Voices In The City Quotes

We've searched our database for all the quotes and captions related to Voices In The City. Here they are! All 100 of them:

And I'm suppose to sit by while you date boys and fall in love with someone else, get married...?" His voice tightened. "And meanwhile, I'll die a little bit more every day, watching.
Cassandra Clare (City of Glass (The Mortal Instruments, #3))
Malachi scowled. "I don't remember the Clave inviting you into the Glass City, Magnus Bane." "They didn't," Magnus said. "Your wards are down." "Really?" the Consul's voice dripped sarcasm. "I hadn't noticed." Magnus looked concerned. "That's terrible. Someone should have told you." He glanced at Luke. "Tell him the wards are down.
Cassandra Clare (City of Glass (The Mortal Instruments, #3))
You guessed? You must have been pretty sure, considering you could have killed me." "I was ninety percent sure." "I see," Clary said. There must have been something in her voice, because he turned to look at her. Her hand cracked across his face, a slap that rocked him back on his heels. He put his hands on his cheek, more in surprise than pain. "What the hell was that for?" "The other ten percent.
Cassandra Clare (City of Bones (The Mortal Instruments, #1))
Okayyyyy,” Isabelle said in a low voice, “When did Brother Zachariah get hot?
Cassandra Clare (City of Heavenly Fire (The Mortal Instruments, #6))
It's a coffee cup." She could hear the irritation in her own voice. "I know it's a coffee cup." "I can't wait till you draw something really complicated, like the Brooklyn Bridge or a lobster. You'll probably send me a singing telegram.
Cassandra Clare (City of Bones (The Mortal Instruments, #1))
Don't tell me," Jace said, "Simon's turned himself into an ocelot and you want me to do something about it before Isabelle makes him into a stole. Well, you'll have have to wait till tomorrow. I'm out of commission." He pointed at himself - he was wearing blue pajamas with a hole in the sleeve. "Look. Jammies." "Jace," Clary said, "this is important." "Don't tell me," he said. "You've got a drawing emergency. You need a nude model. Well, I'm not in the mood. You could always ask Hodge," he said as an afterthought. "I hear he'll do anything for a -" "JACE!" she interrupted him, her voice rising to a scream. "JUST SHUT UP FOR A SECOND AND LISTEN, WILL YOU?
Cassandra Clare (City of Bones (The Mortal Instruments, #1))
You don't get to decide," she said, "where I go, or when." "I know." His voice was ragged. "I've always known that about you. I don't know why I had to fall in love with someone who's more stubborn than I am.
Cassandra Clare (City of Fallen Angels (The Mortal Instruments, #4))
Of course he loves me. I’m his sister.” “Blood isn’t love,” said Magnus, and his voice was bitter.
Cassandra Clare (City of Lost Souls (The Mortal Instruments, #5))
Just because you said dragon demons were extinct—" "I said mostly extinct." Alec jabbed a finger toward him. "Mostly extinct," he said, his voice trembling with rage, "is NOT EXTINCT ENOUGH." "I see," said Jace. "I'll just have them change the entry in the demonology textbook from 'almost extinct' to 'not extinct enough for Alec. He prefers his monsters really, really extinct.' Will that make you happy?
Cassandra Clare (City of Ashes (The Mortal Instruments, #2))
Excellent. I've been told I have a lovely, melodic reading voice." He flipped the book open to the front page, where the title was printed in ornate script. Across from it was a long dedication, the ink faded now and barely legible, though Clary could make out the signature: With hope at last, William Herondale.
Cassandra Clare (City of Lost Souls (The Mortal Instruments, #5))
Is this Clarissa Fray?" The voice on the other end of the phone sounded familiar, though not immediately identifiable. Clary twirled the phone cord nervously around her finger. "Yeees?" "Hi, I'm one of the knife-carrying hooligans you met last night in Pandemonium? I"m afraid I made a bad impression and was hoping you'd give me a chance to make it up to-" "SIMON!" Clary held the phone away from her ear as he cracked up laughing. "That is so not funny!" "Sure it is. You just don't see the humor." "Jerk." Clary sighed, leaning up against the wall.
Cassandra Clare (City of Bones (The Mortal Instruments, #1))
Jace?" "Yeah?" "How did you know I had Shadowhunter blood? Was there some way you could tell?" The elevator arrived with a final groan. Jace unlatched the gate and slid it open. The inside reminded Clary of a birdcage, all black metal and decorative bits of gilt. "I guessed," he said, latching the door behind them. "It seemed like the most likely explanation." "You guessed? You must have been pretty sure, considering you could have killed me." He pressed a button in the wall, and the elevator lurched into action with a vibrating groan that she felt all through the bones in her feet. "I was ninety percent sure." "I see," Clary said. There must have been something in her voice, because he turned to look at her. Her hand cracked across his face, a slap that rocked him back on his heels. He put a hand to his cheek, more in surprise than pain. "What the hell was that for?" The other ten percent," she said, and they rode the rest of the way down to the street in silence.
Cassandra Clare (City of Bones (The Mortal Instruments, #1))
I know about parabatai,” said Magnus, an angry, dark undercurrent to his voice. “I’ve known parabatai so close they were almost the same person; do you know what happens, when one of them dies, to the one that’s left —?
Cassandra Clare (City of Lost Souls (The Mortal Instruments, #5))
Herondales." Zachariah's voice was a breath, half laughter, half pain. "I had almost forgotten. No other family does so much for love, or feels so much guilt for it. Don't carry the weight of the world on you, Jace. It's too heavy for even a Herondale to bear.
Cassandra Clare (City of Heavenly Fire (The Mortal Instruments, #6))
Catching sight of himself in the long mirrors that ran along the walls, he stiffened in shock...His eyes were surrounded by black shadows, his shirt smeared with dried blood and filthy mud... "Admiring yourself?" The Inquisitor's voice cut through his reverie. "You won't look so pretty when the Clave gets through with you." "You do seem obsessed with my look...Could it be that you're attracted to me?" "Don't be revolting...You could be my son.
Cassandra Clare (City of Ashes (The Mortal Instruments, #2))
Just take the weapon you hold in your hand and drive it through his heart," Valentine's voice was soft. "One simple motion. Nothing you haven't done before." Jace met his father's stare with a level gaze. "I saw Agramon," he said. "It had your face." "You saw Agramon?" The Soul-Sword glittered as Valentine moved toward his son. "And you lived?" "I killed it." "You killed the Demon of Fear, but you won't kill a single vampire, not even at my order?" Jace stood watching Valentine without expression. "He's a vampire, that's true," he said. "But his name is Simon.
Cassandra Clare (City of Ashes (The Mortal Instruments, #2))
This time Magnus answered it, his voice booming through the tiny entryway. "WHO DARES DISTURB MY REST?" Jace looked almost nervous. "Jace Wayland. Remember? I'm from the Clave." "Oh, yes." Magnus seemed to have perked up. "Are you the one with the blue eyes?" "He means Alec," Clary said helpfully. "No. My eyes are usually described as golden," Jace told the intercom. "And luminous." "Oh, you're that one." Magnus sounded disappointed. If Clary hadn't been so upset, she would have laughed. "I suppose you'd better come up.
Cassandra Clare (City of Bones (The Mortal Instruments, #1))
Was it weird hearing from Jace?" asked Simon, his voice carefully neutral. "I mean, since you found out..." His voice trailed off. Yes?"said Clary, her voice sharply edged. "Since I found out what? That he's a killer transvestite who molests cats?" No wonder that cat of his hates everyone." Oh, shut up, Simon," Clary said crossly.
Cassandra Clare (City of Bones (The Mortal Instruments, #1))
Sometimes you need to sit lonely on the floor in a quiet room in order to hear your own voice and not let it drown in the noise of others.
Charlotte Eriksson (You're Doing Just Fine)
Simon,” said a voice at his shoulder, and he turned to see Izzy, her face a pale smudge between dark hair and dark cloak, looking at him, her expression half-angry, half-sad. “I guess this is the part where we say goodbye?
Cassandra Clare (City of Heavenly Fire (The Mortal Instruments, #6))
Imagine if [Juliet] woke up and he was still alive, but..." She swallowed, waiting out a tremor in her voice. "But [Romeo] had killed her whole family. And burned her city. And killed and enslaved her people.
Laini Taylor (Days of Blood & Starlight (Daughter of Smoke & Bone, #2))
Simon!” The voice was Clary’s. He would know it anywhere. He wondered if his mind was conjuring it up now, a sense memory of what he’d most loved during life to carry him through the process of death. “Simon, you stupid idiot! I’m over here! At the window!” Simon jumped to his feet. He doubted his mind would conjure that up.
Cassandra Clare (City of Glass (The Mortal Instruments, #3))
I don't hate you, Jace." "I don't hate you, either." She looked up at him, relieved. "I'm glad to hear that—" "I wish I could hate you," he said. His voice was light, his mouth curved in an unconcerned half smile, his eyes sick with misery. "I want to hate you. I try to hate you. It would be so much easier if I did hate you. Sometimes I think I do hate you and then I see you and I—" Her hands had grown numb with their grip on the blanket. "And you what?" "What do you think?" Jace shook his head. "Why should I tell you everything about how I feel when you never tell me anything? It's like banging my head on a wall, except at least if I were banging my head on a wall, I'd be able to make myself stop." Clary's lips were trembling so violently that she found it hard to speak. "Do you think it's easy for me?" she demanded.
Cassandra Clare (City of Ashes (The Mortal Instruments, #2))
He took something out of his jacket and handed it to her. It was a long thin dagger in a leather sheath. The hilt of the dagger was set with a single red stone carved in the shape of a rose. She shook her head. "I wouldn't even know how to use that--" He pressed it into her hand, curling her fingers around it. "You'd learn." He dropped his voice. "It's in your blood." She drew her hand back slowly. "All right." "I could give you a thigh sheath to put that in," Isabelle offered. "I've got tons." "CERTAINLY NOT," said Simon.
Cassandra Clare (City of Bones (The Mortal Instruments, #1))
But you have to learn to bend a little,” said Clary with a yawn. Despite the story’s content, the rhythm of Jace’s voice had made her sleepy. “Or you’ll break.” “Not if you're strong enough,” said Jace firmly.
Cassandra Clare (City of Bones (The Mortal Instruments, #1))
Now this is really going to impress Valentine." "I don't know," Clary said. "Other crack teams get bat boomerangs and wall-crawling powers; we get the Aquatruck." "If you don't like it, Nephilim," came Magnus's voice, faintly, from the truck cab, "you're welcome to see if you can walk on the water.
Cassandra Clare (City of Ashes (The Mortal Instruments, #2))
I didn't know," he said. "I didn't know you needed me." Her voice shook. "I always need you
Cassandra Clare (City of Fallen Angels (The Mortal Instruments, #4))
Well, hello there, Mother,” Sebastian said in a voice like silk. “Surprised to see me?
Cassandra Clare (City of Lost Souls (The Mortal Instruments, #5))
His eyes shone when he looked at her, green as spring grass. He has always had green eyes, said the voice in her head. People often marvel at how much alike you are, he and your mother and yourself. His name is Jonathan and he is your brother; he has always protected you. Somewhere in the back of Clary’s mind she saw black eyes and whip marks, but she didn’t know why. He’s your brother. He’s your brother, and he’s always taken care of you.
Cassandra Clare (City of Heavenly Fire (The Mortal Instruments, #6))
I don't know who Azazel is," he said. "Isn't he the cat from The Smurfs?" He cast about , but Isabelle just looked up and rolled her eyes at him. "Clary?" he thought Her voice came through, tinged with alarm. "What is it? What happened? Did my mom find out I'm gone?" "Not yet," he thought back. "Is Azazel the cat from The Smurfs?" There was a long pause. "That's Azrael, Simon. And no more using the magic rings for Smurf questions.
Cassandra Clare (City of Lost Souls (The Mortal Instruments, #5))
Hunt’s voice was a thunderclap as he said behind her, “Light it up, Bryce.
Sarah J. Maas (House of Sky and Breath (Crescent City, #2))
Jace set what he was holding down on the windowsill and reached out to her. She came to lean against him, and his hand slid up under her t-shirt and rested caressingly, possessively, on the small of her back. He bent to kiss her, gently at first, but the gentleness went quickly and soon she was pressed up against the glass of the window, his hands at the hem of her shirt — his shirt — “Jace.” She moved a little bit away. “I’m pretty sure people down there in the street can see us.” “We could …” He gestured toward the bed. “Move…over there.” She grinned. “You said that like it took you a while to come up with the idea.” When he spoke, his voice was muffled against her neck. “What can I say, you make my thought processes slow down. Now I know what it’s like to be a normal person.” “How … is it?” The things he was doing with his hands under the t-shirt were distracting. “Terrible. I’m already way behind on my quota of witty comments for the day.
Cassandra Clare (City of Lost Souls (The Mortal Instruments, #5))
One voice can change a room, and if one voice can change a room, then it can change a city, and if it can change a city, it can change a state, and if it change a state, it can change a nation, and if it can change a nation, it can change the world. Your voice can change the world.
Barack Obama
It doesn't hurt." "But my eyes do," said a coolly amused voice from the doorway. Jace. He had come in so quietly that even Simon hadn't heard him; closing the door behind him, he grinned as Isabelle pulled Simon's shirt down. "Molesting the vampire while he's too weak to fight back, Iz?" he asked. "I'm pretty sure that violates at least one of the Accords." "I'm just showing him where he got stabbed," Isabelle protested, but she scooted back to her chair with a certain amount of haste.
Cassandra Clare (City of Glass (The Mortal Instruments, #3))
Since I knew you, I have been troubled by a remorse that I thought would never reproach me again, and have heard whispers from old voices impelling me upward, that I thought were silent for ever. I have had unformed ideas of striving afresh, beginning anew, shaking off sloth and sensuality, and fighting out the abandoned fight. A dream, all a dream, that ends in nothing, and leaves the sleeper where he lay down, but I wish you to know that you inspired it.
Charles Dickens (A Tale of Two Cities)
This could be the last night of our lives, certainly the last even barely ordinary one. The last night we go to sleep and get up just as we always have. And all I could think of was that I wanted to spend it with you." Her heart skipped a beat. "Jace-" "I don't mean it like that," he said. "I won't touch you, not if you don't want me to. I know it's wrong - God, it's all kinds of wrong - but I just want to lie down with you and wake up with you, just once, just once ever in my life." There was desperation in his voice. "It's just this one night. In the grand scheme of things, how much can this one night matter?" ...There was nothing she had ever wanted in her life more than she wanted this night with Jace. "Close the curtains, then, before you come to bed," she said. "I can't sleep with this much light in the room.
Cassandra Clare (City of Glass (The Mortal Instruments, #3))
The first morning Simon had been at Amatis's house, a grinning lycanthrope had showed up on the doorstep with a live cat for him. "Blood," he'd said, in a heavily accented voice. "For you. Fresh!" Simon had thanked the werewolf, waited from him to leave, and let the cat go, his expression faintly green. "We'll you're going to have to get your blood from somewhere," said Luke, looking amused. "I have a pet cat," Simon replied. "There's no way.
Cassandra Clare (City of Glass (The Mortal Instruments, #3))
Keep up," said an irritable voice in her ear. It was Jace, who had dropped back to walk beside her. "I don't want to have to keep looking behind me to make sure nothing's happened to you." "So don't bother." "Last time I left you alone, a demon attacked you," he pointed out. "Well, I'd certainly hate to interrupt your pleasant night stroll with my sudden death." He blinked. "There is a fine line between sarcasm and outright hostility, and you seem to have crossed it.
Cassandra Clare (City of Bones (The Mortal Instruments, #1))
Pain lanced through his neck. He gasped and his eyes flew open; Simon was sitting up on him, staring down with wide eyes, his hand across his own mouth. Simon's wounds were gone, though fresh blood stained the front of his shirt. Jace could feel the pain of his bruised shoulders again, the slash across his wrist, his punctured throat. He could no longer hear his heart beating, but he knew it was slamming away inside his chest. Simon took his hand away from his mouth. The fangs were gone. "I could have killed you," he said. There was a sort of pleading in his voice. "I would have let you," said Jace.
Cassandra Clare (City of Ashes (The Mortal Instruments, #2))
I am Bryce Quinlan,” she said to the Gate, to the void, to all of Hel behind it. Her voice was serene—wise and laughing. “Heir to the Starborn Fae.
Sarah J. Maas (House of Earth and Blood (Crescent City, #1))
We had and incident. I took care of it." "Really." Jace's voice dripped sarcasm. "Do you even know how to use that knife, Clarissa? Without poking a hole in yourself or any innocent bystanders?
Cassandra Clare (City of Ashes (The Mortal Instruments, #2))
The art of losing isn't hard to master; so many things seem filled with the intent to be lost that their loss is no disaster. Lose something every day. Accept the fluster of lost door keys, the hour badly spent. The art of losing isn't hard to master. Then practice losing farther, losing faster: places, and names, and where it was you meant to travel. None of these will bring disaster. I lost my mother's watch. And look! my last, or next-to-last, of three loved houses went. The art of losing isn't hard to master. I lost two cities, lovely ones. And, vaster, some realms I owned, two rivers, a continent. I miss them, but it wasn't a disaster. ---Even losing you (the joking voice, a gesture I love) I shan't have lied. It's evident the art of losing's not too hard to master though it may look like (Write it!) like disaster.
Elizabeth Bishop (One Art)
Mother." Alec's voice as he interrupted his mother was firm, implacable, and not unkind. "Father. There's something I have to tell you." He smiled at them. "I'm seeing someone." Robert Lightwood looked at his son with some exasperation. "Alec," he said. "This is hardly the time." "Yes, it is. This is important. You see, I'm not just seeing anyone." Words seemed to be pouring out of Alec in a torrent, while his parents looked on in confusion. Isabelle and Magnus were staring at him with expressions of nearly identical astonishment. "I'm seeing a Downworlder. In fact, I'm seeing a war—" Magnus's fingers moved, quick as a flash of light, in Alec's direction. There was a faint shimmer in the air around Alec — his eyes rolled up — and he dropped to the floor, felled like a tree.
Cassandra Clare (City of Ashes (The Mortal Instruments, #2))
... As could the sarcasm in her voice. "yes, she's bleeding to deat Lu upstairs, but i thought I'd avoid telling you right away, because I like to draw the suspense out.
Cassandra Clare (City of Fallen Angels (The Mortal Instruments, #4))
Alec isn’t happy,” said Magnus, as if she hadn’t spoken. “Of course he isn’t,” Isabelle snapped. “Jace—” “Jace,” said Magnus, and his hands made fists at his sides. Isabelle stared at him. She had always thought that he didn’t mind Jace; liked him, even, once the question of Alec’s affections had been settled. Out loud, she said: “I thought you were friends.” “It’s not that,” said Magnus. “There are some people — people the universe seems to have singled out for special destinies. Special favors and special torments. God knows we’re all drawn toward what’s beautiful and broken; I have been, but some people cannot be fixed. Or if they can be, it’s only by love and sacrifice so great it destroys the giver.” Isabelle shook her head slowly. “You’ve lost me. Jace is our brother, but for Alec — he’s Jace’s parabatai too —” “I know about parabatai,” said Magnus, his voice rising in pitch. “I’ve known parabatai so close they were almost the same person; do you know what happens, when one of them dies, to the one that’s left—” “Stop it!” Isabelle clapped her hands over her ears, then lowered them slowly. “How dare you, Magnus Bane,” she said. “How dare you make this worse than it is —” “Isabelle.” Magnus’ hands loosened; he looked a little wide-eyed, as if his outburst had startled even him. “I am sorry. I forget, sometimes . . . that with all your self-control and strength, you possess the same vulnerability that Alec does.” “There is nothing weak about Alec,” said Isabelle. “No,” said Magnus. “To love as you choose, that takes strength. The thing is, I wanted you here for him. There are things I can’t do for him, can’t give him . . .” For a moment Magnus looked oddly vulnerable. “You have known Jace as long as he has. You can give him understanding I can’t. And he loves you.” “Of course he loves me. I’m his sister.” “Blood isn’t love,” said Magnus, and his voice was bitter. “Just ask Clary.
Cassandra Clare (City of Lost Souls (The Mortal Instruments, #5))
There are all kinds of silences and each of them means a different thing. There is the silence that comes with morning in a forest, and this is different from the silence of a sleeping city. There is silence after a rainstorm, and before a rainstorm, and these are not the same. There is the silence of emptiness, the silence of fear, the silence of doubt. There is a certain silence that can emanate from a lifeless object as from a chair lately used, or from a piano with old dust upon its keys, or from anything that has answered to the need of a man, for pleasure or for work. This kind of silence can speak. Its voice may be melancholy, but it is not always so; for the chair may have been left by a laughing child or the last notes of the piano may have been raucous and gay. Whatever the mood or the circumstance, the essence of its quality may linger in the silence that follows. It is a soundless echo.
Beryl Markham (West with the Night)
The Angel blade burns you, just as God's name chokes you," said Valentine, his cool voice sharp as crystal. "They say that those who die upon its point will achieve the gates of heaven. In which case, revenant, I am doing you a favor." He lowered the blade so that the tip touched Simon's throat. Valentine's eyes were the color of black water and there was nothing in them: no anger, no compassion, not even any hate. They were empty as a hollowed-out grave. "Any last words?" Simon knew what he was supposed to say. Sh'ma Yisrael, adonai elohanu, adonai echod. Hear, oh Israel, the Lord our God, the Lord is One. He tried to speak the words, but a searing pain burned his throat. "Clary," he whispered instead.
Cassandra Clare (City of Ashes (The Mortal Instruments, #2))
You just put that sword away, sir, please," said the voice of Lance-Constable Vimes. "You will not shoot me, you young idiot. That would be murder," said the captain calmly. "Not where I'm aiming, sir.
Terry Pratchett (Night Watch (Discworld, #29; City Watch, #6))
Clary?" he thought. Her voice came through, tinged with alarm. "What is it? What's happened? Did my mom find out I'm gone?" "Not yet," he thought back. "Is Azazel the cat from the Smurfs?" There was a long pause. "That's Azrael, Simon. And no more using the magic rings for Smurfs question.
Cassandra Clare (City of Lost Souls (The Mortal Instruments, #5))
She hated that little voice inside her head. Like the Seelie Queen, it planted doubts where there shouldn't be doubts, asked questions that had no answer.
Cassandra Clare (City of Lost Souls (The Mortal Instruments, #5))
It was Eric's voice not Simon's, on the recorded message. “Ladies, ladies ” he said. Though it was the millionth time she’d heard the recording, Clary couldn't help rolling her eyes. “If you've reached this message that means our boy Simon is out partying. But please don’t fight among yourselves. There’s always enough Simon to go around.” There was a muffled yell, some laughter, and then the long sound of the beep.
Cassandra Clare (City of Glass (The Mortal Instruments, #3))
Odd thing, ain't it... you meet people one at a time, they seem decent, they got brains that work, and then they get together and you hear the voice of the people. And it snarls.
Terry Pratchett (Jingo (Discworld, #21; City Watch, #4))
And I want to play hide-and-seek and give you my clothes and tell you I like your shoes and sit on the steps while you take a bath and massage your neck and kiss your feet and hold your hand and go for a meal and not mind when you eat my food and meet you at Rudy's and talk about the day and type up your letters and carry your boxes and laugh at your paranoia and give you tapes you don't listen to and watch great films and watch terrible films and complain about the radio and take pictures of you when you're sleeping and get up to fetch you coffee and bagels and Danish and go to Florent and drink coffee at midnight and have you steal my cigarettes and never be able to find a match and tell you about the tv programme I saw the night before and take you to the eye hospital and not laugh at your jokes and want you in the morning but let you sleep for a while and kiss your back and stroke your skin and tell you how much I love your hair your eyes your lips your neck your breasts your arse your and sit on the steps smoking till your neighbour comes home and sit on the steps smoking till you come home and worry when you're late and be amazed when you're early and give you sunflowers and go to your party and dance till I'm black and be sorry when I'm wrong and happy when you forgive me and look at your photos and wish I'd known you forever and hear your voice in my ear and feel your skin on my skin and get scared when you're angry and your eye has gone red and the other eye blue and your hair to the left and your face oriental and tell you you're gorgeous and hug you when you're anxious and hold you when you hurt and want you when I smell you and offend you when I touch you and whimper when I'm next to you and whimper when I'm not and dribble on your breast and smother you in the night and get cold when you take the blanket and hot when you don't and melt when you smile and dissolve when you laugh and not understand why you think I'm rejecting you when I'm not rejecting you and wonder how you could think I'd ever reject you and wonder who you are but accept you anyway and tell you about the tree angel enchanted forest boy who flew across the ocean because he loved you and write poems for you and wonder why you don't believe me and have a feeling so deep I can't find words for it and want to buy you a kitten I'd get jealous of because it would get more attention than me and keep you in bed when you have to go and cry like a baby when you finally do and get rid of the roaches and buy you presents you don't want and take them away again and ask you to marry me and you say no again but keep on asking because though you think I don't mean it I do always have from the first time I asked you and wander the city thinking it's empty without you and want what you want and think I'm losing myself but know I'm safe with you and tell you the worst of me and try to give you the best of me because you don't deserve any less and answer your questions when I'd rather not and tell you the truth when I really don't want to and try to be honest because I know you prefer it and think it's all over but hang on in for just ten more minutes before you throw me out of your life and forget who I am and try to get closer to you because it's beautiful learning to know you and well worth the effort and speak German to you badly and Hebrew to you worse and make love with you at three in the morning and somehow somehow somehow communicate some of the overwhelming undying overpowering unconditional all-encompassing heart-enriching mind-expanding on-going never-ending love I have for you.
Sarah Kane (Crave)
You're my sister," he said finally. "My sister, my blood, my family. I should want to protect you"—he laughed soundlessly without any humor—"to protect you from the sort of boys who want to do with you exactly what I want to do." Clary's breath caught. "You said you just wanted to be my brother from now on." "I lied," he said. "Demons lie, Clary. You know, there are some kinds of wounds you can get when you're a Shadowhunter—internal injuries from demon poison. You don't even know what's wrong with you, but you're bleeding to death slowly inside. That's what it's like, just being your brother." "But Aline—" "I had to try. And I did." His voice was lifeless. "But God knows, I don't want anyone but you. I don't even want to want anyone but you." He reached out, trailed his fingers lightly through her hair, fingertips brushing her cheek. "Now at least I know why." Clary's voice had sunk to a whisper. "I don't want anyone but you, either.
Cassandra Clare (City of Glass (The Mortal Instruments, #3))
The male stepped forward, tucking in his wings. He smiled slightly and said in the Old Language, in a voice like glorious night, “Hello, Bryce Quinlan. My name is Rhysand.
Sarah J. Maas (House of Sky and Breath (Crescent City, #2))
Relax, Foster,” Keefe said, squeezing her good hand and lacing their fingers together. “You okay there?” he whispered. She nodded, not quite ready to use her voice. Not ready to let go of his hand, either.
Shannon Messenger (Flashback (Keeper of the Lost Cities, #7))
She looked up from closing it to find Jace watching her through hooded eyes. “And one last thing,” he said. He reached over and pulled the sparking pins out of her hair, so that it fell in warm heavy curls down her neck. The sensation of hair tickling her bare skin was unfamiliar and oddly pleasant. “Much better,” he said, and she thought this time that maybe his voice was uneven too.
Cassandra Clare (City of Bones (The Mortal Instruments, #1))
You're Mad Rogan!" Leon burst out. "Yes," Mad Rogan said, his voice calm. "And you can break cities?" "Yes." "And you have all this money and magic?" "Yes." Where was Leon going with this? My cousin blinked. "And you look . . . like that?" Mad Rogan nodded. "Yes." Leon's dark eyes went wide. He looked at Mad Rogan, then glanced back at himself. At fifteen, Leon weighed barely a hundred pounds. His arms and legs were like chopsticks. "There is no justice in the world!" Leon announced.
Ilona Andrews (Burn for Me (Hidden Legacy, #1))
Samuel! Are you alright?" A vision of Samuel being brained by the falling bars rose up before Simon's eyes. Samuel's voice rose to a scream. "GO AWAY!" Simon looked sideways at Jace. "I think he means it." Jace shook his blond head in exasperation. "You had to make a crazy jail friend, didn't you? You couldn't just count ceiling tiles or tame a pet mouse like normal prisoners do?
Cassandra Clare (City of Glass (The Mortal Instruments, #3))
It doesnt hurt." "But my eyes do," said a coolly amused voice from the doorway. Jace. He had come in so quietly that even Simon hadn't heard him, he grinned as Isabelle pulled Simon's shirt down. "Molesting the vampire while he's too weak to fight back, Iz?" he asked. "I'm pretty sure that violates at least one of the Accords.
Cassandra Clare (City of Glass (The Mortal Instruments, #3))
... We are Nephilim; we fight our own battles." "That's not precisely true, is it?" said a velvety voice. It was Magnus Bane, wearing a long and glittering coat, multiple hoops in his ears, and a roguish expression. Clary had no idea where he'd come from. "You lot have used the help of warlocks on more than one occasion in the past, and paid handsomely for it too." Malachi scowled. "I don't remember the Clave inviting you into the Glass City, Magnus Bane." "They didn't," Magnus said. "Your wards are down." "Really?" the Consul's voice dripped sarcasm. "I hadn't noticed." Magnus looked concerned. "That's terrible. Someone should have told you." He glanced at Luke. "Tell him the wards are down.
Cassandra Clare (City of Glass (The Mortal Instruments, #3))
I see men assassinated around me every day. I walk through rooms of the dead, streets of the dead, cities of the dead; men without eyes, men without voices; men with manufactured feelings and standard reactions; men with newspaper brains, television souls and high school ideas. Kennedy himself was 9/10ths the way around the clock or he wouldn't have accepted such an enervating and enfeebling job -- meaning President of the United States of America. How can I be concerned with the murder of one man when almost all men, plus females, are taken from cribs as babies and almost immediately thrown into the masher?
Charles Bukowski (Charles Bukowski: Sunlight Here I Am: Interviews and Encounters 1963-1993)
They are surely gods who speak to him With steady voices A glance from him drives men to their knees His sigh brings cities to ruin I wonder if he dreams of surrender On a bed of white flowers Or is that the mistaken hope Of every would-be conqueror? The world was not made for beauty like his.
C.S. Pacat (Captive Prince: Volume Two (Captive Prince, #2))
When violet eyes get brighter And heavy wings grow lighter I'll taste the sky and feel alive again And I'll forget the world that I knew But I swear I won't forget you Oh if my voice could reach back through the past I'd whisper in your ear: "Oh darling I wish you were here.
Owl City (Owl City - Ocean Eyes Piano, Vocal and Guitar Chords)
They are surely gods who speak to him With steady voices   A glance from him drives men to their knees His sigh brings cities to ruin   I wonder if he dreams of surrender On a bed of white flowers   Or is that the mistaken hope Of every would-be conqueror? The world was not made for beauty like his
C.S. Pacat (Captive Prince: Volume Two (Captive Prince, #2))
Because salvation is by grace through faith, I believe that among the countless number of people standing in front of the throne and in front of the Lamb, dressed in white robes and holding palms in their hands (see Revelation 7:9), I shall see the prostitute from the Kit-Kat Ranch in Carson City, Nevada, who tearfully told me that she could find no other employment to support her two-year-old son. I shall see the woman who had an abortion and is haunted by guilt and remorse but did the best she could faced with grueling alternatives; the businessman besieged with debt who sold his integrity in a series of desperate transactions; the insecure clergyman addicted to being liked, who never challenged his people from the pulpit and longed for unconditional love; the sexually abused teen molested by his father and now selling his body on the street, who, as he falls asleep each night after his last 'trick', whispers the name of the unknown God he learned about in Sunday school. 'But how?' we ask. Then the voice says, 'They have washed their robes and have made them white in the blood of the Lamb.' There they are. There *we* are - the multitude who so wanted to be faithful, who at times got defeated, soiled by life, and bested by trials, wearing the bloodied garments of life's tribulations, but through it all clung to faith. My friends, if this is not good news to you, you have never understood the gospel of grace.
Brennan Manning (The Ragamuffin Gospel)
You’re alive," she whispered. "Really alive." With a slow wonderment he reached to touch her face. "I was in the dark," he said softly. "There was nothing there but shadows, and I was a shadow, and I knew that I was dead, and that it was over, all of it. And then I heard your voice. I heard you say my name, and it brought me back." "Not me." Clary’s throat tightened. "The Angel brought you back." "Because you asked him to." Silently he traced the outline of her face with his fingers, as if reassuring himself that she was real. "You could have had anything else in the world, and you asked for me." She smiled up at him. Filthy as he was, covered in blood and dirt, he was the most beautiful thing she’d ever seen. "But I don’t want anything else in the world.
Cassandra Clare (City of Glass (The Mortal Instruments, #3))
Clary shut her eyes. You didn't say no to an angel, no matter what it had in mind. Her heart pounding, she sat floating in the darkness behind her eyelids, resolutely trying not to think of Jace. But his face appear against the blank screen of her closed eyelids anyway - not smiling at her but looking sidelong, and she could see the scar at his temple, the uneven curl at the corner of his mouth, and the silver line on his throat where Simon had bitten him - all the marks and flaws and imperfections that made up the person she loved most in the world. Jace. A bright light lit her vision to scarlet, and she fell back against the sand, wondering if she was going to pass out - or maybe she was dying - but she didn't want to die, not now that she could see Jace's face so clearly in front of her. She could almost hear his voice, too, saying her name, the way he'd whispered it at Renwick's, over and over again. Clary. Clary. Clary. "Clary," Jace said. "Open your eyes.
Cassandra Clare (City of Glass (The Mortal Instruments, #3))
While this is all very amusing, the kiss that will free the girl is the kiss that she most desires,” she said. “Only that and nothing more.” Jace’s heart started to pound. He met the Queen’s eyes with his own. “Why are you doing this?” … “Desire is not always lessened by disgust…And as my words bind my magic, so you can know the truth. If she doesn’t desire your kiss, she won’t be free.” “You don’t have to do this, Clary, it’s a trick—” (Simon) ...Isabelle sounded exasperated. ‘Who cares, anyway? It’s just a kiss.” “That’s right,” Jace said. Clary looked up, then finally, and her wide green eyes rested on him. He moved toward her... and put his hand on her shoulder, turning her to face him… He could feel the tension in his own body, the effort of holding back, of not pulling her against him and taking this one chance, however dangerous and stupid and unwise, and kissing her the way he had thought he would never, in his life, be able to kiss her again. “It’s just a kiss,” he said, and heard the roughness in his own voice, and wondered if she heard it, too. Not that it mattered—there was no way to hide it. It was too much. He had never wanted like this before... She understood him, laughed when he laughed, saw through the defenses he put up to what was underneath. There was no Jace Wayland more real than the one he saw in her eyes when she looked at him… All he knew was that whatever he had to owe to Hell or Heaven for this chance, he was going to make it count. He...whispered in her ear. “You can close your eyes and think of England, if you like,” he said. Her eyes fluttered shut, her lashes coppery lines against her pale, fragile skin. “I’ve never even been to England,” she said, and the softness, the anxiety in her voice almost undid him. He had never kissed a girl without knowing she wanted it too, usually more than he did, and this was Clary, and he didn’t know what she wanted. Her eyes were still closed, but she shivered, and leaned into him — barely, but it was permission enough. His mouth came down on hers. And that was it. All the self-control he’d exerted over the past weeks went, like water crashing through a broken dam. Her arms came up around his neck and he pulled her against him… His hands flattened against her back... and she was up on the tips of her toes, kissing him as fiercely as he was kissing her... He clung to her more tightly, knotting his hands in her hair, trying to tell her, with the press of his mouth on hers, all the things he could never say out loud... His hands slid down to her waist... he had no idea what he would have done or said next, if it would have been something he could never have pretended away or taken back, but he heard a soft hiss of laughter — the Faerie Queen — in his ears, and it jolted him back to reality. He pulled away from Clary before he it was too late, unlocking her hands from around his neck and stepping back... Clary was staring at him. Her lips were parted, her hands still open. Her eyes were wide. Behind her, Alec and Isabelle were gaping at them; Simon looked as if he was about to throw up. ...If there had ever been any hope that he could have come to think of Clary as just his sister, this — what had just happened between them — had exploded it into a thousand pieces... He tried to read Clary’s face — did she feel the same? … I know you felt it, he said to her with his eyes, and it was half bitter triumph and half pleading. I know you felt it, too…She glanced away from him... He whirled on the Queen. “Was that good enough?” he demanded. “Did that entertain you?” The Queen gave him a look: special and secretive and shared between the two of them. “We are quite entertained," she said. “But not, I think, so much as the both of you.
Cassandra Clare (City of Ashes (The Mortal Instruments, #2))
But sleep didn't come. She could hear Jace's soft piano playing through the walls, but that wasn't what was keeping her awake. She was thinking of Simon, leaving for a house that no longer felt like home to him, of the despair in Jace's voice as he said 'I want to hate you', and of Magnus, not telling Jace the truth: that Alec did not want Jace to know about his relationship because he was still in love with him. She thought of the satisfaction it would have brought Magnus to say the words out loud, to acknowledge what the truth was, and the fact that he hadn't said them - had let Alec go on lying and pretending - because that was what Alec wanted, and Magnus cared about Alec enough to give him that. Maybe it was true what the Seelie Queen had said, after all: Love made you a liar.
Cassandra Clare (City of Ashes (The Mortal Instruments, #2))
I am a greaser," Sodapop chanted. "I am a JD and a hood. I blacken the name of our fair city. I beat up people. I rob gas stations. I am a menace to society. Man, do I have fun!" "Greaser...greaser...greaser..."Steve singsonged. "O, victim of enviornment, underprivelaged, rotton no-count hood!" Juvenile delinquent, you're no good!" Darry shouted. Get thee hence, white trash," Two-Bit said in asnobbish voice. "I am a Soc. I am the privelaged and the well-dressed. I throw beer blasts, drive fancy cars, break windows at fancy parties." And what do you do for fun?" I inquired in a serious, awed voice. I jump greasers!" Two-Bit screamed, and did a cartwheel.
S.E. Hinton
Simon!" The voice was faint, but his hearing caught it over the pop and crackle of glowing flames. The smoke in the corridor had presaged heat; the heat was here now, pressing against him like an oppressive wall. "Simon!" The voice was Clary's. He would know it anywhere. He wondered if his mind was conjuring it up now, a sense of memory of what he'd most loved during life to carry him throught the process of death. "Simon, you stupid idiot! I'm over here! At the window!" Simon jumped to his feet. he doubted his mind would conjure that up.
Cassandra Clare (City of Glass (The Mortal Instruments, #3))
Liam cleared his throat again and turned to fully face me. “So, it’s the summer and you’re in Salem, suffering through another boring, hot July, and working part-time at an ice cream parlor. Naturally, you’re completely oblivious to the fact that all of the boys from your high school who visit daily are more interested in you than the thirty-one flavors. You’re focused on school and all your dozens of clubs, because you want to go to a good college and save the world. And just when you think you’re going to die if you have to take another practice SAT, your dad asks if you want to go visit your grandmother in Virginia Beach.” “Yeah?” I leaned my forehead against his chest. “What about you?” “Me?” Liam said, tucking a strand of hair behind my ear. “I’m in Wilmington, suffering through another boring, hot summer, working one last time in Harry’s repair shop before going off to some fancy university—where, I might add, my roommate will be a stuck-up-know-it-all-with-a-heart-of-gold named Charles Carrington Meriwether IV—but he’s not part of this story, not yet.” His fingers curled around my hip, and I could feel him trembling, even as his voice was steady. “To celebrate, Mom decides to take us up to Virginia Beach for a week. We’re only there for a day when I start catching glimpses of this girl with dark hair walking around town, her nose stuck in a book, earbuds in and blasting music. But no matter how hard I try, I never get to talk to her. “Then, as our friend Fate would have it, on our very last day at the beach I spot her. You. I’m in the middle of playing a volleyball game with Harry, but it feels like everyone else disappears. You’re walking toward me, big sunglasses on, wearing this light green dress, and I somehow know that it matches your eyes. And then, because, let’s face it, I’m basically an Olympic god when it comes to sports, I manage to volley the ball right into your face.” “Ouch,” I said with a light laugh. “Sounds painful.” “Well, you can probably guess how I’d react to that situation. I offer to carry you to the lifeguard station, but you look like you want to murder me at just the suggestion. Eventually, thanks to my sparkling charm and wit—and because I’m so pathetic you take pity on me—you let me buy you ice cream. And then you start telling me how you work in an ice cream shop in Salem, and how frustrated you feel that you still have two years before college. And somehow, somehow, I get your e-mail or screen name or maybe, if I’m really lucky, your phone number. Then we talk. I go to college and you go back to Salem, but we talk all the time, about everything, and sometimes we do that stupid thing where we run out of things to say and just stop talking and listen to one another breathing until one of us falls asleep—” “—and Chubs makes fun of you for it,” I added. “Oh, ruthlessly,” he agreed. “And your dad hates me because he thinks I’m corrupting his beautiful, sweet daughter, but still lets me visit from time to time. That’s when you tell me about tutoring a girl named Suzume, who lives a few cities away—” “—but who’s the coolest little girl on the planet,” I manage to squeeze out.
Alexandra Bracken (The Darkest Minds (The Darkest Minds, #1))
I speak and speak,” Marco says, “but the listener retains only the words he is expecting. The description of the world to which you lend a benevolent ear is one thing; the description that will go the rounds of the groups of stevedores and gondoliers on the street outside my house the day of my return is another; and yet another, that which I might dictate late in life, if I were taken prisoner by Genoese pirates and put in irons in the same cell with a writer of adventure stories. It is not the voice that commands the story: it is the ear.
Italo Calvino (Invisible Cities)
Did you think I was helping you out of the goodness of my heart? Or am I just the only warlock you know?” (Magnus) … “No,” he said now, “but you are the only warlock we know who happens to be dating a friend of ours.” (Jace) For a moment everyone stared at him-Alec in sheer horror, Magnus un astonished anger, and Clary and Simon in surprise. It was Alec who spoke first, his voice shaking. “Why would you say something like that?” Jace looked baffled. “Something like what?” “That I‘m dating-that we‘re-its not true,” Alec said, his voice rising and dropping several octaves as he fought to control it. Jace looked at him steadily. “I didn’t say he was dating you,” he said, “but funny that you knew just what I meant, isn’t it?” “We‘re not dating,” Alec said again. “Oh?” Magnus said. “So you‘re just that friendly with everybody, is that it?” -pg.241-
Cassandra Clare (City of Ashes (The Mortal Instruments, #2))
Losing your family….it puts fear in a different perspective,” he said. “Besides, I got by all right. I stayed on the fringe around Chicago, hoped around tent cities and Red Cross camps. Worked for some people who didn’t ask questions. Avoided case-workers and foster care. And thought about you.” “Me?” I huffed, completely unsettled. In awe at how vanilla my life seemed. In awe of what he’d endured, He turned then, meeting my eyes for the first time. When he spoke, his voice was gentle, and unashamed. “You. The only thing in my life that doesn’t change. When everything went to hell, you were all I had.
Kristen Simmons (Article 5 (Article 5, #1))
eat, baby. eat. chew. please. I know it hurts. I know it doesn’t feel good. please. I know your hunger is different than mine. I know it doesn’t taste the same as mine. imagine you could grow up all over again and pinpoint the millisecond that you started counting calories like casualties of war, mourning each one like it had a family. would you? sometimes I wonder that. sometimes I wonder if you would go back and watch yourself reappear and disappear right in front of your own eyes. and I love you so much. I am going to hold your little hand through the night. just please eat. just a little. you wrote a poem once, about a city of walking skeletons. the teacher called home because you told her you wished it could be like that here. let me tell you something about bones, baby. they are not warm or soft. the wind whistles through them like they are holes in a tree. and they break, too. they break right in half. they bruise and splinter like wood. are you hungry? I know. I know how much you hate that question. I will find another way to ask it, someday. please. the voices. I know they are all yelling at you to stretch yourself thinner. l hear them counting, always counting. I wish I had been there when the world made you snap yourself in half. I would have told you that your body is not a war-zone, that, sometimes, it is okay to leave your plate empty.
Caitlyn Siehl
Every morning I sit at the kitchen table over a tall glass of water swallowing pills. (So my hands won’t shake.) (So my heart won’t race.) (So my face won’t thaw.) (So my blood won’t mold.) (So the voices won’t scream.) (So I don’t reach for knives.) (So I keep out of the oven.) (So I eat every morsel.) (So the wine goes bitter.) (So I remember the laundry.) (So I remember to call.) (So I remember the name of each pill.) (So I remember the name of each sickness.) (So I keep my hands inside my hands.) (So the city won’t rattle.) (So I don’t weep on the bus.) (So I don’t wander the guardrail.) (So the flashbacks go quiet.) (So the insomnia sleeps.) (So I don’t jump at car horns.) (So I don’t jump at cat-calls.) (So I don’t jump a bridge.) (So I don’t twitch.) (So I don’t riot.) (So I don’t slit a strange man’s throat.)
Jeanann Verlee
While this is all very amusing," said the Queen coolly, leaning forward, "the kiss that will free the girl is the kiss that she most desires." The cruel delight in her face and voice had sharpened, and her words seemed to stab into Clary's ears like needles. "Only that and nothing more." Simon looked as if she had hit him. Clary wanted to reach out to him, but she stood frozen to the spot, too horrified to move. "Why are you doing this?" Jace demanded. "I rather thought I was offering you a boon." Jace flushed, but said nothing. He avoided looking at Clary. Simon said, "That's ridiculous. They're brother and sister." The Queen shrugged, a delicate twitch of her shoulders. "Desire is not always lessened by disgust. Nor can it be bestowed, like a favor, to those most deserving of it.
Cassandra Clare (City of Ashes (The Mortal Instruments, #2))
What's on?" Magnus inquired. "What Not to Wear," came a familiar drawling voice, emanating from a sprawled figure in one of the armchairs. He sat forward and for a moment Clary thought Jace might get up and greet them. Instead, he shook his head at the screen. "High-waisted khaki pants? Who wears those?" He turned and glared at Magnus. "Nearly unlimited supernatural power," he said, "and all you do is use it to watch reruns. What a waste." "Also, TiVo accomplishes much the same thing," pointed out Simon. "My way is cheaper." Magnus clapped his hands together and the room was suddenly flooded with light. Jace, slumped in the chair, raised an arm to cover his face. "Can you do that without magic?" "Actually," said Simon, "yes. If you watched infomercials, you'd know that.
Cassandra Clare (City of Ashes (The Mortal Instruments, #2))
Boast of Quietness Writings of light assault the darkness, more prodigious than meteors. The tall unknowable city takes over the countryside. Sure of my life and death, I observe the ambitious and would like to understand them. Their day is greedy as a lariat in the air. Their night is a rest from the rage within steel, quick to attack. They speak of humanity. My humanity is in feeling we are all voices of that same poverty. They speak of homeland. My homeland is the rhythm of a guitar, a few portraits, an old sword, the willow grove's visible prayer as evening falls. Time is living me. More silent than my shadow, I pass through the loftily covetous multitude. They are indispensable, singular, worthy of tomorrow. My name is someone and anyone. I walk slowly, like one who comes from so far away he doesn't expect to arrive.
Jorge Luis Borges
Today, suddenly, I reached an absurd but unerring conclusion. In a moment of enlightenment, I realized that I'm nobody, absolutely nobody. When the lightning flashed, I saw that what I had thought to be a city was in fact a deserted plain and, in the same sinister light that revealed me to myself, there seemed to be no sky above it. I was robbed of any possibility of having existed before the world. If I was ever reincarnated, I must have done so without myself, without a self to reincarnate. I am the outskirts of some non-existent town, the long-winded prologue to an unwritten book. I'm nobody, nobody. I don't know how to feel or think or love. I'm a character in a novel as yet unwritten, hovering in the air and undone before I've even existed, amongst the dreams of someone who never quite managed to breathe life into me. I'm always thinking, always feeling, but my thoughts lack all reason, my emotions all feeling. I'm falling through a trapdoor, through infinite, infinitous space, in a directionless, empty fall. My soul is a black maelstrom, a great madness spinning about a vacuum, the swirling of a vast ocean around a hole in the void, and in the waters, more like whirlwinds than waters, float images of all I ever saw or heard in the world: houses, faces, books, boxes, snatches of music and fragments of voices, all caught up in a sinister, bottomless whirlpool. And I, I myself, am the centre that exists only because the geometry of the abyss demands it; I am the nothing around which all this spins, I exist so that it can spin, I am a centre that exists only because every circle has one. I, I myself, am the well in which the walls have fallen away to leave only viscous slime. I am the centre of everything surrounded by the great nothing. And it is as if hell itself were laughing within me but, instead of the human touch of diabolical laughter, there's the mad croak of the dead universe, the circling cadaver of physical space, the end of all worlds drifting blackly in the wind, misshapen, anachronistic, without the God who created it, without God himself who spins in the dark of darks, impossible, unique, everything. If only I could think! If only I could feel!
Fernando Pessoa (The Book of Disquiet)
Samuel Vimes dreamed about Clues. He had a jaundiced view of Clues. He instinctively distrusted them. They got in the way. And he distrusted the kind of person who’d take one look at another man and say in a lordly voice to his companion, “Ah, my dear sir, I can tell you nothing except that he is a left-handed stonemason who has spent some years in the merchant navy and has recently fallen on hard times,” and then unroll a lot of supercilious commentary about calluses and stance and the state of a man’s boots, when exactly the same comments could apply to a man who was wearing his old clothes because he’d been doing a spot of home bricklaying for a new barbecue pit, and had been tattooed once when he was drunk and seventeen* and in fact got seasick on a wet pavement. What arrogance! What an insult to the rich and chaotic variety of the human experience!
Terry Pratchett (Feet of Clay (Discworld, #19; City Watch, #3))
Beati bellicosi. Blessed are the warriors.” “Good organization,” said Magnus. “I knew the man who founded it, back in the 1800s. Woolsey Scott. Respectable old werewolf family.” Alec made an ugly sound in the back of his throat. “Did you sleep with him, too?” Magnus’s cat eyes widened. “Alexander!” “Well, I don’t know anything about your past, do I?” Alec demanded. “You won’t tell me anything; you just say it doesn’t matter.” Magnus’s face was expressionless, but there was a dark tinge of anger to his voice. “Does this mean every time I mention anyone I’ve ever met, you’re going to ask me if I had an affair with them?” Alec’s expression was stubborn, but Simon couldn’t help having a flash of sympathy; the hurt behind his blue eyes was clear. “Maybe.” “I met Napoleon once,” said Magnus. “We didn’t have an affair, though. He was shockingly prudish for a Frenchman.” “You met Napoleon?” Jordan, who appeared to be missing most of the conversation, looked impressed. “So it’s true what they said about warlocks, then?” Alec gave him a very unpleasant look. “What’s true?” “Alexander,” said Magnus coldly, and Clary met Simon’s eyes across the table. Hers were wide, green, and full of an expression that said Uh-oh. “You can’t be rude to everyone who talks to me.” Alec made a wide, sweeping gesture. “And why not? Cramping your style, am I? I mean, maybe you were hoping to flirt with werewolf boy here. He’s pretty attractive, if you like the messy-haired, broad-shouldered, chiseled-good looks type.” “Hey, now,” said Jordan mildly. Magnus put his head in his hands. “Or there are plenty of pretty girls here, since apparently your taste goes both ways. Is there anything you aren’t into?” “Mermaids,” said Magnus into his fingers. “They always smell like seaweed.” “It’s not funny,” Alec said savagely, and kicking back his chair, he got up from the table and stalked off into the crowd.
Cassandra Clare (City of Fallen Angels (The Mortal Instruments, #4))
Don't worry, he's coming with me to investigate things." "In the city?" Jim asked. "Yes." "That's a great idea. You both should go. To the city." Curran and I looked at each other. "He's trying to get rid of us," I said. "You think he's planning a coup?" Curran wondered. "I hope so." I turned to Jim. "Is there any chance you'd overthrow the tyrannical Beast Lord and his psychotic Consort?" "Yeah, I want a vacation," Curran said. Jim leaned toward us and said in a lowered voice, "You couldn't pay me enough. This is your mess, you deal with it. I have enough on my plate." He walked away. "Too bad," Curran said. "I don't know, I think we could convince him to seize the reins of power." Curran shook his head. "Nahh. He's too smart for that.
Ilona Andrews (Magic Gifts (Kate Daniels, #5.6))
It’s not your fault,” Alec was saying. He sounded weary, as if he’d been through this sort of thing with his sister before. Clary wondered how many boyfriends she’d turned into rats by accident. “But it ought to teach you not to go to so many Downworld parties,” he added. “They’re always more trouble than they’re worth.” Isabelle sniffed loudly. “If anything had happened to him, I—I don’t know what I would have done.” “Probably whatever it is you did before,” said Alec in a bored voice. “It’s not like you knew him all that well.” “That doesn’t mean that I don’t—” “What? Love him?” Alec scoffed, raising his voice. “You need to know someone to love them.” “But that’s not all it is.” Isabelle sounded almost sad. “Didn’t you have any fun at the party, Alec?” “No.” “I thought you might like Magnus. He’s nice, isn’t he?” “Nice?” Alec looked at her as if she were insane. “Kittens are nice. Warlocks are—” He hesitated. “Not,” he finished, lamely. “I thought you might hit it off.” Isabelle’s eye makeup glittered as bright as tears as she glanced over at her brother. “Get to be friends.” “I have friends,” Alec said, and looked over his shoulder, almost as if he couldn’t help it, at Jace. But Jace, his golden head down, lost in thought, didn’t notice.
Cassandra Clare (City of Bones (The Mortal Instruments, #1))
I am, and always have been - first, last, and always - a child of America. You raised me. I grew up in the pastures and hills of Texas, but I had been to thirty-four states before I learned how to drive. When I caught the stomach flu in the fifth grade, my mother sent a note to school written on the back of a holiday memo from Vice President Biden. Sorry, sir—we were in a rush, and it was the only paper she had on hand. I spoke to you for the first time when I was eighteen, on the stage of the Democratic National Convention in Philadelphia, when I introduced my mother as the nominee for president. You cheered for me. I was young and full of hope, and you let me embody the American dream: that a boy who grew up speaking two languages, whose family was blended and beautiful and enduring, could make a home for himself in the White House. You pinned the flag to my lapel and said, “We’re rooting for you.” As I stand before you today, my hope is that I have not let you down. Years ago, I met a prince. And though I didn’t realize it at the time, his country had raised him too. The truth is, Henry and I have been together since the beginning of this year. The truth is, as many of you have read, we have both struggled every day with what this means for our families, our countries, and our futures. The truth is, we have both had to make compromises that cost us sleep at night in order to afford us enough time to share our relationship with the world on our own terms. We were not afforded that liberty. But the truth is, also, simply this: love is indomitable. America has always believed this. And so, I am not ashamed to stand here today where presidents have stood and say that I love him, the same as Jack loved Jackie, the same as Lyndon loved Lady Bird. Every person who bears a legacy makes the choice of a partner with whom they will share it, whom the American people will “hold beside them in hearts and memories and history books. America: He is my choice. Like countless other Americans, I was afraid to say this out loud because of what the consequences might be. To you, specifically, I say: I see you. I am one of you. As long as I have a place in this White House, so will you. I am the First Son of the United States, and I’m bisexual. History will remember us. If I can ask only one thing of the American people, it’s this: Please, do not let my actions influence your decision in November. The decision you will make this year is so much bigger than anything I could ever say or do, and it will determine the fate of this country for years to come. My mother, your president, is the warrior and the champion that each and every American deserves for four more years of growth, progress, and prosperity. Please, don’t let my actions send us backward. I ask the media not to focus on me or on Henry, but on the campaign, on policy, on the lives and livelihoods of millions of Americans at stake in this election. And finally, I hope America will remember that I am still the son you raised. My blood still runs from Lometa, Texas, and San Diego, California, and Mexico City. I still remember the sound of your voices from that stage in Philadelphia. I wake up every morning thinking of your hometowns, of the families I’ve met at rallies in Idaho and Oregon and South Carolina. I have never hoped to be anything other than what I was to you then, and what I am to you now—the First Son, yours in actions and words. And I hope when Inauguration Day comes again in January, I will continue to be.
Casey McQuiston (Red, White & Royal Blue)
What are the dead, anyway, but waves and energy? Light shining from a dead star? That, by the way, is a phrase of Julian's. I remember it from a lecture of his on the Iliad, when Patroklos appears to Achilles in a dream. There is a very moving passage where Achilles overjoyed at the sight of the apparition – tries to throw his arms around the ghost of his old friend, and it vanishes. The dead appear to us in dreams, said Julian, because that's the only way they can make us see them; what we see is only a projection, beamed from a great distance, light shining at us from a dead star… Which reminds me, by the way, of a dream I had a couple of weeks ago. I found myself in a strange deserted city – an old city, like London – underpopulated by war or disease. It was night; the streets were dark, bombed-out, abandoned. For a long time, I wandered aimlessly – past ruined parks, blasted statuary, vacant lots overgrown with weeds and collapsed apartment houses with rusted girders poking out of their sides like ribs. But here and there, interspersed among the desolate shells of the heavy old public buildings, I began to see new buildings, too, which were connected by futuristic walkways lit from beneath. Long, cool perspectives of modern architecture, rising phosphorescent and eerie from the rubble. I went inside one of these new buildings. It was like a laboratory, maybe, or a museum. My footsteps echoed on the tile floors.There was a cluster of men, all smoking pipes, gathered around an exhibit in a glass case that gleamed in the dim light and lit their faces ghoulishly from below. I drew nearer. In the case was a machine revolving slowly on a turntable, a machine with metal parts that slid in and out and collapsed in upon themselves to form new images. An Inca temple… click click click… the Pyramids… the Parthenon. History passing beneath my very eyes, changing every moment. 'I thought I'd find you here,' said a voice at my elbow. It was Henry. His gaze was steady and impassive in the dim light. Above his ear, beneath the wire stem of his spectacles, I could just make out the powder burn and the dark hole in his right temple. I was glad to see him, though not exactly surprised. 'You know,' I said to him, 'everybody is saying that you're dead.' He stared down at the machine. The Colosseum… click click click… the Pantheon. 'I'm not dead,' he said. 'I'm only having a bit of trouble with my passport.' 'What?' He cleared his throat. 'My movements are restricted,' he said. 'I no longer have the ability to travel as freely as I would like.' Hagia Sophia. St. Mark's, in Venice. 'What is this place?' I asked him. 'That information is classified, I'm afraid.' 1 looked around curiously. It seemed that I was the only visitor. 'Is it open to the public?' I said. 'Not generally, no.' I looked at him. There was so much I wanted to ask him, so much I wanted to say; but somehow I knew there wasn't time and even if there was, that it was all, somehow, beside the point. 'Are you happy here?' I said at last. He considered this for a moment. 'Not particularly,' he said. 'But you're not very happy where you are, either.' St. Basil's, in Moscow. Chartres. Salisbury and Amiens. He glanced at his watch. 'I hope you'll excuse me,' he said, 'but I'm late for an appointment.' He turned from me and walked away. I watched his back receding down the long, gleaming hall.
Donna Tartt (The Secret History)
You didn't think I really liked you? Do you think I really like you now?" He turned toward her, uncertainty in his face."You did go quite a lot of effort to be having this conversation, but... I don't want to read too much of what I hope into that." Val stretched out beside him, resting her head in the crook of his arm. "What do you hope?" He pulled her close, hands careful not to touch her wounds as they wrapped around her. "I hope that you feel for me as I do for you," he said, his voice like a sigh against her throat. And how is that?" she asked, her lips so close to his jaw that she could taste the salt of his skin when she moved them. You carried my heart in your hands tonight," he said. "But I have felt as if you carried it long before that." She smiled and let her eyes drift closed. They lay there together, under the bridge, city lights burning outside the windows like a sky full of falling stars, as they slid off into sleep
Holly Black (Valiant (Modern Faerie Tales, #2))
Zhi yin. Jem had told her once that it meant understanding music, and also a bond that went deeper than friendship. Jem played, and he played the years of Will's life as he had seen them. He played two little boys in the training room, one showing the other how to throw knives, and he played the ritual of parabatai: the fire and the vows and burning runes. He played two young men running through the streets of London in the dark, stopping to lean up against a wall and laugh together. He played the day in the library when he and Will had jested with Tessa about ducks, and he played the train to Yorkshire on which Jem had said that parabatai were meant to love each other as they loved their own souls. He played that love, and he played their love for Tessa, and hers for them, and he played Will saying, In your eyes I have always found grace. He played the too few times he had seen them since he had joined the Brotherhood- the brief meetings at the Institute; the time when Will had been bitten by a Shax demon and nearly died, and Jem had come from the Silent City and sat with him all night, risking discovery and punishment. And he played the birth of their first son, and the protection ceremony that had been carried out on the child in the Silent City. Will would have no other Silent Brother but Jem perform it. And Jem played the way he had covered his scarred face with his hands and turned away when he'd found out the child's name was James. He played of love and loss and years of silence, words unsaid and vows unspoken, and all the spaces between his heart and theirs; and when he was done, and he'd set the violin back in its box, Will's eyes were closed, but Tessa's were full of tears. Jem set down his bow, and came toward the bed, drawing back his hood, so she could see his closed eyes and his scarred face. And he had sat down beside them on the bed, and taken Will's hand, the one that Tessa was not holding, and both Will and Tessa heard Jem's voice in their minds. I take your hand, brother, so that you may go in peace. Will had opened the blue eyes that had never lost their color over all the passing years, and looked at Jem and then Tessa, and smiled, and died, with Tessa's head on his shoulder and his hand in Jem's.
Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
From p. 40 of Signet Edition of Thomas Wolfe's _You Can't Go Home Again_ (1940): Some things will never change. Some things will always be the same. Lean down your ear upon the earth and listen. The voice of forest water in the night, a woman's laughter in the dark, the clean, hard rattle of raked gravel, the cricketing stitch of midday in hot meadows, the delicate web of children's voices in bright air--these things will never change. The glitter of sunlight on roughened water, the glory of the stars, the innocence of morning, the smell of the sea in harbors, the feathery blur and smoky buddings of young boughs, and something there that comes and goes and never can be captured, the thorn of spring, the sharp and tongueless cry--these things will always be the same. All things belonging to the earth will never change--the leaf, the blade, the flower, the wind that cries and sleeps and wakes again, the trees whose stiff arms clash and tremble in the dark, and the dust of lovers long since buried in the earth--all things proceeding from the earth to seasons, all things that lapse and change and come again upon the earth--these things will always be the same, for they come up from the earth that never changes, they go back into the earth that lasts forever. Only the earth endures, but it endures forever. The tarantula, the adder, and the asp will also never change. Pain and death will always be the same. But under the pavements trembling like a pulse, under the buildings trembling like a cry, under the waste of time, under the hoof of the beast above the broken bones of cities, there will be something growing like a flower, something bursting from the earth again, forever deathless, faithful, coming into life again like April.
Thomas Wolfe (You Can't Go Home Again)
A moment later, Helen had returned; she was walking slowly now, and carefully, her hand on the back of a thin boy with a mop of wavy brown hair. He couldn’t have been older than twelve, and Clary recognized him immediately. Helen, her hand firmly clamped around the wrist of a younger boy whose hands were covered with blue wax. He must have been playing with the tapers in the huge candelabras that decorated the sides of the nave. He looked about twelve, with an impish grin and the same wavy, bitter-chocolate hair as his sister. Jules, Helen had called him. Her little brother. The impish grin was gone now. He looked tired and dirty and frightened. Skinny wrists stuck out of the cuffs of a white mourning jacket whose sleeves were too long for him. In his arms he was carrying a little boy, probably not more than two years old, with the same wavy brown hair that he had; it seemed to be a family trait. The rest of his family wore the same borrowed mourning clothes: following Julian was a brunette girl about ten, her hand firmly clasped in the hold of a boy the same age: the boy had a sheet of tangled black hair that nearly obscured his face. Fraternal twins, Clary guessed. After them came a girl who might have been eight or nine, her face round and very pale between brown braids. The misery on their faces cut at Clary’s heart. She thought of her power with runes, wishing that she could create one that would soften the blow of loss. Mourning runes existed, but only to honor the dead, in the same way that love runes existed, like wedding rings, to symbolize the bond of love. You couldn’t make someone love you with a rune, and you couldn’t assuage grief with it, either. So much magic, Clary thought, and nothing to mend a broken heart. “Julian Blackthorn,” said Jia Penhallow, and her voice was gentle. “Step forward, please.” Julian swallowed and handed the little boy he was holding over to his sister. He stepped forward, his eyes darting around the room. He was clearly scouring the crowd for someone. His shoulders had just begun to slump when another figure darted out onto the stage. A girl, also about twelve, with a tangle of blond hair that hung down around her shoulders: she wore jeans and a t-shirt that didn’t quite fit, and her head was down, as if she couldn’t bear so many people looking at her. It was clear that she didn’t want to be there — on the stage or perhaps even in Idris — but the moment he saw her, Julian seemed to relax. The terrified look vanished from his expression as she moved to stand next to him, her face ducked down and away from the crowd. “Julian,” said Jia, in the same gentle voice, “would you do something for us? Would you take up the Mortal Sword?
Cassandra Clare (City of Heavenly Fire (The Mortal Instruments, #6))
Once there was a boy,” said Jace. Clary interrupted immediately. “A Shadowhunter boy?” “Of course.” For a moment a bleak amusement colored his voice. Then it was gone. “When the boy was six years old, his father gave him a falcon to train. Falcons are raptors – killing birds, his father told him, the Shadowhunters of the sky. “The falcon didn’t like the boy, and the boy didn’t like it, either. Its sharp beak made him nervous, and its bright eyes always seemed to be watching him. It would slash at him with beak and talons when he came near: For weeks his wrists and hands were always bleeding. He didn’t know it, but his father had selected a falcon that had lived in the wild for over a year, and thus was nearly impossible to tame. But the boy tried, because his father told him to make the falcon obedient, and he wanted to please his father. “He stayed with the falcon constantly, keeping it awake by talking to it and even playing music to it, because a tired bird was meant to be easier to tame. He learned the equipment: the jesses, the hood, the brail, the leash that bound the bird to his wrist. He was meant to keep the falcon blind, but he couldn’t bring himself to do it – instead he tried to sit where the bird could see him as he touched and stroked its wings, willing it to trust him. Hee fed it from his hand, and at first it would not eat. Later it ate so savagely that its beak cut the skin of his palm. But the boy was glad, because it was progress, and because he wanted the bird to know him, even if the bird had to consume his blood to make that happen. “He began to see that the falcon was beautiful, that its slim wings were built for the speed of flight, that it was strong and swift, fierce and gentle. When it dived to the ground, it moved like likght. When it learned to circle and come to his wrist, he neary shouted with delight Sometimes the bird would hope to his shoulder and put its beak in his hair. He knew his falcon loved him, and when he was certain it was not just tamed but perfectly tamed, he went to his father and showed him what he had done, expecting him to be proud. “Instead his father took the bird, now tame and trusting, in his hands and broke its neck. ‘I told you to make it obedient,’ his father said, and dropped the falcon’s lifeless body to the ground. ‘Instead, you taught it to love you. Falcons are not meant to be loving pets: They are fierce and wild, savage and cruel. This bird was not tamed; it was broken.’ “Later, when his father left him, the boy cried over his pet, until eventually his father sent a servant to take the body of the bird away and bury it. The boy never cried again, and he never forgot what he’d learned: that to love is to destroy, and that to be loved is to be the one destroyed.
Cassandra Clare (City of Bones (The Mortal Instruments, #1))
I’m crazy about this City. Daylight slants like a razor cutting the buildings in half. In the top half I see looking faces and it’s not easy to tell which are people, which the work of stonemasons. Below is shadow where any blasé thing takes place: clarinets and lovemaking, fists and the voices of sorrowful women. A city like this one makes me dream tall and feel in on things. Hep. It’s the bright steel rocking above the shade below that does it. When I look over strips of green grass lining the river, at church steeples and into the cream-and-copper halls of apartment buildings, I’m strong. Alone, yes, but top-notch and indestructible-like the City in 1926 when all the wars are over and there will never be another one. The people down there in the shadow are happy about that. At last, at last, everything’s ahead. The smart ones say so and people listening to them and reading what they write down agree: Here comes the new. Look out.
Toni Morrison (Jazz)
We gather here today,” said Robert, reaching out his arms expansively, “to honor my son, Alexander Gideon Lightwood, who has single-handedly destroyed the forces of the Endarkened and who defeated in battle the son of Valentine Morgenstern. Alec saved the life of our third son, Max. Along with his parabatai, Jace Herondale, I am proud to say that my son is one of the greatest warriors I have ever known.” He turned and smiled at Alec and Magnus. “It takes more than a strong arm to make a great warrior,” he went on. “It takes a great mind and a great heart. My son has both. He is strong in courage, and strong in love. Which is why I also wanted to share our other good news with you. As of yesterday, my son became engaged to be married to his partner, Magnus Bane—” A chorus of cheers broke out. Magnus accepted them with a modest wave of his fork. Alec slid down in his chair, his cheeks burning. Jace looked at him meditatively. “Congratulations,” he said. “I kind of feel like I missed an opportunity.” “W-what?” Alec stammered. Jace shrugged. “I always knew you had a crush on me, and I kind of had a crush on you, too. I thought you should know.” “What?” Alec said again. Clary sat up straight. “You know,” she said, “do you think there’s any chance that you two could ...” She gestured between Jace and Alec. “It would be kind of hot.” “No,” Magnus said. “I am a very jealous warlock.” “We’re parabatai,” Alec said, regaining his voice. “The Clave would—I mean—it’s illegal.” “Oh, come on,” said Jace. “The Clave would let you do anything you wanted. Look, everyone loves you.” He gestured out at the room full of Shadowhunters. They were all cheering as Robert spoke, some of them wiping away tears. A girl at one of the smaller tables held up a sign that said, ALEC LIGHTWOOD, WE LOVE YOU.
Cassandra Clare (City of Heavenly Fire (The Mortal Instruments, #6))
Julian,” said Jia, in the same gentle voice, “would you do something for us? Would you take up the Mortal Sword?” Clary sat up straight. She had held the Mortal Sword: she had felt the weight of it. The cold, like hooks in your skin, dragging the truth out of you. You couldn’t lie holding the Mortal Sword, but the truth, even a truth you wanted to tell, was agony. “They can’t,” she whispered. “He’s just a kid —” “He’s the oldest of the kids who escaped the Institute,” Jace said under his breath. “They don’t have a choice.” Julian nodded, his thin shoulders straight. “I’ll take it.” Robert Lightwood passed behind the podium then and went to the table. He took up the sword and returned to stand in front of Julian. The contrast between them was almost funny: the big, barrel-chested man and the lanky, wild-haired boy. Julian reached a hand up and took the sword. As his hand closed around the hilt, he shuddered, a ripple of pain that was quickly forced down. Emma, behind him, started forward, and Clary caught a glimpse of the look on her face — pure fury — before Helen caught at her and pulled her back.
Cassandra Clare (City of Heavenly Fire (The Mortal Instruments, #6))
Mother,” Alec’s voice as he interrupted his mother was firm, implacable, and not unkind. “Father. There’s something I have to tell you.” he smiled at them. “I‘m seeing someone.” Robert Lightwood looked at his son with some exasperation. “Alec,” he said. “This is hardly the time.” “Yes, it is. This is important. You see, I‘m not just seeing anyone.” Words seemed to be pouring out of Alec in a torrent, while his parents looked on in confusion. Isabelle and Magnus were staring at him with expressions of nearly identical astonishment. “I‘m seeing a Downworlder. In fact, I‘m seeing a war-” Magnus‘s fingers moved, quick as a flash of light, in Alec‘s direction. There was a faint shimmer in the air around Alec-his eyes rolled up-and he dropped to the floor, felled like a tree. “Alec!” Maryse clapped her hand to her mouth. Isabelle, who had been closest to her brother, dropped down beside him. But Alec had already begun to stir, his eyelids fluttering open. “Wha-what-why am I on the floor?” “That‘s a good question.” Isabelle glowered down at her brother. “What was that?” “What was what?” Alec sat up, holding his head. A look of alarm crossed his face. “Wait-did I say anything? Before I passed out, I mean.” Jace snorted. “You know how we were wondering if that thing Clary did would work or not?” he asked. “It works all right.” Alec looked supremely horrified. “What did I say?” “You said you were seeing someone,” his father told him. “Though you weren’t clear as to why that was important.” “Its not,” Alec said. “I mean, I‘m not seeing anyone. And its not important. Or it wouldn’t be if I was seeing someone, which I‘m not.” Magnus looked at him as if he were an idiot. “Alec‘s been delirious,” he said. “Side effect of some demon toxins. Most unfortunate, but he‘ll be fine soon.” ~pg.286-287~
Cassandra Clare (City of Ashes (The Mortal Instruments, #2))
What about a teakettle? What if the spout opened and closed when the steam came out, so it would become a mouth, and it could whistle pretty melodies, or do Shakespeare, or just crack up with me? I could invent a teakettle that reads in Dad’s voice, so I could fall asleep, or maybe a set of kettles that sings the chorus of “Yellow Submarine,” which is a song by the Beatles, who I love, because entomology is one of my raisons d’être, which is a French expression that I know. Another good thing is that I could train my anus to talk when I farted. If I wanted to be extremely hilarious, I’d train it to say, “Wasn’t me!” every time I made an incredibly bad fart. And if I ever made an incredibly bad fart in the Hall of Mirrors, which is in Versailles, which is outside of Paris, which is in France, obviously, my anus would say, “Ce n’étais pas moi!” What about little microphones? What if everyone swallowed them, and they played the sounds of our hearts through little speakers, which could be in the pouches of our overalls? When you skateboard down the street at night you could hear everyone's heartbeat, and they could hear yours, sort of like sonar. One weird thing is, I wonder if everyone's hearts would start to beat at the same time, like how women who live together have their menstrual periods at the same time, which I know about, but don't really want to know about. That would be so weird, except that the place in the hospital where babies are born would sound like a crystal chandelier in a houseboat, because the babies wouldn't have had time to match up their heartbeats yet. And at the finish line at the end of the New York City Marathon it would sound like war.
Jonathan Safran Foer
Halt?" he said diffidently. He heard a deep sigh from the short, slightly built man riding beside him. Mentally he kicked himself. I thought you must be coming down with some illness for a moment there," Halt said straight faced. "It must be two or three minutes since you've asked a question." Commited now, Horace continued. One of those girls," he began, and immediately felt the Ranger's eyes on him. "She was wearing a very short skirt." There was the slightest pause. Yes?" Halt prompted, not sure where this conversation was leading. Horace shrugged uncomfortably. The memory of the girl, and her shapely legs, was causing his cheeks to burn with embarrassment again. Well," he said uncertainly, "I just wondered if that was normal over, that's all." Halt considered the serious young face beside him. He cleared his throat several times. I believe that sometimes Gallican girls take jobs as couriers. he said. Couriers. They carry messages from one person to another. Or from one buisness to another, in towns and cities." Halt checked to see if Horace seemed to believe him so far. There seemed no reason to think otherwise, so he added: "Urgent messages." Urgent messages," Horace replied, still not seeing the connection. But he seemed inclined to believe what Halt was saying, so the older man continued. And I suppose for a really urgent message, one would have to run." Now he saw a glimmer of understanding in the boy's eyes. Horace nodded several times as he made the connection. So, the short skirts...they'd be to help them run more easily?" he suggested. Halt nodded in his turn. It would be more sensible for of dress than long skirts, if you wanted to do a lot of runnig." He shot a quick look at Horace to see if his gentle teasing was not being turned back on himself-to see if, in fact, the boy realized Halt was talking nosense and was simply leading him on. Horace's face, however, was open and believing. I suppose so," Horace replied finally, then added in a softer voice, "They certainly look a lot better that way too.
John Flanagan (The Icebound Land (Ranger's Apprentice, #3))
You’re right,” Jacks said. “You’re not part of my world. You’re not one of those girls. And maybe that’s why.” “Why what?” “Why I can’t stop thinking about you.” Maddy rolled her eyes. “Guys like you don’t say that to girls like me.” “I’ve never said that to anyone, actually,” Jacks corrected. “In fact, I’ve never done anything like this before.” He let out a little laugh. “How am I doing?” He swallowed hard, trying to push down his nervousness. He was astonished to realize he was nervous. Somehow being around Maddy just put him in a different space. Jacks felt so present. Maddy stared at him, letting the anger and frustration surge through her. “Why are you doing this to me?” she asked finally. He paused, considering. “I’m being honest. I know you may not believe me. But I haven’t been able to not think about you. When we were in the back at the restaurant, and . . .” Jacks’s voice trailed off, his face coloring. “I still feel terrible about what I did. I lied to you and, even though I had good reasons for it, it was wrong of me.” Maddy studied him. Was he telling the truth? Jacks smiled. “I mean this in the best possible way: I’m not going to leave you alone until you let me make it up to you. I’m serious. I’ll be here every night. You might as well get me some pajamas and a toothbrush.” Despite her best efforts not to, Maddy laughed. She looked at Jacks and could see the faintest twinkle of light in his eyes. “So what you’re saying is that I should just give in and let you make it up to me. Otherwise you’ll be tormenting me like this for the rest of my life?” “Pretty much. Yeah.” “Well.” She sighed. “What do you have in mind?” “Come fly with me.
Scott Speer (Immortal City (Immortal City, #1))