Offset Love Quotes

It occurred to her that all the bad parts of life, the sad parts, the frightening ones, were meant to be offset by moments and memories like this. She had to be present in it, right here, right now.

Of the not very many ways known of shedding one's body, falling, falling, falling is the supreme method, but you have to select your sill or ledge very carefully so as not to hurt yourself or others. Jumping from a high bridge is not recommended even if you cannot swim, for wind and water abound in weird contingencies, and tragedy ought not to culminate in a record dive or a policeman's promotion. If you rent a cell in the luminous waffle, room 1915 or 1959, in a tall business centre hotel browing the star dust, and pull up the window, and gently - not fall, not jump - but roll out as you should for air comfort, there is always the chance of knocking clean through into your own hell a pacific noctambulator walking his dog; in this respect a back room might be safer, especially if giving on the roof of an old tenacious normal house far below where a cat may be trusted to flash out of the way. Another popular take-off is a mountaintop with a sheer drop of say 500 meters but you must find it, because you will be surprised how easy it is to miscalculate your deflection offset, and have some hidden projection, some fool of a crag, rush forth to catch you, causing you to bounce off it into the brush, thwarted, mangled and unnecessarily alive. The ideal drop is from an aircraft, your muscles relaxed, your pilot puzzled, your packed parachute shuffled off, cast off, shrugged off - farewell, shootka (little chute)! Down you go, but all the while you feel suspended and buoyed as you somersault in slow motion like a somnolent tumbler pigeon, and sprawl supine on the eiderdown of the air, or lazily turn to embrace your pillow, enjoying every last instant of soft, deep, death-padded life, with the earth's green seesaw now above, now below, and the voluptuous crucifixion, as you stretch yourself in the growing rush, in the nearing swish, and then your loved body's obliteration in the Lap of the Lord.

Of all my failures to offset the mortification of wanting, expecting, or caring too much, the most humiliating was having no real answer for the love of a good man. It humbled me.

They wish the church could be more diverse, but then leave to meet in a coffee shop with other well-educated thirtysomethings who are into film festivals, NPR, and carbon offsets.

The pure love of one soul can offset the hatred of millions.

I'd just started to realise how important it was to intersperse my 80 Dates with some normal socialising, preferably with female friends. Dating was really demanding: there was all the stress of preparation and anticipation. Then there was the date intself: fraught with revealing body-language and full of silent 'I can't believe he just said that' moments. ...I needed relaxed, 'no agenda' fun with girlfriends to help offset the pressure of dating and stop me obsessing about 'I can't believe I just said that' moments of my own.

Per? You can come out now." A figure slowly emerged from the shadows. "Are they gone?" "No one is here," he reassured her, his voice dropping to a new calm at the sight of her. She was exquisite. He loved everything about her, from the crown of silver flowers she wore in her black hair to the dark eyes that offset her tan skin. For the first time ever, he even noticed clothing. He couldn't help admiring how she favored cobalt blue for her gown over drab browns. Today's dress was clipped at her waist with a floral silver belt. "What did the Fates say?" she asked, sounding timid for the first time since he'd met her. She was anything but a wallflower. She was fiery. He loved that about her most of all. He glided over and put his arms around her. "I'm on my way to see them right now. I don't want you to worry. I thought you were going to go do that thing to take your mind off all that." "I am," she said with a smile. "You're going to love it." He doubted that, but he wanted her to be happy. "In any case, we'll make sure the future is in our favor. Even if we have to burn the whole world to the ground.

Self-Love Self-love is the quality that determines how much we can be friends with ourselves and, day to day, remain on our own side. When we meet a stranger who has things we don’t, how quickly do we feel ourselves pitiful, and how long can we remain assured by the decency of what we have and are? When another person frustrates or humiliates us, can we let the insult go, able to perceive the senseless malice beneath the attack, or are we left brooding and devastated, implicitly identifying with the verdict of our enemies? How much can the disapproval or neglect of public opinion be offset by the memory of the steady attention of significant people in the past? In relationships, do we have enough self-love to leave an abusive union? Or are we so down on ourselves that we carry an implicit belief that harm is all we deserve? In a different vein, how good are we at apologizing to a lover for things that may be our fault? How rigidly self-righteous do we need to be? Can we dare to admit mistakes or does an admission of guilt or error bring us too close to our background sense of nullity? In the bedroom, how clean and natural or alternatively disgusting and unacceptable do our desires feel? Might they be a little odd, but not for that matter bad or dark, since they emanate from within us and we are not wretches? At work, do we have a reasonable, well-grounded sense of our worth and so feel able to ask for (and properly expect to get) the rewards we are due? Can we resist the need to please others indiscriminately? Are we sufficiently aware of our genuine contribution to be able to say no when we need to?

I splash enough water in Chloe's face to put out a small house fire. I don't want to drown her, just exfoliate her eyeballs with sea salt. When she thinks I'm done, she opens her eyes-and her mouth. Big mistake. The next wave rinses off the hangy ball in the back of her throat and makes it to her lungs before she can swallow. She chokes and coughs and rubs her eyes as if she's been maced. "Great, Emma! You got my new hair wet!" she sputters. "Happy now?" "Nope." "I said I was sorry." She blows her nose in her hand, then sets the snot to sea. "Gross. And sorry's not good enough." "Fine. I'll make it up to you. What do you want?" "Let me hold your head underwater until I feel better," I say. I cross my arms, which is tricky when straddling a surfboard being pitched around in the wake of a passing speedboat. Chloe knows I'm nervous being this far out, but holding on would be a sign of weakness. "I'll let you do that because I love you. But it won't make you feel better." "I won't know for sure until I try it." I keep eye contact, sit a little straighter. "Fine. But you'll still look albino when you let me back up." She rocks the board and makes me grab it for balance. "Get your snotty hands off the surfboard. And I'm not albino. Just white." I want to cross my arms again, but we almost tipped over that time. Swallowing my pride is a lot easier than swallowing the Gulf of Mexico. "White than most," she grins. "People would think you're naked if you wore my swimsuit." I glance down at the white string bikini, offset beautifully against her chocolate-milk skin. She catches me and laughs. "Well, maybe I could get a tan while we're here," I say, blushing. I feel myself cracking and I hate it. Just this once, I want to stay mad at Chloe. "Maybe you could get a burn while we're here, you mean. Matterfact, did you put sunblock on?" I shake my head. She shakes her head too, and makes a tsking sound identical to her mother's. "Didn't think so. If you did, you would've slipped right off that guy's chest instead of sticking to it like that." "I know," I groan. "Got to be the hottest guy I've ever seen," she says, fanning herself for emphasis. "Yeah, I know. Smacked into him, remember? Without my helmet, remember?" She laughs. "Hate to break it to you, but he's still staring at you. Him and his mean-ass sister." "Shut up." She snickers. "But seriously, which one of them do you think would win a staring contest? I was gonna tell him to meet us at Baytowne tonight, but he might be one of those clingy stalker types. That's too bad, too. There's a million dark little corners in Baytowne for you two to snuggle-" "Ohmysweetgoodness, Chloe, stop!

Twelve years ago I left Boston and New York, and moved east and west at the same time. East, to a little village in Devon, England, a town I’ve been familiar with for years, since my friends Brian and Wendy Froud and Alan Lee all live there. It had long been my dream to live in England, so I finally bought a little old cottage over there. But I decided, both for visa and health reasons, living there half the year would be better than trying to cope with cold, wet Dartmoor winters. At that point, Beth Meacham had moved out to Arizona, and I discovered how wonderful the Southwest is, particularly in the wintertime. Now I spend every winter-spring in Tucson and every summer-autumn in England. Both places strongly affect my writing and my painting. They’re very opposite landscapes, and each has a very different mythic history. In Tucson, the population is a mix of Native Americans, Mexican Americans, and Euro-Americans of various immigrant backgrounds — so the folklore of the place is a mix of all those things, as well as the music and the architecture. The desert has its own colors, light, and rhythms. In Devon, by contrast, it’s all Celtic and green and leafy, and the color palette of the place comes straight out of old English paintings — which is more familiar to me, growing up loving the Pre-Raphaelites and England’s ‘Golden Age’ illustrators. I’ve learned to love an entirely different palette in Arizona, where the starkness of the desert is offset by the brilliance of the light, the cactus in bloom, and the wild colors of Mexican decor.

We have perfumed our pain, deodorized our issues, and allowed the past to reign presently in our lives, offsetting the blessings of our future.

in the Christian view of things, forgiveness is never detached from the cross. In other words, forgiveness is never the product of love alone, still less of mawkish sentimentality. Forgiveness is possible only because there has been a real offense, and a real sacrifice to offset that offense.

Reading Group Guide  1.   The river town of Hobnob, Mississippi, is in danger of flooding. To offset the risk, the townspeople were offered the chance to relocate in exchange for money. Some people jumped at the opportunity (the Flooders); others (the Stickers) refused to leave, so the deal fell through. If you lived in Hobnob, which choice would you make and why? If you’d lived in New Orleans at the time of Hurricane Katrina, would you have fled the storm or stayed to protect your house? Did the two floods remind you of each other in terms of official government response or media coverage?  2.   How are the circumstances during the Prohibition era (laws against consuming or selling alcohol, underground businesses that make and sell booze on the black market, corruption in the government and in law enforcement) similar to what’s happening today (the fight to legalize and tax marijuana, the fallout of the drug war in countries like Mexico and Colombia, jails filled with drug abusers)? How are the circumstances different? Do you identify with the bootleggers or the prohibitionists in the novel? What is your stance on the issue today?  3.   The novel is written in third person from two different perspectives—Ingersoll’s and Dixie Clay’s—in alternating chapters. How do you think this approach adds to or detracts from the story? Are you a fan of books written from multiple perspectives, or do you prefer one character to tell his/her side of the story?  4.   The Tilted World is written by two authors. Do you think it reads differently than a book written by only one? Do you think you could coauthor a novel with a loved one? Did you try to guess which author wrote different passages?  5.   Language and dialect play an important role in the book. Do you think the southern dialect is rendered successfully? How about the authors’ use of similes (“wet towels hanging out of the upstairs windows like tongues”; “Her nylon stockings sagged around her ankles like shedding snakeskin.”). Do they provide necessary context or flavor?  6.   At the end of Chapter 5, when Jesse, Ham, and Ingersoll first meet, Ingersoll realizes that Jesse has been drinking water the entire time they’ve been at dinner. Of course, Ham and Ingersoll are both drunk from all the moonshine. How does this discovery set the stage for what happens in the latter half of the book?  7.   Ingersoll grew up an orphan. In what ways do you think that independence informed his character? His choices throughout the novel? Dixie Clay also became independent, after marrying Jesse and becoming ostracized from friends and family. Later, after Ingersoll rescues her, she reflects, “For so long she’d relied only on herself. She’d needed to. . . . But now she’d let someone in. It should have felt like weakness, but it didn’t.” Are love and independence mutually exclusive? How did the arrival of Willy prepare these characters for the changes they’d have to undergo to be ready for each other?  8.   Dixie Clay becomes a bootlegger not because she loves booze or money but because she needs something to occupy her time. It’s true, however, that she’s not only breaking the law but participating in a system that perpetrates violence. Do you think there were better choices she could have made? Consider the scene at the beginning of the novel, when there’s a showdown between Jesse and two revenuers interested in making an arrest. Dixie Clay intercepts the arrest, pretending to be a posse of gunslingers protecting Jesse and the still. Given what you find out about Jesse—his dishonesty, his drunkenness, his womanizing—do you think she made the right choice? If you were in Dixie Clay’s shoes, what would you have done?  9.   When Ham learns that Ingersoll abandoned his post at the levee to help Dixie Clay, he feels not only that Ingersoll acted

There is about our house a need. The running, pulsating restlessness of the four boys as they struggle to learn and grow; the world embraces them….All this wonder needs a counterpart. We need some starched crisp frocks to go with all our torn-kneed blue jeans and helmets. We need some soft blond hair to off-set those crew cuts. We need a doll house to stand firm against our forts and rackets and thousand baseball cards. We need a cut-out star to play alone while the others battle to see who’s ‘family champ.’ We even need someone…who could sing the descant to “Alouette,” while outside they scramble to catch the elusive ball aimed ever roofward, but usually thudding against the screens. We need a legitimate Christmas angel—one who doesn’t have cuffs beneath the dress. We need someone who’s afraid of frogs. We need someone to cry when I get mad—not argue. We need a little one who can kiss without leaving egg or jam or gum. We need a girl. We had one once—she’d fight and cry and play and make her way just like the rest. But there was about her a certain softness. She was patient—her hugs were just a little less wiggly. Like them, she’d climb in to sleep with me, but somehow she’d fit. She didn’t boot and flip and wake me up with pug nose and mischievous eyes a challenging quarter-inch from my sleeping face. No—she’d stand beside our bed till I felt her there. Silently and comfortable, she’d put those precious, fragrant locks against my chest and fall asleep. Her peace made me feel strong, and so very important. “My Daddy” had a caress, a certain ownership which touched a slightly different spot than the “Hi Dad” I love so much. But she is still with us. We need her and yet we have her. We can’t touch her, and yet we can feel her. We hope she’ll stay in our house for a long, long time. Love Pop

The nest is made of butter-poached mushrooms," Hampus was saying. Henry had been so busy fuming he'd missed Chef Martinet's first bite of Hampus's dish: creamy scrambled eggs spilling out of eggshells inside a nest that was, apparently made of butter-poached foraged mushrooms. It looked so much like a real bird's nest Henry could hardly believe it was mushrooms. "In Sweden, we like our scrambled eggs very, very creamy," Hampus continued. "I have added a simple salad of foraged dandelion greens to offset the richness of the dish." "This is inspired," Chef Martinet said. "You have made the mushroom the star.

Puritan GREAT GOD, In public and private, in sanctuary and home, may my life be steeped in prayer, filled with the spirit of grace and supplication, each prayer perfumed with the incense of atoning blood. Help me, defend me, until from praying ground I pass to the realm of unceasing praise. Urged by my need, invited by Thy promises, called by Thy Spirit, I enter Thy presence, worshipping Thee with godly fear, awed by Thy majesty, greatness, glory, but encouraged by Thy love. I am all poverty as well as all guilt, having nothing of my own with which to repay Thee, but I bring Jesus to Thee in the arms of faith, pleading His righteousness to offset my iniquities, rejoicing that He will weigh down the scales for me, and satisfy thy justice. I bless Thee that great sin draws out great grace, that, although the least sin deserves infinite punishment because done against an infinite God, yet there is mercy for me, for where guilt is most terrible, there Thy mercy in Christ is most free and deep. Bless me by revealing to me more of His saving merits, by causing Thy goodness to pass before me, by speaking peace to my contrite heart; strengthen me to give Thee no rest until Christ shall reign supreme within me in every thought, word, and deed, in a faith that purifies the heart, overcomes the world, works by love, fastens me to Thee, and ever clings to the cross.

The crowd began to murmur in the indistinguishable syllables of backstage banter. As the ball ascended, so did the volume of the murmurs. Words could be made out. Then phrases. “Lovely golf stroke.” “Super golf shot.” “Beautiful golf shot.” “Truly fine golf stroke.” They always said golf stroke, like someone might mistake it for a swim stroke, or—as Myron was currently contemplating in this blazing heat—a sunstroke. “Mr. Bolitar?” Myron took the periscope away from his eyes. He was tempted to yell “Up periscope,” but feared some at stately, snooty Merion Golf Club would view the act as immature. Especially during the U.S. Open. He looked down at a ruddy-faced man of about seventy. “Your pants,” Myron said. “Pardon me?” “You’re afraid of getting hit by a golf cart, right?” They were orange and yellow in a hue slightly more luminous than a bursting supernova. To be fair, the man’s clothing hardly stood out. Most in the crowd seemed to have woken up wondering what apparel they possessed that would clash with, say, the free world. Orange and green tints found exclusively in several of your tackiest neon signs adorned many. Yellow and some strange shades of purple were also quite big—usually together—like a color scheme rejected by a Midwest high school cheerleading squad. It was as if being surrounded by all this God-given natural beauty made one want to do all in his power to offset it. Or maybe there was something else at work here. Maybe the ugly clothes had a more functional origin. Maybe in the old days, when animals roamed free, golfers dressed this way to ward off dangerous wildlife. Good

Despite the light tone Baltsaros was using, Jon could hear that the captain was breathing heavily, and it sharpened his arousal. When Tom’s hot mouth slid over the sensitive head of his cock, Jon let out a full-throated moan. He was so turned on that he didn’t think he would last very long. His cock slid slowly down the back of Tom’s tongue, impossibly far, the muscles of the kneeling man’s throat enveloping him as his lips tightened to reverse the thrust. With a gasp, he pushed on the back of Tom’s head, wanting to feel the long, smooth plunge again once more before he had to pull away, lest he climax. When he heard the creak of the bed, he opened his eyes and saw that Baltsaros was coming towards him. There was a familiar smell in the air, and when the captain pressed his mouth to his, Jon breathed in a lungful of the drug char. Tom had stopped moving, realizing how far Jon had already come in his pleasure. As the drug started swirling through his veins, Baltsaros nodded, and Tom resumed gorging himself on Jon’s cock. Baltsaros and Tom. Tom and Baltsaros. They worked effortlessly as a team, even in this. The drug would work to offset Jon’s climax while enhancing his pleasure; this time, however, Jon didn’t feel as dazed as the first time, and he was glad for it. Experimentally, he pushed on the back of Tom’s head when his cock was in the bigger man’s throat and held him there. Tom obediently stayed put, unable to breathe and shuddering slightly as Jon rocked his hips minutely to feel the head of his cock sliding down the back of the bigger man’s throat. He threw his head back and Baltsaros put his arms around him, pinching his nipples and slowly kissing the side of his neck. When Jon finally released Tom, the other man collapsed back on the carpet, coughing and wiping his mouth; however, there was a smile on the big man’s face, and his eyes were wide with desire as he came back up onto his knees. “You weren’t kidding,” Jon said to Baltsaros, amazed at Tom’s eagerness. The captain chuckled and slid his hands down to Jon’s stiff, wet cock to stroke him. “I don’t ‘kid’ about much, my love,” said the captain in his ear. “You know what I would really like to see? I want to watch you fuck him.

Storytelling gives form to the metal dialogue of the mind and in doing so, reveals our self-fiction. Memory and imagination fills part of the space and time dimensions that we live in. We use memory and imagination to write stories in order to bridge our fear of nothingness and offset our trepidation of paddling into the river of insanity. We write into the heart of darkness and flirt with oblivion in order to ascribe meaning to our lives and to immortalize the people who we love.

Harvard professor Dr. Jack Shonkoff has long studied this area of research at the Center on the Developing Child at Harvard’s Chan School of Public Health.14 He has defined three possible ways we can respond to stress: positive, tolerable, and toxic. As described below, these terms refer to the stress response system’s effects on the body, not to the stressful event or experience itself: A positive stress response is our built-in biopsychosocial skills that enable us to deal with daily stressors. Indeed, this positive stress response is akin to how we’ve been characterizing good anxiety—a brief increase in heart rate and mild elevations in hormone levels. A tolerable stress response is marked by an activation of the body’s inner alarm system provoked by a truly frightening or dangerous encounter, the death of a loved one, or a big romantic breakup or divorce. During such intense stress, the brain-body can offset the impact through conscious self-care, such as turning to a support system. The key here is that the person’s resilience factor is already stable enough to enable the recovery. If, for instance, someone is faced with a life crisis and they don’t have a strong resilience factor, then they will be less able to recover and bounce back. A toxic stress response occurs when a child or adult undergoes ongoing or prolonged adversity—such as poverty, abject neglect, physical or emotional abuse, chronic neglect, exposure to violence—without sufficient support in place. This kind of prolonged activation of the stress response systems can not only disrupt the development of brain architecture and other organ systems of the child but also lingers well into adulthood, robbing people of their ability to manage any kind of stress.

The same goes for chores: in her book More Work for Mother, the historian Ruth Schwartz Cowan shows that when housewives first got access to “labor-saving” devices like washing machines and vacuum cleaners, no time was saved at all, because society’s standards of cleanliness simply rose to offset the benefits; now that you could return each of your husband’s shirts to a spotless condition after a single wearing, it began to feel like you should, to show how much you loved him. “Work expands so as to fill the time available for its completion,” the English humorist and historian C. Northcote Parkinson wrote in 1955, coining what became known as Parkinson’s law. But it’s not merely a joke, and it doesn’t apply only to work. It applies to everything that needs doing. In fact, it’s the definition of “what needs doing” that expands to fill the time available.

One may be risk loving yet completely averse to ruin. The central asymmetry of life is: In a strategy that entails ruin, benefits never offset risks of ruin. Further: Ruin and other changes in condition are different animals. Every single risk you take adds up to reduce your life expectancy. Finally: Rationality is avoidance of systemic ruin.

We may look solitary, but we form a vast root system of families, friends, communities, nations, and indeed the entire world. The inevitable changes in my life—and yours—aren’t a tragedy to regret. They are just changes to one interconnected member of the human family—one shoot from the root system. The secret to bearing my decline—no, enjoying it—is to be more conscious of the roots linking me to others. If I am connected to others in love, my decrease will be more than offset by increases to others—which is to say, increases to other facets of my true self.

Karma is not a burden you labor to offset. It is a belief you rise beyond.

Alexander may or may not have peeked out of the kitchen office to make sure Eden actually ate the rest of her Asian fusion abomination. Her delicious Asian fusion abomination. As much as it bothers him to admit, Alexander has never tasted anything so amazing before. The sauce was tangy, notes of lime coming to the forefront without being overpowering. The mini pita shells she'd used had been warmed on the skillet, offering a lovely crunchy texture to offset the softness of the Pad Thai.

We can, in a prophylactic move, offset resentments by shifting what we have done for others from the level of sacrifice to the level of a loving gift. We can then acknowledge ourselves for this move and drop our expectations, which will dissolve the resistances in others.

Brutality and love live in holy matrimony. Southern Niceness offsets Southern Meanness. For every sour thing our universe exudes, a sweet thing is there to meet it.

Our society fails to appreciate the woman who quietly responds to life with intense interest and with love for people, ideas, and things. Yet these characteristics are as deeply and truly creative as are the characteristics of those who seek to lead, to act, and to achieve. We have a bias against feminine values. Not only are we too busy to adequately nurture our children, but we are also unable to truly nourish our own creativity, our personhood, our ability to take a stand for life, and our capacities to love and live from the heart. The feminine qualities of receptivity, nurturing in silence, relatedness, patience, and secrecy (whether in a man or in a woman) are absolutely necessary to offset our society’s increasing institutionalization and pressures that leave us too busy to live. We cannot be good enough parents to our children, ourselves, or to the matters of our own heart until we confront the Death Mother’s power in ourselves and in our culture. Determination makes the difference. We must be determined to get over our culture’s impatient, quick fix, and get-on-with-it attitude that feeds the Death Mother. We must never give up and never let so-called reasons—Death Mother excuses such as time, money, health, an overpacked schedule, too many obligations, fears about hurting others or being selfish—stop us.

Emma had always considered herself to be possessed of a few fortunate qualities, offset by the same number of drawbacks. She was brave, but when someone raised a threatening hand to her, that calm, faintly contemptuous expression on her face usually made the punishment far worse. She was strong, which made her able to withstand greater pain, both physical and emotional, whereas a weaker soul might dissolve into tears that would stop the torment. She considered herself to be passably pretty, though not quite in the common style, since she was built on large lines, but her height and her quiet life kept overeager swains at bay. Her face was lovely enough, yet her pale skin was marred by an unfortunate arrangement of freckles, and her brown eyes, pretty though they were, were alarmingly nearsighted. And there was the problem of her most unfortunate shade of hair. She would have given anything to have hair a plain, mousy brown, rather than the flame red she'd been born with. Miriam called her hair devil's silk.

Her bright, golden hair was tied back in a casual braid, and the turquoise of her clothes—fashioned like my own—offset her sun-kissed skin, making her practically glow in the morning light. “Hello, hello,” she chirped, her full lips parting in a dazzling smile as her rich brown eyes fixed on me. “Feyre,” Rhys said smoothly, “meet my cousin, Morrigan. Mor, meet the lovely, charming, and open-minded Feyre.” I debated splashing my tea in his face, but Mor strode toward me. Each step was assured and steady, graceful, and … grounded. Merry but alert. Someone who didn’t need weapons—or at least bother to sheath them at her side.