
I summon you in the moist hour, I raise my song to you.
Like a jar you housed infinite tenderness.
and the infinite oblivion shattered you like a jar.
There was the black solitude of the islands,
and there, woman of love, your arms took me in.
There was thirst and hunger, and you were the fruit.
There were grief and ruins, and you were the miracle.
Ah woman, I do not know how you could contain me
in the earth of your soul, in the cross of your arms!
How terrible and brief my desire was to you!
How difficult and drunken, how tensed and avid.
Cemetery of kisses, there is still fire in your tombs,
still the fruited boughs burn, pecked at by birds.
Oh the bitten mouth, oh the kissed limbs,
oh the hungering teeth, oh the entwined bodies.
Oh the mad coupling of hope and force
in which we merged and despaired.
And the tenderness, light as water and as flour.
And the word scarcely begun on the lips.
This was my destiny and in it was my voyage of my longing,
and in it my longing fell, in you everything sank!
Oh pit of debris, everything fell into you,
what sorrow did you not express, in what sorrow are you not drowned!
From billow to billow you still called and sang.
Standing like a sailor in the prow of a vessel.
You still flowered in songs, you still brike the currents.
Oh pit of debris, open and bitter well.
Pale blind diver, luckless slinger,
lost discoverer, in you everything sank!
It is the hour of departure, the hard cold hour
which the night fastens to all the timetables.
The rustling belt of the sea girdles the shore.
Cold stars heave up, black birds migrate.
Deserted like the wharves at dawn.
Only tremulous shadow twists in my hands.
Oh farther than everything. Oh farther than everything.
It is the hour of departure. Oh abandoned one!
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Pablo Neruda
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Writing, like life itself, is a voyage of discovery. The adventure is a metaphysical one: it is a way of approaching life indirectly, of acquiring a total rather than a partial view of the universe. The writer lives between the upper and lower worlds: he takes the path in order eventually to become that path himself.
βI began in absolute chaos and darkness, in a bog or swamp of ideas and emotions and experiences. Even now I do not consider myself a writer, in the ordinary sense of the word. I am a man telling the story of his life, a process which appears more and more inexhaustible as I go on. Like the world-evolution, it is endless. It is a turning inside out, a voyaging through X dimensions, with the result that somewhere along the way one discovers that what one has to tell is not nearly so important as the telling itself. It is this quality about all art which gives it a metaphysical hue, which lifts it out of time and space and centers or integrates it to the whole cosmic process. It is this about art which is βtherapeuticβ: significance, purposefulness, infinitude.
βFrom the very beginning almost I was deeply aware that there is no goal. I never hope to embrace the whole, but merely to give in each separate fragment, each work, the feeling of the whole as I go on, because I am digging deeper and deeper into life, digging deeper and deeper into past and future. With the endless burrowing a certitude develops which is greater than faith or belief. I become more and more indifferent to my fate, as writer, and more and more certain of my destiny as a man.
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Henry Miller (Henry Miller on Writing)