Tube Station Quotes

And I told him, I said: "One day you're going to miss the subway because it's not going to come. One of these days, it's going to break down and it's not going to come around and everyone else will just wait for the next one or will take the bus, or walk, or run to the next station: they will go on with their lives. And you're not going to be able to go on with your life! You'll be standing there, in the subway station, staring at the tube. Why? Because you think that everything has to happen perfectly and on time and when you think it's going to happen! Well guess what! That's not how things happen! And you'll be the only one who's not going to be able to go on with life, just because your subway broke down. So you know what, you've got to let go, you've got to know that things don't happen the way you think they're going to happen, but that's okay, because there's always the bus, there's always the next station...you can always take a cab.

I lifted my wand, hoping she would see this as a dramatic move, not a threat. “Why once, in my bunker at Charing Cross Station, I stalked the deadly prey known as Jelly Babies.” Neith’s eyes widened. “They are dangerous?” “Horrible,” I agreed. “Oh, they seem small alone, but they always appear in great numbers. Sticky, fattening—quite deadly. There I was, alone with only two quid and a Tube pass, beset by Jelly Babies, when…Ah, but never mind. When the Jelly Babies come for you…you will find out on your own.” She lowered her bow. “Tell me. I must know how to hunt Jelly Babies.” I looked at Walt gravely. “How many months have I trained you, Walt?” “Seven,” he said. “Almost eight.” “And have I ever deemed you worthy of hunting Jelly Babies with me?” “Uh…no.

I’m gonna die,’ I say again, as we’re walking out of the tube station towards the O2 arena. ‘I’m gonna die. I’m literally gonna die.’ ‘Wouldn’t recommend that,’ says Juliet, as if she’s been on a two-week holiday to Death and gave it two out of five on TripAdvisor.

Somehow, this was one oddity too many. He could accept "Mind the Gap" and the Earl's Court, and even the strange library. But damn it, like all Londoners, he knew his Tube map, and this was going too far. "There isn't a British Museum Station," said Richard, firmly.

She looks like a jumper to me. Jumpers do that a lot, stand on the edge and stare out. Never kill yourself in a Tube station. Tip number one. You might end up down here forever, staring at the wall." Stephen coughed a little. "Just giving advice," Callum said.

The clouds that menaced this morning did so all day, growing heavier and blacker until they burst, monsoon-like, this evening, just as office workers stepped outside and the rush hour began in earnest, leaving the roads gridlocked and tube station entrances choked with people opening and closing umbrellas.

God, all those months of seeing Kelsey’s pictures and hearing about her travels, and I had been raging with jealousy. And now it was my turn. I wanted to mind the gap at the tube station and eat fish and chips and try to make the Queen’s guards laugh. I wanted to see Big Ben and the Globe and the London Bridge and Dame Judi Dench. Or Maggie Smith. Or Alan Rickman. Or Sir Ian McKellen. Or anybody famous and British, really. Holy crap. This was really happening. And I wasn’t just a tourist. I was visiting with someone who’d grown up in the city. With my fiancé. Take that, world.

Where’s your house?’ ‘Kempsford Gardens, by West Brompton tube station.

Walking down Seven Sisters Road to the Tube station, in a move that wouldn't be worth Freud's time to dissect, I called Guy.

When he had first arrived, he had found London huge, odd, fundamentally incomprehensible, with only the Tube map, that elegant multicolored topographical display of underground railway lines and stations, giving it any semblance of order. Gradually he realized that the Tube map was a handy fiction that made life easier but bore no resemblance to the reality of the shape of the city above. It was like belonging to a political party, he thought once, proudly, and then, having tried to explain the resemblance between the Tube map and politics, at a party, to a cluster of bewildered strangers, he had decided in the future to leave political comment to others.

I must be able to say, 'Percival, a ridiculous name'. At the same time let me tell you, men and women, hurrying to the tube station, you would have had to respect him. You would have had to form up and follow behind him. How strange to oar one's way through crowds seeing life through hollow eyes, burning eyes.

A mini-cab later and he arrived in Stockwell, where the pit bulls travelled in twos. Ludlow Road is near the tube station, a short mugging away.

You are gonna shoot me," he says. "One day." He's still holding Lindsay's hand, he's looking down at where their fingers are wound together and not at Lindsay's face, but his voice is clear. "I ain't thick. I know you'll get sick of me. You can't just let me go, I know too much, you'd be freaked out forever in case I snitched. You'll get proper sick of me one day, not just annoyed, and then you'll shoot me. It's okay." "I won't get sick of you," Lindsay says. He feels numb and far away, as if its somebody else talking, and almost like he's going to throw up, a sort of lurch in his stomach like when you're at the top of the the Angel tube station escalator and somebody a bit too eager to get on the train shoves you from behind. "Yeah you will. I'm gonna be with you til I die, though. Least I can say that and know its true, how many people can do that? Bit romantic, really. If you squint, and look at it sideways.

Commuters lining up at the tube stations, waiting to cross the Causeway into Greater Shanghai, seen only as a storm front of neonstained, coal-scented smog that encompassed the horizon.

In the water’s reflection she saw only loving scenes from her childhood, countless memories, her mother kissing her good night, unwrapping a new toy, plopping whipped cream onto pancakes, putting Annie on her first bicycle, stitching a ripped dress, sharing a tube of lipstick, pushing a button to Annie’s favorite radio station. It was as if someone unlocked a vault and all these fond recollections could be examined at once. Why didn't I feel this before? she whispered. Because we embrace are scars more than our healing, Lorraine said. We can recall the exact day we got hurt, but who remembers the day the wound was gone?

What I loved about Anton was that he did the pictures really quickly, with no fuss, no fucking about: bang, bang, bang, and it was over. At the time, I thought, Now, that’s how a photo shoot should be. Those shots he took of us in the tube station: absolutely brilliant.

MESSAGE + MISSION = MOVEMENT Its not that you want to be on TV or the radio or in a magazine. If no one watched or listened or read, you wouldn't care about those mediums. What you want is an audience. You want to be seen and heard. You have a message to share. That said, the world has giving you your own TV channel (YouTube and any other video platform). The world has given you a radio station and even hosts (podcasts). The world has given you your own magazine and newspaper (websites, blogs, etc). YOU ARE SEEN AND HEARD. YOU ARE ALREADY STANDING ON THE STAGE. NOW WHAT? We are watching and listening.

The near future? Pop will go down into the tube station at midnight and have sex. Lots of sex. And all those genres I listed earlier? Every single year will generate a list of new genres like that. Then every six months. Then every month. Then every week. Pop will fuck and mutate and survive. The new sounds will be everywhere, in too many places for us to notice them all at once. A million glorious bursts of incoherent noise.

So together, Reader and Vincent used HeLa cells as the springboard to launch the first industrial-scale, for-profit cell distribution center. It started with what Reader lovingly referred to as his Cell Factory. In Bethesda, Maryland, in the middle of a wide-open warehouse that was once a Fritos factory, he built a glass-enclosed, room that housed a rotating conveyor belt with hundreds of test-tube holders built into it. Outside the glass room, he had a setup much like the Tuskegee's, with massive vats of culture medium, only bigger. When cells were ready for shipping, he'd sound a loud bell and all the workers in the building, including mailroom clerks, would stop what they were doing, scrub themselves at the sterilization station, grab a cap and gown, and line up at the conveyor belt. Some filled tubes, others inserted rubber stoppers, sealed tubes, or stacked them inside a walk-in incubator where they stayed until being packaged for shipping.

Eating's gross isn't it? In the abstract I mean. When you're used to hyperspace recharging stations, to sunlight and cosmic rays, when most of the beauty you've known lies in a great machine's heart, it's hard to see the appeal of using bones that poke from spit-coated gums to mash things that grew in dirt into a paste that will fit down the wet tube connecting your mouth to the sack of acid under your heart. Takes the new recruits a long time to get used to, once they're decanted.

Clark had thought he was meeting his oldest friend for dinner, but Arthur wasn’t having dinner with a friend, Clark realized, so much as having dinner with an audience. He felt sick with disgust. When he left a short time later he found himself wandering, even though by now he’d oriented himself and knew how to get back to the Tube station. Cold rain, the sidewalk shining, the shhh of car tires on the wet street. Thinking about the terrible gulf of years between eighteen and fifty.

Is one of those summer evenings, when it look like night would never come, a magnificent evening, a powerful evening, rent finish paying, rations in the cupboard, twenty pounds in the bank, and a nice piece of skin waiting under the big clock in Piccadilly Tube Station. The sky blue, sun shining, the girls ain't have on no coats to hide the legs. "Mummy, look at that black man!" A little child, holding on to the mother hand, look up at Sir Galahad. "You mustn't say that, dear!" The mother chide the child.

I said to my soul, be still, and let the dark come upon you Which shall be the darkness of God. As, in a theatre, The lights are extinguished, for the scene to be changed With a hollow rumble of wings, with a movement of darkness on darkness, And we know that the hills and the trees, the distant panorama And the bold imposing facade are all being rolled away-- Or as, when an underground train, in the tube, stops too long between stations And the conversation rises and slowly fades into silence And you see behind every face the mental emptiness deepen Leaving only the growing terror of nothing to think about; Or when, under ether, the mind is conscious but conscious of nothing-- I said to my soul, be still, and wait without hope For hope would be hope for the wrong thing; wait without love, For love would be love of the wrong thing; there is yet faith But the faith and the love and the hope are all in the waiting. Wait without thought, for you are not ready for thought: So the darkness shall be the light, and the stillness the dancing.

It's a tense summer. It's June. Dehydrated office workers spew from Tube station with frayed nerves and anxiety. On every beautiful day, people feel compelled to look out their window and say, 'It's very worrying, isn't it?' as if it were tasteless to comment on the warm sun and blue sky without remarking on the mass extinction of humans and whales within the same breath. The air is warm and damp. No bedsheet is un-drenched, and everything, everywhere is sticky with sweat. The hours of each day are rationed between unbearable heat and biblical rain, and even though it has only been this way for three weeks, it is impossible to imagine that things have been any other way. People move slowly, if they move at all, and no one has thought a coherent thought all month.

Eating’s gross, isn’t it? In the abstract, I mean. When you’re used to hyperspace recharging stations, to sunlight and cosmic rays, when most of the beauty you’ve known lies in a great machine’s heart, it’s hard to see the appeal of using bones that poke from spit-coated gums to mash things that grew in dirt into a paste that will fit down the wet tube connecting your mouth to the sack of acid under your heart.

Me, I hated Suits. Loathed them. Because when you’re a rock star and make a crap ton of money, everyone wants a piece of the pie. A pie you baked. With ingredients you bought. None of the Suits had given a shit about me when I sat, day in and day out, outside King’s Cross tube station with Tania, my acoustic Tatay, and played, and begged, and shoved demos into people’s hands just to watch them slam-dunking them to the nearest bin. None of the Suits were there when I knocked on doors in the pouring rain, and pleaded in the bitter snow, and bargained, and argued, to get myself heard. They also weren’t there when I got booed in Glastonbury three years in a row opening for bigger bands, or when mostly-empty beer cans were thrown my way for a good laugh, or when a drunk girl puked on my only pair of shoes trying to tell me I sounded like a Morrissey knockoff.

Eating’s gross, isn’t it? In the abstract, I mean. When you’re used to hyperspace recharging stations, to sunlight and cosmic rays, when most of the beauty you’ve known lies in a great machine’s heart, it’s hard to see the appeal of using bones that poke from spit-coated gums to mash things that grew in dirt into a paste that will fit down the wet tube connecting your mouth to the sack of acid under your heart. Takes the new recruits a long time to get used to, once they’re decanted.

Cornwell’s painting is set at Fort Crawford, in Michigan Territory, during St. Martin’s second stint in Beaumont’s employ, around 1830. At this stage in his digestive explorations, Beaumont had been trying to determine whether the gastric juice would work outside of the stomach, removed from the body’s “vital force.” (It does.) He filled vial after vial with St. Martin’s secretions and dropped in all manner of foods. The cabin became a kind of gastric-juice dairy. Beaumont, in the painting, holds one end of a length of gum elastic tubing in St. Martin’s stomach; the other end drips into a bottle in Beaumont’s lap. I spent a good deal of time staring at this painting, trying to parse the relationship between the two. The gulf between their stations is clear. St. Martin wears dungarees worn through at the knees. Beaumont appears in full military dress—brass-buttoned jacket with gold epaulettes, piping-trimmed breeches tucked into knee-high leather boots. “True,” Cornwell seems to be saying, “it’s an unsavory situation for our man St. Martin, but look, just look, at the splendorous man he has the honor of serving.” (Presumably Cornwell took some liberties with the costuming in order to glorify his subject. Anyone who works with hydrochloric acid knows you don’t wear your dress clothes in the lab.)

Drawing aside so as not to impede passersby, he answered. “Oggy?” said his ex-colleague’s voice. “What gives, mate? Why are people sending you legs?” “I take it you’re not in Germany?” said Strike. “Edinburgh, been here six weeks. Just been reading about you in the Scotsman.” The Special Investigation Branch of the Royal Military Police had an office in Edinburgh Castle: 35 Section. It was a prestigious posting. “Hardy, I need a favor,” said Strike. “Intel on a couple of guys. D’you remember Noel Brockbank?” “Hard to forget. Seventh Armoured, if memory serves?” “That’s him. The other one’s Donald Laing. He was before I knew you. King’s Own Royal Borderers. Knew him in Cyprus.” “I’ll see what I can do when I get back to the office, mate. I’m in the middle of a plowed field right now.” A chat about mutual acquaintances was curtailed by the increasing noise of rush-hour traffic. Hardacre promised to ring back once he had had a look at the army records and Strike continued towards the Tube. He got out at Whitechapel station thirty minutes later to find a text message from the man he was supposed to be meeting. Sorry Bunsen cant do today ill give you a bell This was both disappointing and inconvenient, but not a surprise. Considering that Strike was not carrying a consignment of drugs or a large pile of used notes, and that he did not require intimidation or beating, it was a mark of great esteem that Shanker had even condescended to fix a time and place for meeting. Strike’s knee was complaining after a day on his feet, but there were no seats outside the station. He leaned up against the yellow brick wall beside the entrance and called Shanker’s number. “Yeah, all right, Bunsen?” Just as he no longer remembered why Shanker was called Shanker, he had no more idea why Shanker called him Bunsen. They had met when they were seventeen and the connection between them, though profound in its way, bore none of the usual stigmata of teenage friendship.

Twas the night before Christmas and in SICU All the patients were stirring, the nurses were, too. Some Levophed hung from an IMED with care In hopes that a blood pressure soon would be there. One patient was resting all snug in his bed While visions—from Versed—danced in his head. I, in my scrubs, with flowsheet in hand, Had just settled down to chart the care plan. Then from room 17 there arose such a clatter We sprang from the station to see what was the matter. Away to the bedside we flew like a flash, Saved the man from falling, with restraints from the stash. “Do you know where you are?” one nurse asked while tying; “Of course! I’m in France in a jail, and I’m dying!” Then what to my wondering eyes should appear? But a heart rate of 50, the alarm in my ear. The patient’s face paled, his skin became slick And he said in a moment, “I’m going to be sick!” Someone found the Inapsine and injected a port, Then ran for a basin, as if it were sport. His heart rhythm quieted back to a sinus, We soothed him and calmed him with old-fashioned kindness. And then in a twinkling we hear from room 11 First a plea for assistance, then a swearing to heaven. As I drew in my breath and was turning around, Through the unit I hurried to respond to the sound. “This one’s having chest pain,” the nurse said and then She gave her some nitro, then morphine and when She showed not relief from IV analgesia Her breathing was failing: time to call anesthesia. “Page Dr. Wilson, or May, or Banoub! Get Dr. Epperson! She ought to be tubed!” While the unit clerk paged them, the monitor showed V-tach and low pressure with no pulse: “Call a code!” More rapid than eagles, the code team they came. The leader took charge and he called drugs by name: “Now epi! Now lido! Some bicarb and mag! You shock and you chart it! You push med! You bag!” And so to the crash cart, the nurses we flew With a handful of meds, and some dopamine, too! From the head of the bed, the doc gave his call: “Resume CPR!” So we worked one and all. Then Doc said no more, but went straight to his work, Intubated the patient, then turned with a jerk. While placing his fingers aside of her nose, And giving a nod, hooked the vent to the hose. The team placed an art-line and a right triple-lumen. And when they were through, she scarcely looked human: When the patient was stable, the doc gave a whistle. A progress note added as he wrote his epistle. But I heard him exclaim ere he strode out of sight, “Merry Christmas to all! But no more codes for tonight!” Jamie L. Beeley Submitted by Nell Britton

The top surface of the computer is smooth except for a fisheye lens, a polished glass dome with a purplish optical coating. Whenever Hiro is using the machine, this lens emerges and clicks into place, its base flush with the surface of the computer. The neighborhood loglo is curved and foreshortened on its surface. Hiro finds it erotic. This is partly because he hasn't been properly laid in several weeks. But there's more to it. Hiro's father, who was stationed in Japan for many years, was obsessed with cameras. He kept bringing them back from his stints in the Far East, encased in many protective layers, so that when he took them out to show Hiro, it was like watching an exquisite striptease as they emerged from all that black leather and nylon, zippers and straps. And once the lens was finally exposed, pure geometric equation made real, so powerful and vulnerable at once, Hiro could only think it was like nuzzling through skirts and lingerie and outer labia and inner labia. . . . It made him feel naked and weak and brave. The lens can see half of the universe -- the half that is above the computer, which includes most of Hiro. In this way, it can generally keep track of where Hiro is and what direction he's looking in. Down inside the computer are three lasers -- a red one, a green one, and a blue one. They are powerful enough to make a bright light but not powerful enough to burn through the back of your eyeball and broil your brain, fry your frontals, lase your lobes. As everyone learned in elementary school, these three colors of light can be combined, with different intensities, to produce any color that Hiro's eye is capable of seeing. In this way, a narrow beam of any color can be shot out of the innards of the computer, up through that fisheye lens, in any direction. Through the use of electronic mirrors inside the computer, this beam is made to sweep back and forth across the lenses of Hiro's goggles, in much the same way as the electron beam in a television paints the inner surface of the eponymous Tube. The resulting image hangs in space in front of Hiro's view of Reality. By drawing a slightly different image in front of each eye, the image can be made three-dimensional. By changing the image seventy-two times a second, it can be made to move. By drawing the moving three-dimensional image at a resolution of 2K pixels on a side, it can be as sharp as the eye can perceive, and by pumping stereo digital sound through the little earphones, the moving 3-D pictures can have a perfectly realistic soundtrack. So Hiro's not actually here at all. He's in a computer-generated universe that his computer is drawing onto his goggles and pumping into his earphones. In the lingo, this imaginary place is known as the Metaverse. Hiro spends a lot of time in the Metaverse. It beats the shit out of the U-Stor-It.

All the many successes and extraordinary accomplishments of the Gemini still left NASA’s leadership in a quandary. The question voiced in various expressions cut to the heart of the problem: “How can we send men to the moon, no matter how well they fly their ships, if they’re pretty helpless when they get there? We’ve racked up rendezvous, docking, double-teaming the spacecraft, starting, stopping, and restarting engines; we’ve done all that. But these guys simply cannot work outside their ships without exhausting themselves and risking both their lives and their mission. We’ve got to come up with a solution, and quick!” One manned Gemini mission remained on the flight schedule. Veteran Jim Lovell would command the Gemini 12, and his space-walking pilot would be Buzz Aldrin, who built on the experience of the others to address all problems with incredible depth and finesse. He took along with him on his mission special devices like a wrist tether and a tether constructed in the same fashion as one that window washers use to keep from falling off ledges. The ruby slippers of Dorothy of Oz couldn’t compare with the “golden slippers” Aldrin wore in space—foot restraints, resembling wooden Dutch shoes, that he could bolt to a work station in the Gemini equipment bay. One of his neatest tricks was to bring along portable handholds he could slap onto either the Gemini or the Agena to keep his body under control. A variety of space tools went into his pressure suit to go along with him once he exited the cabin. On November 11, 1966, the Gemini 12, the last of its breed, left earth and captured its Agena quarry. Then Buzz Aldrin, once and for all, banished the gremlins of spacewalking. He proved so much a master at it that he seemed more to be taking a leisurely stroll through space than attacking the problems that had frustrated, endangered, and maddened three previous astronauts and brought grave doubts to NASA leadership about the possible success of the manned lunar program. Aldrin moved down the nose of the Gemini to the Agena like a weightless swimmer, working his way almost effortlessly along a six-foot rail he had locked into place once he was outside. Next came looping the end of a hundred-foot line from the Agena to the Gemini for a later experiment, the job that had left Dick Gordon in a sweatbox of exhaustion. Aldrin didn’t show even a hint of heavy breathing, perspiration, or an increased heartbeat. When he spoke, his voice was crisp, sharp, clear. What he did seemed incredibly easy, but it was the direct result of his incisive study of the problems and the equipment he’d brought from earth. He also made sure to move in carefully timed periods, resting between major tasks, and keeping his physical exertion to a minimum. When he reached the workstation in the rear of the Gemini, he mounted his feet and secured his body to the ship with the waist tether. He hooked different equipment to the ship, dismounted other equipment, shifted them about, and reattached them. He used a unique “space wrench” to loosen and tighten bolts with effortless skill. He snipped wires, reconnected wires, and connected a series of tubes. Mission Control hung on every word exchanged between the two astronauts high above earth. “Buzz, how do those slippers work?” Aldrin’s enthusiastic voice came back like music. “They’re great. Great! I don’t have any trouble positioning my body at all.” And so it went, a monumental achievement right at the end of the Gemini program. Project planners had reached all the way to the last inch with one crucial problem still unsolved, and the man named Aldrin had whipped it in spectacular fashion on the final flight. Project Gemini was

sheltering in Tube stations, the piles of rubble

The tube station that arrived from the port had six wide doors, which emptied to the casino floor. Miller accepted a drink from a tired-looking woman in a G-string and bared breasts and found a screen to stand at that afforded him a view of all six doors.

In 1613 William Shakespeare bought a house nearby for £124 – but did not live in it himself.

The look you saw on shoeless men in tube stations and on sparrow-fingered street-corner preachers—a face you’d give wide berth to because it seemed one ill-aimed word away from crazy. So it’s come to that, he thought: avoiding my own eyes. He

I walked to the Tube station and got on the train. I was meeting a man for dinner, someone I barely knew. He had got my number from a mutual friend. When I arrived at the restaurant he was already there, waiting. He was reading a book, which he relaxed in his bag before I could see the title. He asked me how I was and I found myself saying that I was very tired, to the extent that I might not have all that much to say for myself. He looked a little disappointed at this news, and asked if I wanted to hang up my coat. I said I would keep it on: I felt cold. There were builders in my house, I added. The doors and windows were constantly open and the heating had been turned off. The house had become like a tomb, a place of dust and chill. It was impossible to eat or sleep or work – there wasn’t even anywhere to sit down. Everywhere I looked I saw skeletons, the skeletons of walls and floors, so that the house felt unshielded, permeable, as though all the things those walls and floors ought normally to keep out were free to enter. I had to go into debt to finance the work – a debt I had no immediate prospect of being able to repay – and so even when it was done I wasn’t sure I would feel entirely comfortable there. My children, I added, were away. I told him the story of the Saluki dogs following the hawk: my current awareness of my children, I said, was similarly acute and gruelling, except that I was trying to keep sight of them on my own. On top of that, I said, there was something in the basement, something that took the form of two people, though I would hesitate to give their names to it. It was more of a force, a power of elemental negativity that seemed somehow related to the power to create. Their hatred of me was so pure, I said, that it almost passed back into love again.

Leaving for home early, I had to stand up in the tube all the way back. Returning to the world from the bowels of Gloucester Road station, I struggled towards Froxbury Mansions with the faltering determination of a dying Bedouin crawling towards an oasis. All

On 12 March 2014 Austrian police officers arrested Dmitry Firtash in Vienna at the FBI’s request. It was exactly a fortnight after the final approval of his purchase of the Brompton Road Tube station from the British government. Rarely if ever have the contrasting approaches of the US and Butler Britain towards fortunes of questionable origin been displayed in starker contrast.

Once his affairs were in order, he reported for duty. “How are you at soldering?” Chief Technician Scully said casually. “Pretty good,” Philo replied. “I’ve done a fair amount of wiring and building things from scratch. None of it has failed so far.” “Good. All the consoles in the station need to be re-capped. The heat from the vacuum tubes dries out the electrolytic capacitors over time, and we have to replace them every five years, before the audio performance starts degrading.” Philo took an equipment cart to the backup studio, pulled all the modules out of the console, and carefully packed them in bubble wrap for transport back to the workshop. He set a module on the bench and set up his vacuum desoldering station, soldering iron, magnifier, and boxes of new capacitors, organized by capacitance and voltage. The channel modules were densely packed with components, providing all the capabilities of a modern console, but using subminiature vacuum tubes instead of transistors. Each channel module had two dozen electrolytic capacitors, and there were more in the output modules and power supplies. Scully came along a while later to inspect his work. “Splendid! Very clean work. You’ll be on full-time recapping duty from now on.” “You’re doomed,” said an older Technician, who was disassembling a condenser microphone on the other bench. “You never should have told him you were good at soldering.” Once Philo was done with all the consoles, he moved on to the multi-track tape machines, which were transistorized but had a tendency to run hot. He recapped electronics ten hours a day, until he was desoldering capacitors in his sleep.

You will learn on the job, in the process of repairing many different kinds of equipment and seeing how the designers solved various problems, or failed to solve them in some cases. For every repair, you will fill out a log describing the cause of the failure and what you did to rectify it. If you don’t understand something, you may consult the more experienced Technicians, including myself.” He led the group down a wide hallway, and they crowded into a soundproofed studio. “This is the backup broadcast studio, which kept operational at all times in case of a major failure in the main studio. The first item in the signal chain is the microphone. We use dynamic mics for DJ’s and guests, and various ribbons and condensers for radio plays and orchestral broadcasts. For pre-recorded sound sources, we have direct-drive turntables, cassette decks, open-reel decks, and cart machines. All machines are wired for remote start from the console. “The consoles are vacuum tube type, fully balanced with input, output, and interstage transformers, and completely modular. They were designed in-house for absolute reliability. Channel modules can be hot-swapped without powering down the console, so that breakdowns can be fixed in a matter of seconds. “The output of the console is wired to a stereo compressor, variable mu type, to regulate the overall volume. The studio switcher selects the currently active studio and routes it to the transmitter. The output passes through an additional compressor, VCA type, with sophisticated circuitry for leveling, peak limiting, soft clipping, filtering, and pre-emphasis, in order to maximize the station’s loudness without overmodulating the transmitter.

London’s Tube map, for instance, makes a particular virtue of ignoring distance in the interest of readability: two stations abutting each other on the map might actually be a mile apart. And most transit maps do not tell riders how long it will take to reach their destinations. The length of lines between stations is usually not to scale. Transit maps forgo depicting distance in favor of readability.

said May when they reached Hampstead tube station.

However, there is a small but undeniable part of herself that takes comfort in imagining the detailed journey home: landing in Gatwick, a train to Victoria Station, the tube to King’s Cross, another train that rolls through the countryside, small towns, and swelling cities, and eventually to Newcastle, then a forty-minute Metro to South Shields, a two-mile walk (her rolling luggage listing consistently to her left), and it’s warm and sunny even though it is never warm and sunny often enough in northern England, and finally she’s standing before their semidetached home with the brick walls and a white trellis, and she walks through the small garden and through the back door, then to the kitchen to sit with Mum and Dad at their ridiculous little table with the ugly yellow vinyl tablecloth and they both glance over the frames of their reading glasses and smile that wan I-see-you-dear smile.

The tube station at Innis Shallows didn’t even have the usual perfunctory signs announcing that the end destination was Aterpol, like there were only two kinds of places in the universe: Innis Shallows and anywhere else.

Who the fuck are Nan and Burly Hal? Do you happen to know?” “I thought you’d know.” It sounded lame, even to me. I shot Ciara a pointed look, one that I hoped conveyed help me here. “Yeah. Nan and Burly Hal,” she added. “I’ve heard of them. Hackney, maybe? Or Islington by the tube station, near that kebab place?” She was terrible at bluffing.

The librarian looks up for a moment as he steps through the doors, and smiles. Aidan is greeted by silence. In his memories, this place was never silent. Obviously, it is a library . . . so it has always been quiet, but there had been that hum—of people shuffling about, of kids whispering to their mums, people flicking pages, moving chairs, wiggling around, coughing and snuffling too. Today, barely a sound. Someone tapping out a text on their phone. The librarian drumming away on that clunky old keyboard. Nothing else. Recently, he has spotted posters about saving Brent’s libraries stuck up on community boards: in Tesco; at the gym; even plastered near the Tube station, advertising cake sales, knitting clubs at the library, sit-ins, petitions. But it has never crossed his mind that Harrow Road Library needs saving. In his mind, it is popular, well loved, but now that he is here, his heart begins to sink . . . Maybe Harrow Road Library will be the next to go

Zedwell Hotel in Piccadilly Circus sits between Trafalgar Square, Regent Street, Soho & Chinatown. Direct access from Piccadilly Tube Station & close to Leicester Square, Zedwell is ideal for both leisure and business trips. Experience tranquility and comfort with our well-equipped rooms, free high-speed Wi-Fi and on-site gym. A prime location to explore London's vibrant attractions.

London is more than its museums and landmarks. It’s a living, breathing, thriving organism...a coral reef of humanity. You can enjoy some of Europe’s best people-watching at Covent Garden, Victoria Station, Piccadilly Circus, or any of the major stops on London’s subway system, known affectionately as the Tube.

Were the women of Trinity Avenue control freaks? Is that a serious question? Because we pulled together as a community to prevent crime? No, no, I know you didn’t mean to offend. Let me answer your question this way: if a control freak gets up every morning to dress and feed her children (herself too, if she’s really on form), take them to school and head straight to the station to cram onto a commuter train to Victoria and then a tube to the West End; if, after working a full-on day, she then comes home and gets on with the kids’ reading, bath-and-bedtime routine (sometimes still with her coat on for the first part), segueing seamlessly into making dinner while unloading and reloading the dishwasher, her email open on the iPad on the counter or, every now and then, a friend propped nearby with a glass of wine because it’s so hard to catch up any other time, even though she gamely signs up for book groups and residents’ association and, yes, meetings with community police officers; if she finishes the evening by making the kids’ packed lunches for the next day and sorting out the recycling and putting the laundry on and ordering groceries online or birthday presents or whatever else needs finding or replacing that day; if she climbs into bed thinking her greatest achievement of the day has been not to scream at her children, not argue with her colleagues, not divorce her husband… If that’s what a control freak does, then yes, I was one.

Fundamentals of Esperanto The grammatical rules of this language can be learned in one sitting. Nouns have no gender & end in -o; the plural terminates in -oj & the accusative, -on Amiko, friend; amikoj, friends; amikon & amikojn, accusative friend & friends. Ma amiko is my friend. A new book appears in Esperanto every week. Radio stations in Europe, the United States, China, Russia & Brazil broadcast in Esperanto, as does Vatican Radio. In 1959, UNESCO declared the International Federation of Esperanto Speakers to be in accord with its mission & granted this body consultative status. The youth branch of the International Federation of Esperanto Speakers, UTA, has offices in 80 different countries & organizes social events where young people curious about the movement may dance to recordings by Esperanto artists, enjoy complimentary soft drinks & take home Esperanto versions of major literary works including the Old Testament & A Midsummer Night’s Dream. William Shatner’s first feature-length vehicle was a horror film shot entirely in Esperanto. Esperanto is among the languages currently sailing into deep space on board the Voyager spacecraft. - Esperanto is an artificial language constructed in 1887 by L. L. Zamenhof, a polish oculist. following a somewhat difficult period in my life. It was twilight & snowing on the railway platform just outside Warsaw where I had missed my connection. A man in a crumpled track suit & dark glasses pushed a cart piled high with ripped & weathered volumes— sex manuals, detective stories, yellowing musical scores & outdated physics textbooks, old copies of Life, new smut, an atlas translated, a grammar, The Mirror, Soviet-bloc comics, a guide to the rivers & mountains, thesauri, inscrutable musical scores & mimeographed physics books, defective stories, obsolete sex manuals— one of which caught my notice (Dr. Esperanto since I had time, I traded my used Leaves of Grass for a copy. I’m afraid I will never be lonely enough. There’s a man from Quebec in my head, a friend to the purple martins. Purple martins are the Cadillac of swallows. All purple martins are dying or dead. Brainscans of grown purple martins suggest these creatures feel the same levels of doubt & bliss as an eight-year-old girl in captivity. While driving home from the brewery one night this man from Quebec heard a radio program about purple martins & the next day he set out to build them a house in his own back yard. I’ve never built anything, let alone a house, not to mention a home for somebody else. Never put in aluminum floors to smooth over the waiting. Never piped sugar water through colored tubes to each empty nest lined with newspaper shredded with strong, tired hands. Never dismantled the entire affair & put it back together again. Still no swallows. I never installed the big light that stays on through the night to keep owls away. Never installed lesser lights, never rested on Sunday with a beer on the deck surveying what I had done & what yet remained to be done, listening to Styx while the neighbor kids ran through my sprinklers. I have never collapsed in abandon. Never prayed. But enough about the purple martins. Every line of the work is a first & a last line & this is the spring of its action. Of course, there’s a journey & inside that journey, an implicit voyage through the underworld. There’s a bridge made of boats; a carp stuffed with flowers; a comic dispute among sweetmeat vendors; a digression on shadows; That’s how we finally learn who the hero was all along. Weary & old, he sits on a rock & watches his friends fly by one by one out of the song, then turns back to the journey they all began long ago, keeping the river to his right.

As you make your way through the load station of dino sore with the vehicles passing by underneath, pay attention to the white, yellow, and red utility pipes that wind their way throughout the space. The cryptic markings on the side of the tubes convey the chemical formulas for the very important contents-mayonnaise, mustard, and ketchup!

As soon as the train pulled into the station, the red guards would pour out of doors and windows like toothpaste squirting endlessly from a tube.

Oh,” he said, stopping in the doorway. “I should probably warn you. Your beds might take a little getting used to.” “Why?” Tesla asked. “What’s wrong with them?” When Uncle Newt had shown them their room earlier, the beds had looked normal enough. Not that Nick and Tesla had paid much attention to them. They’d been distracted—and horrified—by the posters haphazardly stapled to the wall: Teletubbies, Elmo, Smurfs, Albert Einstein, and the periodic table. (Nick and Tesla had quickly agreed that the first three would “fall down” and “accidentally” “get ripped” at the first opportunity.) “There’s nothing wrong with your beds, and everything right!” Uncle Newt declared. “I’m telling you, kids. You haven’t slept till you’ve slept on compost!” “What?” Nick and Tesla said together. Even Uncle Newt couldn’t miss the disgust on their faces. “Maybe I’d better come up and explain,” he said. Uncle Newt pulled the comforter off Nick’s bed and revealed something that didn’t look like a bed at all. It was more like a lumpy black sleeping bag with tubes and wires poking out of one end. “Behold!” Uncle Newt said. “The biomass thermal conversion station!” Nick reluctantly gave it a test-sit. It felt like he was lowering himself onto a garbage bag stuffed with rotten old food. Because he was. “As you sleep,” Uncle Newt explained, “your body heat will help decompose food scraps pumped into the unit, which will in turn produce more heat that the convertor will turn into electricity. So, by the time you wake up in the morning, you’ll have enough power to—ta da!” Uncle Newt waved his hands at a coffeemaker sitting on the floor nearby. “Brew coffee?” Tesla said. Uncle Newt gave her a gleeful nod. “We don’t drink coffee,” said Nick. “Then you can have a hot cup of invigorating fresh-brewed water.” “Great,” Nick said. He experimented with a little bounce on his “bed.” He could feel slimy things squishing and squashing beneath his butt. “Comfy?” Uncle Newt asked. “Uhh … kind of,” Nick said. Uncle Newt beamed at his invention. “Patent pending,” he said. Uncle Newt was a gangly man with graying hair, but at that moment he looked like a five-year-old thinking about Christmas. Tesla gave the room a tentative sniff. “Shouldn’t the compost stink?” “Oh, no, no, no, no, no! Each biomass thermal conversion station is completely airtight!” Uncle Newt’s smile wavered just the teeniest bit. “In theory.” Nick opened his mouth to ask another question, but Uncle Newt didn’t seem to notice. “Well,” he said, slapping his hands together, “I guess you two should wash your teeth and brush your faces and all that. Good night!

In the world of premium, flame broils there are basically two roads that the makers appear to seek after. We have the do everything models and the particular objective models. Do everything flame broils concentrate on presenting to you a wide range of highlights for a better than average taste of close everything a barbecue can do while alternate concentrate on things like infrared barbecuing, warm maintenance or self-cleaning. This Weber Summit show is a do everything flame broil that matches premium stainless steel with different cooking alternatives, great power, and a cost around $1899 on the lower end for premium barbecues. Weber Summit 7170001 S-470 Stainless-Steel 580-Square-Inch 48,800-BTU Liquid-Propane Gas Grill With a ton of experience in grill design Weber brings to market this heavy duty premium grill. Here we have four main burners pumping 48,800 BTU’s of cooking power over propane gas. It doesn’t stop there though the highlight of this model is all of its grilling utility. Features 580-square-inch 48,800-BTU gas grill with stainless-steel cooking grates and Flavorizer bars Front-mounted controls; 4 stainless-steel burners; Snap-Jet individual burner ignition system Side burner, Sear Station burner, smoker burner, and rear-mounted infrared rotisserie burner Enclosed cart; built-in thermometer; requires a 20-pound LP tank (sold separately); LED fuel gauge - LP models only Measures 30 inches long by 66 inches wide by 57 inches high; 5-year limited warranty SABER SS 500 Premium Stainless Steel 3 Burner Gas Grill Silver is a valuable mineral and also an extravagant color as the natural color of stainless steel why would you not want to go all out. With that in mind, we have this Saber SS 500 premium gas grill. This grill features a completely stainless steel build housing three infrared burners for precise temperature contro Features Constructed with commercial grade 304 stainless steel for lasting durability Uses a patented infrared cooking system for even temperature, no flare-ups and 30% less propane consumption Dual tube side burner is ideal for greater versatility of using woks, skillets and pots, as well as boiling and frying side dishes and sauces 2 internal halogen lights so you can grill at any time of day Napoleon Grills PRO500RSIBPSS-2 Prestige Pro Series Gas Grills Propane The grilling extends beyond your basic setup with a heavy duty rear infrared rotisserie burner and a side infrared burner for searing purposes so whether you want a succulent roast of a hibachi style feast, burgers and hot dogs are just the beginning. Features 80, 000 BTU's Six burners 900 in total cooking area Premium stainless Steel construction

Her father had said that; it was the reason he had refused to run to Canada during the Second World War, the reason her mother had spent the blitz visiting civilians huddled in the tube stations beneath London, the same reason, to this day, we remain a United Kingdom. Their task, their mandate, is to personify all that is great in our national spirit. They must forever be an example to the rest of us, the strongest, and bravest, and absolute best of us. In a sense, it is they who are ruled by us, instead of the other way around, and they must sacrifice everything, everything, to shoulder the weight of this godlike burden

classic single ‘Down In The Tube Station at Midnight

The mockup of the poster in Lady Gloria's London flat was the same size as the ones plastered up in tube stations, and it nearly filled the space between the heavy damask drapes and her massive stereo speakers. The poster's design featured bold, red, Helvetica type printed on a gray background of random letters and nonsense words. The message was, "Illiterate? Can't read? Call this number: 944-READ." "I believe your contribution could be more wisely employed, Lady Gloria," Glynis Mortimer said.

cries stopped. Room 532 was the sixth one on the left, right across from the nurses’ station. As Hoss reached it, his breathing became heavy. He froze in the doorway, ashamed at his cowardice to enter. His mother, he saw, was as she had been the day before, resting peacefully in her bed. A heart-rate monitor was clipped to one finger. An oxygen tube was strapped under her nose. Overhead, the fluorescent lights captured what devastation cancer had done to her, a wasting disease that knew no mercy. She was a ghost of the woman she had once been. Emaciated. Bald from weeks of chemo. Her face, barely recognizable, had become a loose mask collapsed against the bone. A yellowish hue saturated her skin. The hollows of her eyes were in shadow. The hospital had called Hoss an hour earlier. The voice at the other end was soft, reluctant. An on-duty nurse. His mother had taken a turn for the worse. Family members were asked to be at her bedside. There wasn’t much time left. Listening to her, Hoss felt the words in the pit of his stomach. His eyes closed. A painful lump formed in his throat. He couldn’t speak. When he put down the phone, all he could think of with certain dread was this moment now. The final good-bye he’d have to face. Her bed was partitioned off from the others by a curtain. Looking around, Hoss was surprised at his father’s absence. At fifty-three, the man had become a withdrawn, brooding presence.

I was just beginning to wonder how long I would have to wait when finally a guard sauntered up and said, “Galloway, get your stuff, get your bed.” I ran to my cell to get my stuff and I grabbed the toothpaste. The toothpaste was in this clear tube and was clear like hair gel. It had a muted, watered-down mint flavor. Everything you got in jail was made specifically to be as safe as can be. One of the guys told me, “Don’t ever take anything from being locked up. It’s bad luck.” But I told myself, You ain’t coming back. You ain’t getting locked up again, so you’re taking a souvenir. I grabbed that little clear tube and I put it in my pocket and walked out of my cell. As I came out, all of the guys from my cellblock were lined up to say goodbye. The guard had this look on his face like, “What is going on?” I walked down the line shaking each man’s hands. They all told me they were glad they had met me. They told me that I made an impact on them. One guy said, “You came in here and you’ve been to war and back, you’re missing two limbs, but you still had a smile on your face the whole time. You’ve gone through so much and you are able to keep smiling. That motivates me.” I was really touched. I kept going down the line, shaking hands and saying my farewells, and finally I got to Michael Bolton. He said, “Hey, man, I’ve asked people this before and they never follow through with it but I believe you will. Could you print out some TV guides? Because you know we just tell them the number. We don’t know what’s on at what time, what station.” I said, “Yeah, man, I’ll do that.” And I looked around to the other guys and asked, “Does anybody want any crossword puzzles or anything like that?” They all said that would be awesome. “All right, Michael, I’ve got your address so I’m gonna send it to you. And listen, man, I’m gonna give you my email address. When you get out shoot me an email. I want to stay in touch and see how things are going.” I turned to the guard who was still baffled by what was happening and said, “I’m ready.” He rolled his eyes and opened the door. We walked out and they handed me my clothes. I pulled off the orange jumpsuit and tossed it. I changed back into my clothes. I signed everything I had to sign, got some paperwork to take with me, and walked out a free man again. Well, my epic freedom moment was short-lived, because I realized my cell phone was dead. I walked down the road to a gas station and asked if I could use the phone. I called Tracy and told her where I was and asked her to pick me up. When Tracy arrived I hopped in the car and the very first thing I said to her was “I gotta get home. I have to print out some TV guides and I need to write a letter to some of the guys in there.” She started laughing and when she could compose herself enough to talk said, “My sisters and I all said we guarantee Noah is going to come out of jail with new friends. He’s going to be friends with everybody.

There was a whole subculture of mentalists who spent their nights breaking into boarded-up tube stations, forgotten sewers, abandoned buildings, and other places you just aren’t meant to be.

The air smelled of gunpowder when Daniel emerged from the Angel tube stop and headed for Islington Police Station. It was midsummer and airless, the moon slipping unseen into a bright, troubled sky. The day was gravid, ready to burst. As

Someone’s gotta do it. No one’s gonna do it. So I’ll do it. Your honor, I rise in defense of drunken astronauts. You’ve all heard the reports, delivered in scandalized tones on the evening news or as guaranteed punch lines for the late-night comics, that at least two astronauts had alcohol in their systems before flights. A stern and sober NASA has assured an anxious nation that this matter, uncovered by a NASA-commissioned study, will be thoroughly looked into and appropriately dealt with. To which I say: Come off it. I know NASA has to get grim and do the responsible thing, but as counsel for the defense—the only counsel for the defense, as far as I can tell—I place before the jury the following considerations: Have you ever been to the shuttle launchpad? Have you ever seen that beautiful and preposterous thing the astronauts ride? Imagine it’s you sitting on top of a 12-story winged tube bolted to a gigantic canister filled with 2 million liters of liquid oxygen and liquid hydrogen. Then picture your own buddies—the “closeout crew”—who met you at the pad, fastened your emergency chute, strapped you into your launch seat, sealed the hatch and waved smiling to you through the window. Having left you lashed to what is the largest bomb on planet Earth, they then proceed 200 feet down the elevator and drive not one, not two, but three miles away to watch as the button is pressed that lights the candle that ignites the fuel that blows you into space. Three miles! That’s how far they calculate they must go to be beyond the radius of incineration should anything go awry on the launchpad on which, I remind you, these insanely brave people are sitting. Would you not want to be a bit soused? Would you be all aflutter if you discovered that a couple of astronauts—out of dozens—were mildly so? I dare say that if the standards of today’s fussy flight surgeons had been applied to pilots showing up for morning duty in the Battle of Britain, the signs in Piccadilly would today be in German. Cut these cowboys some slack. These are not wobbly Northwest Airlines pilots trying to get off the runway and steer through clouds and densely occupied airspace. An ascending space shuttle, I assure you, encounters very little traffic. And for much of liftoff, the astronaut is little more than spam in a can—not pilot but guinea pig. With opposable thumbs, to be sure, yet with only one specific task: to come out alive. And by the time the astronauts get to the part of the journey that requires delicate and skillful maneuvering—docking with the international space station, outdoor plumbing repairs in zero-G—they will long ago have peed the demon rum into their recycling units.

I was once on a Tube train late at night when a young man sitting opposite pointed to his crotch and demanded, ‘What do you think of that?’ Thinking he might be showing me some interesting point in a book, I replied, ‘I’m sorry, I can’t see anything small without my specs.’ He fled at the next station and it was only when he got up that I realised he hadn’t been carrying a book at all.