β
Is this the part where you start tearing off strips of your shirt to bind my wounds?"
"If you wanted me to rip my clothes off, you should have just asked.
β
β
Cassandra Clare (City of Bones (The Mortal Instruments, #1))
β
When I have a little money, I buy books; and if I have any left, I buy food and clothes.
β
β
Erasmus
β
You don't love someone for their looks, or their clothes, or for their fancy car, but because they sing a song only you can hear.
β
β
Oscar Wilde
β
Clothes make the man. Naked people have little or no influence on society.
β
β
Mark Twain
β
You need to learn how to select your thoughts just the same way you select your clothes every day. This is a power you can cultivate. If you want to control things in your life so bad, work on the mind. That's the only thing you should be trying to control.
β
β
Elizabeth Gilbert (Eat, Pray, Love)
β
Alec looked at her and shook his head. "How do you manage never to get mud on your clothes?"
Isabelle shrugged philosophically. "I'm pure at heart. It repels the dirt.
β
β
Cassandra Clare (City of Ashes (The Mortal Instruments, #2))
β
I told you. You don't love someone because of their looks or their clothes or their car. You love them because they sing a song only your heart can understand.
β
β
L.J. Smith
β
You never realize how much of your background is sewn into the lining of your clothes.
β
β
Tom Wolfe
β
Even in half demon hunter clothes, Clary thought, he looked like the kind of boy who'd come over your house to pick you up for a date and be polite to your parents and nice to your pets.
Jace on the other hand, looked like the kind of boy who'd come over your house and burn it down just for kicks.
β
β
Cassandra Clare (City of Bones (The Mortal Instruments, #1))
β
The beauty of a woman is not in the clothes she wears, the figure that she carries, or the way she combs her hair. The beauty of a woman is seen in her eyes, because that is the doorway to her heart, the place where love resides. True beauty in a woman is reflected in her soul. It's the caring that she lovingly gives, the passion that she shows & the beauty of a woman only grows with passing years.
β
β
Audrey Hepburn
β
I love new clothes. If everyone could just wear new clothes everyday, I reckon depression wouldnβt exist anymore.
β
β
Sophie Kinsella (Confessions of a Shopaholic (Shopaholic, #1))
β
The worst type of crying wasn't the kind everyone could see--the wailing on street corners, the tearing at clothes. No, the worst kind happened when your soul wept and no matter what you did, there was no way to comfort it. A section withered and became a scar on the part of your soul that survived. For people like me and Echo, our souls contained more scar tissue than life.
β
β
Katie McGarry (Pushing the Limits (Pushing the Limits, #1))
β
At the end of life we will not be judged by how many diplomas we have received, how much money we have made, how many great things we have done.
We will be judged by "I was hungry, and you gave me something to eat, I was naked and you clothed me. I was homeless, and you took me in.
β
β
Mother Teresa
β
When you photograph people in color, you photograph their clothes. But when you photograph people in Black and white, you photograph their souls!
β
β
Ted Grant
β
Watch yourself, Nikolai,β Mal said softly. βPrinces bleed just like other men.β
Nikolai plucked an invisible piece of dust from his sleeve. βYes,β he said. βThey just do it in better clothes.
β
β
Leigh Bardugo (Siege and Storm (The Shadow and Bone Trilogy, #2))
β
Did you know that wasnβt me, the other Max?β I asked.
βYeah.β
βWhen?β
βRight away.β
βHow?β I persisted. βWe look identical. She even had identical scars and scratches. She was wearing my clothes. How could you tell us apart?β
He turned to me and grinned, making my world brighter. βShe offered to cook breakfast.
β
β
James Patterson (School's OutβForever (Maximum Ride, #2))
β
Hades raised an eyebrow. When he sat forward in his throne, shadowy faces appeared in the folds of his black robes, faces of torment,as if the garment was stitched of trapped souls from the Fields of Punishment, trying to get out. The ADHD part of me wondered, off-task, whether the rest of his clothes were made the same way. What horrible things would you have to do in your life to get woven into Hades' underwear?
β
β
Rick Riordan (The Lightning Thief (Percy Jackson and the Olympians, #1))
β
You should date a girl who reads.
Date a girl who reads. Date a girl who spends her money on books instead of clothes, who has problems with closet space because she has too many books. Date a girl who has a list of books she wants to read, who has had a library card since she was twelve.
Find a girl who reads. Youβll know that she does because she will always have an unread book in her bag. Sheβs the one lovingly looking over the shelves in the bookstore, the one who quietly cries out when she has found the book she wants. You see that weird chick sniffing the pages of an old book in a secondhand book shop? Thatβs the reader. They can never resist smelling the pages, especially when they are yellow and worn.
Sheβs the girl reading while waiting in that coffee shop down the street. If you take a peek at her mug, the non-dairy creamer is floating on top because sheβs kind of engrossed already. Lost in a world of the authorβs making. Sit down. She might give you a glare, as most girls who read do not like to be interrupted. Ask her if she likes the book.
Buy her another cup of coffee.
Let her know what you really think of Murakami. See if she got through the first chapter of Fellowship. Understand that if she says she understood James Joyceβs Ulysses sheβs just saying that to sound intelligent. Ask her if she loves Alice or she would like to be Alice.
Itβs easy to date a girl who reads. Give her books for her birthday, for Christmas, for anniversaries. Give her the gift of words, in poetry and in song. Give her Neruda, Pound, Sexton, Cummings. Let her know that you understand that words are love. Understand that she knows the difference between books and reality but by god, sheβs going to try to make her life a little like her favorite book. It will never be your fault if she does.
She has to give it a shot somehow.
Lie to her. If she understands syntax, she will understand your need to lie. Behind words are other things: motivation, value, nuance, dialogue. It will not be the end of the world.
Fail her. Because a girl who reads knows that failure always leads up to the climax. Because girls who read understand that all things must come to end, but that you can always write a sequel. That you can begin again and again and still be the hero. That life is meant to have a villain or two.
Why be frightened of everything that you are not? Girls who read understand that people, like characters, develop. Except in the Twilight series.
If you find a girl who reads, keep her close. When you find her up at 2 AM clutching a book to her chest and weeping, make her a cup of tea and hold her. You may lose her for a couple of hours but she will always come back to you. Sheβll talk as if the characters in the book are real, because for a while, they always are.
You will propose on a hot air balloon. Or during a rock concert. Or very casually next time sheβs sick. Over Skype.
You will smile so hard you will wonder why your heart hasnβt burst and bled out all over your chest yet. You will write the story of your lives, have kids with strange names and even stranger tastes. She will introduce your children to the Cat in the Hat and Aslan, maybe in the same day. You will walk the winters of your old age together and she will recite Keats under her breath while you shake the snow off your boots.
Date a girl who reads because you deserve it. You deserve a girl who can give you the most colorful life imaginable. If you can only give her monotony, and stale hours and half-baked proposals, then youβre better off alone. If you want the world and the worlds beyond it, date a girl who reads.
Or better yet, date a girl who writes.
β
β
Rosemarie Urquico
β
When someone you love dies, and you're not expecting it, you don't lose her all at once; you lose her in pieces over a long timeβthe way the mail stops coming, and her scent fades from the pillows and even from the clothes in her closet and drawers. Gradually, you accumulate the parts of her that are gone. Just when the day comesβwhen there's a particular missing part that overwhelms you with the feeling that she's gone, foreverβthere comes another day, and another specifically missing part.
β
β
John Irving (A Prayer for Owen Meany)
β
Your clothes should be tight enough to show you're a woman but loose enough to show you're a lady
β
β
Marilyn Monroe
β
For a few minutes we kiss, deep in the chasm, with the roar of water all around us. And we rise, hand in hand, I realize that if we had both chosen differently, we might have ended up doing the same thing, in a safer place, in gray clothes instead of black ones.
β
β
Veronica Roth (Divergent (Divergent, #1))
β
Whatever comes," she said, "cannot alter one thing. If I am a princess in rags and tatters, I can be a princess inside. It would be easy to be a princess if I were dressed in cloth of gold, but it is a great deal more of a triumph to be one all the time when no one knows it.
β
β
Frances Hodgson Burnett (A Little Princess)
β
Fine! I'll throw on some clothes. Turn around. I'm in my pj's"
"I'm a guy. That's like asking a kid not to glance at the candy counter.
β
β
Becca Fitzpatrick (Silence (Hush, Hush, #3))
β
What was up with class today? It was watered-down porn. He practically had you and Patch on top of your lab table, horizontal, minus your clothes, doing the Big Deed.
β
β
Becca Fitzpatrick (Hush, Hush (Hush, Hush, #1))
β
The animal merely makes a bed, which he warms with his body in a sheltered place; but man, having discovered fire, boxes up some air in a spacious apartment, and warms that, instead of robbing himself, makes that his bed, in which he can move about divested of more cumbrous clothing, maintain a kind of summer in the midst of winter, and by means of windows even admit the light and with a lamp lengthen out the day.
β
β
Henry David Thoreau
β
Advertising has us chasing cars and clothes, working jobs we hate so we can buy shit we don't need.
β
β
Chuck Palahniuk (Fight Club)
β
I should have warned her about your habit of never doing what you're told." Jace squinted at her. "Are those Isabelle's clothes? They look ridiculous on you."
"I could point out that you burned my clothes." -Jace and Clary pg. 63
β
β
Cassandra Clare (City of Bones (The Mortal Instruments, #1))
β
Well, when I was five, I wanted my mother to let me go around and around inside a dryer with the clothes,β Clary said. βThe difference is, she didnβt let me.β
βProbably because going around and around in a dryer can be fatal,β Jace pointed out, βwhereas pasta is rarely fatal. Unless Isabelle makes it.
β
β
Cassandra Clare (City of Bones (The Mortal Instruments, #1))
β
Want to keep Christ in Christmas? Feed the hungry, clothe the naked, forgive the guilty, welcome the unwanted, care for the ill, love your enemies, and do unto others as you would have done unto you.
β
β
Steve Maraboli (Unapologetically You: Reflections on Life and the Human Experience)
β
What could I say? Noah, despite you being an asshole, or maybe because of it, I'd like to rip off your clothes and have your babies.
β
β
Michelle Hodkin (The Unbecoming of Mara Dyer (Mara Dyer, #1))
β
I'd much rather be a woman than a man. Women can cry, they can wear cute clothes, and they are the first to be rescued off of sinking ships.
β
β
Gilda Radner
β
You are scored on my heart,Clark. You were from the first day you walked in,with your ridiculous clothes and your complete inability to ever hide a single thing you felt.
β
β
Jojo Moyes (Me Before You (Me Before You, #1))
β
Did you like question ten, Moony?" asked Sirius as they emerged into the entrance hall.
"Loved it," said Lupin briskly. "Give five signs that identify the werewolf. Excellent question."
"D'you think you managed to get all the signs?" said James in tones of mock concern.
"Think I did," said Lupin seriously, as they joined the crowd thronging around the front doors eager to get out into the sunlit grounds. "One: He's sitting on my chair. Two: He's wearing my clothes. Three: His name's Remus Lupin...
β
β
J.K. Rowling (Harry Potter and the Order of the Phoenix (Harry Potter, #5))
β
But I, being poor, have only my dreams;
I have spread my dreams under your feet;
Tread softly because you tread on my dreams."
(Aedh Wishes for the Cloths of Heaven)
β
β
W.B. Yeats (The Wind Among the Reeds)
β
Had I the heavens' embroidered cloths,
Enwrought with golden and silver light,
The blue and the dim and the dark cloths
Of night and light and the half light,
I would spread the cloths under your feet:
But I, being poor, have only my dreams;
I have spread my dreams under your feet;
Tread softly because you tread on my dreams.
β
β
W.B. Yeats (The Wind Among the Reeds)
β
Every gun that is made, every warship launched, every rocket fired signifies in the final sense, a theft from those who hunger and are not fed, those who are cold and are not clothed. This world in arms is not spending money alone. It is spending the sweat of its laborers, the genius of its scientists, the hopes of its children. This is not a way of life at all in any true sense. Under the clouds of war, it is humanity hanging on a cross of iron.
β
β
Dwight D. Eisenhower
β
It is ever so much easier to be good if your clothes are fashionable.
β
β
L.M. Montgomery (Anne of Green Gables (Anne of Green Gables, #1))
β
She leaned forward and caught at his hand, pressing it between her own. The touch was like white fire through his veins. He could not feel her skin only the cloth of her gloves, and yet it did not matter. You kindled me, heap of ashes that I am, into fire. He had wondered once why love was always phrased in terms of burning. The conflagration in his own veins, now, gave the answer.
β
β
Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
β
We die a little every day and by degrees weβre reborn into different men, older men in the same clothes, with the same scars.
β
β
Mark Lawrence (King of Thorns (The Broken Empire, #2))
β
Few people know how to take a walk. The qualifications are endurance, plain clothes, old shoes, an eye for nature, good humor, vast curiosity, good speech, good silence and nothing too much.
β
β
Ralph Waldo Emerson
β
Now he's [Cinna] arranging things around my living room: Clothing, fabrics, and sketchbooks with designs he's drawn. I pick one up and examine one of the dresses I supposedly created.
You know, I think I show a lot of promise," I say.
Get dressed, you worthless thing.
β
β
Suzanne Collins (Catching Fire (The Hunger Games, #2))
β
She looked as if she had been poured into her clothes and had forgotten to say "when".
β
β
P.G. Wodehouse
β
But remember what drives a man; real men do what they have to do to make sure their people are taken care of, clothed, housed, and reasonably sastisfied, and if they're doing anything less than that, they're not men.
β
β
Steve Harvey (Act Like a Lady, Think Like a Man: What Men Really Think About Love, Relationships, Intimacy, and Commitment)
β
I learned a long time ago not to judge people by what they look like, sound like, or by the clothes they wear. Just because a house is nice and shiny out front doesnβt mean itβs not rotting on the inside. (Kyrian)
β
β
Sherrilyn Kenyon (Infinity (Chronicles of Nick, #1))
β
You can think clearly only with your clothes on.
β
β
Margaret Atwood (The Handmaidβs Tale (The Handmaid's Tale, #1))
β
I wanted to give a woman comfortable clothes that would flow with her body. A woman is closest to being naked when she is well-dressed.
β
β
Coco Chanel
β
All morning I struggled with the sensation of stray wisps of one world seeping through the cracks of another. Do you know the feeling when you start reading a new book before the membrane of the last one has had time to close behind you? You leave the previous book with ideas and themes -- characters even -- caught in the fibers of your clothes, and when you open the new book, they are still with you.
β
β
Diane Setterfield (The Thirteenth Tale)
β
If a man can possess a woman sexually -really possess- he won't need to control her ideas, her opinions, her clothes, her friends, even her other lovers.
β
β
Toni Bentley
β
There are moments, Jeeves, when one asks oneself, 'Do trousers matter?'"
"The mood will pass, sir.
β
β
P.G. Wodehouse (The Code of the Woosters (Jeeves, #7))
β
I say, beware of all enterprises that require new clothes, and not rather a new wearer of clothes.
β
β
Henry David Thoreau (Walden : An Annotated Edition)
β
I want you to stay. I want you to β¦ I want you.β βYou want me.β She turned the words over. Gently, she squeezed his hand. βAnd how will you have me, Kaz?β He looked at her then, eyes fierce, mouth set. It was the face he wore when he was fighting. βHow will you have me?β she repeated. βFully clothed, gloves on, your head turned away so our lips can never touch?β<...>βI will have you without armour, Kaz Brekker. Or I will not have you at all.
β
β
Leigh Bardugo (Six of Crows (Six of Crows, #1))
β
Of course, youβd warm up faster if you took your clothes off.
β
β
Stephenie Meyer (Eclipse)
β
Perhaps, when we remember wars, we should take off our clothes and paint ourselves blue and go on all fours all day long and grunt like pigs. That would surely be more appropriate than noble oratory and shows of flags and well-oiled guns.
β
β
Kurt Vonnegut Jr. (Catβs Cradle)
β
We wear clothes, and speak, and create civilizations, and believe we are more than wolves. But inside us there is a word we cannot pronounce and that is who we are.
β
β
Anthony Marra (A Constellation of Vital Phenomena)
β
I looked down at my clothes. They were slashed to pieces and full of bullet holes, but I was fine. Not a mark on me.
Nico's mouth hung open. "You just . . . with a sword . . . you justβ"
"I think the river thing worked," I said.
"Oh gee," he said sarcastically. "You think?
β
β
Rick Riordan (The Last Olympian (Percy Jackson and the Olympians, #5))
β
Please, Percy...change your clothes. You smell like you've been run over by an electric horse.
β
β
Rick Riordan (The Mark of Athena (The Heroes of Olympus, #3))
β
He landed on his back amid a tangled pile of clothes. "Isabelle," Simon protested weakly, "do you really think this is going to make you feel any better?"
"Trust me," Isabelle said, placing a hand on his chest, just over his unbeating heart. "I feel better already.
β
β
Cassandra Clare (City of Glass (The Mortal Instruments, #3))
β
She shivered as he left her to go to the fire, and find water and cloths. He leaned into the light, and brightness and shadows moved across his body. He was beautiful. She admired him, and he flashed a grin at her. Almost as beautiful as you are conceited, she thought at him, and he laughed out loud.
β
β
Kristin Cashore (Graceling (Graceling Realm, #1))
β
I love that you get cold when it's 71 degrees out. I love that it takes you an hour and a half to order a sandwich. I love that you get a little crinkle above your nose when you're looking at me like I'm nuts. I love that after I spend the day with you, I can still smell your perfume on my clothes. And I love that you are the last person I want to talk to before I go to sleep at night. And it's not because I'm lonely, and it's not because it's New Year's Eve. I came here tonight because when you realize you want to spend the rest of your life with somebody, you want the rest of your life to start as soon as possible.
β
β
Nora Ephron (When Harry Met Sally)
β
I respect you," he murmured. "and your views. I think of you as an equal. I respect your brains, and all those big words you like to use. But I also want to rip your clothes off and have sex with you until you scream and cry and see God." -Jack Travis (Smooth Talking Stranger)
β
β
Lisa Kleypas (Smooth Talking Stranger (Travises, #3))
β
I see in the fight club the strongest and smartest men who've ever lived. I see all this potential and I see squandering. God damn it, an entire generation pumping gas, waiting tables, slaves with white collars, advertising has us chasing cars and clothes, working jobs we hate so we can buy shit we don't need. We're the middle children of the history man, no purpose or place, we have no Great war, no Great depression, our great war is a spiritual war, our great depression is our lives, we've been all raised by television to believe that one day we'd all be millionaires and movie gods and rock stars, but we won't and we're slowly learning that fact. and we're very very pissed off.
β
β
Chuck Palahniuk (Fight Club)
β
When a woman says, βI have nothing to wear!β, what she really means is, βThereβs nothing here for who Iβm supposed to be today.
β
β
Caitlin Moran (How to Be a Woman)
β
You might want to get up," he said. "Everyone will be here quite soon to rescue you, and you may prefer to have clothes on when they arrive." He shrugged. "I would, at any rate, but then, I am well known to be remarkably shy.
β
β
Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
β
Never use the word βcheapβ. Today everybody can look chic in inexpensive clothes (the rich buy them too). There is good clothing design on every level today. You can be the chicest thing in the world in a T-shirt and jeans β itβs up to you.
β
β
Karl Lagerfeld
β
Dear parents, Jasmine was in a relationship with a dirty homeless boy named Aladdin. Snow White lived alone with 7 men. Pinnochio was a liar. Robin Hood was a thief. Tarzan walked around without clothes on. A stranger kissed sleeping beauty and she married him. Cinderella lied and snuck out at night to attend a party. You can't blame us. We were taught to rebel since a young age.
β
β
Walt Disney Company
β
I loved something I made up, something that's just as dead as Melly is. I made a pretty suit of clothes and fell in love with it. And when Ashley came riding along, so handsome, so different, I put that suit on him and made him wear it whether it fitted him or not. And I wouldn't see what he really was. I kept on loving the pretty clothesβand not him at all.
β
β
Margaret Mitchell (Gone with the Wind)
β
Sweater, n. Garment worn by child when its mother is feeling chilly.
β
β
Ambrose Bierce (The Unabridged Devil's Dictionary)
β
I couldn't get myself to read the want ads. The thought of sitting in front of a man behind a desk and telling him that I wanted a job, that I was qualified for a job, was too much for me. Frankly, I was horrified by life, at what a man had to do simply in order to eat, sleep, and keep himself clothed. So I stayed in bed and drank. When you drank the world was still out there, but for the moment it didn't have you by the throat.
β
β
Charles Bukowski
β
Normal is getting dressed in clothes that you buy for work and driving through traffic in a car that you are still paying forβin order to get to the job you need to pay for the clothes and the car, and the house you leave vacant all day so you can afford to live in it.
β
β
Ellen Goodman
β
We can't..." he told me.
"I know," I agreed.
Then his mouth was on mine again, and this time, I knew there would be no turning back. There were no walls this time. Our bodies wrapped together as he tried to get my coat off, then his shirt, then my shirt. ... It really was a lot like when we'd fought out on the quad earlier-that same passion and heat. I think at the end of the day, the instincts that power fighting and sex aren't so different. They all come from an animal side of us.
Yet, as more and more clothes came off, it went beyond just animal passion. It was sweet and wonderful at the same time. When I looked into his eyes, I could see without a doubt that he loved me more than anyone else in the world, that I was his salvation, the same way that he was mine. I'd never expected my first time to be in a cabin in the woods, but I realized the place didn't matter. The person did. With someone you loved, you could be anywhere, and it would be incredible. Being in the most luxurious bed in the world wouldn't matter if you were with someone you didn't love.
β
β
Richelle Mead (Shadow Kiss (Vampire Academy, #3))
β
Patch was dressed in the usual: black shirt, black jeans and a thin silver necklace that flashed against his dark complexion. His sleeves were pushed up his forearms, and I could see his muscles working as he punched buttons. He was tall and lean and hard, and I wouldn't have been surprised if under his clothes he bore several scars, souvenirs from street fights and other reckless behavior.
Not that I wanted a look under his clothes.
β
β
Becca Fitzpatrick (Hush, Hush (Hush, Hush, #1))
β
The Seven Commandments:
Whatever goes upon two legs is an enemy.
Whatever goes upon four legs, or has wings, is a friend.
No animal shall wear clothes.
No animal shall sleep in a bed.
No animal shall drink alcohol.
No animal shall kill any other animal.
All animals are equal.
β
β
George Orwell (Animal Farm)
β
We judge others instantly by their clothes, their cars, their appearance, their race, their education, their social status. The list is endless. What gets me is that most people decide who another person is before they have even spoken to them. What's even worse is that these same people decide who someone else is, and don't even know who they are themselves.
β
β
Ashly Lorenzana
β
This isnβtΒ β¦ it isnβt a trick, is it?β Her voice was smaller than she wanted it to be.
The shadow of something dark moved across Kazβs face. βIf it were a trick, Iβd promise you safety. Iβd offer you happiness. I donβt know if that exists in the Barrel, but youβll find none of it with me.β
For some reason, those words had comforted her. Better terrible truths than kind lies.
βAll right,β she said. βHow do we begin?β
βLetβs start by getting out of here and finding you some proper clothes. Oh, and Inej,β he said as he led her out of the salon, βdonβt ever sneak up on me again.
β
β
Leigh Bardugo (Six of Crows (Six of Crows, #1))
β
Are you really going to work in that?" Maura asked.
Blue looked at her clothing. It involved a few thin layering shirts, including one she had altered using a method called shredding. "What's wrong with it?"
Maura shrugged. "Nothing. I always wanted an eccentric daughter. I just never realised how well my evil plans were working.
β
β
Maggie Stiefvater (The Raven Boys (The Raven Cycle, #1))
β
There is always something to do. There are hungry people to feed, naked people to clothe, sick people to comfort and make well. And while I don't expect you to save the world I do think it's not asking too much for you to love those with whom you sleep, share the happiness of those whom you call friend, engage those among you who are visionary and remove from your life those who offer you depression, despair and disrespect.
β
β
Nikki Giovanni
β
He glared accusingly at her while he made short work of his clothes. "You didn't wake me up."
She rolled her eyes as she speared a piece of sausage with her fork. "I did wake you up. Three times in fact. Each time you threw something at me and went back to sleep."
Jason gaped at her. "And you gave up? You know our routine, woman. You have to
keep at it until I'm forced to get off the bed to find something to throw at you.
β
β
R.L. Mathewson (Playing for Keeps (Neighbor from Hell, #1))
β
I like black for clothes, small items, and jewelry. It's a color that can't be violated by any other colors. A color that simply keeps being itself. A color that sinks more somberly than any other color, yet asserts itself more than all other colors. It's a passionate gallant color. Anything is wonderful if it transcends things rather than being halfway...
β
β
Yana Toboso (Black Butler, Vol. 1 (Black Butler, #1))
β
I think you smoke them so you have something to do while thinking up your next witty line."
He choked on the smoke, caught between inhaling and laughing. "Rose Hathaway, I can't wait to see you again. If you're this charming while tired and annoyed and this gorgeous while bruised and in ski clothes, you must be devastating at your peak."
"If by 'devastating' you mean that you should fear for your life, then yeah. You're right." I jerked open the door. "Good night, Adrian."
"I'll see you soon."
"Not likely. I told you, I'm not into older guys."
I walked into the lodge. As the door closed, I just barely heard him call behind me, "Sure, you aren't.
β
β
Richelle Mead (Frostbite (Vampire Academy, #2))
β
Oh, so that's why you're up here. For a pity party."
"This isn't a joke. I'm serious." I could tell Lissa was getting angry. It was trumping her earlier distress.
He shrugged and leaned casually against the sloping wall. "So am I. I love pity parties. I wish I'd brought the hats. What do you want to mope about first? How it's going to take you a whole day to be popular and loved again? How you'll have to wait a couple weeks before Hollister can ship out some new clothes? If you spring for rush shipping, it might not be so long.
β
β
Richelle Mead (Vampire Academy (Vampire Academy, #1))
β
Because to influence a person is to give him one's own soul. He does not think his natural thoughts, or burn with his natural passions. His virtues are not real to him. His sins, if there are such things as sins, are borrowed. He becomes an echo of some one else's music, an actor of a part that has not been written for him. The aim of life is self-development. To realize one's nature perfectly -- that is what each of us is here for. People are afraid of themselves, nowadays. They have forgotten the highest of all duties, the duty that one owes to oneself. Of course they are charitable. They feed the hungry, and clothe the beggar. But their own souls starve, and are naked. Courage has gone out of our race. Perhaps we never really had it. The terror of society, which is the basis of morals, the terror of God, which is the secret of religion -- these are the two things that govern us.
β
β
Oscar Wilde (The Picture of Dorian Gray and Other Stories)
β
when your little girl
asks you if sheβs pretty
your heart will drop like a wineglass
on the hardwood floor
part of you will want to say
of course you are, donβt ever question it
and the other part
the part that is clawing at
you
will want to grab her by her shoulders
look straight into the wells of
her eyes until they echo back to you
and say
you do not have to be if you donβt want to
it is not your job
both will feel right
one will feel better
she will only understand the first
when she wants to cut her hair off
or wear her brotherβs clothes
you will feel the words in your
mouth like marbles
you do not have to be pretty if you donβt want to
it is not your job
β
β
Caitlyn Siehl
β
Humans, as a rule, don't like mad people unless they are good at painting, and only then once they are dead. But the definition of mad, on Earth, seems to be very unclear and inconsistent. What is perfectly sane in one era turns out to be insane in another. The earliest humans walked around naked with no problem. Certain humans, in humid rainforests mainly, still do so. So, we must conclude that madness is sometimes a question of time, and sometimes of postcode.
Basically, the key rule is, if you want to appear sane on Earth you have to be in the right place, wearing the right clothes, saying the right things, and only stepping on the right kind of grass.
β
β
Matt Haig (The Humans)
β
Tell me about the dream where we pull the bodies out of the lake
ββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββand dress them in warm clothes again.
ββββββββββHow it was late, and no one could sleep, the horses running
until they forget that they are horses.
ββββββββββββββββββββItβs not like a tree where the roots have to end somewhere,
ββββββββββitβs more like a song on a policemanβs radio,
ββββββββββββββββββββββββββββββhow we rolled up the carpet so we could dance, and the days
were bright red, and every time we kissed there was another apple
ββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββto slice into pieces.
Look at the light through the windowpane. That means itβs noon, that means
ββββββββββwe're inconsolable.
ββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββTell me how all this, and love too, will ruin us.
These, our bodies, possessed by light.
ββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββTell me weβll never get used to it.
β
β
Richard Siken (Crush)
β
Miss Ellis?" Mrs. Perterson says. "It's your turn. Introduce Alex to the class"
"This is Alejandro Fuentes. When he wasn't hanging out on street corners and harrassing innocent people this summer, he toured the inside of jails around the city, if you know what i mean. His secret desire is to go to college and become a chemistry teacher, like you Mrs. Peterson."
Brittney flashed me a triumpnet smile, thinking she won this round. Guess again, gringa. "This is Brittney Ellis," I say, all eyes focused on me. "This summer she went to the mall, bought new clothes to extend her wardrobe, and spent her daddy's money on plastic surgery to enhance her, ahem, assets. Her secret desire is to date a Mexicano before she graduates."
Game on...
β
β
Simone Elkeles (Perfect Chemistry (Perfect Chemistry, #1))
β
For the first twenty years of my life, I rocked myself to sleep. It was a harmless enough hobby, but eventually, I had to give it up. Throughout the next twenty-two years I lay still and discovered that after a few minutes I could drop off with no problem. Follow seven beers with a couple of scotches and a thimble of good marijuana, and itβs funny how sleep just sort of comes on its own. Often I never even made it to the bed. Iβd squat down to pet the cat and wake up on the floor eight hours later, having lost a perfectly good excuse to change my clothes. Iβm now told that this is not called βgoing to sleepβ but rather βpassing out,β a phrase that carries a distinct hint of judgment.
β
β
David Sedaris (Me Talk Pretty One Day)
β
He who becomes the slave of habit,
who follows the same routes every day,
who never changes pace,
who does not risk and change the color of his clothes,
who does not speak and does not experience,
dies slowly.
He or she who shuns passion,
who prefers black on white,
dotting ones "itβs" rather than a bundle of emotions, the kind that make your eyes glimmer,
that turn a yawn into a smile,
that make the heart pound in the face of mistakes and feelings,
dies slowly.
He or she who does not turn things topsy-turvy,
who is unhappy at work,
who does not risk certainty for uncertainty,
to thus follow a dream,
those who do not forego sound advice at least once in their lives,
die slowly.
He who does not travel, who does not read,
who does not listen to music,
who does not find grace in himself,
she who does not find grace in herself,
dies slowly.
He who slowly destroys his own self-esteem,
who does not allow himself to be helped,
who spends days on end complaining about his own bad luck, about the rain that never stops,
dies slowly.
He or she who abandon a project before starting it, who fail to ask questions on subjects he doesn't know, he or she who don't reply when they are asked something they do know,
die slowly.
Let's try and avoid death in small doses,
reminding oneself that being alive requires an effort far greater than the simple fact of breathing.
Only a burning patience will lead
to the attainment of a splendid happiness.
β
β
Martha Medeiros
β
I have a theory. Hating someone feels disturbingly similar to being in love with them. I've had a lot of time to compare love and hate, and these are my observations.
Love and hate are visceral. Your stomach twists at the thought of that person. The heart in your chest beats heavy and bright, nearly visible through your flesh and clothes. Your appetite and sleep are schredded. Every interaction spikes your blood with adrenaline, and you're in the brink of fight or flight. Your body is barely under your control. You're consumed, and it scares you.
Both love and hate are mirror versions of the same game - and you hΓ‘ve to win. Why? Your heart and your ego. Trust me, I should know.
β
β
Sally Thorne (The Hating Game)
β
Fang: βLet them blow up the world, and global-warm it, and pollute it. You and me and the others will be holed up somewhere, safe. Weβll come back out when theyβre all gone, done playing their games of world domination."
Max: βThatβs a great plan. Of course, by then we wonβt be able to go outside because weβll get fried by the lack of the ozone layer. Weβll be living at the bottom of the food chain because everything with flavor will be full of mercury or radiation or something! And there wonβt be any TV or cable because all the people will be dead! So our only entertainment will be Gazzy singing the constipation song! And there wonβt be amusement parks and museums and zoos and libraries and cute shoes! Weβll be like cavemen, trying to weave clothes out of plant fibers. Weβll have nothing! Nothing! All because you and the kids want to kick back in a La-Z-Boy during the most important time in history!β
Fang: βSo maybe we should sign you up for a weaving class. Get a jump start on all those plant fibers.β
Max: "I HATE YOU!!!"
Fang: "NO YOU DOOOOOON'T!!"
Voice: "You two are crazy about each other.
β
β
James Patterson (Saving the World and Other Extreme Sports (Maximum Ride, #3))
β
Rules for Living by Olivia Joules
1. Never panic. Stop, breathe, think.
2. No one is thinking about you. They're thinking about themselves, just like you.
3. Never change haircut or color before an important event.
4. Nothing is either as bad or good as it seems.
5. Do as you would be done by, e.g. thou shalt not kill.
6. It is better to buy one expensive thing that you really like than several cheap ones that you only quite like.
7. Hardly anything matters: if you get upset, ask yourself, "Does it really matter?"
8. The key to success lies in how you pick yourself up from failure.
9. Be honest and kind.
10. Only buy clothes that make you feel like doing a small dance.
11. Trust your instincts, not your overactive imagination.
12. When overwhelmed by disaster, check if it's really a disaster by doing the following: (a) think, "Oh, fuck it," (b) look on the bright side, and if that doesn't work, look on the funny side. If neither of the above works then maybe it is a disaster so turn to items 1 and 4.
13. Don't expect the world to be safe or life to be fair.
β
β
Helen Fielding (Olivia Joules and the Overactive Imagination)
β
The world is like a ride in an amusement park, and when you choose to go on it you think it's real because that's how powerful our minds are. The ride goes up and down, around and around, it has thrills and chills, and it's very brightly colored, and it's very loud, and it's fun for a while. Many people have been on the ride a long time, and they begin to wonder, "Hey, is this real, or is this just a ride?" And other people have remembered, and they come back to us and say, "Hey, don't worry; don't be afraid, ever, because this is just a ride." And we β¦ kill those people. "Shut him up! I've got a lot invested in this ride, shut him up! Look at my furrows of worry, look at my big bank account, and my family. This has to be real." It's just a ride. But we always kill the good guys who try and tell us that, you ever notice that? And let the demons run amok β¦ But it doesn't matter, because it's just a ride. And we can change it any time we want. It's only a choice. No effort, no work, no job, no savings of money. Just a simple choice, right now, between fear and love. The eyes of fear want you to put bigger locks on your doors, buy guns, close yourself off. The eyes of love instead see all of us as one. Here's what we can do to change the world, right now, to a better ride. Take all that money we spend on weapons and defenses each year and instead spend it feeding and clothing and educating the poor of the world, which it would pay for many times over, not one human being excluded, and we could explore space, together, both inner and outer, forever, in peace.
β
β
Bill Hicks
β
However mean your life is, meet and live it; do not shun it and call it hard names. It is not so bad as you are. It looks poorest when you are richest. The fault-finder will find faults even in paradise. Love your life, poor as it is. You may perhaps have some pleasant, thrilling, glorious hours, even in a poorhouse. The setting sun is reflected from the windows of the almshouse as brightly as from the rich manβs abode; the snow melts before its doors as early in the spring. Cultivate property like a garden herb, like sage. Do not trouble yourself much to get new things, whether clothes or friends. Turn the old; return to them. Things do not change; we change. Sell your clothes and keep your thoughtsβ¦ Superfluous wealth can buy superfluities only. Money is not required to buy one necessary of the soul.
β
β
Henry David Thoreau (Walden)
β
Kindness
Before you know what kindness really is
you must lose things,
feel the future dissolve in a moment
like salt in a weakened broth.
What you held in your hand,
what you counted and carefully saved,
all this must go so you know
how desolate the landscape can be
between the regions of kindness.
How you ride and ride
thinking the bus will never stop,
the passengers eating maize and chicken
will stare out the window forever.
Before you learn the tender gravity of kindness,
you must travel where the Indian in a white poncho
lies dead by the side of the road.
You must see how this could be you,
how he too was someone
who journeyed through the night with plans
and the simple breath that kept him alive.
Before you know kindness as the deepest thing
inside,
you must know sorrow as the other deepest thing.
You must wake up with sorrow.
You must speak to it till your voice
catches the thread of all sorrows
and you see the size of the cloth.
Then it is only kindness that makes sense anymore,
only kindness that ties your shoes
and sends you out into the day to mail letters and
purchase bread,
only kindness that raises its head
from the crowd of the world to say
It is I you have been looking for,
and then goes with you everywhere
like a shadow or a friend.
β
β
Naomi Shihab Nye (Words Under the Words: Selected Poems (A Far Corner Book))
β
Why? You want to know why?
Step into a tanning booth and fry yourself for two or three days. After your skin bubbles and peels off, roll in coarse salt, then pull on long underwear woven from spun glass and razor wire. Over that goes your regular clothes, as long as they are tight.
Smoke gunpowder and go to school to jump through hoops, sit up and beg, and roll over on command. Listen to the whispers that curl into your head at night, calling you ugly and fat and stupid and bitch and whore and worst of all, "a disappointment." Puke and starve and cut and drink because you don't want to feel any of this. Puke and starve and drink and cut because you need the anesthetic and it works. For a while. But then the anesthetic turns into poison and by then it's too late because you are mainlining it now, straight into your soul. It is rotting you and you can't stop.
Look in a mirror and find a ghost. Hear every heartbeat scream that everysinglething is wrong with you.
"Why?" is the wrong question.
Ask "Why not?
β
β
Laurie Halse Anderson (Wintergirls)
β
And I want to play hide-and-seek and give you my clothes and tell you I like your shoes and sit on the steps while you take a bath and massage your neck and kiss your feet and hold your hand and go for a meal and not mind when you eat my food and meet you at Rudy's and talk about the day and type up your letters and carry your boxes and laugh at your paranoia and give you tapes you don't listen to and watch great films and watch terrible films and complain about the radio and take pictures of you when you're sleeping and get up to fetch you coffee and bagels and Danish and go to Florent and drink coffee at midnight and have you steal my cigarettes and never be able to find a match and tell you about the tv programme I saw the night before and take you to the eye hospital and not laugh at your jokes and want you in the morning but let you sleep for a while and kiss your back and stroke your skin and tell you how much I love your hair your eyes your lips your neck your breasts your arse your
and sit on the steps smoking till your neighbour comes home and sit on the steps smoking till you come home and worry when you're late and be amazed when you're early and give you sunflowers and go to your party and dance till I'm black and be sorry when I'm wrong and happy when you forgive me and look at your photos and wish I'd known you forever and hear your voice in my ear and feel your skin on my skin and get scared when you're angry and your eye has gone red and the other eye blue and your hair to the left and your face oriental and tell you you're gorgeous and hug you when you're anxious and hold you when you hurt and want you when I smell you and offend you when I touch you and whimper when I'm next to you and whimper when I'm not and dribble on your breast and smother you in the night and get cold when you take the blanket and hot when you don't and melt when you smile and dissolve when you laugh and not understand why you think I'm rejecting you when I'm not rejecting you and wonder how you could think I'd ever reject you and wonder who you are but accept you anyway and tell you about the tree angel enchanted forest boy who flew across the ocean because he loved you and write poems for you and wonder why you don't believe me and have a feeling so deep I can't find words for it and want to buy you a kitten I'd get jealous of because it would get more attention than me and keep you in bed when you have to go and cry like a baby when you finally do and get rid of the roaches and buy you presents you don't want and take them away again and ask you to marry me and you say no again but keep on asking because though you think I don't mean it I do always have from the first time I asked you and wander the city thinking it's empty without you and want what you want and think I'm losing myself but know I'm safe with you and tell you the worst of me and try to give you the best of me because you don't deserve any less and answer your questions when I'd rather not and tell you the truth when I really don't want to and try to be honest because I know you prefer it and think it's all over but hang on in for just ten more minutes before you throw me out of your life and forget who I am and try to get closer to you because it's beautiful learning to know you and well worth the effort and speak German to you badly and Hebrew to you worse and make love with you at three in the morning and somehow somehow somehow communicate some of the overwhelming undying overpowering unconditional all-encompassing heart-enriching mind-expanding on-going never-ending love I have for you.
β
β
Sarah Kane (Crave)
β
Youβre about to be rich, Kaz. What will you do when thereβs no more blood to shed or vengeance to take?β
βThereβs always more.β
βMore money, more mayhem, more scores to settle. Was there never another dream?β
He said nothing. What had carved all the hope from his heart? She might never know.
Inej turned to go. Kaz seized her hand, keeping it on the railing. He didnβt look at her. "Stay,β he said, his voice rough stone. βStay in Ketterdam. Stay with me.β
She looked down at his gloved hand clutching hers. Everything in her wanted to say yes, but she would not settle for so little, not after all sheβd been through. βWhat would be the point?β
He took a breath. βI want you to stay. I want you toΒ β¦ I want you.β
βYou want me.β She turned the words over. Gently, she squeezed his hand. βAnd how will you have me, Kaz?β
He looked at her then, eyes fierce, mouth set. It was the face he wore when he was fighting.
βHow will you have me?β she repeated. βFully clothed, gloves on, your head turned away so our lips can never touch?β
He released her hand, his shoulders bunching, his gaze angry and ashamed as he turned his face to the sea.
Maybe it was because his back was to her that she could finally speak the words. βI will have you without armor, Kaz Brekker. Or I will not have you at all.
β
β
Leigh Bardugo (Six of Crows (Six of Crows, #1))
β
Chronicler shook his head and Bast gave a frustrated sigh. "How about plays? Have you seen The Ghost and the Goosegirl or The Ha'penny King?"
Chronicler frowned. "Is that the one where the king sells his crown to an orphan boy?"
Bast nodded. "And the boy becomes a better king than the original. The goosegirl dresses like a countess and everyone is stunned by her grace and charm." He hesitated, struggling to find the words he wanted. "You see, there's a fundamental connection between seeming and being. Every Fae child knows this, but you mortals never seem to see. We understand how dangerous a mask can be. We all become what we pretend to be."
Chronicler relaxed a bit, sensing familiar ground. "That's basic psychology. You dress a beggar in fine clothes, people treat him like a noble, and he lives up to their expectations."
"That's only the smallest piece of it," Bast said. "The truth is deeper than that. It's..." Bast floundered for a moment. "It's like everyone tells a story about themselves inside their own head. Always. All the time. That story makes you what you are. We build ourselves out of that story."
Frowning, Chronicler opened his mouth, but Bast held up a hand to stop him. "No, listen. I've got it now. You meet a girl: shy, unassuming. If you tell her she's beautiful, she'll think you're sweet, but she won't believe you. She knows that beauty lies in your beholding." Bast gave a grudging shrug. "And sometimes that's enough."
His eyes brightened. "But there's a better way. You show her she is beautiful. You make mirrors of your eyes, prayers of your hands against her body. It is hard, very hard, but when she truly believes you..." Bast gestured excitedly. "Suddenly the story she tells herself in her own head changes. She transforms. She isn't seen as beautiful. She is beautiful, seen."
"What the hell is that supposed to mean?" Chronicler snapped. "You're just spouting nonsense now."
"I'm spouting too much sense for you to understand," Bast said testily. "But you're close enough to see my point.
β
β
Patrick Rothfuss (The Name of the Wind (The Kingkiller Chronicle, #1))
β
LADY LAZARUS
I have done it again.
One year in every ten
I manage it--
A sort of walking miracle, my skin
Bright as a Nazi lampshade,
My right foot
A paperweight,
My face a featureless, fine
Jew linen.
Peel off the napkin
O my enemy.
Do I terrify?--
The nose, the eye pits, the full set of teeth?
The sour breath
Will vanish in a day.
Soon, soon the flesh
The grave cave ate will be
At home on me
And I a smiling woman.
I am only thirty.
And like the cat I have nine times to die.
This is Number Three.
What a trash
To annihilate each decade.
What a million filaments.
The peanut-crunching crowd
Shoves in to see
Them unwrap me hand and foot--
The big strip tease.
Gentlemen, ladies
These are my hands
My knees.
I may be skin and bone,
Nevertheless, I am the same, identical woman.
The first time it happened I was ten.
It was an accident.
The second time I meant
To last it out and not come back at all.
I rocked shut
As a seashell.
They had to call and call
And pick the worms off me like sticky pearls.
Dying
Is an art, like everything else.
I do it exceptionally well.
I do it so it feels like hell.
I do it so it feels real.
I guess you could say I've a call.
It's easy enough to do it in a cell.
It's easy enough to do it and stay put.
It's the theatrical
Comeback in broad day
To the same place, the same face, the same brute
Amused shout:
'A miracle!'
That knocks me out.
There is a charge
For the eyeing of my scars, there is a charge
For the hearing of my heart--
It really goes.
And there is a charge, a very large charge
For a word or a touch
Or a bit of blood
Or a piece of my hair or my clothes.
So, so, Herr Doktor.
So, Herr Enemy.
I am your opus,
I am your valuable,
The pure gold baby
That melts to a shriek.
I turn and burn.
Do not think I underestimate your great concern.
Ash, ash--
You poke and stir.
Flesh, bone, there is nothing there--
A cake of soap,
A wedding ring,
A gold filling.
Herr God, Herr Lucifer
Beware
Beware.
Out of the ash
I rise with my red hair
And I eat men like air.
-- written 23-29 October 1962
β
β
Sylvia Plath (Ariel)
β
Snake Street is an area I should avoid. Yet that night I was drawn there as surely as if I had an appointment.Β
The Snake House is shabby on the outside to hide the wealth within. Everyone knows of the wealth, but facades, like the parkβs wall, must be maintained. A lantern hung from the porch eaves. A sign, written in Utte, read βKinship of the Serpentβ. I stared at that sign, at that porch, at the door with its twisted handle, and wondered what the people inside would do if I entered. Would they remember me? Greet me as Kin? Or drive me out and curse me for faking my death?Β Worse, would they expect me to redon the life Iβve shed? Staring at that sign, I pissed in the street like the Mearan savage Iβve become.
As I started to leave, I saw a woman sitting in the gutter. Her lamp attracted me. A memsaβs lamp, three tiny flames to signify the Holy Trinity of Faith, Purity, and Knowledge.Β The woman wasnβt a memsa. Her young face was bruised and a gash on her throat had bloodied her clothing. Had she not been calmly assessing me, I would have believed the wound to be mortal. I offered her a copper.Β
She refused, βI take naught for naught,β and began to remove trinkets from a cloth bag, displaying them for sale.
Her Utte accent had been enough to earn my coin. But to assuage her pride I commented on each of her worthless treasures, fighting the urge to speak Utte. (I spoke Universal with the accent of an upper class Mearan though I wondered if she had seen me wetting the cobblestones like a shameless commoner.) After she had arranged her wares, she looked up at me. βWhat do you desire, O Noble Born?β
I laughed, certain now that she had seen my act in front of the Snake House and, letting my accent match the coarseness of my dress, I again offered the copper.
Β βNay, Noble One. You must choose.β She lifted a strand of red beads. βThese to adorn your ladyβs bosom?β
Β Β Β Β Β Β Β Β Β Β Β I shook my head. I wanted her lamp. But to steal the light from this woman ... I couldnβt ask for it. She reached into her bag once more and withdrew a book, leather-bound, the pages gilded on the edges. βBe this worthy of desire, Noble Born?β
Β I stood stunned a moment, then touched the crescent stamped into the leather and asked if sheβd stolen the book. She denied it. Iβve had the Training; she spoke truth. Yet how could she have come by a book bearing the Royal Seal of the Haesyl Line? I opened it. The pages were blank.
βTake it,β she urged. βRecord your deeds for study. Lo, the steps of your life mark the journey of your soul.β
Β I told her I couldnβt afford the book, but she smiled as if poverty were a blessing and said, βThe price be one copper. Tis a wee price for salvation, Noble One.β
Β So I bought this journal. I hide it under my mattress. When I lie awake at night, I feel the journal beneath my back and think of the woman who sold it to me. Damn her. She plagues my soul. I promised to return the next night, but I didnβt. I promised to record my deeds. But I canβt. The price is too high.
β
β
K. Ritz (Sheever's Journal, Diary of a Poison Master)
β
What did she say?β asked Matthias.
Nina coughed and took his arm, leading him away. βShe said youβre a very nice fellow, and a credit to the Fjerdan race. Ooh, look, blini! I havenβt had proper blini in forever.β
βThat word she used: babink,β he said. βYouβve called me that before. What does it mean?β
Nina directed her attention to a stack of paper-thin buttered pancakes. βIt means sweetie pie.β
βNinaββ
βBarbarian.β
βI was just asking, thereβs no need to name-call.β
βNo, babink means barbarian.β Matthiasβ gaze snapped back to the old woman, his glower returning to full force. Nina grabbed his arm. It was like trying to hold on to a boulder. βShe wasnβt insulting you! I swear!β
βBarbarian isnβt an insult?β he asked, voice rising.
βNo. Well, yes. But not in this context. She wanted to know if youβd like to play Princess and Barbarian.β
βItβs a game?β
βNot exactly.β
βThen what is it?β
Nina couldnβt believe she was actually going to attempt to explain this. As they continued up the street, she said, βIn Ravka, thereβs a popular series of stories about, um, a brave Fjerdan warriorββ
βReally?β Matthias asked. βHeβs the hero?β
βIn a manner of speaking. He kidnaps a Ravkan princessββ
βThat would never happen.β
βIn the story it does, andββshe cleared her throatββthey spend a long time getting to know each other. In his cave.β
βHe lives in a cave?β
βItβs a very nice cave. Furs. Jeweled cups. Mead.β
βAh,β he said approvingly. βA treasure hoard like Ansgar the Mighty. They become allies, then?β
Nina picked up a pair of embroidered gloves from another stand. βDo you like these? Maybe we could get Kaz to wear something with flowers. Liven up his look.β
βHow does the story end? Do they fight battles?β
Nina tossed the gloves back on the pile in defeat. βThey get to know each other intimately.β
Matthiasβ jaw dropped. βIn the cave?β
βYou see, heβs very brooding, very manly,β Nina hurried on. βBut he falls in love with the Ravkan princess and that allows her to civilize himββ
βTo civilize him?β
βYes, but thatβs not until the third book.β
βThere are three?β
βMatthias, do you need to sit down?β
βThis culture is disgusting. The idea that a Ravkan could civilize a Fjerdanββ
βCalm down, Matthias.β
βPerhaps Iβll write a story about insatiable Ravkans who like to get drunk and take their clothes off and make unseemly advances toward hapless Fjerdans.β
βNow that sounds like a party.β Matthias shook his head, but she could see a smile tugging at his lips. She decided to push the advantage. βWe could play,β she murmured, quietly enough so that no one around them could hear.
βWe most certainly could not.β
βAt one point he bathes her.β
Matthiasβ steps faltered. βWhy would heββ
βSheβs tied up, so he has to.β
βBe silent.β
βAlready giving orders. Thatβs very barbarian of you. Or we could mix it up. Iβll be the barbarian and you can be the princess. But youβll have to do a lot more sighing and trembling and biting your lip.β
βHow about I bite your lip?β
βNow youβre getting the hang of it, Helvar.
β
β
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))