“
I knew myself well enough to know I didn’t survive books. They tore me to shreds. I’d never met an inanimate object as talented at breaking hearts as a book.
”
”
Parker S. Huntington (Darling Venom)
“
You may study the bodies of the living and the dead for clues about the mechanism of the muscles, the bones, and even the brain, but you can never unravel the mystery of the human heart. . .
”
”
Fiona Paul (Venom (Secrets of the Eternal Rose, #1))
“
I want to stay with you,” Owen said, his words almost a snarl. “I want to fight with you and be by your side to the end—no matter what that is.
”
”
Jennifer Estep (Heart of Venom (Elemental Assassin, #9))
“
There’s no need for thanks. Family takes care of family. Simple as that.
”
”
Jennifer Estep (Heart of Venom (Elemental Assassin, #9))
“
There’s no room for logic when the heart is involved. To love is to lose all sense of reason.
”
”
Mia Asher (Sweetest Venom (Virtue, #2))
“
She uncurled my fingers one by one and pressed my palm to my heart. “Hatred comes from here. When you hate someone, a piece of them is lodged in your heart. If you don’t let the hate go, you live with that person inside you forever.
”
”
Parker S. Huntington (Darling Venom)
“
Hard to think about chasing after someone when your own femur was sticking up out of your skin like a lollipop gushing blood
”
”
Jennifer Estep (Heart of Venom (Elemental Assassin, #9))
“
I’d never met an inanimate object as talented at breaking hearts as a book.
”
”
Parker S. Huntington (Darling Venom)
“
I did it,” the guy finally said. “I did it! I killed the Spider! Woo-hoo!”
Okay, I thought the woo-hoo at the end was a little much, but I let the giant enjoy his moment of victory.
It was going to be the last thing he ever enjoyed.
”
”
Jennifer Estep (Heart of Venom (Elemental Assassin, #9))
“
Watching across the aisles, the Nevers' faces began to change. One by one, their scowls turned sorrowful, their eyes melted to hurt. Hort, Ravan, Anadil, even Hester...as if they too wished they could have such joy. As if they too wished they could feel as wanted. Gone was their will to fight, lost to broken hearts, and the villains shrank into silence, snakes drained of venom.
”
”
Soman Chainani (The School for Good and Evil (The School for Good and Evil, #1))
“
Who will you be when faced with the end?
The end of a kingdom,
The end of good men,
Will you run?
Will you hide?
Or will you hunt down evil with a venomous pride?
Rise to the ashes,
Rise to the winter sky,
Rise to the calling,
Make heard the battle cry.
Let it scream from the mountains
From the forest to the chapel,
Because death is a hungry mouth
And you are the apple.
So who will you be when faced with the end?
When the vultures are circling
And the shadows descend
Will you cower?
Or will you fight?
Is your heart made of glass?
Or a pure Snow White?
”
”
Lily Blake (Snow White & the Huntsman)
“
Who the hell are you?” Hazel asked. I grinned. “Your worst fucking nightmare.
”
”
Jennifer Estep (Heart of Venom (Elemental Assassin, #9))
“
Men. And they think that we’re the weaker sex. At least we don’t whine about every little thing, now, do we?
”
”
Jennifer Estep (Heart of Venom (Elemental Assassin, #9))
“
Damn. Sometimes I really could be a cold-hearted, insensitive bitch.
”
”
Jennifer Estep (Venom (Elemental Assassin, #3))
“
Phillip cleared his throat and got to his feet. “I need some fresh air. All this postbattle rah-rah-we-lived sentimentality is a bit cloying.
”
”
Jennifer Estep (Heart of Venom (Elemental Assassin, #9))
“
The heart is divided into four chambers, two to a side. When one side fails, the other must follow, and the body dies."
-The Book of The Eternal Rose
”
”
Fiona Paul (Venom (Secrets of the Eternal Rose, #1))
“
Harley Grimes might be a bad, bad guy, but I happen to be a bad, bad bitch.
”
”
Jennifer Estep (Heart of Venom (Elemental Assassin, #9))
“
Resting bitch face was real, and I wore my venom on my sleeve, not my heart—I didn't have one.
”
”
Nicole Fiorina (Stay With Me (Stay with Me, #1))
“
Don’t give me your knives. Don’t give up. Don’t you dare give up.
”
”
Jennifer Estep (Heart of Venom (Elemental Assassin, #9))
“
I want everyone to know she’s mine. She has my heart.
”
”
Penelope Douglas (Tryst Six Venom)
“
Family takes care of family. Simple as that.
”
”
Jennifer Estep (Heart of Venom (Elemental Assassin, #9))
“
I can feel it. My heart once weakened by my love for her has finally grown quiet.
”
”
Mia Asher (Sweetest Venom (Virtue, #2))
“
She broke my heart.
”
”
Mia Asher (Sweetest Venom (Virtue, #2))
“
You have pierced my heart with your venomous words.
”
”
Charlena E. Jackson (The Stars Choose Our Lovers)
“
He’d been infected with vampire venom, and she’d been infected with stupidity.
”
”
Stephanie Garber (The Ballad of Never After (Once Upon a Broken Heart, #2))
“
...but if there was one thing that all my years as the Spider, all the battles, all the brushes with my own death, had taught me, then it was THIS.
That THIS was what was important. This moment right now and all the ones that we are lucky enough to have after it. Today, tomorrow, hell, maybe even forever.
”
”
Jennifer Estep (Heart of Venom (Elemental Assassin, #9))
“
I once yearned for love like everyone else, but it was the lack of love that made me realize that, by opening my heart to people, I was allowing them to weaken me. I was allowing them to take parts of me until all that was left was a girl with nothing else to give, with nothing inside of her but broken dreams.
”
”
Mia Asher (Sweetest Venom (Virtue, #2))
“
It takes a few days for the transformation to be complete, depending on how much venom is in the bloodstream, how close the venom is to the heart. As long as the heart keeps beating, poison spreads, healing, changing the body as it moves through it. Eventually the heart stops, and the conversion is finished. But all the time, every minute of it, a victim would be wishing for death
”
”
Stephenie Meyer (Twilight (The Twilight Saga, #1))
“
Know this: I, Mercurius, have here set down a full, true and infallible account of the Great Work. But I give you fair warning that unless you seek the true philosophical gold and not the gold of the vulgar, unless you heart is fixed with unbending intent on the true Stone of the Philosophers, unless you are steadfast in your quest, abiding by God’s laws in all faith and humility and eschewing all vanity, conceit, falsehood, intemperance, pride, lust and faint-heartedness, read no farther lest I prove fatal to you. For I am the watery venomous serpent who lies buried at the earth’s centre; I am the fiery dragon who flies through the air. I am the one thing necessary for the whole Opus. I am the spirit of metals, the fire which does not burn, the water which does not wet the hands. If you find the way to slay me you will find the philosophical mercury of the wise, even the White Stone beloved of the Philosophers. If you find the way to raise me up again, you will find the philosophical sulphur, that is, the Red Stone and Elixir of Life. Obey me and I will be your servant; free me and I will be your friend. Enslave me and I am a dangerous enemy; command me and I will make you mad; give me life and you will die.
”
”
Patrick Harpur (Mercurius: The Marriage of Heaven and Earth)
“
People always describe jealousy as this sharp, green, venomous thing. Unfounded, vinegary, mean-spirited. But I’ve found that jealousy, to writers, feels more like fear. Jealousy is the spike in my heart rate when I glimpse news of Athena’s success on Twitter—another book contract, awards nominations, special editions, foreign rights deals. Jealousy is constantly comparing myself to her and coming up short; is panicking that I’m not writing well enough or fast enough, that I am not, and never will be, enough. Jealousy means that even just learning that Athena’s signing a six- figure option deal with Netflix means that I’ll be derailed for days, unable to focus on my own work, mired by shame and self-disgust every time I see one of her books in a bookstore display.
”
”
R.F. Kuang (Yellowface)
“
I hope that my feet will carry me to a place where binding memories don't exist, where I can be free of my past. But then again, running away, or wanting to escape, won't solve a thing. It's not my past that holds me prisoner. It's my fucking heart.
”
”
Mia Asher (Sweetest Venom (Virtue, #2))
“
A contented Christian does not seek to choose his cross but leaves God to choose for him. He is content with both for the kind and the duration. A contented spirit says, 'let God apply what medicine he pleases and let it remain as long as it will, I know that when it has done it's cure and eaten the venom of sin out of my heart, God will take it off again.
”
”
Thomas Watson (The Art of Divine Contentment)
“
My poison is creeping through his body.
My strong venom is killing his heart.
”
”
Cressida Cowell (How to Cheat a Dragon's Curse (How to Train Your Dragon, #4))
“
I’ve only ever loved you.” Her breath warms me from head to toe, and I’ve never felt happier. “My heart is yours,” she says.
”
”
Penelope Douglas (Tryst Six Venom)
“
Manipulated
your kiss was venom
your touch barbed wire
and I was just a plaything
on a funeral pyre
”
”
Jennifer LeBlanc (Paper Heart (Poetry Collections, #1))
“
Venom can be drawn from flesh, but poisoned words lodge deep in our hearts, where no antidote can reach.
”
”
Jennifer Donnelly (Poisoned)
“
As in a tree, there is more sap in an Arm of the tree, than in a little sprig; but the sprig hath the same sap for kind that the Arm of the tree hath, and it all comes from the same root. So though there be more venom in some gross, crying sins, than in some others; yet there is no sin but hath the same sap, and the same venom, for the kind, that every sin hath, that the worst sin hath.
”
”
Jeremiah Burroughs (The Evil of Evils: The Exceeding Sinfulness of Sin (Puritan Writings))
“
Jack's cold hand tugged again on hers, another warning that it was time to go, but Evangeline ignored it.
'What kind of curse were you under?' she asked.
Luc let go of a bar to run a hand through his hair, a familiar and terribly human gesture that brought another pang to her heart.
'I didn't realize it until tonight, until the vampire venom was in me and suddenly my head cleared. I can't describe what it was like before. All I know was that your stepsister was all that I could think about. She was the reason I came here- I needed to be perfect for her. After I got mauled by the wolf, my scars weren't sexy scars-'
'He just said sexy scars,' Jacks drawled. 'Are you really listening to this?'
'Shh," Evangeline hissed.
”
”
Stephanie Garber (Once Upon a Broken Heart (Once Upon a Broken Heart, #1))
“
When Evangeline had been infected with vampire venom, he had been there to make sure she didn’t feed on anyone and complete the transformation into a vampire. She’d never thanked him because she still felt embarrassed about the way they’d been tangled together that night. And she had no idea what to think of the way Chaos had smoothed her slip down before leaving. He was a monster for sure, but it seemed he was also a gentleman. A gentleman monster.
”
”
Stephanie Garber (The Ballad of Never After (Once Upon a Broken Heart, #2))
“
At the Sound of the Gunshot,
Leave A Message
That's what my friend spoke
into his grim machine the winter he first went mad
as we both did in our thirties with still
no hope of revenue, gravely inking
our poems on pages held fast by gyres
the color of lead.
Godless, our minds
did monster us, left us bobbing as in a swamp
until we sank. His eyes were burn holes
in a swollen face. His breath was a venom
he drank deep of. He called his own tongue
a scar, this poet
who can crowbar open
the most sealed heart, make ash flower,
and the cocked shotgun's double-zero mouths
(whose pellets had exploded star holes into plaster and porcelain
and not a few locked doors) never touched
my friend's throat. Praise
Him, whose earth is green.
(for Franz Wright)
”
”
Mary Karr (Sinners Welcome)
“
To my lovely starling,
Maybe there are magical words that will make you understand, but if so, I do not know them. Words are your domain. I've always been better with pictures.
I fear you think I am a monster. It's true I've disrupted many graves. The way I see it, the dead are dead. If, after their death, we can learn things from the about the human form - things that will increase the sum of human knowledge and the possibilities of art - what harm is that? After death, new life, new beauty. How can that be wrong? My friends and I have made use of some of the bodies as models. some we sell to surgeons who study them with the hopes of learning something about the frail mechanisms of the human body.
I don't know exactly what Dottor de Gradi does in his workshop on the Rialto, and I was as surprised as you were to stumble on it. He couldn't - he wouldn't tell me if your friend's body ended up there. But he did assure me all of his work is focused solely on extending human life.
I won't lie. I did it for the money as well. Don Loredan is holding a private exhibition in his palazzo tomorrow. The entry fee was quite steep but two of my paintings were accepted. This could be the beginning for me. I could find my own patrons. I could be more than just a peasant. Tommaso's assistant.
So yes; a little for money. But mostly I did for the art.
I don't expect these words to change how you feel. I simply want you not to see me as a monster. I don't want to be a monster. Not anymore. Not after meeting you. I know that we disrupted you dear friend's body, and for that I am deeply regretful. But if we had not done so, if I had not lingered in the San Domenico churchyard after standing guard for my friends, you and I might never have met. Meeting you is one thing I will never regret.
I hope you like the painting. Consider tit a wedding gift. How stupid of me to let my heart go. It was a lovely fantasy while it lasted, though, wasn't it?
Yours,
Falco
”
”
Fiona Paul (Venom (Secrets of the Eternal Rose, #1))
“
Her eyes heated with the anger and hurt that had been held inside her
for too long. "Your trips to the village have not gone unnoticed."
A look of confusion crossed his too-handsome face. "What does my
going to the village have to do with us?"
"I know there are women--"
He swore and gripped her arm, jerked her up against his chest. "Who
put such nonsense in your head?"
She didn't say anything, her throat hot and tight from the ball of tears
constricting it.
"Finlay," he said flatly. She looked at him in surprise. " 'Tis no secret
that he despises me, but I am surprised that you listened to his venom."
"It's not too difficult to believe. You are a man."
"Aye," he said softly. "But I've not had another woman, Elizabeth."
Her heart faltered. Her eyes shot to his, not daring to believe ... He
cradled her cheek tenderly in his big hand.
"How can I when I want someone else?"
He hasn't been with a woman ... he wants me.
”
”
Monica McCarty (Highland Outlaw (Campbell Trilogy, #2))
“
Cass sighed. She set the letter aside too. She'd never be able to send it anyway. Falco was gone. She might never see him again. Cass dipped her quill into the ink and touched it to her first page of the journal. She wrote:
You may study the bodies of the living and the dead for clues about the mechanism of the muscles, the bones, and even the brain, but you can never unravel the mystery of the human heart...
”
”
Fiona Paul (Venom (Secrets of the Eternal Rose, #1))
“
Entangled in enmity
Within the bushes
With laid venom
In its hinterland.
Inside twirled in woods
The pines of frontier
Broken aghast
Grooves holding down
With crests I carry.
The coppice in heart
Carrying the burden
Of million hearts
Thicket as jungle
Dark as cave
I am with heavy heart.
”
”
Atif Khurshid Wani (The Shattered She)
“
He shrugged. “It’s a good saying. Not if. When. That’s life. Not if you die. When. Not if you fall in love. When. Not if you get your heart broken. When.
”
”
Shannon Mayer (Venom & Vanilla (The Venom Trilogy, #1))
“
Some girls are made of sugar and spice and everything nice. Some are made of venom and sin. When you open the chambers to their hearts, you’ll find—absolutely nothing within.
”
”
A. Zavarelli (Saint (Boston Underworld, #4))
“
Pain is poison to the body. Worry is toxic to the mind. Yearning is venom to the heart.
Lust is poison to the soul.
”
”
Matshona Dhliwayo
“
I’d never met an inanimate object as
talented at breaking hearts as a book.
”
”
Parker S. Huntington (Darling Venom)
“
He will stab you in the heart, then ask you why it hurts so much.
”
”
Parker S. Huntington (Darling Venom)
“
a sullen-looking bearded man, glancing at him, his stare poisonous, green eyes like distilled venom;
”
”
Dean Koontz (In the Heart of the Fire (Nameless #1))
“
It’s a good saying. Not if. When. That’s life. Not if you die. When. Not if you fall in love. When. Not if you get your heart broken. When.
”
”
Shannon Mayer (Venom & Vanilla (The Venom Trilogy, #1))
“
The evil heart which still remaineth in the Christian, doth always, when it is not attacking or obstructing, still reign and dwell within him. My heart is just as bad when no evil emanates from it, as when it is all over vileness in its external developments. A volcano is ever a volcano; even when it sleeps, trust it not. A lion is a lion, even though he play like a kid; and a serpent, is a serpent, even though you may stroke it while for a season it slumbers; there is still a venom in its sting when its azure scales invite the eye. My heart, even though for an hour, it may not have had an evil thought, is still evil. If it were possible that I could live for days without a single temptation from my own heart to sin, it would be still just as evil as it was before; and it is always either displaying its vileness, or else preparing for another display. It is either loading its cannon to shoot against us, or else it is positively at warfare with us. You may rest assured that the heart is never other than it originally was; the evil nature is still evil; and when there is no blaze, it is heaping up the wood, wherewith it is to blaze another day. It is gathering up from my joys, from my devotions, from my holiness, and from all I do, some materials to attack me at some future period. The evil nature is only evil, and that continually, without the slightest mitigation or element of good. The new nature must always wrestle and fight with it; and when the two natures are not wrestling and fighting, there is no truce between them. When they are not in conflict, still they are foes. We must not trust our heart at any time; even when it speaks most fair, we must call it liar; and when it pretends to the most good, still we must remember its nature, for it is evil, and that continually.
”
”
Charles Haddon Spurgeon
“
He gave me a severe look over his spectacles and said, as if he thought the words were deadly venom and might kill me, “You are an untidy person.” I put my hand over my heart, grinning at him. “Ow.
”
”
Jim Butcher (Turn Coat (The Dresden Files, #11))
“
Straightway [Juno] sought the filthy slimy shack
Where Envy dwelt deep in a dreary dale,
A gruesome sunless hovel, filled with frost,
Heart-numbing frost, its stagnant air unstirred
By any breeze, for ever lacking warmth
Of cheerful fire, for ever wrapped in gloom.
...
The door flew wide and there
She saw foul Envy eating viper's flesh,
Fit food for spite, and turned her eyes away.
...
[Envy's] cheeks are sallow, her whole body shrunk,
Her eyes askew and squinting; black decay
Befouls her teeth, her bosom's green with bile,
And venom coats her tongue. She never smiles
Save when she relishes the sight of woe;
Sleep never soothes her, night by night awake
With worry, as she sees against her will
Successes won and sickens at the sight.
She wounds, is wounded, she herself her own
torture,
”
”
Ovid
“
I don’t give a fuck if your uncle is Jesus fucking Christ himself,” I snarl. “If you ever come near her again, I’ll cut your balls off and enjoy watching you choke on them when I ram them down your fucking throat.
”
”
Jagger Cole (Corrupted Heart (Venomous Gods, #4))
“
I guess he was right; I’m just a scorpion without wings,
God created me this way, no wings, just a poisonous sting,
The one I loved knew my true nature
She knew I could sting her heart, and poisoned her soul,
My lover knew me well, she knew my truth,
She could see my poisonous soul,
My ego bowed to her beauty, always ready to strike
She knew my true nature, she saw the scorpion,
She saw the venom in heart, she loved me still,
I struck her heart multiple times,
I poisoned her soul with my sting,
I guess he was right; I’m just a scorpion without wings
She knew me well; she saw the lethal sting,
She saw her wounded heart, she loved me still
She you loved the scorpion to the end,
She fell in love, and now she’s dead,
The scorpion cries, in agony,
He wishes he wasn’t a venomous beast,
The scorpion suffers; he misses his loved one,
The one he killed, the one he stung,
The one who loved him to the end
”
”
Quetzal
“
I hope that my feet will carry me to a place where binding memories don't exist, where I can be free of my past. But the again, running away, or wanting to escape, won't solve a thing. It's not my past that holds me prisoner. It's my fucking heart.
”
”
Mia Asher (Sweetest Venom (Virtue, #2))
“
People always describe jealousy as this sharp, green, venomous thing. Unfounded, vinegary, mean-spirited. But I’ve found that jealousy, to writers, feels more like fear. Jealousy is the spike in my heart rate when I glimpse news of Athena’s success on Twitter—another book contract, awards nominations, special editions, foreign rights deals. Jealousy is constantly comparing myself to her and coming up short; is panicking that I’m not writing well enough or fast enough, that I am not, and never will be, enough.
”
”
R.F. Kuang (Yellowface)
“
...I grow
snakes for
hair to hold
the venom
secreted
from this
heart loaded
too heavily
with all
they hate
about themselves and if
they hiss
it's only because
like any monster I've
long since
lost
my own
right
to scream"
- from "Medusa", Reduction Fired
”
”
Jennifer Yeates Camara (Reduction Fired)
“
Those of you who have read my tale up till now must be wondering who is this witch devoid of hatred, who is mislead each time by the wickedness in men’s hearts? For the nth time I made up my mind to be different and fight it out tooth and nail. But how to work a change in my hear and coat its lining with snake venom? How to make it into a vessel for bitter and violent feelings? To get it to love evil? Instead I could only feel tenderness and compassion for the disinherited and a sense of revolt against injustice.
”
”
Maryse Condé (I, Tituba, Black Witch of Salem)
“
Terence, this is stupid stuff:
You eat your victuals fast enough;
There can’t be much amiss, ’tis clear,
To see the rate you drink your beer.
But oh, good Lord, the verse you make,
It gives a chap the belly-ache.
The cow, the old cow, she is dead;
It sleeps well, the horned head:
We poor lads, ’tis our turn now
To hear such tunes as killed the cow.
Pretty friendship ’tis to rhyme
Your friends to death before their time
Moping melancholy mad:
Come, pipe a tune to dance to, lad.’
Why, if ’tis dancing you would be,
There’s brisker pipes than poetry.
Say, for what were hop-yards meant,
Or why was Burton built on Trent?
Oh many a peer of England brews
Livelier liquor than the Muse,
And malt does more than Milton can
To justify God’s ways to man.
Ale, man, ale’s the stuff to drink
For fellows whom it hurts to think:
Look into the pewter pot
To see the world as the world’s not.
And faith, ’tis pleasant till ’tis past:
The mischief is that ’twill not last.
Oh I have been to Ludlow fair
And left my necktie God knows where,
And carried half way home, or near,
Pints and quarts of Ludlow beer:
Then the world seemed none so bad,
And I myself a sterling lad;
And down in lovely muck I’ve lain,
Happy till I woke again.
Then I saw the morning sky:
Heigho, the tale was all a lie;
The world, it was the old world yet,
I was I, my things were wet,
And nothing now remained to do
But begin the game anew.
Therefore, since the world has still
Much good, but much less good than ill,
And while the sun and moon endure
Luck’s a chance, but trouble’s sure,
I’d face it as a wise man would,
And train for ill and not for good.
’Tis true, the stuff I bring for sale
Is not so brisk a brew as ale:
Out of a stem that scored the hand
I wrung it in a weary land.
But take it: if the smack is sour,
The better for the embittered hour;
It should do good to heart and head
When your soul is in my soul’s stead;
And I will friend you, if I may,
In the dark and cloudy day.
There was a king reigned in the East:
There, when kings will sit to feast,
They get their fill before they think
With poisoned meat and poisoned drink.
He gathered all that springs to birth
From the many-venomed earth;
First a little, thence to more,
He sampled all her killing store;
And easy, smiling, seasoned sound,
Sate the king when healths went round.
They put arsenic in his meat
And stared aghast to watch him eat;
They poured strychnine in his cup
And shook to see him drink it up:
They shook, they stared as white’s their shirt:
Them it was their poison hurt.
—I tell the tale that I heard told.
Mithridates, he died old.
”
”
A.E. Housman (A Shropshire Lad)
“
Mamaw could spew venom like a Marine Corps drill instructor, but what she saw in our community didn’t just piss her off. It broke her heart. Behind the drugs, and the fighting matches, and the financial struggles, these were people with serious problems, and they were hurting. Our neighbors had a kind of desperate sadness in their lives.
”
”
J.D. Vance (Hillbilly Elegy: A Memoir of a Family and Culture in Crisis)
“
For the first time I understood the dogma of eternal pain -- appreciated "the glad tidings of great joy." For the first time my imagination grasped the height and depth of the Christian horror. Then I said: "It is a lie, and I hate your religion. If it is true, I hate your God."
From that day I have had no fear, no doubt. For me, on that day, the flames of hell were quenched. From that day I have passionately hated every orthodox creed. That Sermon did some good.
In the Old Testament, they said. God is the judge -- but in the New, Christ is the merciful. As a matter of fact, the New Testament is infinitely worse than the Old. In the Old there is no threat of eternal pain. Jehovah had no eternal prison -- no everlasting fire. His hatred ended at the grave. His revenge was satisfied when his enemy was dead.
In the New Testament, death is not the end, but the beginning of punishment that has no end. In the New Testament the malice of God is infinite and the hunger of his revenge eternal.
The orthodox God, when clothed in human flesh, told his disciples not to resist evil, to love their enemies, and when smitten on one cheek to turn the other, and yet we are told that this same God, with the same loving lips, uttered these heartless, these fiendish words; "Depart ye cursed into everlasting fire, prepared for the devil and his angels."
These are the words of "eternal love."
No human being has imagination enough to conceive of this infinite horror.
All that the human race has suffered in war and want, in pestilence and famine, in fire and flood, -- all the pangs and pains of every disease and every death -- all this is as nothing compared with the agonies to be endured by one lost soul.
This is the consolation of the Christian religion. This is the justice of God -- the mercy of Christ.
This frightful dogma, this infinite lie, made me the implacable enemy of Christianity. The truth is that this belief in eternal pain has been the real persecutor. It founded the Inquisition, forged the chains, and furnished the fagots. It has darkened the lives of many millions. It made the cradle as terrible as the coffin. It enslaved nations and shed the blood of countless thousands. It sacrificed the wisest, the bravest and the best. It subverted the idea of justice, drove mercy from the heart, changed men to fiends and banished reason from the brain.
Like a venomous serpent it crawls and coils and hisses in every orthodox creed.
It makes man an eternal victim and God an eternal fiend. It is the one infinite horror. Every church in which it is taught is a public curse. Every preacher who teaches it is an enemy of mankind. Below this Christian dogma, savagery cannot go. It is the infinite of malice, hatred, and revenge.
Nothing could add to the horror of hell, except the presence of its creator, God.
While I have life, as long as I draw breath, I shall deny with all my strength, and hate with every drop of my blood, this infinite lie.
”
”
Robert G. Ingersoll
“
Because you’re going to be my fucking wife! And no one…” I hiss through clenched teeth. “No one touches you but me.” In a heartbeat, I eradicate the distance between her mouth and mine. And suddenly, for the very first time, I’m kissing her. Not just our first kiss. My first kiss. Ever. And when I taste the soft sweetness of Bianca’s lips, I’m not sure I’ll ever come up again for air.
”
”
Jagger Cole (Corrupted Heart (Venomous Gods, #4))
“
For the guard with the scar over her heart: I’ve been watching you. You’re not like the other guards — the bowing, scraping, mindlessly loyal lizards who live for your queen. You have your own thoughts, don’t you? You’re smarter than the average SandWing. And I think I know your secret. Let’s talk about it. Third cell down, the one with two NightWings in it. I’m the one who doesn’t snore. I HAVE NO INTEREST IN DISCUSSING ANYTHING WITH A NIGHTWING PRISONER. WHOSE IDEA WAS IT TO LET YOU HAVE PAPER AND INK? You should be interested. You’re going to need allies for what you’re planning … and when I get out of here, I’m going to be a very useful ally indeed. AMUSING ASSUMPTIONS. MY QUEEN BELIEVES YOU’RE GOING TO BE IN HERE FOR A LONG, LONG TIME. True … but she also believes she’s going to be queen for a long, long time … doesn’t she. An interesting silence after my last note. Perhaps it would reassure you to know I set your notes on fire as soon as I’ve read them. You can tell me anything, my new, venomous-tailed friend. Believe me, Night-Wings are exceptionally skilled at keeping secrets. WE ARE NOT FRIENDS. I DON’T KNOW ANYTHING ABOUT YOU, OTHER THAN WHAT IT SAYS IN YOUR PRISONER FILE. FIERCETEETH: TRAITOR. KIDNAPPER. RINGLEADER OF ASSASSINATION PLOT. TO BE HELD INDEFINITELY WITH FELLOW TRAITOR STRONGWINGS, ON BEHALF OF THE NIGHTWING QUEEN. OH, YES, CERTAINLY SOUNDS LIKE A DRAGON ANYONE CAN TRUST. She’s not my queen. You can’t be a traitor to someone who shouldn’t be ruling over you in the first place. Which might be a thought you’ve had lately yourself, isn’t it? I know some things about you, even without a file. Saguaro: Prison guard. Schemer. Connected to great secret plans. We’re not so different, you and I. Particularly when it comes to trustworthiness. Just think, if my alleged “assassination plot” had worked, the NightWings would have a different queen right now. Perhaps it would even be me. Well, if at first you don’t succeed … I could tell you my story, if you get me more paper to write on. Or you could stop by one midnight and listen to it instead. But I’ve noticed you don’t like spending too much time in the dungeon. Is it the tip-tap of little scorpion claws scrabbling everywhere? The stench rising from the holes in the floor? The gibbering mad SandWing a few cages down who never shuts up, all night long? (What is her story? Has she really been here since the rule of Queen Oasis?) Or is it that you can too easily picture yourself behind these bars … and you know how close you are to joining us? ALL RIGHT, NIGHTWING, HERE’S A BLANK SCROLL. GO AHEAD AND TRY TO CONVINCE ME THAT YOU’RE A DRAGON WHO EVEN DESERVES TO LIVE, LET ALONE ONE I SHOULD WASTE MY TIME ON. I DO ENJOY BEING AMUSED.
”
”
Tui T. Sutherland (Escaping Peril (Wings of Fire, #8))
“
Sin is like a poison, which corrupts the blood, infects the heart, and without a sovereign Antidote, brings death. Such is the venomous nature of sin, it is deadly and damning. Sin is worse than hell, but yet God, by His mighty overruling power, makes sin in the issue turn to the good of His people. Hence the golden saying of Augustine, ‘God would never permit evil, if He could not bring good out of evil.’” - Thomas Watson
”
”
Thomas Watson (All Things for Good)
“
Yeah, ignore me." Aaro pawed through the bags until he found one with stenciled hearts on it. "By the way, you never did tell me your size. Hope nothing binds or pinches your tender pink places, babe."
He let the bag fly. It landed on Lily's lap. She shrank back as if it were a venomous snake. Fuck-me-please panties spilled out. A tangle of satin, lace and silk. Red, black, peach, flesh-tone.
Bruno growled expletives in a Calabrese dialect as he shoved underwear into the bag. It was his standard tension reliever. None of the people he insulted knew he was commenting on their grandmother's predilection for sex with sheep.
"I am not wearing that slutty, disgusting stuff." Lily's voice was haughty. "Certainly not after you're pawed it. Dog."
"Arf, arf." Aaro's tone was more cheerful than it had been so far any time this morning. "I love it when she spits bile.
”
”
Shannon McKenna (Blood and Fire (McClouds & Friends #8))
“
You cannot deal with grief, not really. It is not a monster you can slay and be done with. Grief is an ambush predator, and we are the prey. It stalks us our entire lives, hiding in smells and sounds, in solitude and in crowds. It waits in items and in thoughts. Memories are the hunting grounds of grief, and when it pounces, its bite is venomous. It inflicts sadness or rage or sometimes despair. But grief is not an adventurous predator. Always it stalks old memories, not new. And that is how we move on. New memories where it is not welcome.
”
”
Rob J. Hayes (Death's Beating Heart (The War Eternal, #5))
“
What did I do now?” He reluctantly pulled the car the curb.
I needed to get out of this car – like now. I couldn’t breathe.
I unbuckled and flung open the door.
“Thanks for the ride. Bye.”
I slammed the door shut and began down the sidewalk. Behind me, I heard the engine turn off and his door open and shut. I quickened my stride as James jogged up to me. I slowed down knowing I couldn’t escape his long legs anyway. Plus, I didn’t want to get home all sweaty and have to explain myself.
“What happened?” James asked, matching my pace.
“Leave me alone!” I snapped back. I felt his hand grab my elbow, halting me easily.
“Stop,” he ordered.
Damn it, he’s strong!
“What are you pissed about now?” He towered over me. I was trapped in front of him, if he tugged a bit, I’d be in his embrace.
“It’s so funny huh? I’m that bad? I’m a clown, I’m so funny!” I jerked my arm, trying to break free of his grip. “Let me go!”
“No!” He squeezed tighter, pulling me closer.
“Leave me alone!” I spit the words like venom, pulling my arm with all my might.
“What’s your problem?” James demanded loudly. His hand tightened on my arm with each attempt to pull away. My energy was dwindling and I was mentally exhausted. I stopped jerking my arm back, deciding it was pointless because he was too strong; there was no way I could pull my arm back without first kneeing him in the balls.
We were alone, standing in the dark of night in a neighborhood that didn’t see much traffic.
“Fireball?” he murmured softly.
“What?” I replied quietly, defeated.
Hesitantly, he asked, “Did I say something to make you sad?”
I wasn’t going to mention the boyfriend thing; there was no way.
“Yes,” I whimpered.
That’s just great, way to sound strong there, now he’ll have no reason not to pity you!
“I’m sorry,” came his quiet reply.
Well maybe ‘I’m sorry’ just isn’t good enough. The damage is already done!
“Whatever.”
“What can I do to make it all better?”
“There’s nothing you could–” I began but was interrupted by him pulling me against his body. His arms encircled my waist, holding me tight. My arms instinctively bent upwards, hands firmly planted against his solid chest. Any resentment I had swiftly melted away as something brand new took its place: pleasure.
Jesus!
“What do you think you’re doing?” I asked him softly; his face was only a few inches from mine.
“What do you think you’re doing?” James asked back, looking down at my hands on his chest. I slowly slid my arms up around his neck.
I can’t believe I just did that!
“That’s better.”
Our bodies were plastered against one another; I felt a new kind of nervousness touch every single inch of my body, it prickled electrically.
“James,” I murmured softly.
“Fireball,” he whispered back.
“What do you think you’re doing?” I repeated; my brain felt frozen. My heart had stopped beating a mile a minute instead issuing slow, heavy beats.
James uncurled one of his arms from my waist and trailed it along my back to the base of my neck, holding it firmly yet delicately. Blood rushed to the very spot he was holding, heat filled my eyes as I stared at him.
“What are you doing?” My bewilderment was audible in the hush.
I wasn’t sure I had the capacity to speak anymore. That function had fled along with the bitch. Her replacement was a delicate flower that yearned to be touched and taken care of. I felt his hand shift on my neck, ever so slightly, causing my head to tilt up to him. Slowly, inch by inch, his face descended on mine, stopping just a breath away from my trembling lips.
I wanted it. Badly. My lips parted a fraction, letting a thread of air escape.
“Can I?” His breath was warm on my lips.
Fuck it!
“Yeah,” I whispered back. He closed the distance until his lush lips covered mine.
My first kiss…damn!
His lips moved softly over mine. I felt his grip on my neck squeeze as his lips pressed deeper into
”
”
Sarah Tork (Young Annabelle (Y.A #1))
“
God saw Hansen tighten his chokehold on Day and he could see his lover fighting to breathe. Day’s ears and neck were bright red. His lips were turning a darker color as his body was deprived of oxygen. Hansen pressed the barrel in deeper and yelled.
“Two minutes and fifteen seconds before I get to zero and I provide the great state of Georgia the luxury of one less narc.”
God’s mind exploded at the thought of not having Day in a world he lived in. He looked into his partner’s glistening eyes and saw he was turning blue and possibly getting ready to faint. Day was still looking at him, looking into God’s green eyes.
No, no, no! He’s saying good-bye.
God closed his eyes and released a loud, gut-wrenching growl cutting off the SWAT leader’s negotiations.
“Godfrey, get yourself under control,” his captain said while grabbing for him.
God jerked himself away from the hold and stepped forward, his angry eyes boring into Hansen’s dark ones. Hansen stared at him as if God was crazy. Little did he know God was at that moment.
“Godfrey, get back here and stand down. That’s an order, Detective!” his captain barked.
God’s large hands clenched at his sides fighting not to pull out his weapons. He ground his teeth together so hard his jaw ached.
“Do you have any idea of the shit storm you’re about to bring down on your life,” God spoke with a menacing snarl while his large frame shook with fury. “In your arms you hold the only thing in this world that means anything to me. The man that you are pointing a gun at is my only purpose for living. You are threating to kill the only person in this world that gives a fuck about me.”
God took two more steps forward and was vaguely aware of the complete silence surrounding him. Hansen’s finger hovered shakily over the trigger as he took two large steps back with Day still tight against his chest.
God growled again and he saw a shade of fear ghost over Hansen’s sweaty face.
“If you kill that man, I swear on everything that is holy, I will track you to the ends of the earth, killing and destroying any and everything you hold dear. I will take everything from you and leave you alive to suffer through it. I will bestow upon you the same misery that you have given to me.”
Hansen shook his head and inched closer to the door behind him.
“Stay back,” he yelled again but this time the demand lacked the courage and venom he exhibited before.
“You kill that man, and you’ll have no idea of the monster you will create. Have you ever met a man with no heart…no conscience…no soul…no purpose?” God rumbled, his voice at least twelve octaves lower than the already deep baritone.
God yanked his Desert Eagle from his holster in a flash and cocked the hammer back chambering the first round. Hansen stumbled back again, his eyes gone wide with fear.
God’s entire body instinctually flexed every muscle in his body and it felt like the large vein in his neck might rupture. His body burned like he had a sweltering fever and he knew his wrath had him a brilliant shade of red.
“I’m asking you a goddamn question, Hansen! No soul! No conscience! I’m asking you have you ever met the devil!” God’s thunderous voice practically rattled the glass in the hanger.
“If you kill the man I love, you better make your peace with God, because I’m gonna meet your soul in hell.” His voice boomed.
”
”
A.E. Via
“
Leta walked to the door and opened it with a ready smile for Colby Lane. And found herself looking straight into the eye of a man she hadn’t seen face-to-face in thirty-six years.
Matt Holden matched her face against his memories of a young, slight, beautiful woman whose eyes loved him every time they looked at him. His heart spun like a cartwheel in his chest.
“Cecily said it was Colby,” Leta said unsteadily.
“Strange. She phoned me and asked if I was free this evening.” His broad shoulders shrugged and he smiled faintly. “I’m free every evening.”
“That doesn’t sound like the life of a playboy widower,” Leta said caustically.
“My wife was a vampire,” he said. “She sucked me dry of life and hope. Her drinking wore me down. Her death was a relief for both of us. Do I get to come in?” he added, glancing down the hall. “I’m going to collect dust if I stand out here much longer, and I’m hungry. A sack of McDonald’s hamburgers and fries doesn’t do a lot for me.”
“I hear it’s a presidential favorite,” Cecily mused, joining them. “Come in, Senator Holden.”
“It was Matt before,” he pointed out. “Or are you trying to butter me up for a bigger donation to the museum?”
She shrugged. “Pick a reason.”
He looked at Leta, who was uncomfortable. “Well, at least you can’t hang up on me here. You’ll be glad to know that our son isn’t speaking to me. He isn’t speaking to you, either, or so he said,” he added. “I suppose he won’t talk to you?” he added to Cecily.
“He said goodbye very finally, after telling me that I was an idiot to think he’d change his mind and want to marry me just because he turned out to have mixed blood,” she said, not relating the shocking intimacy that had prefaced his remarks.
“I’ll punch him for that,” Matt said darkly.
“Ex-special forces,” Leta spoke up with a faint attempt at humor, nodding toward Matt. “He was in uniform when we went on our first date.”
“You wore a white cotton dress with a tiered skirt,” he recalled, “and let your hair down. Hair…”
He turned back to Cecily and grimaced. “Good God, what did you do that for?”
“Tate likes long hair, that’s what I did it for,” she said, venom in her whole look. “I can’t wait for him to see it, even if I have to settle for sending him a photo!”
“I hope you never get mad at me,” Matt said.
“Fat chance.
”
”
Diana Palmer (Paper Rose (Hutton & Co. #2))
“
The forest reveals what was in the seed.
The hen reveals what was in the egg.
The storm reveals what was in the clouds.
The light reveals what was in the star.
The perfume reveals what was in the flower.
The honey reveals what was in the bee.
The fruit reveals what was in the tree.
The rose reveals what was in the thorn.
The web reveals what was in the spider.
The butterfly reveals what was in the caterpillar.
The venom reveals what was in the serpent.
The pearl reveals what was in the oyster.
The diamond reveals what was in the rock.
The flame reveals what was in the spark.
The nest reveals what was in the bird.
The roar reveals what was in the lion.
The leaf reveals what was in the plant.
The fire reveals what was in the wood.
The droplet reveals what was in the ocean.
The rainbow reveals what was in the storm.
The ocean reveals what was in the shark.
The desert reveals what was in the camel.
The sky reveals what was in the eagle.
The jungle reveals what was in the elephant.
The team reveals what was in the coach.
The flock reveals what was in the shepherd.
The crew reveals what was in the captain.
The army reveals what was in the general.
The tower reveals what was in the architect.
The sculpture reveals what was in the sculptor.
The painting reveals what was in the painter.
The symphony reveals what was in the composer.
The sensation reveals what was in the body.
The tongue reveals what was in the mind.
The action reveals what was in the heart.
The character reveals what was in the soul.
Spring reveals what was in winter.
Summer reveals what was in spring.
Autumn reveals what was in summer.
Summer reveals what was in spring.
The past reveals what was in the beginning.
The present reveals what was in the past.
The future reveals what was in the present.
The afterlife reveals what was in the future.
”
”
Matshona Dhliwayo
“
Have you ever had one of those moments when the world around you comes to a crashing halt? When your heart beats so loudly that it drowns out every other sound? When the universe collapses to a single, solitary, radiant point of energy? This was one of those moments for me. The last time I heard the name Sandra Flax, Clinton was still screwing that ugly chick from Arkansas." The squirrel cocked his head to the side. "Not Hillary, the other one, before the chubby kid." The squirrel still looked confused. "Fine! It was 1989. Anyway, the sound of Sandra's name sent shivers down my spine and reawakened a hatred so venomous, at one time I thought it would be my undoing.
”
”
Blayne Cooper (The Story of Me)
“
People always describe jealousy as this sharp, green, venomous thing. Unfounded, vinegary, mean-spirited. But I've found that jeal-ousy, to writers, feels more like fear. Jealousy is the spike in my heart rate when I glimpse news of Athena's success on Twitter-another book contract, awards nominations, special editions, foreign rights deals. Jealousy is constantly comparing myself to her and coming up short; is panicking that I'm not writing well enough or fast enough, that I am not, and never will be, enough. Jealousy means that even just learning that Athena's signing a six-figure option deal with Net-fix means that I'll be derailed for days, unable to focus on my own work, mired by shame and self-disgust every time I see one of her books in a bookstore display.
”
”
Rebecca F. Kuang (Yellowface)
“
I will not mention the name (and what bits of it I happen to give here appear in decorous disguise) of that man, that Franco-Hungarian writer... I would rather not dwell upon him at all, but I cannot help it— he is surging up from under my pen. Today one does not hear much about him; and this is good, for it proves that I was right in resisting his evil spell, right in experiencing a creepy chill down my spine whenever this or that new book of his touched my hand. The fame of his likes circulates briskly but soon grows heavy and stale; and as for history it will limit his life story to the dash between two dates. Lean and arrogant, with some poisonous pun ever ready to fork out and quiver at you, and with a strange look of expectancy in his dull brown veiled eyes, this false wag had, I daresay, an irresistible effect on small rodents. Having mastered the art of verbal invention to perfection, he particularly prided himself on being a weaver of words, a title he valued higher than that of a writer; personally, I never could understand what was the good of thinking up books, of penning things that had not really happened in some way or other; and I remember once saying to him as I braved the mockery of his encouraging nods that, were I a writer, I should allow only my heart to have imagination, and for the rest rely upon memory, that long-drawn sunset shadow of one’s personal truth.
I had known his books before I knew him; a faint disgust was already replacing the aesthetic pleasure which I had suffered his first novel to give me. At the beginning of his career, it had been possible perhaps to distinguish some human landscape, some old garden, some dream- familiar disposition of trees through the stained glass of his prodigious prose... but with every new book the tints grew still more dense, the gules and purpure still more ominous; and today one can no longer see anything at all through that blazoned, ghastly rich glass, and it seems that were one to break it, nothing but a perfectly black void would face one’s shivering soul. But how dangerous he was in his prime, what venom he squirted, with what whips he lashed when provoked! The tornado of his passing satire left a barren waste where felled oaks lay in a row, and the dust still twisted, and the unfortunate author of some adverse review, howling with pain, spun like a top in the dust.
”
”
Vladimir Nabokov (The Stories of Vladimir Nabokov)
“
We had been out for one of our evening rambles, Holmes and I, and had returned about six o’clock on a cold, frosty winter’s evening. As Holmes turned up the lamp the light fell upon a card on the table. He glanced at it, and then, with an ejaculation of disgust, threw it on the floor. I picked it up and read: CHARLES AUGUSTUS MILVERTON, Appledore Towers, Hampstead. Agent. “Who is he?” I asked. “The worst man in London,” Holmes answered, as he sat down and stretched his legs before the fire. “Is anything on the back of the card?” I turned it over. “Will call at 6:30--C.A.M.,” I read. “Hum! He’s about due. Do you feel a creeping, shrinking sensation, Watson, when you stand before the serpents in the Zoo, and see the slithery, gliding, venomous creatures, with their deadly eyes and wicked, flattened faces? Well, that’s how Milverton impresses me. I’ve had to do with fifty murderers in my career, but the worst of them never gave me the repulsion which I have for this fellow. And yet I can’t get out of doing business with him--indeed, he is here at my invitation.” “But who is he?” “I’ll tell you, Watson. He is the king of all the blackmailers. Heaven help the man, and still more the woman, whose secret and reputation come into the power of Milverton! With a smiling face and a heart of marble, he will squeeze and squeeze until he has drained them dry. The fellow is a genius in his way, and would have made his mark in some more savoury trade. His method is as follows: He allows it to be known that he is prepared to pay very high sums for letters which compromise people of wealth and position. He receives these wares not only from treacherous valets or maids, but frequently from genteel ruffians, who have gained the confidence and affection of trusting women. He deals with no niggard hand. I happen to know that he paid seven hundred pounds to a footman for a note two lines in length, and that the ruin of a noble family was the result. Everything which is in the market goes to Milverton, and there are hundreds in this great city who turn white at his name. No one knows where his grip may fall, for he is far too rich and far too cunning to work from hand to mouth. He will hold a card back for years in order to play it at the moment when the stake is best worth winning. I have said that he is the worst man in London, and I would ask you how could one compare the ruffian, who in hot blood bludgeons his mate, with this man, who methodically and at his leisure tortures the soul and wrings the nerves in order to add to his already swollen money-bags?” I had seldom heard my friend speak with such intensity of feeling.
”
”
Arthur Conan Doyle (The Complete Sherlock Holmes)
“
Saint Sebastian
Mauretanian Archer, put down your bow,
Imperial Guardsman, lay down your lance.
For my heart, my faithful heart,
Has been already pierced by His glory,
Pierced by a thousand arrows,
That quiver at His glance.
Centaur-archer, Chiron,
Refulgent rider of the southern horizon,
I know the eternal pain you would have suffered
By your pupil's poisoned arrow
Had not Zeus released you from immortality's cage.
For my heart, my heart of shame,
Still courses with the hydra's same venom,
Pierced by His mercy, pierced by a thousand arrows,
That quiver at His name.
God, my God,
My love for You, can endure armies or archers,
a plague of bows thrusting plumed daggers at my heart.
Please, women of Milan, do not kiss my splintered feet!
I, Sebastian, am more sinner than saint.
I need not your veneration, your votive prayers,
For my heart, my martyred heart,
Has been already pierced by His redemption,
Pierced by a thousand arrows,
My quiver full, filled with His love.
”
”
Beryl Dov
“
My Legion–’ Magnus’s face creased with rising anger ‘–was backed into a corner. My Thousand Sons died because of your treachery, because of the venom you whispered in Horus’s ears to start this insanity. He calls it his rebellion, but we both know the first heart to turn traitor was the one beating in your chest.’
Lorgar laughed again, the sound one of unfeigned delight. ‘See? The blame always lies with one of us unworthy souls. Never with you for making the wrong compacts with the gods that you deny are even real!’
The parchments on Lorgar’s armour flapped in the sudden wind of Magnus’s ire. The Word Bearer stood unfazed, his serene smile boiling his brother’s blood. The sorcerer’s skin quivered, beetles writhing beneath it as witch-lightning danced across his coppery flesh. Magnus moved, his body forming from the air itself, shaped out of the poison behind reality’s veil. Anger drove him into true incarnation.
‘That is enough, Lorgar.’
Lorgar nodded. ‘It is. I’ve no desire to trade insults. We’ve all made mistakes, it’s how we deal with the aftermath that matters.
”
”
Aaron Dembski-Bowden (Betrayer (The Horus Heresy, #24))
“
Mische Iliae was human. Mische Iliae was one of the most revered acolytes of the Order of the Destined Dawn. And Mische Iliae had a sister who shared that same surname. That name didn’t sit right on my shoulders anymore. “How did you—” I started. “You were born human in Slenka. You were eight years old when you traveled to Vostis and joined the Order of the Destined Dawn. You served as a crusader for a decade or so. You journeyed to Obitraes when you were nineteen, where you were Turned by my beloved late brother, Malach.” His voice dripped with venom around the name as he flipped a page. “Then you befriended Raihn Ashraj. Competed in the Kejari. Helped him overthrow a kingdom. Murdered Malach—a great service to us all, so thank you for that. And now, you are here.” His eyes flicked up to me, impassive. “Did I miss anything?” Hearing my own life read back to me with such stripped-down factuality made me nauseous. Traveled to sum up weeks barely evading death when I was just a child. Served to mean offering my entire life to Atroxus. Journeyed to describe a sacred mission.
”
”
Carissa Broadbent (The Songbird & the Heart of Stone (Crowns of Nyaxia, #3))
“
There once was a female snake that roamed around a small village in the countryside of Egypt. She was commonly seen by villagers with her small baby as they grazed around the trees. One day, several men noticed the mother snake was searching back and forth throughout the village in a frenzy — without her young. Apparently, her baby had slithered off on its own to play while she was out looking for food. Yet the mother snake went on looking for her baby for days because it still hadn't returned back to her. So one day, one of the elder women in the village caught sight of the big snake climbing on top of their water supply — an open clay jug harvesting all the village's water. The snake latched its teeth on the big jug's opening and sprayed its venom into it. The woman who witnessed the event was mentally handicapped, so when she went to warn the other villagers, nobody really understood what she was saying. And when she approached the jug to try to knock it over, she was reprimanded by her two brothers and they locked her away in her room.
Then early the next day, the mother snake returned to the village after a long evening searching for her baby. The children villagers quickly surrounded her while clapping and singing because she had finally found her baby. And as the mother snake watched the children rejoice in the reunion with her child, she suddenly took off straight for the water supply — leaving behind her baby with the villagers' children. Before an old man could gather some water to make some tea, she hissed in his direction, forcing him to step back as she immediately wrapped herself around the jug and squeezed it super hard. When the jug broke burst into a hundred fragments, she slithered away to gather her child and return to the safety of her hole.
Many people reading this true story may not understand that the same feelings we are capable of having, snakes have too. Thinking the villagers killed her baby, the mother snake sought out revenge by poisoning the water to destroy those she thought had hurt her child. But when she found her baby and saw the villagers' children, her guilt and protective instincts urged her to save them before other mothers would be forced to experience the pain and grief of losing a child.
Animals have hearts and minds too. They are capable of love, hatred, jealousy, revenge, hunger, fear, joy, and caring for their own and others. We look at animals as if they are inferior because they are savage and not civilized, but in truth, we are the ones who are not being civil by drawing a thick line between us and them — us and nature. A wild animal's life is very straightforward. They spend their time searching and gathering food, mating, building homes, and meditating and playing with their loved ones. They enjoy the simplicity of life without any of our technological gadgetry, materialism, mass consumption, wastefulness, superficiality, mindless wars, excessive greed and hatred. While we get excited by the vibrations coming from our TV sets, headphones and car stereos, they get stimulated by the vibrations of nature. So, just because animals may lack the sophisticated minds to create the technology we do or make brick homes and highways like us, does not mean their connections to the etheric world isn't more sophisticated than anything we could ever imagine. That means they are more spiritual, reflective, cosmic, and tuned into alternate universes beyond what our eyes can see. So in other words, animals are more advanced than us. They have the simple beauty we lack and the spiritual contentment we may never achieve.
”
”
Suzy Kassem (Rise Up and Salute the Sun: The Writings of Suzy Kassem)
“
romantic between us, but when he opens his arms I don’t hesitate to go into them. His body is familiar to me — the way it moves, the smell of wood smoke, even the sound of his heart beating I know from quiet moments on a hunt — but this is the first time I really feel it, lean and hard-muscled against my own. “Listen,” he says. “Getting a knife should be pretty easy, but you’ve got to get your hands on a bow. That’s your best chance.” “They don’t always have bows,” I say, thinking of the year there were only horrible spiked maces that the tributes had to bludgeon one another to death with. “Then make one,” says Gale. “Even a weak bow is better than no bow at all.” I have tried copying my father’s bows with poor results. It’s not that easy. Even he had to scrap his own work sometimes. “I don’t even know if there’ll be wood,” I say. Another year, they tossed everybody into a landscape of nothing but boulders and sand and scruffy bushes. I particularly hated that year. Many contestants were bitten by venomous snakes or went insane from thirst. “There’s almost always some wood,” Gale says. “Since that year half of them died of cold. Not much entertainment in that.” It’s true. We spent one Hunger Games watching the players freeze to death at night. You could hardly see them because they were just huddled in balls and had no wood for fires or torches or anything. It was considered very anticlimactic in the Capitol, all those quiet, bloodless deaths. Since then, there’s usually been wood
”
”
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
“
She knew she was going into that Cauldron. Knew she would lose this fight.
Knew no one was going to save her: not sobbing Feyre, not Feyre's gagged former lover, nor her devastated new mate. Not Cassian, broken and bleeding on the floor. The warrior was still trying to rise on trembling arms. To reach her.
The King of Hybern- he had done this. To Elain. To Cassian.
And to her.
The icy water bit into the soles of her feet.
It was a kiss of venom, a death so permanent that every inch of her roared in defiance.
She was going in- but she would not go gently.
The water gripped her ankles with phantom talons, tugging her down. She twisted, wrenching her arm free from the guard who held it.
And Nesta Archeron pointed. One finger- at the King of Hybern.
A death-promise. A target marked.
Hands shoved her into the water's waiting claws.
Nesta laughed at the fear that crept into the king's eyes just before the water devoured her whole.
In the beginning.
And in the end.
There was darkness.
And nothing more.
She did not feel the cold as she sank into a sea that had no bottom, no horizon, no surface. But she felt the burning.
Immortality was not a serene youth
It was fire.
It was molten ore poured into her veins, boiling her human blood until it was nothing but steam, forging her brittle bones until they were fresh steel.
And when she opened her mouth to scream, when the pain ripped her very self in two, there was no sound. There was nothing in this place but darkness and agony and power-
They would pay. All of them.
Staring with the Cauldron.
Starting now.
She tore into the darkness with talons and teeth. Rent and cleaved and shredded.
And the dark eternity around her shuddered. Bucked. Thrashed.
She laughed as it recoiled. Laughed around the mouthful of raw power she ripped out and swallowed whole; laughed at the fistfuls of eternity she shoved into her heart, her veins.
The Cauldron struggled like a bird under a cat's paw. She refused to relent.
Everything it had stolen from her, from Elain, she would take from it.
Wrapped in black eternity, Nesta and the Cauldron twined, burning through the darkness like a newborn star.
”
”
Sarah J. Maas (A Court of Silver Flames (A Court of Thorns and Roses, #4))
“
Oh, but to get through this night. Why won’t sleep come? What’s bothering me here in the dark? It’s not the badgers, it’s not the snakes. What’s bothering me? Something darker is worrying a hole inside me—look how my legs are trembling. Stop moving, Tatiana. That’s how the carnivores find you, by the flash of life on your body, they find you and eat you while you sleep. Like venomous spiders, they’ll bite you first to lull you into sleep—you won’t even feel it—and then they will gnaw your flesh until nothing remains. But even the animals eating her alive was not the thing that worried the sick hole in Tatiana’s stomach as she lay in the leaves with her face hidden from the forest, with her arms over her head, in case anything decided to fall on her. She should’ve made herself a shelter but it got dark so fast, and she was so sure she would find the lake, she hadn’t been thinking of making herself more comfortable in the woods. She kept walking and walking, and then was downed and breathless and unprepared for pitch black night. To quell the terror inside her, to not hear her own voices, Tatiana whimpered. Lay and cried, low and afraid. What was tormenting her from the inside out? Was it worry over Marina? No... not quite. But close. Something about Marina. Something about Saika... Saika. The girl who caused trouble between Dasha and her dentist boyfriend, the girl who pushed her bike into Tatiana’s bike to make her fall under the tires of a downward truck rushing headlong... the girl who saw Tatiana’s grandmother carrying a sack of sugar and told her mother who told her father who told the Luga Soviet that Vasily Metanov harbored sugar he had no intention of giving up? The girl who did something so unspeakable with her own brother she was nearly killed by her own father’s hand—and she herself had said the boy got worse—and this previously unmentioned brother was, after all, dead. The girl who stood unafraid under rowan trees and sat under a gaggle of crows and did not feel black omens, the girl who told Tatiana her wicked stories, tempted Tatiana with her body, turned away from Marina as Marina was drowning...who turned Marina against Tatiana, the girl who didn’t believe in demons, who thought everything was all good in the universe, could she . . . What if...? What if this was not an accident? Moaning loudly, Tatiana turned away to the other side as if she’d just had a nightmare. But she hadn’t been dreaming. Saika took her compass and her knife. But Marina took her watch. And there it was. That was the thing eating up Tatiana from the inside out. Could Marina have been in on something like this? Twisting from side to side did not assuage her torn stomach, did not mollify her sunken heart. Making anguished noises, her eyes closed, she couldn’t think of fields, or Luga, or swimming, or clover or warm milk, anything. All good thoughts were drowned in the impossible sorrow. Could Marina have betrayed her?
”
”
Paullina Simons (The Summer Garden (The Bronze Horseman, #3))
“
As the gondola cut between the Giudecca and San Giorgio Maggiore, wind whistled through the slats of the felze, stinging Cass’s eyes and skin. She wasn’t cold, though. She might never be cold again. Touching her lips, she replayed Falco’s kiss in her head, one delicious second at a time. His lips hovering near her face before coming to rest on her cheekbone. The indecision, the terror that gripped her heart as she decided whether to give in. The way she had every reason to turn away and only one reason to turn toward him--because she wanted to, almost more than she had ever wanted anything in her life.
What would have happened if they hadn’t been interrupted by the other artists? She reclined against the back of the felze, trying to imagine Falco’s weight on top of her, his mouth finding her neck, making its way down to her bare shoulder while she ran her fingers through his messy brown hair. She had no idea if it was all right for a woman to touch a man or if she was just supposed to let him touch her. She knew what Falco would say: Forget about what’s appropriate. Do what feels right.
Cass closed her eyes. Kissing him had felt right. So right. But it shouldn’t happen again. Couldn’t.
”
”
Fiona Paul (Venom (Secrets of the Eternal Rose, #1))
“
Cass held up her lantern as she approached the village. The tight cluster of buildings looked almost deserted, dark except for a faint glow coming from the tavern. Cass’s heart propelled her forward. She knew that if she could lay eyes on Falco, everything wrong in her heart would fix itself. Falco didn’t believe in fate, but Cass did. She felt as if the forces of the universe were guiding her safely through the night to the man who held all of the answers.
”
”
Fiona Paul (Venom (Secrets of the Eternal Rose, #1))
“
She took a deep breath and opened the door to the tavern, not knowing what she’d do if Falco wasn’t there.
The place was warm and dark, reeking of sweat and sour ale. Despite the late hour, the taverna was crowded, and every man seemed to look up as the door swung shut behind her. A rumble of startled disbelief went through the crowd--the taverna was not a place for a woman, especially so late at night. Cass hoped the dim lamplight prevented her from being recognized by any of the villagers.
But then her heart leapt in her chest. He was here, just as he had promised he would be.
Falco sat with three other boys at a table on the far side of the bar. He hadn’t yet looked up. Cass couldn’t stop herself from breaking into a beaming smile. Just the curl of his dark brown hair against the worn collar of his shirt made her heart thud. Falco’s roommate, Paolo, glanced at her with a knowing smirk. He leaned in to whisper something to Falco.
Falco looked up. His whole body seemed to relax when he saw Cass. Bounding off his chair, he weaved his way through the crowded taverna to where she stood just inside the door. “My lovely starling,” he said. He cast a glance back at his friends. “Maybe we should talk outside.”
Cass and Falco stepped out into the cool night. As the taverna door creaked shut, Falco immediately pulled her close, wrapping his arms around her. Cass rested her chin on his shoulder, breathing in the scent of paint and soap.
There were so many things she wanted to ask him: had he missed her, as she had missed him? Had he been thinking about her? Had he been thinking of their kiss? Her lips were just inches from the skin of his neck.
”
”
Fiona Paul (Venom (Secrets of the Eternal Rose, #1))
“
Your drawing!” Her lantern fell to the ground, the candle flame blowing out as she ran after the flying parchment and tackled it.
“So fierce,” Falco murmured, holding out a hand to help Cass to her feet. “I’m beginning to enjoy picking you up off the ground.”
Cass looked down at the paper in her hand, which had unrolled during its journey across the grass. The moonlight illuminated what he had drawn: a gorgeous reproduction of the gravestone with the doves on top. Cass flipped the parchment over. On the other side, Falco had sketched the rough outline of a woman’s body.
Cass’s breath caught; she couldn’t tear her eyes away from the figure. She marveled at the sharpness of the knees and elbows, at the soft roundness of the figure’s breasts. The face was still a heart-shaped blank, but the hair looked familiar: it fell in thick, lustrous waves like Cass’s own.
Falco laughed, leaning in close to Cass. “It almost looks like you’re blushing. Why? It’s not like you’ve never seen a woman’s body before.”
“You’ve obviously seen more than I have,” Cass said sharply. Her fingers trembled as she handed the parchment back to Falco, trying to look everywhere but at the drawing, wishing he hadn’t seen her staring at it. Who is she? She wanted to ask, but the words held fast to her lips.
“If I have, it’s a shame.” Even in the dark, his eyes were flashing. “If I had your body, I’d stare at it for hours. Days, maybe.”
Cass sucked in a sharp breath. “You can’t just say things like that. It’s not, it’s not--”
“Proper?” Falco finished. “Perhaps. I didn’t mean it to be offensive. A woman’s body is a beautiful thing.” He took ahold of Cass’s hand and twisted it from side to side, opening and closing her fingers. “The human form, it’s a symphony. Tiny interlocking movements that join together in song.” He slid his hands down over her knuckles until he was gripping the very tips of her fingers. “You play a more delicate tune than I do. Have you never noticed?
”
”
Fiona Paul (Venom (Secrets of the Eternal Rose, #1))
“
Mariabella is divine,” Maximus said, leaning in toward Cass. “Beautiful and talented. She used to assist me in my act from time to time. I wouldn’t be surprised if she was the beauty your brother fell in love with.”
“What did--does--she look like?” Cass asked.
Maximus pulled a rose out of thin air. “She has silky dark hair and the most delicious set of lips.” He reached out his index finger as though to touch Cass’s lips and then seemed to think better of it. “You resemble her, in a way. Except you don’t have her birthmark.” He traced the shape of a heart in the air.
Cass’s blood accelerated in her veins. A heart-shaped birthmark. It had to be the same girl. Mariabella. A maid missing from Joseph Dubois’s estate, and now a dead courtesan, one of his chosen companions. Could it possibly be a coincidence? Emotions churned together in her stomach--excitement and wonder and fear. And more excitement. She leaned in to give the conjurer an impulsive peck on the cheek.
The conjurer pressed the rose into her palm. “I think your master is watching us.”
Cass glanced up and saw Falco staring at her--no, at them--from the doorway of the portego. Cass hadn’t even heard the front doors open.
“I see you’ve met my beautiful signorina,” Falco said, nodding to the conjurer as he snaked his fingers around one of Cass’s small wrists.
The conjurer winked at Cass. “Indeed. There’s something magical about her, wouldn’t you say?”
“You’ve no idea,” Falco said. He pulled her across the room, out of the conjurer’s earshot. “Is it safe to leave you alone for a few minutes while I go speak to the owner of the house?”
“No need,” Cass said. She couldn’t help but smile triumphantly. “I’ve not only learned the name of the dead girl, but I also know where she lives.”
Falco arched an eyebrow. “All that, and you still found the time to bat your eyelashes at some traveling con man? That is impressive.”
“I wasn’t batting anything,” Cass said. “I was appreciating his performance. Come on. I’ll fill you in on the way to her place.”
As the two passed the conjurer, Falco’s grip on her was so tight, she was afraid he was going to leave a bruise. “Good-bye, Maximus,” she called behind her. “Thank you for the magic.
”
”
Fiona Paul (Venom (Secrets of the Eternal Rose, #1))
“
Well, eventually you’re going to have to do what’s right for you instead of worrying about the rest of the world. Just let go. Trust yourself.” Falco turned to her at last. A smile played at his lips. “And if you can barely breathe, it’s probably because of those oppressive undergarments you wear.”
Cass laughed. She was ridiculously, unexpectedly glad that he was not going to stay angry with her. “You’re right. I swear Siena laces them tighter every day. I sometimes wonder if she’s punishing me.”
For a few seconds, both of them leaned on the railing of the bridge, looking down at the dark canal water. A gondola floated by beneath them. A man and woman reclined against plush pillows, kissing, barely illuminated by the dim light of a lantern. Cass felt her heart speed up again. Her breath felt heavy in her chest. “Take your cloak off,” she said quickly.
“Trying to undress me?” Falco asked. He slid out of his cloak and looked questioningly at Cass.
“Hold it up,” she ordered. She adjusted his hands so that the cloak shielded her, and fumbled to undo the bindings around her chest. She began to sweat as she unknotted the laces; in the dark, images of Agnese and Luca floated in front of her, their faces cold with disapproval.
“You all right in there?” Falco asked. “You’re thrashing about like you’re performing a self-exorcism.”
Cass emerged a minute later, red faced but triumphant. She waved her ivory-colored stays above her head. “Now,” she said, “I can breathe.
”
”
Fiona Paul (Venom (Secrets of the Eternal Rose, #1))
“
She thought about what she would write in her journal when she got home. She wanted to write about Mariabella. And the couple in the dark room--engaging in a mix of love and savagery. And the conjurer and his tricks. Cass wanted to know how he had done them.
And then there was Falco. Did she dare write about him? About the way she felt when she knew he was going to kiss her, like her heart had grown huge, too big for her chest, like it was seeping out between the laces of her bodice and being pulled in all different directions?
Caspita. What had she started?
”
”
Fiona Paul (Venom (Secrets of the Eternal Rose, #1))
“
There’s a note in there,” Paolo said, gesturing at the bundle. “I’m sure he’d rather you hear from him, not me.” He bowed slightly, his inky black hair falling forward to obscure part of his face. “Buona notte, Signorina Cassandra.” With that, he turned away, disappearing into the darkness in just a few long strides.
Cass re-bolted the door. Her heart was still beating hard. She looked down at the wrapped square. It was about two feet by two feet and as thick as her wrist. Lighting a candle, she laid the bundle on the long wobbly table where the servants prepared food for the villa and took their own meals. She held her breath as she tugged at the coarse twine wrapped around the package.
The muslin unfolded in layers, revealing a canvas beneath. A folded scrap of parchment fluttered to the kitchen floor. Cass barely noticed it.
She was too busy staring at the painting.
There she was on the divan in Tommaso’s studio. Just a couple of weeks had elapsed between now and then, but already it felt like years, like the dream of a different lifetime. Falco had captured her tiniest quirks on the canvas: the smattering of freckles across her cheeks, the unruly piece of hair behind her left ear that worked its way out of any arrangement. And her smile--Cass almost couldn’t believe it was real. She looked radiant, like she was experiencing true happiness for the first time.
She remembered Falco’s soft touches as he posed her, how delirious she’d been each time his fingers grazed her skin. She remembered how excited she was at being alone with him, the endless possibilities, the countless dangers. Cass wished she could dive into the painting and go back to that night where she had felt love for the first time.
”
”
Fiona Paul (Venom (Secrets of the Eternal Rose, #1))
“
I could become a real artist, not merely Tommaso’s assistant. I could be more than just a peasant.
So yes; a little for money. But mostly I did it for the art.
I don’t expect these words to change how you feel. I simply want you not to see me as a monster. I don’t want to be a monster. Not anymore. Not after meeting you. I know that we disrupted your dear friend’s body, and for that I am deeply regretful. But if we had not done so, if I had not lingered in the San Domenico churchyard after standing guard for my friends, you and I might never have met. Meeting you is one thing I will never regret.
I hope you like the painting. Consider it a wedding present. How stupid of me to let my heart go. It was a lovely fantasy while it lasted, though, wasn’t it?
Yours,
Falco
”
”
Fiona Paul (Venom (Secrets of the Eternal Rose, #1))
“
My poor brother,” Cristian repeated. “How he bragged about you when our father arranged your engagement. Such betrayal. It will destroy him. You really are a fallen woman, just like the rest, aren’t you?”
His body tensed up. The dagger’s tip broke through Cass’s skin.
A rivulet of blood began to trickle down her neck. The pain was slight, like a pinch or a bee sting, but Cass gasped, half expecting her breath to bubble out through the tiny cut.
“I didn’t betray him,” Cass squeezed out. She pressed herself back against the stone wall, trying hard not to swallow, not to breathe too hard. She felt a surge of nausea.
“Didn’t you?” Cristian withdrew his dagger momentarily and Cass couldn’t stop herself from collapsing to the ground. Her legs simply wouldn’t hold her. “I seem to recall a second letter tucked inside your journal,” he continued. “A rather intimate confessional.”
Cass knew it was insane to lament the loss of Falco’s note while a madman was brandishing a dagger in front of her. Still, her heart bled a little at the thought of losing the last piece of him she’d ever have.
”
”
Fiona Paul (Venom (Secrets of the Eternal Rose, #1))
“
“The heart is divided
into four chambers,
two to a side.
When one side fails,
the other must follow,
and the body dies.”
-THE BOOK OF THE ETERNAL ROSE
”
”
Fiona Paul (Venom (Secrets of the Eternal Rose, #1))
“
Are you all right?” she asked Luca. “You’re not injured?”
Luca rubbed at his right side. “A cracked rib, perhaps.” He winced. “But I always expected that being your fiancé would come with an element of risk.”
Amazingly, Cass managed to smile. “Thank you,” she said, feeling heat rise to her cheeks. “For saving me. I don’t know what would have happened if--if you hadn’t…”
Luca looked down at her, his light brown eyes soft with emotion. “That was quick thinking with the lantern. I think you saved me too.” He removed her hand from her neck, entwining his fingers in hers. “We make a good team.”
Cass felt a rush of warmth. She rested her head against his chest for a moment. His heart thudded quickly beneath the fabric of his tunic. Cass stretched up on her tiptoes and planted a quick kiss on his cheek. “Thank you,” she whispered again.
Luca reddened. “Come,” he said. “We should see that you’re attended to.
”
”
Fiona Paul (Venom (Secrets of the Eternal Rose, #1))
“
She raised a hand to her chest, to the area where the dagger had embedded itself in a thin ridge of whalebone. Her heart still raced, just beneath her fingers. Saved by undergarments, Cass thought. Suddenly all those days of struggling to breathe beneath the oppressive stays didn’t seem so bad.
”
”
Fiona Paul (Venom (Secrets of the Eternal Rose, #1))
“
You look tired. Do you need a break?”
“Yes.” Cass sat up on the divan, rolling her head around in a circle. “Can I see?”
Falco refilled her glass and then came to sit beside her. “Not yet,” he said, rubbing her neck gently.
“Why not?” Closing her eyes, she tilted her head down to make more room for Falco’s hands. Again, something deep inside of her whispered that she should run away while she still could. And again, Cass ignored it.
“Because it’s not perfect yet.” Innocent words, but he said them in a way that was soft and full of longing.
Cass kept her face down, her eyes closed, afraid of what she’d see if she opened them.
Falco brushed her hair back over her shoulders. He traced a finger around the edge of her lips. “But you are,” he breathed, low, right near her ear. And then, slowly, he touched his lips to her cheekbone and left them there.
Cass felt torn in two, like the sky split by lightning. One side guilty. One side wanting. She froze, statue-still, as Falco’s lips brushed against her earlobe and then moved down and across her jawbone. His mouth hovered in the air, a parchment’s width away from hers. Eternities came and went.
Slowly, Cass tilted her lips to meet his.
And then Falco’s mouth was on hers, burning hot, but softer than she had imagined. And Cass felt her whole body tense up and then go weak. Blindly, she reached out for one of his hands, lacing their fingers together. She pressed her lips against him, her soul against him, and she felt truly warm for the first time. Like she’d been living her whole life in a block of ice and had finally escaped into the sun.
Falco’s other hand moved up to cradle her face. Cass felt her heart beating against her rib cage like a bird trying to wing free. Their mouths moved against each other, and she couldn’t believe the heat they were creating. She couldn’t believe it was possible to feel the way she did, so completely intertwined with another human being. It felt like they were on a boat, the whole world swaying around them like waves.
”
”
Fiona Paul (Venom (Secrets of the Eternal Rose, #1))
“
He was going to kiss her. She was going to let him. Falco’s face blurred in the darkness as he closed the distance between them.
And then…it wasn’t Falco she was about to kiss. It was Luca. She lunged backward in her seat, causing the gondola to lurch to one side.
Falco’s eyes snapped open. “What happened?”
Cass had no idea what to say. “I--I thought I saw something,” she stammered out.
Falco glanced around, as if reaffirming that it would be impossible to see anything in the blackness under the bridge. “A vampire?” His voice was thick with sarcasm.
Cass looked away. “Forget it. You wouldn’t understand.”
“Oh. I think I understand.” Falco turned slowly away from Cass. He dragged his fingers across the shiny black wood as he moved toward the back of the boat. “Forgive me, Signorina. I didn’t mean to overstep my station.”
“No. I--it’s not that,” Cass said. Her heart was trembling in her chest.
Falco didn’t answer. He vaulted over the side of the boat and headed for the steps leading up to the bridge. Cass followed him, struggling to lift her skirts over the gondola’s edge. She fumbled her way up the uneven steps, feeling the dampness of the stones seeping through the bottom of her suede shoes. Falco stood in the middle of the bridge, his forearms resting on the railing. He stared down at the water so intently that Cass thought maybe it was his turn to see murderers and poisonous serpents beneath the surface.
But no, Falco didn’t deal in superstition.
Cass cleared her throat. Her chest felt as though there was a giant fist around it, squeezing. “Lately I always think I’m doing the wrong thing.”
Falco nodded, keeping his eyes locked on the water. His jaw was tight. “You should stop thinking so much. Do what feels right.
”
”
Fiona Paul (Venom (Secrets of the Eternal Rose, #1))
“
I remember when you were a child. You used to have a nickname for all the flowers. You called the marigolds ‘fireflies,’ I recall, and lilies were ‘ladies’ purses.’”
“I can’t believe you remember that,” Cass said. “You hardly even played out here with me.”
“Remember how I used to hide things for you?”
Cass remembered. Before they were engaged, Luca would bring her little treasures, things he found when he was out wandering around. Once it was a string of green ceramic beads. Another time he left her a smooth stone shaped like a heart. He used to mark the hiding places with lilies stolen from Agnese’s own plants. Cass had forgotten about the game until Luca mentioned it.
“I liked that game,” Cass said. “I was sad when you got older and stop playing it. You practically quit talking to me.”
“I got nervous around you after our arrangement became official,” Luca said. “I used to watch you sometimes, though.”
“That’s kind of creepy, don’t you think?” Cass raised an eyebrow, and couldn’t help but crack a small smile.
“You stopped being just a little girl.” A red flush crept across Luca’s high cheekbones. “I wasn’t very good at talking to women. I’m still not.
”
”
Fiona Paul (Venom (Secrets of the Eternal Rose, #1))
“
Paolo and Cass stood facing each other for a moment. The tall boy made an effort to smile, but couldn’t manage it. Cass’s heart still thrummed in her chest.
“He’s not a bad person,” Paolo said abruptly. “Sometimes I think that I am, but he isn’t.” He looked away into the darkness.
“What you do…,” Cass croaked out. “What I saw…” She focused on the outline of the closest rosebush, its naked branches crooked as a witch’s fingers.
“Each man calls barbarism what is not his own practice--”
Cass finished his sentence. “For indeed, it seems we have no other test of truth and reason than the example and pattern of the opinions and customs of the country in which we live.” It was another quote from Michel de Montaigne. “Do you really think that applies in this instance?”
Paolo looked up. His dark eyes looked a little sad. “We live in the same place--you, me, Falco. But we live in very different worlds. Surely you understand that?”
Cass didn’t know what to say. Paolo went on, a little defensively, “We have reasons. It’s not for you to judge us.”
He thrust a square parcel, wrapped in rough muslin, into her arms.
“There’s a note in there,” Paolo said, gesturing at the bundle. “I’m sure he’d rather you hear from him, not me.” He bowed slightly, his inky black hair falling forward to obscure part of his face. “Buona notte, Signorina Cassandra.” With that, he turned away, disappearing into the darkness in just a few long strides.
”
”
Fiona Paul (Venom (Secrets of the Eternal Rose, #1))