Bad Apples Quotes

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I have an apple that thinks its a pear. And a bun that thinks it’s a cat. And a lettuce that thinks its a lettuce." "It’s a clever lettuce, then." "Hardly," she said with a delicate snort. "Why would anything clever think it’s a lettuce?" "Even if it is a lettuce?" I asked. "Especially then," she said. "Bad enough to be a lettuce. How awful to think you are a lettuce too.
Patrick Rothfuss (The Wise Man’s Fear (The Kingkiller Chronicle, #2))
Come on, it’s an American tradition. Apple soup? Mom’s homemade chicken pie?' She chuckled in spite of herself, then winced. 'It’s apple pie and Mom’s homemade chicken soup. But you didn’t do badly, for a start.
L.J. Smith (Nightfall (The Vampire Diaries: The Return, #1))
If you put good apples into a bad situation, you’ll get bad apples.
Philip G. Zimbardo
Anyone who has declared someone else to be an idiot, a bad apple, is annoyed when it turns out in the end that he isn't.
Friedrich Nietzsche
I never resist temptation because I have found that things that are bad for me do not tempt me.
George Bernard Shaw (The Apple Cart: A Political Extravaganza)
Grover wore his fake feet and his pants to pass as human. He wore a green rasta-style cap, because when it rained his curly hair flattened and you could just see the tips of his horns. His bright orange backpack was full of scrap metal and apples to snack on. In his pocket was a set of reed pipes his daddy goat had carved for him, even though he only knew two songs: Mozart's Piano Concerto no. 12 and Hilary Duff's "So Yesterday," both of which sounded pretty bad on reed pipes.
Rick Riordan (The Lightning Thief (Percy Jackson and the Olympians #1))
Don't swear off all the fruits just because you ate one bad apple.
Tiffanie DeBartolo (How to Kill a Rock Star)
I was so self-critical. I still am; but it's not as bad anymore.
Fiona Apple
a few bad apples is no reason not to visit the orchard.
Lauren Weisberger (Chasing Harry Winston)
This we share. Scars and knowledge and broken saftey that was never reallty there in the first place, because we were born to bad apples.
Tess Sharpe (The Girls I've Been)
Everyone dies. What difference does it make if a few bad apples get pushed along a little sooner than God intended?
Peter Swanson (The Kind Worth Killing)
Our country is the best country in the world. We are swimming in prosperity and our President is the best president in the world. We have larger apples and better cotton and faster and more beautiful machines. This makes us the greatest country in the world. Unemployment is a myth. Dissatisfaction is a fable. In preparatory school America is beautiful. It is the gem of the ocean and it is too bad. It is bad because people believe it all. Because they become indifferent. Because they marry and reproduce and vote and they know nothing.
John Cheever
Love the people who love you back.
Laura Ruby (Bad Apple)
Just to keep the bad dreams at bay, she took a swig out of a bottle that smelled of apples and happy brain-death.
Terry Pratchett (Maskerade (Discworld, #18; Witches, #5))
Auri hopped down from the chimney and skipped over to where I stood, her hair streaming behind her. "Hello Kvothe." She took a half-step back. "You reek." I smiled my best smile of the day. "Hello Auri," I said. "You smell like a pretty young girl." "I do," she agreed happily. She stepped sideways a little, then forward again, moving lightly on the balls of her bare feet. "What did you bring me?" she asked. "What did you bring me?" I countered. She grinned. "I have an apple that thinks it is a pear," she said, holding it up. "And a bun that thinks it is a cat. And a lettuce that thinks it is a lettuce." "It's a clever lettuce then." "Hardly," she said with a delicate snort. "Why would anything clever think it was a lettuce?" "Even if it is a lettuce?" I asked. "Especially then," she said. "Bad enough to be a lettuce. How awful to think you are a lettuce too." She shook her head sadly, her hair following the motion as if she were underwater. I unwrapped my bundle. "I brought you some potatoes, half a squash, and a bottle of beer that thinks it is a loaf of bread." "What does the squash think it is?" she asked curiously, looking down at it. She held her hands clasped behind her back "It knows it's a squash," I said. "But it's pretending to be the setting sun." "And the potatoes?" she asked. "They're sleeping," I said. "And cold, I'm afraid." She looked up at me, her eyes gentle. "Don't be afraid," she said, and reached out and rested her fingers on my cheek for the space of a heartbeat, her touch lighter than the stroke of a feather. "I'm here. You're safe.
Patrick Rothfuss (The Wise Man’s Fear (The Kingkiller Chronicle, #2))
for every one bad apple, there are thousands more whose hearts are full of kindness.
Lucinda Riley (The Seven Sisters (The Seven Sisters, #1))
Bad systems” create “bad situations” create “bad apples” create “bad behaviors,” even in good people.
Philip G. Zimbardo (The Lucifer Effect: Understanding How Good People Turn Evil)
 ......like it or not, there’ll be some bad apples out there, and sometimes you might find yourself mixed up with one of them. That’s not your fault.
Nico Jaye (Man-to-Man Coverage)
Afterwards, go to a pub for lunch. I've got $260 in my savings account and I really want you to use it for that. Really, I mean it--lunch is on me. Make sure you have pudding--sticky toffee, chocolate fudge cake, ice-cream sundae, something really bad for you. Get drunk too if you like (but don't scare Cal). Spend all the money. And after that, when days have gone by, keep an eye out for me. I might write on the steam in the mirror when you're having a bath, or play with the leaves on the apple tree when you're out in the garden. I might slip into a dream. Visit my grave when you can, but don't kick yourself if you can't, or if you move house and it's suddenly too far away. It looks pretty there in the summer (check out the website). You could bring a picnic and sit with me. I'd like that.
Jenny Downham (Before I Die)
Spoilt people live rotten lives.
Habeeb Akande
Truthfully, I don't think murder is necessarily as bad as people make it out to be. Everyone dies. What difference does it make if a few bad apples get pushed along a little sooner than God intended? And your wife, for example, seems like the kind worth killing.
Peter Swanson
Runaway Queer Kids Become Victims of Remote Cottage Chainsaw Killer, Surprising Absolutely No One.’ ‘I’m not queer,’ Ida said. ‘Sorry.’ ‘Then chances are you’ll be the only one left alive.
Moïra Fowley-Doyle (All the Bad Apples)
Some love ignite like forest fires, burn down entire towns before anybody’s noticed.
Moïra Fowley-Doyle (All the Bad Apples)
So what’s with the crown?” Daphne asked. Puck’s eyes grew wide. “I’m the Prince of Fairies. Emperor of Pixies, Brownies, Hobgoblins, Elves and Gnomes. King of Tricksters and Prank-Players, spiritual leader to juvenile delinquents, layabouts and bad apples.
Michael Buckley
The best bosses do more than charge up people, and recruit and breed energizers. They eliminate the negative, because even a few bad apples and destructive acts can undermine many good people and constructive acts.
Robert I. Sutton (Good Boss, Bad Boss: How to Be the Best... and Learn from the Worst)
You won’t see us in the photographs. The history books. But the landscape remembers.
Moïra Fowley-Doyle (All the Bad Apples)
A few bad apples, shit. Good apples and bad apples don’t matter if the outcome of the system is harmful. A good person doesn’t matter if they’re working in a bad system.
Joseph Fink (Alice Isn't Dead)
When I got a bad grade in my old boarding school, Kate would make a trip to the school to chew me out. When I got homesick, I'd flunk a grade on purpose. Sometimes she came by herself. Sometimes with other people. Boy kind of people. Of whom I promised myself I wouldn't be thinking about, because they were idiots.
Ilona Andrews (An Apple for the Creature)
I had the feeling I'd just found something I didn't even know I'd lost. We hovered above the moment like two rain clouds, until I said: "Don't swear off all fruit just because you ate one bad apple.
Tiffanie DeBartolo (How to Kill a Rock Star)
When you walk with trash, you end up smelling the same.
Anthony Liccione
Everyone loves a villain. Or maybe not a villain, exactly, but someone you can point out and say, "I might be weird, but I'm not weird like her.
Laura Ruby (Bad Apple)
Good girls smell like burnt tangerines for those with bad intentions-- fragrant but bitter, it is a repellant. Bad girls like me smell like ripe apples, ready for picking, juicy and tart. No one will miss them at all.
Camilla Bruce (You Let Me In)
Do you think we carry them with us?’’ I asked. ‘’All the stories of the past?
Moïra Fowley-Doyle (All the Bad Apples)
trapped in his own bad apple. Each morning a shock to return to the cut soul.
Anne Carson
I worry that I am a shell for something bad. That deep down, in the spot where most people keep their souls, I keep a weird little bug. I picture him there, leaning on the apple core of my soul, crunching on what remains of what’s good of me.
Emily R. Austin (Interesting Facts about Space)
It makes me think of an apple seed spit carelessly by the side of the road, sprouting despite the bad soil; and the fumes, clinging hard to the only patch of earth it was ever given.
Alix E. Harrow (Starling House)
People are apples. Good apples. Bad apples. Too ripe or too raw. Hard or soft. Sweet or sour. And in every apple, there’s a core. A heart. Something that makes them uniquely themselves.
L.J. Shen (Pretty Reckless (All Saints High, #1))
Each time she fell out of love with him, he saw it happen and waited it out. He never stopped loving her, even those times when he felt deeply hurt and betrayed by her, even in that bad year when they talked about separating, he’d just gone along with it, waiting for her to come back to him, thanking God and his dad up above each time she did.
Liane Moriarty (Apples Never Fall)
God will break California from the surface of the continent like someone breaking off a piece of chocolate. It will become its own floating paradise of underweight movie stars and dot-commers, like a fat-free Atlantis with superfast Wi-Fi.
Laura Ruby (Bad Apple)
She's still small and I still want to put her in my pocket. -Seven Chillman, classmate
Laura Ruby (Bad Apple)
If the devil decided to run for President, do you think he/she would put on their horns and wicked grin, or a suit with an angelic smile? If the wicked witch stayed green and ugly, would she have been able to give Snow White a poisoned apple? And if the Big Bad Wolf had not disguised himself as an old granny, would he have been able to lure Little Red Riding Hood into the house to eat her? And if a drug dealer wanted to seduce some school kids to get on his drugs, would he act like a greedy businessman — or a caring friend? Salt and sugar look exactly the same but taste very different. We live in a world of illusions, one filled with Luciferians acting like righteous men, and righteous men condemned as criminals.
Suzy Kassem (Rise Up and Salute the Sun: The Writings of Suzy Kassem)
Good character isn't produced overnight; it's grown over many seasons. In the same way you sort the good apples from the bad, the marks of poor characters are just as easy to detect.
Nicole Deese (The Promise of Rayne)
It is a well-known established fact throughout the many-dimensional worlds of the multiverse that most really great discoveries are owed to one brief moment of inspiration. There's a lot of spadework first, of course, but what clinches the whole thing is the sight of, say, a falling apple or a boiling kettle or the water slipping over the edge of the bath. Something goes click inside the observer's head and then everything falls into place. The shape of DNA, it is popularly said, owes its discovery to the chance sight of a spiral staircase when the scientist‘s mind was just at the right receptive temperature. Had he used the elevator, the whole science of genetics might have been a good deal different. This is thought of as somehow wonderful. It isn't. It is tragic. Little particles of inspiration sleet through the universe all the time traveling through the densest matter in the same way that a neutrino passes through a candyfloss haystack, and most of them miss. Even worse, most of the ones that hit the exact cerebral target, hit the wrong one. For example, the weird dream about a lead doughnut on a mile-high gantry, which in the right mind would have been the catalyst for the invention of repressed-gravitational electricity generation (a cheap and inexhaustible and totally non-polluting form of power which the world in question had been seeking for centuries, and for the lack of which it was plunged into a terrible and pointless war) was in fact had by a small and bewildered duck. By another stroke of bad luck, the sight of a herd of wild horses galloping through a field of wild hyacinths would have led a struggling composer to write the famous Flying God Suite, bringing succor and balm to the souls of millions, had he not been at home in bed with shingles. The inspiration thereby fell to a nearby frog, who was not in much of a position to make a startling contributing to the field of tone poetry. Many civilizations have recognized this shocking waste and tried various methods to prevent it, most of them involving enjoyable but illegal attempts to tune the mind into the right wavelength by the use of exotic herbage or yeast products. It never works properly.
Terry Pratchett (Sourcery (Discworld, #5; Rincewind, #3))
Right,' he said uncertainty. His mind was grinding through the problem. She was a witch. Just lately there'd been a lot of gossip about witches being bad for your health. He'd been told not to let witches pass, but no one had said anything about apple sellers. Apple sellers were not a problem. It was witches that were the problem. She'd said she was an apple seller and he wasn't about to doubt a witch's word.
Terry Pratchett (Wyrd Sisters (Discworld, #6; Witches, #2))
Look around. Walk. Find a cheap bed. Eat what the locals eat. Find a cheap beer. Try not to get fleeced. Talk. Pick up a few words in the local lingo. Just BE there, y'know? Sometimes," Brubeck bites into an apple, "Sometimes I want to be everywhere, all at once, so badly I could just...Do you ever get that feeling?
David Mitchell (The Bone Clocks)
Truthfully, I don’t think murder is necessarily as bad as people make it out to be. Everyone dies. What difference does it make if a few bad apples get pushed along a little sooner than God intended? And your wife, for example, seems like the kind worth killing.
Peter Swanson (The Kind Worth Killing (Henry Kimball/Lily Kintner, #1))
He wore a great coat of quilted batwing leather.
Gregor Xane (The Riggle Twins: A Selection from Bad Apples: Five Slices of Halloween Horror)
If you have to force it, leave it. Friendships. Yoga poses. Relationships. Food. A fart. No matter what, that shit ain’t worth it. -Note to Self Kitt
Lani Lynn Vale (Bad Apple (The Uncertain Saints MC, #4))
I’m always disappointed when a liar’s pants don’t actually catch on fire. -T-shirt
Lani Lynn Vale (Bad Apple (The Uncertain Saints MC, #4))
Revenge is an orphan in bad company she had learnt. Until it accepts the truth, it may never find grace.
Sanchit Gupta (The Tree with a Thousand Apples)
Create psychological safety by encouraging open discussion, answering questions without condescension, and making it okay to take risks and admit mistakes. Don’t shy away from task conflict. Instead, create structures that prevent creative clashes from becoming personal. For relationship conflict, listen to the other person and calmly share your perspective. Get rid of (or if you can’t, contain) bad apples to preserve psychological safety on your team.
Liz Fosslien (No Hard Feelings: The Secret Power of Embracing Emotions at Work)
I was really sorry to hear that her parents split up. But she said it wasn’t that bad. She actually said it happened a lot. She said the good thing was they had plenty of extra body parts around the house to put them back together.
Herobrine Books (One Bad Apple (Diary of a Minecraft Zombie, #10))
Once upon a time, my government turned my city into a police state, kidnapped me, and tortured me. When I got free, I decided that the problem wasn’t the system, but who was running it. Bad guys had gotten into places of high office. We needed good apples. I worked my butt off to get people to vote for good apples. We had elections. We installed the kind of apples everyone agreed would be the kind of apples we could be proud of. They said good things. A few real dirtbags like Carrie Johnstone lost their jobs. And then, well, the good apples turned out to act pretty much exactly like the bad apples. Oh, they had reasons. There were emergencies. Circumstances. It was all really regrettable. But there were always emergencies, weren’t there?
Cory Doctorow (Homeland (Little Brother, #2))
...But here I was with hardly a sign of any outward conflict. It was all running around in spiked boots inside my head, making cuts and bruises where no one could see them except me and a psychologist. But it was just as bad.
Ray Bradbury (The Golden Apples of the Sun)
If I were the Devil . . . I mean, if I were the Prince of Darkness, I would of course, want to engulf the whole earth in darkness. I would have a third of its real estate and four-fifths of its population, but I would not be happy until I had seized the ripest apple on the tree, so I should set about however necessary to take over the United States. I would begin with a campaign of whispers. With the wisdom of a serpent, I would whisper to you as I whispered to Eve: “Do as you please.” “Do as you please.” To the young, I would whisper, “The Bible is a myth.” I would convince them that man created God instead of the other way around. I would confide that what is bad is good, and what is good is “square”. In the ears of the young marrieds, I would whisper that work is debasing, that cocktail parties are good for you. I would caution them not to be extreme in religion, in patriotism, in moral conduct. And the old, I would teach to pray. I would teach them to say after me: “Our Father, which art in Washington” . . . If I were the devil, I’d educate authors in how to make lurid literature exciting so that anything else would appear dull an uninteresting. I’d threaten T.V. with dirtier movies and vice versa. And then, if I were the devil, I’d get organized. I’d infiltrate unions and urge more loafing and less work, because idle hands usually work for me. I’d peddle narcotics to whom I could. I’d sell alcohol to ladies and gentlemen of distinction. And I’d tranquilize the rest with pills. If I were the devil, I would encourage schools to refine yound intellects but neglect to discipline emotions . . . let those run wild. I would designate an athiest to front for me before the highest courts in the land and I would get preachers to say “she’s right.” With flattery and promises of power, I could get the courts to rule what I construe as against God and in favor of pornography, and thus, I would evict God from the courthouse, and then from the school house, and then from the houses of Congress and then, in His own churches I would substitute psychology for religion, and I would deify science because that way men would become smart enough to create super weapons but not wise enough to control them. If I were Satan, I’d make the symbol of Easter an egg, and the symbol of Christmas, a bottle. If I were the devil, I would take from those who have and I would give to those who wanted, until I had killed the incentive of the ambitious. And then, my police state would force everybody back to work. Then, I could separate families, putting children in uniform, women in coal mines, and objectors in slave camps. In other words, if I were Satan, I’d just keep on doing what he’s doing. (Speech was broadcast by ABC Radio commentator Paul Harvey on April 3, 1965)
Paul Harvey
Your whole question is the mistake. Who's the serpent and who's the Holy Mother? Who's bad and who's good? Who persuaded the other one to eat the apple? Who has the power and who's powerless? All of these questions are the wrong question.
Naomi Alderman (The Power)
I like to rub Twinkies under my arms.
Laura Ruby (Bad Apple)
He grew out his hair," June says. "He looks amazing." "He looks like a giant caramel with some carpet lint stuck to the top of it.
Laura Ruby (Bad Apple)
The truth is," I say, "he's having my baby. It's a medical miracle. Someone call the newspapers.
Laura Ruby (Bad Apple)
I’m trying to cut down on my fucking swearing. Let’s fucking see how the fuck that fucking goes. Fuck. -Text from Kitt to Ridley Apple
Lani Lynn Vale (Bad Apple (The Uncertain Saints MC, #4))
Sex is like a gas station. Sometimes you get full service, others you have to ask for service. And sometimes you have to be happy with self-service. -Fact
Lani Lynn Vale (Bad Apple (The Uncertain Saints MC, #4))
The principal: You're a smart girl, so I'm going to be blunt. I think you'd be a lot happier if you stopped acting so weird. Me: Who says I'm not happy?
Laura Ruby (Bad Apple)
There’s great power in sharing stories. In connecting. In speaking truths.
Moïra Fowley-Doyle (All the Bad Apples)
They survived on the bare bones of hope.
Moïra Fowley-Doyle (All the Bad Apples)
Mary Ellen was also a woman of logic. But her logic dictated that if all evidence seemed to point to magic, then it would be unwise, logically to discount it.
Moïra Fowley-Doyle (All the Bad Apples)
If other people thought art was important, then it would be required to graduate. But no, I don’t have to take art. I do have to take math, which is just a waste of time because the numbers get all switched up in my brain, plus, calculators exist for a reason. I do have to take history, which is basically memorizing tariff acts till your brain bleeds. I do have to take four years of gym class with a bunch of jerks who punch me if they don’t like what I say. But art? Optional. Even though art and music and literature and all that are what make us human. Algebra doesn’t make us human. Games don’t make us human.
Laura Ruby (Bad Apple)
I can see him juggling the words inside his head. Fumbling. I tried to juggle once, with three apples I'd found in the pantry. But I just ended up bruising them all so badly my mother had to make apple bread. The whole time I was trying, I kept getting lost in the movements. I couldn't concentrate on all of them at once. I wish Cole would give me an apple. And then he looks at me, and there's that same sad, almost smile, like he's decided to pass me one, but he knows I can't juggle either. Like there's no reason for both of us to bruise things any more than needed. I hold out my hand. "Let me help.
Victoria Schwab (The Near Witch (The Near Witch, #1))
He clears his throat. 'Do you want to go to a movie or something?' The wings stop flapping. 'I can't. I'm sort of under house arrest.' 'Till when?' 'Till pigs fly and hell freezes over.' 'Soon, then.' 'Any minute.
Laura Ruby (Bad Apple)
There was one, a Mr. Omuro, who had bought control of a great area of rental property in downtown San Francisco, and who for a time had been Frank’s landlord. There was a bad apple, he thought. A shark who had never made repairs, had partitioned rooms smaller and smaller, raised rents
Philip K. Dick (The Man in the High Castle)
As a parent is our job to teach our children wrong from right, but when they grow up we don't give up. don't say I did my job "I taught them well enough so I trust them completely." Remember children are like apples in the basket, if one bad apple is in the basket it will rotten the whole basket of apples" as you can see our job is not done our job just started, teen age children need as much love and support as toddlers doo.
Zybejta (Beta) Metani' Marashi
That big glorious mountain. For one transitory moment, I think I may have actually seen it”. For one flash, the Mommy had seen the mountain without thinking of logging and ski resorts and avalanches, managed wildlife, plate tectonic geology, microclimates, rain shadow, or yin-yang locations. She’d seen the mountain without the framework of language. Without the cage of associations. She’d seen it without looking through the lens of everything she knew was true about mountains. What she’d seen in that flash wasn’t even a “mountain”. It wasn’t a natural resource. It had no name. “That’s the big goal”, she said. “To find a cure for knowledge”. For education. For living in our heads. Ever since the story of Adam and Eve in the bible, humanity had been a little too smart for its own good, the Mommy said. Ever since eating that apple. Her goal was to find, if not a cure, then at least a treatment that would give people back their innocence. “The cerebral cortex, the cerebellum”, she said, “that’s where your problem is”. If she could just get down to using only her brain stem, she’d be cured. This would be somewhere beyond happiness and sadness. You don’t see fish agonized by wild mood swings. Sponges never have a bad day.
Chuck Palahniuk (Choke)
Negative interactions (and the bad apples who provoke them) pack such a wallop in close relationships because they are so distracting, emotionally draining, and deflating. When a group does interdependent work, rotten apples drag down and infect everyone else. Unfortunately, grumpiness, nastiness, laziness, and stupidity are remarkably contagious.
Robert I. Sutton (Good Boss, Bad Boss: How to Be the Best... and Learn from the Worst)
Dave put his head down and ate his eggs. He heard his mother leave the kitchen, humming Old MacDonald all the way down the hall. Standing in the yard now, knuckles aching, he could hear it too. Old MacDonald had a farm. And everything was hunky-dory on it. You farmed and tilled and reaped and sowed and everything was just fucking great. Everyone got along, even the chickens and the cows, and no one needed to talk about anything, because nothing bad ever happened and nobody had any secrets because secrets were for bad people, people who climbed in cars that smelled of apples with strange men and disappeared for four days, only to come back home and find everyone they'd known had disappeared, too, been replaced with smiley-faced look-alikes who'd do just about anything but listen to you.
Dennis Lehane (Mystic River)
There’s never been a noble war except in the history books and propaganda movies. It’s a bloody, dirty, cruel, costly mistake in almost every case, as it was in this war that would end so badly. But the young soldiers can be and often are noble, selfless, and honorable. They don’t fight for a flag or a president or mom and apple pie. When it comes down to it they fight and die for each other, and that is reason enough for them, and for me.
Harold G. Moore (We Are Soldiers Still: A Journey Back to the Battlefields of Vietnam)
What do you mean?
Rosie Goodwin (The Bad Apple)
Bad sex. I wondered what exactly did she mean. From my mother I had gathered that the experience could leave you feeling indifferent, that during it you might make out the grocery list, pick a style of curtains, memorize a subtle but choice insult for people who imagined themselves above you. But I had never imagined the word 'bad' could be applied to it, and as soon as she said it I knew what she meant: it was like wanting a sugar apple and getting a spoiled one; and while you're eating the spoiled one, the memory of a good tasting one will not go away.
Jamaica Kincaid (Lucy)
Sometimes,” Brubeck bites into an apple, “sometimes I want to be everywhere, all at once, so badly I could just …” Brubeck mimes a bomb going off in his ribcage. “Do you never get that feeling?
David Mitchell (The Bone Clocks)
it the myth-pool; sometimes the word-pool. He says that every time you call someone a good egg or a bad apple you’re drinking from the pool or catching tadpoles at its edge; that every time you send a child off to war and danger of death because you love the flag and have taught the child to love it, too, you are swimming in that pool . . . out deep, where the big ones with the hungry teeth also swim.
Stephen King (Lisey's Story)
There were silhouettes of girls holding hands on a couple of the covers, and on one - a shiny, hardback American edition - two girls kissing. I shook my head at the audacity of my sister, at my own embarrassment, at the sheer perfection of both her timing and her gift. From Tipping the Velvet to Cameron Post, an entire library of girls like me.
Moïra Fowley-Doyle (All the Bad Apples)
If I weren't so screwed up, I would've sold my soul a long time ago for a handsome man who made me feel pretty or who could at least treat me to a Millionaire's Martini. Instead I lingered over a watered down Sparkling Apple and felt sorry about what I was about to do to the blue-eyed bartender standing in front of me. Although I shouldn’t, after all, I am a bail recovery agent. It's my job to get my skip, no matter the cost.If I weren't so screwed up, I would've sold my soul a long time ago for a handsome man who made me feel pretty or who could at least treat me to a Millionaire's Martini. Instead I lingered over a watered down Sparkling Apple and felt sorry about what I was about to do to the blue-eyed bartender standing in front of me. Although I shouldn't, after all, I am a bail recovery agent. It's my job to get my skip, no matter the cost. Yet, I had been wondering lately. What was this job costing me? Yet, I had been wondering lately. What was this job costing me?
Miranda Parker (A Good Excuse to Be Bad (Angel Crawford Series, #1))
People shouldn't second guess God. If everything happened for a reason, it was usually too difficult to figure out what that reason was. Better to just accept things as they were, deal with them and enjoy the weather when it came, stay inside when it rained.
Barbara Morgenroth (Bad Apple (Bad Apple, #1))
Instructions for Dad. I don't want to go into a fridge at an undertaker's. I want you to keep me at home until the funeral. Please can someone sit with me in case I got lonely? I promise not to scare you. I want to be buried in my butterfly dress, my lilac bra and knicker set and my black zip boots (all still in the suitcase that I packed for Sicily). I also want to wear the bracelet Adam gave me. Don't put make-up on me. It looks stupid on dead people. I do NOT want to be cremated. Cremations pollute the atmosphere with dioxins,k hydrochloric acid, hydrofluoric acid, sulphur dioxide and carbon dioxide. They also have those spooky curtains in crematoriums. I want a biodegradable willow coffin and a woodland burial. The people at the Natural Death Centre helped me pick a site not for from where we live, and they'll help you with all the arrangements. I want a native tree planted on or near my grave. I'd like an oak, but I don't mind a sweet chestnut or even a willow. I want a wooden plaque with my name on. I want wild plants and flowers growing on my grave. I want the service to be simple. Tell Zoey to bring Lauren (if she's born by then). Invite Philippa and her husband Andy (if he wants to come), also James from the hospital (though he might be busy). I don't want anyone who doesn't know my saying anything about me. THe Natural Death Centre people will stay with you, but should also stay out of it. I want the people I love to get up and speak about me, and even if you cry it'll be OK. I want you to say honest things. Say I was a monster if you like, say how I made you all run around after me. If you can think of anything good, say that too! Write it down first, because apparently people often forget what they mean to say at funerals. Don't under any circumstances read that poem by Auden. It's been done to death (ha, ha) and it's too sad. Get someone to read Sonnet 12 by Shakespeare. Music- "Blackbird" by the Beatles. "Plainsong" by The Cure. "Live Like You Were Dying" by Tim McGraw. "All the Trees of the Field Will Clap Their Hands" by Sufian Stevens. There may not be time for all of them, but make sure you play the last one. Zoey helped me choose them and she's got them all on her iPod (it's got speakers if you need to borrow it). Afterwards, go to a pub for lunch. I've got £260 in my savings account and I really want you to use it for that. Really, I mean it-lunch is on me. Make sure you have pudding-sticky toffee, chocolate fudge cake, ice-cream sundae, something really bad for you. Get drunk too if you like (but don't scare Cal). Spend all the money. And after that, when days have gone by, keep an eye out for me. I might write on the steam in the mirror when you're having a bath, or play with the leaves on the apple tree when you're out in the garden. I might slip into a dream. Visit my grave when you can, but don't kick yourself if you can't, or if you move house and it's suddenly too far away. It looks pretty there in the summer (check out the website). You could bring a picnic and sit with me. I'd like that. OK. That's it. I love you. Tessa xxx
Jenny Downham
as the research shows, the more time you spend around rotten apples – those lousy, lazy, grumpy, and nasty people – the more damage you will suffer. When people are emotionally depleted, they stop focusing on their jobs and instead work on improving their moods. If you find that there are a few subordinates who are so unpleasant that, day after day, they sap the energy you need to inspire others and feel good about your own job, my advice – if you can’t get rid of them – is to spend as little time around them as possible.
Robert I. Sutton (Good Boss, Bad Boss: How to Be the Best... and Learn from the Worst)
(After witnessing a young Indian man throwing a popped grain of some sort at a caged, humiliated mountain lion) That was it. I grabbed his throat and sank my thumb and middle finger into the joint behind his Adam’s apple. I did not want to kill him, though, not even hurt him. I just wanted to terrify him so badly that he would never, ever, ever, ever again even presume to think of throwing something at that lion.
Jack Turner (The Abstract Wild)
Apples are kissing other apples. Gray cats are kissing other gray cats. Trees are kissing trees. You and I are not kissing. We work in an office together. We are both married to other people. It is okay because we only have ideas, you and I, about whether we should kiss or not. These ideas are both good and bad, probably. At work, we do not say these words aloud but make elaborate diagrams for one another. You write these words: Kissing you would be like this, and draw a picture of two butterflies being struck by lightning. I stare at it and wonder if you may be right. I do my own drawing and write, Kissing you would be like this, and sketch a picture of a man made of ice kissing a woman who is actually a stove. We have made hundreds of these drawings. We do not actually do any work.
Joe Meno (Demons in the Spring)
Do you want to go make friends with it first? Dawn asked. Matthew,give Emily the snacks. Collins swallowed, looking alarmed. Um...what do you mean? Dawn smiled at him. So we can give them to the horse! The carrot sticks? Oh, Collins said, after a pause. You see, you should have told me we were bringing snacks for the horse. I thought they were for us. My bad. Wait, you ate all of them? Dawn asked, taking her canvas bag back from Collins peering inside. The apple too? And where are the sugar cubes? You're telling me we brought the sugar for a horse? Collins asked,incredulous. What does a horse need sugar for? I can't believe you just ate raw sugar cubes, Dawn said, shaking her head. They're sugar cubes! Collins said, his voice rising. What else are you supposed to do with them? And since when do horses get snacks?
Morgan Matson (Since You've Been Gone)
A Swedish minister having assembled the chiefs of the Susquehanna Indians, made a sermon to them, acquainting them with the principal historical facts on which our religion is founded — such as the fall of our first parents by eating an apple, the coming of Christ to repair the mischief, his miracles and suffering, etc. When he had finished an Indian orator stood up to thank him. ‘What you have told us,’ says he, ‘is all very good. It is indeed bad to eat apples. It is better to make them all into cider. We are much obliged by your kindness in coming so far to tell us those things which you have heard from your mothers. In return, I will tell you some of those we have heard from ours. ‘In the beginning, our fathers had only the flesh of animals to subsist on, and if their hunting was unsuccessful they were starving. Two of our young hunters, having killed a deer, made a fire in the woods to boil some parts of it. When they were about to satisfy their hunger, they beheld a beautiful young woman descend from the clouds and seat herself on that hill which you see yonder among the Blue Mountains. ‘They said to each other, “It is a spirit that perhaps has smelt our broiling venison and wishes to eat of it; let us offer some to her.” They presented her with the tongue; she was pleased with the taste of it and said: “Your kindness shall be rewarded; come to this place after thirteen moons, and you will find something that will be of great benefit in nourishing you and your children to the latest generations.” They did so, and to their surprise found plants they had never seen before, but which from that ancient time have been constantly cultivated among us to our great advantage. Where her right hand had touched the ground they found maize; where her left had touched it they found kidney-beans; and where her backside had sat on it they found tobacco.’ The good missionary, disgusted with this idle tale, said: ‘What I delivered to you were sacred truths; but what you tell me is mere fable, fiction, and falsehood.’ The Indian, offended, replied: ‘My brother, it seems your friends have not done you justice in your education; they have not well instructed you in the rules of common civility. You saw that we, who understand and practise those rules, believed all your stories; why do you refuse to believe ours?
Benjamin Franklin (Remarks Concerning the Savages)
He gives her his Art History lecture. ‘Then you get Mo-net and Ma-net, that’s a little tricky, Mo-net was the one did all the water lilies and shit, his colors were blues and greens, Ma-net was the one did Bareass on the Grass and shit, his colors were browns and greens. Then you get Bonnard, he did all the interiors and shit, amazing light, and then you get Van Guk, he’s the one with the ear and shit, and Say-zanne, he’s the one with the apples and shit, you get Kandinsky, a bad mother, all them pick-up-sticks pictures, you get my man Mondrian, he’s the one with the rectangles and shit, his colors were red yellow and blue, you get Moholy-Nagy, he did all the plastic thingummies and shit, you get Mar-cel Du-champ, he’s the devil in human form….’ She’s asleep.
Donald Barthelme
She became aware of his hands, moving up both sides of her, sliding up from her waist to her rib cage. Bad news. Instinctively she knew that it was "either-or." Either she opened her mouth and let the mad tongue in--or he was going to, sure as God made little apples, grab her little apples. The choice, she knew, was hers--for he lingered there, simultaneously, in both areas of combat, as if to say, "You have five seconds, take your pick.
Herman Raucher
There's another thing. You write about the people who have their evenings and mornings together and those who haven't. Just the position of the latter seems to me the more favourable. They have done something bad, certainly or possibly, and the dirt of this scene derives, as you rightly say, essentially from their being strangers, and it's physical dirt, like the dirt of an apartment which has never been inhabited and suddenly ripped wide open. This is bad indeed, or on Earth, it's actually nothing but a 'play with a ball' as you call it. It's as though Eve, having indeed plucked the apple from the tree (sometimes I believe I understand the Fall of Man as no one else), did so nevertheless only in order to show it to Adam - because she liked it. It was the biting into it that was decisive - the playing with it was, though not permitted, not forbidden either.
Franz Kafka (Letters to Milena)
How will you know if your pollinator population isn't up to par? If you find cucumbers fat at one end and skinny at the other, baby summer squash that are rotting at the blossom end, blackberries with only a few plump lobes, or lop-sided apples with a big side and a little side, your garden isn't seeing proper pollination. In some cases, inadequate pollination can be due to bad weather during bloom time, but if you notice problems, your first step should be to ensure that you're providing the proper habitat for wild pollen movers. (There's not much you can do about a cold spring.)
Anna Hess (Bug-Free Organic Gardening: Controlling Pest Insects Without Chemicals (Permaculture Gardener Book 2))
Given that background, I was interested in what Steve Jobs might say about the future of Apple. His survival strategy for Apple, for all its skill and drama, was not going to propel Apple into the future. At that moment in time, Apple had less than 4 percent of the personal computer market. The de facto standard was Windows-Intel and there seemed to be no way for Apple to do more than just hang on to a tiny niche. In the summer of 1998, I got an opportunity to talk with Jobs again. I said, “Steve, this turnaround at Apple has been impressive. But everything we know about the PC business says that Apple cannot really push beyond a small niche position. The network effects are just too strong to upset the Wintel standard. So what are you trying to do in the longer term? What is the strategy?” He did not attack my argument. He didn’t agree with it, either. He just smiled and said, “I am going to wait for the next big thing.
Richard P. Rumelt (Good Strategy Bad Strategy: The Difference and Why It Matters)
Imagine what it's like to be (untouchable) Better not take a chance on me (untouchable) I'm the bad boy your mama told you about I'm dangerous, without a doubt Even coming off a ten-year drought Untouchable I'm the rose with hidden thorns (untouchable) Don't tell me that you haven't been warned (untouchable) I'm pretty poison under the skin, The bite of the apple that's a mortal sin In a game of love you'll never win Untouchable My reputation's fairly earned (untouchable) If you play with fire, you will get burned (untouchable) Stay out of the kitchen if you can't take the heat, My kisses are deadly as they are sweet, I'm a runaway bus on a dead-end street Untouchable Fools rush in, that's what they say(untouchable) But angels fall, too, most every day (untouchable) I'm the snake in the garden, the siren on the reef I have the face of a saint and the heart of a thief I'll promise you love! And bring you nothing but grief Untouchable Hearing Jonah sing like this was like watching him slice himself open and show off his insides. Why would he do that? Why would be write such a song? And then Emma answered her own question. Because good music always tells the truth, no matter how much it hurts. Emma couldn't be the only one who felt the bite of the blade, but everyone else seemed to take it in stride. Did they know? Did they all know about Jonah? Of course they did. They were there when it happened. They'd allow Jonah to keep the secrets that were most important to him. She knew she shouldn't resent that, but she still did. They must have known she was falling for him. They must have.
Cinda Williams Chima (The Sorcerer Heir (The Heir Chronicles, #5))
early childhood she had given her deepest trust, and which for half a century has suggested what she might do, think, feel, desire, and become, has suddenly fallen silent. Now, at last, all those books have no instructions for her, no demands—because she is just too old. In the world of classic British fiction, the one Vinnie knows best, almost the entire population is under fifty, or even under forty—as was true of the real world when the novel was invented. The few older people—especially women—who are allowed into a story are usually cast as relatives; and Vinnie is no one’s mother, daughter, or sister. People over fifty who aren’t relatives are pushed into minor parts, character parts, and are usually portrayed as comic, pathetic, or disagreeable. Occasionally one will appear in the role of tutor or guide to some young protagonist, but more often than not their advice and example are bad; their histories a warning rather than a model. In most novels it is taken for granted that people over fifty are as set in their ways as elderly apple trees, and as permanently shaped and scarred by the years they have weathered. The literary convention is that nothing major can happen to them except through subtraction. They may be struck by lightning or pruned by the hand of man; they may grow weak or hollow; their sparse fruit may become misshapen, spotted, or sourly crabbed. They may endure these changes nobly or meanly. But they cannot, even under the best of conditions, put out new growth or burst into lush and unexpected bloom. Even today there are disproportionately few older characters in fiction. The
Alison Lurie (Foreign Affairs)
young ones with respect for their digestions. “Well, you can’t feed it to them anymore. It’s gone way too high.” Her mouth became a straight line. “Not so high. It’s well-salted; we’ve eaten worse. If it’s that bad, the others would be sick and so would I.” He knew enough about homesteaders of whatever religious persuasion to hear what she was really saying: the sausage was all there was, they ate spoiled sausage or nothing. He nodded and walked back to his own seat. His food was in a cornucopia twisted from sheets of the Cincinnati Commercial, three thick sandwiches of lean beef on dark German bread, a strawberry-jam tart, and two apples that he juggled for a few moments to make the children laugh. When he gave the food to Mrs. Sperber, she opened her mouth as though to protest, but then she closed it. A homesteader’s wife needs a healthy dose of realism. “We are obliged to thee, friend,” she said. Across the aisle, the blond woman watched,
Noah Gordon (Shaman (The Cole Trilogy, 2))
About sexuality of English mice. A warm perfume is growing little by little in the room. An orchard scent, a caramelized sugar scent. Mrs. MOUSE roasts apples in the chimney. The apple fruits smell grass of England and the pastry oven. On a thread drawn in the flames, the apples, from the buried autumn, turn a golden color and grind in tempting bubbles. But I have the feeling that you already worry. Mrs. MOUSE in a Laura Ashley apron, pink and white stripes, with a big purple satin bow on her belt, Mrs. MOUSE is certainly not a free mouse? Certainly she cooks all day long lemon meringue tarts, puddings and cheese pies, in the kitchen of the burrow. She suffocates a bit in the sweet steams, looks with a sigh the patched socks trickling, hanging from the ceiling, between mint leaves and pomegranates. Surely Mrs. MOUSE just knows the inside, and all the evening flavours are just good for Mrs. MOUSE flabbiness. You are totally wrong - we can forgive you – we don’t know enough that the life in the burrow is totally communal. To pick the blackberries, the purplish red elderberries, the beechnuts and the sloes Mr. and Mrs. MOUSE escape in turn, and glean in the bushes the winter gatherings. After, with frozen paws, intoxicated with cold wind, they come back in the burrow, and it’s a good time when the little door, rond little oak wood door brings a yellow ray in the blue of the evening. Mr. and Mrs. MOUSE are from outside and from inside, in the most complete commonality of wealth and climate. While Mrs. MOUSE prepares the hot wine, Mr. MOUSE takes care of the children. On the top of the bunk bed Thimoty is reading a cartoon, Mr. MOUSE helps Benjamin to put a fleece-lined pyjama, one in a very sweet milky blue for snow dreams. That’s it … children are in bed …. Mrs. MOUSE blazes the hot wine near the chimney, it smells lemon, cinnamon, big dry flames, a blue tempest. Mr. and Mrs. MOUSE can wait and watch. They drink slowly, and then .... they will make love ….You didn’t know? It’s true, we need to guess it. Don’t expect me to tell you in details the mice love in patchwork duvets, the deep cherry wood bed. It’s just good enough not to speak about it. Because, to be able to speak about it, it would need all the perfumes, all the silent, all the talent and all the colors of the day. We already make love preparing the blackberries wine, the lemon meringue pie, we already make love going outside in the coldness to earn the wish of warmness and come back. We make love downstream of the day, as we take care of our patiences. It’s a love very warm, very present and yet invisible, mice’s love in the duvets. Imagine, dream a bit ….. Don’t speak too badly about English mice’s sexuality …..
Philippe Delerm
Paper Bag" I was staring at the sky, just looking for a star To pray on, or wish on, or something like that I was having a sweet fix of a daydream of a boy Whose reality I knew, was a hopeless to be had But then the dove of hope began its downward slope And I believed for a moment that my chances Were approaching to be grabbed But as it came down near, so did a weary tear I thought it was a bird, but it was just a paper bag Hunger hurts, and I want him so bad, oh it kills 'Cause I know I'm a mess he don't wanna clean up I got to fold 'cause these hands are too shaky to hold Hunger hurts, but starving works, when it costs too much to love And I went crazy again today, looking for a strand to climb Looking for a little hope Baby said he couldn't stay, wouldn't put his lips to mine, And a fail to kiss is a fail to cope I said, 'Honey, I don't feel so good, don't feel justified Come on put a little love here in my void,' he said 'It's all in your head,' and I said, 'So's everything' But he didn't get it I thought he was a man But he was just a little boy Hunger hurts, and I want him so bad, oh it kills 'Cause I know I'm a mess he don't wanna clean up I got to fold 'cause these hands are too shaky to hold Hunger hurts, but starving works, when it costs too much to love Hunger hurts, but I want him so bad, oh it kills 'Cause I know I'm a mess he don't wanna clean up I got to fold 'cause these hands are too shaky to hold Hunger hurts, but starving works, when it costs too much to love Hunger hurts, but I want him so bad, oh it kills Because I know that I'm a mess that he don't wanna clean up I got to fold because these hands are just too shaky to hold Hunger hurts, but starving, it works, when it costs too much to love
Fiona Apple
Do you still want to know what the stones do when they're together?' 'Yes,' she said. But suddenly, she felt nervous. This was the answer she'd been waiting for. The one she'd been begging for. All this time, she'd been dying to know what Jacks really wanted. For a while, she'd been afraid of it, because she didn't want him to hurt anyone. But now from the way he looked at her, she suddenly feared the only person his answer would hurt was her. Jacks crossed over to his desk and picked up a white apple. He tossed it as he said. 'When the four stones are combined, a person has the power to return to any moment in their past. It can only be done once. Once the stones have been used for this purpose, they'll never have the power to be used like this again.' For a second, it didn't sound so bad. Lots of people had moments they wanted to change. That day alone, there were several things Evangeline would have done differently. 'What moment do you want to go back to?' Jacks looked at the apple in his hand as he answered. 'I want to return to the moment I met Donatella.' 'The princess who stabbed you?' He nodded tightly. For a second, Evangeline was speechless. Of all the answers, she did not expect this. She quickly flashed back to the night that she and Jacks had spent together in the crypt, when he'd finally told her the story of Princess Donatella- how he'd kissed her and it should have killed her, but instead, it made his heart beat. She should have been his one true love, but Donatella chose another and stabbed Jacks in the heart. 'Why would you want to go back for her?' Jacks worked his jaw. 'She was supposed to be my one true love- I want another chance at that.' 'But this doesn't make sense,' Evangeline said. 'Why go to all this trouble for a girl who you don't love?' Because Evangeline knew Jacks didn't love Donatella. She might have believed it before when she'd first heard the story, but Evangeline couldn't fathom it now.
Stephanie Garber (The Ballad of Never After (Once Upon a Broken Heart, #2))
Hush little baby, don’t you cry, Mama’s gonna sing you a lullaby, and if that mockingbird don’t sing, Papa’s gonna buy you a diamond ring. Mama, Dada, uh-oh, ball. Good night tree, good night stars, good night moon, good night nobody. Potato stamps, paper chains, invisible ink, a cake shaped like a flower, a cake shaped like a horse, a cake shaped like a cake, inside voice, outside voice. If you see a bad dog, stand still as a tree. Conch shells, sea glass, high tide, undertow, ice cream, fireworks, watermelon seeds, swallowed gum, gum trees, shoes and ships and sealing wax, cabbages and kings, double dares, alphabet soup, A my name is Alice and my boyfriend’s name is Andy, we come from Alabama and we like apples, A my name is Alice and I want to play the game of looooove. Lightning bugs, falling stars, sea horses, goldfish, gerbils eat their young, please, no peanut butter, parental signature required, #1 Mom, show-and-tell, truth or dare, hide-and-seek, red light, green light, please put your own mask on before assisting, ashes, ashes, we all fall down, how to keep the home fires burning, date night, family night, night-night, May came home with a smooth round stone as small as the world and as big as alone. Stop, Drop, Roll. Salutations, Wilbur’s heart brimmed with happiness. Paper valentines, rubber cement, please be mine, chicken 100 ways, the sky is falling. Monopoly, Monopoly, Monopoly, you be the thimble, Mama, I’ll be the car.
Jenny Offill (Dept. of Speculation)
few years later, Demeter took a vacation to the beach. She was walking along, enjoying the solitude and the fresh sea air, when Poseidon happened to spot her. Being a sea god, he tended to notice pretty ladies walking along the beach. He appeared out of the waves in his best green robes, with his trident in his hand and a crown of seashells on his head. (He was sure that the crown made him look irresistible.) “Hey, girl,” he said, wiggling his eyebrows. “You must be the riptide, ’cause you sweep me off my feet.” He’d been practicing that pickup line for years. He was glad he finally got to use it. Demeter was not impressed. “Go away, Poseidon.” “Sometimes the sea goes away,” Poseidon agreed, “but it always comes back. What do you say you and me have a romantic dinner at my undersea palace?” Demeter made a mental note not to park her chariot so far away. She really could’ve used her two dragons for backup. She decided to change form and get away, but she knew better than to turn into a snake this time. I need something faster, she thought. Then she glanced down the beach and saw a herd of wild horses galloping through the surf. That’s perfect! Demeter thought. A horse! Instantly she became a white mare and raced down the beach. She joined the herd and blended in with the other horses. Her plan had serious flaws. First, Poseidon could also turn into a horse, and he did—a strong white stallion. He raced after her. Second, Poseidon had created horses. He knew all about them and could control them. Why would a sea god create a land animal like the horse? We’ll get to that later. Anyway, Poseidon reached the herd and started pushing his way through, looking for Demeter—or rather sniffing for her sweet, distinctive perfume. She was easy to find. Demeter’s seemingly perfect camouflage in the herd turned out to be a perfect trap. The other horses made way for Poseidon, but they hemmed in Demeter and wouldn’t let her move. She got so panicky, afraid of getting trampled, that she couldn’t even change shape into something else. Poseidon sidled up to her and whinnied something like Hey, beautiful. Galloping my way? Much to Demeter’s horror, Poseidon got a lot cuddlier than she wanted. These days, Poseidon would be arrested for that kind of behavior. I mean…assuming he wasn’t in horse form. I don’t think you can arrest a horse. Anyway, back in those days, the world was a rougher, ruder place. Demeter couldn’t exactly report Poseidon to King Zeus, because Zeus was just as bad. Months later, a very embarrassed and angry Demeter gave birth to twins. The weirdest thing? One of the babies was a goddess; the other one was a stallion. I’m not going to even try to figure that out. The baby girl was named Despoine, but you don’t hear much about her in the myths. When she grew up, her job was looking after Demeter’s temple, like the high priestess of corn magic or something. Her baby brother, the stallion, was named Arion. He grew up to be a super-fast immortal steed who helped out Hercules and some other heroes, too. He was a pretty awesome horse, though I’m not sure that Demeter was real proud of having a son who needed new horseshoes every few months and was constantly nuzzling her for apples. At this point, you’d think Demeter would have sworn off those gross, disgusting men forever and joined Hestia in the Permanently Single Club. Strangely, a couple of months later, she fell in love with a human prince named Iasion (pronounced EYE-son, I think). Just shows you how far humans had come since Prometheus gave them fire. Now they could speak and write. They could brush their teeth and comb their hair. They wore clothes and occasionally took baths. Some of them were even handsome enough to flirt with goddesses.
Rick Riordan (Percy Jackson's Greek Gods)