Vibrant Girl Quotes

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Life is like a box of crayons. Most people are the 8 color boxes, but what you're really looking for are the 64 color boxes with the sharpeners on the back. I fancy myself to be a 64 color box, though I've got a few missing. It's okay though, because I've got some more vibrant colors like periwinkle at my disposal. I have a bit of a problem though in that I can only meet the 8 color boxes. Does anyone else have that problem? I mean there are so many different colors of life, of feeling, of articulation. So when I meet someone who's an 8 color type...I'm like, hey girl, Magenta! and she's like, oh, you mean purple! and she goes off on her purple thing, and I'm like, no I want Magenta!
John Mayer
I despise my own past and that of others. I despise resignation, patience, professional heroism and all the obligatory sentiments. I also despise the decorative arts, folklore, advertising, radio announcers' voices, aerodynamics, the Boy Scouts, the smell of naphtha, the news, and drunks. I like subversive humor, freckles, women's knees and long hair, the laughter of playing children, and a girl running down the street. I hope for vibrant love, the impossible, the chimerical. I dread knowing precisely my own limitations.
René Magritte
I think, quite frankly, that the world simply does not care for the complicated girls, the ones who seem too dark, too deep, too vibrant, too opinionated, the ones who are so intriguing that new men fall in love with them every day, at every meal where there's a waiter, in every taxi and on every train they board, in any instance where someone can get to know them just a little bit, just enough to get completely gone. But most men in the end don't quite have the stomach for that much person.
Elizabeth Wurtzel (Bitch: In Praise of Difficult Women)
Read everything you can push into your skull. Read your mother’s diary. Read Assata. Read everything Gloria Steinem and bell hooks write. Read all of the poems your friends leave in your locker. Read books about your body written by people who have bodies like yours. Read everything that supports your growth as a vibrant, rebel girl human. Read because you’re tired of secrets.
Gabby Rivera (Juliet Takes a Breath)
I don't think it's really about being bitchy or demanding or cold or calculating: those characteristics, after all, can be attached to most women with even the paltriest of evidence. I think, quite frankly, that the world simply does not care for the complicated girls, the ones who seem too dark, too deep, too vibrant, too opinionated...
Elizabeth Wurtzel (Bitch: In Praise of Difficult Women)
Who could hurt this girl? What devils would destroy the precious life of this lovely person—dash the happiness of this vibrant, kind, strong, funny girl?
Julie Berry (Lovely War)
Trees were made of vibrant green leaves sitting on the shoulders of shy green leaves too embarrassed to show themselves.
Kevin James Moore (The Go-Go Girl)
Three figures emerged in elegant fur hats and heavy wool kefta: one in crimson, one in darkest blue, and one in vibrant purple. “Grisha!” the girl whispered. “Quick!” said the boy. In
Leigh Bardugo (Shadow and Bone (The Shadow and Bone Trilogy, #1))
I know I'll keep some of my mates forever." Her blue eyes meet mine- thoughtful the vibrant, just like her music. "But there are others I don't see much anymore, and I've realized that's okay." She smiles pensively. "Sometimes I put them into songs, and that's where I keep them. Plus, there's always room for new friends.
Laura Taylor Namey (A Cuban Girl's Guide to Tea and Tomorrow)
I looked above the jeans. Vintage Fugazi concert tee. Green flannel shirt. 10. I looked above the flannel. Two weeks’ worth of shaggy blond beard. Mmm. Country hipster. 11. I looked above the beard. Lips. 12. I looked at the lips. 13. I looked at the lips. 14. I looked at the lips. 15. COME ON. 16. I looked above the lips. 17. I was glad I looked above the lips. 18. The eyes and the hair were a package deal, the hair was falling across his eyes in a careless way that said “Hey, girl. I’ve got peas on my shoes, but who cares, because I’ve got these eyes and this hair, and it’s pretty fucking great.” 19. The hair was the color of tabbouleh. 20. His eyes were the color of . . . 21. Pickles? 22. Green beans? 23. No. Broccoli that had been steamed for exactly sixty seconds. Vibrant. Piercing.
Alice Clayton (Nuts (Hudson Valley, #1))
We’re three of a kind—you, me and her.” Her hand found its way to her chest. “But where are my manners? I’m your aunt, Charlene—but you can call me Charlie.” Her smile was ten thousand watts, bright and vibrant. “I’m here to help you.
Robert J. Crane (Alone, Untouched, Soulless (The Girl in the Box, #1-3))
Each time Nate saw her, Elisa’s beauty struck him anew, as if in the interval the memory of what she actually looked like had been distorted by the tortured emotions she elicited since they’d broken up: in his mind, she took on the dimensions of an abject creature. What a shock when she opened the door, bursting with vibrant, almost aggressive good health. The power of her beauty, Nate had once decided, came from its ability to constantly reconfigure itself. When he thought he’d accounted for it, filed it away as a dead fact—pretty girl—she turned her head or bit her lip, and like a children’s toy you shake to reset, her prettiness changed shape, its coordinates altered: now it flashed from the elegant contours of her sloping brow and flaring cheekbone, now from her shyly smiling lips.
Adelle Waldman (The Love Affairs of Nathaniel P.)
love poem to a stripper 50 years ago I watched the girls shake it and strip at The Burbank and The Follies and it was very sad and very dramatic as the light turned from green to purple to pink and the music was loud and vibrant, now I sit here tonight smoking and listening to classical music but I still remember some of their names: Darlene, Candy, Jeanette and Rosalie. Rosalie was the best, she knew how, and we twisted in our seats and made sounds as Rosalie brought magic to the lonely so long ago. now Rosalie either so very old or so quiet under the earth, this is the pimple-faced kid who lied about his age just to watch you. you were good, Rosalie in 1935, good enough to remember now when the light is yellow and the nights are slow.
Charles Bukowski (Run With The Hunted: A Charles Bukowski Reader)
Rome by her very nature has a particular intoxication that wipes out memory. She's not so much a city as a wild beast hidden in some secret part of you. There can be no half measures with her, either she's the love of your life or you have to leave her, because that's what the tender beast demands, to be loved. …If she's loved she'll give herself to you whichever way you want her, all you need to do is go with the flow and you'll be within reach of the happiness you deserve. You will have summer evenings glittering with lights, vibrant spring mornings, cafe tablecloths ruffled by the wind like girls’ skirts, keen winters, and endless autumns…Every now and again, someone did get the hell out.
Gianfranco Calligarich (Last Summer in the City)
It’d be a shame if you let growing up dull your edges. I’m all for whatever makes you happy,” he qualifies. “You don’t need to be drinking for me to enjoy your company – you’ve always been fun no matter what. Lately, though, it seems like the real Gen is slipping away. Becoming a muted version of the incredible, terrifying, vibrant woman you used to be.
Elle Kennedy (Bad Girl Reputation (Avalon Bay, #2))
Amadora was never far from her understanding of women, glamour, or the fine line between elegant and camp, vulgar and vibrant, life and dreams. ... Color, she believed, was feminine. She said that women were masters of color, evidenced in changing their hair color, using eye shadow, mascara, powder, rouge, lipstick. You could see it in their jewelry- silvers and golds, gems, stones, pearls of every hue. It was in their clothing, from what they slept in to what they danced in. Their shoes. Their purses. Ribbons, barrettes, clips, and tiaras. Veils. All this color to enhance their sex appeal, while men, she felt, were ill-equipped to handle color with the same ease.
Whitney Otto (Eight Girls Taking Pictures)
The man in the photo on the wall in the other room, the man on the ground in Vietnam in 1969, had been complicated and demanding and often absent, but he had been so painfully, vibrantly alive it had almost hurt to be around him.
Simone St. James (The Broken Girls)
Marie thought of her aunt Euphémie, able to turn somersaults off the back of a horse, her aunt Honorine, of the twin white peregrines, her aunt Ursule with her golden boots and furious beauty, her strong laughing vibrant mother, all merely girls then, seizing what adventure and godly grace they could take through the crusade.
Lauren Groff (Matrix)
I think you're talking shit. You think we don't all feel like that? Like we're crazy, like we're not a real person, like we don't exist? Everyone feels that way sometimes. I can remember talking to you when you lost your bag. So what? You can't remember and that's not a bad thing. It doesn't make me better than you. I'm a stranger to you, but here's what I see: I see a girl who has suffered a terrible damage to her brain. Someone who, it seems, is shut away by her parents to keep her safe. But inside there is a vibrant person, a traveler, and her memory of this boy Drake has propelled her into action. I think, Flora, that you came here not to find Drake but to find yourself. It wasn't Drake--he's an unlikely romantic hero, really--it was you. Didn't you come here, perhaps, because you heard him talking about the place he was going to, and it called to you?" I don't know what to say. I don't say anything. " Our come from Oslo, and Svalbard called me, even though I'm not really the rugged adventurous type. Like you, I had to come. Some of us are meant to be here. We need this place...We need to be small specks in wild nature, by the pole. The midnight sun. The midday darkness. The northern lights. It called to you, Flora, and you answered. You overcame everything, and you came here, alone. You are the bravest person I've ever met.
Emily Barr (The One Memory of Flora Banks)
Somewhere in the sun-washed space between Southern California’s hills of sand and the present desolate volcanic sprawl I was crossing, my legs had strengthened, but – invisibly – so had my will. The wisdom of my body had cultivated vibrantly since those sadness-drunken months after the rape when I’d felt so numbed by the hurt and shame that I didn’t move further. No longer.
Aspen Matis (Girl in the Woods: A Memoir)
For a second, emotion rolled up through Fiona’s throat, and she couldn’t breathe. Her father had been like this, once upon a time. The man in the photo on the wall in the other room, the man on the ground in Vietnam in 1969, had been complicate and demanding and often absent, but he had been so painfully, vibrantly alive it had almost hurt to be around him. The air had crackled when he walked into a room. Malcom Sheridan had never done small talk – he was the kind of man who looked you in the eye on first meeting and said, Do you enjoy what you do? Do you find it fulfilling? If you had the courage to answer, he’d listen like it was the most fascinating thing he’d ever heard. And in that moment, it always was. He was a brilliant dreamer, a relentless intellectual, and a troublemaker, but the thing that always struck you about Fiona’s father was that he was truly interested in everything.
Simone St. James (The Broken Girls)
There is nothing that the media could say to me that would justify the way they’ve acted. You can hound me. You can follow me, but in no way should you frighten those around me. To harm my wife and potentially harm my daughter—there is no excuse that could put any of you on the right side of morality. I met Rose when I was fifteen and she was fourteen, and through what she would call fate and I’d call circumstance of our hobbies, we’d cross paths dozens of times over the course of a decade. At seventeen, I attended the same national Model UN conference as Rose, and a delegate for Greenland locked us in a janitorial closet. He also stole our phones. He had to beat us dishonorably because he couldn’t beat us any other way. Rose said being locked in a confined space with me was the worst two hours of her life" They look bemused, brows furrowing. I can’t help but smile. “You’re confused because you don’t know whether she was exaggerating or whether she was being truthful. But the truth is that we are complex people with the ability to love to hate and to hate to love, and I wouldn’t trade her for any other person. So that day, stuck beside mops and dirtied towels, I could’ve picked the lock five minutes in and let her go. Instead, I purposefully spent two hours with a girl who wore passion like a dress made of diamonds and hair made of flames. Every day of my life, I am enamored. Every day of my life, I am bewitched. And every day of my life, I spend it with her.” My chest swells with more power, lifting me higher. “I’ve slept with many different kinds of people, and yes, the three that spoke to the press are among them. Rose is the only person I’ve ever loved, and through that love, we married and started a family. There is no other meaning behind this, and for you to conjure one is nothing less than a malicious attack against my marriage and my child. Anything else has no relevance. I can’t be what you need me to be. So you’ll have to accept this version or waste your time questioning something that has no answer. I know acceptance isn’t easy when you’re unsure of what you’re accepting, but all I can say is that you’re accepting me as me. I leave them with a quote from Sylvia Plath. “‘I took a deep breath and listened to the old brag of my heart.’” My lips pull higher, into a livelier smile. “‘I am, I am, I am.’” With this, I step away from the podium, and I exit to a cacophony of journalists shouting and asking me to clarify. Adapt to me. I’m satisfied, more than I even predicted. Some people will rewind this conference on their television, to listen closely and try to understand me. I don’t need their understanding, but my daughter will—and I hope the minds of her peers are wide open with vibrant hues of passion. I hope they all paint the world with color.
Krista Ritchie (Fuel the Fire (Calloway Sisters #3))
The painting was so vibrant and alive with summertime that it seemed to fill the entire room with light. It depicted a small town on a summer day, and the people going about various tasks and activities. Over here was a picnic and happy children playing games, over there a postman delivering letters and chatting with a woman in curlers who was touching her hair in a way that suggested she was quite fond of the postman. Two boys in overalls and a young girl in a gingham dress were fishing by a stream beneath a big oak tree. A country church stood quietly at the end of town as if watching over all the people who would surely be sitting in its pews come Sunday morning.
Bobby Underwood (Atelier: A Romantic Fantasy)
Your grandmother—you said she was all you had. Is that why it’s so important to you to find him?” I nod. “Losing her has been harder than I imagined. I should have realized it would be, but she was always so vibrant, seemed so much younger than her years, and I suppose I took for granted that she would be around a long time. Would see me get married, hold my child in her arms.” A tear trickles down my cheek and I bat it away. “I hate that she’s not going to be here for all of these moments. That she won’t be here to sing ‘Cielito Lindo’ to my child like she did to me when I was a little girl. There’s this giant hole in my heart. I miss her arms around me, the scent of her perfume, the smell of her cooking.
Chanel Cleeton (Next Year in Havana)
MARCH 22 Eostre RENEWAL Eostre (YO-ster) is the Germanic goddess of spring. She is also called Ostara or Eastre, and her name is the origin of the word Easter, the name of the only feast day in the Christian calendar that is still tied to the moon. Eostre is a goddess of dawn, rebirth, and new beginnings. Her festival is celebrated on the first day of spring, when she is invoked at dawn with ritual fire, quickening the land, while the full moon symbolically sets behind her. Eostre’s return each spring warms the ground, preparing for a new cycle of growth. One year the goddess was late, and a little girl found a bird near death from the cold. The child turned to Eostre for help. In response a rainbow bridge appeared and Eostre came, clothed in her red robe of vibrant sunlight, melting the snows. Because the creature was wounded beyond repair, Eostre changed it into a snow hare, who then brought gifts of rainbow eggs. Hares and rainbows are sacred to her, as is the full moon, since the ancients saw the image of a hare in its markings. CONTEMPLATION Sometimes, old forms must be surrendered gracefully in order for life to be reborn in new and higher forms.
Julie Loar (Goddesses for Every Day: Exploring the Wisdom and Power of the Divine Feminine around the World)
This week we'll be learning about key elements of high quality picture books. Using the award winner lists in our course materials, select one picture book and share why it received its award. For example, Abuela is listed in the 100 Picture Books Everyone Should Know. According to Publishers Weekly, this is why it's so good: "In this tasty trip, Rosalba is "always going places" with her grandmother--abuela . During one of their bird-feeding outings to the park, Rosalba wonders aloud, "What if I could fly?" Thus begins an excursion through the girl's imagination as she soars high above the tall buildings and buses of Manhattan, over the docks and around the Statue of Liberty with Abuela in tow. Each stop of the glorious journey evokes a vivid memory for Rosalba's grandmother and reveals a new glimpse of the woman's colorful ethnic origins. Dorros's text seamlessly weaves Spanish words and phrases into the English narrative, retaining a dramatic quality rarely found in bilingual picture books. Rosalba's language is simple and melodic, suggesting the graceful images of flight found on each page. Kleven's ( Ernst ) mixed-media collages are vibrantly hued and intricately detailed, the various blended textures reminiscent of folk art forms. Those searching for solid multicultural material would be well advised to embark.
B.F. Skinner
Oh, my," said Nerissa, when she could speak. Juliet, smiling, murmured, "Would you just look at her." "I don't think we can help but look at her," murmured an urbane voice, and gasping, all three women turned to see Lucien standing in the doorway, arms crossed and his black eyes gleaming in the candlelight. He lifted his hand.  "Turn around, my dear," he said, giving a negligent little wave.  Her eyes huge, Amy slowly did as he asked, staring down at herself in awe and disbelief.  The gown, an open-robed saque of watered silk, shimmered with every movement, a vibrant purplish-blue in this light, a vivid emerald-green in that.  Its robed bodice open to show a stomacher of bright yellow satin worked with turquoise and green embroidery, it had tight sleeves ending in treble flounces just behind the elbow, which, combined with the chemise's triple tiers of lace, made Amy feel as though she had wings.  She smoothed her palms over the flounced and scalloped petticoats of royal blue silk, and then, with impulsive delight, threw back her head on a little laugh, extended her arms and spun on her toe, making gauzy sleeves, shining hair, and yards upon yards of shimmering fabric float in the air around her. Hannah, who did not think such behavior was quite appropriate, especially in front of a duke, frowned, but Lucien was trying hard to contain his amusement.  He couldn't remember the last time he'd made anyone so happy, and it touched something deep inside him that he'd long thought dead.  He exchanged a look of furtive triumph with Nerissa. "Oh!  Is it really me?" Amy breathed, reverently touching her sleeve and then raising wide, suddenly misty eyes to her small audience. "It is really you," Juliet said, smiling. "Only someone with your coloring could wear such bold shades and make them work for instead of against you," said Nerissa, coming forward to tie a black ribbon around Amy's neck.  "Lud, if I tried to wear those colors, I daresay they would overwhelm me!" "Speaking of overwhelmed . . ."  Amy turned to face the man who still lounged negligently in the doorway, his fingers trying, quite unsuccessfully, to rub away the little smile that tugged at his mouth.  "Your Grace, I don't know how to thank you," she whispered, dabbing away one tear, then another.  "No one has ever done anything like this for me before and I . . . I feel like a princess." "My dear girl.  Don't you know?"  His smile deepened and she saw what was almost a cunning gleam come into his enigmatic black eyes.  "You are a princess.  Now dry those tears and if you must thank me, do so by enjoying yourself tonight." "I will, Your Grace." "Yes," he said, on a note of finality.  "You will." And
Danelle Harmon (The Beloved One (The De Montforte Brothers, #2))
The wisdom of my body had cultivated vibrantly since those sadness-drunken months after the rape when I’d felt so numbed by the hurt and shame that I didn’t move further. No longer. The way I felt about being sexually shamed had changed. Now I was angry that others were trying to shame my sexuality in the first place. I flushed—this time not in shame—but in rage.
Aspen Matis (Girl in the Woods: A Memoir)
• A life enhancer is alive and well and carrying out God's will in his or her life. It's exciting being around this person, and you'll feel constantly energized. Which person best describes you? Do you need to make some changes? If so, what will you do? ecoming a woman of God begins by making a personal commitment to Jesus Christ. Only He can give you the fresh start you're looking for. Second Corinthians 5:17 is a great reminder: "If anyone is in Christ.. .the old has gone, the new has come!" I discovered this true principle for myself as a 16-year-old Jewish girl when I received Christ into my heart. My life changed from that moment on. The years since have certainly been an exciting adventure, and I'm not finished yet! Far from it. Growing in godliness is a lifelong process. God is the One who makes life vibrant, but He requires my cooperation. I must always be willing to change what God wants me to change and learn what He wants to teach me. Simple? Sometimes... but sometimes not. Worth it? Absolutely! ome of my most wonderful experiences have happened within my family. Jesus said, "Where two or three come together in my name, there I am with them" (Matthew 18:20), and I've certainly felt His presence! I've experienced something special during ordinary times, such as... • spending time with Bob over breakfast • tucking a child into bed
Emilie Barnes (365 Things Every Woman Should Know)
But even with her record sales, the Barbie of the late eighties was not the vibrant virago of the early eighties. "We Girls Can Do Anything" gave way to "We're into Barbie," a slogan that suggests turning inward, away from active engagement with the world. "The viewpoint of people changed," Barbara Lui explained, "and the 'mommy track' came on, and women didn't believe anymore that they could do anything. We're in an era—perhaps we're leaving it now—where people did not give themselves goals that were as tough.
M.G. Lord (Forever Barbie: The Unauthorized Biography of a Real Doll)
I think about it. I don’t stop thinking about it, even after I finish painting the woman’s dress with burnt orange and crimson and topaz yellow. I paint because it’s the next step—what does it mean if there isn’t another step? Drawing feels so open and skeletal. My sketchbook is a collection of imprints from my soul. They aren’t finished—they need to be colored in, and decorated, and turned into something much prettier than what they are. If I don’t have emerald greens and magentas and lilacs, I just have Kiko. Black-and-white. Bare and smudged. I’m not confident enough to let my drawings speak for me. I need my paintings to say something else entirely. Maybe this is my problem. Maybe this is what Hiroshi has been trying to tell me. My paintings aren’t honest enough. Cringing, I close my eyes and picture what the starfish woman will look like when she is finished. She’s vibrant and beautiful and commands the attention of the painting. But this isn’t her story. And then my mind pictures the girl standing behind her, hidden behind the luminous splendor. She’s gray and plain, but she’s beautiful, too, in her own way. But the woman will never see it because she’s too busy being beautiful herself. The painting isn’t about the starfish. It’s about the girl who wants to venture out into the ocean, away from the starfish, so she can feel like she matters. Because the girl will never matter to the starfish. In the finished painting in my head, the girl will finally know this. It’s the honest story I want to tell. I will make this painting the truest painting I’ve ever done. And after that . . . I will swim into the ocean.
Akemi Dawn Bowman (Starfish)
A never-ending stream of beautiful, laughing, vibrant women flows by (it never really ends) and the men stand off to the side, watching and wishing, letting what could possibly be the most fulfilling romantic encounter they have ever experienced quietly pass them by.
Zan Perrion (The Alabaster Girl)
how the heroines and the vamps / bar girls were unmistakably separate—the modestly clad good girls with the innocent eyes and the sexily dressed cabaret girls with the knowing eyes—and never could the twain meet.
Sonali Dev (The Vibrant Years)
With tinny drumbeats, the rain pounds the roof My teary eyes compete They can't keep up Breathe Let it go Breathe The vice on my chest tightens its razoring grip I gasp No relief If only tears could soothe the pain Then, I would look upon the tidal waves against these walls without fear Crush and roll me, I'd plead, Mold my body anew But with these tears come no healing, Just death, slow and determined This old girl, this old woman, this old soul lives here inside A tortoise outgrowing this hare's body This youthful skin encasing a crumbling frame I smooth the matted web of curls off my sweaty neck And roll my eyes at the clock How slowly the time squeaks by here in this room, In this comfortless bed I abandon the warmth from under my blanket tower and shiver The draft rattles my spine One by one, striking my vertebrae Like a spoon chiming empty wine glasses, Hitting the same fragile note till my neck shakes the chill away I swipe along the naked floor with a toe for the slippers beneath the bed Plush fabric caresses my feet Stand! Get up With both hands, Gravity jerks me back down Ugh! This cursed bed! No more, I want no more of it I try again My legs quiver in search of my former strength Come on, old girl, Come on, old woman, Come on, old soul, Don't quit now The floor shakes beneath me, Hoping I trip and fall To the living room window, I trudge My joints grind like gravel under tires More pain no amount of tears can soothe away Pinching the embroidered curtain between my knuckles, I find solace in the gloom The wind humming against the window, Makes the house creak and groan Years ago, the cold numbed my pain But can it numb me again, This wretched body and fractured soul? Outside I venture with chants fluttering my lips, Desperate solemn pleas For comfort, For mercy For ease, For health I open the plush throw spiraled around my shoulders And tiptoe around the porch's rain-soaked boards The chilly air moves through me like Death on a mission, My body, an empty gorge with no barriers to stop him, No flesh or bone My highest and lowest extremities grow numb But my feeble knees and crippling bones turn half-stone, half-bone Half-alive, half-dead No better, just worse The merciless wind freezes my tears My chin tumbles in despair I cover myself and sniffle Earth’s scent funnels up my nose: Decay with traces of life in its perfume The treetops and their slender branches sway, Defying the bitter gusts As I turn to seek shelter, the last browned leaf breaks away It drifts, it floats At the weary tree’s feet, it makes its bed alongside the others Like a pile of corpses, they lie Furled and crinkled with age No one mourns their death Or hurries to honor the fallen with thoughtful burials No rage-filled cries echo their protests at the paws trampling their fragile bodies, Or at the desecration by the animals seeking morning relief And new boundaries to mark Soon, the stark canopy stretching over the pitiful sight Will replace them with vibrant buds and leaves Until the wasting season again returns For now, more misery will barricade my bones as winter creeps in Unless Death meets me first to end it
Jalynn Gray-Wells (Broken Hearts of Queens (Lost in Love Book 1))
She was studying a nearby bush covered with vibrant yellow pompom flowers. "Wattle," he said. "Golden wattle," she corrected. "You're right." "Did you know," she began, "that the seedlings from a golden wattle can live for up to fifty years?" "That so?" "That's a long time." "It is." "How old are you?" "Younger than fifty." He was thirty-six, in fact. "Wattle seeds are germinated by bushfires." Evie Turner nodded with vague disdain toward her parents, still engaged in heated discussion in the distance. "She's frightened of bushfires. That's because she's English. But I'm not. I'm Australian and golden wattles are my favorite flower and I'm not going to live in England no matter what she thinks." With that, before Percy had a chance to tell her that golden wattles were his favorite, too, she'd run off to join the adults, sun-browned legs leaping over fallen logs with the expertise of one who seemed more familiar with this lonely place than she ought to be.
Kate Morton (Homecoming)
leave a newer, vibrant nation for an enormous beast of a country—one scorched by the sun, and stale with the traditions that made my ancestors leave in the first place.
Rae Carson (The Girl of Fire and Thorns (Fire and Thorns, #1))
There was something magnetic about this girl. Something so vibrant he didn’t want to look away. The dark night was powerless against the constant burning of her hair, and he thought it must feel like caressing the sun.
Natalie C. Parker (Stormbreak (Seafire, #3))
Up till now some of it will endure in my reminiscence unflinching and vibrant. (I may have passed on reading a bewitched story with I was never- ever meant to read about my family, and the hex of losing everything that I loved, I wonder if the girls set me up for this one?) I can hear whispers, whispers I can feel, whispers that used to give me a thrill, whispers from the ones that kill, whispers that give me a chill, I recall whispers while trying to find love, I hear them whispering, just like the girl in the story that I should have known, that I may need to find. Even so, I have to comprehend it is all that I want to think of, and not what they choose for me to arouse, I was forbidden to see her… nevertheless, I did, the day before my end. I hear a soft voice! After that moment with her- You know I think that life is all optimal; one can either select to live comfortably or choose to live in fear, and that is what I did the fear of not fitting in and they kill me for it. They're still killing me, every day not to find out what I love the most, and that is not my girlfriends, it comes down to two. I ask him to do more for me, yet is he? Or has he, or has she done it all for me, that is the question. I know that someday he will answer me, and if he doesn’t, she will! I feel I want her to; she is the one the most like me, and I feel she needs me more. And I love that about her she needs me, and that is love. Yet I feel like this- There is nothing to do in this here for me, or then her or should it be him? I know that my dad would disown me for dating a girl, so- I don’t get what I should do. I use things like with a boy anyway, so I should just go with the real thing inside me, I am not a lez-bo! But that girl could sway me- I don’t know. There is just a glow in my mouth- like all the white teeth teens want me to be, it’s all spitting out, yet I have swallowed it, yet they don’t. Look at my eyes with bloodshot eyes, with tears running down her cheeks, and everything in-between feeling the same, you could even see all the welt markings of all their words, yet you can’t see them. She did not even know her name… so she was named after his favorite flower, which he had everywhere in his home as I remember. There is nowhere to go, no one to see… and no one or two, which cares about me. How can I live a life of ecstasy? If infrequently one cannot have a choice, yet I want to pick this if I have anticipation, if I have the preference to. Well, I have to live with the consequences of an entity life with me next to me and even inside me and some, I call my friends. Everyone has to bow down to them, I have been blown to yet not always the way you think I have, my live a life abortion, ripping out my heart blood dripping down my arm, and the demons I just hoping fly out of my piss so, I can strangle them with my come! Yeah, I am the only girl that will say that out loud!
Marcel Ray Duriez
She looks young - too young really to be here - with a round face framed with short auburn hair and luminous opal-green irises. Their shade is the exact color of the fields outside our village, rich and vibrant after the monsoon rains, and I return her smile, fighting the stab of homesickness that shoots through me.
Natasha Ngan (Girls of Paper and Fire (Girls of Paper and Fire, #1))
I want to feel normal again,” she once told me. “Maybe if I pretend I am for long enough, it might actually happen.” Your mother is one of the strongest, smartest women I have ever met, but losing you cleaved her in two. The vibrant, caustic, witty, contrary woman I married splintered off into silence. She would tell you she gave in to mourning you for too long, let the pity and self-hate drag her into that black pit that I still crawl around in. If she did, her stay there was temporary. Somehow, she managed to wrench a piece of her former self out of the ground. She tells me that the other, miserable half, the chipped-off, cast-off half, still follows at a respectful distance, ready to take over the second she stumbles. Only through sheer strength of will does she manage to never stumble.
Karin Slaughter (Pretty Girls)
he had been so painfully, vibrantly alive it had almost hurt to be around him.
Simone St. James (The Broken Girls)
Her eyes held no humor as she turned and stared at me, her vibrant light snuffed out. She was silently pleading, desperately begging me to keep her sister safe. I decided then and there that this woman should never beg. I understood she cared for her sister, but who cared for her? At that moment, she seemed so innocent. She was not the vicious, fire-wielding beast I had first met. She was just a girl who had been born into chaos. Kaden had backed her into a corner, her choices taken until she had reformed herself into a weapon. She had become what she needed to be to protect the only person who still saw good in her. Not able to bear the sight of her so alone in the dark, I reached out and took her hand the same way she had done mine during my night terrors. It had comforted me, and I wanted to do the same for her. “I promise to make sure Gabby is safe. I also promise that he will never lay a hand on you again. If he even tries to take you away, I promise I’ll make him regret ever being born.
Amber V. Nicole (The Book of Azrael (Gods and Monsters, #1))
I remember a little girl,” I say, my voice ragged and worn. I don’t even recognize it. I watch as Sydney pauses her steps, turning to face me, her eyes a vibrant sea of awe and wonder. “That was you?” She nods, a gesture that is slow and timid as she tucks a gilded strand of hair behind one ear. I’m unable to determine if her expression is pained or joyful. Her voice shakes when a query floats over to me from across the room. “You remember me?” “I thought I created you.” Sydney’s unease seems to wash away at my words and her body relaxes, a smile blooming to life. “I’ve always been here.
Jennifer Hartmann (Lotus)
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This year Britain has become our last stronghold. A fortress defended with small aircraft flown by these strange, unknown young men.’ His glance flicked over Andrew and Bryan. ‘But are they unknown? Look at them and you will realise you do know them. They are our sons, our nephews, friends of our sons and daughters. Each a vibrant spark of God’s beloved humanity. All of them welcome in our houses and at our tables. ‘Cast your mind back a few short years. We watched them in those summer days when our stronghold was nothing but their playground. They picnicked on the village greens amongst the sweet bird-chatter. They laughed and played on the beaches, kicking the water with bare toes. And later they watched and then loved the young girls dressed in coloured frocks like the most wonderful of God’s flowers. ‘Now the flowers have faded to khaki and the bird-chatter is stilled under the clattering machines of war. These young men have stepped forward, separated in their blue, to become the winged warriors at the end of the trails that track the vaults above our heads. ‘George has gone, but he is not so far away that he cannot still see England’s face. The woods he played in, the fields he crossed, the town where he grew up and the prettiest flowers that remain unpicked. ‘He has flown on English air to a new world. But he can still see the world he knew just a few days past. And, in our hearts, we may yet see his frozen trail looped white across the heavens. For the air was his kingdom and he was a shield for those who lived under his wings. ‘His brief life has been given up as a ransom, that we might one day be free again. He has given up the richness of days not yet lived, the chance to hear his child’s voice and the solace of true love to ease his years of frailty. All this lost in a moment of willing sacrifice. ‘No thanks we may give him can weigh sufficiently against what he gave. But the clouds in our English skies can entwine with our eternal remembrance and together we may bind a wreath of honour that is worthy for his grave.’ ◆◆◆
Melvyn Fickling (Bluebirds: A Battle of Britain Novel (The Bluebird Series Book 1))
Jack stared at me. He had big blue eyes that were at war with the blue in his hair for attention—vibrant, sparkling, crystalline. His face? Defined cheekbones, full lips, straight nose and a strong jaw. In fact, I hadn’t really looked that close at him before, but he was kind of hot, if you could get past the whole punk thing (which for the record, wasn’t my thing at all).” --Jen
Nessie Strange (Living Dead Girl (Living Dead World #1))
Jack stared at me. He had big blue eyes that were at war with the blue in his hair for attention—vibrant, sparkling, crystalline. His face? Defined cheekbones, full lips, straight nose and a strong jaw. In fact, I hadn’t really looked that close at him before, but he was kind of hot, if you could get past the whole punk thing (which for the record, wasn’t my thing at all). --Jen
Nessie Strange (Living Dead Girl (Living Dead World #1))
Then it occurred to me, how similar we all are. We may think we project these got-it-all-together exteriors, but that doesn’t mean inside we still don’t hunger to heal the scared and wounded places that we know stop us from living our most vibrant lives. We crave to have deeply intimate and connected relationships; to create a life that lights us up. Not a life that someone else told us we should live, but one that we feel truly engaged in. We’re looking for the “Courage to SPARKLE.” What’s
Lois Barth (Courage To Sparkle: The Audacious Girls' Guide to Creating A Life That Lights You Up)
1974 Bangkok   On my way from London to Kuala Lumpur that summer, I stopped in Bangkok for a few days, since I had never been to Krung Thep Maha Nakhon (Bangkok in Thai). I thought it an excellent idea to visit this vibrant city, known to some as the ‘Sin City of the East’ due to its liberal stance in sexual issues.               As soon as I’d stepped out of the airport to flag a taxi to the legendary Oriental Bangkok Hotel, I was confronted by hordes of haggling Thai men jostling for my business, bargaining with me in broken English to deliver me to my luxury lodging for the best price. But just then, a suave-looking foreigner in his thirties stepped in to dissipate their heated transactions. He wasted no time to disperse all the drivers except one. The gentleman had bargained in Thai for the best price on my behalf. He spoke in German-accented English, “I’m Max. The cab driver will take us to our hotel?”               “Oh, you are also staying at the Oriental?” I chirped.               “Hop into the cab so we can get out of this madding crowd,” he expressed vehemently, opening the car door to let me in.               As soon as we were comfortably situated at the back seat, he asked, “What brings you to Thonburi, Mr.…?” He trailed off.               “I’m Young. Thank you for your assistance! It’s my first time to Bangkok. I wasn’t expecting such a rowdy welcome. If it weren’t for you, I may have landed in a Thai hospital,” I joked. “Where’s Thonburi?”               He sniggered mischievously. “Thonburi, the city of treasures gracing the ocean, is Bangkok’s official name, although some refer to it more appropriately as Meụ̄xng k̄hxng khwām s̄uk̄h kām, the city of erotic pleasures,” he quipped.               Overhearing the words Meụ̄xng k̄hxng khwām s̄uk̄h kām, the cab driver commented, “You want boy, girl or boy-girl or girl-boy? I take you to happy place!”               Max burst out in laughter. He proceeded to have a conversation in Thai with the driver. I sat, silent, since I had no idea what was being said, until my acquaintance asked, “What brings you to Bangkok?”               “I’m on vacation. What brings you to Thonburi?” I queried.               “I’m here on business, and usually stay a while for leisure,” was his response. “Since we are staying in the same hotel, we’ll see more of each other. I’m happy to show you the city,” he added.               “That’ll be wonderful. I’ll take up your offer,” I said appreciatively, glad I’d met someone to show me around.               By the time our cab pulled up at the Oriental’s entrance, we had agreed to meet for dinner the following evening.
Young (Turpitude (A Harem Boy's Saga Book 4))
Ruthledge himself was the guiding light, the good Samaritan. He had a daughter, Mary, who grew up without a mother. Helping him raise the child was a kindly housekeeper, Ellen. Then there was Ned Holden, abandoned by his mother, who just turned up one night; being about Mary’s age, he forged a friendship with the little girl that inevitably, as they grew up, turned to love. They were to marry, but just before the wedding Ned learned that his mother was convicted murderess Fredrika Lang. What was worse, Ruthledge had known this and had not told him. Feeling betrayed, Ned disappeared. He would finally return, crushing Mary with the news that he now had a wife, the vibrant actress Torchy Reynolds. Also prominent in the early shows was the Kransky family. Abe Kransky was an orthodox Jew who owned a pawnshop. Much of the action centered on his daughter Rose and her struggle to rise above the squalor of Five Points. Rose had a scandalous affair with publishing magnate Charles Cunningham (whose company would bring out Ned Holden’s first book when Ned took a fling at authorship), only to discover that Cunningham was merely cheating on his wife, Celeste. In her grief, Rose turned to Ellis Smith, the eccentric young artist who had come to Five Points as “Mr. Nobody from Nowhere.” Smith (also not his real name) took Rose in to “give her a name.” The Kransky link with the Ruthledges came about in the friendship of the girls, Rose and Mary. In 1939, in one of her celebrated experiments, Phillips shifted the Kranskys into a new serial, The Right to Happiness. The Ruthledge-Kransky era began to fade in 1944, when actor Arthur Peterson went into the service. Rather than recast, Phillips sent Ruthledge away as well, to the Army as a chaplain. By the time Peterson-Ruthledge returned, two years later, the focus had moved. For a time the strong male figure was Dr. Richard Gaylord. By 1947 a character named Dr. Charles Matthews had taken over. Though still a preacher, and still holding forth at Good Samaritan, Ruthledge had moved out of center stage. The main characters were Charlotte
John Dunning (On the Air: The Encyclopedia of Old-Time Radio)
When I meet women in their eighties and nineties, it’s easy to forget that they were living these vibrant lives when they were younger. It’s awful, but I admit that I underestimate older women. I don’t give them the credit they’re due. I mean, I realize they paved the way for us and all, but still, not enough credit. We could probably learn so much from them.
Susie Orman Schnall (The Subway Girls)
Yeah, either that or he's going to put two in the back of my fuckin' head. A few minutes later, I see headlights coming around the bend and feel my balls tighten instantly in response. He's here. Shit. “Get a grip,” I mutter to myself. “He can't kill you. Otherwise he gets nothing.” It's something I've repeated to myself a million times already. And even now, after saying it one million and one times, it doesn't make me feel one iota better. Trujillo is a wild card. He's unpredictable and I never know what he's going to do, let alone what he’s thinking. He very well could decide that I’m more trouble than it’s worth. That he'll eat the money I owe him just to wash his hands of me. I just don't know. And it's that uncertainty that has my balls climbing up into my throat. The black SUV pulls into the rest stop, as I’m trying to avoid comparing the sound of gravel crunching beneath the tires with the sound my bones would make beneath those same tires. The SUV pulls to a stop in front of me and the driver cuts the lights. After being nearly blinded by the headlights, it takes my eyes a minute to re-adjust to the darkness. I hear the door open. Blinking away the spots, I watch as the driver walks around to the rear door and opens it. Gabriel Trujillo steps out of the vehicle and makes his way over to me. His dark hair is slicked back, and his thick beard neatly trimmed. The dark designer suit is well-fitted to his frame, with a vibrant blue pocket square, complete with matching tie - providing the only bit of color. Trujillo looks the part of a respectable businessman. He's anything but respectable though. Gabriel Trujillo is the head of one of the most notorious, violent, and brutal drug cartels in Mexico. Like most of the cartels, he's expanded his business operations into the U.S., moving drugs, guns, and girls. He's also eliminating his competitors along the way. The mass graves that seem almost commonplace south of the border these days, have been cropping up in places like Arizona and New Mexico. Recently, a couple had even been found in southern Colorado.
R.R. Banks (Accidentally Married (Anderson Brothers, #1))
Claire's memory flashed to their wedding day, to her vibrant happiness. To Kirk's loving hand around her, steadying her as they stood in front of the church full of people. To her, that day had beenperfect, despite the rain, the mix-up about flowers, her father's rambling speech. She and Kirk had been in love. They truly had. And now he'd fallen in love with someone else. Their marriage had ended after just twelve years. The ramifications crashed through her mind. She was going to be on her own, raising three children. Would she have to go back to work? Put the girls in after-school care? Then in seven months… Oh, God. What was she going to do?
C.J. Carmichael
But science is not a democracy. Science is a brutal arena where ideas are picked apart, attacked, and tested to see if they hold up. Those that do hold up live to fight another day. Those that don’t are dragged off and discarded. To survive, a theory must be supported by vibrant, meaningful, replicable research.
Edward Humes (Monkey Girl: Evolution, Education, Religion, and the Battle for America's Soul)