Volcano Beauty Quotes

How, unless you drink as I do, could you hope to understand the beauty of an old Indian woman playing dominoes with a chicken?

God, she’s beautiful. I mean, look at her. She’s like a volcano going off—fierce and fiery and breathtaking. If she doesn’t find a way to ugly herself down, I’m going to be spending an awful lot of time pissing her off. Which might not be such a bad thing in the end. Angry sex is awesome.

What would the world look like if girls were taught they were volcanoes, whose erruptions were a thing of beauty, a power to behold, a force not to be trifled with?

With genius, as with beauty -- all, well almost all, is forgiven.

If for a moment you are inclined to regard these taluses as mere draggled, chaotic dumps, climb to the top of one of them, and run down without any haggling, puttering hesitation, boldly jumping from boulder to boulder with even speed. You will then find your feet playing a tune, and quickly discover the music and poetry of these magnificent rock piles -- a fine lesson; and all Nature's wildness tells the same story -- the shocks and outbursts of earthquakes, volcanoes, geysers, roaring, thundering waves and floods, the silent uprush of sap in plants, storms of every sort -- each and all are the orderly beauty-making love-beats of Nature's heart.

I thought of what pride would look like, a jowly old guy in a smoking jacket. Vanity was a tall, beautiful woman with a face like a mask. Envy was a treasure-hoarding dragon, dainty and diabolical. As I sketched in the dragon's face, I gave her eyebrows like mine, my turtle necklace around its scaly neck. Xanda drew them as cliffs and valleys, irrevocably linked pride as a mountain, envy as a valley, hating its lowness and longing to reach, overtake, conquer. She drew vanity as a volcano with an abyss at its core.

Take the pain and grow beauty...You know I've always loved volcanoes. I love how they spew searing, deadly lava that goes on to nurture the most beautiful landscapes on earth. It's from searing pain that the deepest beauty can sprout

Slowly what she composed with the new day was her own focus, to bring together body and mind. This was made with an effort, as if all the dissolutions and dispersions of her self the night before were difficult to reassemble. She was like an actress who must compose a face, an attitude to meet the day. The eyebrow pencil was no mere charcoal emphasis on blond eyebrows, but a design necessary to balance a chaotic asymmetry. Make up and powder were not simply applied to heighten a porcelain texture, to efface the uneven swellings caused by sleep, but to smooth out the sharp furrows designed by nightmares, to reform the contours and blurred surfaces of the cheeks, to erase the contradictions and conflicts which strained the clarity of the face’s lines, disturbing the purity of its forms. She must redesign the face, smooth the anxious brows, separate the crushed eyelashes, wash off the traces of secret interior tears, accentuate the mouth as upon a canvas, so it will hold its luxuriant smile. Inner chaos, like those secret volcanoes which suddenly lift the neat furrows of a peacefully ploughed field, awaited behind all disorders of face, hair, and costume, for a fissure through which to explode. What she saw in the mirror now was a flushed, clear-eyed face, smiling, smooth, beautiful. The multiple acts of composure and artifice had merely dissolved her anxieties; now that she felt prepared to meet the day, her true beauty emerged which had been frayed and marred by anxiety.

You know, when life presents you only good things and you idealize them to your way. And abruptly it comes up an avalanche of catastrophes and destroys all your beautiful dreams, as a war that destroys an entire country or a volcano that devastates forests. That's how I feel and I write in this diary 'How everything should have been' in my life.

Ah, the harbour bells of Cambridge! Whose fountains in moonlight and closed courts and cloisters, whose enduring beauty in its virtuous remote self-assurance, seemed part, less of the loud mosaic of one's stupid life there, though maintained perhaps by the countless deceitful memories of such lives, than the strange dream of some old monk, eight hundred years dead, whose forbidding house, reared upon piles and stakes driven into the marshy ground, had once shone like a beacon out of the mysterious silence, and solitude of the fens. A dream jealously guarded: Keep off the Grass. And yet whose unearthly beauty compelled one to say: God forgive me.

What would the world look like if girls were taught they were volcanoes, whose eruptions were a thing of beauty, a power to behold and a force not to be trifled with? What if instead of breaking their wildness like a rancher tames a bronco, we taught girls the importance and power of being dangerous?

Everyday I rewrite her name across my ribcage so that those who wish to break my heart will know who to answer to later She has no idea that I’ve taught my tongue to make pennies, and every time our mouths are to meet I will slip coins to the back of her throat and make wishes I wish that someday my head on her belly might be like home like doubt to doubt resuscitation because time is supposed to mean more than skin She doesn’t know that I have taught my arms to close around her clocks so they can withstand the fallout from her Autumn She is so explosive, volcanoes watch her and learn terrorists want to strap her to their chests because she is a cause worth dying for Maybe someday time will teach me to pick up her pieces put her back together and remind her to click her heels but she doesn’t need a wizard to tell her that I was here all along Lady let us catch the next tornado home let us plant cantaloupe trees in our backyard then maybe together we will realize that we don’t like cantaloupe and they don’t grow on trees we can laugh about it then we can plant things we’ve never heard of I’ve never heard of a woman who can make flawed look so beautiful the way you do The word smitten is to how I feel about you what a kiss is to romance so maybe my lips to yours could be the penance to this confession because I am the only one preaching your defunct religion sitting alone at your altar, praising you out of faith I cannot do this hard-knock life alone You are all the softness a rock dreams of being the mistakes the rain makes at picnics when Mother Nature bears witness in much better places So yes I will gladly take on your ocean just to swim beneath you so I can kiss the bends of your knees in appreciation for the work they do keeping your head above water

Pass down an alley then turn a corner and there it is. Volcano in a wall. Do you see that, says Ancash. Beautiful, Herakles breathes out. He is looking at the men. I mean the fire, says Ancash. Herakles grins in the dark. Ancash watches the flames. We are amazing beings, Geryon is thinking. We are neighbors of fire. And now time is rushing towards them where they stand side by side with arms touching, immortality on their faces, night at their back.

The fact is, people settle near volcanoes because the resulting soil is extraordinary, dense with nutrients from the ash. In this dangerous place their fruit is sweeter, their crops taller, their flowers more radiant, their yield more bountiful. The truth is, there is no better place to live than in the shadow of a beautiful, furious mountain

Lady, your beauty is like that drop of a volcano, that pierces hearts of all men, as if its passing through ice.

Beautiful erupting volcano and ugly air quality!

She’s beautiful, caring, and all-out amazing, but there’s a side to her I don’t enjoy so much: fiery, Greek attitude; a living, breathing volcano.

I tried to hold fire once...see from a distance it mesmerized me captivated me for hours at a time The more it danced with the wind, I felt my body sway to its rhythm I tried to hold fire once It's glow drew me in closer And although I know full well the damage that fire can do... Staring directly at it, I know it's beauty too It's warmth was now on my face and I couldn't imagine being in any other place I reached out with my bare hands & it danced even more And suddenly I felt it's heat deep within my core Rising like a volcano ready to erupt But somehow balanced & purposeful I tried to hold fire once until I realized that fire held me Passionately and I was it's guiding force. If you look close enough, you'll see it dancing in my eyes, feel it in my touch, even hear it in my voice...but don't ever forget that fire consumes and cannot be contained so I must master my energetic output to control the flames.

How was my day? It was a lifetime. It was the best of times and the worst of times. I was both lonely and never alone. I was simultaneously bored out of my skull and completely overwhelmed. I was saturated with touch—desperate to get the baby off of me and the second I put her down I yearned to smell her sweet skin again. This day required more than I’m physically and emotionally capable of, while requiring nothing from my brain. I had thoughts today, ideas, real things to say and no one to hear them. I felt manic all day, alternating between love and fury. At least once an hour I looked at their faces and thought I might not survive the tenderness of my love for them. The next moment I was furious. I felt like a dormant volcano, steady on the outside but ready to explode and spew hot lava at any moment. And then I noticed that Amma’s foot doesn’t fit into her Onesie anymore, and I started to panic at the reminder that this will be over soon, that it’s fleeting—that this hardest time of my life is supposed to be the best time of my life. That this brutal time is also the most beautiful time. Am I enjoying it enough? Am I missing the best time of my life? Am I too tired to be properly in love? That fear and shame felt like adding a heavy, itchy blanket on top of all the hard. But I’m not complaining, so please don’t try to fix it. I wouldn’t have my day or my life any other way. I’m just saying—it’s a hell of a hard thing to explain—an entire day with lots of babies. It’s far too much and not even close to enough. But

Adolescence is never graceful or beautiful. Our first steps are wobbly, full of stumbles and spills. Our first words are mispronounced and barely comprehendible. Our first kisses are sloppy and wet. The process of breaking sexual thresholds is far from sexy. It will be a long time until being a penetrator outgrows the feel of a grade school science experiment where I fill my paper mache volcano with vinegar and baking soda, giggling and high-fiving my lab partner once it explodes.

He knew he needed to release her, but once he allowed his physical connection to drop away, he was uncertain if he’d ever have a chance to reconnect. Instinctively, he knew Azami was elusive, like water flowing through fingers, or the wind shifting in the trees. He needed a way to seal her to him. “How does one court a woman in Japan? Do I need your brothers’ permission?” She blinked again. Shocked. A hint of uncertainty crept into her eyes. She frowned, and he bent his head to swallow her protest before she could utter it. Her mouth trembled beneath his, and then she opened to him, like a flower, luring him deeper. Her arms slid around his neck, her body pressing tightly against his. He tightened his fingers in her hair. He was burning, through and through, from the inside out, a hot melting of bone and tissue. He hadn’t known he was lonely or even looking for something. He’d been complete. He loved his wife. He was a man with teammates he trusted implicitly. He lived in wild places of beauty he enjoyed. He hadn’t considered there would be a woman who could ever fit with him, who would ever turn his insides soft and his body hard. Feel the same way, Azami. He didn’t lift his mouth, kissing her again and again because one he’d made the mistake, he was addicted and what was the use fighting it? Not when it felt so damn right. Somewhere along the line, his kiss went from sheer aggression and command, to absolute tenderness. The emotion for her rose like a volcano, encompassing him entirely, drawn from some part of him he’d never known even existed. His mouth was gentle, his hands on her, possessive, yet just as gentle. Another claiming, this coming from that deep unknown well. Feel the same way, Azami, he whispered into her mind. An enticement. A need. He waited, something in him going still, waiting for her answer. Tell me how you’re feeling? She hadn’t pulled away. If anything, her arms had tightened around his neck. He shared every single breath she took, feeling the slight movement of her rib cage and breasts against him, the warm air they exchanged. Like I’m burning alive. Drowning. Like I never want this moment to end. He wasn’t a man to say flowery things to a woman, nor did he even think them, but he shared the honest truth with her. Like we belong. Once he let her go, the world would slip back into kilter. He wanted her to stay with him, to give him a chance with her. She didn’t hesitate, and he loved that about her as well. She gave herself in truth in the same way he did. I feel the same, but one of us has to be sane. She initiated the kiss when he pulled back slightly, chasing after him with her soft mouth, fingers digging tightly into the heavy muscle at his neck, sighing when his lips settled once more over hers. He took his time, kissing her thoroughly, again and again, all the while slipping deeper into her spell and hoping she was falling under his. Is this your idea of sanity? He’d make it his reality. He was falling further down the rabbit hole and he’d make her his sanity if she’d fall with him. Her soft laughter slipped inside his heart, winding there until there was no shaking her loose. Not really, but you have to be the strong one. He kissed her again. And again. Why is that? You started this.

The flight of a bird. That last light of the day. Those monstrous clouds in sky. A misty mountain with roaring river flowing at its foot. The rays of the sun transcending the deepest of oceans. The thunder of a tornado.The power of a tremor. The fire of a volcano. Nature is so fascinating & appalling at the same time.

They were the cars at the fair that were whirling around her; no, they were the planets, while the sun stood, burning and spinning and guttering in the centre; here they came again, Mercury, Venus, Earth, Mars, Jupiter, Saturn, Uranus, Neptune, Pluto; but they were not planets, for it was not the merry-go-round at all, but the Ferris wheel, they were constellations, in the hub of which, like a great cold eye, burned Polaris, and round and round it here they went: Cassiopeia, Cepheus, the Lynx, Ursa Major, Ursa Minor, and the Dragon; yet they were not constellations, but, somehow, myriads of beautiful butterflies, she was sailing into Acapulco harbour through a hurricane of beautiful butterflies, zigzagging overhead and endlessly vanishing astern over the sea, the sea, rough and pure, the long dawn rollers advancing, rising, and crashing down to glide in colourless ellipses over the sand, sinking, sinking, someone was calling her name far away and she remembered, they were in a dark wood, she heard the wind and the rain rushing through the forest and saw the tremours of lightning shuddering through the heavens and the horse—great God, the horse—and would this scene repeat itself endlessly and forever?—the horse, rearing, poised over her, petrified in midair, a statue, somebody was sitting on the statue, it was Yvonne Griffaton, no, it was the statue of Huerta, the drunkard, the murderer, it was the Consul, or it was a mechanical horse on the merry-go-round, the carrousel, but the carrousel had stopped and she was in a ravine down which a million horses were thundering towards her, and she must escape, through the friendly forest to their house, their little home by the sea.

The fact is, people settle near volcanoes because the resulting soil is extraordinary, dense with nutrients from the ash. In this dangerous place their fruit is sweeter, their crops taller, their flowers more radiant, their yield more bountiful. The truth is, there is no better place to live than in the shadow of a beautiful, furious mountain.

I peered at the bowl, which was piled high with shrimp and vegetables, little cubes of what looked like meat or fish. The broth was a beautiful golden color, with little circles of orange oil floating on the surface, near the edge of the bowl. My heart rate slowed, oblivion averted. "More chances at wishes. But also, this looks damn good." I realized I was still holding the spoon with the dumpling, the steam not wafting out like a volcano anymore. So I closed my eyes and readied myself for another bite. This time the heat took a step back and allowed everything else to come forward. The savory richness of pork, a bite of ginger and scallions, the broth. Oh, man, the broth. I hadn't ever tasted anything quite like this before. I chewed the dumpling, which was starchy but also managed to melt away, letting its texture dominate. For a moment, I wanted to reach for something beyond the flavor, but failed. Would I recognize the taste of magic, if magic even had a taste? Then I let the flavor itself take over.

It is not that Combeferre was not capable of fighting, he did not refuse a hand-to-hand combat with the obstacle, and to attack it by main force and explosively; but it suited him better to bring the human race into accord with its destiny gradually, by means of education, the inculcation of axioms, the promulgation of positive laws; and, between two lights, his preference was rather for illumination than for conflagration. A conflagration can create an aurora, no doubt, but why not await the dawn? A volcano illuminates, but daybreak furnishes a still better illumination. Possibly, Combeferre preferred the whiteness of the beautiful to the blaze of the sublime. A light troubled by smoke, progress purchased at the expense of violence, only half satisfied this tender and serious spirit. The headlong precipitation of a people into the truth, a '93, terrified him; nevertheless, stagnation was still more repulsive to him, in it he detected putrefaction and death; on the whole, he preferred scum to miasma, and he preferred the torrent to the cesspool, and the falls of Niagara to the lake of Montfaucon. In short, he desired neither halt nor haste.

He knew he needed to release her, but once he allowed his physical connection to drop away, he was uncertain if he’d ever have a chance to reconnect. Instinctively, he knew Azami was elusive, like water flowing through fingers, or the wind shifting in the trees. He needed a way to seal her to him. “How does one court a woman in Japan? Do I need your brothers’ permission?” She blinked again. Shocked. A hint of uncertainty crept into her eyes. She frowned, and he bent his head to swallow her protest before she could utter it. Her mouth trembled beneath his, and then she opened to him, like a flower, luring him deeper. Her arms slid around his neck, her body pressing tightly against his. He tightened his fingers in her hair. He was burning, through and through, from the inside out, a hot melting of bone and tissue. He hadn’t known he was lonely or even looking for something. He’d been complete. He loved his life. He was a man with teammates he trusted implicitly. He lived in wild places of beauty he enjoyed. He hadn’t considered there would be a woman who could ever fit with him, who would ever turn his insides soft and his body hard. Feel the same way, Azami. He didn’t lift his mouth, kissing her again and again because one he’d made the mistake, he was addicted and what was the use fighting it? Not when it felt so damn right. Somewhere along the line, his kiss went from sheer aggression and command, to absolute tenderness. The emotion for her rose like a volcano, encompassing him entirely, drawn from some part of him he’d never known even existed. His mouth was gentle, his hands on her, possessive, yet just as gentle. Another claiming, this coming from that deep unknown well. Feel the same way, Azami, he whispered into her mind. An enticement. A need. He waited, something in him going still, waiting for her answer.

According to my great-uncle, the lands that had emerged were a limited phenomenon: they were going to disappear just as they had cropped up or, in any event, they would be subject to constant changes: volcanoes, glaciations, earthquakes, upheavals, changes of climate and of vegetation. And our life in the midst of all this would have to face constant transformations, in the course of which whole races would disappear, and the only survivors would be those who were prepared to change the bases of their existence so radically that the reasons why living was beautiful would be completely overwhelmed and forgotten.

Ode to a Cluster of Violets Crisp cluster plunged in shadow. Drops of violet water and raw sunlight floated up with your scent. A fresh subterranean beauty climbed up from your buds thrilling my eyes and my life. One at a time, flowers that stretched forward silvery stalks, creeping closer to an obscure light shoot by shoot in the shadows, till they crowned the mysterious mass with an intense weight of perfume and together formed a single star with a far-off scent and a purple center. Poignant cluster intimate scent of nature, you resemble a wave, or a head of hair, or the gaze of a ruined water nymph sunk in the depths. But up close, in your fragrance’s blue brazenness, you exhale the earth, an earthly flower, an earthen smell and your ultraviolet gleam in volcanoes’ faraway fires. Into your loveliness I sink a weathered face, a face that dust has often abused. You deliver something out of the soil. It isn’t simply perfume, nor simply the perfect cry of your entire color, no: it’s a word sprinkled with dew, a flowering wetness with roots. Fragile cluster of starry violets, tiny, mysterious planet of marine phosphorescence, nocturnal bouquet nestled in green leaves: the truth is there is no blue word to express you. Better than any word is the pulse of your scent. Pablo Neruda, Odes to Common Things. (Bulfinch; Bilingual edition May 1, 1994) Originally published 1961.

I first came to Hokkaido for two reasons: miso ramen and uni, the island's most famous foods and two items on my short list for Last Supper constituents. The only thing they share in common, besides a home, is the intense fits of joy they deliver: the former made from an unholy mix of pork-bone broth, thick miso paste, and wok-crisped pork belly (with the optional addition of a slab of melting Hokkaido butter), the latter arguably the sexiest food on earth, yolk-orange tongues of raw sea urchin roe with a habit-forming blend of fat and umami, sweetness and brine. Fall for uni at your own peril; like heroin and high-stakes poker, it's an expensive addiction that's tough to kick. But my dead-simple plan- to binge on both and catch the first flight back to Tokyo- has been upended by a steam locomotive and Whole Foods foliage, and suddenly Hokkaido seems much bigger than an urchin and a bowl of soup. No one told me about the rolling farmlands, the Fuji-like volcanoes, the stunning national parks, one stacked on top of the other. Nobody said there would be wine. And cheese. And bread.

In 1799, the poet Samuel Taylor Coleridge goes to Germany on a winter walking trip and writes home to his wife about the opposite sense: of winter as a mysterious magnetic season that the wanderer is expelled into for his own good, for the purification and improvement of his soul. “What sublime scenery I have beheld!” Coleridge’s’ words are one of those rare passages of prose that truly mark the arrival of an epoch. It would be impossible to find anything like it in European literature only twenty-five years before… This kind of love of the winter scene is not of the force outside pressing in on the window, bringing family together. Instead it is for the ice-spirit pulling us out. This winter window is wrenched open by the level of the sublime. The new idea (of winter’s beauty) is associated with Edmund Burke’s great essay on the sublime and beautiful from the middle of the eighteenth century. Burke’s was one of the three or four most powerful ideas in the history of thought, because he wrenched aesthetics away from the insipid idea of beauty (physical, manicured) towards recognition of the full span of human sympathy. Oceans and thunderstorms, precipices and abysses, towering volcanoes and, above all, snow-capped mountains- they rival and outdo the heritage of classical beauty exactly because they frighten us; they fill us with fear, with awe, with a sense of the inestimable mystery of the world.

How was my day? It was a lifetime. It was the best of times and the worst of times. I was both lonely and never alone. I was simultaneously bored out of my skull and completely overwhelmed. I was saturated with touch—desperate to get the baby off of me and the second I put her down I yearned to smell her sweet skin again. This day required more than I’m physically and emotionally capable of, while requiring nothing from my brain. I had thoughts today, ideas, real things to say and no one to hear them. I felt manic all day, alternating between love and fury. At least once an hour I looked at their faces and thought I might not survive the tenderness of my love for them. The next moment I was furious. I felt like a dormant volcano, steady on the outside but ready to explode and spew hot lava at any moment. And then I noticed that Amma’s foot doesn’t fit into her Onesie anymore, and I started to panic at the reminder that this will be over soon, that it’s fleeting—that this hardest time of my life is supposed to be the best time of my life. That this brutal time is also the most beautiful time. Am I enjoying it enough? Am I missing the best time of my life? Am I too tired to be properly in love? That fear and shame felt like adding a heavy, itchy blanket on top of all the hard. But I’m not complaining, so please don’t try to fix it. I wouldn’t have my day or my life any other way. I’m just saying—it’s a hell of a hard thing to explain—an entire day with lots of babies. It’s far too much and not even close to enough.

Danae and the God of Gold. — Whence arises this excessive impatience in our day which turns men into criminals even in circumstances which would be more likely to bring about the contrary tendency? What induces one man to use false weights, another to set his house on fire after having insured it for more than its value, a third to take part in counterfeiting, while three-fourths of our upper classes indulge in legalised fraud, and suffer from the pangs of conscience that follow speculation and dealings on the Stock Exchange: what gives rise to all this? It is not real want, — for their existence is by no means precarious; perhaps they have even enough to eat and drink without worrying, — but they are urged on day and night by a terrible impatience at seeing their wealth pile up so slowly, and by an equally terrible longing and love for these heaps of gold. In this impatience and love, however, we see re-appear once more that fanaticism of the desire for power which was stimulated in former times by the belief that we were in the possession of truth, a fanaticism which bore such beautiful names that we could dare to be inhuman with a good conscience (burning Jews, heretics, and good books, and exterminating entire cultures superior to ours, such as those of Peru and Mexico). The means of this desire for power are changed in our day, but the same volcano is still smouldering, impatience and intemperate love call for their victims, and what was once done “for the love of God” is now done for the love of money, i.e. for the love of that which at present affords us the highest feeling of power and a good conscience.

It was like a page out of the telephone book. Alphabetically, numerically, statistically, it made sense. But when you looked at it up close, when you examined the pages separately, or the parts separately, when you examined one lone individual and what constituted him, examined the air he breathed, the life he led, the chances he risked, you saw something so foul and degrading, so low, so miserable, so utterly hopeless and senseless, that it was worse than looking into a volcano. Outwardly it seems to be a beautiful honeycomb, with all the drones crawling over each other in a frenzy of work; inwardly it’s a slaughterhouse, each man killing off his neighbor and sucking the juice from his bones. Superficially it looks like a bold, masculine world; actually it’s a whorehouse run by women, with the native sons acting as pimps and the bloody foreigners selling their flesh... The whole continent is sound asleep and in that sleep a grand nightmare is taking place… At night the streets of New York reflect the crucifixion and death of Christ. When the snow is on the ground and there is the utmost silence there comes out of the hideous buildings of New York a music of such sullen despair and bankruptcy as to make the flesh shrivel. No stone was laid upon another with love or reverence; no street was laid for dance or joy. One thing has been added to another in a mad scramble to fill the belly, and the streets smell of empty bellies and full bellies and bellies half full. The streets smell of a hunger which has nothing to do with love; they smell of the belly which is insatiable and of the creations of the empty belly which are null and void. Just as the city itself had become a huge tomb in which men struggled to earn a decent death so my own life came to resemble a tomb which I was constructing out of my own death. I was walking around in a stone forest the center of which was chaos; sometimes in the dead center, in the very heart of chaos, I danced or drank myself silly, or I made love, or I befriended some one, or I planned a new life, but it was all chaos, all stone, and all hopeless and bewildering. Until the time when I would encounter a force strong enough to whirl me out of this mad stone forest no life would be possible for me nor could one page be written which would have meaning… Everybody and everything is a part of life... As an individual, as flesh and blood, I am leveled down each day to make the fleshless, bloodless city whose perfection is the sum of all logic and death to the dream. I am struggling against an oceanic death in which my own death is but a drop of water evaporating. To raise my own individual life but a fraction of an inch above this sinking sea of death I must have a faith greater than Christ’s, a wisdom deeper than that of the greatest seer. I must have the ability and the patience to formulate what is not contained in the language of our time, for what is now intelligible is meaningless. My eyes are useless, for they render back only the image of the known. My whole body must become a constant beam of light, moving with an ever greater rapidity, never arrested, never looking back, never dwindling. The city grows like a cancer; I must grow like a sun. The city eats deeper and deeper into the red; it is an insatiable white louse which must die eventually of inanition. I am going to starve the white louse which is eating me up. I am going to die as a city in order to become again a man. Therefore I close my ears, my eyes, my mouth. Infinitely better, as life moves toward a deathly perfection, to be just a bit of breathing space, a stretch of green, a little fresh air, a pool of water. Better also to receive men silently and to enfold them, for there is no answer to make while they are still frantically rushing to turn the corner.

(...)Through the ship's telescopes, he had watched the death of the solar system. With his own eyes, he had seen the volcanoes of Mars erupt for the first time in a billion years; Venus briefly naked as her atmosphere was blasted into space before she herself was consumed; the gas giants exploding into incandescent fireballs. But these were empty, meaningless spectacles compared with the tragedy of Earth. That, too, he had watched through the lenses of cameras that had survived a few minutes longer than the devoted men who had sacrificed the last moments of their lives to set them up. He had seen ... ... the Great Pyramid, glowing dully red before it slumped into a puddle of molten stone ... ... the floor of the Atlantic, baked rock-hard in seconds, before it was submerged again, by the lava gushing from the volcanoes of the Mid-ocean Rift... ... the Moon rising above the flaming forests of Brazil and now itself shining almost as brilliantly as had the Sun, on its last setting, only minutes before ... ... the continent of Antarctica emerging briefly after its long burial, as the kilometres of ancient ice were burned away ... ... the mighty central span of the Gibraltar Bridge, melting even as it slumped downward through the burning air ... In that last century the Earth was haunted with ghosts - not of the dead, but of those who now could never be born. For five hundred years the birthrate had been held at a level that would reduce the human population to a few millions when the end finally came. Whole cities - even countries - had been deserted as mankind huddled together for History's closing act.

For so long, she had remained the sleeping volcano, her passion and pain and anger roiling quietly as lava within. She’d buried her love deep within her core; with heat and pressure she made diamonds of it all, gemstones precious and beautiful, glittering and indestructible and of no use but to be hoarded in her heart.

Age: 11 Height: 5’3 Favourite animal: Tawny owl   Sometimes considered a smarty-pants by her friends and enemies, Beatrix has always adored studying hard. Being in school reminds her how many interesting things she could learn about the world, everything from how volcanoes are made to the languages of people in hundreds of countries, to the way the planets and stars occupy deep space all across the universe. She has a brain that is geared towards asking important questions and then trying to answer them, which makes her perfect for the Cluefinders Club.   Beatrix loves to read, especially the works of Arthur Conan Doyle, who wrote about the great detective Sherlock Holmes, and the romantic fiction of Charlotte Bronte. Although she is a very pretty girl, she does not listen to any compliments. She likes to think that beauty is only skin-deep, and that people would be better to compliment her intelligence or determination. So far, only her best friends and her teacher, Mister Faraday, have thought to do this. Her favourite animal is the owl, especially the tawny owl, which is often portrayed as being a wise and knowledgeable bird.

Madness suddenly ceases to be a refuge and becomes incarnate in the shattering sky and all his surroundings in the presence of which reason, already struck dumb, can only bow the head. Does the madman find solace at such moments, as his thoughts like cannonballs crash through his brain, in the exquisite beauty of the madhouse garden?

...they were suddenly standing alone on a large stretch of land. And…“That’s a volcano.” Definitely not what she’d expected to see. “It is.” Taking her hand, he walked her towards it. “I’ve never seen one this close.” It was a scary yet beautiful sight. And seriously big. “We’ll be getting closer. Much, much closer.” She tensed, coming to an abrupt halt. “I don’t like the way you said that.

Humans are very intelligent in inventing new ideas to gamble and pursue financial greed. Every financial trading, instruments and systems looks like a beautiful silent volcano before destructive eruptions.

Bombs spewing like volcanoes, glass race tracks, hookin' u-bowl skate ramps, barrels beautiful and violent at the same time that fill us with waves of life straight from the source and the force of God in our veins when all of our fear and pain and joy pulse through us in waves as we reach for the light at the end of the tunnel. A fleeting moment we know we are alive. Every wave is a life on its own unique path... its own journey. The ride, man. And if we're lucky we're there for that final moment...looking into its soul.

I write these last lines on Sauvie's Island - the Wappatto of the Indians - sitting upon the bank of the river, beneath the gnarled and ancient cottonwood that still marks the spot where the old Columbia trail led up from the water to the interior of the island. Stately and beautiful are the far snow-peaks and the sweeping forest. The woods are rich in the colors of an Oregon autumn. The white wappatto blooms along the marshes, its roots ungathered, the dusky hands that once reaped the harvest long crumbled into dust. Blue and majestic in the sunlight flows the Columbia, river of many names -- the Wauna and the Wemath of the Indians, the St. Roque of the Spaniards, the Oregon of poetry -- always vast and grand, always flowing placidly to the sea. Steamboats of the present; batteaux of the fur traders; ships, Grey's and Vancouver's, of discovery; Indian canoes of the old unknown time -- the stately river has seen them all come and go, and yet holds its way past forest and promontory, still beautiful and unchanging. Generation after generation, daring hunter, ardent discoverer, silent Indian -- all the shadowy peoples of the past have sailed its waters as we sail them, have lived perplexed and haunted by mystery as we live, have gone out into the Great Darkness with hearts full of wistful doubt and questioning, as we go; and still the river holds its course, bright, beautiful, inscrutable. It stays; we go. It there anything beyond the darkness into which generation follows generation and race follows race? Surely there is an after-life, where light and peace shall come to all who, however defeated, have tried to be true and loyal; where the burden shall be lifted and the heartache shall cease; where all the love and hope that slipped away from us here shall be given back to us again, and given back forever Via crucis, via lucis.

Night: and once again, the nightly grapple with death, the room shaking with daemonic orchestras, the snatches of fearful sleep, the voices outside the window, my name being continually repeated with scorn by imaginary parties arriving, the dark's spinnets. As if there were not enough real noises in these nights the colour of grey hair. Not like the rending tumult of American cities, the noise of the unbandaging of great giants in agony. But the howling pariah dogs, the cocks that herald dawn all night, the drumming, the moaning that will be found later white plumage huddled on telegraph wires in back gardens or fowl roosting in apple trees, the eternal sorrow that never sleeps of great Mexico. For myself I like to take my sorrow into the shadow of old monasteries, my guilt into cloisters and under tapestries, and into the misericordes of unimaginable cantinas where sad-faced potters and legless beggars drink at dawn, whose cold jonquil beauty one rediscovers in death. So that when you left, Yvonne, I went to Oaxaca. There is no sadder word. Shall I tell you, Yvonne, of the terrible journey there through the desert over the narrow gauge railway on the rack of a third-class carriage bench, the child whose life its mother and I saved by rubbing its belly with tequila out of my bottle, or of how, when I went to my room in the hotel where we once were happy, the noise of slaughtering below in the kitchen drove me out into the glare of the street, and later, that night, there was a vulture sitting in the washbasin? Horrors portioned to a giant nerve! No, my secrets are of the grave and must be kept. And this is how I sometimes think of myself, as a great explorer who has discovered some extraordinary land from which he can never return to give his knowledge to the world: but the name of this land is hell.

Aye, Slieve Gullion has seen a lot of sad stories in her time,” Da said, “but she keeps all her anger locked up in that volcano at her heart. She’s beautiful on the outside but troubled deep down.” He sighed. “Just like Ireland.

For twenty seconds, there was smoke coming out of my ears. In earlier years, my first reaction would have been to want to physically hurt such a person. Instead I took a few deep breaths and then gave myself some empathy for the hurt, fear, and rage that were stirring inside me. I attended to my feelings. I stayed conscious that my anger wasn’t coming from my fellow passenger nor the statement he had just made. His comment had triggered off a volcano inside of me, but I knew that my anger and profound fear came from a far deeper source than those words he had just uttered. I sat back and simply allowed the violent thoughts to play themselves out. I even enjoyed the image of actually grabbing his head and smashing it. Giving myself this empathy enabled me to then focus my attention on the humanness behind his message, after which the first words out of my mouth were, “Are you feeling … ?” I tried to empathize with him, to hear his pain. Why? Because I wanted to see the beauty in him, and I wanted for him to fully apprehend what I had experienced when he made his remark. I knew I wouldn’t receive that kind of understanding if there were a storm brewing inside of him. My intention was to connect with him and show a respectful empathy for the life energy in him that was behind the comment. My experience told me that if I were able to empathize, then he would be able to hear me in return. It would not be easy, but he would be able to.

You have to go from being a volcano that lies dormant for years and then explodes out of the blue, decimating several villages of innocent people, to becoming a volcano that lets off a slow, steady lava flow that’s truly beautiful, yet predictable enough that people can come and marvel at its beauty without getting their faces singed off.

The Story of the Volcano, An Aztec Myth Once upon a time there was a princess named Iztaccihuatl, more beautiful than any woman, and a handsome warrior Popocatepetl, who loved her. They were to be married, and all the kingdoms rejoiced...

Buried Cities During the Roman Empire, wealthy Romans took vacations in the cities of Pompeii and Herculaneum. The people in these towns did not know that nearby Mount Vesuvius doomed them. On August 24 in the year A.D. 79, the top blew off the mountain. Hot rock and ash buried Pompeii and Herculaneum. An estimated five thousand people died when their houses collapsed or they choked to death on the ash. After the Roman Empire ended, the people in neighboring cities forgot Pompeii and Herculaneum. In the sixteenth century, an architect named Domenico Fontana found evidence that cities were buried under 20 feet (6 m) of earth. It was another two hundred years before anyone began digging. In the 1800s, archaeologists were stunned to discover the perfectly preserved forms of people who had died trying to flee the volcano. They also uncovered graceful courtyards and beautiful homes with elegant tile floors and statues. These discoveries helped scientists learn what the daily life of the ancient Romans might have been like. In 2002, they found that the port area along the Gulf of Naples had houses built on stilts. Still more mysteries wait to be uncovered.

There are circumstances which can only be created and remedied in a crucible of fury, fire, and destruction like the serotinous cones of the Jack Pine and Lodgepole Pine trees. Only after exposed to extreme heat and enormous pressures will the cone open to begin anew and flourish amongst the cleansed but desolate landscape. Also, like the unpredictable restrained power of a dormant volcano storing it's potential energy over long periods of time gives way to this planets most enchanting display of scenic beauty to stark nightmarish backdrops. Egos are like wildfires to me because they start small but uncontrolled they will get out-of-hand and devour without prejudice. However, egotistical people are part of life and the best defense is a good offense with fire breaks dug in advance anticipation and left in place for when the right conditions present themselves where you must decide to fight that fire or be consumed by it.

Our next stop was Terceira’s surest shot for a tourist attraction: Algar do Carvão, probably the only known place in the world where you can walk inside the cone of a volcano. There was an initial explosion some three thousand two hundred years ago, and then two thousand years ago another eruption at the same site spewed molten lava inside the mountain. When the lava drained, it left chambers whose rock walls were as varied in colors of bronzes and golds as the cloak of the lover in the Gustav Klimt painting The Kiss.

Natural diamonds are formed inside some dying volcanoes. The beauty thrives, long after the volcano’s death.

Monk refused to be ruffled. He glanced around the office at the pictures on the walls. They were not of ships, as he had expected, but were wild landscapes of fierce and alien beauty, stark mountains towering above churning water, or barren as the volcanoes on the moon. “Cape Horn,” Louvain said, following his look. “And Patagonia. I keep them to remind me who I am. Every man should see such places at least once, feel the violence and the enormity of them, hear the noise of wind and water that never stops, and stand on a plain like that, where the silence is never broken. It gives you a sense of proportion.

The paradox of volcanoes was that they were symbols of destruction but also life. Once the lava slows and cools, it solidifies and then breaks down over time to become soil - rich, fertile soil. She wasn't a black hole, she decided. She was a volcano. And like a volcano she couldn't run away from herself. She'd have to stay there and tend to that wasteland. She could plant a forest inside herself.

our ability to feel the depth and beauty of life is capable of expanding forever inward if we are willing to take our problems and see them as catalysts. Forests need fire to do this, volcanoes need implosions, stars need collapse, and human beings often need to be faced with no other option but to change before they really do.

Legend has it that when the Inka Mayta Capac led his army through a valley surrounded by three volcanoes, many members of his escort pleaded to settle there because they fell in love with the beauty of the place. The Inka replied in Quechua, "Ari Qhipay", in English, "Yes, stay". Those words, apparently, gave birth to the name of the Peruvian city of Arequipa.