Hairy Skin Quotes

We've searched our database for all the quotes and captions related to Hairy Skin. Here they are! All 39 of them:

We're not our skin of grime, we're not our dread bleak dusty imageless locomotive, we're all beautiful golden sunflowers inside, we're blessed by our own seed & hairy naked accomplishment-bodies growing into mad black formal sunflowers in the sunset, spied on by our eyes under the shadow of the mad locomotive riverbank sunset Frisco hilly tincan evening sitdown vision.
Allen Ginsberg (Howl and Other Poems)
It lays on his abdomen, angled slightly to the left. It's almost cute-kind of like Snuffleupagus. Well, not really. It's huge, but not hairy, and also not nearly as daunting as when it's hard. It is magical, though. I stifle a giggle because, goddamn it, I've never seen a snuffie up close. The head is tucked up inside the soft skin, an eye peering out from the turtleneck.
Helena Hunting (Pucked (Pucked, #1))
What’ cha doing out here all alone? Did you forget how to find Sanctuary? (Simi) No. I want to be alone for a bit. (Gallagher) Why? Were the bears mean to you? Mama can get a bit cranky whenever I play with the cubs. She thinks I’m going to eat one, but bleh! They’re way too hairy. Now if she’d let me skin one, I might be interested. (Simi) Are you joking? (Gallagher) Oh no. I never joke about hairy food. (Simi)
Sherrilyn Kenyon (A Dark-Hunter Christmas (Dark-Hunter #2.5; Were-Hunters, #0.6))
In Plaster I shall never get out of this! There are two of me now: This new absolutely white person and the old yellow one, And the white person is certainly the superior one. She doesn't need food, she is one of the real saints. 
At the beginning I hated her, she had no personality -- She lay in bed with me like a dead body 
And I was scared, because she was shaped just the way I was 
 Only much whiter and unbreakable and with no complaints. I couldn't sleep for a week, she was so cold. I blamed her for everything, but she didn't answer. 
I couldn't understand her stupid behavior! 
When I hit her she held still, like a true pacifist. 
Then I realized what she wanted was for me to love her: She began to warm up, and I saw her advantages. 

Without me, she wouldn't exist, so of course she was grateful. 
I gave her a soul, I bloomed out of her as a rose 
Blooms out of a vase of not very valuable porcelain, And it was I who attracted everybody's attention, 
Not her whiteness and beauty, as I had at first supposed. 
I patronized her a little, and she lapped it up -- 
You could tell almost at once she had a slave mentality. 

I didn't mind her waiting on me, and she adored it. 
In the morning she woke me early, reflecting the sun 
From her amazingly white torso, and I couldn't help but notice 
Her tidiness and her calmness and her patience: She humored my weakness like the best of nurses, 
Holding my bones in place so they would mend properly. In time our relationship grew more intense. 

She stopped fitting me so closely and seemed offish. 
I felt her criticizing me in spite of herself, 
As if my habits offended her in some way. She let in the drafts and became more and more absent-minded. 
And my skin itched and flaked away in soft pieces 
Simply because she looked after me so badly. Then I saw what the trouble was: she thought she was immortal. She wanted to leave me, she thought she was superior, 
And I'd been keeping her in the dark, and she was resentful -- Wasting her days waiting on a half-corpse! 
And secretly she began to hope I'd die. Then she could cover my mouth and eyes, cover me entirely, 
And wear my painted face the way a mummy-case Wears the face of a pharaoh, though it's made of mud and water. 

I wasn't in any position to get rid of her. She'd supported me for so long I was quite limp -- I had forgotten how to walk or sit, So I was careful not to upset her in any way 
Or brag ahead of time how I'd avenge myself. Living with her was like living with my own coffin: Yet I still depended on her, though I did it regretfully. I used to think we might make a go of it together -- 
After all, it was a kind of marriage, being so close. 
Now I see it must be one or the other of us. She may be a saint, and I may be ugly and hairy, 
But she'll soon find out that that doesn't matter a bit. I'm collecting my strength; one day I shall manage without her, 
And she'll perish with emptiness then, and begin to miss me. --written 26 Feburary 1961
Sylvia Plath (The Collected Poems)
Mama Lo can get a bit nasty whenever I play with the cubs. She thinks I'm going to eat one, but they're not to my taste. Too hairy. Now if she'd let me skin one, I might be interested." (Simi) He laughed in spite of himself. "Are you joking about that?" (Gallagher) "Oh no. I never joke about hairy food. It's disgusting." (Simi)
Sherrilyn Kenyon (A Dark-Hunter Christmas (Dark-Hunter #2.5; Were-Hunters, #0.6))
Perhaps you’re fascinated by the contours of my cheeks with skin like bed sheets that hide all of the complexities of what’s underneath, and present an image of simplicity (that is easier to digest than skipping heart beats for hairy legs). I wonder if these next six nights of not having to feel so alone will make you wondrous in keeping me as a bedside table: to place your hard times on before you get the forty winks your eyes need to glisten in the midday light of my bedroom. And it’s hard to fall back into sleep when I’ve fallen in love with studying the one that lies next to me. I wonder if you’ve found landscapes in my elbows like I’ve found ebbing tides in your forehead. Perhaps your love for me is fleeting, and you’ll have moments where you consider tearing yourself even further apart, but as soon as it’s possible you close your eyes again, fall out of the thought and back into sleep. But, perhaps you’ll keep me as a bedside table: to place your brain things in my cupboards, to place your step dad in my cupboards, to place your sad eyes in my drawers, to put your heart ache in my mouth, your desire for love in bite marks on my neck, and your misty breath in my ears whispering ‘you are so important to me’. -Bedside Table
Lucas Regazzi
The longer one stays here the more does the spirit of the moor sink into one’s soul, its vastness, and also its grim charm. When you are once out upon its bosom you have left all traces of modern England behind you, but on the other hand you are conscious everywhere of the homes and the work of prehistoric people. On all sides of you as you walk are the houses of these forgotten folk, with their graves and the huge monoliths which are supposed to have marked their temples. As you look at their grey stone huts against the scarred hillsides you leave your own age behind you, and if you were to see a skin-clad, hairy man crawl out from the low door, fitting a flint-tipped arrow on to the string of his bow, you would feel that the presence there was more natural than your own. The strange thing is that they should have lived so thickly on what must always have been most unfruitful soil. I am no antiquarian, but I could imagine that they were some unwarlike and harried race who were forced to accept that which none other would occupy.
Arthur Conan Doyle (The Hound of the Baskervilles (Sherlock Holmes, #5))
Final Disposition Others divided closets full of mother's things. From the earth, I took her poppies. I wanted those fandango folds of red and black chiffon she doted on, loving the wild and Moorish music of them, coating her tongue with the thin skin of their crimson petals. Snapping her fingers, flamenco dancer, she'd mock the clack of castanets in answer to their gypsy cadence. She would crouch toward the flounce of flowers, twirl, stamp her foot, then kick it out as if to lift the ruffles, scarlet along the hemline of her yard. And so, I dug up, soil and all, the thistle-toothed and gray-green clumps of leaves, the testicle seedpods and hairy stems both out of season, to transplant them in my less-exotic garden. There, they bloom her blood's abandon, year after year, roots holding, their poppy heads nodding a carefree, opium-ecstatic, possibly forever sleep.
Jane Glazer
Jane felt self-conscious each time Ghost saw her naked. A lifetime of fathood had left her with sagging skin. Ghost didn’t seem to mind. He had a paunch and a hairy back. “All the supermodels are dead, baby,” he told her. “Let it go.
Adam Baker (Outpost (Outpost, #1))
If you fall for a dark-eyed beauty, pretty as a picture, with lips as sweet as a luscious rasberry, and a gentle face, unrumpled by kisses, like an apple-blossom petal in May, and she becomes your love—then do not say that love is yours: even though you cannot tire of her rounded breasts, of her slender frame that melts in your embrace like wax before a flame. . . . The day will come, that cruel hour will come, the fatal moment will come, when he face will fade, rumpled by kisses, her breasts will no longer quiver at your touch: all this will come to pass; and you will be alone with your own shadow amidst the sunscorched deserts and the dried up springs, where flowers do not bloom and the sunlight plays on the dry skin of a lizard; and you might even see the hairy black tarantula’s lair, all enmeshed in the threads of its web . . . And then your thirsting voice will be raised from the sands, calling longingly to your homeland. --- But if your love is otherwise, if her browless face has once been touched by the black blemish of the pox, if her hair is red, her breasts sagging, her bare feet dirty, and to any extent at all her stomach protrudes, and still she is your love—then that which you have sought and found in her is the sacred homeland of your soul.
Andrei Bely (The Silver Dove)
I can feel every bit of his naked skin, from his hard, hairy thighs to the hair covering his muscular abdomen. He's nothing like I daydreamed a husband would be. When I was a young girl, I imagined a sweet-faced knight with pale hair and pretty eyes, who would delicately hold my hand and read me poems. The reality is so much better.
Ruby Dixon (The Half-Orc's Maiden Bride (Aspect and Anchor, #3.5))
Round-bottomed, soft-bellied, irrational, magical, too caring, too carefree, proudly demanding, unfettered by dependence, sexually unashamed, hairy, hungry, unpredictable, silently present, intangibly distant, ceaselessly gossipy, alarmingly uninhibited, seething with potential, incomprehensible, altogether unfathomable, dangerous and deliciously powerful, she is the hag. She bleeds. She laughs so hard her belly shakes, she snorts and farts. She is the dark side of woman, the inside, the raw side beneath the surface skin we are taught so well to cleanse and tone and remedy with paint. She is the woman whose self-expression is not quite under control. Mysterious, intuitive, emotional, curvaceous, lustful, needy, selfish, natural and free, she is the me we long to - but know we shouldn’t - reveal. Feeling
Emma Restall Orr (Kissing the Hag: The Dark Goddess and the Unacceptable Nature of Woman)
G took her hand in his and traced his finger over the delicate skin of her arm. What she didn't realize was that he was scrawling the words of a poem he had recently written. It was inspired by his lady and he had spent many long hours trying to find the words that adequately conveyed the feelings of his heart. There were many false starts, because at first he tried to capture the moment a horse fell in love with a ferret. Shall I compare thee to a barrel to apples? Thou art more hairy, but sweeter inside. Rough winds couldn't keep me from taking you to chapel, When finally a horse would take a bride... And then he tried to wax poetic about the ferret alone ... Shall I compare thee to a really large rat? Thou art more longer, with less disease. One would never mistake you for a listless cat ... Nor a filthy dog, because my dog has fleas. He could never confess his passion for poetry with those poetry examples.
Cynthia Hand (My Lady Jane (The Lady Janies, #1))
I undressed to climb a tree; my naked thighs embraced the smooth and humid bark; my sandals climbed upon the branches. High up, but still beneath the leaves and shaded from the heat, I straddled a wide-spread fork and swung my feet into the void. It had rained. Drops of water fell and flowed upon my skin. My hands were soiled with the moss and my heels were reddened by the crushed blossoms. I felt the lovely tree living when the wind passed through it; so I locked my legs tighter, and crushed my open lips to the hairy nape of a bough.
Pierre Louÿs (The Songs of Bilitis)
The stern broad-shouldered spear-girl and her jollier companion seemed to think them to some degree their property. The one opened the drinking-coconuts and passed them, the other handed the dried fishes, one by one. But not very valuable property: the spear-girl, whose name appeared to be Taio, looked at the white, hairy, waterlogged, waterwrinkled skin of Jack's leg where his trousers were rolled back, and uttered a sound of sincere and candid disgust, while the other one, Manu, took hold of a lock of his long yellow hair, now untied and hanging down his back, plucked out a few strands, turned them in her fingers and tossed them over the side, shaking her head and then carefully washing her hands.
Patrick O'Brian (The Far Side of the World (Aubrey & Maturin, #10))
Kaz had never been able to dodge the horror of that night in the Ketterdam harbor, the memory of his brother’s corpse clutched tight in his arms as he told himself to kick a little harder, to take one more breath, stay afloat, stay alive. He’d found his way to shore, devoted himself to the vengeance he and his brother were owed. But the nightmare refused to fade. Kaz had been sure it would get easier. He would stop having to think twice before he shook a hand or was forced into close quarters. Instead, things got so bad he could barely brush up against someone on the street without finding himself once more in the harbor. He was on the Reaper’s Barge and death was all around him. He was kicking through the water, clinging to the slippery bloat of Jordie’s flesh, too frightened of drowning to let go. The situation had gotten dangerous. When Gorka once got too drunk to stand at the Blue Paradise, Kaz and Teapot had to carry him home. Six blocks they hauled him, Gorka’s weight shifting back and forth, slumping against Kaz in a sickening press of skin and stink, then flopping onto Teapot, freeing Kaz briefly—though he could still feel the rub of the man’s hairy arm against the back of his neck. Later, Teapot had found Kaz huddled in a lavatory, shaking and covered in sweat. He’d pleaded food poisoning, teeth chattering as he jammed his foot against the door to keep Teapot out. He could not be touched again or he would lose his mind completely. The next day he’d bought his first pair of gloves—cheap black things that bled dye whenever they got wet. Weakness was lethal in the Barrel. People could smell it on you like blood, and if Kaz was going to bring Pekka Rollins to his knees, he couldn’t afford any more nights trembling on a bathroom floor. Kaz never answered questions about the gloves, never responded to taunts. He just wore them, day in and day out, peeling them off only when he was alone. He told himself it was a temporary measure. But that didn’t stop him from remastering every bit of sleight of hand wearing them, learning to shuffle and work a deck even more deftly than he could barehanded. The gloves held back the waters, kept him from drowning when memories of that night threatened to drag him under. When he pulled them on, it felt like he was arming himself, and they were better than a knife or a gun. 
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
lack, or loutish and crass kollective is a program dedicated to the proposition that vulgarity and bad taste are an inalienable right. the lackies, as they are sometimes called, meet if they feel like it at program headquarters, which is known as La Gaucherie. La Gaucherie is densely furnished with seven thousand always-in-operation console color televisions, nine hundred constantly blaring quadrophonic stereos, shag rugs in six hundred and seventy-eight decorator colors, and am eclectic mix of Mediterranean-style dining room sets, fun sofas, interesting wall hangings, and modular seating systems. These members not otherwise occupied practicing the electric guitar or writing articles for Playgirl sit around in unduly comfortable positions expressing their honest feelings and opinions in loud tones of voice. Male lackies are encouraged to leave unbuttoned the first five buttons of their shirts unless they have unusually pale skin and hairy chests, in which case they are required to do so. Female members are encouraged to encourage them. Both sexes participate in a form of meditation that consists of breathing deeply of musk oil while wearing synthetic fabrics. The eventual goal of this discipline is to reach the state of mind known as Los Angeles.
Fran Lebowitz (The Fran Lebowitz Reader)
I always had trouble with the feet of Jón the First, or Pre-Jón, as I called him later. He would frequently put them in front of me in the evening and tell me to take off his socks and rub his toes, soles, heels and calves. It was quite impossible for me to love these Icelandic men's feet that were shaped like birch stumps, hard and chunky, and screaming white as the wood when the bark is stripped from it. Yes, and as cold and damp, too. The toes had horny nails that resembled dead buds in a frosty spring. Nor can I forget the smell, for malodorous feet were very common in the post-war years when men wore nylon socks and practically slept in their shoes. How was it possible to love these Icelandic men? Who belched at the meal table and farted constantly. After four Icelandic husbands and a whole load of casual lovers I had become a vrai connaisseur of flatulence, could describe its species and varieties in the way that a wine-taster knows his wines. The howling backfire, the load, the gas bomb and the Luftwaffe were names I used most. The coffee belch and the silencer were also well-known quantities, but the worst were the date farts, a speciality of Bæring of Westfjord. Icelandic men don’t know how to behave: they never have and never will, but they are generally good fun. At least, Icelandic women think so. They seem to come with this inner emergency box, filled with humour and irony, which they always carry around with them and can open for useful items if things get too rough, and it must be a hereditary gift of the generations. Anyone who loses their way in the mountains and gets snowed in or spends the whole weekend stuck in a lift can always open this special Icelandic emergency box and get out of the situation with a good story. After wandering the world and living on the Continent I had long tired of well-behaved, fart-free gentlemen who opened the door and paid the bills but never had a story to tell and were either completely asexual or demanded skin-burning action until the morning light. Swiss watch salesmen who only knew of “sechs” as their wake-up hour, or hairy French apes who always required their twelve rounds of screwing after the six-course meal. I suppose I liked German men the best. They were a suitable mixture of belching northerner and cultivated southerner, of orderly westerner and crazy easterner, but in the post-war years they were of course broken men. There was little you could do with them except try to put them right first. And who had the time for that? Londoners are positive and jolly, but their famous irony struck me as mechanical and wearisome in the long run. As if that irony machine had eaten away their real essence. The French machine, on the other hand, is fuelled by seriousness alone, and the Frogs can drive you beyond the limit when they get going with their philosophical noun-dropping. The Italian worships every woman like a queen until he gets her home, when she suddenly turns into a slut. The Yank is one hell of a guy who thinks big: he always wants to take you the moon. At the same time, however, he is as smug and petty as the meanest seamstress, and has a fit if someone eats his peanut butter sandwich aboard the space shuttle. I found Russians interesting. In fact they were the most Icelandic of all: drank every glass to the bottom and threw themselves into any jollity, knew countless stories and never talked seriously unless at the bottom of the bottle, when they began to wail for their mother who lived a thousand miles away but came on foot to bring them their clean laundry once a month. They were completely crazy and were better athletes in bed than my dear countrymen, but in the end I had enough of all their pommel-horse routines. Nordic men are all as tactless as Icelanders. They get drunk over dinner, laugh loudly and fart, eventually start “singing” even in public restaurants where people have paid to escape the tumult of
Hallgrímur Helgason
After wandering the world and living on the Continent I had long tired of well-behaved, fart-free gentlemen who opened the door and paid the bills but never had a story to tell and were either completely asexual or demanded skin-burning action until the morning light. Swiss watch salesmen who only knew of “sechs” as their wake-up hour, or hairy French apes who always required their twelve rounds of screwing after the six-course meal. I suppose I liked German men the best. They were a suitable mixture of belching northerner and cultivated southerner, of orderly westerner and crazy easterner, but in the post-war years they were of course broken men. There was little you could do with them except try to put them right first. And who had the time for that? Londoners are positive and jolly, but their famous irony struck me as mechanical and wearisome in the long run. As if that irony machine had eaten away their real essence. The French machine, on the other hand, is fuelled by seriousness alone, and the Frogs can drive you beyond the limit when they get going with their philosophical noun-dropping. The Italian worships every woman like a queen until he gets her home, when she suddenly turns into a slut. The Yank is one hell of a guy who thinks big: he always wants to take you the moon. At the same time, however, he is as smug and petty as the meanest seamstress, and has a fit if someone eats his peanut butter sandwich aboard the space shuttle. I found Russians interesting. In fact they were the most Icelandic of all: drank every glass to the bottom and threw themselves into any jollity, knew countless stories and never talked seriously unless at the bottom of the bottle, when they began to wail for their mother who lived a thousand miles away but came on foot to bring them their clean laundry once a month. They were completely crazy and were better athletes in bed than my dear countrymen, but in the end I had enough of all their pommel-horse routines. Nordic men are all as tactless as Icelanders. They get drunk over dinner, laugh loudly and fart, eventually start “singing” even in public restaurants where people have paid to escape the tumult of the world. But their wallets always waited cold sober in the cloakroom while the Icelandic purse lay open for all in the middle of the table. Our men were the greater Vikings in this regard. “Reputation is king, the rest is crap!” my Bæring from Bolungarvík used to say. Every evening had to be legendary, anything else was a defeat. But the morning after they turned into weak-willed doughboys. But all the same I did succeed in loving them, those Icelandic clodhoppers, at least down as far as their knees. Below there, things did not go as well. And when the feet of Jón Pre-Jón popped out of me in the maternity ward, it was enough. The resemblances were small and exact: Jón’s feet in bonsai form. I instantly acquired a physical intolerance for the father, and forbade him to come in and see the baby. All I heard was the note of surprise in the bass voice out in the corridor when the midwife told him she had ordered him a taxi. From that day on I made it a rule: I sacked my men by calling a car. ‘The taxi is here,’ became my favourite sentence.
Hallgrímur Helgason
Holy gallnipper, how long till we hit the magic trail? It’s gloomier than my own funeral I here.” Camille adjusted the bag’s rope and looked at Ira. “Don’t even joke about that.” Since the moment they’d entered the forest, she’d felt like something was listening. Like they’d woken some sleeping creature, and now it followed them with silent cunning. The deafening chants had not returned to pierce her eardrums, but danger still felt close. A few paces ahead of her, Oscar peeled away another cobweb, the octagonal spinning so massive Camille didn’t even want to imagine the size of the spider that had created it. “Mate, you got a stomach made of iron,” Ira said. A flash of orange and black swept in front of Camille’s eyes and she felt an odd tug on her dress. She looked down and froze. A spider with a body the size of her first flexed its hairy legs on her skirt. It started to scuttle up. Her scream echoed through the forest as she swiped the spider off. It hit the marshy ground and scampered under a log. Oscar grabbed her arm and pulled her toward him. “Did it bite you?” She shook her head, arms and legs stiff with fear. “I’ve never seen one so bloody big,” Ira said, running past the log as though the spider would leap out at him. Oscar started walking again, his hand on the small of her back. She exhaled with more than one kind of relief. He was at least still concerned for her. As they started to pick up their pace, another black critter swung down from a nearby tree. Camille say it flying toward them, but her warning shout was too slow. The spider landed on Oscar’s shoulder, fat and furry and swift as its legs darted up his neck. Oscar shouted an obscenity as he whacked the giant from his skin. Camille heard it thud against the leafy forest floor. Unfazed, the spider quickly sprang to its finger-length legs and darted toward her boot. Her shrieks echoed again as it leaped onto her hem. With his foot, Ira knocked the spider back to the ground, and before it could bounce back up, Oscar smashed it with a stick. The squashed giant oozed yellow-and-green blood onto the marshy ground. Camille gagged and tasted her breakfast oats in the back of her mouth. “What in all wrath are those monsters?” Ira panted as he twisted around, looking for more. Camille looked up to the trees to try and spot any others that might be descending from glossy webbing. Terror paralyzed her as her eyes landed on a colony of glistening webs in the treetops. An endless number of black dots massed above their heads, dangling from tree limbs. Oscar and Ira followed her horrified stare. “Run,” Oscar whispered. Camille sprinted forward, her skin and scalp tingling with imaginary spider legs. The bag of provisions slammed against her back, tugging at her neck, but she didn’t care. They didn’t slow down until the gigantic spiderwebs grew sparse and the squawk of birds took over.
Angie Frazier (Everlasting (Everlasting, #1))
He sat on the edge of the mattress, his nerves sizzling as Daisy gathered up the loose folds of her nightgown. She crawled into his lap with the delicacy of a cat. The scent of sweet female skin filled his nostrils, and her weight settled on his thighs. Linking her slender arms around his neck, she said gravely, “I missed you.” His palms charted the shape of her body; the tender curves, the slender waist, the firm heart-shaped bottom. But as enchanting as he found Daisy’s physical charms, they didn’t affect him a fraction as intensely as the warm, lively intelligence of her nature. “I missed you too.” Daisy’s fingers played in his hair, the delicate touch sending jolts of pleasure from the base of his skull to his groin. Her voice turned provocative. “Did you meet many women in Bristol? Westcliff mentioned something about a dinner, and a soirée given by your host—” “I didn’t notice any women.” Matthew found it hard to think over the exquisite writhing desire. “You’re the only one I’ve ever wanted.” She touched the tip of her nose to his in a playful nudge. “You weren’t celibate in the past, however.” “No,” Matthew admitted, closing his eyes as he felt the caress of her breath against his skin. “It’s a lonely feeling, wishing the woman in your arms was someone else. Not long before I left New York, I realized that every woman I’d been with in the past seven years had resembled you in some way. One would have your eyes, another your hands, or your hair…I thought I would spend the rest of my life searching for little reminders of you. I thought—” Her mouth pressed against his, absorbing the raw confession.
Lisa Kleypas (Scandal in Spring (Wallflowers, #4))
When I look, really look, at the people I see every day on the street, I see a jungle of bodies, a community of women and men growing every which way like lush plants, growing tall and short and slender and round, hairy and hairless, dark and pale and soft and hard and glorious. Do I look around at the multitudes and think all these people—all these people who are like me and not like me, who are various and different—are not loved or lovable? Lately, everyone’s body interests me, every body is desirable in some way. I see how muscles and skin shift with movement; I sense a cornucopia of flesh in the world. In the midst of it I am a little capacious and unruly.
Sallie Tisdale (Minding the Body: Women Writers on Body and Soul)
The way he straddled that chair, Tizzy thought Bob looked trapped in a bad harness.  His black hair was greasy, long, and swept back.  He looked unnatural for such a natural man.  In fact, Tizzy began to see that even his tattoos were unnatural tattoos.  As her eyes warmed to the light, she began to see how his tattoos were butchered.  They were more like tattoo scraps.  The leftover illustrations danced in the light: bleached, wrinkly red and blue-green.  His skin etchings which had been almost removed.  They had been altered until they were a twisting, scarred mess of old cuts and hairy remnants of color.  Yes, those tattoos had died torturous deaths.  Tizzy chewed, trying not to stare.  Bob did not seem to care.  But she tried not stare.  She was pretty sure there was a snip of dragon's tail she could still see, blue and curling up from scar tissue below his left elbow. “Sure
Randy Thornhorn (Wicked Temper)
While Martha’s skins fell off her tomatoes like a silk slip off a supermodel, our skins got caught in the deep folds and stuck stubbornly. It was like trying to peel leather pants off of a sweaty, hairy, fat guy.
Josh Kilmer-Purcell (The Bucolic Plague: How Two Manhattanites Became Gentlemen Farmers: An Unconventional Memoir)
Monsters. Almost cartoonishly evil-looking, like in the campy space movies of old. Only these looked far more sinister, more deadly, and more … well, just obviously evil than anything he’d ever seen. Mottled green and black skin, dripping with mucus in some places and hairy in others.  And ugly. Faces that bore a striking resemblance to what he imagined the offspring of a crocodile with a human baby-like face who’d had sex with a tortoise would look like, except the offspring had contracted leprosy, been badly burned, and beaten with a spiked club, and whose now open wounds had developed gangrene and only semi-
Nick Webb (Liberty (Legacy Ship Trilogy, #3))
For years Mouchette had felt herself a stranger amongst hte villagers, dark and hairy like goats, whom she hated so much. Even while they were still young they ran to unhealthy fat. Their nerves were poisoned by the coffee they drank all day in their stinking cafés, and it finally started to colour their skin. She was not aware of despising anyone because, in her innocence, this seemed outside of her capabilities and she thought no more of it than she did of the other more material characteristics which the rich and the powerful reserve for themselves. Indeed, she would have been amazed if anyone told her that she despised Madame. She simply saw herself as a rebel against an order which the schoolmistress typified. When Madame told her from time to time that she was no good, she never contradicted her. She was no more ashamed of that than she was of her rags. For a long time she had delighted in a savage indifference to the disdainful comments of the other girls and the mockery of the boys. Often on a Sunday morning, when her mother sent her to the village for the week's bacon, she deliberately let herself get muddy on the road and reached the square just as people were coming out of Mass. And yet, suddenly, something had happened. . . . He blew on the coal for a few moments longer and then dropped it at his feet. Their eyes met. She would have liked him to understand her feelings, of which she was at the moment only aware of the shock, like the sting of raw spirits on her palate. She could give no name to that shock. What had it in common with what people called love and the actions she had seen? All she could do was to shine the light steadily on his wounded hand.
Georges Bernanos (Mouchette)
At the dockside I was pleasantly surprised to find the North wasn't all hairy men in animal skins. There was also hairy women in animal skins.
Mark Lawrence
Dawn came in wisps of pink against a blue-gray sky. Through the trees, shafts of misty sunlight formed luminous motes of warmth along the river. Birds sang. Squirrels chattered. The low rush of the water was ceaseless. Loretta woke slowly, aware before she opened her eyes that something was horribly wrong. Amy wasn’t this big. The arm around her was hard and heavy, the warm hand that cupped her breast distinctly masculine. She frowned and wondered where the hairy blanket touching her cheek had come from. Where was the gray down quilt? Why did she hurt everywhere? Through the spikes of her eyelashes, she stared at a gnarled tree root. A breeze stirred the leaves overhead. The moldy floor of the forest blended its musty smell with the rich, tantalizing aroma of coffee. Then the sound of men’s voices drifted to her, the tones conversational, interspersed with an occasional chuckle. Friendly voices. Normal-sounding voices--except for one thing. She couldn’t understand the language. With a start, she remembered. Her sudden gasp of alarm woke the Comanche who held her in his arms. She knew without looking that it was Hunter, the most horrible. His hand tightened reflexively on her naked breast, and his arm hardened to steel around her. He grunted something and nuzzled her neck. Loretta’s first instinct was to grab his hand, but she no sooner tried than she realized that her own were bound behind her. He pressed his face against her hair and took a deep breath. She could tell he was only half-awake by the slow, lazy way he moved. His thumb grazed her nipple, teasing the sensitive tip into an unwilling response. Her body sprang taut as well, jerking with every flick of his fingers. He yawned and pressed closer. Oh, God, help me. Lowering his hand to her belly, he pressed his palm against her spasm-stricken muscles and kneaded away the tightness. She felt like a sensitive harp string, thrummed by expert fingers. Horrified by her body’s reaction, she tried to twist free, but he threw a damp, buckskin-clad leg over both of hers and pinned her to the fur. Her back stung each time she moved, the pain so sharp it made beads of sweat pop out on her brow. Her thighs felt as if they were on fire. “M-mm-m, you are still hot,” he mumbled. His hand lingered on her belly. “Not too bad where the sun did not touch, though. The fever is better.” No man had ever dared touch her like this. She tossed her head from side to side, strained to get her arms and legs free, then shuddered in defeat. “Do not fight.” His voice was so close, it seemed to come from within her own mind. “You cannot win, eh? Rest.” His sleepy whispers invaded her whole being, slow, hypnotic, persuasive. He rubbed her in a circular motion, pausing in sleep, then coming awake to rub some more. “Lie still. Trust this Comanche. It is for the burn, no? To heal your skin.
Catherine Anderson (Comanche Moon (Comanche, #1))
Lancelet’s skin was so soft—she had thought all men were like Arthur, sunburnt and hairy, but his body was smooth as a child’s.
Marion Zimmer Bradley (The Mists of Avalon (Avalon, #1))
But he listed Wayne’s blinding as unsolved. The snake venom had bleached his pupils white, and the skin around his eye sockets had required grafts. The doctors had had to use skin from his buttocks, and because his buttocks were hairy, the skin around his eyes grew hair, too.
James Ellroy (The Best American Noir of the Century (The Best American Series))
If man had a tough, hairy hide like a bear, his world would be different indeed, Shimamura thought. It was through a thin, smooth skin that man loved. Looking out at the evening mountains, Shimamura felt a sentimental longing for the human skin.
Yasunari Kawabata (Snow Country)
He has wide shoulders and the muscles in his arms bulge as he pushes the mower. Sweat glistens on his skin and his wide chest which is covered in thick dark hair. I resist the urge to either moan or touch myself because a hairy chest is my kryptonite.
Lily Morton (Oz (Finding Home, #1))
He was a skinny, mop-haired boy up from San Marcos with haunted eyes. He wooed her with strange animal facts. The Texas horned lizard, he said, shoots blood out of its eyes when threatened, up to five feet. He was a fount of facts like these. Did you know, he would say, that when the hairy frog is attacked, it breaks its own toe bones and forces them through its skin to make claws?
Noah Hawley (Anthem)
Behold these joyful devourers The land laid out skewered in silver Candlesticks of softest pewter Rolling the logs down cut on end To make roads through the forest That once was—before the logs (Were rolled down cut on end)— We called it stump road and we Called it forest road when Our imaginations starved You can make fans with ribs Of sheep and pouches for baubles By pounding flat the ears Of old women and old men— Older is best for the ear grows For ever it’s said, even when There’s not a scrap anywhere to eat So we carried our wealth In pendulum pouches wrinkled And hairy, diamonds and gems Enough to buy a forest or a road But maybe not both Enough even for slippers of Supplest skin feathered in down Like a baby’s cheek There is a secret we know When nothing else is left And the sky stops its tears A belly can bulge full On diamonds and gems And a forest can make a road Through what once was You just won’t find any shade PENDULUMS WERE ONCE TOYS BADALLE OF KORBANSE SNAKE
Steven Erikson (Dust of Dreams (Malazan Book of the Fallen, #9))
He. Is. Exquisite. If there ever was a perfect male form, I'm certain it's him. It's clear he works out, given the cut of his body and the hard lines that drag across his light-tan skin. But it's more than that. It's the ruggedness that his body exudes. The gold-brown hair that runs along the center of his chest and down his stomach, the curly hair dotting his tree-trunk thighs and calves, the spicy smell of his cologne.
Sarah Echavarre Smith (The Boy With the Bookstore)
Ragnar destroyed a poisonous snake infestation while he was wearing a snake-proof suit made of animal skin. He did all of this because he wanted to win the hand of a princess. This is how he got his nickname, “Hairy Breeches.
Gunnar Hlynsson (Norse Mythology, Paganism, Magic, Vikings & Runes: 4 in 1: Learn All About Norse Gods & Viking Heroes - Explore the World of Pagan Religion Rituals, Magick Spells, Elder Futhark Runes & Asatru)
Having it hairy would keep a boy away wouldn’t it, maybe that is why she did it, so she would say it for the one that would not mind it, and for that show, he loves everything about her, regardless. Aylden Moya- leave her alone you make her feel uncomfortable. The sex in bed in the morning, and at night and when we feel is right, it is out of sight! Karly- are you kidding me she was mine first- are you saying- that I made you feel like your skin was crawling? Uncomfortable this is what it means- scratchy, painful, tight, and sore, or rough, uncomfortable- bumpy, itchy, and lastly- prickly. Is that insulting or what? Uncomfortable, like sticking your d*ick in the pencil sharpener, it just feels good, doesn’t it? Karly- It was said- Miss. Gibson when he first saw Maggie when she was five, he did not know how he felt. The feelings of being overjoyed led to the feelings of being horrified at what he was seeing, she had a smashed cut up wrist and boobs and nipples, and her hair all cut off, she was speechless for some years after, she was discovered, standing there in her underwire, you can see there are going up are butt cheeks. They look like she was picked up by them, by someone mean ripping hands. Miss. Gibson was not Maggie’s actual mom; awe- she is a horrible mature creature. Just a nasty piece of crap.
Marcel Ray Duriez (Nevaeh A Void She Cannot Feel)
And why is it that Homo sapiens was descended from hairy apes but wound up naked—as Wallace had gone to some pains to point out? Even in hottest horrid-torrid Africa, animals such as antelopes had fur to protect them from the wind and rain. So did man…way back in that invisible past, where Evolution lives. Starting out, said Darwin, man was as hairy as the hairiest ape. Why no longer? Blind, aren’t you, Wallace? You didn’t get the second half of my title, The Descent of Man, and Selection in Relation to Sex, did you. Evolution, said Darwin, had turned Homo sapiens into a more sensitive animal, which in turn gave him something approaching aesthetic feelings. The male began to admire females who had the least apelike hides because he could see more of their lovely soft skin, which excited him sexually. The more skin he saw, the more he wanted to see. Obviously valued by the males because their hides were much less hairy, the most sought-after females began to look down their noses at the old-fashioned hairy males, one crude step away from the apes themselves. Generation after generation went by, thousands of them, until, thanks to natural selection, males and females became as naked as they are today, with but two clumps of hair, one on the head and the other in the pubic area, plus wispy, scarcely visible little remnants of their formerly hirsute selves on the forearms and lower legs and, in the case of some males, the chest and shoulders.b Yes, their backs got cold, terribly cold, as Wallace had argued. But what poor Wallace didn’t know was that the heat of passion conquered all…and that was “How Man Lost His Hair Over Love.” (Got that, Wallace?)
Tom Wolfe (The Kingdom of Speech)
If man had a tough,hairy hide like a bear,his world would be different indeed- It was through a thin , smooth skin that man loved.
Yasunari Kawabata (Snow Country)