Preserve Flowers Quotes

Isn't it odd how much fatter a book gets when you've read it several times?" Mo had said..."As if something were left between the pages every time you read it. Feelings, thoughts, sounds, smells...and then, when you look at the book again many years later, you find yourself there, too, a slightly younger self, slightly different, as if the book had preserved you like a pressed flower...both strange and familiar.

She wanted to exist only as a conscious flower, prolonging and preserving herself

I want my girls to see their relationship with me as a place of refuge, a place they can retreat to for honesty, unconditional love, and support. I want to teach them and have them trust me, not fear me. I want to preserve the gentle souls that I see in them." -Liz. M.

Progress does not have to be patented to be worthwhile. Progress can also be measured by our interactions with nature and its preservation. Can we teach children to look at a flower and see all the things it represents: beauty, the health of an ecosystem, and the potential for healing?

Like a flower pressed flat and dried, we try to hold it still and say, this is exactly how it was the day I first saw it. But like the flower, the past cannot be trapped that way. It loses its fragrance and and its vitality, its fragility becomes brittleness and its colors fade. And when next you look on the flower, you know that it is not at all what you sought to capture, that that moment has fled forever.

At its heart, a dream is a door. Sometimes there is nothing behind the door, only the stacked faces of strangers. Sometimes the door holds row upon row of indignities plucked and preserved like fruit out of season. And sometimes the door is a piece of yourself that has been exiled and severed for reasons you have been made to forget, and it is only in dream that it dares to show itself.

She had dispersed. She was the garden at Prem Nivas (soon to be entered into the annual Flower Show), she was Veena's love of music, Pran's asthma, Maan's generosity, the survival of some refugees four years ago, the neem leaves that would preserve quilts stored in the great zinc trunks of Prem Nivas, the moulting feather of some pond-heron, a small unrung brass bell, the memory of decency in an indecent time, the temperament of Bhaskar's great-grandchildren. Indeed, for all the Minsisster of Revenue's impatience with her, she was his regret. And it was right that she should continue to be so, for he should have treated her better while she lived, the poor, ignorant, grieving fool.

I took in the thick night air, the sweet smell of honeysuckle, the chirping of frogs, to impress the moment in the folds of my memory, preserve it like a flower between pages of a book. To remember: This is how it feels to be happy.

How well worn they all were..."Isn't it odd how much fatter a book gets when you've read it several times?" Mo had said when, on Meggie's last birthday, they were looking at all her dear old books again. "As if something were left between the pages every time you read it. Feelings, thoughts, sounds, smells...and then, when you look at the book again many years later, you find yourself there, too, a slightly younger self, slightly different, as if the book had preserved you like a pressed flower, both strange and familiar.

Goodwill is something you put away like preserves, for a rainy day, for winter, for lean times, and it was moving to find that i had more than I had ever imagined. People gathered from all directions, and I was taken care of beautifully...Afterward...I occasionally wished that life was always like this, that I was always being showered with flowers and assistance and solicitousness, but you only get it when you need it. If you're lucky, you get it when you need it. To know that it was there when I needed it changed everything a little in the long run.

Remembrance is the only paradise out of which we cannot be driven away. Pleasure is the flower that fades, remembrance is the lasting perfume. Remembrances last longer than present realities; I have preserved blossoms for many years, but never fruits.

Putting a small amount of 7UP in a flower vase will surprisingly preserve them for much longer.

Personal pleasures were like drying flowers, best kept away from the light to preserve their vibrance.

Thus, flowers cannot be preserved, but their ethereal oil, their essence, with the same smell and the same virtues, can. The conduct that has had correct concepts for its guidance will, in the result, coincide with the reality intended.

Of the Three Rings that the Elves had preserved unsullied no open word was ever spoken among the Wise, and few even of the Eldar knew where they were bestowed. Yet after the fall of Sauron their power was ever at work, and where they abode there mirth also dwelt and all things were unstained by the griefs of time. Therefore ere the Third Age was ended the Elves perceived that the Ring of Sapphire was with Elrond, in the fair valley of Rivendell, upon whose house the stars of heaven most brightly shone; whereas the Ring of Adamant was in the Land of Lórien where dwelt the Lady Galadriel. A queen she was of the woodland Elves, the wife of Celeborn of Doriath, yet she herself was of the Noldor and remembered the Day before days in Valinor, and she was the mightiest and fairest of all the Elves that remained in Middle-earth. But the Red Ring remained hidden until the end, and none save Elrond and Galadriel and Cirdan knew to whom it had been committed. Thus it was that in two domains the bliss and beauty of the Elves remained still undiminished while that Age endured: in Imladris; and in Lothlórien, the hidden land between Celebrant and Anduin, where the trees bore flowers of gold and no Orc or evil thing dared ever come. Yet many voices were heard among the Elves foreboding that, if Sauron should come again, then either he would find the Ruling Ring that was lost, or at the best his enemies would discover it and destroy it; but in either chance the powers of the Three must then fail and all things maintained by them must fade, and so the Elves should pass into the twilight and the Dominion of Men begin. And so indeed it has since befallen: the One and the Seven and the Nine are destroyed; and the Three have passed away, and with them the Third Age is ended, and the Tales of the Eldar in Middle-earth draw to then-close.

There are few people who think what a solemn thing it is to be a Christian. I guess there is not a believer in the world who knows what a miracle it is to be kept a believer. We little think the miracles that are working all around us. We see the flowers grow; but we do not think of the wondrous power that gives them life. We see the stars shine; but how seldom do we think of the hand that moves them. The sun gladdens us with his light; yet we little think of the miracles which God works to feed that sun with fuel, or to gird him like a giant to run his course. And we see Christians walking in integrity and holiness; but how little do we suspect what a mass of miracles a Christian is. There are as great a number of miracles expended on a Christian every day, as he hath hairs on his head. A Christian is a perpetual miracle. Every hour that I am preserved from sinning, is an hour of as divine a might as that which saw a new-born world swathed in its darkness, and heard "the morning stars sing for joy." Did ye never think how great is the danger to which a Christian is exposed from his indwelling sin?

The years fell away from him till, in an instant, from being a rather poorly preserved, liverish greybeard of sixty-five or so, he became a sprightly lad of twenty-one in a world of springtime and flowers and laughing brooks. In other words, taking it by and large, George felt pretty good. The impossible had happened; Heaven had sent him an adventure, and he didn't care if it snowed.

I am here now to tell you that you were wrong. Family is not the only thing that matters. There are other things: Pachelbel’s Canon in D matters, and fresh-picked corn on the cob, and true friends, and the sound of the ocean, and the poems of William Carlos Williams, and the constellations in the sky, and random acts of kindness, and a garden on the day when all its flowers are at their peak. Fluffy pancakes matter and crisp clean sheets and the guitar riff in “Layla,” and the way clouds look when you are above them in an airplane. Preserving the coral reef matters, and the thirty-four paintings of Johannes Vermeer matter, and kissing matters.

The Buddhas and the Christs are born complete. They neither seek love nor give love, because they are love itself. But we who are born again and again must discover the meaning of love, must learn to live love as the flower lives beauty. How wonderful, if only you can believe it, act on it! Only the fool, the absolute fool, is capable of it. He alone is free to plumb the depths and scour the heavens. His innocence preserves him. He asks no protection.

Like pressing flowers, books preserve the appearance of events, but not their original dimensions.

His head reminded one of an ancient castle keep, with its unmanned battlements still preserved but its interior transformed into a library.

When you get into theory, you find the flowers aren’t miles away from the photographs. They’re impressions of living things – like fossils, pressed and preserved, the way an image impresses itself onto a roll of film

Perfection’s firsts, creation’s pampered favourites, the peaks and summits we look to where they redden in the first touch of the created world – spilt pollen of flowering Godhead, knots of light, passageways, stairs, thrones, spaces of life, the blazoned shields of bliss, tumults of ecstasy and as suddenly, solely – mirrors, scooping up that flood of beauty that pours from them and re-directing it back into themselves. For we, even as we feel, evaporate in the act of breathing ourselves out and beyond, ember after ember, we burn away to nothing. We give off an ever-diminishing scent. Though somebody might come and say, ‘Yes! You are in my blood now. This room, the whole of spring is full of your presence . . .’ What’s the use? He cannot preserve us. We still disappear in him or around him. Even the truly beautiful – who holds them? Nothing but appearance

Miss Parkinson lived alone in a big bay-windowed house of Edwardian brick with a vast garden of decaying fruit trees and untidy hedges of gigantic size. She was great at making elderberry wine and bottling fruit and preserves and lemon curd and drying flowers for winter. She felt, like Halibut, that things were not as they used to be. The synthetic curse of modern times lay thick on everything. There was everywhere a sad drift from Nature.

Sad as it is, we cannot conceal the fact that in spite of our companionship with flowers we have not risen very far above the brute. Scratch the sheepskin and the wolf within us will soon show his teeth. It has been said that a man at ten is an animal, at twenty a lunatic, at thirty a failure, at forty a fraud, and at fifty a criminal. Perhaps he becomes a criminal because he has never ceased to be an animal. Nothing is real to us but hunger, nothing sacred except our own desires. Shrine after shrine has crumbled before our eyes; but one altar if forever preserved, that whereon we burn incense to the supreme idol,-ourselves. Our god is great, and money is his Prophet! We devastate nature in order to make sacrifice to him. We boast that we have conquered Matter and forget that it is Matter that has enslaved us. What atrocities do we not perpetrate in the name of culture and refinement!

Have you forgotten me? by Nancy B. Brewer The bricks I laid or the stitches I sewed. I was the one that made the quilt; a drop of blood still shows from my needle prick. Your wedding day in lace and satin, in a dress once worn by me. I loaned your newborn baby my christening gown, a hint of lavender still preserved. Do you know our cause, the battles we won and the battles we lost? When our soldiers marched home did you shout hooray! Or shed a tear for the fallen sons. What of the fields we plowed, the cotton, the tobacco and the okra, too. There was always room at my table for one more, Fried chicken, apple pie, biscuits and sweet ice tea. A time or two you may have heard our stories politely told. Some of us are famous, recorded on the pages of history. Still, most of us left this world without glory or acknowledgment. We were the first to walk the streets you now call home, Perhaps you have visited my grave and flowers left, but did you hear me cry out to you? Listen, my child, to the voices of your ancestors. Take pride in our accomplishments; find your strength in our suffering. For WE are not just voices in the wind, WE are a living part of YOU!

Women have the upper hand. It’s taken me half a lifetime to realize it. We don’t actually care about the man who is bringing flowers to another woman. River was a stand-in for Jack. All present men are stand-ins for former men. And all men are stand-ins for our fathers. And even our fathers mean less than our own self-preservation. May you not go around the world looking to fill what you fear you lack with the flesh of another human being. That’s part of what this story is for.

Purpose and desire can seem similar, but they are very different, sometimes even opposing forces. Desire is personal, narrow, and pointed, and tends toward self-preservation, self-gratification, and short-term gains and pleasures. Purpose is wider, broader, a longer-term vision encompassing the benefit of others—something outside of yourself you’re willing to fight for. There have been many times in my life where I was acting from a place of desire but I’d fully convinced myself that it was purpose. Desire is what you want; purpose is the flowering of what you are. Desire tends to weaken over time, whereas purpose strengthens the more you lean into it. Desire can be depleting because it’s insatiable; purpose is empowering—it’s a stronger engine. Purpose has a way of contextualizing life’s unavoidable sufferings and making them meaningful and worthwhile. As Viktor Frankl wrote, “In some ways suffering ceases to be suffering at the moment it finds a meaning, such as the meaning of a sacrifice.

Photo album, I’m in it somewhere, successive incarnations of me preserved and flattened like flowers pressed in dictionaries; that was the other book she kept, the leather album, a logbook like the diaries. I used to hate standing still, waiting for the click.

Pain patterns are vicious cycles, unconsciously passed from generation to generation in deeply entrenched behavioral and relational paradigms. They cannot be changed from the outside, only from within. Fear gives way to comfort, pain to healing, anger to peace, despair to hope, only when the heart of a person or the soul of a people feel safe enough to emerge from the hardened shell of self-preservation and become open to new possibilities. A hurting humanity cannot be healed by force, by arguing, shaming, threatening, manipulating. Those merely feed the pain patterns and harden their protective shells. Love, acceptance, empathy, compassion, those are the gentle rain that blossoms hurt into healing, transforming pain patterns into the peaceful flowering of a healthy, heart-whole humanity.

Sticky everlasting Meaning:My love will not leave you Xerochrysum viscosum | New South Wales and Victoria These paper-like flowers display hues of lemon, gold, and splotchy orange to fiery bronze. They can be easily cut, dried, and preserved while retaining their stunning colors.

The more I studied the accounts of others, both written and told, the more it seemed to me that we attempt such histories not to preserve knowledge, but to fix the past in a settled way. Like a flower pressed flat and dried, we try to hold it still and say, this is exactly how it was the day I first saw it. But like the flower, the past cannot be trapped that way. It loses its fragrance and its vitality, its fragility becomes brittleness and its colors fade. And when next you look on the flower, you know that it is not at all what you sought to capture, that that moment has fled forever.

I wonder if the hypochondriac him or herself is a metaphor, a condensed node of ideas about illness crushed together into one individual. I am pressed between these layers of meaning like a flower preserved between the pages of a book, trapped in narratives about my sickness that have already been written.

Yes, I had dreamed of becoming a botanist, my entire life, really. I'd thought a great deal about the various species of maple and rhododendron while braiding challah, and I'd successfully planted a wisteria vine in a large pot and trained it over the awning of the bakery. And at night, after we closed shop, I volunteered at the New York Botanical Garden. Sweeping up cuttings and fallen leaves hardly seemed like work when it provided the opportunity to gaze into the eye of a Phoenix White peony or a Lady Hillingdon rose, with petals the color of apricot preserves. Yes, horticulture, not pastries, was my passion.

Preserved Children This recipe was on a plaque hanging in a friend’s kitchen. You will need: one half dozen small children one large field one sunny day 2-3 small dogs Mix the children and the dogs together. Dot them over the large field and stir in the sunny day. Sprinkle the field with flowers. Spread with a clear blue sky. Bake in the sun until brown.

No more peeping through keyholes! No more mas turbating in the dark! No more public confessions! Unscrew the doors from their jambs! I want a world where the vagina is represented by a crude, honest slit, a world that has feeling for bone and contour, for raw, primary colors, a world that has fear and respect for its animal origins. I’m sick of looking at cunts all tickled up, disguised, deformed, idealized. Cunts with nerve ends exposed. I don’t want to watch young virgins masturbating in the privacy of their boudoirs or biting their nails or tearing their hair or lying on a bed full of bread crumbs for a whole chapter. I want Madagascan funeral poles, with animal upon animal and at the top Adam and Eve, and Eve with a crude, honest slit between the legs. I want hermaphrodites who are real hermaphrodites, and not make-believes walking around with an atrophied penis or a dried-up cunt. I want a classic purity, where dung is dung and angels are angels. The Bible a la King James, for example. Not the Bible of Wycliffe, not the Vulgate, not the Greek, not the Hebrew, but the glorious, death-dealing Bible that was created when the English language was in flower, when a vocabulary of twenty thousand words sufficed to build a monument for all time. A Bible written in Svenska or Tegalic, a Bible for the Hottentots or the Chinese, a Bible that has to meander through the trickling sands of French is no Bible-it is a counterfeit and a fraud. The King James Version was created by a race of bone-crushers. It revives the primitive mysteries, revives rape, murder, incest, revives epilepsy, sadism, megalomania, revives demons, angels, dragons, leviathans, revives magic, exorcism, contagion, incantation, revives fratricide, regicide, patricide, suicide, revives hypnotism, anarchism, somnambulism, revives the song, the dance, the act, revives the mantic, the chthonian, the arcane, the mysterious, revives the power, the evil, and the glory that is God. All brought into the open on a colossal scale, and so salted and spiced that it will last until the next Ice Age. A classic purity, then-and to hell with the Post Office authorities! For what is it enables the classics to live at all, if indeed they be living on and not dying as we and all about us are dying? What preserves them against the ravages of time if it be not the salt that is in them? When I read Petronius or Apuleius or Rabelais, how close they seem! That salty tang! That odor of the menagerie! The smell of horse piss and lion’s dung, of tiger’s breath and elephant’s hide. Obscenity, lust, cruelty, boredom, wit. Real eunuchs. Real hermaphrodites. Real pricks. Real cunts. Real banquets! Rabelais rebuilds the walls of Paris with human cunts. Trimalchio tickles his own throat, pukes up his own guts, wallows in his own swill. In the amphitheater, where a big, sleepy pervert of a Caesar lolls dejectedly, the lions and the jackals, the hyenas, the tigers, the spotted leopards are crunching real human boneswhilst the coming men, the martyrs and imbeciles, are walking up the golden stairs shouting Hallelujah!

That I was not long brought up by the concubine of my father; that I preserved the flower of my youth. That I took not upon me to be a man before my time, but rather put it off longer than I needed. That I lived under the government of my lord and father, who would take away from me all pride and vainglory, and reduce me to that conceit and opinion that it was not impossible for a prince to live in the court without a troop of guards and followers, extraordinary apparel, such and such torches and statues, and other like particulars of state and magnificence; but that a man may reduce and contract himself almost to the state of a private man, and yet for all that not to become the more base and remiss in those public matters and affairs, wherein power and authority is requisite.

These last weeks, since Christmas, have been odd ones. I have begun to doubt that I knew you as well as I thought. I have even wondered if you wished to keep some part of yourself hidden from me in order to preserve your privacy and your autonomy. I will understand if you refuse to give me an answer tonight, and although I freely admit I will be hurt by such a refusal, you must not allow my feelings to influence your answer." I looked up into his face. "The question I have for you, then is this: How are the fairies in your garden?" By the yellow streetlights, I saw the trepidation that had been building up in face give way to a flash of relief, then to the familiar signs of outrage: the bulging eyes, the purpling skin, the thin lips. He cleared his throat. "I am not a man much given to violence," he began, calmly enough, "but I declare that if that man Doyle came before me today, I should be hard-pressed to avoid trouncing him." The image was a pleasing one, two gentlemen on the far side of middle age, one built like a bulldog and the other like a bulldong, engaging in fisticuffs. "It is difficult enough to surmount Watson's apparently endless blather in order to have my voice heard as a scientist, but now, when people hear my name, all they will think of is that disgusting dreamy-eyed little girl and her preposterous paper cutouts. I knew the man was limited, but I did not even suspect that he was insane!" "Oh, well, Holmes," I drawled into his climbing voice. "Look on the bright side. You've complained for years how tedious it is to have everyone with a stray puppy or a stolen pencil box push through your hedges and tread on the flowers; now the British Public will assume that Sherlock Homes is as much a fairy tale as those photographs and will stop plaguing you. I'd say the man's done you a great service." I smiled brightly. For a long minute, it was uncertain whether he was going to strike me dead for my impertinence or drop dead himself of apoplexy, but then, as I had hoped, he threw back his head and laughed long and hard.

She was a flower that has been tempted forth into blossom, and has no retreat. He had her nakedness in his power. And who was he, what was he? A blind thing, a dark force, without knowledge. She wanted to preserve herself. Then she gathered him to herself again and was satisfied for a moment. But as time went on, she began to realize more and more that he did not alter, that he was something dark, alien to herself. She had thought him just the bright reflex of herself. As the weeks and months went by she realized that he was a dark opposite to her, that they were opposites, not complements. He did not alter, he remained separately himself, and he seemed to expect her to be part of himself, the extension of his will. She felt him trying to gain power over her, without knowing her. What did he want? Was he going to bully her?

Botany smells like glue and blotter paper and pressed flowers. Paleontology smells like rock dust, bone dust. Biology smells like formalin and old fruit; it is loaded with heavy cool jars in which float things she has only had described for her: the pale coiled ropes of rattlesnakes, the severed hands of gorillas. Entomology smells like mothballs and oil: a preservative that, Dr. Geffard explains, is called naphthalene. Offices smell of carbon paper, or cigar smoke, or brandy, or perfume. Or all four.

It [the charcuterie] was almost on the corner of the Rue Pirouette and was a joy to behold. It was bright and inviting, with touches of brilliant colour standing out amidst white marble. The signboard, on which the name QUENU-GRADELLE glittered in fat gilt letter encircled by leaves and branches painted on a soft-hued background, was protected by a sheet of glass. On the two side panels of the shop front, similarly painted and under glass, were chubby little Cupids playing in the midst of boars' heads, pork chops, and strings of sausages; and these still lifes, adorned with scrolls and rosettes, had been designed in so pretty and tender a style that the raw meat lying there assumed the reddish tint of raspberry jam. Within this delightful frame, the window display was arranged. It was set out on a bed of fine shavings of blue paper; a few cleverly positioned fern leaves transformed some of the plates into bouquets of flowers fringed with foliage. There were vast quantities of rich, succulent things, things that melted in the mouth. Down below, quite close to the window, jars of rillettes were interspersed with pots of mustard. Above these were some boned hams, nicely rounded, golden with breadcrumbs, and adorned at the knuckles with green rosettes. Then came the larger dishes--stuffed Strasbourg tongues, with their red, varnished look, the colour of blood next to the pallor of the sausages and pigs' trotters; strings of black pudding coiled like harmless snakes; andouilles piled up in twos and bursting with health; saucissons in little silver copes that made them look like choristers; pies, hot from the oven, with little banner-like tickets stuck in them; big hams, and great cuts of veal and pork, whose jelly was as limpid as crystallized sugar. Towards the back were large tureens in which the meats and minces lay asleep in lakes of solidified fat. Strewn between the various plates and sishes, on the bed of blue shavings, were bottles of relish, sauce, and preserved truffles, pots of foie gras, and tins of sardines and tuna fish. A box of creamy cheeses and one full of snails stuffed with butter and parsley had been dropped in each corner. Finally, at the very top of the display, falling from a bar with sharp prongs, strings of sausages and saveloys hung down symmetrically like the cords and tassels of some opulent tapestry, while behind, threads of caul were stretched out like white lacework. There, on the highest tier of this temple of gluttony, amid the caul and between two bunches of purple gladioli, the alter display was crowned by a small, square fish tank with a little ornamental rockery, in which two goldfish swam in endless circles.

While the exterior of the Citadel is formed of giant slabs of clear, bright ice, some of the interior walls are enhanced by having things frozen inside the ice, resulting in something like wallpaper. Stones suspended, as though forever in midfall. Bones, picked cleaned, occasionally used to form sculptures. Roses, their petals forever preserved in their full flowering. The room's walls have two faerie women frozen inside them, preserved so that they never decayed into moss and stone, like the rest of the Folk. Two faerie women, dressed in finery, crowns on their heads. The Hall of Queens.

Elsewhere the sky is the roof of the world; but here the earth was the floor of the sky. The landscape one longed for when one was far away, the thing all about one, the world one actually lived in, was the sky, the sky! Travelling with Eusabio was like travelling with the landscape made human. He accepted chance and weather as the country did, with a sort of grave enjoyment. He talked little, ate little, slept anywhere, preserved a countenance open and warm, and like Jacinto he had unfailing good manners. The Bishop was rather surprised that he stopped so often by the way to gather flowers.

Ode to the West Wind I O wild West Wind, thou breath of Autumn’s being, Thou, from whose unseen presence the leaves dead Are driven, like ghosts from an enchanter fleeing, Yellow, and black, and pale, and hectic red, Pestilence-stricken multitudes: O thou, Who chariotest to their dark wintry bed The winged seeds, where they lie cold and low, Each like a corpse within its grave, until Thine azure sister of the Spring shall blow Her clarion o’er the dreaming earth, and fill (Driving sweet buds like flocks to feed in air) With living hues and odours plain and hill: Wild Spirit, which art moving everywhere; Destroyer and preserver; hear, oh hear! II Thou on whose stream, mid the steep sky’s commotion, Loose clouds like earth’s decaying leaves are shed, Shook from the tangled boughs of Heaven and Ocean, Angels of rain and lightning: there are spread On the blue surface of thine aëry surge, Like the bright hair uplifted from the head Of some fierce Maenad, even from the dim verge Of the horizon to the zenith’s height, The locks of the approaching storm. Thou dirge Of the dying year, to which this closing night Will be the dome of a vast sepulchre, Vaulted with all thy congregated might Of vapours, from whose solid atmosphere Black rain, and fire, and hail will burst: oh hear! III Thou who didst waken from his summer dreams The blue Mediterranean, where he lay, Lull’d by the coil of his crystàlline streams, Beside a pumice isle in Baiae’s bay, And saw in sleep old palaces and towers Quivering within the wave’s intenser day, All overgrown with azure moss and flowers So sweet, the sense faints picturing them! Thou For whose path the Atlantic’s level powers Cleave themselves into chasms, while far below The sea-blooms and the oozy woods which wear The sapless foliage of the ocean, know Thy voice, and suddenly grow gray with fear, And tremble and despoil themselves: oh hear! IV If I were a dead leaf thou mightest bear; If I were a swift cloud to fly with thee; A wave to pant beneath thy power, and share The impulse of thy strength, only less free Than thou, O uncontrollable! If even I were as in my boyhood, and could be The comrade of thy wanderings over Heaven, As then, when to outstrip thy skiey speed Scarce seem’d a vision; I would ne’er have striven As thus with thee in prayer in my sore need. Oh, lift me as a wave, a leaf, a cloud! I fall upon the thorns of life! I bleed! A heavy weight of hours has chain’d and bow’d One too like thee: tameless, and swift, and proud. V Make me thy lyre, even as the forest is: What if my leaves are falling like its own! The tumult of thy mighty harmonies Will take from both a deep, autumnal tone, Sweet though in sadness. Be thou, Spirit fierce, My spirit! Be thou me, impetuous one! Drive my dead thoughts over the universe Like wither’d leaves to quicken a new birth! And, by the incantation of this verse, Scatter, as from an unextinguish’d hearth Ashes and sparks, my words among mankind! Be through my lips to unawaken’d earth The trumpet of a prophecy! O Wind, If Winter comes, can Spring be far behind?

Cowperwood, who saw things in the large, could scarcely endure this minutae. He was but little interested in the affairs of bygone men and women, being so intensely engaged with the living present. And after a time he slipped outside, preferring the wide sweep of gardens, with their flower-lined walks and views of the cathedral. Its arches and towers and stained-glass windows, this whole carefully executed shrine, still held glamor, but all because of the hands and brains, aspirations and dreams of selfish and self-preserving creatures like himself. And so many of these, as he now mused, walking about, had warred over possession of this church. And now they were within its walls, graced and made respectable, the noble dead! Was any man noble? Had there ever been such a thing as an indubitably noble soul? He was scarcely prepared to believe it. Men killed to live—all of them —and wallowed in lust in order to reproduce themselves. In fact, wars, vanities, pretenses, cruelties, greeds, lusts, murder, spelled their true history, with only the weak running to a mythical saviour or god for aid. And the strong using this belief in a god to further the conquest of the weak. And by such temples or shrines as this. He looked, meditated, and was somehow touched with the futility of so

The age was the Elizabethan; their morals were not ours; nor their poets; nor their climate; nor their vegetables even. Everything was different. The weather itself, the heat and cold of summer and winter, was, we may believe, of another temper altogether. The brilliant amorous day was divided as sheerly from the night as land from water. Sunsets were redder and more intense; dawns were whiter and more auroral. Of our crepuscular half-lights and lingering twilights they knew nothing. The rain fell vehemently, or not at all. The sun blazed or there was darkness. Translating this to the spiritual regions as their wont is, the poets sang beautifully how roses fade and petals fall. The moment is brief they sang; the moment is over; one long night is then to be slept by all. As for using the artifices of the greenhouse or conservatory to prolong or preserve these fresh pinks and roses, that was not their way. The withered intricacies and ambiguities of our more gradual and doubtful age were unknown to them. Violence was all. The flower bloomed and faded. The sun rose and sank. The lover loved and went. And what the poets said in rhyme, the young translated into practice. Girls were roses, and their seasons were short as the flowers. Plucked they must be before nightfall; for the day was brief and the day was all.

something's knocking at the door     a great white light dawns across the continent as we fawn over our failed traditions, often kill to preserve them or sometimes kill just to kill. it doesn’t seem to matter: the answers dangle just out of reach, out of hand, out of mind.     the leaders of the past were insufficient, the leaders of the present are unprepared. we curl up tightly in our beds at night and wait. it is a waiting without hope, more like a prayer for unmerited grace.     it all looks more and more like the same old movie. the actors are different but the plot’s the same: senseless.     we should have known, watching our fathers. we should have known, watching our mothers. they did not know, they too were not prepared to teach. we were too naive to ignore their counsel and now we have embraced their ignorance as our own. we are them, multiplied. we are their unpaid debts. we are bankrupt in money and in spirit.     there are a few exceptions, of course, but these teeter on the edge and will at any moment tumble down to join the rest of us, the raving, the battered, the blind and the sadly corrupt.     a great white light dawns across the continent, the flowers open blindly in the stinking wind, as grotesque and ultimately unlivable our 21st century struggles to be born.

What if even then, God had plans for a second garden? Another tree, and another chance to reach out and accept the abundance of life? What if in Eden, God was planning Gethsemane?" The question echoed through Lucy, growing in power with each reverberation within her soul. She held a flower in her hands. The sweet, exotic perfume floated deep into Lucy's heart---carrying Ms. Beth's words right along beside it. Lucy hesitated, allowing the words to take effect. "Are you circling a closed Eden, or have you chosen to step into Gethsemane, through the open gate?" Lucy blinked. She had never thought of it like that. "Maybe what you thought was a closed gate meant to punish you is actually God's way of protecting you from remaining in a place where you won't and can't receive His life." The truth washed Lucy's heart with color. As it brushed over the harsh edges with water, watercolor blooms began to blend one into the other, filling her with understanding. Lucy's heart swelled as the long-dry soil soaked up this water. "Where you're preoccupied with your failures and your fears and the desire to preserve all you might lose, God has a plan to preserve something else. To root you in a place where life can grow within you once more, freely and abundantly. A garden of death for a garden of life, where through His own resurrection Jesus returns all that was stolen.

Chivalry is a flower no less indigenous to the soil of Japan than its emblem, the cherry blossom; nor is it a dried-up specimen of an antique virtue preserved in the herbarium of our history. It is still a living object of power and beauty among us; and if it assumes no tangible shape or form, it not the less scents the moral atmosphere, and makes us aware that we are still under its potent spell. The conditions of society which brought it forth and nourished it have long disappeared; but as those far-off stars which once were and are not, still continue to shed their rays upon us, so the light of chivalry, which was a child of feudalism, still illuminates our moral path, surviving its mother institution.

But when Aragorn arose all that beheld him gazed in silence, for it seemed to them that he was revealed to them now for the first time. Tall as the sea-kings of old, he stood above all that were near; ancient of days he seemed and yet in the flower of manhood; and wisdom sat upon his brow, and strength and healing were in his hands, and a light was about him. And then Faramir cried: 'Behold the King!' And in that moment all the trumpets were blown, and the King Elessar went forth and came to the barrier, and Húrin of the Keys thrust it back; and amid the music of harp and of viol and of flute and the singing of clear voices the King passed through the flower-laden streets, and came to the Citadel, and entered in; and the banner of the Tree and the Stars was unfurled upon the topmost tower, and the reign of King Elessar began, of which many songs have told. In his time the City was made more fair than it had ever been, even in the days of its first glory; and it was filled with trees and with fountains, and its gates were wrought of mithril and steel, and its streets were paved with white marble; and the Folk of the Mountain laboured in it, and the Folk of the Wood rejoiced to come there; and all was healed and made good, and the houses were filled with men and women and the laughter of children, and no window was blind nor any courtyard empty; and after the ending of the Third Age of the world into the new age it preserved the memory and the glory of the years that were gone.

Here is a life in still frames. Moments like Polaroids. Like paintings. Like flowers pressed between the pages of a book. Perfectly preserved. The three of them, napping in the sun. Addie, stroking Henry’s hair while she tells him stories, and he writes, and writes, and writes. Henry, pressing her down into the bed, their fingers tangled, their breath quick, her name an echo in her hair. Here they are, together in his galley kitchen, his arms threaded through hers, her hands over his as they stir béchamel, as they knead bread dough. When it is in the oven, he cups her face with floury hands, leaves trails everywhere he touches. They make a mess, as the room fills with the scent of freshly baking bread. And in the morning it looks like ghosts have danced across the kitchen, and they pretend there were two instead of one.

Heaven preserve us! what a hotch-potch!” cried Hubert. “Is that what they are doing nowadays? I very seldom read a novel, but when I glance into one, I’m sure to find some such stuff as that! Nothing irritates me so as the flatness of people’s imagination. Common life — I don’t say it’s a vision of bliss, but it’s better than that! Their stories are like the underside of a carpet, — nothing but the stringy grain of the tissue — a muddle of figures without shape and flowers without color. When I read a novel my imagination starts off at a gallop and leaves the narrator hidden in a cloud of dust; I have to come jogging twenty miles back to the denouement. Your clergyman here with his Romish sweetheart must be a very pretty fellow. Why didn’t he marry her first and convert her afterwards? Isn’t a clergyman after all, before all, a man?

I could have hired someone else. Someone less flawed, perhaps, or at least better at hiding it. But none of them would have had the talent you have with flowers, Victoria. It's truly a gift. When you work with flowers, everything about you changes. The set of your jaw loosens. Your eyes glaze with focus. Your fingers manipulate the flowers with a gentle respect that makes it impossible to believe you are capable of violence. I'll never forget the first day I saw it. Watching you arranging sunflowers at the back table, I felt like I was looking at a completely different girl." I knew the girl of whom she was speaking. It was the same one I'd glimpsed in the dressing room mirror with Elizabeth, after nearly a year in her home. Perhaps that girl had survived somewhere within me after all, preserved like a dried flower, fragile and sweet.

There was a time when I thought that my life's significant work would be to write a history of the Six Duchies. I made a start on it any number of times, but always seemed to slide sideways from that grand tale into a recounting of the days and details of my own small life. The more I studied the accounts of others, both written and told, the more it seemed to me that we attempt such histories not to preserve knowledge, but to fix the past in a settled way. Like a flower pressed flat and dried, we try to hold it still and say, this is exactly how it was the day I first saw it. But like the flower, the past cannot be trapped that way. It loses its fragrance and its vitality, its fragility becomes brittleness and its colors fade. And when next you look on the flower, you know that it is not at all what you sought to capture, that that moment has fled forever. I wrote my history and my observations. I captured my thoughts and ideas and memories in words on vellum and paper. So much I stored, and thought it was mine. I believed that by fixing it down in words, I could force sense on all that had happened, that effect would follow cause, and the reason for each event come clear to me. Perhaps I sought to justify myself, not just all I had done, but who I had become. For years, I wrote faithfully nearly every evening, carefully explaining my world and my life to myself. I put my scrolls on a shelf, trusting that I had captured the meaning of my days. But then I returned one day, to find all my careful scribing gone to fragments of vellum lying in a trampled yard with wet set, snow blowing over them. I sat my horse, looking down on them, and knew that, as it always would, the past had broken free of my effort to define and understand it. History is no more fixed and dead than the future. The past is no further away than the last breath you took.

It is not good for man to be kept perforce at all times in the presence of his species. A world from which solitude is extirpated is a very poor ideal. Solitude, in the sense of being often alone, is essential to any depth of meditation or of character; and solitude in the presence of natural beauty and grandeur, is the cradle of thoughts and aspirations which are not only good for the individual, but which society could ill do without. Nor is there much satisfaction in contemplating the world with nothing left to the spontaneous activity of nature...scarcely a place left where a wild shrub or flower could grow without being eradicated as a weed in the same of improved agriculture. If the earth must lose that great portion of its pleasantness which it owes to things that the unlimited increase of wealth and population would extirpate from it, for the mere support of a larger, but not a better or happier population, I sincerely hope, for the sake of posterity, that they will be content to be stationary...

The geisha and the temple maiden of the Hindus, Persians, Mayas, or Inca present the sovereignty of idle beauty, completely withdrawn from the world of work. Living in idleness, she preserves those soft and fluid forms of the voice, of the smile, of the whole body, that captivate without resisting what they touch. Her beauty does not triumph in the endurance of stern physical tasks; it does not endure; it is as ephemeral as the flowers that bloom in the night and die when the sun rises. She makes herself an object by covering herself with brilliant and fluid garments, jewels, and perfumes. The working man is stopped in his tracks, contemplating a body set apart, remote from his laborious concerns, ostentatious and alluring. Her sumptuous dress, jewelry of precious stones, plumes of exotic birds, and perfumes made of fields of rare flowers represent values, represent the dissipation of human labor in useless splendor. This intense consumption exerts a dangerous fascination. She tempts the worker to the follies and excesses of passion and dispossession.

I found Chinatown both impossibly sophisticated and unbearably out of vogue. Chinese restaurants were a guilty pleasure of mine. I loved how they evoked the living world- either the Walden-like sense of individualism of the Ocean or Happy Garden, or something more candid ("Yummies!"). Back home they had been a preserve of birthdays and special celebrations: a lazy Susan packed with ribs and Peking duck, rhapsodically spun to the sound of Fleetwood Mac or the Police, with banana fritters drenched in syrup and a round of flowering tea to finish. It felt as cosmopolitan a dining experience as I would ever encounter. Contextualized amid the big-city landscape of politicized microbreweries and sushi, a hearty table of MSG and marinated pork felt at best crass, at worst obscurely racist. But there was something about the gloop and the sugar that I couldn't resist. And Chinatown was peculiarly untouched by my contemporaries, so I could happily nibble at plates of salt and chili squid or crispy Szechuan beef while leafing through pages of a magazine in peace.

The beauties that one discovers at once are those also of which one most soon grows tired, and for the reason that they are less different from what one already knows. But when those first apparitions have withdrawn, there is left for our enjoyment some passage which its composition, too new and strange to offer anything but confusion to our mind, had made indistinguishable and so preserved intact; and this, which we have been meeting every day and have not guessed it, which has thus been held in reserve for us, which by the sheer force of its beauty has become invisible and has remained unknown, this comes to us last of all. But this also must be the last that we shall relinquish. And we shall love it longer than the rest because we have taken longer to get to love it. The time, moreover, that a person requires—as I required in the matter of this sonata—to penetrate a work of any depth is merely an epitome, a symbol, one might say, of the years, the centuries even that must elapse before the public can begin to cherish a masterpiece that is really new.

From all enchanted things of earth and air, this preciousness has been drawn. From the south wind that breathed a century and a half over the green wheat; from the perfume of the growing grasses waving over heavy-laden clover and laughing veronica, hiding the green finches, baffling the bee; from rose-lined hedge, woodbine, and cornflower, azure blue, where yellowing wheat stalks crowd up under the shadow of green firs. All the devious brooklets’ sweetness where the iris stays the sunlight; all the wild woods hold of beauty; all the broad hills of thyme and freedom thrice a hundred years repeated. “A hundred years of cowslips, bluebells, violets; purple spring and golden autumn; sunshine, shower, and dewy mornings; the night immortal; all the rhythm of time unrolling. A chronicle unwritten and past all power of writing; who shall preserve a record of the petals that fell from the roses a century ago? The swallows to the house-tops three hundred — times think of that! Thence she sprang, and the world yearns toward her beauty as to flowers that are past. The loveliness of seventeen is centuries old. That is why passion is almost sad.

Before reaching it, we would meet the smell of his lilacs, coming out to greet the strangers. From among the fresh green little hearts of their leaves, the flowers would curiously lift above the gate of the park their tufts of mauve or white feathers, glazed, even in the shade, by the sun in which they had bathed. A few, half hidden by the little tiled lodge called the Archers’ House, where the caretaker lived, overtopped its Gothic gable with their pink minarets. The Nymphs of Spring would have seemed vulgar compared to these young houris, which preserved within this French garden the pure and vivid tones of Persian miniatures. Despite my desire to entwine their supple waists and draw down to me the starry curls of their fragrant heads, we would pass by without stopping because my parents had ceased to visit Tansonville since Swann’s marriage… We stopped for a moment in front of the gate. Lilac time was nearly over; a few, still, poured forth in tall mauve chandeliers the delicate bubbles of their flowers, but in many places among the leaves where only a week before they had still been breaking in waves of fragrant foam, a hollow scum now withered, shrunken and dark, dry and odorless.

When a journey we have longed to make begins to become a reality, and the mind and sensibility are starting to wonder whether it is really worth the effort, the will, which well knows that, if it turned out the journey could not be made, these feckless masters would immediately long for it to become possible again, lets them loiter in front of the station, having their say, hesitating until the last minute, while it makes sure of buying the tickets and getting us into the train before departure time. It is as invariable as the mind and sensibility are changeable; but because it is silent and never gives its reasons, it seems almost nonexistent; all the other parts of our self march to its tune unawares, though they can always see clearly their own uncertainties. So my mind and sensibility set up a debate on how much pleasure there might be in making the acquaintance of Albertine, while in front of the mirror I considered the vain and fragile charms that they would have preferred to preserve unused for some better occasion. But my will did not lose sight of the time at which I had to leave; and it was Elstir’s address that it gave to the coachman. My mind and sensibility, now that the die was cast, indulged in the luxury of thinking it was a pity. If my will had given a different address, they would have been in a state of panic.

Family is not the only thing that matters. There are other things: Pachelbel’s Canon in D matters, and fresh-picked corn on the cob, and true friends, and the sound of the ocean, and the poems of William Carlos Williams, and the constellations in the sky, and random acts of kindness, and a garden on the day when all its flowers are at their peak. Fluffy pancakes matter and crisp clean sheets and the guitar riff in “Layla,” and the way clouds look when you are above them in an airplane. Preserving the coral reef matters, and the thirty-four paintings of Johannes Vermeer matter, and kissing matters. Whether or not you register for china, crystal, and silver does not matter. Whether or not you have a full set of Tiffany dessert forks on Thanksgiving does not matter. If you want to register for these things, by all means, go ahead. My Waterford pattern is Lismore, one of the oldest. I do remember one time when I had a harrowing day at the hospital, and Nick had a Rube Goldberg project due and needed my help, and Kevin was playing Quiet Riot at top decibel in his bedroom, and Margot was tying up the house phone, and you had been plunked by the babysitter in front of the TV for five hours, and I came home and took one of my Lismore goblets out of the cabinet. I wanted to smash it against the wall. But instead I filled it with cold white wine and for ten or so minutes I sat in the quiet of the formal living room all by myself and I drank the cold wine out of that beautiful glass crafted by some lovely Irishman, and I felt better. It was probably the wine, not the glass, but you get my meaning. I will remember the impressive heft of the glass in my hand, and the way the cut of the crystal caught the day’s last rays of sunlight, but I will not miss that glass the way I will miss the sound of the ocean, or the taste of fresh-picked corn.

How can I tell of the rest of creation, with all its beauty and utility, which the divine goodness has given to man to please his eye and serve his purposes, condemned though he is, and hurled into these labors and miseries?  Shall I speak of the manifold and various loveliness of sky, and earth, and sea; of the plentiful supply and wonderful qualities of the light; of sun, moon, and stars; of the shade of trees; of the colors and perfume of flowers; of the multitude of birds, all differing in plumage and in song; of the variety of animals, of which the smallest in size are often the most wonderful,--the works of ants and bees astonishing us more than the huge bodies of whales?  Shall I speak of the sea, which itself is so grand a spectacle, when it arrays itself as it were in vestures of various colors, now running through every shade of green, and again becoming purple or blue?  Is it not delightful to look at it in storm, and experience the soothing complacency which it inspires, by suggesting that we ourselves are not tossed and shipwrecked?  [1664]What shall I say of the numberless kinds of food to alleviate hunger, and the variety of seasonings to stimulate appetite which are scattered everywhere by nature, and for which we are not indebted to the art of cookery?  How many natural appliances are there for preserving and restoring health!  How grateful is the alternation of day and night!  how pleasant the breezes that cool the air!  how abundant the supply of clothing furnished us by trees and animals!  Who can enumerate all the blessings we enjoy?  If I were to attempt to detail and unfold only these few which I have indicated in the mass, such an enumeration would fill a volume.  And all these are but the solace of the wretched and condemned, not the rewards of the blessed.  What then shall these rewards be, if such be the blessings of a condemned state?

There are some people who throw down a book after having read it, as one leaves a bottle after having drank the wine from it. There are others who read books with a pencil in their hands, and they mark the most striking passages. Afterward, in the hours of rest, in the moments when one needs a stimulant from within and one searches for harmony, sympathy of a thing apparently so dead and strange as a book is, they come back to the marked passages, to their own thoughts, more comprehensible since an author expressed them; to their own sentiments, stronger and more natural since they found them in somebody else's words. Because ofttimes it seems to us—the common readers—that there is no difference between our interior world and the horizon of great authors, and we flatter ourselves by believing that we are 'only less daring, less brave than are thinkers and poets, that some interior lack of courage stopped us from having formulated our impressions. And in this sentiment there is a great deal of truth. But while this expression of our thoughts seems to us to be a daring, to the others it is a need; they even do not suspect how much they are daring and new. They must, according to the words of a poet, "Spin out the love, as the silkworm spins its web." That is their capital distinction from common mortals; we recognize them by it at once; and that is the reason we put them above the common level. On the pages of their books we find not the traces of the accidental, deeper penetrating into the life or more refined feelings, but the whole harvest of thoughts, impressions, dispositions, written skilfully, because studied deeply. We also leave something on these pages. Some people dry flowers on them, the others preserve reminiscences. In every one of Sienkiewicz's volumes people will deposit a great many personal impressions, part of their souls; in every one they will find them again after many years.

When the least obvious beauties of Vinteuil’s sonata were revealed to me, already, borne by the force of habit beyond the reach of my sensibility, those that I had from the first distinguished and preferred in it were beginning to escape, to avoid me. Since I was able only in successive moments to enjoy all the pleasures that this sonata gave me, I never possessed it in its entirety: it was like life itself. But, less disappointing than life is, great works of art do not begin by giving us all their best. In Vinteuil’s sonata the beauties that one discovers at once are those also of which one most soon grows tired, and for the same reason, no doubt, namely that they are less different from what one already knows. But when those first apparitions have withdrawn, there is left for our enjoyment some passage which its composition, too new and strange to offer anything but confusion to our mind, had made indistinguishable and so preserved intact; and this, which we have been meeting every day and have not guessed it, which has thus been held in reserve for us, which by the sheer force of its beauty has become invisible and has remained unknown, this comes to us last of all. But this also must be the last that we shall relinquish. And we shall love it longer than the rest because we have taken longer to get to love it. The time, moreover, that a person requires—as I required in the matter of this sonata—to penetrate a work of any depth is merely an epitome, a symbol, one might say, of the years, the centuries even that must elapse before the public can begin to cherish a masterpiece that is really new. So that the man of genius, to shelter himself from the ignorant contempt of the world, may say to himself that, since one’s contemporaries are incapable of the necessary detachment, works written for posterity should be read by posterity alone, like certain pictures which one cannot appreciate when one stands too close to them.

The society’s ‘look’ is a self-publicizing one. The American flag itself bears witness to this by its omnipresence, in fields and built-up areas, at service stations, and on graves in the cemeteries, not as a heroic sign, but as the trademark of a good brand. It is simply the label of the finest successful international enterprise, the US. This explains why the hyperrealists were able to paint it naively, without either irony or protest (Jim Dine in the sixties), in much the same way as Pop Art gleefully transposed the amazing banality of consumer goods on to its canvases. There is nothing here of the fierce parodying of the American anthem by Jimi Hendrix, merely the light irony and neutral humour of things that have become banal, the humour of the mobile home and the giant hamburger on the sixteen-foot long billboard, the pop and hyper humour so characteristic of the atmosphere of America, where things almost seem endowed with a certain indulgence towards their own banality. But they are indulgent towards their own craziness too. Looked at more generally, they do not lay claim to being extraordinary; they simply are extraordinary. They have that extravagance which makes up odd, everyday America. This oddness is not surrealistic (surrealism is an extravagance that is still aesthetic in nature and as such very European in inspiration); here, the extravagance has passed into things. Madness, which with us is subjective, has here become objective, and irony which is subjective with us has also turned into something objective. The fantasmagoria and excess which we locate in the mind and the mental faculties have passed into things themselves. Whatever the boredom, the hellish tedium of the everyday in the US or anywhere else, American banality will always be a thousand times more interesting than the European - and especially the French - variety. Perhaps because banality here is born of extreme distances, of the monotony of wide-open spaces and the radical absence of culture. It is a native flower here, asis the opposite extreme, that of speed and verticality, of an excess that verges on abandon, and indifference to values bordering on immorality, whereas French banality is a hangover from bourgeois everyday life, born out of a dying aristocratic culture and transmuted into petty-bourgeois mannerism as the bourgeoisie shrank away throughout the nineteenth century. This is the crux: it is the corpse of the bourgeoisie that separates us. With us, it is that class that is the carrier of the chromosome of banality, whereas the Americans have succeeded in preserving some humour in the material signs of manifest reality and wealth. This also explains why Europeans experience anything relating to statistics as tragic. They immediately read in them their individual failure and take refuge in a pained denunciation of the merely quantitative. The Americans, by contrast, see statistics as an optimistic stimulus, as representing the dimensions of their good fortune, their joyous membership of the majority. Theirs is the only country where quantity can be extolled without compunction.

A sign advertising lunches and dinners swung from a post in front of a small white cottage. Flowered curtains hung at the windows and rose-bushes were in bloom along the walk. “Doesn’t look like a hideout for thieves,” said Joe, disappointed. Frank pointed out that the attractive front might be only a cover for some sinister doings inside. He insisted they find out, adding: “Guess we all could eat, anyway. Let’s go in. I’ll telephone and tell Mother we won’t be home for lunch.” The woman who owned the restaurant prepared a delicious meal for the boys, while they looked around. They saw the entire cottage, even the basement, for the owner proudly showed them her preserve closet. There was nothing the least bit suspicious about the house.

To the people of the valley the rest of the world was a foreign land full of perils and populated by incompetents and unscrupulous swindlers. Their small world embodied a perfection that ought to be preserved even at the cost of a few lives. But Teresa had seen the cracks beginning to form in that picture, showing a glimpse of a reality that was far from idyllic.

It quickly became apparent that the Germans were interested in using our strength but not in preserving it. We received a ration of “flower coffee”—made not from coffee beans but from flowers, or maybe acorns. We each had half a loaf of bread, which had to last us from Sunday to Wednesday. At midday, we had a cold soup made from broken asparagus that couldn’t be sold, or a mustard soup with potatoes, and maybe a hard-boiled egg. At night, we had a milk soup; on lucky days, it contained some oatmeal.

Some Tips to Preserve Flowers Fresh Longer Receiving new and lovely blossoms is among the most wonderful emotions in the world. It creates you feel loved, and unique, critical. Nothing really beats fresh flowers to mention particular feelings of love and devotion. This is actually the reason why you can tell how a celebration that is unique is from the quantity and type of flowers current, sold or whether available one to the other. Without a doubt the rose sector actually flowers online stores can not slow-down anytime soon and are booming. Weddings, Valentines Day, birthday, school, anniversaries, brand all without and the most significant instances a doubt flowers are part of it. The plants could have been picked up professionally or ordered through plants online, regardless of the means, new blossoms can present in a celebration. The challenge with receiving plants, however, is how to maintain their freshness longer. Really, merely placing them on vases filled up with water wouldn’t do the trick, here are a few established ways you'll be able to keep plants clean and sustained for times:  the easiest way to keep plants is by keeping them inside the refrigerator. Here is the reason why most flower shops have huge appliances where they keep their stock. If you have added place in the fridge (and endurance) you're able to just put the flowers before bed-time and put it within the fridge. In the morning you could arrange them again and do the same within the days.  If you are partial to drinking pop, specially the obvious ones like Sprite and 7 Up, you need to use this like a chemical to preserve the flowers fresh. Just serve a couple of fraction of mug of pop to mix within the water in the vase. Sugar is just a natural chemical and soda has high-sugar content, as you know.  To keep the petals and sepals fresh-looking attempt to apply somewhat of hairspray on the couple of plants or aroma. Stay from a length (about one feet) then provide the blossoms a fast spritz, notably to the leaves and petals.  the trick to maintaining cut flowers new is always to minimize the expansion of bacteria while in the same period give you the plants with all the diet it needs. Since it has properties for this function vodka may be used. Just blend of vodka and sugar for the water that you're going to use within the vase but make sure to modify the water daily using the vodka and sugar solution.  Aspirin is also recognized to preserve flowers fresh. Only break a pill of aspirin before you place the plants, and blend it with the water. Remember which you need to add aspirin everytime the water changes.  Another effective approach to avoid the growth of bacteria is to add about a quarter teaspoon of bleach inside the water within the vase. Mix in a few teaspoon of sugar for the blossoms and also diet will definitely last considerably longer. The number are only several of the more doable ways that you can do to make sure that it is possible to enjoy those arrangement of flowers you obtained from the person you worry about for a very long time. They could nearly last but atleast the message it offered will soon be valued inside your heart for the a long time.

April 13 MORNING “A bundle of myrrh is my well-beloved unto me.” — Song of Solomon 1:13 MYRRH may well be chosen as the type of Jesus on account of its preciousness, its perfume, its pleasantness, its healing, preserving, disinfecting qualities, and its connection with sacrifice. But why is He compared to “a bundle of myrrh”? First, for plenty. He is not a drop of it, He is a casket full. He is not a sprig or flower of it, but a whole bundle. There is enough in Christ for all my necessities; let me not be slow to avail myself of Him. Our well-beloved is compared to a “bundle” again, for variety: for there is in Christ not only the one thing needful, but in “Him dwelleth all the fulness of the Godhead bodily,” everything needful is in Him. Take Jesus in His different characters, and you will see a marvellous variety — Prophet, Priest, King, Husband, Friend, Shepherd. Consider Him in His life, death, resurrection, ascension, second advent; view Him in His virtue, gentleness, courage, self-denial, love, faithfulness, truth, righteousness — everywhere He is a bundle of preciousness. He is a “bundle of myrrh” for preservation — not loose myrrh tied up, myrrh to be stored in a casket. We must value Him as our best treasure; we must prize His words and His ordinances; and we must keep our thoughts of Him and knowledge of Him as under lock and key, lest the devil should steal anything from us. Moreover, Jesus is a “bundle of myrrh” for speciality. The emblem suggests the idea of distinguishing, discriminating grace. From before the foundation of the world, He was set apart for His people; and He gives forth His perfume only to those who understand how to enter into communion with Him, to have close dealings with Him. Oh! blessed people whom the Lord hath admitted into His secrets, and for whom He sets Himself apart. Oh! choice and happy who are thus made to say, “A bundle of myrrh is my wellbeloved unto me.

February 24 MORNING “I will cause the shower to come down in his season; there shall be showers of blessing.” — Ezekiel 34:26 HERE is sovereign mercy — “I will give them the shower in its season.” Is it not sovereign, divine mercy? — for who can say, “I will give them showers,” except God? There is only one voice which can speak to the clouds, and bid them beget the rain. Who sendeth down the rain upon the earth? Who scattereth the showers upon the green herb? Do not I, the Lord? So grace is the gift of God, and is not to be created by man. It is also needed grace. What would the ground do without showers? You may break the clods, you may sow your seeds, but what can you do without the rain? As absolutely needful is the divine blessing. In vain you labour, until God the plenteous shower bestows, and sends salvation down. Then, it is plenteous grace. “I will send them showers.” It does not say, “I will send them drops,” but “showers.” So it is with grace. If God gives a blessing, He usually gives it in such a measure that there is not room enough to receive it. Plenteous grace! Ah! we want plenteous grace to keep us humble, to make us prayerful, to make us holy; plenteous grace to make us zealous, to preserve us through this life, and at last to land us in heaven. We cannot do without saturating showers of grace. Again, it is seasonable grace. “I will cause the shower to come down in his season.” What is thy season this morning? Is it the season of drought? Then that is the season for showers. Is it a season of great heaviness and black clouds? Then that is the season for showers. “As thy days so shall thy strength be.” And here is a varied blessing. “I will give thee showers of blessing.” The word is in the plural. All kinds of blessings God will send. All God’s blessings go together, like links in a golden chain. If He gives converting grace, He will also give comforting grace. He will send “showers of blessing.” Look up to-day, O parched plant, and open thy leaves and flowers for a heavenly watering.

wore glittering bindis and Pushkar passports – threads around their wrists. Touts and fake priests often pounce on tourists new to the holy town, offering flowers and blessings in exchange for a few thousand rupees. In return, a sacred thread is tied around the wrist, representing a vaccination against further hassle. Pious passport-wearers preserved the thread for months after they had arrived home in Fulham, and wore it until it smelt, rotted and fell off in the shower. This was definitely the right way to the tourist bureau.

But more than the sins themselves, what upset her most was the effort the community put into covering up for the sinners, leaving their victims at the mercy of their tormentors, and all for the sake of preserving the unity of the village against the outside world. She thought bitterly of the pamphlets strewn around town, calling for a popular uprising against the new ski slope. There was so much activism against the “invasion,” yet nobody had lifted a finger to help these kids.

The more I studied the accounts of others, both written and told, the more it seemed to me that we attempt such histories not to preserve knowledge, but to fix the past in a settled way. Like a flower pressed flat and dried, we try to hold it still and say, this is exactly how it was the day I first saw it. But like the flower, the past cannot be trapped that way. It loses its fragrance and its vitality, its fragility becomes brittleness and its colours fade. And when next you look on the flower, you know that it is not at all what you sought to capture, that that moment has fled forever.

He held me like a flower pressed between his pages, preserved under the warmth of his words. Just how I craved to be held. So delicately.

Yes,” Gareth said simply, and Joss wanted to take the word and preserve it, put it between the Bible pages like Emily did flowers and press it for his box of treasures at home.

The word nature has many senses; but if we preserve the one which etymology justifies, and which is the most philosophical as well, nature should mean the principle of birth or genesis, the universal mother, the great cause, or system of causes, that brings phenomena to light. If we take the word nature in this sense, it may be said that Lucretius, more than any other man, is the poet of nature. Of course, being an ancient, he is not particularly a poet of landscape. He runs deeper than that; he is a poet of the source of landscape, a poet of matter. A poet of landscape might try to suggest, by well-chosen words, the sensations of light, movement, and form which nature arouses in us; but in this attempt he would encounter the insuperable difficulty which Lessing long ago pointed out, and warned poets of: I mean the unfitness of language to render what is spatial and material; its fitness to render only what, like language itself, is bodiless and flowing,—action, feeling, and thought. It is noticeable, accordingly, that poets who are fascinated by pure sense and seek to write poems about it are called not impressionists, but symbolists; for in trying to render some absolute sensation they render rather the field of association in which that sensation lies, or the emotions and half-thoughts that shoot and play about it in their fancy. They become—against their will, perhaps—psychological poets, ringers of mental chimes, and listeners for the chance overtones of consciousness. Hence we call them symbolists, mixing perhaps some shade of disparagement in the term, as if they were symbolists of an empty, super-subtle, or fatuous sort. For they play with things luxuriously, making them symbols for their thoughts, instead of mending their thoughts intelligently, to render them symbols for things. A poet might be a symbolist in another sense,—if he broke up nature, the object suggested by landscape to the mind, and reverted to the elements of landscape, not in order to associate these sensations lazily together, but in order to build out of them in fancy a different nature, a better world, than that which they reveal to reason. The elements of landscape, chosen, emphasized, and recombined for this purpose, would then be symbols for the ideal world they were made to suggest, and for the ideal life that might be led in that paradise. Shelley is a symbolic landscape poet in this sense. To Shelley, as Francis Thompson has said, nature was a toy-shop; his fancy took the materials of the landscape and wove them into a gossamer world, a bright ethereal habitation for new-born irresponsible spirits. Shelley was the musician of landscape; he traced out its unrealized suggestions; transformed the things he saw into the things he would fain have seen. In this idealization it was spirit that guided him, the bent of his wild and exquisite imagination, and he fancied sometimes that the grosser landscapes of earth were likewise the work of some half-spiritual stress, of some restlessly dreaming power. In this sense, earthly landscape seemed to him the symbol of the earth spirit, as the starlit crystal landscapes of his verse, with their pensive flowers, were symbols in which his own fevered spirit was expressed, images in which his passion rested.

What moves lives. What is said endures. There's nothing in life that's less real for having been well described. Small-minded critics point out that such-and-such poem, with its protracted cadences, in the end says merely that it's a nice day. But to say it's a nice day is difficult, and the nice day itself passes on. It's up to us to conserve the nice day in a wordy, florid memory, sprinkling new flowers and new stars over the fields and skies of the empty, fleeting outer world.

bore flowers and fruit, and concealed life for the future in the womb of the earth. How much I admired them! Those plants taught me life’s great lessons of hope. They whispered to me: Najeeb, adopted son of the desert, like us, you too must preserve your life and wrestle with this desert. Hot winds and scorching days will pass. Don’t surrender to them. Don’t grow weary, or you might have to pay with your life. Don’t give in. Lie half dead, as if meditating. Feign nothingness. Convey the impression

Infant clouds of the gloaming were struggling to prove their loyalty to the wind. Earth strived hard to prove its fertility. Somewhere, the flowers fought hard to preserve the fragrance in their wombs for the unknown tomorrow. The life was on an endless swing, mine and yours.

Along with a career, four children and a husband, she bakes and cooks, sews, preserves, sings, embroiders, gardens, arranges flowers, decorates cakes, and makes kayaks and pottery.

Listen, Miss Priss,’ she said, sitting upright. ‘Not all of us want to preserve ourselves between two pages like a wilted old flower all the time. You and Bennett might get your kicks reading about old dead men and their old dead men thoughts, but I want to live a little before all the good living is used up.

Therefore I say, he who works in such a detached spirit—who is kind and charitable—benefits only himself. Helping others, doing good to others—this is the work of God alone, who for men has created the sun and moon, father and mother, fruits, flowers, and corn. The love that you see in parents is God’s love: He has given it to them to preserve His creation. The compassion that you see in the kind-hearted is God’s compassion: He has given it to them to protect the helpless. Whether you are charitable or not, He will have His work done somehow or other. Nothing can stop His work.

you are back in your grandmother’s attic looking at photographs of people you don’t know, ladies in floral print dresses, wearing feathered and veiled hats; men with cigarettes, leaning against automobiles, thumbs through their belt loops; an empty railroad depot, the tracks heading away to a landscape of bare trees, the rail yard littered with handcarts and piles of sooty snow, and you hear your mother calling you to lunch, but you are curious about this missing snapshot, the four triangular corner mounts forming a dark rectangle. Who removed the photo from the album and why? And who is the purloined ghost? And at that moment you realize that secrets lie all around you, that the world is so much larger than you had imagined, and that you are a part of it, and that this is a world of loss, and that all of these people whose names are penned on the borders of the photographs, whose smiles and shadows have been preserved, these people named Eustache and Marie, Walter, Pamille, Theona, Grace, Emma, Cousin Butchie, Big Fred, Little Fred, that all of them were tillers in the garden where the flower of you now blooms.

Our “romantic” is a man of great breadth and the greatest rogue of all our rogues, I assure you.... I can assure you from experience, indeed. Of course, that is, if he is intelligent. But what am I saying! The romantic is always intelligent, and I only meant to observe that although we have had foolish romantics they don’t count, and they were only so because in the flower of their youth they degenerated into Germans, and to preserve their precious jewel more comfortably, settled somewhere out there—by preference in Weimar or the Black Forest.

There was no point in preserving the earth, Ms. MacDonald explained in a kindly tone, because the Last Judgment couldn’t occur until every last thing on the planet had been destroyed, every tree, every flower, every river. Every last eagle and owl and panda, the sheep in the fields, the leaves on the trees, the rising of the sun, and the running of the deer. Everything. And Ms. MacDonald was looking forward to that.

The Son of a vacuum Among the tall trees he sat lost, broken, alone again, among a number of illegal immigrants, he raised his head to him without fear, as nothing in this world is worth attention. -He said: I am not a hero; I am nothing but a child looking for Eid. The Turkmen of Iraq, are the descendants of Turkish immigrants to Mesopotamia through successive eras of history. Before and after the establishment of the Ottoman Empire, countries crossed from here, and empires that were born and disappeared, and still, preserve their Turkish identity. Although, after the collapse of the Ottoman Empire and the division of the Arab world, they now live in one of its countries. Kirkuk, one of the heavens of God on earth, is one of the northern governorates of Iraq in which they live. The Kurdish race is shared with them, a race out of many in Iraq. Two children of two different ethnicities, playing in a village square in Kirkuk province when the news came from Baghdad, of a new military coup. Without delay, Saddam Hussein took over the reins of power, and faster than that, Iraq was plunged into successive wars that began in 1980 with its neighbor Iran, a war that lasted eight years. Iraq barely rested for two years, and in the third, a new war in Kuwait, which did not end in the best condition as the leader had hoped, as he was expelled from it after the establishment of an international coalition to liberate it, led by the United States of America. Iraq entered a new phase of suffering, a siege that lasted more than ten years, and ended up with the removal of Saddam Hussein from his power followed by the US occupation of it in 2003. As the father goes, he returns from this road, there is no way back but from it. As the date approaches, the son stands on the back of that hill waiting for him to return. From far away he waved a longing, with a bag of dreams in his hands, a bag of candy in his pocket, and a poem of longing by a Turkmen poet who absorb Arabic, whose words danced on his lips, in his heart. -When will you come back, dad? -On the Eid, wait for me on the hill, you will see me coming from the road, waving, carrying your gifts. The father bid his son farewell to the Arab Shiite city of Basra, on the border with Iran, after the outbreak of the Iran-Iraq war, as the homeland is calling its men, or perhaps the leader is calling his subjects. In Iraq, as in many countries of the Arab world, the homeland is the leader, and the leader is the homeland. Months passed, the child eagerly anticipating the coming of the feast, but the father hurried to return without an appointment, loaded on the shoulders, the passion reached its extent in the martyr’s chest, with a sheet of paper in his pocket on which he wrote: Every morning takes me nostalgic for you, to the jasmine flower, oh, melody in the heart, oh balm I sip every while, To you, I extend a hand and a fire that ignites in the soul a buried love, night shakes me with tears in my eyes, my longing for you has shaped me into dreams, stretching footsteps to the left and to the right, gleam, calling out for me, you scream, waking me up to the glimpse of the light of life in your face, a thousand sparkles, in your eyes, a meaning of survival, a smile, and a glace, Eid comes to you as a companion, without, life yet has no trace, for roses, necklaces of love, so that you amaze. -Where is Ruslan? On the morning of the feast day, at the door of his house, the kids asked his mother, -with tears in her eyes: He went to meet his father. A moment of silence fell over the children, -Raman, with a little gut: Aunt, do you mean he went to the cemetery? -Mother: He went to meet him at those hills.

Isn’t it odd how much fatter a book gets when you’ve read it several times?” Mo had said when, on Meggie’s last birthday, they were looking at all her dear old books again. “As if something were left between the pages every time you read it. Feelings, thoughts, sounds, smells … and then, when you look at the book again many years later, you find yourself there, too, a slightly younger self, slightly different, as if the book had preserved you like a pressed flower … both strange and familiar.

If someone left you, you had to answer with silence. She bore the scent of a mixture of oriental spices and the sweetness of flowers and honey. Dreams are the interface between the worlds, between time and space. He calls books freedoms. And homes too. They preserve all the good words that we so seldom use. Tango is a truth drug. It lays bare your problems and your complexes, but also the strengths you hide from others so as not to vex them. Saudade. It is the sense of being loved in a way that will never come again. It is a unique experience of abandon. It is everything that words cannot capture. They say that men who are at one with their bodies can sense and smell when a woman wants more from life than she is getting. Another woman found it incredibly erotic when I backed pate en croute. Aromas do funny things to the soul. Habit is a vain and treacherous goddess. She lets nothing disrupt her rule. She smothers one desire after another: the desire to travel, the desire for a better job or a new love. She stops us from living as we would like, because habit prevents us from asking ourselves whether we continue to enjoy doing what we do. Books can do many things but not everything. We have to live the important things, not read them. It was the season for truffles and literature. The countryside was redolent of wild herbs and glowed in autumnal rust reds and wine yellows.

The winding turns around capes, the unclouded sky, the flower mottled hills existed only as an aspect of waiting. Towns, civilization, meant the possibility of stopping for a meal, for the night even. Deep forest preserves through which a dirt road cut, gorgeous vistas that made one in awe of nature, only meant we were not yet near our destination.

Very unchivalrous the world counts these woodsmen; — very little the world knows about their ways and romances, for nowhere does romance bear a more fragrant blossom or bloom so long. The sprig of cedar, many years preserved, because with it a woman crowned an act of daring; the wild flower, pressed in the crumpled corner of a greasy pocketbook, because a woman called it beautiful; the chance track in the roadway where a week before an unknown woman stepped, kept from obliteration just because she was a woman, — no line of life that men follow to-day comes so close to the high mark of mediaeval chivalry with its superb faith in womankind, regardless of the faults of individual women. But the life is rough? So surely was chivalry! Rougher than we know for. Its faith saved it; and what grew into mariolatry in the past is still, in the unromantic present, the better part of many other rough men's religion.

Once settled in her Boston school, Mary took the children out on the Common twice a day to coast on its snowbanks in winter and, when spring arrived, to observe flowers and butterflies and learn their names and growth cycles. As her small pupils grew to know and love the open park, in which all paths seemed to lead to the elegant brick State House at the top of the hill, she gave them their first lessons in history and civil government by describing the town fathers’ efforts to establish and then preserve the communal land over the two centuries since the founding of the city. Mary made a story of it, just as in the classroom she relied on telling stories and fables or reading aloud to cultivate a love of literature. She taught her young pupils to read individually and only when she decided each one was ready, starting with single words for objects they had learned to care about—“bird, nest, tree”—then helping the child recognize those words in printed versions of the tales she had already recited. Mary would never “force helpless little ones” to memorize the alphabet, she wrote, before “every letter is interesting to them from the position it holds in some symbolic word.” The six-year-old boy on whom she had first tried this experiment years earlier in Salem had learned to read fluently within six weeks.

What are you doing?" I ask. She straightens with a surprised shriek. "Oh, Jessamin! It's just you. Well. This is embarrassing." She smiles guiltily. "I was eavesdropping on the parlor, actually." "With ... a flower." "My own spell. Don't tell anyone. It's crass to invent new ways to use magic, and everyone would look down on me. But you'll appreciate this! I gave my aunt a lovely potted plant that I recommended she place in the parlor. A very special potted plant, that allows me to pick a flower and use it as a conduit through which I can hear conversations. I did not gain my reputation as Avebury's most skilled gossip by chance." "You have certainly elevated eavesdropping to new and complicated heights. Wouldn't it be simpler to just listen outside the door?" She leans forward. "Here, on my forehead, feel." Puzzled, I run my fingers over the spot she indicated. There's a small indentation. "What is that?" "When I was eleven, I was listening to an argument between my father and uncle. My father stormed out, and the door hit me so hard it knocked me unconscious and left a permanent dent! So I became more creative in the interest of self-preservation." "You are a wonder.

Think not of yourself as a storeroom of guilt, but rather a flower preserved to not wilt.

Consider education not as the painful accumulation of facts and dates and reigns, nor merely the necessary preparation of the individual to earn his keep in the world, but as the transmission of our mental, moral, technical, and aesthetic heritage as fully as possible to as many as possible, for the enlargement of man's understanding, control, embellishment, and enjoyment of life. The heritage that we can now more fully transmit is richer than ever before. It is richer than that of Pericles, for it includes all the Greek flowering that followed him; richer than Leonardo's, for it includes him and the Italian Renaissance; richer than Voltaire's, for it embraces all the French Enlightenment and its ecumenical dissemination. If progress is real despite our whining, it is not because we are born any healthier, better, or wiser than infants were in the past, but because we are born to a richer heritage, born on a higher level of that pedestal which the accumulation of knowledge and art raises as the ground and support of our being. The heritage rises, and man rises in proportion as he receives it. History is, above all else, the creation and recording of that heritage; progress is its increasing abundance, preservation, transmission, and use. To those of us who study history not merely as a warning reminder of man's follies and crimes, but also as an encouraging remembrance of generative souls, the past ceases to be a depressing chamber of horrors; it becomes a celestial city, a spacious country of the mind, wherein a thousand saints, statesmen, inventors, scientists, poets, artists, musicians, lovers, and philosophers still live and speak, teach and carve and sing. The historian will not mourn because he can see no meaning in human existence except that which man puts into it; let it be our pride that we ourselves may put meaning into our lives, and sometimes a significance that transcends death. If a man is fortunate he will, before he dies, gather up as much as he can of his civilized heritage and transmit it to his children. And to his final breath he will be grateful for this inexhaustible legacy, knowing that it is our nourishing mother and our lasting life.

Since the initial bestowal of the forgiveness of sins coincides with the fallen creature's passage from spiritual death to eternal life, both it and its renewal in absolution and Holy communion are inseparable from God's consequent action to preserve the life restored in Christ. And because bodily death stems from the sin whose seat is in the soul, apprehending the forgiveness of sins necessarily flowers in the resurrection of the body which suffers death for the soul's offense.

Pluck the flower and unchaste the fragrance. Paint the flower on the canvas to immortalize. Praise the flower that preserves true beauty. Protect the flower from being killed by the blind mouths. Preach the flower’s selfless love as the guru of peace. Perceive the flower’s flow of energy into the self. I am in the flower, ye in me, and I in thee.

She had understood what the headman had meant, how he felt. The insulting humiliation of relying on a technology he couldn’t begin to understand, sent as a gift by people he did not know, reducing him and his relatives to little more than chattels. A primitive culture preserved by godlike science, a throw-away act of charity. He’d lost every shred of dignity, his entire existence subject to whims outside his control. Whims of a culture that had wrecked his land in the pursuit of its own comfort. Unforgivable.