“
Never assume that the person you are dealing with is weaker or less important than you are. Some people are slow to take offense, which may make you misjudge the thickness of their skin, and fail to worry about insulting them. But should you offend their honor and their pride, they will overwhelm you with a violence that seems sudden and extreme given their slowness to anger. If you want to turn people down, it is best to do so politely and respectfully, even if you feel their request is impudent or their offer ridiculous.
”
”
Robert Greene (The 48 Laws of Power)
“
Chiron had said once that nations were the most foolish of mortal inventions. “No man is worth more than another, wherever he is from.”
“But what if he is your friend?” Achilles had asked him, feet kicked up on the wall of the rose-quartz cave. “Or your brother? Should you treat him the same as a stranger?”
“You ask a question that philosophers argue over,” Chiron had said. “He is worth more to you, perhaps. But the stranger is someone else’s friend and brother. So which life is more important?”
We had been silent. We were fourteen, and these things were too hard for us. Now that we are twenty-seven, they still feel too hard.
He is half of my soul, as the poets say. He will be dead soon, and his honor is all that will remain. It is his child, his dearest self. Should I reproach him for it? I have saved Briseis. I cannot save them all.
I know, now, how I would answer Chiron. I would say: there is no answer. Whichever you choose, you are wrong.
”
”
Madeline Miller (The Song of Achilles)
“
I paid, got up, walked
to the door, opened
it.
I heard the man
say, "that guy's
nuts."
out on the street I
walked north
feeling
curiously
honored.
”
”
Charles Bukowski (You Get So Alone at Times That it Just Makes Sense)
“
God made mud.
God got lonesome.
So God said to some of the mud, "Sit up!"
"See all I've made," said God, "the hills, the sea, the
sky, the stars."
And I was some of the mud that got to sit up and look
around.
Lucky me, lucky mud.
I, mud, sat up and saw what a nice job God had done.
Nice going, God.
Nobody but you could have done it, God! I certainly
couldn't have.
I feel very unimportant compared to You.
The only way I can feel the least bit important is to
think of all the mud that didn't even get to sit up and
look around.
I got so much, and most mud got so little.
Thank you for the honor!
Now mud lies down again and goes to sleep.
What memories for mud to have!
What interesting other kinds of sitting-up mud I met!
I loved everything I saw!
Good night.
I will go to heaven now.
I can hardly wait...
To find out for certain what my wampeter was...
And who was in my karass...
And all the good things our karass did for you.
Amen.
”
”
Kurt Vonnegut Jr. (Cat’s Cradle)
“
I took an oath June. I am still bound by that oath. I will die with honor for sacrificing everything I have-everything-for my country.. And yet, Day is a legend, while I am to be executed." His voice finally breaks with all his anger and inner torment, the injustice he feels. "It makes no sense."
I stand up. Behind me, guards move toward the cell door. "You're wrong," I say sadly. "It makes perfect sense."
"Why?"
"Because Day chose to walk in the light." I turn my back on him for the last time. The door opens; the cell's bars make way for the hall, a new rotation of prison guards, freedom. "And so did Metias.
”
”
Marie Lu (Champion (Legend, #3))
“
ROSE: I love you, Jack.
JACK: No...don’t say your goodbyes, Rose. Don’t you give up. Don’t do it.
ROSE: I’m so cold.
JACK: You’re going to get out of this...you’re going to go on and you’re going to make babies and watch them grow and you’re going to die an old lady, warm in your bed. Not here...Not this night. Do you understand me?
ROSE: I can’t feel my body.
JACK: Rose, listen to me. Winning that ticket was the best thing that ever happened to me. It brought me to you. And I’m thankful, Rose. I’m thankful. You must do me this honor...promise me you will survive....that you will never give up...not matter what happens...no matter how hopeless...promise me now, and never let go of that promise.
ROSE: I promise.
JACK: Never let go.
ROSE: I promise. I will never let go, Jack. I’ll never let go.
”
”
James Cameron (" Titanic " Script Book)
“
Because as much as I don’t need a knight in shining armor to defend my honor, I’m relieved I have one who feels compelled to do so.
”
”
Elsie Silver (Wild Love (Rose Hill, #1))
“
Be a light unto the world, and hurt it not. Seek to build not destroy. Bring My people home.
How?
By your shining example. Seek only Godliness. Speak only in truthfulness. Act only in love.
Live the Law of Love now and forever more. Give everything require nothing.
Avoid the mundane.
Do not accept the unacceptable.
Teach all who seek to learn of Me.
Make every moment of your life an outpouring of love.
Use every moment to think the highest thought, say the highest word, do the highest deed. In this, glorify your Holy Self, and thus too, glorify Me.
Bring peace to the Earth by bringing peace to all those whose lives you touch. Be peace. Feel and express in every moment your Divine Connection with the All, and with every person, place, and thing.
Embrace every circumstance, own every fault, share every joy, contemplate every mystery, walk in every man’s shoes, forgive every offense (including your own), heal every heart, honor every person’s truth, adore every person’s God, protect every person’s rights, preserve every person’s dignity, promote every person’s interests, provide every person’s needs, presume every person’s holiness, present every person’s greatest gifts, produce every person’s blessing, pronounce every person’s future secure in the assured love of God.
Be a living, breathing example of the Highest Truth that resides within you. Speak humbly of yourself, lest someone mistake your Highest Truth for boast. Speak softly, lest someone think you are merely calling for attention. Speak gently, that all might know of Love. Speak openly, lest someone think you have something to hide. Speak candidly, so you cannot be mistaken. Speak often, so that your word may truly go forth. Speak respectfully, that no one be dishonored. Speak lovingly, that every syllable may heal. Speak of Me with every utterance. Make of your life a gift. Remember always, you are the gift!
Be a gift to everyone who enters your life, and to everyone whose life you enter. Be careful not to enter another’s life if you cannot be a gift. (You can always be a gift, because you always are the gift—yet sometimes you don’t let yourself know that.) When someone enters your life unexpectedly, look for the gift that person has come to receive from you…I HAVE SENT YOU NOTHING BUT ANGELS.
”
”
Neale Donald Walsch (Conversations With God: An Uncommon Dialogue, Book 2)
“
Emotion choked her. “Since meeting you you’ve made me feel a lot of things. But not guilt. Not even when I kicked you.”
He smiled. “Glad to hear it. So what do you say we go check on your sister? I can almost picture her with her ear to the door.”
Through the door, Natalie said. “Damn right. Now bring my sister back out here.
”
”
Lori Foster (When You Dare (Men Who Walk the Edge of Honor, #1))
“
The first thing you notice about New Orleans are the burying grounds - the cemeteries - and they're a cold proposition, one of the best things there are here. Going by, you try to be as quiet as possible, better to let them sleep. Greek, Roman, sepulchres- palatial mausoleums made to order, phantomesque, signs and symbols of hidden decay - ghosts of women and men who have sinned and who've died and are now living in tombs. The past doesn't pass away so quickly here. You could be dead for a long time.
The ghosts race towards the light, you can almost hear the heavy breathing spirits, all determined to get somewhere. New Orleans, unlike a lot of those places you go back to and that don't have the magic anymore, still has got it. Night can swallow you up, yet none of it touches you. Around any corner, there's a promise of something daring and ideal and things are just getting going. There's something obscenely joyful behind every door, either that or somebody crying with their head in their hands. A lazy rhythm looms in the dreamy air and the atmosphere pulsates with bygone duels, past-life romance, comrades requesting comrades to aid them in some way. You can't see it, but you know it's here. Somebody is always sinking. Everyone seems to be from some very old Southern families. Either that or a foreigner. I like the way it is.
There are a lot of places I like, but I like New Orleans better. There's a thousand different angles at any moment. At any time you could run into a ritual honoring some vaguely known queen. Bluebloods, titled persons like crazy drunks, lean weakly against the walls and drag themselves through the gutter. Even they seem to have insights you might want to listen to. No action seems inappropriate here. The city is one very long poem. Gardens full of pansies, pink petunias, opiates. Flower-bedecked shrines, white myrtles, bougainvillea and purple oleander stimulate your senses, make you feel cool and clear inside.
Everything in New Orleans is a good idea. Bijou temple-type cottages and lyric cathedrals side by side. Houses and mansions, structures of wild grace. Italianate, Gothic, Romanesque, Greek Revival standing in a long line in the rain. Roman Catholic art. Sweeping front porches, turrets, cast-iron balconies, colonnades- 30-foot columns, gloriously beautiful- double pitched roofs, all the architecture of the whole wide world and it doesn't move. All that and a town square where public executions took place. In New Orleans you could almost see other dimensions. There's only one day at a time here, then it's tonight and then tomorrow will be today again. Chronic melancholia hanging from the trees. You never get tired of it. After a while you start to feel like a ghost from one of the tombs, like you're in a wax museum below crimson clouds. Spirit empire. Wealthy empire. One of Napoleon's generals, Lallemaud, was said to have come here to check it out, looking for a place for his commander to seek refuge after Waterloo. He scouted around and left, said that here the devil is damned, just like everybody else, only worse. The devil comes here and sighs. New Orleans. Exquisite, old-fashioned. A great place to live vicariously. Nothing makes any difference and you never feel hurt, a great place to really hit on things. Somebody puts something in front of you here and you might as well drink it. Great place to be intimate or do nothing. A place to come and hope you'll get smart - to feed pigeons looking for handouts
”
”
Bob Dylan (Chronicles, Volume One)
“
It’s been a long time since I’ve loved someone, but I know what it feels like. When you turn from me, it hurts. When you think badly of me, I think badly of myself. When you do stupid, suicidal things, I want to slap you upside the head and demand to know how you can be so brilliant and so blind at the same time.” Tybalt’s expression was calm. “If that’s not love, what is it?”
“Why are you telling me this?” I whispered.
“Because we’re probably going to die today.” He waved his free hand toward the street. “I’ve always tried not to lie to you; I’ve seen how you react when others do. Dying without telling you how I felt would be lying. I’ve been patient. I’ve given you time to recognize my feelings, and I’ve seen you choose a man who loved the girl you were, not the woman you are. Now he’s gone, and I can’t be patient anymore. I love you, October. I’ll be sorry if we die here, but I won’t be sorry I helped you… and I won’t be sorry I finally told you.”
“Tybalt…”
“Cats never regret anything,” he said, and he turned and kissed me.
”
”
Seanan McGuire (Ashes of Honor (October Daye, #6))
“
I can be a builder, not just a destroyer. Eo and Fitchner saw that when I could not. They believed in me. So whether they wait for me in the Vale or not, I feel them in my heart, I hear their echo beating across the worlds. I see them in my son, and, when he is old enough, I will take him on my knee and his mother and I will tell him of the rage of Ares, the strength of Ragnar, the honor of Cassius, the love of Sevro, the loyalty of Victra, and the dream of Eo, the girl who inspired me to live for more.
”
”
Pierce Brown (Morning Star (Red Rising Saga, #3))
“
I’ll never stay away again, Julia, I can’t. I need you as much as I need my next fucking breath, so get used to feeling me, because you’re mine.
”
”
K.C. Lynn (Fighting Temptation (Men of Honor, #1))
“
I admired the English immensely for all that they had endured, and they were certainly honorable, and stopped their cars for pedestrians, and called you “sir” and “madam,” and so on. But after a week there, I began to feel wild. It was those ruddy English faces, so held in by duty, the sense of “what is done” and “what is not done,” and always swigging tea and chirping, that made me want to scream like a hyena
”
”
Julia Child (My Life in France)
“
The growing number of gated communities in our nation is but one example of the obsession with safety. With guards at the gate, individuals still have bars and elaborate internal security systems. Americans spend more than thirty billion dollars a year on security. When I have stayed with friends in these communities and inquired as to whether all the security is in response to an actual danger I am told “not really," that it is the fear of threat rather than a real threat that is the catalyst for an obsession with safety that borders on madness.
Culturally we bear witness to this madness every day. We can all tell endless stories of how it makes itself known in everyday life. For example, an adult white male answers the door when a young Asian male rings the bell. We live in a culture where without responding to any gesture of aggression or hostility on the part of the stranger, who is simply lost and trying to find the correct address, the white male shoots him, believing he is protecting his life and his property. This is an everyday example of madness. The person who is really the threat here is the home owner who has been so well socialized by the thinking of white supremacy, of capitalism, of patriarchy that he can no longer respond rationally.
White supremacy has taught him that all people of color are threats irrespective of their behavior. Capitalism has taught him that, at all costs, his property can and must be protected. Patriarchy has taught him that his masculinity has to be proved by the willingness to conquer fear through aggression; that it would be unmanly to ask questions before taking action. Mass media then brings us the news of this in a newspeak manner that sounds almost jocular and celebratory, as though no tragedy has happened, as though the sacrifice of a young life was necessary to uphold property values and white patriarchal honor. Viewers are encouraged feel sympathy for the white male home owner who made a mistake. The fact that this mistake led to the violent death of an innocent young man does not register; the narrative is worded in a manner that encourages viewers to identify with the one who made the mistake by doing what we are led to feel we might all do to “protect our property at all costs from any sense of perceived threat. " This is what the worship of death looks like.
”
”
bell hooks (All About Love: New Visions)
“
No man is worth more than another, wherever he is from."
"But what if he is your friend? Or your brother? Should you treat him the same as a stranger?"
"You ask a question that philosophers argue over. He is worth more to you, perhaps. But the stranger is someone else's friend and brother. So which life is more important?"
We had been silent. We were fourteen, and these things were too hard for us. Now that we are twenty-seven, they still feel too hard.
He is half my soul, as the poets say. He will be dead soon, and his honor is all that will remain. It is his child his dearest self. Should I reproach him for it? I have saved Briseis. I cannot save them all.
I know, now, how I would answer Chiron. I would say: there is no answer. Whichever you choose, you are wrong.
”
”
Madeline Miller (The Song of Achilles)
“
I could make you feel good, Aria,” he murmured, his hand on my waist tightening. “You want to come, don’t you?”
Oh my God, yes. My body was screaming for it. “I’m fine. Thank you.”
Luca choked on a laugh. “You are so stubborn.
”
”
Cora Reilly (Bound by Honor (Born in Blood Mafia Chronicles, #1))
“
Oh, this is much better. Woah! Costume’s a bit much, it’s so tight! But the confidence! I can feel the righteousness surging! Hey, wanna have a rousing discussion about truth, honor, patriotism? God bless America…
”
”
Loki Laufeyson
“
I only lie to people I care about. So try to feel honored.
”
”
Kyra Davis (Vows, Vendettas and a Little Black Dress (Sophie Katz Murder Mystery, #5))
“
What is in that word "honor"? What is that "honor"? Air. A trim reckoning. Who hath it? He that died o' Wednesday. Doth he feel it? No. Doth he hear it? No. 'Tis insensible, then? Yea, to the dead. But will it not live with the living? No. Why? Detraction will not suffer it. Therefore, I'll none of it. Honor is a mere scutcheon. And so ends my catechism.
”
”
William Shakespeare (King Henry IV, Part 1)
“
I love everything about him. I love that he cares so much about honor and duty. I love how, when he’s working hardest to mask his feelings, they’re actually leaking out all over the place. I love the way his hair curls when it gets wet, his slightly crooked smile, the way he smells. When he laughs, I feel it in my toes.
”
”
Rae Carson (The Crown of Embers (Fire and Thorns, #2))
“
I intercepted Chaol, and he informed me of your ‘condition.’ You’d think a man in his position wouldn’t be so squeamish, especially after examining all of those corpses.”
Calaena opened an eye and frowned as Dorian sat on her bed. “I’m in a state of absolute agony and I can’t be bothered.”
“It can’t be that bad,” he said, fishing a deck of cards from his jacket. “Want to play?”
“I already told you that I don’t feel well.”
“You look fine to me.” He skillfully shuffled the deck. “Just one game.”
“Don’t you pay people to entertain you?”
He glowered, breaking the deck. “You should be honored by my company.”
“I’d be honored if you would leave.”
“For someone who relies on my good graces, you’re very bold.”
“Bold? I’ve barely begun.” Lying on her side, she curled her knees to her chest.
He laughed, pocketing the deck of cards. “Your new canine companion is doing well, if you wish to know.”
She moaned into her pillow. “Go away. I feel like dying.”
“No fair maiden should die alone,” he said, putting a hand on hers. “Shall I read to you in your final moments? What story would you like?”
She snatched her hand back. “How about the story of the idiotic prince who won’t leave the assassin alone?”
“Oh! I love that story! It has such a happy ending, too—why, the assassin was really feigning her illness in order to get the prince’s attention! Who would have guessed it? Such a clever girl. And the bedroom scene is so lovely—it’s worth reading through all of their ceaseless banter!”
“Out! Out! Out! Leave me be and go womanize someone else!” She grabbed a book and chucked it at him.
”
”
Sarah J. Maas (Throne of Glass (Throne of Glass, #1))
“
I feel sorry for people who maintain relationships and friendships detrimental to their mental health.
Everyone is guilty of it at one time or another- but the idea is to strive to be your best; right?
So, meanwhile why are so many people faking it? Security? Fear of loneliness? Fears of independence? Fears of being self ? Or just the idea that you can make someone change?
Regardless of the justifications you give & treat yourself to... , I hope all of you - "new year -new me types" strive for self care , honest and pure friendships and relationships based of love- and not based off the fake realities of your mind. These delusions of what you hope for instead of what's there, where you and your puppet show master focus more on everyone else and less on self. To change the world you must start within. But you must first BE HONEST with yourself.
My new year started a few months ago-- and it was the best choice I ever made- and
I hope your recreations are progressive and successful in THE NEW YEAR
”
”
Tiffany Luard
“
This is a test of mettle. That's the Ganseylike part."
Gansey knew that Henry was right by the zing of feeling in his heart. It was very similar to the sensation he'd felt at the toga party. That feeling of being known. Not in a superficial way, but in something deeper and truer. He asked, "What is my prize if I pass?"
"What is ever any prize of a test of mettle? The prize is your honor, Mr. Gansey."
Doubly known. Triply known. Gansey wasn't precisely sure how to cope with being so accurately pegged by a person who was, after all, only a recent acquaintance.
”
”
Maggie Stiefvater (The Raven King (The Raven Cycle, #4))
“
It wasn't a meaningless act for me either," Marcus said, his raspy whisper tickling her ear. "Yesterday I finally realized that all the things that I thought were wrong about you were actually the things I enjoyed most. I don't give a damn what you do, so long as it pleases you. Run barefoot on the front lawn. Eat pudding with your fingers. Tell me to go to hell as often as you like. I want you just as you are. After all, you're the only woman aside from my sisters who has ever dared to tell me to my face that I'm an arrogant ass. How could I resist you?" His mouth moved to the soft cushion of her cheek. "My dearest Lillian," he whispered, easing her head back to kiss her eyelids. "If I had the gift of poetry, I would shower you with sonnets. But words have always been difficult for me when my feelings are strongest. And there is one word in particular that I can't bring myself to say to you...'goodbye'. I couldn't bear the sight of you walking away from me. If you won't marry me for the sake of your honor, then do it for the sake of everyone who would have to tolerate me otherwise. Marry me because I need someone who will help me to laught at myself. Because someone has to teach me how to whistle. Marry me, Lillian...because I have the most irresistable fascination for your ears.
”
”
Lisa Kleypas (It Happened One Autumn (Wallflowers, #2))
“
It's cool in the basement, so I pull the blanket up to my chest. Caleb slides in beside me, and I feel his bare legs against mine. "You're shivering," he says, his voice a low whisper.
"I'm a little cold... and a little nervous."
"Don't be nervous, Maggie. It's juste me."
It's the real Caleb, without the tough facade. I'm glad it's completely dark now and he can't see my trembling fingers as they move up to his beautiful face. "I know."
He pulls me closer. I rest my head in the crook of his arm and am more content than ever.
"Maggie ?"
"Yeah ?"
"Thanks."
"For what ?"
"For making me feel alive again."
I drape my arm across his chest, the warmth of his skin melting into mine. I want to remember this night forever, because we'll probably never get another chance to hold each other like this again. It makes me want to do more than just sleep in his arms. I try and relax, to slow my own erratic heartbeat as I wrap my right leg, the one that wasn't severely damaged in the accident, around him. It's a definite hint that I'm ready to do more than just lie in his arms.
He moans in response. "Maggie, you're treading into dangerous territory. I'm trying to be a good, honorable guy here."
" I know. But I'm not asking you to be one."
"You sure you know what you're getting into ?"
"Nope. I've got no clue." I start kissing and feeling my way across his broad chest.
"You're killing me", he says, his hands slowly reaching for me and urging me up so we're face to face.
”
”
Simone Elkeles (Return to Paradise (Leaving Paradise, #2))
“
I feel so honored to be able to say "What I do is for my son" without that being an excuse to do stupid things (like what I've heard from some moms over the years, doing lazy, stupid things and then saying it's all for their children). No, I will not say that everything I do, I do for God! And no, I will not say that everything I do, I do because I am a sacrificial saint who is in love with people and should be canonized one day! I've had enough of those lines! Overkill already! It will take the love of a mother to change the world.
”
”
C. JoyBell C.
“
Serving my country was a life-changing experience for me. It was during those years that I realized the importance of commitment, dedication, honor, and discipline. I have never laughed so much; nor have I ever prayed so much. I made life-long friends. The leaders and heroes I served with helped shape me into the man I am today. I feel honored to have been a part of such a great tradition and grateful to others who have walked the same path. Thank you!
”
”
Steve Maraboli
“
THE FIRST AGREEMENT Be Impeccable with Your Word THE FIRST AGREEMENT IS THE MOST IMPORTANT ONE and also the most difficult one to honor. It is so important that with just this first agreement you will be able to transcend to the level of existence I call heaven on earth. The first agreement is to be impeccable with your word. It sounds very simple, but it is very, very powerful. Why your word? Your word is the power that you have to create. Your word is the gift that comes directly from God. The Gospel of John in the Bible, speaking of the creation of the universe, says, “In the beginning was the word, and the word was with God, and the word is God.” Through the word you express your creative power. It is through the word that you manifest everything. Regardless of what language you speak, your intent manifests through the word. What you dream, what you feel, and what you really are, will all be manifested through the word.
”
”
Miguel Ruiz (The Four Agreements: A Practical Guide to Personal Freedom)
“
I love you,” he says. “I love you so much. I love waking up with you on Sunday mornings when we don’t have any plans. And I love coming home to you at night, seeing you reading a book, bundled up in a sweater and huge socks even though you have the heat up to eighty-eight degrees. I want that for the rest of my life. I want you to be my wife. That’s what I want.”
I want to tell him that I want that, too. Ever since I met him I’ve wanted that, too. But now everything is different, everything has changed. And I’m not sure what I want at all.
“But I don’t want you to share those things with me because you have to, because you feel it’s right to honor a promise we made months ago. I want us to share all of that together because it’s what makes you happy, because you wake up every day glad that you’re with me, because you have the freedom to choose the life you want, and you choose our life together. That’s what I want. If I don’t give you the chance to leave right now, then I don’t know,” he says, shrugging. “I just don’t think I’ll ever feel comfortable again.
”
”
Taylor Jenkins Reid (One True Loves)
“
A dog creates, transcribes, a new landscape for you. A dog like Colter sharpens your joy of all the seasons, and for a while, sometimes a long while, such a dog seems capable, by himself alone, of holding time in place--of pinning it, and holding it taught. And then when he is gone, it is as if the world is taken away.
Dogs like that are young for what seems like a very long time....
One you have lost a dog--especially the first you trained from a pup, the one you first set sail into the world with--you can never fully give of yourself to another dog. You can never again look at a dog you love without hedging a tiny bit, if only subconsciously, against the day when that dog, too, must leave. You can never again hunt or enter the future so recklessly, so joyously, with that weight of forethought....
As I sleep restlessly, night after night, or more often, as I lie there awake, I can see him running and I feel guilty that I am not there to honor the birds he is finding... One way or the other, he is still out there running. He will never rest.... I will always want him to know a moment's rest, and peace, and he will always know in his hot heart that the only peace to be gotten is by never resting, by always pushing on.
He is my Colter.... I am still his, and he is still mine.
”
”
Rick Bass (Colter: The True Story of the Best Dog I Ever Had)
“
I get why no one bothers with the usual rules," ... "I was in the war, too, you know. Nothing looks or feels the same anymore, so what's the point?" ... "Still, I miss good old-fashioned honorable people just trying to make something of life. Simply, without hurting anyone else.
”
”
Paula McLain (The Paris Wife)
“
Does the Queen also not say ‘thank you’ when a man helps her?”
She crosses her arms and lifts her nose, somehow making it feel like she’s looking down at me even though I’m a foot taller.
“No, she doesn’t. It’s an honor to serve me, so…you’re welcome.”
Well, would you look at that – the Queen’s got balls. Good for her.
”
”
Emma Chase (Royally Yours (Royally, #4))
“
Prepare a gentle but firm response to use the next time someone feels they have a right to comment on your life decisions. You might say something like, "I'm sure you have my best interest at heart, and I thank you for your concern. However, you didn't experience what I did, so you can't understand what I went through. I made the best decisions I could based on what happened in my life. I know you will honor my right to decide what is best for me, just as I allow you to decide what is best for you.
”
”
Caroline Abbott (A Journey to Healing After Emotional Abuse)
“
To begin with, this case should never have come to trial. The state has not produced one iota of medical evidence that the crime Tom Robinson is charged with ever took place... It has relied instead upon the testimony of two witnesses, whose evidence has not only been called into serious question on cross-examination, but has been flatly contradicted by the defendant. Now, there is circumstantial evidence to indicate that Mayella Ewel was beaten - savagely, by someone who led exclusively with his left. And Tom Robinson now sits before you having taken the oath with the only good hand he possesses... his RIGHT. I have nothing but pity in my heart for the chief witness for the State. She is the victim of cruel poverty and ignorance. But my pity does not extend so far as to her putting a man's life at stake, which she has done in an effort to get rid of her own guilt. Now I say "guilt," gentlemen, because it was guilt that motivated her. She's committed no crime - she has merely broken a rigid and time-honored code of our society, a code so severe that whoever breaks it is hounded from our midst as unfit to live with. She must destroy the evidence of her offense. But what was the evidence of her offense? Tom Robinson, a human being. She must put Tom Robinson away from her. Tom Robinson was to her a daily reminder of what she did. Now, what did she do? She tempted a *****. She was white, and she tempted a *****. She did something that, in our society, is unspeakable. She kissed a black man. Not an old uncle, but a strong, young ***** man. No code mattered to her before she broke it, but it came crashing down on her afterwards. The witnesses for the State, with the exception of the sheriff of Maycomb County have presented themselves to you gentlemen, to this court in the cynical confidence that their testimony would not be doubted, confident that you gentlemen would go along with them on the assumption... the evil assumption that all Negroes lie, all Negroes are basically immoral beings, all ***** men are not to be trusted around our women. An assumption that one associates with minds of their caliber, and which is, in itself, gentlemen, a lie, which I do not need to point out to you. And so, a quiet, humble, respectable *****, who has had the unmitigated TEMERITY to feel sorry for a white woman, has had to put his word against TWO white people's! The defendant is not guilty - but somebody in this courtroom is. Now, gentlemen, in this country, our courts are the great levelers. In our courts, all men are created equal. I'm no idealist to believe firmly in the integrity of our courts and of our jury system - that's no ideal to me. That is a living, working reality! Now I am confident that you gentlemen will review, without passion, the evidence that you have heard, come to a decision and restore this man to his family. In the name of GOD, do your duty. In the name of God, believe... Tom Robinson
”
”
Harper Lee (To Kill a Mockingbird)
“
No,” I hear myself say. “You’re not supposed to be here.”
She’s sitting on my bed. She’s leaning back on her elbows, legs outstretched in front of her, crossed at the ankles. And while some part of me understands I must be dreaming, there’s another, overwhelmingly dominant part of me that refuses to accept this. Part of me wants to believe she’s really here, inches away from me, wearing this short, tight black dress that keeps slipping up her thighs. But everything about her looks different, oddly vibrant; the colors are all wrong. Her lips are a richer, deeper shade of pink; her eyes seem wider, darker. She’s wearing shoes I know she’d never wear. And strangest of all: she’s smiling at me.
“Hi,” she whispers.
It’s just one word, but my heart is already racing. I’m inching away from her, stumbling back and nearly slamming my skull against the headboard, when I realize my shoulder is no longer wounded. I look down at myself. My arms are both fully functional. I’m wearing nothing but a white T-shirt and my underwear.
She shifts positions in an instant, propping herself up on her knees before crawling over to me. She climbs onto my lap. She’s now straddling my waist. I’m suddenly breathing too fast.
Her lips are at my ear. Her words are so soft. “Kiss me,” she says.
“Juliette—”
“I came all the way here.” She’s still smiling at me. It’s a rare smile, the kind she’s never honored me with. But somehow, right now, she’s mine. She’s mine and she’s perfect and she wants me, and I’m not going to fight it.
I don’t want to.
Her hands are tugging at my shirt, pulling it up over my head. Tossing it to the floor. She leans forward and kisses my neck, just once, so slowly. My eyes fall closed.
There aren’t enough words in this world to describe what I’m feeling.
I feel her hands move down my chest, my stomach; her fingers run along the edge of my underwear. Her hair falls forward, grazing my skin, and I have to clench my fists to keep from pinning her to my bed.
Every nerve ending in my body is awake. I’ve never felt so alive or so desperate in my life, and I’m sure if she could hear what I’m thinking right now, she’d run out the door and never come back.
Because I want her.
Now.
Here.
Everywhere.
I want nothing between us.
I want her clothes off and the lights on and I want to study her. I want to unzip her out of this dress and take my time with every inch of her. I can’t help my need to just stare; to know her and her features: the slope of her nose, the curve of her lips, the line of her jaw. I want to run my fingertips across the soft skin of her neck and trace it all the way down. I want to feel the weight of her pressed against me, wrapped around me.
I can’t remember a reason why this can’t be right or real. I can’t focus on anything but the fact that she’s sitting on my lap, touching my chest, staring into my eyes like she might really love me.
I wonder if I’ve actually died.
But just as I lean in, she leans back, grinning before reaching behind her, never once breaking eye contact with me. “Don’t worry,” she whispers. “It’s almost over now.”
Her words seem so strange, so familiar. “What do you mean?”
“Just a little longer and I’ll leave.”
“No.” I’m blinking fast, reaching for her. “No, don’t go—where are you going—”
“You’ll be all right,” she says. “I promise.”
“No—”
But now she’s holding a gun.
And pointing it at my heart.
”
”
Tahereh Mafi (Destroy Me (Shatter Me, #1.5))
“
As I lifted the ash dagger, something inside me fractured so completely that there would be no hope of ever repairing it. No matter how many years passed, no matter how many times I might try to paint her face.
More faeries wailed now-her kinsmen and friends. The dagger was a weight in my hand-my hand, shining and coated with the blood of the first faerie.
It would be more honorable to refuse-to die, rather than murder innocents. But... but...
"Let me enter eternity," she repeated, lifting her chin. "Fear no evil," she whispered-just for me. "Feel no pain."
I gripped her delicate, bony shoulder and drove the dagger into her heart.
She gasped, and blood spilled onto the ground like a splattering of rain. Her eyes were closed when I looked at her face again. She slumped to the floor and didn't move.
I went somewhere far, far away from myself.
”
”
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
“
When it's good, it's the best and most beautiful thing I've ever experienced. So good, that it makes me feel bad for people who haven't had the honor. But when it's bad, it's bad, Nikki. A goddamn Greek tragedy. It's horrific. And really fucking scary. He scares me.
But those good times...I'll take the bad just so I can have the good. Because the good is outstanding. So, if you must know, I'm going with the flow and taking it as it comes.
”
”
Belle Aurora (Raw (RAW Family, #1))
“
In a marriage, a woman has to be the backbone, the compromiser; yet half the time she feels powerless. Marriage isn’t easy. There are a lot of pitfalls, steep uphill battles, obstacles, compromises, and sacrifices. As the saying goes, the man is the head of the household, but truth be told, I am still trying to understand how that is so. There are some good men out there who successfully honor their role as a husband and a father to their children. However, there are so many single mothers in the world today who are the heads of households, being both the mother and the father.
”
”
Charlena E. Jackson (A Woman's Love Is Never Good Enough)
“
On the first day of November last year, sacred to many religious calendars but especially the Celtic, I went for a walk among bare oaks and birch. Nothing much was going on. Scarlet sumac had passed and the bees were dead. The pond had slicked overnight into that shiny and deceptive glaze of delusion, first ice. It made me remember sakes and conjure a vision of myself skimming backward on one foot, the other extended; the arms become wings. Minnesota girls know that this is not a difficult maneuver if one's limber and practices even a little after school before the boys claim the rink for hockey. I think I can still do it - one thinks many foolish things when November's bright sun skips over the entrancing first freeze.
A flock of sparrows reels through the air looking more like a flying net than seventy conscious birds, a black veil thrown on the wind. When one sparrow dodges, the whole net swerves, dips: one mind. Am I part of anything like that?
Maybe not. The last few years of my life have been characterized by stripping away, one by one, loves and communities that sustain the soul. A young colleague, new to my English department, recently asked me who I hang around with at school. "Nobody," I had to say, feeling briefly ashamed. This solitude is one of the surprises of middle age, especially if one's youth has been rich in love and friendship and children. If you do your job right, children leave home; few communities can stand an individual's most pitiful, amateur truth telling. So the soul must stand in her own meager feathers and learn to fly - or simply take hopeful jumps into the wind.
In the Christian calendar, November 1 is the Feast of All Saints, a day honoring not only those who are known and recognized as enlightened souls, but more especially the unknowns, saints who walk beside us unrecognized down the millennia. In Buddhism, we honor the bodhisattvas - saints - who refuse enlightenment and return willingly to the wheel of karma to help other beings. Similarly, in Judaism, anonymous holy men pray the world from its well-merited destruction. We never know who is walking beside us, who is our spiritual teacher. That one - who annoys you so - pretends for a day that he's the one, your personal Obi Wan Kenobi. The first of November is a splendid, subversive holiday.
Imagine a hectic procession of revelers - the half-mad bag lady; a mumbling, scarred janitor whose ravaged face made the children turn away; the austere, unsmiling mother superior who seemed with great focus and clarity to do harm; a haunted music teacher, survivor of Auschwitz. I bring them before my mind's eye, these old firends of my soul, awakening to dance their day. Crazy saints; but who knows what was home in the heart? This is the feast of those who tried to take the path, so clumsily that no one knew or notice, the feast, indeed, of most of us.
It's an ugly woods, I was saying to myself, padding along a trail where other walkers had broken ground before me. And then I found an extraordinary bouquet. Someone had bound an offering of dry seed pods, yew, lyme grass, red berries, and brown fern and laid it on the path: "nothing special," as Buddhists say, meaning "everything." Gathered to formality, each dry stalk proclaimed a slant, an attitude, infinite shades of neutral.
All contemplative acts, silences, poems, honor the world this way. Brought together by the eye of love, a milkweed pod, a twig, allow us to see how things have been all along. A feast of being.
”
”
Mary Rose O'Reilley (The Barn at the End of the World: The Apprenticeship of a Quaker, Buddhist Shepherd)
“
Always so fucking wet for me,” he groans, then inserts his finger deep inside of me, “I hope you’re ready, baby, because tonight, Grace, I am going to kiss, taste and fuck every inch of your sweet body. I’m going to bring you so much fucking pleasure your voice will go hoarse from screaming with it.” Oh god! I already feel like screamin’.
”
”
K.C. Lynn (Sweet Temptation (Men of Honor, #2))
“
I release my parents from the feeling that they have already failed me.
I release my children from the need to bring pride to me; that they may write their own ways according to their hearts, that whisper all the time in their ears.
I release my partner from the obligation to complete myself. I do not lack anything, I learn with all beings all the time.
I thank my grandparents and forefathers who have gathered so that I can breathe life today. I release them from past failures and unfulfilled desires, aware that they have done their best to resolve their situations within the consciousness they had at that moment.
I honor you, I love you and I recognize you as innocent.
I am transparent before your eyes, so they know that I do not hide or owe anything other than being true to myself and to my very existence, that walking with the wisdom of the heart, I am aware that I fulfill my life project, free from invisible and visible family loyalties that might disturb my Peace and Happiness, which are my only responsibilities.
I renounce the role of savior, of being one who unites or fulfills the expectations of others.
Learning through, and only through, love, I bless my essence, my way of expressing, even though somebody may not understand me.
I understand myself, because I alone have lived and experienced my history; because I know myself, I know who I am, what I feel, what I do and why I do it.
I respect and approve myself.
I honor the Divinity in me and in you.
We are free.
”
”
Anonymous
“
So I fight for her. Not because we will reconnect. We haven’t. And we might not. Not because she’s right. Not because I’m right. I fight for her simply because I want to stay right in step with honoring God.
”
”
Lysa TerKeurst (Uninvited: Living Loved When You Feel Less Than, Left Out, and Lonely)
“
A psychotic world we live in. The madmen are in power. How long have we known this? Faced this?-And-how many of us do know it? Not Lotze. Perhaps if you know you are insane then you are not insane. Or you are becoming sane, finally. Waking up. I suppose only a few are aware of all this. Isolated persons here and there. But the broad masses...what do they think? All these hundreds of thousands in this city, here. Do they imagine that they live in a sane world? Or do they guess, glimpse the truth...?
But, he thought, what does it mean, insane? A legal definition. What do I mean? I feel it, see it, but what is it?
He thought, it is something they do, something they are. It is their unconsciousness. Their lack of knowledge about others. Their not being aware of what they do to others, the destruction they have caused and are causing. No, he thought. That isn't it. I don't know; I sense it, inuit it. But-they are purposely cruel...is that it? No. God, he thought, I can't find it, make it clear. Do they ignore parts of reality? Yes. But it is more. It is their plans. Yes, their plans. The conquering of the planets. Something frenzied and demented, as was their conquering of Africa, and before that, Europe and Asia.
Their view; it is cosmic. Not of man here, a child there, but an abstraction: race, land. Volk. Land. Blut. Ehre. Not of honorable men but of Ehre itself, honor; the abstract is real, the actual is invisible to them. Die Gute, but not good men, this good man. It is their sense of space and time. They see through the here, the now, into the vast black deep beyond, the unchanging. And that is fatal to life. Because eventually there will be no life; there was once only the dust particles in space, the hot hydrogen gases, nothing more, and it will come again. This is an interval, ein Augenblick. The cosmic process is hurrying on, crushing life back into the granite and methane; the wheel turns for all life. It is all temporary. And they-these madmen-respond to the granite, the dust, the longing of the inanimate; they want to aid Natur.
And, he thought, I know why. They want to be the agents, not the victims, of history. They identify with God's power and believe they are godlike. That is their basic madness. They are overcome by some archetype; their egos have expanded psychotically so that they cannot tell where they begin and the godhead leaves off. it is not hubris, not pride; it is inflation of the ego to its ultimate-confusion between him who worships and that which is worshiped. Man has not eaten God; God has eaten man.
What they do not comprehend is man's helplessness. I am weak, small, of no consequence to the universe. It does not notice me; I live on unseen. But why is that bad? Isn't it better that way? Whom the gods notice they destroy. Be small...and you will escape the jealousy of the great.
”
”
Philip K. Dick (The Man in the High Castle)
“
Ladies and Gentlemen, I'd planned to speak to you tonight to report on the state of the Union, but the events of earlier today have led me to change those plans. Today is a day for mourning and remembering. Nancy and I are pained to the core by the tragedy of the shuttle Challenger. We know we share this pain with all of the people of our country. This is truly a national loss.
Nineteen years ago, almost to the day, we lost three astronauts in a terrible accident on the ground. But we've never lost an astronaut in flight. We've never had a tragedy like this. And perhaps we've forgotten the courage it took for the crew of the shuttle. But they, the Challenger Seven, were aware of the dangers, but overcame them and did their jobs brilliantly. We mourn seven heroes: Michael Smith, Dick Scobee, Judith Resnik, Ronald McNair, Ellison Onizuka, Gregory Jarvis, and Christa McAuliffe. We mourn their loss as a nation together.
For the families of the seven, we cannot bear, as you do, the full impact of this tragedy. But we feel the loss, and we're thinking about you so very much. Your loved ones were daring and brave, and they had that special grace, that special spirit that says, "Give me a challenge, and I'll meet it with joy." They had a hunger to explore the universe and discover its truths. They wished to serve, and they did. They served all of us.
We've grown used to wonders in this century. It's hard to dazzle us. But for twenty-five years the United States space program has been doing just that. We've grown used to the idea of space, and, perhaps we forget that we've only just begun. We're still pioneers. They, the members of the Challenger crew, were pioneers.
And I want to say something to the schoolchildren of America who were watching the live coverage of the shuttle's take-off. I know it's hard to understand, but sometimes painful things like this happen. It's all part of the process of exploration and discovery. It's all part of taking a chance and expanding man's horizons. The future doesn't belong to the fainthearted; it belongs to the brave. The Challenger crew was pulling us into the future, and we'll continue to follow them.
I've always had great faith in and respect for our space program. And what happened today does nothing to diminish it. We don't hide our space program. We don't keep secrets and cover things up. We do it all up front and in public. That's the way freedom is, and we wouldn't change it for a minute.
We'll continue our quest in space. There will be more shuttle flights and more shuttle crews and, yes, more volunteers, more civilians, more teachers in space. Nothing ends here; our hopes and our journeys continue.
I want to add that I wish I could talk to every man and woman who works for NASA, or who worked on this mission and tell them: "Your dedication and professionalism have moved and impressed us for decades. And we know of your anguish. We share it."
There's a coincidence today. On this day three hundred and ninety years ago, the great explorer Sir Francis Drake died aboard ship off the coast of Panama. In his lifetime the great frontiers were the oceans, and a historian later said, "He lived by the sea, died on it, and was buried in it." Well, today, we can say of the Challenger crew: Their dedication was, like Drake's, complete.
The crew of the space shuttle Challenger honored us by the manner in which they lived their lives. We will never forget them, nor the last time we saw them, this morning, as they prepared for their journey and waved goodbye and "slipped the surly bonds of earth" to "touch the face of God."
Thank you.
”
”
Ronald Reagan
“
No matter how inflexibly the world was clamoring for war and heroism, honor and other outmoded ideals, no matter how remote and unlikely every voice that apparently spoke up for humanity sounded, all of that was merely superficial, just as the question of the external and political aims of the war remained superficial. Deep down, something was evolving. Something like a new humanity. Because I could see people, and a number of them died alongside me, who had gained the new emotional insight that hatred and rage, killing and destroying, were not linked to the specific objects if that rage. No, the objects, just like the aims, were completely accidental. Those primal feelings, even the wildest of them, weren't directed against the enemy; their bloody results were merely an outward materialization of people's inner life, the split within their souls, which desired to rage and kill, destroy and die, so that they could be reborn.
”
”
Hermann Hesse (Demian)
“
I don’t know what happened to you,” I say. “I don’t know who my father was or why you hate him so much. But I know my death won’t free you. It won’t give you peace. You’re not the one killing me. I chose to die. Because I’d rather die than become like you. I’d rather die than live with no mercy, no honor, no soul.” I wrap my hands around the bars and look down into her eyes. For a second, confusion flashes there, an all-too-brief crack in her armor. Then her gaze turns to steel. It doesn’t matter. All I feel for her in this moment is pity. “Tomorrow, I’m the one who will be set free. Not you.” I release the bars and move to the back of the cell. Then I slide to the floor and close my eyes. I don’t see her face as she leaves. I don’t hear her. I don’t care. The killing blow is my release. Death is coming for me. Death is nearly here. I am ready for him.
”
”
Sabaa Tahir (An Ember in the Ashes (An Ember in the Ashes, #1))
“
John laughed. “You know, I’ve heard all the sayings about the wrath of women, but whew, Scar, you have a temper.”
The others chuckled.
“Keep it in mind, John Little,” I warned him. I didn’t feel much like chuckling.
He laughed. “I’ll be sure to inform Jenny Percy,” he said.
I rolled my eyes, but this time I heard a small laugh come from Rob’s distant corner. “So she really kissed
Scar?”
“Should have seen it, Rob! Scar’s right in the middle of giving her a talking-to, and Jenny lays one on her,” Much
crowed.
“So that’s how we shut her up,” John said.
I knew he were fair close to me so I tried to kick him. It took a few attempts, but one finally hit something and I heard him whine, “Ow, Scar!”
“And none of you jumped in to defend—her—her honor?” Rob asked, but it got broken up with laughs.
“The lot of you are stupid blighters,” I snapped. “It ain’t for laughing.”
This made them crack apart with howls.
”
”
A.C. Gaughen
“
Cauldron save me," she began whispering, her voice lovely and even-like music. "Mother hold me," she went on, reciting a prayer similar to one I'd heard once before, when Tamlin eased the passing of that lesser faerie who'd died in the foyer. Another of Amarantha's victims. "Guide me to you." I was unable to raise my dagger, unable to take the step that would close the distance between us. "Let me pass through the gates; let me smell that immortal land of milk and honey."
Silent tears slide down my face and neck, where they dampened the filthy collar of my tunic. As she spoke, I knew I would be forever barred from that immortal land. I knew that whatever Mother she meant would never embrace me. In saving Tamlin, I was to damn myself.
I couldn't do this-couldn't lift that dagger again.
"Let me fear no evil," she breathed, staring at me-into me, into the soul that was cleaving itself apart."Let me feel no pain."
A sob broke from my lips. "I'm sorry," I moaned.
"Let me enter eternity," She breathed.
I wept as I understood. Kill me now, she was saying. Do it fast. Don't make it hurt. Kill me now. Her bronze eyes were steady, if not sorrowful. Infinitely, infinitely worse than the pleading of the dead faerie beside her.
I couldn't do it.
But she held my gaze-held my gaze and nodded.
As I lifted the ash dagger, something inside me fractured so completely that there would be no hope of ever repairing it. No matter how many years passed, no matter how many times I might try to paint her face.” As I lifted the ash dagger, something inside me fractured so completely that there would be no hope of ever repairing it. No matter how many years passed, no matter how many times I might try to paint her face.
More faeries wailed now-her kinsmen and friends. The dagger was a weight in my hand-my hand, shining and coated with the blood of the first faerie.
It would be more honorable to refuse-to die, rather than murder innocents. But... but...
"Let me enter eternity," she repeated, lifting her chin. "Fear no evil," she whispered-just for me. "Feel no pain."
I gripped her delicate, bony shoulder and drove the dagger into her heart.
She gasped, and blood spilled onto the ground like a splattering of rain. Her eyes were closed when I looked at her face again. She slumped to the floor and didn't move.
I went somewhere far, far away from myself.
”
”
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
“
My feeling is that in religion there are very serious things, like the existence of God and the brotherhood of man,
that are serious truths that we will one day learn to appreciate in perhaps a different language on a different scale...
So I think there are real truths there, and in the sense the majesty of the universe is meaningful, and we do owe honor and awe to its Creator.
”
”
Michio Kaku (Parallel Worlds: A Journey through Creation, Higher Dimensions, and the Future of the Cosmos)
“
For sure we live in a youth-obsessed culture that is constantly trying to tell us that if we’re not young and glowing and “hot,” we don’t matter. But I refuse to buy into such a distorted view of reality. And I would never lie about or deny my age. To do so is to contribute to a sickness pervading our society—the sickness of wanting to be what you’re not. I know for sure that only by owning who and what you are can you step into the fullness of life. I feel sorry for anyone who buys into the myth that you can be what you once were. The way to your best life isn’t denial. It’s owning every moment and staking a claim to the here and now. You’re not the same woman you were a decade ago; if you’re lucky, you’re not the same woman you were last year. The whole point of aging, as I see it, is change. If we let them, our experiences can keep teaching us about ourselves. I celebrate that. Honor it. Hold it in reverence. And I’m grateful for every age I’m blessed to become.
”
”
Oprah Winfrey (What I Know for Sure)
“
Where's my sister?"
"She's setting up the island we found tonight."
Galen shakes his head. "You slithering eel. You might have told me what you were up to."
Toraf laughs. "Oh sure. 'Hey, Galen, I need to borrow Emma for a few minutes so I can kiss her, okay?' Didn't see that going over very well."
"You think your surprise attack went over better?"
Toraf shrugs. "I'm satisfied."
"I could have killed you today."
"Yeah."
"Don't ever do that again."
"Wasn't planning on it. Thought it was real sweet of you to defend your sister's honor. Very brotherly." Toraf snickers.
"Shut up."
"I'm just saying."
Galen runs a hand through his hair. "I only saw Emma. I forgot all about Rayna."
"I know, idiot. That's why I let you hit me fifty-eight times. That's what I would do if someone kissed Rayna."
"Fifty-nine times."
"Don't get carried away, minnow. By the way, was Emma boiling mad or just a little heated? Should I keep my distance for a while?"
Galen snorts. "She laughed so hard I thought she'd pass out. I'm the one in trouble."
"Shocker. What'd you do?"
"The usual." Hiding his feelings. Blurting out the wrong thing. Acting like a territorial bull shark.
Toraf shakes his head. "She won't put up with that forever. She already thinks you only want to change her so she can become another of your royal subjects."
"She said that?" Galen scowls. "I don't know what's worse. Letting her think that, or telling her the truth about why I'm helping her to change."
"In my opinion, there's nothing to tell her unless she can actually change. And so far, she can't."
"You don't think she's one of us?"
Toraf shrugs. "Her skin wrinkles. It's kind of gross. Maybe she's some sort of superhuman. You know, like Batman."
Galen laughs. "How do you know about Batman?"
"I saw him on that black square in your living room. He can do all sorts of things other humans can't do. Maybe Emma is like him."
"Batman isn't real. He's just a human acting like that so other humans will watch him."
"Looked real to me."
"They're good at making it look real. Some humans spend their whole lives making something that isn't real look like something that is."
"Humans are creepier than I thought. Why pretend to be something you're not?"
Galen nods. To take over a kingdom, maybe? "Actually, that reminds me. Grom needs you."
Toraf groans. "Can it wait? Rayna's getting all cozy on our island right about now."
"Seriously. I don't want to know."
Toraf grins. "Right. Sorry. But you can see my point, right? I mean, if Emma were waiting for you-"
"Emma wouldn't be waiting for me. I wouldn't have left."
"Rayna made me. You've never hit me that hard before. She wants us to get along. Plus, there's something I need to tell you, but I didn't exactly get a change to."
"What?"
"Yesterday when we were practicing in front of your house, I sensed someone. Someone I don't know. I made Emma get out of the water while I went to investigate."
"And she listened to you?"
Toraf nods. "Turns out, you're the only one she disobeys.
”
”
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
“
We're not very different from one another, not different at all, in fact. We're all just people with the same needs, the same desires, the same feelings. It's a lie about us being different. It's something they cooked up so we'd be fighting one another instead of them, the ones who keep us down and make their fortunes off our labor, the same ones who send us off to war when they get to fighting among themselves over the spoils. You'll find that out someday. They'll be calling on you to go to war for them, you can be sure of that, because there's going to be lots more wars in the future. I got in one myself, as you know. I saw men getting killed and wounded and crippled, and I must have killed a lot of men myself, and I'm just sick every time I think of it. Why? Because we were fighting one another instead of those who'd sent us out there. Oh, they're clever, those capitalists. It's hard to beat them at their game. They've fooled us with words like patriotism and duty and honor, and they've got us divided up into classes and religions so that each one of us figures he's better than the other. But it'll all change, 'arry. Believe me, it will. People get smarter. The human brain has a potential for development. Someday it will grow big enough so that everybody will see and understand the truth, and then we won't act like a bunch of sheep, and then that wall that separates the two sides of our street will crumble.
”
”
Harry Bernstein (The Invisible Wall: A Love Story That Broke Barriers)
“
Negativity poisons my mind, and positivity restores it. I have a choice whether to join in the darkness of the world, its petty judgments, and constant blame. When I do so I inject my psyche with poison, and today I choose a healthy mind. I replace all negativity with a positive attitude, in which I seek to find, and to articulate, the good in every heart. If I disagree, I will disagree with honor. If I debate a point, I will debate with respect. If I need to draw a line for the sake of justice, I will do so with an honor for the dignity of all. I will no longer be careless with the working of my mind. Rather, I will use it as it was created by God to be used, as a conduit for love and a gateway to peace. May everyone, including myself, feel the tenderness of my approval and not the harshness of my unkindness.
”
”
Marianne Williamson (A Year of Miracles: Daily Devotions and Reflections (The Marianne Williamson Series))
“
Kids are tough sometimes. There are moments when I'm so frustrated and don't feel like we understand each other. When I hit a moment like this and words of aggravation are on the tip of my tongue, this is what I say to myself:
You have been given the unbelievable honor of taking care of and loving the next generation of people. Your work with them is hands down the most important work you'll ever do. Think about how many people these children will come in contact with in their life time. The messages and love you give them or don't give them will be your voice in the future. Think about that when you're aggravated or tired. Every word you speak over them matters. Your voice and the unspoken energy you're sending them are more powerful than you can possibly imagine. Speak to them as if they are Kings and Queens and you are on stage in front of thousands of people -because that's how they deserve to be treated.
Give them the best of you.
”
”
Brooke Hampton
“
In lying to others we end up lying to ourselves. We deny the importance of an event, or a person, and thus deprive ourselves of a part of our lives. Or we use one piece of the past or present to screen out another. Thus we lose faith even in our own lives.
An honourable human relationship—that is, one in which two people have the right to use the word “love”—is a process, delicate, violent, often terrifying to both persons involved, a process of refining the truths they can tell each other.
It is important to do this because it breaks down human self-delusion and isolation.
It is important to do this because in so doing we do justice to our own complexity.
It is important to do this because we can count on so few people to go that hard way with us.
[…]
It isn’t that to have an honourable relationship with you, I have to understand everything, or tell you everything at once, or that I can know, beforehand, everything I need to tell you.
It means that most of the time I am eager, longing for the possibility of telling you. That these possibilities may seem frightening, but not destructive, to me. That I feel strong enough to hear your tentative and groping words. That we both know we are trying, all the time, to extend the possibilities of truth between us.
The possibility of life between us.
”
”
Adrienne Rich (Women and Honor: Some Notes on Lying)
“
Debt Chauffeur, that's my name for him now, wants to marry me. He asked me down on bended knee, and I would have been honored - except he wants us to live in London, and he wants me to live white. I crowed at that. I laughed so hard and not a tear came. He couldn't understand it. I don't often think on how white I look; it's always been a question of how colored I feel, and I feel plenty colored. He said that no one in London will know that I'm supposed to be colored. And I said I am colored, colored black, the way I talk, the way I cook, the way I do most everything, and he said but you don't have to be.
”
”
Alice Randall (The Wind Done Gone)
“
I promise you, Cole Bridge, that in honor of the little child you once were, I will never forget that JB is a gift from God. I will honor his unique, gorgeous person with enough love for both him and the memory of a little boy who deserved so much more than he got, for as long as I live and beyond.”
She kissed his lips.
“Amen.”
He held her close and kissed her hard, her tears salty on both of their lips. “You are so much. I have no words.”
“I know,” she said. “I feel that way about you too.
”
”
Debra Anastasia (Saving Poughkeepsie (Poughkeepsie Brotherhood, #3))
“
Man does not appear to me to be intended to enjoy felicity so unmixed; happiness is like the enchanted palaces we read of in our childhood, where fierce, fiery dragons defend the entrance and approach; and monsters of all shapes and kinds, requiring to be overcome ere victory is ours. I own that I am lost in wonder to find myself promoted to an honor of which I feel myself unworthy—
”
”
Alexandre Dumas (The Count of Monte Cristo)
“
The season of the world before us will be like no other in the history of mankind. Satan has unleashed every evil, every scheme, every blatant, vile perversion ever known to man in any generation. Just as this is the dispensation of the fullness of times, so it is also the dispensation of the fullness of evil. We and our wives and husbands, our children, and our members must find safety. There is no safety in the world: wealth cannot provide it, enforcement agencies cannot assure it, membership in this Church alone cannot bring it.
As the evil night darkens upon this generation, we must come to the temple for light and safety. In our temples we find quiet, sacred havens where the storm cannot penetrate to us. There are hosts of unseen sentinels watching over and guarding our temples. Angels attend every door. As it was in the days of Elisha, so it will be for us: “Those that be with us are more than they that be against us.”
Before the Savior comes the world will darken. There will come a period of time where even the elect will lose hope if they do not come to the temples. The world will be so filled with evil that the righteous will only feel secure within these walls. The saints will come here not only to do vicarious work, but to find a haven of peace. They will long to bring their children here for safety’s sake.
I believe we may well have living on the earth now or very soon the boy or babe who will be the prophet of the Church when the Savior comes. Those who will sit in the Quorum of Twelve Apostles are here. There are many in our homes and communities who will have apostolic callings. We must keep them clean, sweet and pure in an oh so wicked world. There will be greater hosts of unseen beings in the temple. Prophets of old as well as those in this dispensation will visit the temples. Those who attend will feel their strength and feel their companionship. We will not be alone in our temples.
Our garments worn as instructed will clothe us in a manner as protective as temple walls. The covenants and ordinances will fill us with faith as a living fire. In a day of desolating sickness, scorched earth, barren wastes, sickening plagues, disease, destruction, and death, we as a people will rest in the shade of trees, we will drink from the cooling fountains. We will abide in places of refuge from the storm, we will mount up as on eagle’s wings, we will be lifted out of an insane and evil world. We will be as fair as the sun and clear as the moon.
The Savior will come and will honor his people. Those who are spared and prepared will be a temple-loving people. They will know Him. They will cry out, “Blessed be the name of He that cometh in the name of the Lord; thou are my God and I will bless thee; thou are my God and I will exalt thee.”
Our children will bow down at His feet and worship Him as the Lord of Lords, the King of Kings. They will bathe His feet with their tears and He will weep and bless them for having suffered through the greatest trials ever known to man. His bowels will be filled with compassion and His heart will swell wide as eternity and He will love them. He will bring peace that will last a thousand years and they will receive their reward to dwell with Him. Let us prepare them with faith to surmount every trial and every condition. We will do it in these holy, sacred temples. Come, come, oh come up to the temples of the Lord and abide in His presence.
”
”
Vaughn J. Featherstone
“
Yes, I hate blown glass art and I happen to live in the blown glass art capital of the world, Seattle, Washington. Being a part of the Seattle artistic community, I often get invited to galleries that are displaying the latest glass sculptures by some amazing new/old/mid-career glass blower. I never go. Abstract art leaves me feeling stupid and bored. Perhaps it’s because I grew up inside a tribal culture, on a reservation where every song and dance had specific ownership, specific meaning, and specific historical context. Moreover, every work of art had use—art as tool: art to heal; art to honor, art to grieve. I think of the Spanish word carnal, defined as, ‘Of the appetites and passions of the body.’ And I think of Gertrude Stein’s line, ‘Rose is a rose is a rose is a rose.’ When asked what that line meant, Stein said, ‘The poet could use the name of the thing and the thing was really there.’ So when I say drum, the drum is really being pounded in this poem; when I say fancydancer, the fancydancer is really spinning inside this poem; when I say Indian singer, that singer is really wailing inside this poem. But when it comes to abstract art—when it comes to studying an organically shaped giant piece of multi-colored glass—I end up thinking, ‘That looks like my kidney. Anybody’s kidney, really. And frankly, there can be no kidney-shaped art more beautiful—more useful and closer to our Creator—than the kidney itself. And beyond that, this glass isn’t funny. There’s no wit here. An organic shape is not inherently artistic. It doesn’t change my mind about the world. It only exists to be admired. And, frankly, if I wanted to only be in admiration of an organic form, I’m going to watch beach volleyball. I’m always going to prefer the curve of a woman’s hip or a man’s shoulder to a piece of glass that has some curves.
”
”
Sherman Alexie (Face)
“
The War on Men Through the Degradation of Woman” - "How is man to recognize his full self, his full power through the eye’s of an incomplete woman? The woman who has been stripped of Goddess recognition and diminished to a big ass and full breast for physical comfort only. The woman who has been silenced so she may forget her spiritual essence because her words stir too much thought outside of the pleasure space. The woman who has been diminished to covering all that rots inside of her with weaves and red bottom shoes.
I am sure the men, who restructured our societies from cultures that honored woman, had no idea of the outcome. They had no idea that eventually, even men would render themselves empty and longing for meaning, depth and connection.
There is a deep sadness when I witness a man that can’t recognize the emptiness he feels when he objectifies himself as a bank and truly believes he can buy love with things and status. It is painful to witness the betrayal when a woman takes him up on that offer.
He doesn’t recognize that the [creation] of a half woman has contributed to his repressed anger and frustration of feeling he is not enough. He then may love no woman or keep many half women as his prize.
He doesn’t recognize that it’s his submersion in the imbalanced warrior culture, where violence is the means of getting respect and power, as the reason he can break the face of the woman who bore him 4 four children.
When woman is lost, so is man. The truth is, woman is the window to a man’s heart and a man’s heart is the gateway to his soul.
Power and control will NEVER out weigh love.
May we all find our way.
”
”
Jada Pinkett Smith
“
There is, I believe, no such thing as unconditional self-acceptance. Those who say so are promulgating a pernicious lie. One must first live a decent, honorable and productive life. Only then do you get to feel good about yourself.
Seeking to heedlessly gratify your desires or impulses of the moment to do things (or fail to do things) your conscience knows to be contrary to your standards of right, worthy and virtuous behavior is, in a mental, emotional and spiritual sense, akin to spending capital that you have not earned, and therefore will eventually cause you to feel very negatively … about who and what you are. You cannot in the long run have your cake and eat it too. The longer … you behave in certain ways, the more it comes to define you, not only to others, but also to yourself.
”
”
Laura Schlessinger (Stop Whining, Start Living)
“
The truth was, I didn’t feel sorry for Billy. He teased a dog and got his fingers bitten off. Fuck him. Fuck everybody. And fuck you, Amy, for somehow getting me to tell you this. Sure, yeah, I felt bad about it, Your Honor. And that day years ago when I heard about the kids shooting up the school in Colorado I shook my head and said it was a tragedy, an awful tragedy, but inside I was thinking the look on the jocks’ faces when they saw the guns must have been fucking priceless. So, yeah, as far as you know, I felt just as bad about Billy as a good person would. And I’ll never, ever tell you otherwise. Never.
”
”
David Wong (John Dies at the End (John Dies at the End #1))
“
I expected to feel only empty and heartbroken after Paul died. It never occurred to me that you could love someone the same way after he was gone, that I would continue to feel such love and gratitude alongside the terrible sorrow, the grief so heavy that at times I shiver and moan under the weight of it. Paul is gone, and I miss him acutely nearly every moment, but I somehow feel I’m still taking part in the life we created together. “Bereavement is not the truncation of married love,” C. S. Lewis wrote, “but one of its regular phases—like the honeymoon. What we want is to live our marriage well and faithfully through that phase too.” Caring for our daughter, nurturing relationships with family, publishing this book, pursuing meaningful work, visiting Paul’s grave, grieving and honoring him, persisting…my love goes on—lives on—in a way I’d never expected.
”
”
Paul Kalanithi (When Breath Becomes Air)
“
[Author's Note:] When my grandmother came to the United States from Puerto Rico in the 1940s, she was a beautiful, glamorous woman from a wealthy family in the capital city, and the young bride of a dashing naval officer. She expected to be received as such. Instead, she found that people here had a very reductionist view of what it meant to be Puerto Rican, of what it meant to be Latinx. Everything about her confused her new neighbors: her skin tone, her hair, her accent, her notions. She wasn't what they expected a boricua to be.
My grandmother spent much of her adult life in the States but didn't always feel welcome here. She resented the perpetual gringo misconceptions about her. She never got past that resentment, and the echoes of her indignation still have some peculiar manifestations in my family today. One of the symptoms is me. Always raging against a perceived slight, always fighting against ignorance in mainstream ideas about ethnicity and culture. I'm acutely aware that the people coming to our southern border are not one faceless brown mass but singular individuals, with stories and backgrounds and reasons for coming that are unique. I feel this awareness in my spine, in my DNA.
So I hoped to present one of those unique personal stories - a work of fiction - as a way to honor the hundreds of thousands of stories we may never get to hear. And in so doing, I hope to create a pause where the reader may begin to individuate. When we see migrants on the news, we may remember: these people are people.
”
”
Jeanine Cummins (American Dirt)
“
What makes my bed seem hard seeing it is soft?
Or why slips downe the Coverlet so oft?
Although the nights be long, I sleepe not tho,
My sides are sore with tumbling to and fro.
Were Love the cause, it's like I shoulde descry him,
Or lies he close, and shoots where none can spie him?
T'was so, he stroke me with a slender dart,
Tis cruell love turmoyles my captive hart.
Yeelding or striving doe we give him might,
Lets yeeld, a burden easly borne is light.
I saw a brandisht fire increase in strength,
Which being not shakt, I saw it die at length.
Yong oxen newly yokt are beaten more,
Then oxen which have drawne the plow before.
And rough jades mouths with stubburn bits are tome,
But managde horses heads are lightly borne,
Unwilling Lovers, love doth more torment,
Then such as in their bondage feele content.
Loe I confesse, I am thy captive I,
And hold my conquered hands for thee to tie.
What needes thou warre, I sue to thee for grace,
With armes to conquer armlesse men is base,
Yoke VenusDoves, put Mirtle on thy haire,
Vulcan will give thee Chariots rich and faire.
The people thee applauding thou shalte stand,
Guiding the harmelesse Pigeons with thy hand.
Yong men and women, shalt thou lead as thrall,
So will thy triumph seeme magnificall.
I lately cought, will have a new made wound,
And captive like be manacled and bound.
Good meaning, shame, and such as seeke loves wrack
Shall follow thee, their hands tied at their backe.
Thee all shall feare and worship as a King,
Jo, triumphing shall thy people sing.
Smooth speeches, feare and rage shall by thee ride,
Which troopes hath alwayes bin on Cupids side:
Thou with these souldiers conquerest gods and men,
Take these away, where is thy honor then?
Thy mother shall from heaven applaud this show,
And on their faces heapes of Roses strow.
With beautie of thy wings, thy faire haire guilded,
Ride golden Love in Chariots richly builded.
Unlesse I erre, full many shalt thou burne,
And give woundes infinite at everie turne.
In spite of thee, forth will thy arrowes flie,
A scorching flame burnes all the standers by.
So having conquerd Inde, was Bacchus hew,
Thee Pompous birds and him two tygres drew.
Then seeing I grace thy show in following thee,
Forbeare to hurt thy selfe in spoyling mee.
Beholde thy kinsmans Caesars prosperous bandes,
Who gardes the conquered with his conquering hands.
-- ELEGIA 2 (Quodprimo Amore correptus, in triumphum duci se a Cupidine patiatur)
”
”
Christopher Marlowe
“
In those darkest moments of your life, I want you to remember one thing – it’s okay... It’s okay to cry. It’s okay to break. It’s okay to scream. It’s okay to stay in bed until you feel like your body has become a part of the mattress. It’s okay… Because you are human and you need time to just breathe. Please remember that you are not weak when you break. You are beautifully broken and so much stronger when the storm passes. Please remember that you are not alone. Please remember that you are worth a chance at a beautiful life. Remember that, once you let go and you break to pieces as you hit the bottom of that dark pit, there is only one way to go and that’s up.
”
”
Michelle Horst (Predator (Men of Honor #1))
“
A few months ago on a school morning, as I attempted to etch a straight midline part on the back of my wiggling daughter's soon-to-be-ponytailed blond head, I reminded her that it was chilly outside and she needed to grab a sweater.
"No, mama."
"Excuse me?"
"No, I don't want to wear that sweater, it makes me look fat."
"What?!" My comb clattered to the bathroom floor. "Fat?! What do you know about fat? You're 5 years old! You are definitely not fat. God made you just right. Now get your sweater."
She scampered off, and I wearily leaned against the counter and let out a long, sad sigh. It has begun. I thought I had a few more years before my twin daughters picked up the modern day f-word. I have admittedly had my own seasons of unwarranted, psychotic Slim-Fasting and have looked erroneously to the scale to give me a measurement of myself. But these departures from my character were in my 20s, before the balancing hand of motherhood met the grounding grip of running. Once I learned what it meant to push myself, I lost all taste for depriving myself. I want to grow into more of a woman, not find ways to whittle myself down to less.
The way I see it, the only way to run counter to our toxic image-centric society is to literally run by example. I can't tell my daughters that beauty is an incidental side effect of living your passion rather than an adherence to socially prescribed standards. I can't tell my son how to recognize and appreciate this kind of beauty in a woman. I have to show them, over and over again, mile after mile, until they feel the power of their own legs beneath them and catch the rhythm of their own strides.
Which is why my parents wake my kids early on race-day mornings. It matters to me that my children see me out there, slogging through difficult miles. I want my girls to grow up recognizing the beauty of strength, the exuberance of endurance, and the core confidence residing in a well-tended body and spirit. I want them to be more interested in what they are doing than how they look doing it. I want them to enjoy food that is delicious, feed their bodies with wisdom and intent, and give themselves the freedom to indulge. I want them to compete in healthy ways that honor the cultivation of skill, the expenditure of effort, and the courage of the attempt.
Grace and Bella, will you have any idea how lovely you are when you try?
Recently we ran the Chuy's Hot to Trot Kids K together as a family in Austin, and I ran the 5-K immediately afterward. Post?race, my kids asked me where my medal was. I explained that not everyone gets a medal, so they must have run really well (all kids got a medal, shhh!). As I picked up Grace, she said, "You are so sweaty Mommy, all wet." Luke smiled and said, "Mommy's sweaty 'cause she's fast. And she looks pretty. All clean."
My PRs will never garner attention or generate awards. But when I run, I am 100 percent me--my strengths and weaknesses play out like a cracked-open diary, my emotions often as raw as the chafing from my jog bra. In my ultimate moments of vulnerability, I am twice the woman I was when I thought I was meant to look pretty on the sidelines. Sweaty and smiling, breathless and beautiful: Running helps us all shine. A lesson worth passing along.
”
”
Kristin Armstrong
“
I can see that your thoughts are deeper than you yourself are able to express. But since this is so, you know, don't you, that you've never lived what you are thinking and that isn't good. Only the ideas that we actually live are of any value. You knew all along that your sanctioned world was only half the world and you tried to suppress the second half the same way the priests and teachers do. You won't succeed. No one succeeds in this once he has begun to think." This went straight to my heart. "But there are forbidden and ugly things in the world!" I almost shouted. "You can't deny that. And they are forbidden, and we must renounce them. Of course I know that murder and all kinds of vices exist in the world but should I become a criminal just because they exist?" "We won't be able to find all the answers today," Max soothed me. "Certainly you shouldn't go kill somebody or rape a girl, no! But you haven't reached the point where you can understand the actual meaning of 'permitted' and 'forbidden.' You've only sensed part of the truth. You will feel the other part, too, you can depend on it. For instance, for about a year you have had to struggle with a drive that is stronger than any other and which is considered 'forbidden.' The Greeks and many other peoples, on the other hand, elevated this drive, made it divine and celebrated it in great feasts. What is forbidden, in other words, is not something eternal; it can change. Anyone can sleep with a woman as soon as he's been to a pastor with her and has married her, yet other races do it differently, even nowadays. That is why each of us has to find out for himself what is permitted and what is forbidden -forbidden for him. It's possible for one never to transgress a single law and still be a bastard. And vice versa. Actually it's only a question of convenience. Those who are too lazy and comfortable to think for themselves and be their own judges obey the laws. Others sense their own laws within them; things are forbidden to them that every honorable man will do any day in the year and other things are allowed to them that are generally despised. Each person must stand on his own feet.
”
”
Hermann Hesse (Demian)
“
Elephants command attention. But their size is not what makes the heart skip a beat. It's how they walk with the world's weight on their shoulders, sensitive, noble, their hearts pulsing and as wide open as the great grey leaves that are their ears. MoFos used to say that an elephant never forgets and until this very moment, I hadn't understood what that really meant. An elephant's memories don't reside in organ or skin or bone. They live closer to tree time than we do, and their memories reside in the soul of their species, which dwarfs them in size, is untouchable, and lives on forever to honor every story. They carry stories from generations back, as far as when their ancestors wore fur coats, That is why, when you are close to an elephant, you feel so deeply. If they so choose, they have the ability to hold your sadness so you may safely sit in the lonely seat of loss, still hopeful and full of love. Their great secret is that they know everything is a tide—not a black tide, but the natural breath of life—in and out, in and out, and to be with them is to know this too, And here they were, suddenly lifting the weight of our sadness for us, carrying it in the curl of their trunks. We all sat together in our loss, not dwelling, but remembering. For an elephant never forgets,
”
”
Kira Jane Buxton (Hollow Kingdom (Hollow Kingdom, #1))
“
Everybody must pity Desdemona, but I cannot bring myself to like her. Her determination to marry Othello – it was she who virtually did the proposing – seems the romantic crush of a silly schoolgirl rather than a mature affection; it is Othello’s adventures, so unlike the civilian life she knows, which captivate her rather than Othello as a person. He may not have practiced witchcraft, but, in fact, she is spellbound.
Then, she seems more aware than is agreeable of the honor she has done Othello by becoming his wife.
[…]
Before Cassio speaks to her, she has already discussed him with her husband and learned that he is to be reinstated as soon as it is opportune. A sensible wife would have told Cassio this and left matters alone. In continuing to badger Othello, she betrays a desire to prove to herself and to Cassio that she can make her husband do as she pleases.
[…]
Though her relationship with Cassio is perfectly innocent, one cannot but share Iago’s doubts as to the durability of the marriage. It is worth noting that, in the willow-song scene with Emilia, she speaks with admiration of Ludovico and then turns to the topic of adultery. Of course, she discusses this in general terms and is shocked by Emilia’s attitude, but she does discuss the subject and she does listen to what Emilia has to say about husbands and wives. It is as if she had suddenly realized that she had made a mésalliance and that the sort of man she ought to have married was someone of her own class and color like Ludovico. Given a few more years of Othello and of Emilia’s influence and she might well, one feels, have taken a lover.
”
”
W.H. Auden (The Dyer's Hand and Other Essays)
“
Some poor creatures have been so brutalized by the lash that they will sneak out of the way to give their masters free access to their wives and daughters. Do you think this proves the black man to belong to an inferior order of beings? What would you be, if you had been born and brought up a slave, with generations of slaves for ancestors? I admit that the black man is inferior. But what is it that makes him so? It is the ignorance in which white men compel him to live; it is the torturing whip that lashes manhood out of him; it is the fierce bloodhounds of the South, and the scarcely less cruel human bloodhounds of the north, who enforce the Fugitive Slave Law. They do the work.
Southern gentlemen indulge in the most contemptuous expressions about the Yankees, while they, on their part, consent to do the vilest work for them, such as the ferocious bloodhounds and the despised negro-hunters are employed to do at home. When southerners go to the north, they are proud to do them honor; but the northern man is not welcome south of Mason Dixon's line, unless he suppresses every thought and feeling at variance with their "peculiar institution." Nor is it enough to be silent. The masters are not pleased, unless they obtain a greater degree of subservience than that; and they are generally accommodated. Do they respect the northerner for this? I trow not. Even the slaves despise "a northern man with southern principles;" and that is the class they generally see. When northerners go to the south to reside, they prove very apt scholars. They soon imbibe the sentiments and disposition of their neighbors, and generally go beyond their teachers. Of the two, they are proverbially the hardest masters.
”
”
Harriet Ann Jacobs (Incidents in the Life of a Slave Girl)
“
Though our castes and institutions are apparently linked with our religion, they are not so. These institutions have been necessary to protect us as a nation, and when this necessity for self-preservation will no more exist, they will die a natural death. But the older I grow, the better I seem to think of these time-honored institutions of India. There was a time when I used to think that many of them were useless and worthless; but the older I grew, the more I seem to feel a diffidence in cursing any one of them, for each one of them is the embodiment of the experience of centuries. A child of but yesterday, destined to die the day after tomorrow, comes to me and asks me to change all my plans; and if I hear the advice of that baby and change all my surroundings according to his ideas, I myself should be a fool, and no one else. Much of the advice that is coming to us from different countries is similar to this. Tell these wiseacres: "I will hear you when you have made a society yourselves. You cannot hold on to one idea for two days, you quarrel and fail; you are born like moths in the spring and die like them in five minutes. You come up like bubbles and burst like bubbles too. First form a stable society like ours. First make laws and institutions that remain undiminished in their power through scores of centuries. Then will be the time to talk on the subject with you, but till then, my friend, you are only a giddy child.
”
”
Vivekananda (The Complete Works of Swami Vivekananda, Volume 3)
“
Trace started to wave toward Matt, still with Priss wrapped around him, and she blurted, “I love you, Trace.”
That effectively drew him to a halt. His hands contracted on her backside. “What?”
“I love you.” Then she pointed at Chris, and to where Matt had disappeared. “They told me to fess up, so I am, and if you reject me, I swear I’ll drown them both.”
Very slowly, Trace’s expression changed from the heat of anger to a different type of heat. “Say it again.”
“Why?” She frowned at him with challenge. “Why don’t you say something first?”
“All right.” Sliding his hands up her back, over her shoulders, and into her wet hair, he kissed her. “You make me nuts, Priscilla.” He turned his head and kissed her again, a little longer this time. “You make me hot as hell, too.”
“I love you,” Priss reminded him, hoping it might prompt him to a more telling declaration.
His next kiss lasted long enough to take the chill off the lake, and Priss got so wrapped up in the taste of him that she almost forgot what she wanted to hear.
Chris didn’t. From the dock, he said, “If you’re going to keep her waiting like this, someone needs to finish putting sunscreen on her.”
Trace moved fast, grabbing for Chris’s ankle, but Chris jumped back out of reach.
Priss, feeling very affected by that kiss, nuzzled Trace’s neck and stroked his shoulders. He smelled delicious, felt even better. “Stop being a voyeur, Chris, and go away.”
Having joined Chris on the dock, Matt asked, “Does that mean I can stay?”
Trace lurched forward again, and Matt jumped back so quick he fell on his butt. “I’m going. I’m going!”
To bring Trace’s attention back to her, Priss bit him. Not a hard bite, but she felt the impression of her sharp teeth on that sensitive spot where his neck met his shoulder.
Trace shuddered. “I love you, too.”
She licked the bite mark. “I’m so glad.
”
”
Lori Foster (Trace of Fever (Men Who Walk the Edge of Honor, #2))
“
The care of babies involves education, and is entrusted only to the most fit,” she repeated.
“Then you separate mother and child!” I cried in cold horror, something of Terry’s feeling creeping over me, that there must be something wrong among these many virtues.
“Not usually,” she patiently explained. “You see, almost every woman values her maternity above everything else. Each girl holds it close and dear, an exquisite joy, a crowning honor, the most intimate, most personal, most precious thing. That is, the child-rearing has come to be with us a culture so profoundly studied, practiced with such subtlety and skill, that the more we love our children the less we are willing to trust that process to unskilled hands—even our own.”
“But a mother’s love—” I ventured.
She studied my face, trying to work out a means of clear explanation.
“You told us about your dentists,” she said, at length, “those quaintly specialized persons who spend their lives filling little holes in other persons’ teeth—even in children’s teeth sometimes.”
“Yes?” I said, not getting her drift.
“Does mother-love urge mothers—with you—to fill their own children’s teeth? Or to wish to?”
“Why no—of course not,” I protested. “But that is a highly specialized craft. Surely the care of babies is open to any woman—any mother!”
“We do not think so,” she gently replied. “Those of us who are the most highly competent fulfill that office; and a majority of our girls eagerly try for it—I assure you we have the very best.”
“But the poor mother—bereaved of her baby—”
“Oh no!” she earnestly assured me. “Not in the least bereaved. It is her baby still—it is with her—she has not lost it. But she is not the only one to care for it. There are others whom she knows to be wiser. She knows it because she has studied as they did, practiced as they did, and honors their real superiority. For the child’s sake, she is glad to have for it this highest care.
”
”
Charlotte Perkins Gilman (Herland (The Herland Trilogy, #2))
“
Why do women find it honorable to dismiss ourselves? Why do we decide that denying our longing is the responsible thing to do? Why do we believe that what will thrill and fulfill us will hurt our people? Why do we mistrust ourselves so completely? Here’s why: Because our culture was built upon and benefits from the control of women. The way power justifies controlling a group is by conditioning the masses to believe that the group cannot be trusted. So the campaign to convince us to mistrust women begins early and comes from everywhere. When we are little girls, our families, teachers, and peers insist that our loud voices, bold opinions, and strong feelings are “too much” and unladylike, so we learn to not trust our personalities. Childhood stories promise us that girls who dare to leave the path or explore get attacked by big bad wolves and pricked by deadly spindles, so we learn to not trust our curiosity. The beauty industry convinces us that our thighs, frizz, skin, fingernails, lips, eyelashes, leg hair, and wrinkles are repulsive and must be covered and manipulated, so we learn to not trust the bodies we live in. Diet culture promises us that controlling our appetite is the key to our worthiness, so we learn to not trust our own hunger. Politicians insist that our judgment about our bodies and futures cannot be trusted, so our own reproductive systems must be controlled by lawmakers we don’t know in places we’ve never been. The legal system proves to us again and again that even our own memories and experiences will not be trusted. If twenty women come forward and say, “He did it,” and he says, “No, I didn’t,” they will believe him while discounting and maligning us every damn time. And religion, sweet Jesus. The lesson of Adam and Eve—the first formative story I was told about God and a woman—was this: When a woman wants more, she defies God, betrays her partner, curses her family, and destroys the world. We weren’t born distrusting and fearing ourselves. That was part of our taming. We were taught to believe that who we are in our natural state is bad and dangerous. They convinced us to be afraid of ourselves. So we do not honor our own bodies, curiosity, hunger, judgment, experience, or ambition. Instead, we lock away our true selves. Women who are best at this disappearing act earn the highest praise: She is so selfless.
”
”
Glennon Doyle (Untamed)
“
Darkness fell, revealing a sparkling night sky so beautiful that we decided to sleep out under the stars. At gray dawn, Phyllis woke me with an urgent voice. “Bill, Bill,” she said, “when I woke up I saw this huge boulder beside me, but it wasn’t there last night. Look! Look!” she said and pointed next to her. It was the huge buffalo bull! He had come back during the night and lay down beside us to sleep. I was awestruck. I felt so honored, so grateful, so loved. I loved that buffalo with all my heart and soul. I felt like he knew it, and that was why he had come back to sleep with us.
But maybe there’s a different reason. Judith Niles, a wise spiritual friend of mine recently told me that the spontaneous melody is “the voice of the soul.” The minute she said it I knew she was right. Now I feel sure that the creatures responded to “the voice of the soul” amplified through my body. When we human beings finally get it together the natural world is going to respond to us in more wonderful ways than we can ever begin to imagine.
”
”
William "Billy" Packer
“
...[Y]ou know very well the truth of what I [say]... I have incurred a great deal of bitter hostility; and this is what will bring about my destruction, if anything does... the slander and jealousy of a very large section of the people. They have been fatal to a great many other innocent men, and I suppose will continue to be so; there is no likelihood that they will stop at me. But perhaps someone will say 'Do you feel no compunction, Socrates, at having followed a line of action which puts you in danger of the death-penalty?' I might fairly reply to him 'You are mistaken, my friend, if you think that a man who is worth anything ought to spend his time weighing up the prospects of life and death. He has only one thing to consider in performing any action; that is, whether he is acting rightly or wrongly, like a good man or a bad one...['] The truth of the matter is this, gentlemen. Where a man has once taken up his stand, either because it seems best to him or in obedience to his orders, there I believe he is bound to remain and face the danger, taking no account of death or anything else before dishonour.
”
”
Socrates (Apology, Crito And Phaedo Of Socrates.)
“
I do have a bad habit,” he says. “of falling in love. With regularity and to spectacular effect. You see, it never goes well.”
I wonder if this conversation makes him think of our kiss, but then, I was the one who kissed him. He’d only kissed back.
“As charming as you are, how can that be?” I say.
He laughs again. “That’s what my sister Taryn always says. She tells me that I remind her of her late husband. Which makes some sense, since I would be his half brother. But it’s also alarming, because she’s the one who murdered him.”
Much as when he spoke about Madoc, it’s strange how fond Oak can sound when he tells me a horrifying thing a member of his family has done. “Whom have you fallen in love with?” I ask.
“Well, there was you,” the prince says. “When we were children.”
“Me?” I ask incredulously.
“You didn’t know?” He appears to be merry in the face of my astonishment. “Oh yes. Though you were a year my senior, and it was hopeless, I absolutely mooned over you. When you were gone from Court, I refused any food but tea and toast for a month.”
I cannot help snorting over the sheer absurdity of his statement.
He puts a hand to my heart. “Ah, and now you laugh. It is my curse to adore cruel women.
He cannot expect me to believe he had real feelings. “Stop with your games.”
“Very well,” he says. “Shall we go to the next? Her name was Lara, a mortal at the school I attended when I lived with my eldest sister and her girlfriend. Sometimes Lara and I would climb into the crook of one of the maple trees and share sandwiches. But she had a villainous friend, who implicated me in a piece of gossip—which resulted in Lara stabbing me with a lead pencil and breaking off our relationship.”
“You do like cruel women,” I say.
“Then there was Violet, a pixie. I wrote terrible poetry about how I adored her. Unfortunately, she adored duels and would get into trouble so that I would have to fight for her honor. And even more unfortunately, neither my sister nor my father bothered to teach me how to fight for show.
I thought of the dead-eyed expression on his face before his bout with the ogre and Tiernan’s angry words.
“That resulted in my accidentally killing a person she liked better than me.”
“Oh,” I say. “That is three levels of unfortunate.”
“Then there was Sibi, who wanted to run away from Court with me, but as soon as we went, hated it and wept until I took her home. And Loana, a mermaid, who found my lack of a tail unbearable but tried to drown me anyway, because she found it equally unbearable that I would ever love another.”
The way he tells these stories makes me recall how he’s told me many painful things before. Some people laugh in the face of death. He laughed in the face of despair. “How old were you?”
“Fifteen, with the mermaid,” he said. “And nearly three years later, I must surely be wiser.”
“Surely,” I say, wondering if he was. Wondering if I wanted him to be.
”
”
Holly Black (The Stolen Heir (The Stolen Heir Duology, #1))
“
Thank you, for creating this vast and flexible playground. Thank you for creating one of the twentieth century's most popular myths, a gift that has brought billions of happy viewing hours at a critical time in world history, a time when perhaps, we need more than ever to blieve in honor, sacrifice, heart, and that special magic called life itself.
As long as I live I will never forget The Moment when Luke Skywalker flew so desperately into the Death Star's trench, John William's score soaring magnificently, and the audience overwhelmed by Industrial Light and Magic's mind-bending inaugural. At that pulse-pounding moment, a moment when it seemed the individual human being could have no point or purpose, no meaning in a universe so vast and cybernetic, we heard Obi-Wan Kenobi whisper that we should trust our feelings.
The Force flows through us. It controls us. We control it. Life creates it. It is more powerful than any Death Star.
Hundreds of millions of people said yes, and sighed, and applauded, and went home or turned off their videos feeling just a little more empowered than they did before the lights went down and the Twentieth Century-Fox fanfare came up.
No small feat.
May the Force be with you, Mr. Lucas.
And with us all. Always".
”
”
Steven Barnes (The Cestus Deception (Star Wars))
“
Before we move on to the stuffer who collects retaliation rocks, I want to address the issue of impossible people. We know that all things are possible with God. But all things are not possible with people who refuse to be led by the Holy Spirit. I’ve had to get really honest about certain people in my life. It isn’t productive or possible to confront them and expect anything good to come from it. If someone has told me over and over through their actions and reactions that they will make my life miserable if I confront them, at some point I have to back away. But I don’t want to stuff and allow bitterness toward them to poison me. So, how do I back away and not stuff? I acknowledge that I can control only myself. I can’t control how another person acts or reacts. Therefore, I shift my focus from trying to fix the other person and the situation to allowing God to reveal some tender truths to me. I typically pray something like this: God, I’m so tired of being hurt. I’m so tired of feeling distracted and discouraged by this situation. Pour Your lavish mercy on my heart and into this hard relationship. Help me to see the obvious hurt they must have in their life that makes them act this way. Help me to have compassion for their pain. Help me to see anything I’m doing or have done that has negatively affected this situation. And please help me to know how to separate myself graciously from this constant source of hurt in my life. It all feels impossible. Oh God, speak to me. Reveal clearly how I can best honor You, even in this. My job isn’t to fix the difficult people in my life or enable them to continue disrespectful or abusive behaviors. My job is to be obedient to God in the way I act and respond to those people.
”
”
Lysa TerKeurst (Unglued: Making Wise Choices in the Midst of Raw Emotions)
“
I’m heading out.”
Her gaze searched his and, a little breathless, she asked, “Leaving?”
“Yeah.” He stepped closer. Any second how Trace would intrude. “Thing is, Alani, I can’t be around you without wanting you. Bad. Really bad.”
“Oh.”
“If that’s crude, well, then screw it, I’m crude. I know we’d have a great time in bed, but since you aren’t ready for that yet, well . . . I promised Trace I wouldn’t pressure you.”
Her neck went stiff. “Dear God. You discussed this with my brother?”
“No!” He cut a hand through the air and his voice lowered. “When . . . if . . . I get you out of your panties, believe me, it’ll be a private thing between us. No way in hell would I discuss that with anyone else.”
Her face went as red as Priss’s had.
“Trace and I talked about you maybe decorating my house, that’s all.”
“Oh.” Face still hot, she said, “I—”
“Yeah, forget it. That’s off. Like I said, I’d just hanker for you, and you aren’t exactly reciprocating. So that’s that.”
She blinked fast.
“But if you ever change your mind, all you have to do is let me know.” He reached out and touched her cheek. Her skin was soft and warm and he wanted to feel her all over.
All over him. Naked. Hungry. Wet . . .
Damn, he had it bad. “I can promise you, if you do come to me, you won’t regret it.”
She swallowed, licked her lips and damned if her eyes didn’t heat. She wanted him, too. He had to believe that. But Trace was starting up the hill, and the others were looking on, and the last thing he wanted was to make Alani uncomfortable.
“Tell everyone I said goodbye. You make up any excuse you want.” And with that, he left Alani standing there, watching after him as he walked away.
God willing, she’d contact him soon.
He wasn’t sure he could stand it if she didn’t.
”
”
Lori Foster (Trace of Fever (Men Who Walk the Edge of Honor, #2))
“
A brave man acknowledges the strengths of others, a brave man never surrenders--the honorable kind and the ruthless kind."
"and is it selfish of me to crave victory, or is it brave?"
"human reason can excuse any evil; that's why it's so important that we don't rely on it."
"you're not coward just because you don't want to hurt people. if he is coward, it isn't because he doesn't enjoy pain. it is because he refuses tk act."
"what good is a prepared body if you have a scattered mind?"
"i think it's important to protect people. to stand up for people. like you did for me. that's what courage is. not... hurting people for no reason."
"sometimes crying or laughing are the only options left, and laughing feels better right now."
"i believe in ordinary acts of bravery, in the courage that drives one person to stand up for another."
"my heart beats so hard it hurts, and i can't scream and i can't breathe, but i also feel everything, every vein and every fiber, every bone and every nerve, all awake and buzzing in my body as if charged with electricity . i am pure adrenaline."
"learning how to think in the midst of fear is a lesson that everyone needs to learn."
"but becoming fearless isn't the point. that's impossible. it's learning how to control your fear, and how to be free from it, that's the point."
"why do you say vague things if you don't want to be asked about them?"
"it's really fascinating how it all works. it's basically a struggle between your thalamus, which is producing the fear, and your frontal lobe, which makes decisions. but the simulation is all in your head, so even though you feel like someone is doing it to you, it's just you, doing it to yourself."
"maybe. maybe there's more we all could have done, but we just have to let the guilt remind us to do better next time."
"you can't be fearless, remember? because you still care about things. about your life.
”
”
Veronica Roth (Divergent (Divergent, #1))
“
Has someone made you feel shame for taking selfies? For daring to believe so much in your beauty, in your style, in your badassery, in your joy, in your body, in your sensuality, in your humanity that you'd be so audacious, so bold, so (insert judgmental word of choice here) to want to witness and be witnessed for who and what you are. ⠀
⠀
Has someone out there sold you their own truth that this is conceited or narcissistic or superficial? How dare you think so much of yourself that you stop to take a photo?⠀
⠀
Forget. those. people. ⠀
⠀
Seriously. You are worthy of capture. Of celebration. Of admiration. You are worthy of being seen and witnessed. Of being looked at with awe and with joy. Just as you are, right now. All made up and wearing the outfit that makes you feel like you can take on the world or just waking up in bed, bare skin and messy hair and eyes hazy with dreams. ⠀
⠀
Here's the thing. Self-portraiture in art is as old as time. We are fascinated with the visible proof of our own existence, our own reality, and for damn good reason. We are infinite and complex and ever changing. We are majestic and mundane. Self-portraits, regardless of the medium, offer us a way to capture ourselves at a specific moment in time. ⠀
⠀
For me, this is an act of self-love. Of self-honoring. Of owning myself as beautiful and sovereign. It is the way I learned to look at myself without needing to look away. It is how I learned to trace the lines of my own being with the sort of admiration I used to reserve for others, for those I loved or for rarified celebrities I never thought I could live up to. ⠀
⠀
When I stop to take a photo of myself, it is a way to say that I am here. I have something to say that can't be spoken in words. It might be deep and poetic, or maybe I just damn well love my outfit and think you should see it. And that yes, it is a way to say I want to be seen and I no longer hold shame in that wanting.
”
”
Jeanette LeBlanc
“
In the modern era, teachers and scholarship have traditionally laid strenuous emphasis on the fact that Briseis, the woman taken from Achilles in Book One, was his géras, his war prize, the implication being that her loss for Achilles meant only loss of honor, an emphasis that may be a legacy of the homoerotic culture in which the classics and the Iliad were so strenuously taught—namely, the British public-school system: handsome and glamorous Achilles didn’t really like women, he was only upset because he’d lost his prize! Homer’s Achilles, however, above all else, is spectacularly adept at articulating his own feelings, and in the Embassy he says, “‘Are the sons of Atreus alone among mortal men the ones / who love their wives? Since any who is a good man, and careful, / loves her who is his own and cares for her, even as I now / loved this one from my heart, though it was my spear that won her’ ” (9.340ff.). The Iliad ’s depiction of both Achilles and Patroklos is nonchalantly heterosexual. At the conclusion of the Embassy, when Agamemnon’s ambassadors have departed, “Achilles slept in the inward corner of the strong-built shelter, / and a woman lay beside him, one he had taken from Lesbos, / Phorbas’ daughter, Diomede of the fair colouring. / In the other corner Patroklos went to bed; with him also / was a girl, Iphis the fair-girdled, whom brilliant Achilles / gave him, when he took sheer Skyros” (9.663ff.). The nature of the relationship between Achilles and Patroklos played an unlikely role in a lawsuit of the mid-fourth century B.C., brought by the orator Aeschines against one Timarchus, a prominent politician in Athens who had charged him with treason. Hoping to discredit Timarchus prior to the treason trial, Aeschines attacked Timarchus’ morality, charging him with pederasty. Since the same charge could have been brought against Aeschines, the orator takes pains to differentiate between his impulses and those of the plaintiff: “The distinction which I draw is this—to be in love with those who are beautiful and chaste is the experience of a kind-hearted and generous soul”; Aeschines, Contra Timarchus 137, in C. D. Adams, trans., The Speeches of Aeschines (Cambridge, MA, 1958), 111. For proof of such love, Aeschines cited the relationship between Achilles and Patroklos; his citation is of great interest for representing the longest extant quotation of Homer by an ancient author. 32
”
”
Caroline Alexander (The War That Killed Achilles: The True Story of Homer's Iliad and the Trojan War)
“
Ladies and gentlemen,
I feel that this award was not made to me as a man, but to my work - a life's work in the agony and sweat of the human spirit, not for glory and least of all for profit, but to create out of the materials of the human spirit something which did not exist before. So this award is only mine in trust. It will not be difficult to find a dedication for the money part of it commensurate with the purpose and significance of its origin. But I would like to do the same with the acclaim too, by using this moment as a pinnacle from which I might be listened to by the young men and women already dedicated to the same anguish and travail, among whom is already that one who will some day stand here where I am standing.
Our tragedy today is a general and universal physical fear so long sustained by now that we can even bear it. There are no longer problems of the spirit. There is only the question: When will I be blown up? Because of this, the young man or woman writing today has forgotten the problems of the human heart in conflict with itself which alone can make good writing because only that is worth writing about, worth the agony and the sweat.
He must learn them again. He must teach himself that the basest of all things is to be afraid; and, teaching himself that, forget it forever, leaving no room in his workshop for anything but the old verities and truths of the heart, the old universal truths lacking which any story is ephemeral and doomed - love and honor and pity and pride and compassion and sacrifice. Until he does so, he labors under a curse. He writes not of love but of lust, of defeats in which nobody loses anything of value, of victories without hope and, worst of all, without pity or compassion. His griefs grieve on no universal bones, leaving no scars. He writes not of the heart but of the glands.
Until he relearns these things, he will write as though he stood among and watched the end of man. I decline to accept the end of man. It is easy enough to say that man is immortal simply because he will endure: that when the last dingdong of doom has clanged and faded from the last worthless rock hanging tideless in the last red and dying evening, that even then there will still be one more sound: that of his puny inexhaustible voice, still talking.
I refuse to accept this. I believe that man will not merely endure: he will prevail. He is immortal, not because he alone among creatures has an inexhaustible voice, but because he has a soul, a spirit capable of compassion and sacrifice and endurance. The poet's, the writer's, duty is to write about these things. It is his privilege to help man endure by lifting his heart, by reminding him of the courage and honor and hope and pride and compassion and pity and sacrifice which have been the glory of his past. The poet's voice need not merely be the record of man, it can be one of the props, the pillars to help him endure and prevail.
”
”
William Faulkner
“
I wish I could answer your question. All I can say is that all of us, humans, witches, bears, are engaged in a war already, although not all of us know it. Whether you find danger on Svalbard or whether you fly off unharmed, you are a recruit, under arms, a soldier."
"Well, that seems kinda precipitate. Seems to me a man should have a choice whether to take up arms or not."
"We have no more choice in that than in whether or not to be born."
"Oh, I like choice, though," he said. "I like choosing the jobs I take and the places I go and the food I eat and the companions I sit and yarn with. Don't you wish for a choice once in a while ?"
She considered, and then said, "Perhaps we don't mean the same thing by choice, Mr. Scoresby. Witches own nothing, so we're not interested in preserving value or making profits, and as for the choice between one thing and another, when you live for many hundreds of years, you know that every opportunity will come again. We have different needs. You have to repair your balloon and keep it in good condition, and that takes time and trouble, I see that; but for us to fly, all we have to do is tear off a branch of cloud-pine; any will do, and there are plenty more. We don't feel cold, so we need no warm clothes. We have no means of exchange apart from mutual aid. If a witch needs something, another witch will give it to her. If there is a war to be fought, we don't consider cost one of the factors in deciding whether or not it is right to fight. Nor do we have any notion of honor, as bears do, for instance. An insult to a bear is a deadly thing. To us... inconceivable. How could you insult a witch? What would it matter if you did?"
"Well, I'm kinda with you on that. Sticks and stones, I'll break yer bones, but names ain't worth a quarrel. But ma'am, you see my dilemma, I hope. I'm a simple aeronaut, and I'd like to end my days in comfort. Buy a little farm, a few head of cattle, some horses...Nothing grand, you notice. No palace or slaves or heaps of gold. Just the evening wind over the sage, and a ceegar, and a glass of bourbon whiskey. Now the trouble is, that costs money. So I do my flying in exchange for cash, and after every job I send some gold back to the Wells Fargo Bank, and when I've got enough, ma'am, I'm gonna sell this balloon and book me a passage on a steamer to Port Galveston, and I'll never leave the ground again."
"There's another difference between us, Mr. Scoresby. A witch would no sooner give up flying than give up breathing. To fly is to be perfectly ourselves."
"I see that, ma'am, and I envy you; but I ain't got your sources of satisfaction. Flying is just a job to me, and I'm just a technician. I might as well be adjusting valves in a gas engine or wiring up anbaric circuits. But I chose it, you see. It was my own free choice. Which is why I find this notion of a war I ain't been told nothing about kinda troubling."
"lorek Byrnison's quarrel with his king is part of it too," said the witch. "This child is destined to play a part in that."
"You speak of destiny," he said, "as if it was fixed. And I ain't sure I like that any more than a war I'm enlisted in without knowing about it. Where's my free will, if you please? And this child seems to me to have more free will than anyone I ever met. Are you telling me that she's just some kind of clockwork toy wound up and set going on a course she can't change?"
"We are all subject to the fates. But we must all act as if we are not, or die of despair. There is a curious prophecy about this child: she is destined to bring about the end of destiny. But she must do so without knowing what she is doing, as if it were her nature and not her destiny to do it. If she's told what she must do, it will all fail; death will sweep through all the worlds; it will be the triumph of despair, forever. The universes will all become nothing more than interlocking machines, blind and empty of thought, feeling, life...
”
”
Philip Pullman (The Golden Compass (His Dark Materials, #1))
“
So . . . for some reason we thought you were the guys assigned to Ms. Lynde’s surveillance. Guess we were mistaken?”
“Nope, you got it right,” Kamin said. “We do the night shift. Nice girl. We talk a lot on the way to the gym.”
“Oh. Then I guess Agent Wilkins and I are just curious why you two are here instead of with her.”
Kamin waved this off. “It’s cool. We did a switcheroo with another cop, see?”
“A switcheroo . . . right. Remind me again how that works?” Jack asked.
“It’s because she’s got this big date tonight,” Kamin explained.
Jack cocked his head. “A date?”
Phelps chimed in. “Yeah, you know—with Max-the-investment-banker-she-met-on-the-Bloomingdales-escalator.”
“I must’ve missed that one.”
“Oh, it’s a great story,” Kamin assured him. “She crashed into him coming off the escalator and when her shopping bag spilled open, he told her he liked her shoes.”
“Ah . . . the Meet Cute,” Wilkins said with a grin.
Jack threw him a sharp look. “What did you just say?”
“You know, the Meet Cute.” Wilkins explained. “In romantic comedies, that’s what they call the moment when the man and woman first meet.” He rubbed his chin, thinking this over. “I don’t know, Jack . . . if she’s had her Meet Cute with another man that does not bode well for you.”
Jack nearly did a double take as he tried to figure out what the hell that was supposed to mean.
Phelps shook his head. “Nah, I wouldn’t go that far. She’s still on the fence about this guy. He’s got problems keeping his job from intruding on his personal life. But she’s feeling a lot of pressure with Amy’s wedding—she’s only got about ten days left to get a date.”
“She’s the maid of honor, see?” Kamin said.
Jack stared at all three of them. Their lips were moving and sound was coming out, but it was like they were speaking a different language.
Kamin turned to Phelps. “Frankly, I think she should just go with Collin, since he and Richard broke up.”
“Yeah, but you heard what she said. She and Collin need to stop using each other as a crutch. It’s starting to interfere with their other relationships.”
Unbelievable. Jack ran a hand through his hair, tempted to tear it out. But then he’d have a bald spot to thank Cameron Lynde for, and that would piss him off even more. “Can we get back to the switcheroo part?”
“Right, sorry. It was Slonsky’s suggestion.
”
”
Julie James (Something About You (FBI/US Attorney, #1))
“
Marathon In 490 B.C., a Greek messenger named Pheidippides ran twenty-six miles, from Marathon to Athens, to bring the senate news of a battle. He died from exhaustion, but his memory lives on thanks to the “marathon,” a twenty-six-mile footrace named in his honor. I thought it would be neat to bring Pheidippides to a modern-day marathon and talk to him about his awesome legacy. ME: So, Pheidippides: What was it like to run the first “marathon”? PHEIDIPPIDES: It was the worst experience of my life. ME: How did it come about? PHEIDIPPIDES: My general gave the order. I begged him, “Please, don’t make me do this.” But he hardened his heart and told me, “You must.” And so I ran the distance, and it caused my death. ME: How did you feel when you finally reached your destination? PHEIDIPPIDES: I was already on the brink of death when I entered the senate hall. I could actually feel my life slipping away. So I recited my simple message, and then, with my final breath, I prayed to the gods that no human being, be he Greek or Persian, would ever again have to experience so horrible an ordeal. ME: Hey, here come the runners! Wooooh! PHEIDIPPIDES: Who are these people? Where are they going? ME: From one end of New York to the other. It’s a twenty-six-mile distance. Sound familiar? PHEIDIPPIDES: What message do they carry…and to whom? ME: Oh, they’re not messengers. PHEIDIPPIDES: But then…who has forced them to do this? ME: No one. It’s like, you know, a way of testing yourself. PHEIDIPPIDES: But surely, a general or king has said to them, “You must do this. Do this or you will be killed.” ME: No, they just signed up. Hey, look at that old guy with the beard! Pretty inspiring, huh? Still shuffling around after all these years. PHEIDIPPIDES: We must rescue that man. We must save his life. ME: Oh, he knows what he’s doing. He probably runs this thing every year. PHEIDIPPIDES: Is he…under a curse? ME: No.
”
”
Simon Rich (Free-Range Chickens)
“
Women of the world, our time has come!
Our leaders have taken us down a road of destruction. Aggressive, masculine reflexes have created more violence and rage, have left us with little hope for remedy in the Middle East or anywhere else. Our hope of
survival lies in honoring the feminine, that which a patriarchal society has tried vehemently to squelch.
Their legacy has left us living in a deluded universe, a world that worships a fixed and righteous view. In order to feel secure, we only welcome change that men in power determine for us. Our patriarchal religions are prime examples of this, creating a one-sided world gone from static, brittle believes.
Let us remember that patriarchy is founded on division not unity. We concentrate on the differences instead of giving importance to the similarities. There is good and bad, there is black and white. We are constantly in a state of opposites. Where does unity come into the picture?
It is no wonder women have been seen as evil, an abhorrent influence that must be destroyed. Intuition, psychic energy, spiritual force, the unknown, creation itself…merely feminine mockeries of sanity—or so it has been claimed by religious men in power. Women have died at the stake for challenging such beliefs, and to this day dogmatic religious views have persisted in undermining the feminine.
Therefore it is up to us to develop a balance between the feminine and the masculine. That’s the formula for a stable democracy. Wisdom and compassion working together will swing the pendulum away from aggression and fear toward peace and conciliation. I’ll venture to say it’s already begun. We have reached a critical mass.
Now the energy of woman is being powerfully unleashed. Negative powers have reached levels where enough of us are reacting against them to instigate change. The critical mass that we have reached cannot be turned back, and the force of it will literally shift the energy of our planet, creating a new paradigm.
”
”
Perri Birney (Pure Vision: The Magdalene Revelation)
“
They will eat him alive. On his current course, Henry will fail spectacularly.”
My chest constricts so tight it feels like my bones may crack.
Because she’s right.
“He won’t.”
“You don’t know that,” she swipes back.
“I damn well do! I never would have abdicated otherwise.”
“What?”
“Don’t mistake me—I wouldn’t have married anyone but Olivia, and I would’ve waited a lifetime if I had to, until the laws were changed. But I didn’t because I knew in my heart and soul that Henry will not just be a good king, he will be better than I ever could’ve been.”
For a moment I don’t breathe. I can’t. The shock of my brother’s words has knocked the air right out of my lungs.
Granny’s too, if her whisper is any indication.
“You truly believe that?”
“Absolutely. And, frankly, I’m disheartened that you don’t.”
“Henry has never been one to rise to the occasion,” she states plainly.
“He’s never needed to,” my brother insists. “He’s never been asked—not once in his whole life. Until now. And he will not only rise to the occasion . . . he will soar beyond it.”
The Queen’s voice is hushed, like she’s in prayer.
“I want to believe that. More than I can say. Lend me a bit of your faith, Nicholas. Why are you so certain?”
Nicholas’s voice is rough, tight with emotion.
“Because . . . he’s just like Mum.”
My eyes close when the words reach my ears. Burning and wet. There’s no greater compliment—not to me—not ever.
But, Christ, look at me . . . it’s not even close to true.
“He’s exactly like her. That way she had of knowing just what a person needed—whether it was strength or guidance, kindness or comfort or joy—and effortlessly giving it to them. The way people used to gravitate to her . . . at parties, the whole room would shift when she walked in . . . because everyone wanted to be nearer to her. She had a light, a talent, a gift—it doesn’t matter what it’s called—all that matters is that Henry has it too. He doesn’t see it in himself, but I do. I always have.”
There’s a moment of quiet and I imagine Nicholas leaning in closer to the Queen.
“The people would have followed me or Dad for the same reason they follow you—because we are dependable, solid. They trust our judgment; they know we would never let them down. But they will follow Henry because they love him. They’ll see in him their son, brother, best friend, and even if he mucks it up now, they will stick with him because they will want him to succeed. I would have been respected and admired, but Grandmother . . . he will be beloved. And if I have learned anything since the day Olivia came into my life, it’s that more than reasoning or duty, honor or tradition . . . love is stronger.
”
”
Emma Chase (Royally Matched (Royally, #2))
“
What kind of regrets? For me, very few books cause tears, much less require a handkerchief, but Bronnie Ware’s 2012 book The Top Five Regrets of the Dying did both. Ware spent many years caring for those facing their own mortality. When she questioned the dying about any regrets they had or anything they would do differently, Bronnie found that common themes surfaced again and again. The five most common were these: I wish that I’d let myself be happier—too late they realized happiness is a choice; I wish I’d stayed in touch with my friends—too often they failed to give them the time and effort they deserved; I wish I’d had the courage to express my feelings—too frequently shut mouths and shuttered feelings weighed too heavy to handle; I wish I hadn’t worked so hard—too much time spent making a living over building a life caused too much remorse. As tough as these were, one stood out above them all. The most common regret was this: I wish I’d had the courage to live a life true to myself not the life others expected of me. Half-filled dreams and unfulfilled hopes: this was the number-one regret expressed by the dying. As Ware put it, “Most people had not honored even a half of their dreams and had to die knowing that it was due to choices they had made, or not made.” Bronnie Ware’s observations aren’t hers alone. At the conclusion of their exhaustive research, Gilovich and Medvec in 1994 wrote, “When people look back on their lives, it is the things they have not done that generate the greatest regret.... People’s actions may be troublesome initially; it is their inactions that plague them most with long-term feelings of regret.” Honoring our hopes and pursuing productive lives through faith in our purpose and priorities is the message from our elders. From the wisest position they’ll ever have comes their clearest message. No regrets. So make sure every day you do what matters most. When you know what matters most, everything makes sense. When you don’t know what matters most, anything makes sense. The best lives aren’t led this way.
”
”
Gary Keller (The ONE Thing: The Surprisingly Simple Truth About Extraordinary Results)
“
In the elevator, he held silent, but she saw him twice look at her blouse. She could feel his gaze, damn it, deep inside herself. And she knew what he was looking at.
Without the binding, her boobs were far too noticeable. The damned buttons gaped and the material strained.
“Enjoying yourself?” she asked with a heavy dose of sarcasm.
If anything, her jibe only made him intensify his study. He stood there, negligence personified, his hands clasped behind his back, his stance casual and relaxed. “I can see the outline of your nipples.”
She nearly strangled on her fury. “Go to hell!”
“What are you? C cup? Maybe even a D?”
Oh, God, she did not want to stand here alone with him, closed up in such a small space with his heat and scent invading her lungs. “None of your damn business.”
He lifted his hand in front of him, not to touch her, but to imagine it covering her right breast. His face screwed up while he pretended to heft her. “I’d say a full C.”
A fine trembling started in her neck and went down her spine. She needed to stay composed to face off with Murray Coburn, but for whatever reason, this man wanted to demolish her control. “I say go kill yourself.”
He cracked a smile.
And what that smile did for him . . . She couldn’t deny that he was devastatingly handsome. Probably a cutthroat villain, but still gorgeous. That disheveled fair hair and those intense, oddly colored eyes . . . she shivered.
He lifted a brow. “Cold?”
“No.” She had to distract him. “So I didn’t catch your name.”
“No one gave you my name.”
“It’s a secret, then?” She tried to hunch her shoulders to make her chest less noticeable. “How strange.”
“That doesn’t help,” he said of her posture, “and if you’re really interested?” He held out a hand. “Trace Miller.”
She disdained touching him again. “Is that your real name or an alias?”
With a grin, he retracted his proffered hand. “What do you think?”
“I think you took my driver’s license.”
He went still for a heartbeat, giving her a small measure of satisfaction. Lifting her hands in a “woo woo” way, she intoned,” I know all, see all.” Then she curled her lip. “And besides, you suck at stealth.
”
”
Lori Foster (Trace of Fever (Men Who Walk the Edge of Honor, #2))
“
She was especially taken with Matt.
Until he said, “It’s time to fess up, hon. Tell Trace how much you care. You’ll feel better when you do.”
Climbing up the ladder, Chris said, “Better sooner than later.” He nodded at the hillside behind them. “Because here comes Trace, and he doesn’t look happy.”
Both Priss and Matt turned, Priss with anticipation, Matt with tempered dread.
Dressed in jeans and a snowy-white T-shirt, Trace stalked down the hill.
Priss shielded her eyes to better see him. When he’d left, being so guarded about his mission, she’d half wondered if he’d return before dinner.
Trace wore reflective sunglasses, so she couldn’t see his eyes, but his entire demeanor—heavy stride, rigid shoulders, tight jaw—bespoke annoyance.
As soon as he was close enough, Priss called out, “What’s wrong?”
Without answering her, Trace continued onto the dock. He didn’t stop until he stood right in front of . . . Matt.
Backing up to the edge of the dock, Matt said, “Uh . . . Hello?”
Trace didn’t say a thing; he just pushed Matt into the water.
Arms and legs flailing out, Matt hit the surface with a cannonball effect.
Stunned, Priss shoved his shoulder. “What the hell, Trace! Why did you do that?”
Trace took off his sunglasses and looked at her, all of her, from her hair to her body and down to her bare toes. After working his jaw a second, he said, “If you need sunscreen, ask me.”
Her mouth fell open. Of all the nerve! He left her at Dare’s, took off without telling her a damn thing and then had the audacity to complain when a friend tried to keep her from getting sunburned. “Maybe I would have, if you’d been here!”
“I’m here now.”
Emotions bubbled over. “So you are.” With a slow smile, Priss put both hands on his chest. The shirt was damp with sweat, the cotton so soft that she could feel every muscle beneath. “And you look a little . . . heated.”
Trace’s beautiful eyes darkened, and he reached for her.
“A dip will cool you down.” Priss shoved him as hard as she could. Taken by surprise, fully dressed, Trace went floundering backward off the end of the dock.
Priss caught a glimpse of the priceless expression of disbelief on Trace’s face before he went under the water.
Excited by the activity, the dogs leaped in after him. Liger roused himself enough to move out of the line of splashing.
Chris climbed up the ladder. “So that’s the new game, huh?” He laughed as he scooped Priss up into his arms.
“Chris!” She made a grab for his shoulders. “Put me down!”
“Afraid not, doll.” Just as Trace resurfaced, Chris jumped in with her. They landed between the swimming dogs.
Sputtering, her hair in her face and her skin chilled from the shock of the cold water, Priss cursed. Trace had already waded toward the shallower water off the side of the dock. His fair hair was flattened to his head and his T-shirt stuck to his body.
“Wait!” Priss shouted at him.
He was still waist-deep as he turned to glare at her.
Kicking and splashing, Priss doggy-paddled over to him, grabbed his shoulders and wrapped her legs around his waist. “Oh, no, you don’t!”
Startled, Trace scooped her bottom in his hands and struggled for balance on the squishy mud bottom of the lake. “What the hell?” And then lower, “You look naked in this damn suit.”
Matt and Chris found that hilarious.
Priss looked at Trace’s handsome face, a face she loved, and kissed him. Hard.
For only a second, he allowed the sensual assault. He even kissed her back. Then he levered away from her. “You ruined my clothes, damn it.”
“Only because you were being a jealous jerk.”
His expression dark, he glared toward Matt.
Christ started humming, but poor Matt said, “Yeah,” and shrugged. “If you think about it, you’ll agree that you sort of were—and we both know there’s no reason.
”
”
Lori Foster (Trace of Fever (Men Who Walk the Edge of Honor, #2))
“
hot and close. The walls were hung with deep-dyed tapestries and old weapons kept gleaming by servants. Achilles walked past them and knelt at his father’s feet. “Father, I come to ask your pardon.” “Oh?” Peleus lifted an eyebrow. “Speak then.” From where I stood his face looked cold and displeased. I was suddenly fearful. We had interrupted; Achilles had not even knocked. “I have taken Patroclus from his drills.” My name sounded strange on his lips; I almost did not recognize it. The old king’s brows drew together. “Who?” “Menoitiades,” Achilles said. Menoitius’ son. “Ah.” Peleus’ gaze followed the carpet back to where I stood, trying not to fidget. “Yes, the boy the arms-master wants to whip.” “Yes. But it is not his fault. I forgot to say I wished him for a companion.” Therapon was the word he used. A brother-in-arms sworn to a prince by blood oaths and love. In war, these men were his honor guard; in peace, his closest advisers. It was a place of highest esteem, another reason the boys swarmed Peleus’ son, showing off; they hoped to be chosen. Peleus’ eyes narrowed. “Come here, Patroclus.” The carpet was thick beneath my feet. I knelt a little behind Achilles. I could feel the king’s gaze on me. “For many years now, Achilles, I have urged companions on you and you have turned them away. Why this boy?” The question might have been my own. I had nothing to offer such a prince. Why, then, had he made a charity case of me? Peleus and I both waited for his answer. “He is surprising.” I looked up, frowning. If he thought so, he was the only one. “Surprising,” Peleus echoed. “Yes.” Achilles explained no further, though I hoped he would. Peleus rubbed his nose in thought. “The boy is an exile with a stain upon him. He will add no luster to your reputation.” “I do not need him to,” Achilles said. Not proudly or boastfully. Honestly. Peleus acknowledged this. “Yet other boys will be envious that you have chosen such a one. What will you tell them?” “I will tell them nothing.” The answer came with no hesitation, clear and crisp. “It is not for them to say what I will do.” I found my pulse beating thickly in my veins, fearing Peleus’ anger. It did not come. Father and son met each other’s gaze, and the faintest touch of amusement bloomed at the corner of Peleus’ mouth. “Stand up, both of you.” I did so, dizzily. “I pronounce your sentence. Achilles, you
”
”
Madeline Miller (The Song of Achilles)
“
Your charming charm is a super sexy mega power that is simply impossible to overcome. Sweetest gourmet, I adore your gorgeous body, when I see you, only one word sounds in my head: yum, I will give myself completely to you. I will always love only you unconsciously, unconsciously, your gently erotic image sat in the depths of my mind completely. From your amazingly contagious beauty, your mouth opens and speechless is lost. Dizzyingly, stunningly beautiful, you are like a giant tornado, from which everything attracts you. And the heart and soul yearn all the time only for you. It doesn't matter if you love me or not, the main thing is that I still love you, and in my subconscious mind, I will only love you forever. Your luxurious appearance of the highest quality, this is a workshop, the filigree work of Mother Nature, this is just a masterpiece that constitutes a unique example of true beauty, you have no equal, you are a girl of high caliber. You are absolutely beautiful to such an extent, so beautiful, so exotic, erotic, and your image sounds poetic like very beautiful music of love, that I’m just afraid and shy to come to you, I’m afraid to talk to you, as if standing next to a goddess, or with a super mega star, a world scale model that even aliens probably know. My heart beats more often, I can’t talk normally, from excitement, goosebumps all over my body, and it just shakes. All these are symptoms of true love for you, well, simply: oh), wow). To be your boyfriend and husband is the greatest honor in the world, he knelt before you with flowers in his hands. Your appearance is perfect just like Barbie. You are so beautiful that only you want to have sex forever, countless, infinite number of times. You are unattainable, you are like a star whose light of the soul, like a searchlight, illuminates me in the deep darkness of solitude. In love with you thorough. You are simply amazingly beautiful. You are the best of the best. Goddess of all goddesses, empress of all empresses, queen of all queens. More beautiful you just can not imagine a girl. Sexier than you just can not be anything. Beautiful soul just is not found. There was nothing more perfect than you and never will be, simply because I think so. Laponka, I'm your faithful fan, you are my only idol, idol, icon of beauty. It doesn't matter who you are, I will accept you any. Because in any case I am eager to be only with you. You have a sexy smile, and your sensual look is just awesome. And from your voice and look a pleasant shiver all over your body. You are special, the best that is in all worlds, universes and dimensions. You're just a sight for sore eyes. To you I feel the most powerful, love and sexual inclination. You're cooler than any Viagra and afrodosiak. From your beauty just cling to the constraints and embarrassment.
”
”
NOT A BOOK
“
The warm of his voice touched a quickness in her that left her fingers trembling as she raised the candle. “Will you light this please? I need it to find my way back.”
He ignored her request and reached to take the lantern from the wall. “I’ll take you upstairs.”
“It isn’t necessary,” she was quick to insist, afraid for more reasons than one.
“I’d never forgive myself if some harm came to you down here,” he responded lightly. He lifted the lantern, casting its glow before them, and waited on her pleasure with amused patience. Erienne saw the challenge in his eyes and groaned inwardly. How could she refuse to pick up the gauntlet when she knew he would taunt her with his chiding humor if she did not? Adjusting the oversize coat about her shoulders, she rose to the bait against her better judgment and moved with him along the stony corridor. They were well past the bend when a sudden scurrying accompanied by strident squeaking came from the darkness. At the sound, Erienne stumbled back with a gasp, having an intense aversion for the rodents. In the next instant, the heel of her slipper caught on a rock lip, twisting her ankle and nearly sending her sprawling. Almost before the cry of pain was wrenched from her lips, Christopher’s arms were about her, and he used the excuse to bring her snugly against his own hard body. Embarrassed by the contact that brought bosom to chest and thigh to thigh and made her excruciatingly aware of his masculinity, Erienne pushed hurriedly away. She tried to walk again, anxious to be away, but when her weight came down on her ankle, a quick grimace touched her features. Christopher caught her reaction and, without so much as a murmured pardon, took the coat from her shoulders, pressed the lantern in her hand, and lifted her up in his arms.
“You can’t take me upstairs!” she protested. “What if you’re seen?”
The lights danced in his eyes as he met her astonished stare. “I’m beginning to think, madam, that you worry more about propriety than yourself. Most of the servants are in bed asleep.”
“But what if Stuart comes?” she argued. “You said he’s on his way.” Christopher chuckled.
“Meeting him now would be most interesting. He might even challenge me to a duel over your honor.” He raised a brow at her. “Would you be grieved if he wounded me?”
“Don’t you realize a thing like that could happen?” she questioned, angry because he dismissed the possibility with flippant ease.
“Don’t fret, my love,” he cajoled with a smile twitching at the corners of his mouth. “If I hear him coming, I’ll run, and as clumsy as he is, he’ll never be able to catch me.”
He shifted her weight closer against him and smiled into her chiding stare. “I like the way you feel in my arms.”
“Remember yourself, sir,” she admonished crisply, ignoring her leaping pulse.
“I’m trying, madam. I’m really trying.”
-Erienne & Christopher
”
”
Kathleen E. Woodiwiss (A Rose in Winter)
“
I know he’s had his problems in the past…
“He can’t keep his hands off a liquor bottle at the best of times, and he still hasn’t accepted the loss of his wife!”
“I sent him to a therapist over in Baltimore,” she continued. “He’s narrowed his habit down to a six-pack of beer on Saturdays.”
“What does he get for a reward?” he asked insolently.
She sighed irritably. “Nobody suits you! You don’t even like poor old lonely Senator Holden.”
“Like him? Holden?” he asked, aghast. “Good God, he’s the one man in Congress I’d like to burn at the stake! I’d furnish the wood and the matches!”
“You and Leta,” she said, shaking her head. “Now, listen carefully. The Lakota didn’t burn people at the stake,” she said firmly. She went on to explain who did, and how, and why.
He searched her enthusiastic eyes. “You really do love Native American history, don’t you?”
She nodded. “The way your ancestors lived for thousands of years was so logical. They honored the man in the tribe who was the poorest, because he gave away more than the others did. They shared everything. They gave gifts, even to the point of bankrupting themselves. They never hit a little child to discipline it. They accepted even the most blatant differences in people without condemning them.” She glanced at Tate and found him watching her. She smiled self-consciously. “I like your way better.”
“Most whites never come close to understanding us, no matter how hard they try.”
“I had you and Leta to teach me,” she said simply. “They were wonderful lessons that I learned, here on the reservation. I feel…at peace here. At home. I belong, even though I shouldn’t.”
He nodded. “You belong,” he said, and there was a note in his deep voice that she hadn’t heard before.
Unexpectedly he caught her small chin and turned her face up to his. He searched her eyes until she felt as if her heart might explode from the excitement of the way he was looking at her. His thumb whispered up to the soft bow of her mouth with its light covering of pale pink lipstick. He caressed the lower lip away from her teeth and scowled as if the feel of it made some sort of confusion in him.
He looked straight into her eyes. The moment was almost intimate, and she couldn’t break it. Her lips parted and his thumb pressed against them, hard.
“Now, isn’t that interesting?” he said to himself in a low, deep whisper.
“Wh…what?” she stammered.
His eyes were on her bare throat, where her pulse was hammering wildly. His hand moved down, and he pressed his thumb to the visible throb of the artery there. He could feel himself going taut at the unexpected reaction. It was Oklahoma all over again, when he’d promised himself he wouldn’t ever touch her again. Impulses, he told himself firmly, were stupid and sometimes dangerous. And Cecily was off limits. Period.
He pulled his hand back and stood up, grateful that the loose fit of his buckskins hid his physical reaction to her.
“Mother’s won a prize,” he said. His voice sounded oddly strained. He forced a nonchalant smile and turned to Cecily. She was visibly shaken. He shouldn’t have looked at her. Her reactions kindled new fires in him.
”
”
Diana Palmer (Paper Rose (Hutton & Co. #2))
“
Ione
III.
TO-DAY my skies are bare and ashen,
And bend on me without a beam.
Since love is held the master-passion,
Its loss must be the pain supreme —
And grinning Fate has wrecked my dream.
But pardon, dear departed Guest,
I will not rant, I will not rail;
For good the grain must feel the flail;
There are whom love has never blessed.
I had and have a younger brother,
One whom I loved and love to-day
As never fond and doting mother
Adored the babe who found its way
From heavenly scenes into her day.
Oh, he was full of youth's new wine, —
A man on life's ascending slope,
Flushed with ambition, full of hope;
And every wish of his was mine.
A kingly youth; the way before him
Was thronged with victories to be won;
so joyous, too, the heavens o'er him
Were bright with an unchanging sun, —
His days with rhyme were overrun.
Toil had not taught him Nature's prose,
Tears had not dimmed his brilliant eyes,
And sorrow had not made him wise;
His life was in the budding rose.
I know not how I came to waken,
Some instinct pricked my soul to sight;
My heart by some vague thrill was shaken, —
A thrill so true and yet so slight,
I hardly deemed I read aright.
As when a sleeper, ign'rant why,
Not knowing what mysterious hand
Has called him out of slumberland,
Starts up to find some danger nigh.
Love is a guest that comes, unbidden,
But, having come, asserts his right;
He will not be repressed nor hidden.
And so my brother's dawning plight
Became uncovered to my sight.
Some sound-mote in his passing tone
Caught in the meshes of my ear;
Some little glance, a shade too dear,
Betrayed the love he bore Ione.
What could I do? He was my brother,
And young, and full of hope and trust;
I could not, dared not try to smother
His flame, and turn his heart to dust.
I knew how oft life gives a crust
To starving men who cry for bread;
But he was young, so few his days,
He had not learned the great world's ways,
Nor Disappointment's volumes read.
However fair and rich the booty,
I could not make his loss my gain.
For love is dear, but dearer, duty,
And here my way was clear and plain.
I saw how I could save him pain.
And so, with all my day grown dim,
That this loved brother's sun might shine,
I joined his suit, gave over mine,
And sought Ione, to plead for him.
I found her in an eastern bower,
Where all day long the am'rous sun
Lay by to woo a timid flower.
This day his course was well-nigh run,
But still with lingering art he spun
Gold fancies on the shadowed wall.
The vines waved soft and green above,
And there where one might tell his love,
I told my griefs — I told her all!
I told her all, and as she hearkened,
A tear-drop fell upon her dress.
With grief her flushing brow was darkened;
One sob that she could not repress
Betrayed the depths of her distress.
Upon her grief my sorrow fed,
And I was bowed with unlived years,
My heart swelled with a sea of tears,
The tears my manhood could not shed.
The world is Rome, and Fate is Nero,
Disporting in the hour of doom.
God made us men; times make the hero —
But in that awful space of gloom
I gave no thought but sorrow's room.
All — all was dim within that bower,
What time the sun divorced the day;
And all the shadows, glooming gray,
Proclaimed the sadness of the hour.
She could not speak — no word was needed;
Her look, half strength and half despair,
Told me I had not vainly pleaded,
That she would not ignore my prayer.
And so she turned and left me there,
And as she went, so passed my bliss;
She loved me, I could not mistake —
But for her own and my love's sake,
Her womanhood could rise to this!
My wounded heart fled swift to cover,
And life at times seemed very drear.
My brother proved an ardent lover —
What had so young a man to fear?
He wed Ione within the year.
No shadow clouds her tranquil brow,
Men speak her husband's name with pride,
While she sits honored at his side —
”
”
Paul Laurence Dunbar