β
Time for the likeliest story since Mary told Joseph it was Godβs.
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Val McDermid
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He frowned as he struggled to remember. It was like watching an elephant crochet.
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Val McDermid (Kick Back (Kate Brannigan, #2))
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That was the trouble with moving houses; no matter how carefully you packed the books, they never ended up on the new shelves in quite the right place.
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Val McDermid (The Torment of Others (Tony Hill & Carol Jordan, #4))
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Sometimes, the only things that make you feel good are the same ones that worked when you were five. Yes, I slammed the door
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Val McDermid (Blue Genes (Kate Brannigan, #5))
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When all else fails, go for the ego.
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Val McDermid (Crack Down (Kate Brannigan, #3))
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The Glasgow accent was so strong you could have built a bridge with it and known it would outlast the civilization that spawned it
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Val McDermid
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You know it's a bad case when the only way you can catch up on your sleep is to get unconscious.
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Val McDermid (Crack Down (Kate Brannigan, #3))
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The hardest thing about being a grown up is realizing there are no magic formulas to release the ones we love from pain. Maybe that's why I enjoy computer games so much; you get to be God.
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Val McDermid (Crack Down (Kate Brannigan, #3))
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We make high demands on the people we expect to deliver justice, and we donβt always appreciate how much it eats away at them.
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Val McDermid (Forensics: What Bugs, Burns, Prints, DNA and More Tell Us About Crime)
β
I failed her. And she's out of my life. I don't even know where she's living. What she's doing to get through the days. And I miss her. Every single day, I miss her.
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Val McDermid (Cross and Burn (Tony Hill & Carol Jordan, #8))
β
You know, I've often wondered. It's pretty clear what they were up to in Sodom, but what do you suppose the sin of Gomorrah was?' Carol asked.
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Val McDermid (The Mermaids Singing (Tony Hill & Carol Jordan, #1))
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It's only hunting you that keeps me from being you.
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Val McDermid (The Mermaids Singing (Tony Hill & Carol Jordan, #1))
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Father, everybody has mugs these days. It's not a sign of debauchery and disrepute to drink tea from a mug.
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Val McDermid (Northanger Abbey (Rewrite/adaptation of the Jane Austen classic novel))
β
Everybody's got the right to go to hell in the handcart of their choice.
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Val McDermid (Dead Beat (Kate Brannigan, #1))
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If I didn't like her so much, I'd hate her.
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Val McDermid (Crack Down (Kate Brannigan, #3))
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To move forward, you have to accept the truth of a situation. Not persist in myth-making.
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Val McDermid (Cross and Burn (Tony Hill & Carol Jordan #8))
β
I'm not into little boys till they're old enough to have their own credit card.
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Val McDermid (Crack Down (Kate Brannigan, #3))
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You've always been handy with a knife, Mother
β
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Val McDermid (The Retribution (Tony Hill & Carol Jordan, #7))
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The discipline is based on one grisly fact: a corpse makes a good lunch.
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β
Val McDermid (Forensics: What Bugs, Burns, Prints, DNA and More Tell Us About Crime)
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Patsy McDonald had the artificial brightness and dead eyes that go hand in hand with prescription antidepressants. They
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β
Val McDermid (Out of Bounds (Inspector Karen Pirie, #4))
β
It forced me to realise that I'd been blaming you for not being flawless. And none of us is flawless.' Another sigh. 'I was so angry with myself for what happened to Michael and Lucy that I had to turn my anger somewhere else and you were the easiest target.
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Val McDermid (Cross and Burn (Tony Hill & Carol Jordan, #8))
β
It was a source of constant disappointment to Catherine Morland that her life did not more closely resemble her books. Or rather, that the books in which she found its likeness were so unexciting.
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Val McDermid (Northanger Abbey (Rewrite/adaptation of the Jane Austen classic novel))
β
It was a lot easier to be optimistic about equality when you didnβt have to confront the Neanderthals on a daily basis. When you could imagine that people were actually changing their minds because theyβd stopped groping secretaries at the photocopier.
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Val McDermid (Splinter the Silence (Tony Hill & Carol Jordan, #9))
β
She'd cook like an angel and fuck like a whore
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Val McDermid (Cross and Burn (Tony Hill & Carol Jordan, #8))
β
We all make mistakes, Carol. Sometimes they're more expensive than others. But I don't deserve to lose you,' he said, spreading his hands in appeal.
β
β
Val McDermid (Cross and Burn (Tony Hill & Carol Jordan, #8))
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You take the lead. He'll open up more easily to a copper than a mumbo jumbo man
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Val McDermid (The Wire in the Blood (Tony Hill & Carol Jordan, #2))
β
They both possessed a victimhood that had been conferred because they'd both been guilty of being female in a world where some men believed they deserved never to feel powerless.
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Val McDermid (The Torment of Others (Tony Hill & Carol Jordan, #4))
β
You are Tadeusz Radecki? I am in the right place?' 'I know who I am. What I want to know is who you are.
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Val McDermid (The Last Temptation (Tony Hill & Carol Jordan, #3))
β
No. It's no the same. The interviewers want you to say what they want to hear. I want to hear what you have to say.
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β
Val McDermid (Beneath the Bleeding (Tony Hill & Carol Jordan, #5))
β
You always remember the first time. Isn't that what they say about sex? How much more true it is of murder.
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Val McDermid (The Mermaids Singing (Tony Hill & Carol Jordan, #1))
β
Around five-eight, slim, good shoulders, narrow hips, legs and trunk in proportion, short dark hair, side parting, dark eyes, probably blue, shadows under the eyes, fair skin, average nose, wide mouth, lower lip fuller than upper.
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Val McDermid (The Mermaids Singing (Tony Hill & Carol Jordan, #1))
β
I was just finishing up my drink then I was off to get the night bus.' Carol grinned. 'Your sophistication never ceases to amaze me. What's wrong with a taxi?' 'You get a better class of nutter on the night bus. I blend in perfectly
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Val McDermid (The Torment of Others (Tony Hill & Carol Jordan, #4))
β
If you want to last more than five minutes as a private investigator, you've got to have the instincts of a chameleon. Gumshoes that stand out in the crowd are as much use to the client as a chocolate chip pan.
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Val McDermid (Crack Down (Kate Brannigan, #3))
β
I don't like fighting,' he said. 'It makes me hurt inside. Like I'm a kid again. In the cupboard, in the dark. If the grown-ups are fighting, it must be my fault. That's why I don't do rows.' He blinked hard, to keep the tears at bay. She was the only person in the world who could make him feel so exposed. It din't always feel like a good thing. 'Carol, I'm going home tomorrow. I can't manage without you. Not in any sense. So can we stop this no? I can't do it.
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Val McDermid (Beneath the Bleeding (Tony Hill & Carol Jordan, #5))
β
It's a piece of cake, being a lawyer or a doctor or a computer systems analyst or an accountant. Libraries are full of books telling you how to do it. The only textbooks for private eyes are on fiction shelves, and I don't remember ever reading one that told me how to interrogate an eight-year old without feeling like I was auditioning for the Gestapo.
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Val McDermid (Crack Down (Kate Brannigan, #3))
β
You can't prove a negative. I can't prove there are no such thing as vampires any more than you can prove you're not a lesbian.
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Val McDermid (Northanger Abbey (Rewrite/adaptation of the Jane Austen classic novel))
β
Without science, there would be no you;
without you, the future would offer a much narrower prospect.
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β
Val McDermid (Forensics: What Bugs, Burns, Prints, DNA and More Tell Us About Crime)
β
Ruth Rendell, Reginald Hill, P.D. James, Ernest Tidyman, John Le CarrΓ©, Norman Mailer, Penelope Fitzgerald and Colin Dexter all transported
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Val McDermid (1979 (Allie Burns #1))
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I know that. I do watch Spooks.' Carol was surprised. 'You do? I don't.' 'You should. They do.
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Val McDermid (Beneath the Bleeding (Tony Hill & Carol Jordan, #5))
β
To come up against someone who appeared not to give a damn about exerting petty power almost restored his faith in the public.
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Val McDermid (Insidious Intent (Tony Hill & Carol Jordan, #10))
β
Nothing warms the cockles of the heart more than the smug self-satisfaction of being right.
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Val McDermid
β
As Richard has pointed out on several occasions, I subscribe to the irregular verb theory of life: I am a trained investigator, you have a healthy curiosity, she/he is a nosy parker.
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Val McDermid
β
What do you think, boy? is he just another lying bastard, or what?' 'Prrrt,' the cat said on a rising intonation, his eyes closed to slits. 'I thought you'd say that. I agree, I know how to pick them,
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Val McDermid (The Mermaids Singing (Tony Hill & Carol Jordan, #1))
β
No two bodies will decompose in the same way, and at the same rate. You can have two bodies that are literally six feet apart and they will decompose in entirely different manners. It could be the amount of fat on the body. It could be the drugs they were taking, or the medication. It could be the type of clothing theyβre wearing. It could be that one has a particular odour that is more attractive to flies than the other. Absolutely anything.
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Val McDermid (Forensics: What Bugs, Burns, Prints, DNA and More Tell Us About Crime)
β
We see some of the worst things that mankind can do to each other and I still get shocked by some of the things that occur. Most people can go home and talk to their families about what theyβve done at work. We canβt. But even if I could, I donβt want my family to know some of the things that Iβve seen.
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Val McDermid (Forensics: What Bugs, Burns, Prints, DNA and More Tell Us About Crime)
β
He looked so vulnerable and fallible, his shoulders slumped, his head down, that Carol's impulses overrode the decision she'd taken only minutes before to play it cool. She stepped forward and pulled Tony into a tight hug. 'If anyone can do it, you can,' she whispered against his chin like a cat marking its territory.
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Val McDermid (The Mermaids Singing (Tony Hill & Carol Jordan, #1))
β
Without work, without direction, his thoughts were like a hamster on a wheel, circling and dancing with no destination and no possibility of arrival. With
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β
Val McDermid (Beneath The Bleeding (Tony Hill & Carol Jordan, #5))
Val McDermid (The Tony Hill and Carol Jordan Series, 1-4: The Mermaids Singing, The Wire in the Blood, The last Temptation, The Torment of Others, (Tony Hill/Carol Jordan))
β
It had seemed a good idea at the time to order the furniture for her new home online from a chain retailer.
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Val McDermid (The Tony Hill and Carol Jordan Series, 1-4: The Mermaids Singing, The Wire in the Blood, The last Temptation, The Torment of Others, (Tony Hill/Carol Jordan))
β
They think of policemen as they do of Labradors β noble, loyal, good with children, manβs protector and friend. In
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Val McDermid (A Place of Execution)
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Nothing consoles you for the loss of someone you love. You absorb it into you. You move forward but you move in a different way.β She
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Val McDermid (Still Life (Inspector Karen Pirie #6))
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Alas, poor James is dead. / We see his face no more. / For what he thought was H2O / Was H2SO4
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Val McDermid (Out of Bounds (Inspector Karen Pirie, #4))
β
Grief is individual. Some like it public, some like it private. For some, itβs complicated because their relationship with the dead was complicated.
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Val McDermid (Insidious Intent (Tony Hill & Carol Jordan, #10))
β
They'd all known each other long enough to forgive each other's faults, to accept each other's politics and to say what would be unsayable in any other company.
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Val McDermid (A Darker Domain (Inspector Karen Pirie, #2))
β
We never want to talk about the difficult things. But if we donβt they poison the good things in our lives.
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Val McDermid (Insidious Intent (Tony Hill & Carol Jordan, #10))
β
It was one of those explanations that explained nothing but sounded impressive. Joseph
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Val McDermid (1979 (Allie Burns #1))
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Discovering dedicated mystery booksellers was a bit like going to heaven without having to die first
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Val McDermid (The Man Who Went Up in Smoke (The Martin Beck series, Book 2))
β
Any manβs death diminishes me, because I am involved in mankindβ.
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Val McDermid (Forensics: What Bugs, Burns, Prints, DNA and More Tell Us About Crime)
β
junction at the top of the stairs. She gave a curious glance down General Tilneyβs corridor, but she
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Val McDermid (Northanger Abbey)
β
The bodies of two murdered women have been found this week. For the record, I didn't kill either of them.
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Val McDermid (Cross and Burn (Tony Hill & Carol Jordan, #8))
β
He spread his hands in a self-deprecating gesture. 'Well, I'm not a cop. And I'm not a woman.' She couldn't resist. 'I had noticed.
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Val McDermid (The Torment of Others (Tony Hill & Carol Jordan, #4))
β
I told her you were probably here'. 'Thanks,' Tony said. 'Did I mention she thinks her brother's murder is my fault?
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Val McDermid (The Retribution (Tony Hill & Carol Jordan, #7))
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Attractive smile, Carol added to her list of particulars as she shook the hand.
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Val McDermid (The Mermaids Singing (Tony Hill & Carol Jordan, #1))
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Tony got up from his desk and crouched down beside her. She was instantly aware of the smell of him, a mixture of shampoo and his own fain, animal scent.
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Val McDermid (The Mermaids Singing (Tony Hill & Carol Jordan, #1))
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What it had done, however, was to give him a feeling of power and control that had taken him back to how he used to feel every day.
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Val McDermid (Insidious Intent (Tony Hill & Carol Jordan, #10))
β
It wasn't enough but it was a start. It might keep him going...
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Val McDermid (Insidious Intent (Tony Hill & Carol Jordan, #10))
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Her anger was a memory now. She didn't believe in bearing grudges.
She believed in killing them where they lay.
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Val McDermid (Broken Ground (Inspector Karen Pirie, #5))
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Why are you only coming home just after three? Do you want a drink? I'm wide awake now.'
He could be so like a small child, she thought. Out of nowhere, all eagerness and curiosity.
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Val McDermid (The Retribution (Tony Hill & Carol Jordan, #7))
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With the passage of time, peopleβs memories always edited the past. A lot of details slipped from their grasp, while others that had seemed trivial at the time took on greater weight.
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Val McDermid (Out of Bounds (Inspector Karen Pirie, #4))
β
She watched his pale, square hands on the map, the short almost stubby fingers, with their neatly trimmed nails and a sparse scattering of fine black hairs on the bottom section of each finger. Appalled, she felt a stirring of desire. You're pathetic as an adolescent, she savagely chided herself. Like a teenager who fancies the first teacher who says anything nice about your work. Grow up, Jordan!
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Val McDermid (The Mermaids Singing (Tony Hill & Carol Jordan, #1))
β
Not even a hand-stitched suit could hide a body gone ruinously to seed. I was tempted to offer some fashion advice, but I didn't think he'd welcome the news that this year, bellies are being worn inside the trousers
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Val McDermid
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Honestly, Mum, how can you say someone's a great writer if you've got a stack of reference books next to you? It's just showing off. If I behaved like that in front of other people, you'd totally tell me off when we got home. So.why is it alright for T. S. Eliot to swagger about like a complete know it all and make the rest of us feel stupid?
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Val McDermid
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We take the staples of modern life so much for granted until weβre deprived of them. People do live quite well without what we consider to be basics, but they manage because theyβve never been de-skilled by their presence. To lose them when youβve lived all your life with power at the touch of a switch and water at the turn of a tap is shocking, then unsettling, then grindingly depressing.
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Val McDermid (The Skeleton Road (Karen Pirie, #3))
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Look at you. Finally, you look upset. Is that what's bothering you now?' She stepped close to him and pushed him hard in the chest, making him stumble backwards. 'The fact that you didn't predict this? Didn't work it out? That you're not as smart as you thought you were? the great Tony Hill fucked up and now my brother's dead?' She pushed him again and he had to twist away to avoid falling down the stairs.
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Val McDermid (The Retribution (Tony Hill & Carol Jordan, #7))
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Thereβs a thing called narcissistic personality disorder. People who have an inflated sense of their own importance, a lack of empathy for others. Theyβre vain, they crave the power over others they think they deserve. They can be arrogant and callous. They think theyβre better than everybody else and they donβt care who they trample on in their desire to get what they want.β βA bit like Donald Trump, then?
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Val McDermid (Out of Bounds (Inspector Karen Pirie, #4))
β
I just think sometimes, they were kids once. They ran about the park kicking a football. They had things they wanted to be. Nobody dreams about being that guy there. Nobody sets out to be like him. And we keep coming up against folk that have got themselves completely fucked up.
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Val McDermid (Out of Bounds (Inspector Karen Pirie, #4))
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To begin depriving death of its greatest advantage over us, let us adopt a way clean contrary to that common one; let us deprive death of its strangeness; let us frequent it, let us get used to it; let us have nothing more often in mind than death.β Michel de Montaigne, Essais (1580)
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Val McDermid (Forensics: The Anatomy of Crime)
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Admittedly, they [(places in novels)] didn't all have such ridiculous names as the ones in the Piddle Valley where her father's group of parishes was centered. It would have been hard to make credible a romantic fiction set in Farleigh Piddle, Middle Piddle, Nether Piddle and Piddle Dummer.
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Val McDermid (Northanger Abbey (Rewrite/adaptation of the Jane Austen classic novel))
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The nurse looked surprised. 'You're a bit high on the totem pole to be taking statements.' Carol debated momentarily how to describe her relationship with Tony. 'Colleague' was insufficient, 'landlord' somehow misleading and 'friend' both more and less than the truth. She shrugged. 'He feeds my cat.
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Val McDermid (Beneath the Bleeding (Tony Hill & Carol Jordan, #5))
β
As with arsenical candles and papers and fabrics, items become established in commerce before their dangers are recognized, ensuring that any attempt to curtail their use will be resisted by manufacturers β¦ and fought or ignored by politicians ideologically opposed to government interference β¦β Gettlerβs
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Val McDermid (Forensics: What Bugs, Burns, Prints, DNA and More Tell Us About Crime)
β
He knew he could devastate her and drive her from him with a handful of well-chosen sentences. And part of him wanted to do just that. Part of him wanted to banish her and her presumptions from his life. He'd travel further and faster and lighter without her. Then an appalling thought battled through his anger. You sound just like Vanessa.
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Val McDermid (Fever of the Bone (Tony Hill & Carol Jordan, #6))
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Within the infant rind of this weak flower Poison hath residence and medicine powerβ Romeo and Juliet, II, iii
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Val McDermid (Forensics: The Anatomy of Crime)
Val McDermid (The Tony Hill and Carol Jordan Series, 1-4: The Mermaids Singing, The Wire in the Blood, The last Temptation, The Torment of Others, (Tony Hill/Carol Jordan))
Val McDermid (The Tony Hill and Carol Jordan Series, 1-4: The Mermaids Singing, The Wire in the Blood, The last Temptation, The Torment of Others, (Tony Hill/Carol Jordan))
Val McDermid (The Tony Hill and Carol Jordan Series, 1-4: The Mermaids Singing, The Wire in the Blood, The last Temptation, The Torment of Others, (Tony Hill/Carol Jordan))
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proportion than she
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Val McDermid (Forensics: The Anatomy of Crime)
β
discreetly flashed its lights.
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Val McDermid (The Last Temptation (Tony Hill & Carol Jordan, #3))
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Gesualdoβs Tenebrae Responsories for his son to upload to his iPod and listen to on the day of his burial.
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Val McDermid (A Darker Domain (Karen Pirie #2))
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people are shaped by what happens to them and how they respond to it.
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Val McDermid (Fever Of The Bone (Tony Hill & Carol Jordan, #6))
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The hardest thing in life is to know which bridge to cross and which to burn. David Russell
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Val McDermid (Cross and Burn (Tony Hill & Carol Jordan, #8))
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when us profilers
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Val McDermid (Fever Of The Bone (Tony Hill & Carol Jordan, #6))
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But also, surprisingly, Charles Willeford, Ken Bruen and James Sallis.
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Val McDermid (Fever Of The Bone (Tony Hill & Carol Jordan, #6))
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Itβs your fault because you got me into Morag Fraser. Iβd never even heard of the Hebridean Harpies series till you dragged me along to her event. And now I am totally hooked. I was reading Vampires on Vatersay till one in the morning. I just had to finish it. And then I started Banshees of Berneray at breakfast and I could hardly drag myself away from it to come and meet you.
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Val McDermid (Northanger Abbey (Rewrite/adaptation of the Jane Austen classic novel))
β
If only this mist would clear, it would be a lovely day," she said faintly.
"And if only the clouds would thicken up it would be a miserable day," Mr. Allen contributed from behind the paper. "It is what it is.
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Val McDermid
β
Any sensible person knows that itβs only postponing the evil hour, but when youβre in debt up to your eyeballs, you stop thinking straight. You get into this self-deluding fantasy that if you can just get over this hump, youβll be heading towards getting straight again. Nobody cons themselves better than a bad debtor.
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Val McDermid (The Wire In The Blood (Tony Hill & Carol Jordan, #2))
β
Everybody seemed to like Skype except him, Tony thought, closing his office door then settling in front of his screen. His dislike was both personal and professional. Everybody looked weird on Skype. Everyone, frankly, looked like a potential patient. There was something very unsettling about that fish-eyed stare. Even people he liked looked deranged. From a professional perspective, the trouble was you could never see enough of the person you were in conversation with to gauge their body language. They might be giving off all sort of signals youβd be aware of in what his boss had taken to calling βF2F encounters,β but the Skype interface could hide a multitude of clues.
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Val McDermid
β
Everyone thinks themselves unique when they fall in love. The truth is, we all lose ourselves in the same way. Whether it takes hours or days or weeks, we all find ourselves in a place of wonder and urgency, where we believe nobody has ever been before to quite the same degree. If everyone felt like this, our script goes, the world would come to a grinding, grinning halt.
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Val McDermid (The Skeleton Road (Karen Pirie, #3))
β
A cold case was a story, constructed piece by piece. Sometimes the pieces arrived in the wrong order so it made no sense at first...at the end, if you found all the pieces, you had a coherent tale. Sometimes, though, you ended up with a stack of ill-assorted bits that didn't quite fit...Then it was like one of those novels that won literary prizes, the ones where you got to the end, closed the book and asked yourself, 'What just happened here?
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Val McDermid (Still Life (Inspector Karen Pirie, #6))
β
The psychology of sanction.β βIf youβre right, then why does anyone protest against torture? Why donβt we all just go, βOh well, weβve seen how well it works in the movies, letβs just go along with itβ?β Carol leaned on her fists on the edge of his bed as she spoke, her tumbled blonde hair falling into her eyes. βCarol, you might not have noticed, but thereβs a significant number of people out there who do say just that. Look at the opposition in the US when the Senate decided to outlaw torture just the other year. People believe in its efficacy precisely because theyβve seen it in the movies. And some of those believers are in positions of power. The reason we donβt all fall for it is that weβre not all equally credulous. Some of us are much more critical of what we see and read than others. But you can fool some of the people all of the time. And when spooks and cops go bad, thatβs what they rely on.β She
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Val McDermid (Beneath The Bleeding (Tony Hill & Carol Jordan, #5))
β
Back in 1963, kids werenβt supposed to have feelings like adults. Grown-ups fed them all sorts of tales to shield them from things, thinking to protect them. The worst crime to the adult mind was disrupting the routine, for nothing would serve as a better signal to the younger generation that something was seriously wrong. So the world could have been about to end back in the dale, but Janet and her cousins still had to be dropped off at the lane end and packed off to school like it was any other morning.
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Val McDermid (A Place of Execution)