“
If people refuse to look at you in a new light and they can only see you for what you were, only see you for the mistakes you've made, if they don't realize that you are not your mistakes, then they have to go.
”
”
Steve Maraboli (Life, the Truth, and Being Free)
“
I hope that in this year to come, you make mistakes.
Because if you are making mistakes, then you are making new things, trying new things, learning, living, pushing yourself, changing yourself, changing your world. You're doing things you've never done before, and more importantly, you're Doing Something.
So that's my wish for you, and all of us, and my wish for myself. Make New Mistakes. Make glorious, amazing mistakes. Make mistakes nobody's ever made before. Don't freeze, don't stop, don't worry that it isn't good enough, or it isn't perfect, whatever it is: art, or love, or work or family or life.
Whatever it is you're scared of doing, Do it.
Make your mistakes, next year and forever.
”
”
Neil Gaiman
“
The mistakes I've made are dead to me. But I can't take back the things I never did.
”
”
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
“
It was like when you make a move in chess and just as you take your finger off the piece, you see the mistake you've made, and there's this panic because you don't know yet the scale of disaster you've left yourself open to.
”
”
Kazuo Ishiguro (Never Let Me Go)
“
What a waste my life would be without all the beautiful mistakes I've made.
”
”
Alice Bag (Violence Girl: East L.A. Rage to Hollywood Stage, a Chicana Punk Story)
“
Mistakes. Trial and error. Same thing. Mistakes are how we learned to walk and run and that hot things burn when you touch them. You’ve made mistakes all your life and you’re going to keep making them.
”
”
Tamara Ireland Stone (Every Last Word)
“
Don’t you just hate nights like that, when you think over every mistake you’ve made, every hurt you’ve received, every bit of meanness you’ve dealt out? There’s no profit in it, no point to it, and you need sleep.
”
”
Charlaine Harris (Dead and Gone (Sookie Stackhouse, #9))
“
When you realize you've made a mistake, take immediate steps to correct it.
”
”
Dalai Lama XIV
“
Do you blame me for every mistake I made? For every girl I tumbled? For every dumb thing I've said? Because if we start running tallies on stupid, you know who's going to come out ahead.
”
”
Leigh Bardugo (Shadow and Bone (Shadow and Bone, #1))
“
I think I've made a mistake.'
'Then make it into something better.
”
”
Stephanie Garber (Caraval (Caraval, #1))
“
God knows I'm not perfect, either. I've made tons of stupid mistakes, and later I regretted them. And I've done it over and over again, thousands of times; a cycle of hollow joy and vicious self-hatred. But even so, every time I learned something about myself
-Misato Katsuragi
”
”
Hideaki Anno (Groundwork of Evangelion Vol.1)
“
I've made mistakes. More than my share. Hopefully, I've learned from them, but can't guarentee anything. There's only one thing I can promise. I'm taking this to the end."
-Bobby Pendragon
”
”
D.J. MacHale
“
We look down our noses at people who've made mistakes in relationships. She's so stupid! How could she do that! Our superiority makes us feel better. But I’d bet everything I have on the fact that people to claim to have a perfect record in love are either lying or have very limited dating experience. People who say, I’d never do that! Someday, unless you are very, very lucky, you’ll have a story to tell. Or not to tell.
”
”
Deb Caletti (The Secret Life of Prince Charming)
“
I think we've made a mistake," he says softly. "We've all started to put down virtues of the other faction in the process of bolstering our own. I don't want to do that. I want to be brave, and selfless, and smart, and kind, and honest.
”
”
Veronica Roth (Divergent (Divergent, #1))
“
If I have gained anything over these months, it is the knowledge there is no starting over- only living with the mistakes you've made.
”
”
Jodi Picoult (Perfect Match)
“
I have not always chosen the safest path. I've made my mistakes, plenty of them. I sometimes jump too soon and fail to appreciate the consequences. But I've learned something important along the way: I've learned to heed the call of my heart. I've learned that the safest path is not always the best path and I've learned that the voice of fear is not always to be trusted.
”
”
Steve Goodier
“
I’ve made a mistake. It started with a prince, as most stories do. Once I felt the thrum of his heart beneath my fingers, I couldn’t forget it.
”
”
Alexandra Christo (To Kill a Kingdom (Hundred Kingdoms, #1))
“
Then you haven't lost your soul. Only a creature with a soul can tell the difference between right and wrong. Yes, you've made mistakes, but you feel guilt. You feel remorse. And if you still have your soul, you haven't lost your chance at redemption.
”
”
Sylvain Reynard (Gabriel's Inferno (Gabriel's Inferno, #1))
“
If you can’t let go of the past, the mistakes you’ve made will eat you alive.
”
”
Stephen King (The Outsider)
“
We are all flawed, my dear. Every one of us. And believe me, we've all made mistakes. You've just got to take a good hard look at yourself, change what needs to be changed, and move on, pet.
”
”
Lauren Myracle
“
You know when I said I knew little about love? That wasn't true. I know a lot about love. I've seen it, centuries and centuries of it, and it was the only thing that made watching your world bearable. All those wars. Pain, lies, hate... It made me want to turn away and never look down again. But when I see the way that mankind loves... You could search to the furthest reaches of the universe and never find anything more beautiful. So yes, I know that love is unconditional. But I also know that it can be unpredictable, unexpected, uncontrollable, unbearable and strangely easy to mistake for loathing, and... What I'm trying to say, Tristan is... I think I love you. Is this love, Tristan? I never imagined I'd know it for myself. My heart... It feels like my chest can barely contain it. Like it's trying to escape because it doesn't belong to me any more. It belongs to you. And if you wanted it, I'd wish for nothing in exchange - no gifts. No goods. No demonstrations of devotion. Nothing but knowing you loved me too. Just your heart, in exchange for mine.
”
”
Neil Gaiman (Stardust)
“
I can't let the mistakes I've made bury me.
”
”
Victoria Aveyard (Glass Sword (Red Queen, #2))
“
You're still... Declan?"--
--Voice hoarse, he said, "Aye, it's me. I will never be your perfect Viking, Regin! I've made unforgivable mistakes. I've no family or friends, and my men hold no love for me. I'm scarred inside and out. And I'm bloody askin' for you anyway!
”
”
Kresley Cole (Dreams of a Dark Warrior (Immortals After Dark, #10))
“
The moment you feel the need to tightly manage someone, you’ve made a hiring mistake.
”
”
Jim Collins (Good to Great: Why Some Companies Make the Leap...and Others Don't)
“
The whole night had been a mistake. It's not going to let me rewind. Or unmake the mistakes I've made.Or the promises I've mad. Or have her back. Or have me back.
”
”
Gayle Forman (Where She Went (If I Stay, #2))
“
You’ve made mistakes, yes. And I have no doubt, just as anyone who lives and breathes, that you will make many more in your life. But it doesn’t change who you are deep down inside.
”
”
Morgan Rhodes (Rebel Spring (Falling Kingdoms, #2))
“
Just be careful, Mary Jo. Be very careful. You've made mistakes. Everyone makes mistakes. One you should not make is to imagine that Christy will ever be Adam's mate. He is mine, and unlike her, I don't throw away people who are mine.
”
”
Patricia Briggs (Night Broken (Mercy Thompson, #8))
“
Stop focusing on your past mistakes. Don’t be ashamed of the things that you’ve done. We ALL have made mistakes. Don’t you see? All of those things helped shape you into the beautiful person that you are today! Hold your head up high because you didn’t allow your past mistakes to consume you. You learned! You conquered! You became a better YOU. Be proud of who you are TODAY!
”
”
Stephanie Lahart
“
...when you love someone, and you share the mistakes they’ve made with people who don’t love them the way you do, you can’t expect those same people to forgive them the way you do either.
”
”
Elsie Silver (Wild Love (Rose Hill, #1))
“
To some people, I am kind of a Merlin who takes lots of crazy chances, but rarely makes mistakes. I've made some bad ones, but fortunately, the successes have come along fast enough to cover up the mistakes. When you go to bat as many times as I do, and continually improve upon your mistakes, you're bound to get a good average.
”
”
Walt Disney Company
“
Bah! Suffragettes. I've no time for suffragettes. They made the biggest mistake in history. They went for equality. They should have gone for power!
”
”
Jennifer Worth (Shadows of the Workhouse)
“
The worst mistakes I've made have been the ones directed by sweet-natured hopefulness.
”
”
Charles Baxter (The Feast of Love)
“
But even though I know my flaws are many (many many many), and there are always ways I could be better, and I should never stop working for that—I also need to give myself a break. I can cut myself some slack sometimes. Because I’m a work in progress. Because nobody is perfect. At least I acknowledge the mistakes I’ve made, and am making. At least I’m trying. That means something, doesn’t it?
And just because I have room for improvement doesn’t mean I’m worthless, or that I have nothing to offer to, like, the world.
”
”
Hannah Harrington (Speechless)
“
In this new, turbulent reality, the one person I recognize is him. My memories of him - memories of us - have done something to me. I've changed somewhere deep inside. I feel different. Heavier, like my feet have been more firmly planted, liberated by certainty, free to grow roots here in my own self, free to trust unequivocally in the strength and steadiness of my own heart. It's an empowering discovery, to find that I can trust myself - even when I'm not myself - to make the right choices. To know for certain now that there was at least one mistake I never made.
Aaron Warner Anderson is the only emotional through line in my life that ever made sense. He's the only constant. The only steady, reliable heartbeat I've ever had.
Aaron, Aaron, Aaron, Aaron.
I had no idea how much we'd lost, no idea how much of him I'd longed for. I had no idea how desperately we'd been fighting. How many years we'd fought for moments - minutes - to be together.
It fills me with a painful kind of joy.
- Ella
”
”
Tahereh Mafi (Defy Me (Shatter Me, #5))
“
Sometimes I imagine my own autopsy. Disappointment in myself: right kidney. Disappointment of others in me: left kidney. Personal failures: kishkes. ... When the clocks are turned back and the dark falls before I'm ready, this, for reasons I can't explain, I feel in my wrists. And when I wake up and my fingers are stiff , almost certainly I was dreaming of my childhood. ... Yesterday I saw a man kicking a dog and I felt it behind my eyes. I don't know what to call this, a place before tears. The pain of forgetting: spine. The pain of remembering: spine. All the times I have suddenly realized that my parents are dead, even now, it still surprises me, to exist in the world while that which made me has ceased to exist: my knees. ... To everything a season, to every time I've woken only to make the mistake of believing for a moment that someone was sleeping beside me: a hemorrhoid. Loneliness: there is no organ that can take it all.
”
”
Nicole Krauss
“
I want a girl because I want to bring her up so that she shan't make the mistakes I've made. When I look back upon the girl I was I hate myself. But I never had a chance. I'm going to bring up my daughter so that she's free and can stand on her own feet. I´m not going to bring a child into the world, and love her, and bring her up, just so that some man may want to sleep with her so much that he's willing to provide her with board and lodging for the rest of her life.
”
”
W. Somerset Maugham (The Painted Veil)
“
Because you’re it for me. Whether it’s today, tomorrow, a year, or decades from now, that’ll never change.” Josh’s lips brushed against my skin before he pulled back, his face taut with emotion. “I’m human, Red. I’ve made mistakes in the past, and I’ll make many more in the future. But one mistake I’ll never make is letting you go, not when there’s even a sliver of a chance left for us. Because the possibility of you is better than the reality of anyone else.
”
”
Ana Huang (Twisted Hate (Twisted, #3))
“
My attitude is born out of necessity. I've made mistakes. I've made decisions I regretted. I know what it's like to live with regret. I live with it everyday. But if I let it take over, I'd never get out of bed in the morning.
”
”
Maya Banks (Hidden Away (KGI, #3))
“
I'm pro-choice because I've never been a fourteen-year-old incest victim pregnant by her father, or a woman who's going to die if her pregnancy continues, or even a teenager who made a mistake or a rape victim. I want women to have choices, but I also believe that it's a life, especially once it's big enough to live outside the womb.
”
”
Laurell K. Hamilton (Danse Macabre (Anita Blake, Vampire Hunter, #14))
“
Eli had made a mistake. He wasn't prone to making mistakes, except where Victor Vale was concerned. Victor had always possessed the unnerving ability to get under Eli's skin, interrupt his focus.
”
”
Victoria Schwab (Vengeful (Villains, #2))
“
I’ve made so many mistakes in my life. So many. But you, Ollie? You’re the first thing I’ve done right.
”
”
Becka Mack (Consider Me (Playing For Keeps, #1))
“
I'm not sure what I am anymore... Sometimes I think I'm nothing but what other people have done to me―a big collection of brainwashing, surgeries, and cures... That, and all the mistakes I've made. All the people I've disappointed.
”
”
Scott Westerfeld (Specials (Uglies, #3))
“
Do you ever feel as if you wear armor, day after day? That when people look at you, they see only the shine of steel that you’ve so carefully encased yourself in? They see what they want to see in you—the warped reflection of their own face, or a piece of the sky, or a shadow cast between buildings. They see all the times you’ve made mistakes, all the times you’ve failed, all the times you’ve hurt them or disappointed them. As if that is all you will ever be in their eyes. How do you change something like that? How do you make your life your own and not feel guilt over it?
”
”
Rebecca Ross (Divine Rivals (Letters of Enchantment, #1))
“
It took me a long time to figure out that’s what you were saying. And it seemed that every time one of us came back for the other, we weren’t ready. But, ten years later, here I am. Fighting. I’d like to think I’ve learned from my mistakes.
I’d also like to think we’ve finally made it to the point where we are ready for each other.
”
”
Tarryn Fisher (Thief (Love Me with Lies, #3))
“
If I have gained anything over these months, it is the knowledge there is no starting over - only living with the mistakes you've made.
”
”
Jodi Picoult (Perfect Match)
“
sometimes i had thoughts like 'i don't deserve to live, i'm a big loss, i made fatal mistakes. i should've gone, i don't deserve it...' -Nikratama Zakrie
”
”
Sitta Karina (Pesan dari Bintang)
“
I put you through hell and then I only made it worse, all the mistakes I made trying to get you back.'
'I've forgiven you.'
'Forgive, yes. Understand, yes. Forget, no.
”
”
Kelley Armstrong (Frostbitten (Women of the Otherworld, #10))
“
Okay I've been stupid in the past. Not consistently stupid, but occasionally stupid. And I've made mistakes. You bet, I've made mistakes.
”
”
Charlaine Harris (Dead Reckoning (Sookie Stackhouse, #11))
“
Not my idea of God, but God. Not my idea of H., but H. Yes, and also not my idea of my neighbour, but my neighbour. For don't we often make this mistake as regards people who are still alive -- who are with us in the same room? Talking and acting not to the man himself but to the picture -- almost the précis -- we've made of him in our own minds? And he has to depart from it pretty widely before we even notice the fact.
”
”
C.S. Lewis (A Grief Observed)
“
We all make mistakes. Sometimes I think the only point of our miserable lives is simply to learn how to live with the consequences of the bad decisions we´ve made.
”
”
Sherrilyn Kenyon (Infamous (Chronicles of Nick, #3))
“
Rowan doesn´t know me as well as he thinks," he murmured, seemingly unconcerned with the jagged blades closing in on him, "otherwise he never would´ve made such a mistake."
Edgebriar smiled, leering at Ash fron behind the trio of knights, content to let his guards engage the Winter prince.
"And what mistake would that be?"
"There only four of you.
”
”
Julie Kagawa (The Iron Daughter (The Iron Fey, #2))
“
If I could live again my life,
In the next – I’ll try,
- to make more mistakes,
I won’t try to be so perfect,
I’ll be more relaxed,
I’ll be more full – than I am now,
In fact, I’ll take fewer things seriously,
I’ll be less hygienic,
I’ll take more risks,
I’ll take more trips,
I’ll watch more sunsets,
I’ll climb more mountains,
I’ll swim more rivers,
I’ll go to more places – I’ve never been,
I’ll eat more ice creams and less lima beans,
I’ll have more real problems – and less imaginary ones,
I was one of those people who live
prudent and prolific lives -
each minute of his life,
Of course that I had moments of joy – but,
if I could go back I’ll try to have only good moments,
If you don’t know – that’s what life is made of,
Don’t lose the now!
I was one of those who never goes anywhere
without a thermometer,
without a hot-water bottle,
and without an umbrella and without a parachute,
If I could live again – I will travel light,
If I could live again – I’ll try to work bare feet
at the beginning of spring till the end of autumn,
I’ll ride more carts,
I’ll watch more sunrises and play with more children,
If I have the life to live – but now I am 85,
- and I know that I am dying …
”
”
Jorge Luis Borges
“
Love makes us wake up in the morning with a sense of purpose and a flow of creative ideas. Love floods our nervous system with positive energy, making us far more attractive to prospective employers, clients, and creative partners. Love fills us with powerful charisma, enabling us to produce new ideas and new projects, even within circumstances that seem to be limited. Love leads us to atone for our errors and clean up the mess when we've made mistakes. Love leads us to act with impeccability, integrity, and excellence. Love leads us to serve, to forgive, and to hope. Those things are the opposite of a poverty consciousness; they're the stuff of spiritual wealth creation.
”
”
Marianne Williamson (The Law of Divine Compensation: On Work, Money, and Miracles)
“
You’ve made mistakes, and you have every right to regret them. But don’t let them own you, Evie. Don’t let them be more important than they are.
”
”
Lynn Raye Harris (Hot Pursuit (Hostile Operations Team, #1))
“
They've made the mistake of thinking that power over others and leadership are the same thing.
”
”
Tim Tharp
“
You see, you’re doing it again. Telling me nothing. (Tory)
You know, trust is always a good idea…for someone else. Every time I’ve ever made the mistake of trusting someone…it was a mistake that I regretted and paid for dearly. I’m really happy that no one has ever hurt you badly. I haven’t been so lucky, okay? (Acheron)
”
”
Sherrilyn Kenyon (Acheron (Dark-Hunter, #14))
“
I'm letting go of all my lonely yesterdays, I've forgiven myself for the mistakes I've made, now there's just one thing, the only thing I wanna do. I wanna love somebody, love somebody like you.
”
”
Keith Urban
“
I need to stop renaming the decisions I've made as mistakes just because I wish I could take them back.
”
”
Alicia Cook (Stuff I've Been Feeling Lately)
“
I don’t want to make the same mistakes I’ve made before. I want to be free. I want to be with you. We will be together. I believe I will have less to live for, if I am not with you.
”
”
Melissa de la Cruz (Revelations (Blue Bloods, #3))
“
But that doesn't mean to say, of course, there aren't occasions now and then - extremely desolate occasions - when you think to yourself: 'What a terrible mistake I've made with my life.' And you get to thinking about a different life, a better life you might have had. For instance, I get to thinking about a life I may have had with you, Mr. Stevens. And I suppose that's when I get angry about some trivial little thing and leave. But each time I do, I realize before long - my rightful place is with my husband. After all, there's no turning back the clock now. One can't be forever dwelling on what might have been. One should realize one has as good as most, perhaps better, and be grateful.
”
”
Kazuo Ishiguro (The Remains of the Day)
“
I won’t ever move on, Crimson.’ He took her hand and brought it to his heart. Scarlett’s heart beat wild and uneven in response, but Julian’s remained steady and unwavering beneath her palm.
‘I’ve made a lot of mistakes. I gave you space, because I thought that’s what you needed. But I realized as soon as I saw you today that I was wrong. So I’m in this carriage with you now, ready to go wherever you’re going, even if it means watching you with another man.
”
”
Stephanie Garber (Finale (Caraval, #3))
“
You might be thinking, “I’m not perfect, I’ve made mistakes, I mess up constantly, and I seem to be going the wrong way.” Remember, it’s the “layers” in life that create the perfection. Don’t view your life as “mistakes” view them as Da Vinci’s layers, and God is using your mistakes to help create a masterpiece with you.
”
”
Trent Shelton (You're Perfect: for the Heart that's meant to Love You)
“
I've made so many mistakes, so many corrections. I'm so far from perfect so many imperfections. But I'm a go getta I get up and go get it, so if you preaching prosperity, i wanna hit it....
”
”
50 Cent
“
It is, after all, almost a miracle they are here. Not because they've survived the booze, the hashish, the migraines. Not that at all. It's that they've survived everything in life, humiliations and disappointments and heartaches and missed opportunities, bad dads and bad jobs and bad sex and bad drugs, all the trips and mistakes and face-plants of life, to have made it to fifty and to have made it here: to this frosted-cake landscape, these mountains of gold, the little table they can now see sitting on the dune, set with olives and pita and glasses and wine chilling on ice, with the sun waiting more impatiently than any camel for their arrival. So, yes. As with almost any sunset, but with this one in particular: shut the fuck up.
”
”
Andrew Sean Greer (Less)
“
She's not much taller than Tess and definitely lighter than Kaede. For a second it seems like the crowd's attention has made her umcomfortable and I'm ready to dismiss her as a real contender until I study her again. No, this girl is nothing like the last one. She's hesitating not because she's afraid to fight,or because she fears losing,but because she's thinking. Calculating.She has dark hair tied back in a high ponytail and a lean, athletic build. She stands deliberately, with a hand resting on her hip, as if nothing in the world can catch her off guard. I find myself pausing to admire her face.
For a brief moment,I'm lost to my surroundings.
The girl shakes her head at Kaede. This surprises me too-I've never seen anyone refuse to fight. Everyone knows the rules: if you're chosen,you fight. This girl doesn't seem to fear the crowds wrath. Kaede laughs at her and says something I can't quite make out. Tess hears it,though, and casts me a quick, concerned glance.
This time the girl nods. The crowd lets out another cheer,and Kaede smiles. I lean a little bit out from behind the chimney. Something about this girl...I don't know what it is.But her eyes burn in the light,and although it's hot and might be my imagination, I think I see a small smile on the girl's face.
Tess shoots a questioning look at me.I hesitate for a split second,then hold up one finger again. I'm grateful to this mystery girl for helping Tess out, but with my money on the line,I decide to play it safe. Tess nods,then casts our bet in favor of Kaede.
But the instant the new girl steps into the circle and I see her stance...I know I've made a big mistake.Kaede strikes like a bull, a battering ram.
This girl strikes like a viper.
”
”
Marie Lu (Legend (Legend, #1))
“
I tried to look the other way
But I couldn't turn around
It's OK for you to hate me
For all the things I've done
I've made a few mistakes
But I'm not the only one
”
”
Five Finger Death Punch
“
It takes less courage to end your life in a burst of glory than to face the mistakes you’ve made and start over.
”
”
Lynn Austin (Fire by Night (Refiner's Fire, #2))
“
The first language humans had was gestures. There was nothing primitive about this language that flowed from people’s hands, nothing we say now that could not be said in the endless array of movements possible with the fine bones of the fingers and wrists. The gestures were complex and subtle, involving a delicacy of motion that has since been lost completely.
During the Age of Silence, people communicated more, not less. Basic survival demanded that the hands were almost never still, and so it was only during sleep (and sometimes not even then) that people were not saying something or other. No distinction was made between the gestures of language and the gestures of life. The labor of building a house, say, or preparing a meal was no less an expression than making the sign for I love you or I feel serious. When a hand was used to shield one’s face when frightened by a loud noise something was being said, and when fingers were used to pick up what someone else had dropped something was being said; and even when the hands were at rest, that, too, was saying something. Naturally, there were misunderstandings. There were times when a finger might have been lifted to scratch a nose, and if casual eye contact was made with one’s lover just then, the lover might accidentally take it to be the gesture, not at all dissimilar, for Now I realize I was wrong to love you. These mistakes were heartbreaking. And yet, because people knew how easily they could happen, because they didn’t go round with the illusion that they understood perfectly the things other people said, they were used to interrupting each other to ask if they’d understood correctly. Sometimes these misunderstandings were even desirable, since they gave people a reason to say, Forgive me, I was only scratching my nose. Of course I know I’ve always been right to love you. Because of the frequency of these mistakes, over time the gesture for asking forgiveness evolved into the simplest form. Just to open your palm was to say: Forgive me."
"If at large gatherings or parties, or around people with whom you feel distant, your hands sometimes hang awkwardly at the ends of your arms – if you find yourself at a loss for what to do with them, overcome with sadness that comes when you recognize the foreignness of your own body – it’s because your hands remember a time when the division between mind and body, brain and heart, what’s inside and what’s outside, was so much less. It’s not that we’ve forgotten the language of gestures entirely. The habit of moving our hands while we speak is left over from it. Clapping, pointing, giving the thumbs-up, for example, is a way to remember how it feels to say nothing together. And at night, when it’s too dark to see, we find it necessary to gesture on each other’s bodies to make ourselves understood.
”
”
Nicole Krauss (The History of Love)
“
Dogs will give you unconditional love until the day they die. Cats will make you pay for every mistake you've ever made since the day you were born.
”
”
Oliver Gaspirtz (A Treasury of Pet Humor)
“
Irimiás: God is not made manifest in language, you dope. He's not manifest in anything. He doesn't exist... God was a mistake. I've long understood there is zero difference between me and a bug, or a bug and a river, or a river and a voice shouting above it. There's no sense or meaning in anything. It's nothing but a network of dependency under enormous fluctuating pressures. It's only our imaginations, not our senses, that continually confront us with failure and the false belief that we can raise ourselves by our own bootstraps from the miserable pulp of delay. There's no escaping that, stupid.
”
”
László Krasznahorkai (Satantango)
“
the two big mistakes we’ve made: overprotecting children in the real world (where they need to learn from vast amounts of direct experience) and underprotecting them online (where they are particularly vulnerable during puberty).
”
”
Jonathan Haidt (The Anxious Generation: How the Great Rewiring of Childhood Is Causing an Epidemic of Mental Illness)
“
So, so you made a lot of mistakes
Walked down the road a little sideways
Cracked a rib when you hit the wall
Yeah, you've had a pocket full of regrets
Pull you down faster than a sunset
Hey, it happens to us all
When the cold hard rain just won't quit
And you can't see your way out of it
You find your faith has been lost and shaken
You take back what's been taken
Get on your knees and dig down deep
You can do what you think is impossible
Keep on believing, don't give in
It'll come and make you whole again
It always will, it always does
Love is unstoppable
”
”
Rascal Flatts
“
I didn’t want to be the kind of guy who had no regrets. Honestly, I wouldn’t trust someone who had no regrets. It means that they’ve never learned from their mistakes, or they’re too arrogant to realise they’ve made them in the first place … I think having regrets makes us better people … So…instead of having no regrets, we should know our regrets … Wear them like a bade of lessons learned … If we can’t recognise when we’ve messed up, then how will we know when we’ve gotten it right?
”
”
Priscilla Glenn (Emancipating Andie)
“
Now, I've made mistakes. I've lost people. But you've thrown them away. There is an important difference.
”
”
Claire Vaye Watkins (Gold Fame Citrus)
“
I survived something I shouldn't have. Final thoughts: it's about time. I've made mistake, but I'm gonna go out right." -Rufus Emeterio-
”
”
Adam Silvera
“
I look at the moon, and I can’t help but think of everyone else on the planet who’s looking up at it, too, and how alone I am, even though we’re all here on the same Earth. I think about the fact that we should all be connected, but we’re not. We’re too preoccupied trying to hurt each other. It makes me think of how hypocritical I can be, and the mistakes I’ve made, and the ways I’ve hurt people, too.
”
”
Kacen Callender (Felix Ever After)
“
The moment you feel the need to tightly manage someone, you’ve made a hiring mistake. The best people don’t need to be managed. Guided, taught, led—yes. But not tightly managed.
”
”
Jim Collins (Good to Great: Why Some Companies Make the Leap...and Others Don't)
“
Class never runs scared.
It is sure-footed and confident.
It can handle anything that comes along.
Class has a sense of humor.
It knows a good laugh is the best lubricant for oiling the machinery of human relations.
Class never makes excuses.
It takes its lumps and learns from past mistakes.
Class knows that good manners are nothing more than a series of small, inconsequential sacrifices.
Class bespeaks an aristocracy that has nothing to do with ancestors or money.
Some wealthy “blue bloods” have no class, while individuals who are struggling to make ends meet are loaded with it.
Class is real.
It can’t be faked.
Class never tried to build itself by tearing others down.
Class is already up and need not strive to look better by making others look worse.
Class can “walk with kings and keep it’s virtue and talk with crowds and keep the common touch.” Everyone is comfortable with the person who has class because that person is comfortable with himself.
If you have class, you’ve got it made.
If you don’t have class, no matter what else you have, it doesn’t make any difference.
”
”
Ann Landers
“
The difference between a good administrator and a bad one is about five heartbeats. Good administrators make immediate choices. […] They usually can be made to work. A bad administrator, on the other hand, hesitates, diddles around, asks for committees, for research and reports. Eventually, he acts in ways which create serious problems. […] “A bad administrator is more concerned with reports than with decisions. He wants the hard record which he can display as an excuse for his errors. […] Oh, they depend on verbal orders. They never lie about what they’ve done if their verbal orders cause problems, and they surround themselves with people able to act wisely on the basis of verbal orders. Often, the most important piece of information is that something has gone wrong. Bad administrators hide their mistakes until it’s too late to make corrections.
”
”
Frank Herbert (God Emperor of Dune (Dune #4))
“
I want to feel as though I am loved, no matter what decisions or mistakes I've made. Because I love him for all of his.
”
”
Amy Ewing (The Black Key (The Lone City, #3))
“
Three hundred years she's had to learn the color of his moods. She knows them all by now, the meaning of every shade, knows his temper, wants, and thoughts, just by judging those eyes.
She marvels, that in the same amount of time, he never learned to read her own.
Or perhaps he only saw what he expected: a woman’s anger, and her need, her fear and hope and lust, all the simpler, more transparent things.
But he never learned to read her cunning, or her cleverness, never learned to read the nuances of her actions, the subtle rhythms of her speech.
And as she looks at him, she thinks of all the things her eyes would say.
That he has made a grand mistake.
”
”
Victoria Schwab (The Invisible Life of Addie LaRue)
“
I’ve made a thousand mistakes in my life, and I might make a thousand more, but walking away from you won’t be one of them. I don’t deserve you, but if you were mine, I’d spend every last damn day of my life trying.
”
”
Melanie Harlow (If You Were Mine (After We Fall, #3))
“
If you want my advice, Peter, you've made a mistake already. By asking me. By asking anyone. Never ask people. Not about your work. Don't you know what you want? How can you stand it, not to know?
”
”
Ayn Rand (The Fountainhead)
“
... I learn from my mistakes, and falling for you was by far the worst mistake I’ve ever made.
”
”
Daniele Lanzarotta (Blood Bound (Imprinted Souls, #4))
“
You are more than the choices that you've made,
You are more than the sum of your past mistakes,
You are more than the problems you create,
You've been remade.
”
”
Tenth Avenue North
“
A year ago, I would’ve made fun of that guy, saying what a huge mistake he was making. Guessing how long the marriage would last. But then I met you and now I understand why he just got down on one knee in front of a room full of people and asked a girl to marry him.
”
”
Allie Everhart (Loving You (Jade, #3))
“
if i have gained anything over these months, it is the knowledge there is no starting over - only living with the mistakes you've made. but then, caleb taught me long ago you can't build anything without some sort of foundation. maybe we learn to live our lives by understanding, firsthand, how not to live them.
”
”
Jodi Picoult (Perfect Match)
“
I think about all of the things I've done, Oskar. And all of the things I didn't do. The mistakes I've made are dead to me. But I can't take back the things I never did.
”
”
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
“
I think I’ve made a mistake.” “Then make it into something better.
”
”
Stephanie Garber (Caraval (Caraval, #1))
“
I’ve made many mistakes, but I’ve learned from them.
”
”
Oscar Auliq-Ice
“
My friend Madea has "attitude" that comes with wisdom. Back in our teens and twenties, we thought we knew everything and made all those foolish mistakes. Then, when we got a little older, at thirty, we started getting these flashes of light, revelations of what a great and lucky thing it is that we didn't get caught doing those stupid things back then. Around forty, if we are lucky, we stop lying to ourselves. Fifty and above, we've run out of patience for foolishness. Take me to the bottom line.
”
”
Tyler Perry (Don't Make a Black Woman Take Off Her Earrings: Madea's Uninhibited Commentaries on Love and Life)
“
For a moment, I panic. It's that feeling of falling when you know without question, that you've lost control of your car, or made a mistake that's beyond repair.
'What do I do now?' I ask desperately. 'Tell me! What do I do now?'
He remains calm.
He looks at me closely and says, 'Keep living, Ed... It's only the pages that stop here.
”
”
Markus Zusak (I Am the Messenger)
“
About a hundred or so years before you were born, a Dark-Hunter made the mistake of falling in love with his Talpina. Unfortunately for the rest of us, she didn’t pass Artemis’s test. Artemis was so angry, she stepped in and banished the Talpinas from us, and implemented the oh so wonderful you’re-only-supposed-to-sleep-with-them-once rule. As further backlash, Acheron came up with the never-touch-your-Squire law. I tell you, you haven’t lived until you’ve tried to find a decent one-night stand in seventh-century Britain. (Talon)
”
”
Sherrilyn Kenyon (Night Embrace (Dark-Hunter, #2))
“
You are my everything,” Julie said. “You are challenging, and difficult, and guarded. I love those things about you. You are fascinating, and complex, and brilliant, and funny. I love those things about you, too. I am in love with your selflessness and your ability to sacrifice too much. I am in love with the parts of you that fear and that hurt and that push people away. I am love in with your vulnerability and your strength. I am in love with your capacity to love harder and with more loyalty than I ever imagined anyone could. I am in love with the choices you’ve made, even the mistakes, because they brought us to where we are right now. More than those things, I am very simply in love with you and everything that you are. Your past, your present, and your future.” She touched her fingers to him, tracing his lips and then moving across his jaw and over his cheek. “I think about you all the time, and I can’t get you out of my head. I am listening to my heart, finally, without doubting anything. And I will never stop.” And then she kissed him. Long and hard and endlessly, only eventually slowing. “Now open your eyes and look at me. I feel everything that you feel, Matt. I always have, and I know that now. And it is time to stop hurting.
”
”
Jessica Park (Flat-Out Matt (Flat-Out Love, #1.5))
“
Dendera silences me with a hand on my cheek. "You listen to me, Meira Dynam. Yes, you have made mistakes, but I have watched you succumb to this role over the past few months, and that, I believe, is the biggest mistake you have made. The biggest mistake we all made. We've all been afraid, and Meira, you look at me. You saved us. You, this beautiful, wild girl before me - you saved us. So be you again, and whoever that is will be exactly what we need.
”
”
Sara Raasch (Ice Like Fire (Snow Like Ashes, #2))
“
I hope that in this year to come, you make mistakes.
Because if you are making mistakes, then you are making new things, trying new things, learning, living, pushing yourself, changing yourself, changing your world. You’re doing things you’ve never done before, and more importantly, you’re Doing Something.
So that’s my wish for you, and all of us, and my wish for myself. Make New Mistakes. Make glorious, amazing mistakes. Make mistakes nobody’s ever made before. Don’t freeze, don’t stop, don’t worry that it isn’t good enough, or it isn’t perfect, whatever it is: art, or love, or work or family or life.
Whatever it is you’re scared of doing, Do it.
Make your mistakes, next year and forever
”
”
Neil Gaiman
“
All the mistakes I’ve made have been because I’ve assumed something and then acted as though it was fact. Very dangerous, Agent Lemieux. Believe me. I wonder if you haven’t already leaped to a false conclusion?
”
”
Louise Penny (A Fatal Grace (Chief Inspector Armand Gamache, #2))
“
An exceptional future can only be built on the transformation of the mess I’ve made, not the elimination of it.
”
”
Craig D. Lounsbrough
“
Admit that you're wrong- or that you've made a mistake.
”
”
Richard Carlson (Don't Sweat the Small Stuff for Teens: Simple Ways to Keep Your Cool in Stressful Times)
“
because when i feel the human world is doomed, has doomed itself by its own mingy beastliness, then i feel the colonies aren't far enough. the moon wouldn't be far enough, because even there you could look back and see the earth, dirty, beastly, unsavory among all the stars: made foul by men. Then i feel i've swallowed gall, and its eating my inside out, and nowhere's far enough to get away. but when i get a turn, i forget it all again. though it's a shame, what's been done to people these last hundred years: men turned into nothing but labor-insects, and all their manhood taken away, and all their real life. i'd wipe the machines off the face of the earth again, and end the industrial epoch absolutely, like a black mistake. but since i can't, an' nobody can, i'd better hold my peace, an' try an' life my own life: if i've got one to live, which i rather doubt.
”
”
D.H. Lawrence (Lady Chatterley's Lover)
“
ain't nobody up there still mad about anything. all is forgiven. They love you, came to help, know what mistakes they've made and what you did, too... but it's cool, now that they crossed over." He stood and walked over to the window to get some sunshine and to mentally breathe."I didn't understand it, never did until I saw it. They're in a better place; only want you to be safe and happy. That's it. that's all they want.
”
”
L.A. Banks (The Forbidden (Vampire Huntress Legend, #5))
“
She tells me about dreams. She says my dreams are helium and balloons, and I've made the mistake of letting go a few to many times, but I still got this one. Tied around my finger like a wedding ring because even though I don't believe in marriages, I'm gonna bring this one home.
”
”
Shane L. Koyczan (Silence Is A Song I Know All The Words To)
“
Every mistake I’ve made, every wrong I’ve repeated, every unhealed headache: I feel it all and more as the weight of my old world crushes me. If you looked inside me, I bet you’d find two different hearts beating for two different people, like the sun and moon up at the same time, a terrible eclipse I’m the only witness to.
My worlds collided and I can’t get up.
”
”
Adam Silvera (More Happy Than Not)
“
People aren’t fundamentally good or bad. It’s all about the choices you make. You have to choose to be a good person over and over. You can’t change the past; you can’t fix the mistakes you’ve made. You just have to choose to be better.
”
”
Cameron Lund (Heartbreakers and Fakers)
“
Give yourself to me, Gemma, and you will never be alone again. You'll be worshiped. Adored. Loved. But you must give yourself to me- a willing sacrifice.'
Tears slip down my face. 'Yes,' I murmur.
Gemma, don't listen,' Circe says hoarsely, and for a moment, I don't see Eugenia; I see only the tree, the blood pumping beneath its pale skin, the bodies of the dead hanging from it like chimes.
I gasp, and Eugenia is before me again. 'Yes, this is what you want, Gemma. Try as you might, you cannot kill this part of yourself. The solitude of the self taht waits just under the stairs of your soul. Always there, no matter how much you've tried to get rid of it. I understand. I do. Stay with me and never be lonely again.'
Don't listen... to that... bitch,' Circe croaks, and the vines tighten around her neck.
No, you're wrong,' I say to Eugenia as if coming out of a long sleep. 'You couldn't kill this part of yourself. And you couldn't accept it, either.'
I'm sure I don't know what you mean.' she says, sounding uncertain for the first time.
That's why they were able to take you. They found your fear.'
And what, pray, was it?'
Your pride. You couldn't believe you might have some of the same qualities as the creatures themselves.'
I am not like them. I am their hope. I sustain them.'
No. You tell yourself that. That's why CIrce told me to search my dark corners. So I wouldn't be caught off guard.'
Circe laughts, a splintered cackle that finds a way under my skin.
And what about you, Gemma?' Eugenia purrs. 'Have you "searched" yourself, as you say?'
I've done things I'm not proud of. I've made mistakes,' I say, my voice growing stronger, my fingers feeling for the dagger again. 'But I've done good, too.'
And yet, you're alone. All that trying and still you stand apart, watching from the other side of the grass. Afraid to have what you truly want because what if it's not enough after all? What if you get it and you still feel alone and apart? So much better to wrap yourself in the longing. The yearning. The restlessness. Poor Gemma. She doesn't quite fit, does she? Poor Gemma- all alone.
It's as if she's delivered a blow to my heart. My hand falters. 'I-I...'
Gemma, you're not alone,' Circe gasps, and my hand touches metal.
No. I'm not. I'm like everyone else in this stupid, bloody, amazing world. I'm flawed. Impossibly so. But hopeful. I'm still me.' I've got it now. Sure and strong in my grip. 'I see through you. I see the truth.
”
”
Libba Bray (The Sweet Far Thing (Gemma Doyle, #3))
“
Jeff," she said, sobbing, "I'm scared! I don't want to die! Not … die forever, and—"
He hugged her tightly, rocked her in his arms and felt his own tears trickle down his face. "Just think of how we've lived. Think of all we've done, and let's try to be grateful for that."
"But we could have done so much more. We could have—"
"Hush," he whispered. "We did all we could. More than either of us ever dreamed when we were first starting out."
She leaned back, searched his eyes as if seeing them for the first time, or the last. "I know," she sighed. "It's just … I got so used to the endless possibilities, the time … never being bound by our mistakes, always knowing we could go back and change things, make them better. But we didn't, did we? We only made things different.
”
”
Ken Grimwood (Replay)
“
I’ve spent my adult life trying to mend the mistakes I made when I was young, which is what we all do, I suppose—
”
”
Tananarive Due (The Good House)
“
So often we are defined by what we've done
and the mistakes we've made
For once I would like to be
Measured by the steps I took today
Rather than the footprints of yesterday
”
”
Samantha King (Born to Love, Cursed to Feel)
“
If you regret the mistakes you've made and don't wish to repeat them, then your whole life has been worthwhile.
”
”
E.R. Mason
“
If the Good Lord made a mistake in us people it was in making us want to live when we’ve got the least excuse for it.
”
”
Jim Thompson (The Killer Inside Me)
“
We've made hard choices, and maybe some of them were mistakes.
”
”
Romina Russell (Thirteen Rising (Zodiac, #4))
“
I don't have a lot of regrets about the way I've lived my life. Not because I haven't made mistakes - I've made plenty. But what's the point of regret? You can't undo the past.
”
”
Cindy Crawford
“
Understanding America for the Non-American Black: Thoughts on the Special White Friend
One great gift for the Zipped-Up Negro is The White Friend Who Gets It. Sadly, this is not as common as one would wish, but some are lucky to have that white friend who you don’t need to explain shit to. By all means, put this friend to work. Such friends not only get it, but also have great bullshit-detectors and so they totally understand that they can say stuff that you can’t. So there is, in much of America, a stealthy little notion lying in the hearts of many: that white people earned their place at jobs and schools while black people got in because they were black. But in fact, since the beginning of America, white people have been getting jobs because they were white. Many whites with the same qualifications but Negro skin would not have the jobs they have. But don’t ever say this publicly. Let your white friend say it. If you make the mistake of saying this, you will be accused of a curiosity called “playing the race card.” Nobody quite knows what this means.
When my father was in school in my NAB (Non American Black) country, many American Blacks could not vote or go to good schools. The reason? Their skin color. Skin color alone was the problem. Today, many Americans say that skin color cannot be part of the solution. Otherwise it is referred to as a curiosity called “reverse racism.” Have your white friend point out how the American Black deal is kind of like you’ve been unjustly imprisoned for many years, then all of a sudden you’re set free, but you get no bus fare. And, by the way, you and the guy who imprisoned you are now automatically equal. If the “slavery was so long ago” thing comes up, have your white friend say that lots of white folks are still inheriting money that their families made a hundred years ago. So if that legacy lives, why not the legacy of slavery? And have your white friend say how funny it is, that American pollsters ask white and black people if racism is over. White people in general say it is over and black people in general say it is not. Funny indeed. More suggestions for what you should have your white friend say? Please post away. And here’s to all the white friends who get it.
”
”
Chimamanda Ngozi Adichie (Americanah)
“
I just want you to know that I love you. Once you’re older, you’ll realize that I made an endless line of mistakes during your childhood. I know that. I’ve resigned myself to it. But I just want you to know that I did my very, very best. I left it all on the field. I gave this every ounce of everything I had. I
”
”
Fredrik Backman (Things My Son Needs to Know about the World)
“
Every previous revolutionary movement in human history has made the same basic mistake. They’ve all seen power as a static apparatus, as a structure. And it’s not. It’s a dynamic, a flow system with two possible tendencies. Power either accumulates, or it diffuses through the system. In most societies, it’s in accumulative mode, and most revolutionary movements are only really interested in reconstituting the accumulation in a new location. A genuine revolution has to reverse the flow. And no one ever does that, because they’re all too fucking scared of losing their conning tower moment in the historical process. If you tear down one agglutinative power dynamic and put another one in its place, you’ve changed nothing. You’re not going to solve any of that society’s problems, they’ll just reemerge at a new angle. You’ve got to set up the nanotech that will deal with the problems on its own. You’ve got to build the structures that allow for diffusion of power, not re-grouping. Accountability, demodynamic access, systems of constituted rights, education in the use of political infrastructure
”
”
Richard K. Morgan (Woken Furies (Takeshi Kovacs, #3))
“
Stop feeling useless and worthless. Stop drowning in regret. Stop listening to the persistent voice of your past failures. You were that child once, who Margo would have killed for. Fight for yourselves. You have a right to live, and to live well. You’ll inherit flaws; you’ll develop new ones. And that’s okay. Wear them, own them, use them to survive. Don’t kill others; don’t kill yourselves. Be bold about your right to be loved. And most importantly, don’t be ashamed of where you’ve come from, or the mistakes you’ve made. In blindness, love will exhume you.
”
”
Tarryn Fisher (Marrow)
“
[...] nothing comes from comfort but the fear of losing it, and that's exactly where my generation made its big mistake. Yet discomfort's no good either. There's just no winning, is there? Do it one way and lose your soul; do it the other way and lose your livelihood. You guys who run the world, you've got all the bases covered.
”
”
Duke Haney (Banned for Life)
“
sometimes people are broken and don’t know how to mend because they aren’t able to say what they need or deeply want. Sometimes you get to a point in life where you realize you’ve made a terrible mistake and you desperately need to fix it, but it’s so deep and bitterly ingrained you can’t start.
”
”
Loreth Anne White (A Dark Lure (A Dark Lure, #1))
“
So it hadn’t been wrong or dishonest of her to say no this morning, when he asked if she hated him, any more than it had been wrong or dishonest to serve him the elaborate breakfast and to show the elaborate interest in his work, and to kiss him goodbye. The kiss, for that matter, had been exactly right—a perfectly fair, friendly kiss, a kiss for a boy you’d just met at a party, a boy who’d danced with you and made you laugh and walked you home afterwards, talking about himself all the way.
The only real mistake, the only wrong and dishonest thing, was ever to have seen him as anything more than that. Oh, for a month or two, just for fun, it might be all right to play a game like that with a boy; but all these years! And all because, in a sentimentally lonely time long ago, she had found it easy and agreeable to believe whatever this one particular boy felt like saying, and to repay him for that pleasure by telling easy, agreeable lies of her own, until each was saying what the other most wanted to hear—until he was saying “I love you” and she was saying “Really, I mean it; you’re the most interesting person I’ve ever met.” What a subtle, treacherous thing it was to let yourself go that way! Because once you’d started it was terribly difficult to stop; soon you were saying “I’m sorry, of course you’re right,” and “Whatever you think is best,” and “You’re the most wonderful and valuable thing in the world,” and the next thing you knew all honesty, all truth, was as far away and glimmering, as hopelessly unattainable as the world of the golden people. Then you discovered you were working at life the way the Laurel Players worked at The Petrified Forest, or the way Steve Kovick worked at his drums—earnest and sloppy and full of pretension and all wrong; you found you were saying yes when you meant no, and “We’ve got to be together on this thing” when you meant the very opposite; then you were breathing gasoline as if it were flowers and abandoning yourself to a delirium of love under the weight of a clumsy, grunting, red-faced man you didn’t even like—Shep Campbell!—and then you were face to face, in total darkness, with the knowledge that you didn’t know who you were. (p.416-7)
”
”
Richard Yates (Revolutionary Road)
“
It's hard to explain. I mean... I don't know. I don't know anything anymore. When we were young, things were so much simpler... You have to understand that I'm not the girl I used to be. I'm a wide and a mother now, and like everyone else I am not perfect. I struggle with the choices I've made and I make mistakes, and half the time I wonder who I really am or what I'm doing or whether my life means anything at all. I'm not special at all, and you need to know that. You have to understand that I'm just...ordinary.
”
”
Nicholas Sparks (The Best of Me)
“
I’m trying to decide
Which way to go
I think I made a wrong turn back there somewhere
Didn’t cha know, didn’t cha know
Tried to move but I lost my way
Didn’t cha know, didn’t cha know
Stopped to watch my emotions sway
Didn’t cha know, didn’t cha know
Knew the toll, but I would not pay
Didn’t cha know, didn’t cha know
Cause you never know where the cards may lay
Time to save the world
Where in the world is all the time
So many things I still don’t know
So many times I’ve changed my mind
Guess I was born to make mistakes
But I ain’t scared to take the weight
So when I stumble off the path
I know my heart will guide me back
”
”
Erykah Badu
“
Loving someone doesn't mean you're never going to make mistakes," he said. "I.'ve made more than my share. I know that. And some of them I will never have the chance to make up for. But I'm trying my best with your brother. He knows how much I love him. How proud I am of him. I need you to know it too. You kids, you're the one thing I'm certain of, the one thing I'll always be certain of. Not the Clave. Not, unfortunately, my marriage. You. And if I have to, I'll spend the rest of my life trying to prove to you that you can be certain of me.
”
”
Cassandra Clare (Tales from the Shadowhunter Academy)
“
Whoever said that the past isn’t dead had it backward. It’s the future that’s already dead, already
played out. This whole night has been a mistake. It’s not going to let me rewind. Or unmake the
mistakes I’ve made. Or the promises I’ve made. Or have her back. Or have me back.
”
”
Gayle Forman (Where She Went (If I Stay, #2))
“
Ollie Girl, I’ve made a lot of mistakes, lived my life a little too carelessly, in ways that people didn’t approve of. But I wouldn’t change a thing. Because I was waiting for you. Waiting for a love that would walk into my life and blow my whole world up. I want to celebrate every Valentine’s Day & birthday with you. Love, Carter
”
”
Becka Mack (Consider Me (Playing For Keeps, #1))
“
August 21.
... I've become pretty good at telling weeds fom not-weeds. But every once in a while I have my doubts. I come across an especially difficult root. I pull and it doesn't come out. I pull again. It resists. I dig my gloved fingers into the soil and grab it with both hands and pull yet again. It begins to come out, but I can see it's going to take several more hard pulls. And that's when the doubts begin. I begin to wonder: Have I made a mistake? Is this really a weed? If it's not supposed to be here, why is it resisting so? But it's too late now. There's nothing to do with a plant half pulled but to go all the way. And so I tug some more, and finally, shedding clods of dirt and worms, it breaks free of the earth---and I try not to hear the tiny, anguished cry.
”
”
Jerry Spinelli (Love, Stargirl (Stargirl, #2))
“
I know I'm a hard woman. I've made a few mistakes in my life. But I'm no worse than these other mothers out here who pray "Lord, let me child be wise and good" when they really mean "Let this child have more power and money than I have." I don't do that with my children. That's what our father did to us. He built things. The Jewish church, a lot of houses and buildings and things. He tried to build us, too. But he never finished. Maybe he wasn't building us the right way before he left this life. Maybe that's why we're like we are now.
”
”
James McBride (The Heaven & Earth Grocery Store)
“
Okay... Take however much time you need. I’ll wait.”
“Why?”
“Because you’re it for me. Whether it’s today, tomorrow, a year, or decades from now, that’ll never change... I’m human, Red. I’ve made mistakes in the past, and I’ll make many more in the future. But one mistake I’ll never make is letting you go, not when there’s even a sliver of a chance left for us. Because the possibility of you is better than the reality of
anyone else.”
“So, like I said… I’ll wait. For as long as it takes.
”
”
Ana Huang (Twisted Hate (Twisted, #3))
“
from the Basement tapes
Eric outdid Dylan with the apologies. To the untrained eye, he seemed sincere. The psychologists on the case found Eric less convincing. They saw a psychopath. Classic. He even pulled the stunt of self-diagnosing to dismiss it. "I wish I was a fucking sociopath so I didn't have any remorse," Eric said. "But I do."
Watching that made Dr. Fuselier angry. Remorse meant a deep desire to correct a mistake. Eric hadn't done it yet. He excused his actions several times on the tapes. Fuselier was tough to rattle, but that got to him.
"Those are the most worthless apologies I've ever heard in my life," he said. It got more ludicrous later, when Eric willed some of his stuff to two buddies, "if you guys live."
"If you live?" Fuselier repeated. "They are going to go in there and quite possibly kill their friends. If they were the least bit sorry they would not do it!
”
”
Dave Cullen (Columbine)
“
[When explaining over reactions to small mistakes] I get swallowed up in the moment, and I can't tell the right response from the wrong response. All I know is that I have to get out of the situation as soon as I can, so I don't drown. To get away, I'll do anything. Crying, screaming and throwing things, hitting out even... Finally, finally, I'll calm down and come back to myself. Then I see no sign of the tsunami attack--only the wreckage I've made. And when I see that, I hate myself. I just hate myself.
”
”
Naoki Higashida (The Reason I Jump: the Inner Voice of a Thirteen-Year-Old Boy with Autism)
“
Even now, so many years later, all this is somehow a very evil memory. I have many evil memories now, but ... hadn't I better end my "Notes" here? I believe I made a mistake in beginning to write them, anyway I have felt ashamed all the time I've been writing this story; so it's hardly literature so much as a corrective punishment. Why, to tell long stories, showing how I have spoiled my life through morally rotting in my corner, through lack of fitting environment, through divorce from real life, and rankling spite in my underground world, would certainly not be interesting; a novel needs a hero, and all the traits for an anti-hero are expressly gathered together here, and what matters most, it all produces an unpleasant impression, for we are all divorced from life, we are all cripples, every one of us, more or less. We are so divorced from it that we feel at once a sort of loathing for real life, and so cannot bear to be reminded of it. Why, we have come almost to looking upon real life as an effort, almost as hard work, and we are all privately agreed that it is better in books. And why do we fuss and fume sometimes? Why are we perverse and ask for something else? We don't know what ourselves. It would be the worse for us if our petulant prayers were answered. Come, try, give any one of us, for instance, a little more independence, untie our hands, widen the spheres of our activity, relax the control and we ... yes, I assure you ... we should be begging to be under control again at once. I know that you will very likely be angry with me for that, and will begin shouting and stamping. Speak for yourself, you will say, and for your miseries in your underground holes, and don't dare to say all of us-- excuse me, gentlemen, I am not justifying myself with that "all of us." As for what concerns me in particular I have only in my life carried to an extreme what you have not dared to carry halfway, and what's more, you have taken your cowardice for good sense, and have found comfort in deceiving yourselves. So that perhaps, after all, there is more life in me than in you. Look into it more carefully! Why, we don't even know what living means now, what it is, and what it is called? Leave us alone without books and we shall be lost and in confusion at once. We shall not know what to join on to, what to cling to, what to love and what to hate, what to respect and what to despise. We are oppressed at being men--men with a real individual body and blood, we are ashamed of it, we think it a disgrace and try to contrive to be some sort of impossible generalised man. We are stillborn, and for generations past have been begotten, not by living fathers, and that suits us better and better. We are developing a taste for it. Soon we shall contrive to be born somehow from an idea. But enough; I don't want to write more from "Underground."
[The notes of this paradoxalist do not end here, however. He could not
refrain from going on with them, but it seems to us that we may stop
here.]
”
”
Fyodor Dostoevsky (Notes from Underground, White Nights, The Dream of a Ridiculous Man, and Selections from The House of the Dead)
“
Regrets are the last words you speak to your loved ones when you die and the one thing we all fear when we live. I'd rather regret the things I've done and said than regret the things I haven't done or said. It is all the experiences and people you missed out on in life that you will feel the most regretful for in the end. God will forgive you of your mistakes, but there is nothing to forgive if you have never even tried, done or said anything that made a difference in your life or others.
”
”
Shannon L. Alder
“
I came at her like a snake.
"I am fully done with other people telling me what to do with my history," I said. "My past made me who I am. There is no way to wipe it clean. I am the evidence. If you look at me and see track marks and too-skinny arms and hands that know how to hold a gun and a brain that is sharper and faster than yours, then that is not my problem. Do you hear me? I have regrets, and I have made mistakes, but I am who I am. I'm done pretending that I've wholly remade myself, that I'm going to ... to hie myself away in some lecture hall for the next four years to make you all comfortable." She was backed up against the door, now, her arms wrapped around herself, and I didn't care. "If you want to stop seeing it, you'll have to stop seeing me, and I am not going to disappear.
”
”
Brittany Cavallaro (A Question of Holmes (Charlotte Holmes, #4))
“
If you don’t know something, ask. You have to be able to admit you don’t know something, otherwise you’ll just get more and more confused, or worse, you’ll jump to a false conclusion. All the mistakes I’ve made have been because I’ve assumed something and then acted as though it was fact.
”
”
Louise Penny (A Fatal Grace (Chief Inspector Armand Gamache, #2))
“
We all go through life as puzzled monkeys. The minute we think we're any more than that, we've made a grave mistake. We're just trying to gain some meaning of it all, some understanding. The only thing we can do is buy the ticket, take the ride. And offer our barbaric yawps to the world...
”
”
Nate Jordon
“
Never felt anything like this. Told you I didn’t care how crazy this was. Still don’t. I love you.”
“Brian,” I whispered.
He took my face between his hands.
“I love you, Syd,” he repeated, eyes serious. “Fuck it, all right? Fuck our crazy. I want it.”
A laugh bubbled in my throat.
“I love you, too,” I said. “You’re the best mistake I’ve ever made.
”
”
J. Daniels (Four Letter Word (Dirty Deeds, #1))
“
I should have learned many things from that experience, but when I look back on it, all I gained was one single, undeniable fact. That ultimately I am a person who can do evil. I never consciously tried to hurt anyone, yet good intentions notwithstanding, when necessity demanded, I could become completely self-centered, even cruel. I was the kind of person who could, using some plausible excuse, inflict on a person I cared for a wound that would never heal.
College transported me to a new town, where I tried, one more time, to reinvent myself. Becoming someone new, I could correct the errors of my past. At first I was optimistic: I could pull it off. But in the end, no matter where I went, I could never change. Over and over I made the same mistake, hurt other people, and hurt myself in the bargain.
Just after I turned twenty, this thought hit me: Maybe I've lost the chance to ever be a decent human being. The mistakes I'd committed—maybe they were part of my very makeup, an inescapable part of my being. I'd hit rock bottom, and I knew it.
”
”
Haruki Murakami (South of the Border, West of the Sun)
“
Facts and Observations #1 If people think you’re dishonored, it’s no different from actually having been dishonored, except you still don’t know anything. #2 When you’ve been ruined, there are only two options: death or marriage. #3 Since I am gravely healthy, the first option isn’t likely. #4 On the other hand, ritual self-sacrifice in Iceland cannot be ruled out. #5 Lady Berwick advises marriage and says Lord St. Vincent is “bred to the bill.” Since she once made the same remark about a stud horse she and Lord Berwick bought for their stable, I have to wonder if she’s looked in his mouth. #6 Lord St. Vincent reportedly has a mistress. #7 The word “mistress” sounds like a cross between mistake and mattress. “We’ve
”
”
Lisa Kleypas (Devil in Spring (The Ravenels, #3))
“
An embroidery circle takes up a spot in the middle of the counter. I rush toward it and pick it up. My heart rate speeds up in my chest as I check out the most beautiful design I’ve ever seen. There’s no mistaking who made this. Santiago crafted a field of wildflowers, making up every color of the rainbow. It’s hands-down the best gift anyone has given me. A wobbly looking quote takes up the top of the design. Where most people see weeds, I only see you—my beautiful wildflower, untamed and free.
”
”
Lauren Asher (Redeemed (Dirty Air, #4))
“
Why must we be put down when we try to get away?
Why must we all grow up when we could just play and play?
Good things in life are free, can't buy everything, that's true
Only one thing wrong with that, what it don't buy I don't use "
"A change of speed, a change of style.
A change of scene, with no regrets,
A chance to watch, admire the distance,
Still occupied, though you forget.
Different colours, different shades,
Over each mistakes were made.
I took the blame."
"It's just second nature,
It's what we've been shown,
We're living by your rules
”
”
Ian Thomas Curtis
“
We have made mistakes. We haven’t always used our power wisely. We have abused it sometimes and we’ve been arrogant. But, as often as not, we recognized those wrongs, debated them openly, and tried to do better. And the good we have done for humanity surpasses the damage caused by our errors. We have sought to make the world more stable and secure, not just our own society. We have advanced norms and rules of international relations that have benefited all. We have stood up to tyrants for mistreating their people even when they didn’t threaten us, not always, but often. We don’t steal other people’s wealth. We don’t take their land. We don’t build walls to freedom and opportunity. We tear them down. To fear the world we have organized and led for three-quarters of a century, to abandon the ideals we have advanced around the globe, to refuse the obligations of international leadership for the sake of some half-baked, spurious nationalism cooked up by people who would rather find scapegoats than solve problems is unpatriotic. American nationalism isn’t the same as in other countries. It isn’t nativist or imperial or xenophobic, or it shouldn’t be. Those attachments belong with other tired dogmas that Americans consigned to the ash heap of history. We live in a land made from ideals, not blood and soil. We are custodians of those ideals at home, and their champion abroad.
”
”
John McCain (The Restless Wave: Good Times, Just Causes, Great Fights, and Other Appreciations)
“
My heart seemed to stop. Garret paused, as if gathering his thoughts, or his courage, then took a deep breath. “I know I’ve made mistakes,” he continued, shaking his head. “But there’s still the chance for me to fix them. I shouldn’t have walked out that night.” His brow creased, a flicker of pain and regret going through his eyes. “Ember, I know you can’t feel what I do,” he said. “I get that. But…I want to be with you. And if that’s not possible, I’ll be content just to be close. Fighting Talon with you and Riley, helping people, saving other dragons from the Order-there is nothing I want more. And nowhere else I want to be.
”
”
Julie Kagawa (Soldier (Talon, #3))
“
Sometimes, people never stood a chance in the beginning. Or they might have made a mistake. When people start saying things like she must be a bad mother because of that mistake." .... "It's not fair. People claim to know you through the things you've done and not by sitting down and listening to you speak for yourself.
”
”
Hannah Kent (Burial Rites)
“
Big budget. Really? If you are in a horror flick, it’s almost certainly alien or satanic in nature. But it’s more likely that you’ve made the common mistake of misdiagnosing a “psychological thriller” as a horror movie. If so, heed this advice: If you’re looking for your child, he/she probably never existed. Also: your husband did it.
”
”
Seth Grahame-Smith (How to Survive a Horror Movie: All the Skills to Dodge the Kills (How to Survive))
“
I admit it. I'd made some mistakes. Okay, some big mistakes. Loads of them. But you can't hide in your room forever feeling sorry for yourself. It's not practical. At some point, you've got to get back out there, face up to things, and confront your demons. Ever since I can remember, I'd wanted to be clever. Some people are born clever, same way some people are born beautiful. I'm not one of those people. I'm going to have to work at it, put in the effort, and if I mess it up, I'll learn from it. Besides, sometimes it's not about knowing the right answer. Sometimes it's about asking the right questions" - Starter for 10
”
”
David Nicholls (Starter for Ten)
“
Anxiety
I struggle with things that are as easy to others as breathing.
Like breathing. Like answering the phone. Or sending that email I have been meaning to for weeks.
I panic when I am asked out to dinner, even if it’s with someone I really want to see.
It’s hard for me to commit to anything, and when I do, I overthink it until my brain tells me I have made a mistake, like a rat caught in a maze, trying to claw its way out.
I don’t know why I am like this. People ask me why I can’t do anything without jumping through a thousand thoughts, like hoops. But sometimes I wonder if my inability to function in the real world is really such a bad thing. I wonder if that’s why I’ve spent so much time sheltered in my imagination.
And because I can’t live in the real world, I create worlds to belong to. And I wonder if the very thing I’ve always been told is my weakness, has all along, been my strength.
”
”
Lang Leav (Love Looks Pretty on You (Lang Leav))
“
Zohra's voice comes loudly from her camel: "Shut the fuck up! Enjoy the fucking sunset on your fucking camels! Jesus!"
It is , after all, almost a miracle they are here. Not because they've survived the booze, the hashish, the migraines. Not that at all. It's that they've survived everything in life, humiliations and disappointments and heartaches and missed opportunities, bad dads and bad jobs and bad sex and bad drugs, all the trips and mistakes and face-plants of life, to have made it to fifty and to have made it here: to this frosted-cake landscape, these mountains of gold, the little table they can now see sitting on the dune, set with olives and pita and glasses and wine chilling on ice, with the sun waiting more patiently than any camel for their arrival. So, yes. As with almost every sunset, but with this one in particular: shut the fuck up.
”
”
Andrew Sean Greer (Less (Arthur Less, #1))
“
My mind repeats all the mistakes I’ve made, like a bad movie reminding me of all the things that cause me so much doubt.
There are things that go wrong in my life, like a roller coaster that twists and bends. People say that this is just how life goes. But too often I am wondering if maybe it’s just me. Too often I am thinking about how often my doubt shows.
”
”
Courtney Peppernell (Mending the Mind (Pillow Thoughts, #3))
“
But, if you've decided to go out on a limb and kill one, for goodness' sake, be prepared. We all read, with dismay, the sad story of a good woman wronged in south Mississippi who took that option and made a complete mess of the entire thing. See, first she shot him. Well, she saw right off the bat that that was a mistake because then she had this enormous dead body to deal with. He was every bit as much trouble to her dead as he ever had been alive, and was getting more so all the time. So then, she made another snap decision to cut him up in pieces and dispose of him a hunk at a time. More poor planning. First, she didn't have the proper carving utensils on hand and hacking him up proved to be just a major chore, plus it made just this colossal mess on her off-white shag living room carpet. It's getting to be like the Cat in the Hat now, only Thing Two ain't showing up to help with the clean-up. She finally gets him into portable-size portions, and wouldn't you know it? Cheap trash bags. Can anything else possible go wrong for this poor woman? So, the lesson here is obvious--for want of a small chain saw, a roll of Visqueen and some genuine Hefty bags, she is in Parchman Penitentiary today instead of New Orleans, where she'd planned to go with her new boyfriend. Preparation is everything.
”
”
Jill Conner Browne (The Sweet Potato Queens' Book of Love: A Fallen Southern Belle's Look at Love, Life, Men, Marriage, and Being Prepared)
“
the shooting and killing weren’t as black-and-white as most people think. The actions live in that hazy area of blown-apart stone walls and hesitations. Sometimes I shot when I shouldn’t have; other times I didn’t shoot when I should have. There was no way to explain why I did either. Everything happened so fast. Decisions had to be made. After I got home I began to see things in slow motion, see the actions that might’ve been mistakes.
”
”
Clint Van Winkle (Soft Spots: A Marine's Memoir of Combat and Post-Traumatic Stress Disorder)
“
I've never been able to forget the infinite little smile of pure affection that danced across his livid face. Enough gaiety to fill the universe.
Few people past twenty preserve any of the affection, the affection of animals. This world isn't what we expected. So our looks change! They change plenty! We made a mistake! And turned into a thorough stinker in next to no time! Past twenty it shows in our face! A mistake! Our face is just a mistake!
”
”
Louis-Ferdinand Céline (Journey to the End of the Night)
“
Rubbish," he said. "Firstly, stop talking as if you did anything but what I wanted. Secondly--well, you're a slippery bastard, granted. You've made plenty of mistakes and done a lot of bad things and told an incredible number of lies. You're an utter shit. Sorry, what was I saying? I got carried away.
”
”
K.J. Charles (The Sugared Game (The Will Darling Adventures, #2))
“
As a kid I understood that people were different colors, but in my head white and black and brown were like types of chocolate. Dad was the white chocolate, mom was the dark chocolate, and I was the milk chocolate. But we were all just chocolate. I didn’t know any of it had anything to do with “race.” I didn't know what race was. My mother never referred to my dad as white or to me as mixed. So when the other kids in Soweto called me "white", even though I was light brown, I just thought that they had their colors mixed up, like they hadn't learned them properly. "Ah, yes, my friend. You've confused aqua with turquoise. I can see how you made that mistake. You're not the first.
”
”
Trevor Noah (Born a Crime: Stories from a South African Childhood)
“
Rael Averross: "Let's say I believe that some day there's going to be perfect balance in the force, thanks to some kind of chosen one. Did you ever really think about what that would mean Qui-Gon? It would mean the darkness would be just as strong as the light. So it doesn't matter what we do because in the end, hey, it's a tie. It doesn't matter which side we choose."
Qui-Gon straightened and deactivated his blade. Rael took a step back, lowering his lightsaber but keeping it on. "It matters." Quin Gon said quietly. "It matters which side we choose. Even if there will never be more light than darkness. Even if there can be no more joy in the galaxy than there is pain. For every action we undertake, for every word we speak, for very life we touch, it matters. I don't turn toward the light because it means some day I'll win some sort of cosmic game. I turn toward it because it is the light.
.....
Averross: "You've made mistakes Qui-gon. You've touched darkness."
Qui-Gon: "Yes i have. No doubt I will again. This isn't a choice we make once and walk away from. It's the work of a lifetime.
”
”
Claudia Gray (Master and Apprentice (Star Wars))
“
You have to understand that I’m not the girl I used to be,” she said. “I’m a wife and a mother now, and like everyone else I’m not perfect. I struggle with the choices I’ve made and I make mistakes, and half the time I wonder who I really am or what I’m doing or whether my life means anything at all. I’m not special at all, Dawson, and you need to know that. You have to understand that I’m just… ordinary.” “You’re not ordinary.” Her look was pained but unflinching. “I know
”
”
Nicholas Sparks (The Best of Me)
“
Nothing? You wouldn’t change mistakes you’ve made or even, like, exams you could have done better on or something? Seriously, nothing?”
“Have you heard of the butterfly effect?”
“I am familiar with butterflies, yes. What effect do they have on my time machine?”
“Not butterflies, the butterfly effect. If I change one thing in my past, it’d cause a ripple effect, and I wouldn’t chance not meeting you.
”
”
Hannah Grace (Wildfire (Maple Hills, #2))
“
President Josiah Bartlet: Good. I like your show. I like how you call homosexuality an abomination.
Dr. Jenna Jacobs: I don't say homosexuality is an abomination, Mr. President. The Bible does.
President Josiah Bartlet: Yes, it does. Leviticus.
Dr. Jenna Jacobs: 18:22.
President Josiah Bartlet: Chapter and verse. I wanted to ask you a couple of questions while I had you here. I'm interested in selling my youngest daughter into slavery as sanctioned in Exodus 21:7. She's a Georgetown sophomore, speaks fluent Italian, always cleared the table when it was her turn. What would a good price for her be? While thinking about that, can I ask another? My Chief of Staff Leo McGarry insists on working on the Sabbath. Exodus 35:2 clearly says he should be put to death. Am I morally obligated to kill him myself, or is it okay to call the police? Here's one that's really important 'cause we've got a lot of sports fans in this town: Touching the skin of a dead pig makes one unclean. Leviticus 11:7. If they promise to wear gloves, can the Washington Redskins still play football? Can Notre Dame? Can West Point? Does the whole town really have to be together to stone my brother John for planting different crops side by side? Can I burn my mother in a small family gathering for wearing garments made from two different threads? Think about those questions, would you? One last thing: While you may be mistaking this for your monthly meeting of the Ignorant Tight-Ass Club, in this building, when the President stands, nobody sits.
”
”
Aaron Sorkin (The West Wing Script Book)
“
I used to race through books one after another, but in Book Club Harriet taught us that when you slow down, you notice more, and when you notice more, you feel more. Reading one book makes it part of all the books you've ever read, Harriet said, so she was forever dragging other books into our discussions.
QUESTION: If Gatsby had a brother like Ethan Frome, would he have made the same mistakes?
QUESTION: If Frank and Zooey could speak from the Spoon River graveyard, which one would tell the story, which the "meanwhile"?
”
”
Monica Wood (How to Read a Book)
“
I've given myself to you. You may have my body, soul, everything. Time passes, and all I want is the intimacy that slows, defeats. and confounds it. Love, that's what it is. You've always made the mistake that men often make, and carried forward the great fault that mars civilisation, which is that you believe that your philosophy is deeper than love.
”
”
Mark Helprin (Freddy and Fredericka)
“
Well… maybe so. This may be the year when we finally come face to face with ourselves; finally just lay back and say it—that we are really just a nation of 220 million used car salesmen with all the money we need to buy guns, and no qualms at all about killing anybody else in the world who tries to make us uncomfortable. The tragedy of all this is that George McGovern, for all his mistakes and all his imprecise talk about “new politics” and “honesty in government,” is one of the few men who’ve run for President of the United States in this century who really understands what a fantastic monument to all the best instincts of the human race this country might have been, if we could have kept it out of the hands of greedy little hustlers like Richard Nixon. McGovern made some stupid mistakes, but in context they seem almost frivolous compared to the things Richard Nixon does every day of his life, on purpose, as a matter of policy and a perfect expression of everything he stands for. Jesus! Where will it end? How low do you have to stoop in this country to be President?
”
”
Hunter S. Thompson (Fear and Loathing on the Campaign Trail '72)
“
I am sorrowful. I am sorrowful that I happened to be born into a world where being disgusted with yourself was what you were supposed to be. I am sorrowful that my fellow countrymen feel that being human is something to repress, something ugly, something nasty. It's... It's just a fucking shame. It really is.
I am penitent. I am penitent for all the relationships this shame has ruined. I am penitent that I've allowed my shame and unhappiness to spread to others. I've fucked men and I've fucked women, Father Kolkan. I have sucked numerous pricks, and I have had my pricked sucked by numerous people. I have fucked and been fucked. And it was lovely, really lovely. I had an excellent time doing it, and I would gladly do it again. I really would. I have been lucky enough to find and meet and come to hold beautiful people in my arms - honestly, some beautiful, lovely, brilliant people - and I am filled with regret that my awful self-hate drove them away.
I don't know if you made the world, Father Kolkan. And I don't know if you made my people or if they made themselves. But if it was your words they taught me as a child, and if it's your words that encourage this vile self-disgust, this ridiculous self-flagellation, this incredibly damaging idea that to be human and to love and to risk making mistakes is wrong, then... Well, I guess fuck you, Father Kolkan.
”
”
Robert Jackson Bennett (City of Stairs (The Divine Cities, #1))
“
Really, you’re truly a virgin?” “Does that make me weak in your eyes, less of a man?” He looks at me straight on once again, sees so deep inside me that I feel something ignite. “Because the truth is, Rosie, I never met anyone I wanted after I met you. I made a vow to myself that wasting my time with anyone else was a fool’s mistake. One I wasn’t willing to make. You ruined me for girls. You made me only want a woman.” “Any woman?” “No, Rosie. Not any woman. You. I’ve
”
”
Johnny Knox (Rekindled: A Mountain Man Romance)
“
The point is, you live like I did, you start being able to spot what makes some people sink and other people swim. There’s a quality, I don’t even know how to describe it—sometimes it looks like luck and sometimes it looks like skill and sometimes it doesn’t look like either one. But you have it, I saw it when I met you. You’ve made a lot of mistakes, but you’re a good bet. You’ll swim.
”
”
Anna North (Outlawed)
“
I gather," he added, "that you've never had much time to study the classics?"
"That is so."
"Pity. Pity. You've missed a lot. Everyone should be made to study the classics, if I had my way."
Poirot shrugged his shoulders.
"Eh bien, I have got on very well without them."
"Got on! Got on? It's not a question of getting on. That's the wrong view all together. The classics aren't a ladder leading to quick success, like a modern correspondence course! It's not a man's working hours that are important--it's his leisure hours. That's the mistake we all make. Take yourself now, you're getting on, you'll be wanting to get out of things, to take things easy--what are you going to do then with your leisure hours?
”
”
Agatha Christie (The Labours of Hercules (Hercule Poirot, #27))
“
Regret nothing. Not the cruel novels you read
to the end just to find out who killed the cook.
Not the insipid movies that made you cry in the dark,
in spite of your intelligence, your sophistication.
Not the lover you left quivering in a hotel parking lot,
the one you beat to the punchline, the door, or the one
who left you in your red dress and shoes, the ones
that crimped your toes, don’t regret those.
Not the nights you called god names and cursed
your mother, sunk like a dog in the livingroom couch,b
chewing your nails and crushed by loneliness.
You were meant to inhale those smoky nights
over a bottle of flat beer, to sweep stuck onion rings
across the dirty restaurant floor, to wear the frayed
coat with its loose buttons, its pockets full of struck matches.
You’ve walked those streets a thousand times and still
you end up here. Regret none of it, not one
of the wasted days you wanted to know nothing,
when the lights from the carnival rides
were the only stars you believed in, loving them
for their uselessness, not wanting to be saved.
You’ve traveled this far on the back of every mistake,
ridden in dark-eyed and morose but calm as a house
after the TV set has been pitched out the upstairs
window. Harmless as a broken ax. Emptied
of expectation. Relax. Don’t bother remembering any of it.
Let’s stop here, under the lit sign
on the corner, and watch all the people walk by.
”
”
Dorianne Laux (The Book of Men)
“
If you grow up the type of woman men want to look at,
You can let them look at you.
But do not mistake eyes for hands,
Or windows for mirrors.
Let them see what a woman looks like.
They may not have ever seen one before.
If you grow up the type of woman men want to touch,
You can let them touch you.
Sometimes it is not you they are reaching for.
Sometimes it is a bottle, a door, a sandwich, a Pulitzer, another woman –
But their hands found you first.
Do not mistake yourself for a guardian, or a muse, or a promise, or a victim or a snack.
You are a woman –
Skin and bones, veins and nerves, hair and sweat
You are not made of metaphors,
Not apologies, not excuses.
If you grow up the type of woman men want to hold,
You can let them hold you.
All day they practice keeping their bodies upright.
Even after all this evolving it still feels unnatural,
Still strains the muscles, holds firm the arms and spine.
Only some men will want to learn what it feels like to curl themselves into a question mark around you,
Admit they don’t have the answers they thought they would by now.
Some men will want to hold you like the answer.
You are not the answer.
You are not the problem.
You are not the poem, or the punchline, or the riddle, or the joke.
Woman, if you grow up the type of woman men want to love,
You can let them love you.
Being loved is not the same thing as loving.
When you fall in love,
It is discovering the ocean after years of puddle jumping.
It is realising you have hands.
It is reaching for the tightrope after the crowds have all gone home.
Do not spend time wondering if you are the type of woman men will hurt.
If he leaves you with a car alarm heart.
You learn to sing along.
It is hard to stop loving the ocean,
Even after it’s left you gasping, salty.
So forgive yourself for the decisions you’ve made,
The ones you still call mistakes when you tuck them in at night,
And know this.
Know you are the type of woman who is searching for a place to call yours.
Let the statues crumble.
You have always been the place.
You are a woman who can build it yourself.
You are born to build.
”
”
Sarah Kay
“
I’ll do whatever I have to in order to be worthy of her. She’s everything I’ve ever wanted.”
“Don’t change for her. She made that mistake with me. She fell in love with you just the way you are. Just be you, Beau. Just be you.”
She loved me. Hearing those words sent a shiver of pleasure over me. I’d finally won my girl.
“She had Mr. Perfect and she wanted me instead. Doesn’t make any sense,” I said, grinning over at Sawyer.
“There’s no accounting for taste,” he chuckled and elbowed me in the ribs. “Go get her, man. She’s convinced she has to step out of our lives so we can fix our relationship. Her heart’s breaking. I could see it in her eyes. She is ready to sacrifice her happiness in order to do what she thinks is best for you. Go put the girl out of her misery.”
Step out of my life. Like hell.
I slapped Sawyer on the back and headed out to set her straight. But first I was going to feast on those full lips of hers that were all puckered up in a frown.
”
”
Abbi Glines (The Vincent Boys (The Vincent Boys, #1))
“
She told me to picture little Georgia, at five years old or so (when this behavior was learned), and imagine calling her a “stupid fucking idiot” for making a mistake. It made me want to cry. Five-year-old Georgia doesn’t deserve that; she deserves understanding and patience and to know that mistakes can be made without them making her a broken person. And so when I berated myself for that wrong turn, I was perpetuating the narrative that Georgia doesn’t deserve to be treated with kindness. Even though I didn’t start it, the only person who could stop that cycle was myself, and a great way to do that was to picture myself as a little kid when I was being cruel to myself. It’s taken some time, but I’ve definitely been kinder to myself since I learned that.
”
”
Georgia Hardstark
“
Ms. Terwilliger didn’t have a chance to respond to my geological ramblings because someone knocked on the door. I slipped the rocks into my pocket and tried to look studious as she called an entry. I figured Zoe had tracked me down, but surprisingly, Angeline walked in.
"Did you know," she said, "that it’s a lot harder to put organs back in the body than it is to get them out?"
I closed my eyes and silently counted to five before opening them again. “Please tell me you haven’t eviscerated someone.”
She shook her head. “No, no. I left my biology homework in Miss Wentworth’s room, but when I went back to get it, she’d already left and locked the door. But it’s due tomorrow, and I’m already in trouble in there, so I had to get it. So, I went around outside, and her window lock wasn’t that hard to open, and I—”
"Wait," I interrupted. "You broke into a classroom?"
"Yeah, but that’s not the problem."
Behind me, I heard a choking laugh from Ms. Terwilliger’s desk.
"Go on," I said wearily.
"Well, when I climbed through, I didn’t realize there was a bunch of stuff in the way, and I crashed into those plastic models of the human body she has. You know, the life size ones with all the parts inside? And bam!" Angeline held up her arms for effect. "Organs everywhere." She paused and looked at me expectantly. "So what are we going to do? I can’t get in trouble with her."
"We?" I exclaimed.
"Here," said Ms. Terwilliger. I turned around, and she tossed me a set of keys. From the look on her face, it was taking every ounce of self-control not to burst out laughing. "That square one’s a master. I know for a fact she has yoga and won’t be back for the rest of the day. I imagine you can repair the damage—and retrieve the homework—before anyone’s the wiser.”
I knew that the “you” in “you can repair” meant me. With a sigh, I stood up and packed up my things. “Thanks,” I said.
As Angeline and I walked down to the science wing, I told her, “You know, the next time you’ve got a problem, maybe come to me before it becomes an even bigger problem.”
"Oh no," she said nobly. "I didn’t want to be an inconvenience."
Her description of the scene was pretty accurate: organs everywhere. Miss Wentworth had two models, male and female, with carved out torsos that cleverly held removable parts of the body that could be examined in greater detail. Wisely, she had purchased models that were only waist-high. That was still more than enough of a mess for us, especially since it was hard to tell which model the various organs belonged to.
I had a pretty good sense of anatomy but still opened up a textbook for reference as I began sorting. Angeline, realizing her uselessness here, perched on a far counter and swing her legs as she watched me. I’d started reassembling the male when I heard a voice behind me.
"Melbourne, I always knew you’d need to learn about this kind of thing. I’d just kind of hoped you’d learn it on a real guy."
I glanced back at Trey, as he leaned in the doorway with a smug expression. “Ha, ha. If you were a real friend, you’d come help me.” I pointed to the female model. “Let’s see some of your alleged expertise in action.”
"Alleged?" He sounded indignant but strolled in anyways.
I hadn’t really thought much about asking him for help. Mostly I was thinking this was taking much longer than it should, and I had more important things to do with my time. It was only when he came to a sudden halt that I realized my mistake.
"Oh," he said, seeing Angeline. "Hi."
Her swinging feet stopped, and her eyes were as wide as his. “Um, hi.”
The tension ramped up from zero to sixty in a matter of seconds, and everyone seemed at a loss for words. Angeline jerked her head toward the models and blurted out. “I had an accident.”
That seemed to snap Trey from his daze, and a smile curved his lips. Whereas Angeline’s antics made me want to pull out my hair sometimes, he found them endearing.
”
”
Richelle Mead (The Fiery Heart (Bloodlines, #4))
“
Are you sure this is what you want?” Alex asked. “You were just telling me you wanted a new adventure – this sounds like you’re settling down.” “Merlin is my next adventure,” she said. “I’ve never known someone who makes me excited just to wake up in the morning. I don’t look at the world and feel useless anymore, because I know I mean the world to him. He’s lived as long as I have, made just as many mistakes, and still has all his original teeth – I’m never going to find another man like him! I probably sound like an old loon, but one day you’ll understand. When you meet the person you’re meant to be with, everything changes – you don’t feel like you’re fighting the world alone anymore.
”
”
Chris Colfer (Beyond the Kingdoms (The Land of Stories #4))
“
College transported me to a new town, where I tried, one more time, to reinvent myself. Becoming someone new, I could correct the errors of my past. At first I was optimistic; I could pull it off. But in the end, no matter where I went, I could never change. Over and over I made the same mistake, hurt other people, and hurt myself in the bargain.
Just after I turned twenty, this thought hit me: Maybe I've lost the chance to ever be a decent human being. The mistakes I'd committed - maybe they were very makeup, an inescapable part of my being. I'd hit rock bottom, and I knew it.
”
”
Haruki Murakami (South of the Border, West of the Sun)
“
She thought of her younger days,—the gleam which seemed always ahead,—of the vague allure which accomplishing something in the arts had always held for her. And now she was nearly fifty and she was not to know the fruition of any of those hopes.
"Oh Will, I am so disappointed," she said to that invisible comrade who was only spirit and memory. "I can only feel those things,—not do them."
Isn't motherhood, itself, an accomplishment?
She knew that she made her own answer, and yet it gave her a sense of satisfaction and peace. Will might said it. It sounded like him.
"But I've made so many mistakes.... Will.... even in that."
You are a good mother, Abbie-girl."
Yes, it gave her a sense of peace and comfort.
”
”
Bess Streeter Aldrich (A Lantern in Her Hand)
“
I've always thought fairies were better than witches - and I liked feeling better than something else. It helped me cope with all the hatred the world sent us. Believing I was born that way made me feel valuable - like the universe was on my side."
"Me too," Skylene said. "And we hated witches just like humankind hates us. But now we know we're not better than witches - and we're not any better than humankind, either."
Brystal knelt in front of her troubled friends and placed a hand on both of their knees.
"We're all just a couple of mistakes away from becoming the people we despise," she said. "So don't think worse of yourself, but let this change how you think of yourself. Start valuing who you are, more than what you are. Prove you're better than most people by showing more acceptance and empathy. And fuel your pride with what you earn and create, instead of what you're born with.
”
”
Chris Colfer (A Tale of Magic... (A Tale of Magic, #1))
“
My mom was a sayyed from the bloodline of the Prophet (which you know about now). In Iran, if you convert from Islam to Christianity or Judaism, it’s a capital crime.
That means if they find you guilty in religious court, they kill you. But if you convert to something else, like Buddhism or something, then it’s not so bad. Probably because Judaism, Christianity, and Islam are sister religions, and you always have the worst fights with your sister.
And probably nothing happens if you’re just a six-year-old. Except if you say, “I’m a Christian now,” in your school, chances are the Committee will hear about it and raid your house, because if you’re a Christian now, then so are your parents probably. And the Committee does stuff way worse than killing you.
When my sister walked out of her room and said she’d met Jesus, my mom knew all that.
And here is the part that gets hard to believe: Sima, my mom, read about him and became a Christian too. Not just a regular one, who keeps it in their pocket. She fell in love. She wanted everybody to have what she had, to be free, to realize that in other religions you have rules and codes and obligations to follow to earn good things, but all you had to do with Jesus was believe he was the one who died for you.
And she believed.
When I tell the story in Oklahoma, this is the part where the grown-ups always interrupt me. They say, “Okay, but why did she convert?”
Cause up to that point, I’ve told them about the house with the birds in the walls, all the villages my grandfather owned, all the gold, my mom’s own medical practice—all the amazing things she had that we don’t have anymore because she became a Christian.
All the money she gave up, so we’re poor now.
But I don’t have an answer for them.
How can you explain why you believe anything? So I just say what my mom says when people ask her. She looks them in the eye with the begging hope that they’ll hear her and she says, “Because it’s true.”
Why else would she believe it?
It’s true and it’s more valuable than seven million dollars in gold coins, and thousands of acres of Persian countryside, and ten years of education to get a medical degree, and all your family, and a home, and the best cream puffs of Jolfa, and even maybe your life.
My mom wouldn’t have made the trade otherwise.
If you believe it’s true, that there is a God and He wants you to believe in Him and He sent His Son to die for you—then it has to take over your life. It has to be worth more than everything else, because heaven’s waiting on the other side.
That or Sima is insane.
There’s no middle. You can’t say it’s a quirky thing she thinks sometimes, cause she went all the way with it.
If it’s not true, she made a giant mistake.
But she doesn’t think so.
She had all that wealth, the love of all those people she helped in her clinic. They treated her like a queen. She was a sayyed.
And she’s poor now.
People spit on her on buses. She’s a refugee in places people hate refugees, with a husband who hits harder than a second-degree black belt because he’s a third-degree black belt. And she’ll tell you—it’s worth it. Jesus is better.
It’s true.
We can keep talking about it, keep grinding our teeth on why Sima converted, since it turned the fate of everybody in the story. It’s why we’re here hiding in Oklahoma.
We can wonder and question and disagree. You can be certain she’s dead wrong.
But you can’t make Sima agree with you.
It’s true.
Christ has died. Christ is risen. Christ will come again.
This whole story hinges on it.
Sima—who was such a fierce Muslim that she marched for the Revolution, who studied the Quran the way very few people do read the Bible and knew in her heart that it was true.
”
”
Daniel Nayeri (Everything Sad Is Untrue)
“
Life can be long or short, it is impossible to know, but every once in a while an entire life is spent in one night, the night when the windows are open and you can hear the last of the crickets’ call, when there is a chill in the air and the stars are bright, when nothing else matters, when a single kiss lasts longer than a lifetime, when you do not think about the future or the past, or whether or not you are walking through a dream rather than the real world, when everything you have always wanted and everything you are fated to mourn forever are tied together with black thread and then sewn with your own hand, when in the morning, as you wake and see the mountain in the distance, you will understand that whether or not you’ve made a mistake, whether or not you will lose all that you have, this is what it means to be human.
”
”
Alice Hoffman (The Invisible Hour)
“
Apology Letter from the Brain
Hey there. I’m sorry. OK? But can I say something? Look. I admit I wasn’t perfect. No one is perfect. That’s a fact. Speaking of facts, don’t you think we all need to take a minute and decide who is right and who is wrong? Every side is different; it’s just that my side seems more right. I’m not just saying that because it’s my side. I think a lot of other people would agree with me, given the chance. If I upset you in some way, please know that wasn’t my intention. I didn’t know how sensitive you were. It’s obvious I can set you off very easily. That’s not an insult; it’s just an observation. I think it would help if we talked about this more and argued about who was telling the truth. I would like to see you in person and tell you how the situation has affected me. I may use this opportunity to bring up other times you have hurt me in the past. If possible, I would like to hurt you back. Either way, I want to be in control. Until then, take care. And please, remember I reached out first.
I remain,
THE BRAIN
Apology Letter from the Heart
Hey there. I’m sorry. I’ve found it hard to tell you this, and I realize my apology may be too little or come too late. It is important for me to let you know that I am sorry for what I did or said or didn’t do or say. I was wrong. I make mistakes. I HATE that I made one with you. I’m reaching out because life goes by so fast and I just don’t want my one life to go by without expressing this to you. I want to do and be better. This apology is yours. Feel free to do whatever you want with it. My hope is that it gives you comfort, but my goal is that it doesn’t cause you any pain. Again, I am TRULY sorry. Thank you for taking the time to read this.
Love,
THE HEART
P.S. I’m sorry.
”
”
Amy Poehler
“
Every previous revolutionary movement in human history has made the same basic mistake. They’ve all seen power as a static apparatus, as a structure. And it’s not. It’s a dynamic, a flow system with two possible tendencies. Power either accumulates, or it diffuses through the system. In most societies, it’s in accumulative mode, and most revolutionary movements are only really interested in reconstituting the accumulation in a new location. A genuine revolution has to reverse the flow. And no one ever does that, because they’re all too fucking scared of losing their conning tower moment in the historical process. If
”
”
Richard K. Morgan (Woken Furies (Takeshi Kovacs, #3))
“
As the manager of my hedge fund, I’ve shorted the stocks of over two hundred companies that have eventually gone bankrupt. Many of these businesses started out with promising, even inspired ideas: natural cures for common diseases, for example, or a cool new kind of sporting goods product. Others were once-thriving organizations trying to rebound from hard times. Despite their differences, they all failed because their leaders made one or more of six common mistakes that I look for: They learned from only the recent past. They relied too heavily on a formula for success. They misread or alienated their customers. They fell victim to a mania. They failed to adapt to tectonic shifts in their industries. They were physically or emotionally removed from their companies’ operations.
”
”
Scott Fearon (Dead Companies Walking: How a Hedge Fund Manager Finds Opportunity in Unexpected Places)
“
Has anyone ever owned your body? Because that's how it would be between us." He bit her earlobe and sucked it into his mouth, savoring her taste, her scent, before continuing, "If you were mine, it would appear to the world as if you had a normal life, you might even feel as if your days were your own. But that would be an illusion; it wouldn't be just fucking with you and me. If you ever made the mistake of sleeping with me, it wouldn't be just sex. So, I'm warning you now. I'd own you. I'd own your body; I'd own your orgasms. I'd strip you naked, spread you wide and play with your body to my satisfaction before I'd ever let you experience release. Don't get me wrong, you wouldn't ever want to get away from me, but sweetheart, your life as you know it would be over. So before you ever let me sweet talk you into bed, understand that I'm just a little bit insane when it comes to you. It's the reason I've never put a move on you before, and it's the reason I'm going to let you slip away untouched tonight. I'm going to try my fucking best to stay away from you, but I don't know how long I'll be able to manage it. So if I come at you sometime in the future lying through my teeth and telling you it'll only be for fun, don't you fucking believe me.
”
”
Lynda Chance (Rule's Obsession (The House of Rule, #1))
“
The theory goes that governmental agencies don't accidentally make accessing information or resources difficult. They do this shit on purpose. The forms are confusing, and the record keeping is ass-backward because it reflects a policy choice. A decision has been made to repel the average citizen from gaining certain knowledge or opportunities.
When most people encounter the seemingly arbitrary and capricious workings of, for instance, the IRS or the DMV, they accept it because they've been trained to assume that the government is run by half-wits. They yell at the lowly staffer in front of them, then sulk away and comply with the absurd rules or give up. Yet what the vast majority of citizens see as mistakes are the result of calculated design. Some high-level political functionary stipulated that the form must be completed in triplicate. A few billionaire donors drafted the fine print that disqualifies the neediest from touching the bounty. These are very smart motherfuckers. To think otherwise plays into their hands.
”
”
Rasheed Newson (My Government Means to Kill Me)
“
The truth is, the person I've ben hating more than anyone is myself. It is so easy. So easy to look in the mirror at all my imperfections and think of all the ways I fall short of someone like Kristen. To struggle with geometry equations and underlying meanings in novels and know I'll never been smart the way Asha is. To realize how much I've screwed up and to obsess over all of the terrible ways I've wronged so many people.
But.
But even though I know my flaws are so many (many many many), and there are always ways I could be better, and I should never stop working for that - I also need to give myself a break. I can cut myself some slack sometimes. Because I'm a work in progress. Because nobody is perfect. At least I acknowledge the mistakes I've made, and am making. At least I'm trying. That means something, doesn't it?
And just because I have room for improvement doesn't mean I'm worthless, or that i have nothing to offer to, like, the world.
”
”
Hannah Harrington (Speechless)
“
I'm sorry l haven 't talked to you in so long.
I feel l've been lost... no bearings, no compass. I kept crashing into things, a little crazy, I guess. l've never been lost before. You were my true north.
l could always steer for home when you were my home. Forgive me for being so angry when you left. l still think some mistake's been made... and l'm waiting for God to take it back.
But l'm doing better now. The work helps me. Most of all, you help me.
You came into my dream last night with that smile that always held me like a lover... rocked me like a child. All l remember from the dream is a feeling of peace. l woke up with that feeling and tried to keep it alive as long as l could.
l'm writing to tell you that l'm on a journey toward that peace. And to tell you l'm sorry about so many things. l'm sorry l didn't take better care of you so that you never spent one minute being cold or scared or sick.
I'm sorry I didn't try harder to find the words to tell you what I was feeling.
I'm sorry I never fixed the screen door. I fixed it now.
I'm sorry I ever fought with you. I'm sorry I didn't apologize more.
I was too proud.
I'm sorry I didn't bring you more compliments on everything you wore and every way you fixed your hair.
I'm sorry I didn't hold on to you with so much strength that even God couldn't pull you away.
All my love.
”
”
Nicholas Sparks (Message in a Bottle)
“
He was beautiful when he sat alone, he was like me, he had wide lapels, he was holding the mug in the hardest possible way so that his fingers were all twisted but still long and beautiful, he didn’t like to sit alone all the time, but this time, I swear, he didn’t care on way or the other.
I’ll tell you why I like to sit alone, because I’m a sadist, that’s why we like to sit alone, because we’re the sadists who like to sit alone.
He sat alone because he was beautifully dressed for the occasion and because he was not a civilian.
We are the sadists you don’t have to worry about, you think, and we have no opinion on the matter of whether you have to worry about us, and we don’t even like to think about the matter because it baffles us.
Maybe he doesn’t mean a thing to me any more but I think he was like me.
You didn’t expect to fall in love, I said to myself and at the same time I answered gently, Do you think so?
I heard you humming beautifully, your hum said that I can’t ignore you, that I’d finally come around for a number of delicious reasons that only you knew about, and here I am, Miss Blood.
And you won’t come back, you won’t come back to where you left me, and that’s why you keep my number, so you don’t dial it by mistake when you’re fooling with the dial not even dialing numbers.
You begin to bore us with your pain and we have decided to change your pain. You said you were happiest when you danced, you said you were happiest when you danced with me, now which do you mean?
And so we changed his pain, we threw the idea of a body at him and we told him a joke, and then he thought a great deal about laughing and about the code.
And he thought that she thought that he thought that she thought the worst thing a woman could do was to take a man away from his work because that made her what, ugly or beautiful?
And now you’ve entered the mathematical section of your soul which you claimed you never had. I suppose that this, plus the broken heart, makes you believe that now you have a perfect right to go out and tame the sadists.
He had the last line of each verse of the song but he didn’t have any of the other lines, the last line was always the same, Don’t call yourself a secret unless you mean to keep it.
He thought he knew, or he actually did know too much about singing to be a singer; and if there is actually such a condition, is anybody in it, and are sadists born there?
It is not a question mark, it is not an exclamation point, it is a full stop by the man who wrote Parasites of Heaven. Even if we stated our case very clearly and all those who held as we do came to our side, all of them, we would still be very few.
”
”
Leonard Cohen (Parasites of Heaven)
“
My Dearest, Can you forgive me? In a world that I seldom understand, there are winds of destiny that blow when we least expect them. Sometimes they gust with the fury of a hurricane, sometimes they barely fan one’s cheek. But the winds cannot be denied, bringing as they often do a future that is impossible to ignore. You, my darling, are the wind that I did not anticipate, the wind that has gusted more strongly than I ever imagined possible. You are my destiny. I was wrong, so wrong, to ignore what was obvious, and I beg your forgiveness. Like a cautious traveler, I tried to protect myself from the wind and lost my soul instead. I was a fool to ignore my destiny, but even fools have feelings, and I’ve come to realize that you are the most important thing that I have in this world. I know I am not perfect. I’ve made more mistakes in the past few months than some make in a lifetime. I was wrong to deny what was obvious in my heart: that I can’t go on without you. You were right about everything. I tried to deny the things you were saying, even though I knew they were true. Like one who gazes only backward on a trip across the country, I ignored what lay ahead. I missed the beauty of a coming sunrise, the wonder of anticipation that makes life worthwhile. It was wrong of me to do that, a product of my confusion, and I wish I had come to understand that sooner. Now, though, with my gaze fixed toward the future, I see your face and hear your voice, certain that this is the path I must follow. It is my deepest wish that you give me one more chance. For the first few days after you left, I wanted to believe that I could go on as I always had. But I couldn’t. I knew in my heart that my life would never be the same again. I wanted you back, more than I imagined possible, yet whenever I conjured you up, I kept hearing your words in our last conversation. No matter how much I loved you, I knew it wasn’t going to be possible unless we—both of us—were sure I would devote myself fully to the path that lay ahead. I continued to be troubled by these thoughts until late last night when the answer finally came to me. Oh, I am sorry, so very sorry, that I ever hurt you. Maybe I’m too late now. I don’t know. I love you and always will. I am tired of being alone. I see children crying and laughing as they play in the sand, and I realize I want to have children with you. I am sick and sad without you. As I sit here in the kitchen, I am praying that you will let me come back to you, this time forever.
”
”
Nicholas Sparks (Message in a Bottle)
“
Lately, because computer technology has made self-publishing an easier and less expensive venture, I'm getting a lot of review copies of amateur books by writers who would be better advised to hone their craft before committing it to print. The best thing you can do as a beginning writer is to write, write, write - and read, read, read. Concentrating on publication prematurely is a mistake. You don't pick up a violin and expect to play Carnegie Hall within the year - yet somehow people forget that writing also requires technical skills that need to be learned, practiced, honed. If I had a dollar for every person I've met who thought, with no prior experience, they could sit down and write a novel and instantly win awards and make their living as a writer, I'd be a rich woman today. It's unrealistic, and it's also mildly insulting to professional writers who have worked hard to perfect their craft. Of course, then you hear stories about people like J.K. Rowling, who did sit down with no prior experience and write a worldwide best-seller...but such people are as rare as hen's teeth. Every day I work with talented, accomplished writers who have many novels in print and awards to their name and who are ‘still’ struggling to make a living. The thing I often find myself wanting to say to new writers is: Write because you love writing, learn your craft, be patient, and be realistic. Anais Nin said about writing, "It should be a necessity, as the sea needs to heave, and I call it breathing."
”
”
Terri Windling
“
Oh, do call me Evie. That way, I can call you Sebastian and tell you not to fret about your flaws. We all have them, and if I were newly born into this world, I might be cautious too,” she says, squeezing my arm. “You’re very kind, but this is something deeper, instinctive.” “Well, so what if you are?” she asks. “There are worse things to be. At least you’re not mean-spirited or cruel. And now you get to choose, don’t you? Instead of assembling yourself in the dark like the rest of us—so that you wake up one day with no idea of how you became this person—you can look at the world, at the people around you, and choose the parts of your character you want. You can say, ‘I’ll have that man’s honesty, that woman’s optimism, as if you’re shopping for a suit on Savile Row.” “You’ve made my condition into a gift,” I say, feeling my spirits lift. “Well, what else would you call a second chance?” she asks. “You don’t like the man you were. Very well. Be somebody else. There’s nothing stopping you, not anymore. As I said, I envy you. The rest of us are stuck with our mistakes.
”
”
Stuart Turton (The 7½ Deaths of Evelyn Hardcastle)
“
It’s like this big maze, see. With fire-breathing dragons and land mines and decoys at every turn. And the maze goes on for hundreds of miles, and just when you think maybe you’ve gotten through—a dead end. Years of wrong turns and mistakes and battles with those dragons, years of bruises, cuts, and burns, but eventually? You make it. You come out the other end of the maze, and you’re a little banged up, but you’re okay. And maybe you meet someone else who was in the maze at the same time, only you didn’t know it. So you talk to this person, compare notes on the maze, and you hear all the ways they made it through that you never thought of, and you tell them all the ways you made it through that they never thought of, and from this shared understanding you grow to love one another. And that love deepens with time. And maybe you and this other person have a child.” Mom starts crying, and so do I. “A perfect, lovely little kid, and you swear you’ll do everything you can to spare your kid from the fire-breathing dragons and the land mines and the decoys. I’ll draw them a map, you think, a detailed map of the maze outlining the quickest routes, pitfalls to avoid, shortcuts that took you years to learn, and maybe this way they won’t end up with bruises and burns like yours.” I squeeze Mom’s hand tighter, let the tears come. “Mom.” She smiles and cries. “You think you have so much time to work on the map, to make it just right. And then one day you wake up to find your perfect, lovely child is already there, right in the thick of the maze. You were so diligent, kept watch every night, and you don’t know when or how it happened, but it did. Your kid is in the maze without a map, and there’s nothing you can do but watch.
”
”
David Arnold (The Strange Fascinations of Noah Hypnotik)
“
So. This is motherhood. I ponder it. I ponder the lonely, cruel, relentless obligation of motherhood. I ponder the loving, soft, yielding wonder of motherhood. I ponder the mystery of who you are, little stranger, and who you will become...
I love you. I love you. To habituate myself to the idea of loving you, I say it many times. You're ugly. I tried not to think that last thought, but the thought snuck in. It was easier to love you before you were born. I'm afraid of you. You disgust me. I've made a terrible mistake.
I'm your mother.
I chose it.
I love you.
I remind myself that all firstborn things are hideously ugly. We sit and rock together until it grows dark all around. At some point, there in the dark, after staring at you for so long, and after it gets so dark in this room that I can't see you at all, you become very beautiful to me, and I say yes to being your mother.
I say: yes yes yes yes yes yes yes.
Why do I say yes? I'll never know.
It could be of my own free will.
It could be that you've injected me with your little talon. It could be that your talon is dipped in the poison of mother-love.
”
”
Claire Oshetsky (Chouette)
“
We are all mysteries, to those who love us and also to ourselves. When you find someone who embraces you, loves and desires you every moment, accepts your mysteries and flaws without judgement, you’ve struck gold. How delicious is the thought that this mysterious complex creature, chooses to share a life with you?
Too many of us undervalue ourselves by digging too deep into the mistakes we have made or dwelling on when we failed at something like relationships, responsibilities, careers, whatever it might be. All those experiences make up the mystery and story of who we are. We are complex beings, all together in this fucked up but beautiful world.
Whatever the mistakes or failures of someone’s murky past that leads them to your door should be experiences you are grateful for and that is cause for celebration. All of us have had experiences, good and bad, and those make up the intricate tapestry of who we are.
I often feel insecure in so many ways, fragile and easily broken even when I know that is only a self-defeating perception that sometimes rears its ugly head. I am doing what I love, and deeply in love with someone with whom I want to share my future and write our own magical mystery story.
I guess what I am trying to say is don’t dig so deep that you end up cutting your roots and the lifeblood that feeds and makes you. Match your energy and vibration with what you envision. Believe. You deserve love and success, so go for it.
”
”
Riitta Klint
“
For instance, have you ever been going about your business, enjoying your life, when all of sudden you made a stupid choice or series of small choices that ultimately sabotaged your hard work and momentum, all for no apparent reason? You didn’t intend to sabotage yourself, but by not thinking about your decisions—weighing the risks and potential outcomes—you found yourself facing unintended consequences. Nobody intends to become obese, go through bankruptcy, or get a divorce, but often (if not always) those consequences are the result of a series of small, poor choices. Elephants Don’t Bite Have you ever been bitten by an elephant? How about a mosquito? It’s the little things in life that will bite you. Occasionally, we see big mistakes threaten to destroy a career or reputation in an instant—the famous comedian who rants racial slurs during a stand-up routine, the drunken anti-Semitic antics of a once-celebrated humanitarian, the anti-gay-rights senator caught soliciting gay sex in a restroom, the admired female tennis player who uncharacteristically threatens an official with a tirade of expletives. Clearly, these types of poor choices have major repercussions. But even if you’ve pulled such a whopper in your past, it’s not extraordinary massive steps backward or the tragic single moments that we’re concerned with here. For most of us, it’s the frequent, small, and seemingly inconsequential choices that are of grave concern. I’m talking about the decisions you think don’t make any difference at all. It’s the little things that inevitably and predictably derail your success. Whether they’re bone-headed maneuvers, no-biggie behaviors, or are disguised as positive choices (those are especially insidious), these seemingly insignificant decisions can completely throw you off course because you’re not mindful of them. You get overwhelmed, space out, and are unaware of the little actions that take you way off course. The Compound Effect works, all right. It always works, remember? But in this case it works against you because you’re doing… you’re sleepwalking.
”
”
Darren Hardy (The Compound Effect)
“
You've told a good story in a skillful manner. I like it that you haven't moralized about your heroine's mistakes. You've made it difficult for the reader not to sympathize with her."
"I sympathize with her," Amanda said frankly. "I've always thought it would be the worst kind of horror to be trapped in a loveless marriage. So many women are forced to marry because of pure economics. If more women were able to support themselves, there would be fewer reluctant brides and unhappy wives."
"Why, Miss Briars," he said softly. "How unconventional of you."
She countered his amusement with a perplexed frown. "It's only sensible, really."
He realized suddenly that this was the key to understanding her. Amanda was so doggedly practical that she was willing to discard the hypocrisies and stale social attitudes that most people accepted without thinking. Why, indeed, should a woman marry just because it was the expected thing to do, if she were able to choose otherwise?
"Perhaps most women think it is easier to marry than support themselves," he said, deliberately provoking her.
"Easier?" she snorted. "I've never seen a shred of evidence that spending the rest of one's days in domestic drudgery is any easier than working at some trade. What women need is more education, more choices, and then they will be able to consider options for themselves other than marriage.
”
”
Lisa Kleypas (Suddenly You)
“
Brushing through my hair was usually bad enough after a shower. Letting it dry without brushing it was a terrible mistake. It was full of painful tangles, and I hadn’t made much progress when the door at the end of the veranda opened and Ren walked out. I squeaked in alarm and hid behind my hair. Perfect, Kells.
He was still barefoot, but had on khaki pants and a sky-blue button-down shirt that matched his eyes. The effect was magnetic, and here I was in flannel pajamas with giant tumbleweed hair.
He sat across from me and said, “Good evening, Kells. Did you sleep well?”
“Uh, yes. Did you?”
He grinned a dazzling white smile and nodded his head slightly. “Are you having trouble?” he asked and watched my detangling progress with an amused expression.
“Nope. I’ve got it all under control.”
I wanted to divert his attention away from my hair, so I said, “How’s your back and your, um, arm, I guess it would be?”
He smiled. “They’re completely fine. Thank you for asking.”
“Ren, why aren’t you wearing white? That’s all I’ve ever seen you wear. Is it because your white shirt was torn?”
He responded, “No, I just wanted to wear something different. Actually, when I change to a tiger and back, my white clothes reappear. If I changed to a tiger now and then switch back to a man again, my current clothes would be replaced with my old white ones.”
“Would they still be torn and bloody?”
“No. When I reappear, they’re clean and whole again.”
“Hah. Lucky for you. It would be pretty awkward if you ended up naked every time you changed.”
I bit my tongue as soon as the words came out and blushed a brilliant shade of red. Nice, Kells. Way to go. I covered up my verbal blunder by tugging my hair in front of my face and yanking through the tangles.
He grinned. “Yes. Lucky for me.”
I tugged the brush through my hair and winced. “That brings up another question.”
Ren rose and took the brush out of my hand.
“What…what are you doing?” I stammered.
“Relax. You’re too edgy.”
He had no idea.
Moving behind me, Ren picked up a section of my hair and started gently brushing through it. I was nervous at first, but his hands in my hair were so warm and soothing that I soon relaxed in the chair, closed my eyes, and leaned my head back.
After a minute of brushing, he pulled a lock away from my neck, leaned down by my ear, and whispered, “What was it you wanted to ask me?”
I jumped.
“Umm…what?” I mumbled disconcertingly.
“You wanted to ask me a question.”
“Oh, right. It was, uh-that feels nice.”
Did I say that out loud?
Ren laughed softly. “That’s not a question.”
Apparently, I did.
“Was it something about me changing into a tiger?”
“Oh, yes. I remember now. You can change back a forth several times per day, right? Is there a limit?”
“No. There’s no limit as long as I don’t remain human for more than a total of twenty-four minutes in a twenty-four hour day.” He moved to another section of hair. “Do you have any more questions, sundari?
”
”
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
“
There’s our homecoming picture. Last Halloween, when I dressed up as Mulan and Peter wore a dragon costume. There’s a receipt from Tart and Tangy. One of his notes to me, from before. If you make Josh’s dumb white-chocolate cranberry cookies and not my fruitcake ones, it’s over. Pictures of us from Senior Week. Prom. Dried rose petals from my corsage. The Sixteen Candles picture.
There are some things I didn’t include, like the ticket stub from our first real date, the note he wrote me that said, I like you in blue. Those things are tucked away in my hatbox. I’ll never let those go.
But the really special thing I’ve included is my letter, the one I wrote to him so long ago, the one that brought us together. I wanted to keep it, but something felt right about Peter having it. One day all of this will be proof, proof that we were here, proof that we loved each other. It’s the guarantee that no matter what happens to us in the future, this time was ours.
When he gets to that page, Peter stops. “I thought you wanted to keep this,” he said.
“I wanted to, but then I felt like you should have it. Just promise you’ll keep it forever.”
He turns the page. It’s a picture from when we took my grandma to karaoke. I sang “You’re So Vain” and dedicated it to Peter. Peter got up and sang “Style” by Taylor Swift. Then he dueted “Unchained Melody” with my grandma, and after, she made us both promise to take a Korean language class at UVA. She and Peter took a ton of selfies together that night. She made one her home screen on her phone. Her friends at her apartment complex said he looked like a movie star. I made the mistake of telling Peter, and he crowed about it for days after.
He stays on that page for a while. When he doesn’t say anything, I say, helpfully, “It’s something to remember us by.”
He snaps the book shut. “Thanks,” he says, flashing me a quick smile. “This is awesome.
”
”
Jenny Han (Always and Forever, Lara Jean (To All the Boys I've Loved Before, #3))
“
Q: What are in your eyes the major defects in the West? A: The West has come to regard the values of freedom, the yardstick of human rights, as something Western. Many of them [westerns] specially in Europe take the values and the institutions on freedom, the institutions on science, curiosity, the individual, i mean, the rule of law and they’ve come to take that all for granted that they are not aware of the threat against it and not aware of the fact that you have to sustain it day by day as with all man made things. I mean, a building for example, the roof will leak, the paint will fall and you have to repaint it, you have to maintain it all the time it seems that people have forgotten that and perhaps part of the reason is because the generation that is now enjoying all the freedoms in the West is not the generations that built it; these are generations that inherited and like companies, family companies, often you’ll see the first generation or the second generation are almost always more passionate about the brand and the family company and name and keeping it all int he family and then the third generation live, use, take the money and they are either overtaken by bigger companies, swallowed up or they go bankrupt and I think there is an analogy there in that the generations after the second world war living today in Europe, United States may be different but I’m here much too short to say anything about it, is that there are people who are so complacent, they’ve always been free, they just no longer know what it is that freedom costs and for me that would be making the big mistake and you can see it. The education system in Europe where history is no longer an obligatory subject, science is no longer an obligatory subject, school systems have become about, look at Holland, our country where they have allowed parents, in the name of freedom, to build their own schools that we now have schools founded on what the child wants so if the child wants to play all day long then that is an individual freedom of the child and so it’s up to the child to decide whether to do math or to clay and now in our country in Holland, in the name of freedom of education, the state pays for these schools and I was raving against muslim schools and i thought about this cuz i was like you know ok in muslin schools at least they learn to count.
”
”
Ayaan Hirsi Ali
“
Wallingford vaulted up from his chair. “You’ve come here so that I can mollify you and share in your belittling of Anais? Well, you’ve knocked on the wrong bloody door, Raeburn, because I will not join you in disparaging Anais. I will not! Not when I know what sort of woman she is—she is better than either of us deserves. Damn you, I know what she means to you. I know how you’ve suffered. You want her and you’re going to let a mistake ruin what you told me only months ago you would die for. Ask yourself if it is worth it. Is your pride worth all the pain you will make your heart suffer through? Christ,” Wallingford growled, “if I had a woman who was willing to overlook everything I’d done in my life,
every wrong deed I had done to her or others, I would be choking back my pride so damn fast I wouldn’t even taste it.”
Lindsay glared at Wallingford, galled by the fact his friend— the one person on earth he believed would understand his feelings—kept chastising him for his anger, which, he believed, was natural and just.
“If I had someone like Anais in my life,” Wallingford continued, blithely ignoring Lindsay’s glares, “I would ride back to Bewdley with my tail between my legs and I would do whatever I had to do in order to get her back.”
“You’re a goddamned liar! You’ve never been anything but a selfish prick!” Lindsay thundered. “What woman would you deign to lower yourself in front of? What woman could you imagine doing anything more to than fucking?”
Wallingford’s right eye twitched and Lindsay wondered if his friend would plant his large fist into his face. He was mad enough for it, Lindsay realized, but so, too, was he. He was mad, angry—all but consumed with rage, but the bluster went out of him when Wallingford spoke.
“I’ve never bothered to get to know the women I’ve been with. Perhaps if I had, I would have found one I could have loved—one I could have allowed myself to be open with. But out of the scores of women I’ve pleasured, I’ve only ever been the notorious, unfeeling and callous libertine—that is my shame.Your shame is finding that woman who would love you no matter what and letting her slip through your fingers because she is not the woman your mind made her out to be. You have found something most men only dream of. Things that I have dreamed of and coveted for myself. The angel is dead. It is time to embrace the sinner, for if you do not, I shall expect to see you in hell with me. And let me inform you, it’s a burning, lonely place that once it has its hold on you, will never let you go. Think twice before you allow pride to rule your heart.”
“What do you know about love and souls?” Lindsay growled as he stalked to the study door.
“I know that a soul is something I don’t have, and love,” Wallingford said softly before he downed the contents of his brandy, “love is like ghosts, something that everyone talks of but few have seen. You are one of the few who have seen it and sometimes I hate you for it. If I were you, I’d think twice about throwing something like that away, but of course, I’m a selfish prick and do as I damn well please.”
“You do indeed.”
Wallingford’s only response was to raise his crystal glass in a mock salute.“To hell,” he muttered,“make certain you bring your pride. It is the only thing that makes the monotony bearable.
”
”
Charlotte Featherstone (Addicted (Addicted, #1))
“
Will:"You know, when two people narrowly escape falling to their deaths, they usually have something to talk about, Even if they hadn't met before that moment, they usually have something to sayto each other afterward. But you haven't said anything to me. I've been tryingto give you some time. I've been trying to give you some space. All I want is-"
Ivy:"Thank you. Thank you for risking your life. Thank you for saving me."
"That's not what I wanted! Gratitude is the last thing I-"
"Well, let me tell you what I want, Honesty."
"When haven't I been honest? When?"
"I found your note, Will. I know you blackmailed Gregory. I didn't tell the police yet, but I will."
"So tell them, go ahead! It's old news to them, but if you've got the note, it's one more piece for the police files. I just don't get- Wait a minute. Do you think- You couldn't really think I did that to make money, could you?"
"That's usually why people blackmail."
"You think I'd betray you like that? Ivy I set up that blackmail--I got the Celentanos to help me out, and i videotaped it-so that i had something to take to the police." "Back in August when you were in the hospital, Gregory called me and told me you had tried to commit suicide. I couldn't believe it. I knew how much you missed Tristan, but I knew you were a fighter, too. I went to the train station that morning to look around and try to figure out what had gone through your head. As i was leaving I found the jacket and hat. I picked them up, but for weeks I didn't know how or even if they were connected to what had happened." "When school started I ran across some file photos of Tristan in the newspaper office. Suddenly I figured it out. I knew it wasn't like you to jump in front of a train, but it was just like you Eric and Gregory to con you across the track. I remembered how Eric had played chicken with us, and I blamed him at first. Later I realized that there was a lot more than a game going on."
"Why didn't you tell me this before? You should have told me this before."
"You weren't telling me things, either."
"I was trying to protect you!"
"What the heck do you think I was doing?...I had to distract him, give him another target, and try to get something on him at the same time. It almost worked. I gave the tape to Lieutenant Donnelly Tuesday afternoon, but Gregory had already laid his trap." "You thought I'd betray you."
"Will I'm sorry. I was wrong. I really am sorry, I made a mistake. A big one. Try to understand. I was so mixed up and afraid. I thought I betrayed myself when I trusted you-and betrayed Tristan when I fell in love with you. Will!"
"You fell in love with me?"
"Love you, Will."
"Love you, Ivy.
”
”
Elizabeth Chandler (Soulmates (Kissed by an Angel, #3))
“
It was raining and I had to walk on the grass. I’ve got mud all over my shoes. They’re brand-new, too.”
“I’ll carry you across the grass on the return trip, if you like,” Colby offered with twinkling eyes. “It would have to be over one shoulder, of course,” he added with a wry glance at his artificial arm.
She frowned at the bitterness in his tone. He was a little fuzzy because she needed glasses to see at distances.
“Listen, nobody in her right mind would ever take you for a cripple,” she said gently and with a warm smile. She laid a hand on his sleeve. “Anyway,” she added with a wicked grin, “I’ve already given the news media enough to gossip about just recently. I don’t need any more complications in my life. I’ve only just gotten rid of one big one.”
Colby studied her with an amused smile. She was the only woman he’d ever known that he genuinely liked. He was about to speak when he happened to glance over her shoulder at a man approaching them. “About that big complication, Cecily?”
“What about it?” she asked.
“I’d say it’s just reappeared with a vengeance. No, don’t turn around,” he said, suddenly jerking her close to him with the artificial arm that looked so real, a souvenir of one of his foreign assignments. “Just keep looking at me and pretend to be fascinated with my nose, and we’ll give him something to think about.”
She laughed in spite of the racing pulse that always accompanied Tate’s appearances in her life. She studied Colby’s lean, scarred face. He wasn’t anybody’s idea of a pinup, but he had style and guts and if it hadn’t been for Tate, she would have found him very attractive. “Your nose has been broken twice, I see,” she told Colby.
“Three times, but who’s counting?” He lifted his eyes and his eyebrows at someone behind her. “Well, hi, Tate! I didn’t expect to see you here tonight.”
“Obviously,” came a deep, gruff voice that cut like a knife.
Colby loosened his grip on Cecily and moved back a little. “I thought you weren’t coming,” he said.
Tate moved into Cecily’s line of view, half a head taller than Colby Lane. He was wearing evening clothes, like the other men present, but he had an elegance that made him stand apart. She never tired of gazing into his large black eyes which were deep-set in a dark, handsome face with a straight nose, and a wide, narrow, sexy mouth and faintly cleft chin. He was the most beautiful man. He looked as if all he needed was a breastplate and feathers in his hair to bring back the heyday of the Lakota warrior in the nineteenth century. Cecily remembered him that way from the ceremonial gatherings at Wapiti Ridge, and the image stuck stubbornly in her mind.
“Audrey likes to rub elbows with the rich and famous,” Tate returned. His dark eyes met Cecily’s fierce green ones. “I see you’re still in Holden’s good graces. Has he bought you a ring yet?”
“What’s the matter with you, Tate?” Cecily asked with a cold smile. “Feeling…crabby?”
His eyes smoldered as he glared at her. “What did you give Holden to get that job at the museum?” he asked with pure malice.
Anger at the vicious insinuation caused her to draw back her hand holding the half-full coffee cup, and Colby caught her wrist smoothly before she could sling the contents at the man towering over her.
Tate ignored Colby. “Don’t make that mistake again,” he said in a voice so quiet it was barely audible. He looked as if all his latent hostilities were waiting for an excuse to turn on her. “If you throw that cup at me, so help me, I’ll carry you over and put you down in the punch bowl!”
“You and the CIA, maybe!” Cecily hissed. “Go ahead and try…!”
Tate actually took a step toward her just as Colby managed to get between them. “Now, now,” he cautioned.
Cecily wasn’t backing down an inch. Neither was Tate.
”
”
Diana Palmer (Paper Rose (Hutton & Co. #2))
“
It is the sheer weight of the robot that makes us feel we are living in a ‘wooden world’. We can see for example that the moment Ouspensky or Ward returned from the mystical realm of perfect freedom and found themselves ‘back in the body’ they once again found themselves saddled with all their boring old habits and worries and neuroses, all their old sense of identity built up from the reactions of other people, and above all the dreary old heaviness, as if consciousness has turned into a leaden weight. This is the sensation that made the romantics feel that life is a kind of hell — or at the very least, purgatory. Yet we know enough about the robot to know that this feeling is as untrustworthy as the depression induced by a hangover. The trouble with living ‘on the robot’ is that he is a dead weight. He takes over only when our energies are low. So when I do something robotically I get no feedback of sudden delight. This in turn makes me feel that it was not worth doing. ‘Stan’ reacts by failing to send up energy and ‘Ollie’ experiences a sinking feeling. Living becomes even more robotic and the vicious circle effect is reinforced. Beyond a certain point we feel as if we are cut off from reality by a kind of glass wall: suddenly it seems self-evident that there is nothing new under the sun, that all human effort is vanity, that man is a useless passion and that life is a horrible joke devised by some demonic creator. This is the state I have decribed as ‘upside-downness’, the tendency to allow negative emotional judgements to usurp the place of objective rational judgements. Moreover this depressing state masquerades as the ‘voice of experience’, since it seems obvious that you ‘know’ more about an experience when you’ve had it a hundred times. This is the real cause of death in most human beings: they mistake the vicious circle effects of ‘upside-downness’ for the wisdom of age, and give up the struggle.
”
”
Colin Wilson (Beyond the Occult: Twenty Years' Research into the Paranormal)
“
Look ahead
It’s tempting to go through life looking in the rearview mirror. When you are always looking back, you become focused on what didn’t work out, on who hurt you, and on the mistakes you’ve made, such as:
“If only I would have finished college.”
“If only I’d spent more time with my children.”
“If only I’d been raised in a better environment.”
As long as you’re living in regret, focused on the negative things of the past, you won’t move ahead to the bright future God has in store. You need to let go of what didn’t work out. Let go of your hurts and pains. Let go of your mistakes and failures.
You can’t do anything about the past, but you can do something about right now. Whether it happened twenty minutes ago or twenty years ago, let go of the hurts and failures and move forward. If you keep bringing the negative baggage from yesterday into today, your future will be poisoned.
You can’t change what’s happened to you. You may have had an unfair past, but you don’t have to have an unfair future. You may have had a rough start, but it’s not how you start, it’s how you finish.
Don’t let a hurtful relationship sour your life. Don’t let a bad break, a betrayal, a divorce, or a bad childhood cause you to settle for less in life. Move forward and God will pay you back.
Move forward and God will vindicate you. Move forward and you’ll come into a new beginning. Nothing that’s happened to you is a surprise to God. The loss of a loved one didn’t catch God off guard. God’s plan for your life did not end just because your business didn’t make it, or a relationship failed, or you had a difficult child.
Here’s the question: Will you become stuck and bitter, fall into self-pity, blame others, and let the past poison your future? Or will you shake it off and move forward, knowing your best days are still ahead?
The next time you are in your car, notice that there’s a big windshield in the front and a very small rearview mirror. The reason the front windshield is so big and the rearview mirror is so small is that what’s happened in the past is not nearly as important as what is in your future. Where you’re going is a lot more important than where you’ve been.
”
”
Joel Osteen (You Can You Will: 8 Undeniable Qualities of a Winner)
“
I’ve lived near here at several different stretches across time, but once, when I lived here a few hundred years ago, I had a camel I named Oded. He was just about the laziest creature ever to talk the Earth. He would pass out when I was in the middle of feeding him, and making it to the closest Bedouin camp for tea was a minor miracle. But when I first met you in that lifetime-“
“Oded broke into a run,” Luce said without thinking. “I screamed because I thought he was going to trample me. You said you’d never seen him move like that.”
“Yeah, well,” Daniel said. “He liked you.”
They paused and looked at each other, and Daniel started laughing when Luce’s jaw dropped. “I did it!” she cried out. “It was just there, in my memory, a part of me. Like it happened yesterday. I came to me without thinking!”
It was miraculous. All those memories from all those lives that had been lost each time Lucinda died in Daniel’s arms were somehow finding their way back to her, the way Luce always found her way back to Daniel.
No. She was finding her way to them.
It was like a gate had been left open after Luce’s quest through the Announcers. Those memories stayed with her, from Moscow to Helston to Egypt. Now more were becoming available.
She had a sudden, keen sense of who she was-and she wasn’t just Luce Price from Thunderbolt, Georgia. She was every girl she’d ever been, an amalgamation of experience, mistakes, achievements, and, above all, love.
She was Lucinda.
“Quick,” she said to Daniel. “Can we do another?”
“Okay, how about another desert life? You were living in the Sahara when I found you. Tall and gangly and the fastest runner in your village. I was passing through one day, on my way to visit Roland, and I stopped for the night at the closest spring. All the other men were very distrustful of me, but-“
“But my father paid you three zebra skins for the knife you had in your satchel!”
Daniel grinned. “He drove a hard bargain.”
“This is amazing,” she said, nearly breathless. How much more did she have in her that she didn’t know about? How far back could she go? She pivoted to face him, drawing her knees against her chest and leaning in so that their foreheads were almost touching. “Can you remember everything about our pasts?”
Daniel’s eyes softened at the corners. “Sometimes the order of things gets mixed up in my head. I’ll admit, I don’t remember long stretches of time I’ve spent alone, but I can remember every first glimpse of your face, every kiss of your lips, every memory I’ve ever made with you.
”
”
Lauren Kate (Rapture (Fallen, #4))
“
Remus,” said Hermione tentatively, “is everything all right . . . you know . . . between you and—”
“Everything is fine, thank you,” said Lupin pointedly.
Hermione turned pink. There was another pause, an awkward and embarrassed one, and then Lupin said, with an air of forcing himself to admit something unpleasant, “Tonks is going to have a baby.”
“Oh, how wonderful!” squealed Hermione.
“Excellent!” said Ron enthusiastically.
“Congratulations,” said Harry.
Lupin gave an artificial smile that was more like a grimace, then said, “So . . . do you accept my offer? Will three become four? I cannot believe that Dumbledore would have disapproved, he appointed me your Defense Against the Dark Arts teacher, after all. And I must tell you that I believe that we are facing magic many of us have never encountered or imagined.”
Ron and Hermione both looked at Harry.
“Just—just to be clear,” he said. “You want to leave Tonks at her parents’ house and come away with us?”
“She’ll be perfectly safe there, they’ll look after her,” said Lupin. He spoke with a finality bordering on indifference. “Harry, I’m sure James would have wanted me to stick with you.”
“Well,” said Harry slowly, “I’m not. I’m pretty sure my father would have wanted to know why you aren’t sticking with your own kid, actually.”
Lupin’s face drained of color. The temperature in the kitchen might have dropped ten degrees. Ron stared around the room as though he had been bidden to memorize it, while Hermione’s eyes swiveled backward and forward from Harry to Lupin.
“You don’t understand,” said Lupin at last.
“Explain, then,” said Harry.
Lupin swallowed.
“I—I made a grave mistake in marrying Tonks. I did it against my better judgment and I have regretted it very much ever since.”
“I see,” said Harry, “so you’re just going to dump her and the kid and run off with us?”
Lupin sprang to his feet: His chair toppled over backward, and he glared at them so fiercely that Harry saw, for the first time ever, the shadow of the wolf upon his human face.
“Don’t you understand what I’ve done to my wife and my unborn child? I should never have married her, I’ve made her an outcast!”
Lupin kicked aside the chair he had overturned.
“You have only ever seen me amongst the Order, or under Dumbledore’s protection at Hogwarts! You don’t know how most of the Wizarding world sees creatures like me! When they know of my affliction, they can barely talk to me! Don’t you see what I’ve done? Even her own family is disgusted by our marriage, what parents want their only daughter to marry a werewolf? And the child—the child—”
Lupin actually seized handfuls of his own hair; he looked quite deranged.
“My kind don’t usually breed! It will be like me, I am convinced of it—how can I forgive myself, when I knowingly risked passing on my own condition to an innocent child? And if, by some miracle, it is not like me, then it will be better off, a hundred times so, without a father of whom it must always be ashamed!
”
”
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))