“
Love is for those who know the griefs of time, for it goes hand in hand with loss. An eternity, so burdened, would be a torment. And yet—” He broke off, drew breath. “Yet what else to call it, this terror and this joy?
”
”
Katherine Arden (The Winter of the Witch (The Winternight Trilogy, #3))
“
How was it that no one had ever told her that it was not love itself, but its treacherous gatekeepers which made the greatest demands on your courage: the panic of acknowledging it; the terror of declaring it; the fear of being rebuffed? Why had no one told her that love's twin was not hate but cowardice?
”
”
Amitav Ghosh (Sea of Poppies (Ibis Trilogy, #1))
“
The old man smiled. “If they could talk, these walls would tell you of battles lost and won, of fear and terror, of red fire and white light, of peace and prosperity. Aldene has a history going back centuries.
”
”
Robert Reid (The Emperor (The Emperor, the Son and the Thief, #1))
“
Violence is not the answer. Terrorism is the most dangerous of answers.
”
”
Elie Wiesel (Night (The Night Trilogy, #1))
“
The eye turned to the fire gave back no light and he closed it with his thumb and sat by her and put his hand upon her bloodied forehead and closed his own eyes that he could see her running in the mountains, running in the starlight where the grass was wet and the sun's coming as yet had not undone the rich matrix of creatures passed in the night before her. Deer and hare and dove and groundvole all richly empaneled on the air for her delight, all nations of the possible world ordained by God of which she was one among and not separate from. Where she ran the cries of the coyotes clapped shut as if a door had closed upon them and all was fear and marvel. He took up her stiff head out of the leaves and held it or he reached to hold what cannot be held, what already ran among the mountains at once terrible and of great beauty, like flowers that feed on flesh. What blood and bone are made of but can themselves not make on any altar nor by any wound of war. What we may well believe has power to cut and shape and hollow out the dark form of the world surely if wind can, if rain can. But which cannot be held never be held and is no flower but is swift and a huntress and the wind itself is in terror of it and the world cannot lose it.
”
”
Cormac McCarthy (The Crossing (The Border Trilogy, #2))
“
She would have stopped him. She would have wished herself deaf, blind, made of unfeeling smoke. She would have stopped his words out of terror, longing. The way terror and longing had become indistinguishable.
”
”
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
“
There is, it seems to me, a certain type of man who is terrified of the idea of a woman wielding power, of any sort; the type of man who is willing to dress up his terror in any sort of trappings to legitimise it.
”
”
Jen Williams (The Ninth Rain (The Winnowing Flame Trilogy, #1))
“
I’m surrounded by morons,” I muttered, making certain both the accused in question could hear me, before I began hopping away from them. I was positive I looked like a psychotic Easter bunny terrorizing the woods.
”
”
Nicole Williams (Fallen Eden (Eden Trilogy, #2))
“
In the face of such terror and dehumanization, human passion itself was an act of defiance.
”
”
Guillermo del Toro (The Fall (The Strain Trilogy, #2))
“
Chamberlain closed his eyes and saw it again. It was the most beautiful thing he had ever seen. No book or music would have that beauty. He did not understand it: a mile of men flowing slowly, steadily, inevitably up the long green ground, dying all the while, coming to kill you, and the shell bursts appearing above them like instant white flowers, and the flags all tipping and fluttering, and dimly you could hear the music and the drums, and then you could hear the officers screaming, and yet even above your own fear came the sensation of unspeakable beauty. He shook his head, opened his eyes. Professor's mind. But he thought of Aristotle: pity and terror. So this is tragedy. Yes. He nodded. In the presence of real tragedy you feel neither pain nor joy nor hatred, only a sense of enormous space and time suspended, the great doors open to black eternity, the rising across the terrible field of that last enormous, unanswerable question.
”
”
Michael Shaara (The Killer Angels (The Civil War Trilogy, #2))
“
They're hungry for this, I realized. Even after they've seen what he can do, even after watching their own people die. The Darkling wasn’t just offering them an end to war, but an end to weakness. After all these long years of terror and suffering, he would give them something that had seemed permanently beyond their grasp: victory. And despite their fear, they loved him for it.
”
”
Leigh Bardugo (Shadow and Bone (The Shadow and Bone Trilogy, #1))
“
I thought ... that I was carried in the will of Him I love, but now I see that I walk with it. I thought that the good things He sent drew me into them as the waves lift the islands; but now I see that it is I who plunge into them with my own legs and arms, as when we go swimming. I feel as if I were living in that roofless world of [Earth] where men walk undefended beneath naked heaven. It is a delight with terror in it! One's own self to be walking from one good to another, walking beside Him as Himself may walk, not even holding hands. How has He made me so separate from Himself? How did it enter His mind to conceive such a thing? The world is so much larger than I thought. I thought we went along paths--but it seems there are no paths. The going itself is the path.
”
”
C.S. Lewis (Perelandra (The Space Trilogy, #2))
“
Fear.’ My mother had warned me of its power, but I had misunderstood, as children often do. I’d thought it was the fear of others that I needed to guard against, but it was my own terror. Because of that misunderstanding, I’d let the fear take root inside me until it clouded my thoughts and affected how I saw the world. Fear
”
”
Deborah Harkness (The Book of Life (All Souls Trilogy, #3))
“
No one should have to endure the terrors of their own thoughts alone. Nightmares can be our worst nemesis. I know what that’s like.
”
”
Lauren Roberts (Powerless (The Powerless Trilogy, #1))
“
It surprised him that he could experience so extreme a terror and yet be walking and thinking—as men in war or sickness are surprised to find how much can be borne. “It will drive us mad,” “It will kill us outright,” we say, and then it happens and we find ourselves neither mad nor dead, still held to the task.
”
”
C.S. Lewis (Perelandra (Space Trilogy #2))
“
Ransom was by now thoroughly frightened—not with the prosaic fright that a man suffers in a war, but with a heady, bounding kind of fear that was hardly distinguishable from his general excitement: he was poised on a sort of emotional watershed from which, he felt, he might at any moment pass either into delirious terror or into an ecstasy of joy.
”
”
C.S. Lewis (Out of the Silent Planet (Space Trilogy, #1))
“
He took up her stiff head out of the leaves and held it or he reached to hold what cannot be held, what already ran among the mountains at once terrible and of a great beauty, like flowers that feed on flesh. What blood and bone are made of but can themselves not make on any altar nor by any wound of war. What we may well believe has power to cut and shape and hollow out the dark form of the world surely if wind can, if rain can. But which cannot be held never be held and is no flower but is swift and a huntress and the wind itself is in terror of it and the world cannot lose it.
”
”
Cormac McCarthy (The Crossing (The Border Trilogy, #2))
“
And why should it not be terrifying? A little terror, in my view, is good for the soul, when it is terror in the face of a noble object.
”
”
Robertson Davies (World of Wonders (The Deptford Trilogy, #3))
“
War is often described as long periods of boredom, punctuated by moments of terror. A description that is functionally identical to many people's lives.
”
”
Mark Lawrence (The Book That Wouldn’t Burn (The Library Trilogy, #1))
“
If someone had told Allie that she would commit a premeditated act of murder, she would not have believed it. She would have spouted off all the reasons how she could never be capable of such a thing—that no matter how dire the circumstances, she would find a better way. She was so naive, so arrogant to think that the laws of necessity and unthinkable circumstance could not apply to her. She could tell herself that this was an act of mercy, but that would be a lie. This was an act of war. An act of terrorism. It was nothing less than an assassination.
If I do this, Allie told herself, I am no better than Mary. I will have sunk to the worst possible place a person can go. After this moment, I will be a cold-blooded killer and it can never be taken back.
So the question was, did Allie Johnson have the strength to sacrifice all that was left of her innocence if it meant she might save the world?
”
”
Neal Shusterman (Everfound (The Skinjacker Trilogy, #3))
“
Mark nodded even though she couldn't see. He'd suddenly lost any desire to talk, and his plans for a perfect day washed away with the stream. The memories. They never let him go, not even for a half hour. They always had to rush back in, bringing all the horror.
”
”
James Dashner (The Kill Order (The Maze Runner, #0.4))
“
He was also aware that while the public was dividing and conquering itself by focusing on banal, media-driven conflicts such as Neoconservatives versus Liberals, democracy versus terrorism and the West versus the rest, destructive covert outfits were slowly but surely growing stronger. The special agent also understood how groups like Nexus fostered and benefited from the climate of fear perpetuated in television broadcasts and newspaper headlines. As long as Americans were consumed by fear of evildoers, whether these be communists, terrorists, religious extremists or any other potential enemy, he knew they would never realize the greatest enemy of all was operating within – within the West, within America, within their own Government.
”
”
James Morcan (The Orphan Factory (The Orphan Trilogy, #2))
“
He knew what evil lay upon this land. It was in the sun-symbols on the nurse’s apron, in that stupid woman’s terror, in the fey, feral eyes of Pyotr’s elder daughter. The place was infested with demons: the chyerti of the old religion. These foolish, wild people worshipped God by day and the old gods in secret; they tried to walk both paths at once and made themselves base in the sight of the Father. No wonder evil had come to work its mischief.
”
”
Katherine Arden (The Bear and the Nightingale (Winternight Trilogy, #1))
“
in most cases, however, the terror was extremely short-lived, as was the person experiencing the terror.
”
”
Douglas Adams (The Complete Hitchhiker's Guide to the Galaxy: The Trilogy of Five)
“
It was suddenly clear why—over a thousand years later—Dara’s name still provoked terror among the djinn.
”
”
S.A. Chakraborty (The City of Brass (The Daevabad Trilogy, #1))
“
Ante el terror y la deshumanización, la pasión humana era en sí misma un acto de desafío.
”
”
Guillermo del Toro (The Fall (The Strain Trilogy, #2))
“
wind itself is in terror of it and the world cannot
”
”
Cormac McCarthy (The Crossing (The Border Trilogy, #2))
“
And when we break apart, my terror triples. Because it's not enough---all of him, the promise of his future, everything I've thrown my soul away for. It's not worth what we're about to do.
”
”
Emily Skrutskie (Bonds of Brass (The Bloodright Trilogy, #1))
“
These had really struck terror into the hearts of everyone who had encountered them – in most cases, however, the terror was extremely short-lived, as was the person experiencing the terror.
”
”
Douglas Adams (The Ultimate Hitchhiker's Guide to the Galaxy: The Complete Trilogy in Five Parts)
“
For a moment I felt the terror. The deep primeval terror of something one does not understand, something which is against nature or, at the least, against everything one has ever seen or known before.
”
”
Philippa Gregory (The Favored Child (The Wideacre Trilogy, #2))
“
Terrorism is defined by the FBI as the unlawful use of force against persons or property to intimidate or coerce a government, civilian population, or any segment thereof, in the furtherance of political or social objectives.
”
”
Kathryn Shay (Nothing More to Lose (The Firefighter Trilogy #3))
“
Sometimes Dustfinger thought Basta’s constant fear of curses and sudden disaster probably arose from his terror of the darkness within himself, which made him assume that the rest of the world must be exactly the same. Dustfinger
”
”
Cornelia Funke (Inkheart / Inkspell / Inkdeath (The Inkheart Trilogy #1-3))
“
The battles are at night. The worst of times. The most awful of times, when he fights to prevent sleep while feeling so tired that all he wants is sleep. Sleep brings the nightmares. The ever-worsening terrors in his head. They become confusing and jumbled.
”
”
R.R. Haywood (Extracted (Extracted Trilogy, #1))
“
In the vicinity the city's committee consider me
The trilogy of terror, whatever I do I bring light
You're blinded by the glare of the trendsetter
Beware when I strike, blueprints like no other
The soldier of fortune, the undercover
Rebel of rap attackin the ones who's attackin blacks
I'm on a mission of peace, I make tracks
Elevate with the almighty God in front of me
Teach seeds in the hood the truth, the wannabe
Competitor will have no other choice but to surrender
Can't stand the pressure, the extinction agenda.
”
”
Prince Po
“
We're going to be fine, he'd told me. We always are. In the year since we'd been tortured and terrorized, broken and rebuilt. We would probably never feel fine again, but I'd needed that lie then, and I needed it now. It kept us standing, kept us fighting another day.
”
”
Leigh Bardugo (Ruin and Rising (The Shadow and Bone Trilogy, #3))
“
You will be hated and hunted. You will become a nightmare tale told to scare small children when they refuse to sleep at night, a monster to haunt the by-roads, a living legend of terror for travellers, a scourge on your country, on your people! They shall hate you, Raziel!
”
”
Steven Raaymakers (The Aria of Steel Trilogy)
“
To think that the specter you see is an illusion does not rob him of his terrors: it simply adds the further terror of madness itself—and then on top of that the horrible surmise that those whom the rest call mad have, all along, been the only people who see the world as it really is.
”
”
C.S. Lewis (The Space Trilogy: Out of the Silent Planet, Perelandra, That Hideous Strength)
“
To think that the spectre you see is an illusion does not rob him of his terrors: it simply adds the further terror of madness itself — and then on top of that the horrible surmise that those whom the rest call mad have, all along, been the only people who see the world as it really is.
”
”
C.S. Lewis (Perelandra (The Space Trilogy, #2))
“
We’re going to be fine, he’d told me. We always are. In the year since, we’d been tortured and terrorized, broken and rebuilt. We would probably never feel fine again, but I’d needed that lie then, and I needed it now. It kept us standing, kept us fighting another day. It was what we’d been doing our whole lives.
”
”
Leigh Bardugo (Ruin and Rising (The Shadow and Bone Trilogy, #3))
“
Across the hillside, above the chaos of Montfort’s left flank, a scarlet banner was raised by Edward’s men, the dragon at its centre a terror wreathed in golden flames, a sign that there was to be no mercy. The noblemen who survived the battle would be taken prisoner and ransomed, but no such chivalry awaited the foot soldiers beyond.
”
”
Robyn Young (Insurrection (The Insurrection Trilogy, #1))
“
The knowledge that his thoughts could be thus managed from without did not awake terror but rage. Ransom found that he had risen, that he was approaching the Unman, that he was saying things, perhaps foolish things, in English. “Do you think I’m going to stand this?” he yelled. “Get out of my brain. It isn’t yours, I tell you! get out of it.
”
”
C.S. Lewis (The Space Trilogy: Out of the Silent Planet, Perelandra, That Hideous Strength)
“
All of these new “Big Brother” laws had been sold under the guise of combating terrorism and increasing security, but none of them dared to address the specific threat posed by Islamic terror. Instead, the federal government seemed to prefer to increase security by treating all Americans equally: equally as criminal suspects in a vast open-air penal system.
”
”
Matthew Bracken (Enemies Foreign And Domestic (The Enemies Trilogy, #1))
“
More than anything, Natalie wanted to move to the bed, take Sophie's hand, sit beside her.Lay her head against her shoulder. But she didn't dare. Or maybe just couldn't. Fear. Friendship. Desire. Regret. Remorse. Longing. Hunger. Terror. It was getting so hard to tell the difference between any of those things. If she'd ever been able to. If anyone really could.
”
”
Glen Hirshberg (Motherless Child (Motherless Children Trilogy # 1))
“
They’re hungry for this, I realized. Even after they’ve seen what he can do, even after watching their own people die. The Darkling wasn’t just offering them an end to war, but an end to weakness. After all these long years of terror and suffering, he would give them something that had seemed permanently beyond their grasp: victory. And despite their fear, they loved him for it.
”
”
Leigh Bardugo (Shadow and Bone (The Shadow and Bone Trilogy, #1))
“
...he had gathered them up in their grief and terror, gathered them into his hand with his golden voice and his golden hair, so that they became a weapon in his grip, a tool of vengeance, and a sop to his pride. They would not attack while he was with her, and he wanted to see her burn. He had been cheated of it, after all, the night before. Always, always she had underestimated the priest.
”
”
Katherine Arden (The Winter of the Witch (The Winternight Trilogy, #3))
“
I thought,” she said, “that I was carried in the will of Him I love, but now I see that I walk with it. I thought that the good things He sent me drew me into them as the waves lift the islands; but now I see that it is I who plunge into them with my own legs and arms, as when we go swimming. I feel as if I were living in that roofless world of yours when men walk undefended beneath naked heaven. It is delight with terror in it! One’s own self to be walking from one good to another, walking beside Him as Himself may walk, not even holding hands. How has He made me so separate from Himself? How did it enter His mind to conceive such a thing? The world is so much larger than I thought. I thought we went along paths—but it seems there are no paths. The going itself is the path.” “And have you no fear,” said Ransom, “that it will ever be hard to turn your heart from the thing you wanted to the thing Maleldil sends?” “I see,” said the Lady presently. “The wave you plunge into may be very swift and great. You may need all your force to swim into it. You mean, He might send me a good like that?” “Yes—or like a wave so swift and great that all your force was too little.” “It often happens that way in swimming,” said the Lady. “Is not that part of the delight?” “But
”
”
C.S. Lewis (The Space Trilogy: Out of the Silent Planet, Perelandra, That Hideous Strength)
“
But before I could get hold of my thoughts, another loud explosion tore through the air, crackling like a beast, our screams becoming lost in the echoes of terror. Loud crashes cameoming from every direction, enclosing us within it’s catastrophic claws. Flames so high and wide, we were about to be devoured within the jaws of the fiery creature. I didn’t give myself the time to hesitate for a second longer. I grabbed my two best friends, and hurled them down the stairs
”
”
Carlyle Labuschagne (Evanescent (Broken, #2))
“
They did not smell like horses. They smelled like what they were, wild animals. He held the horse’s face against his chest and he could feel along his inner thighs the blood pumping through the arteries and he could smell the fear and he cupped his hand over the horse’s eyes and stroked them and he did not stop talking to the horse at all, speaking in a low steady voice and telling it all that he intended to do and cupping the animal’s eyes and stroking the terror out.
”
”
Cormac McCarthy (All The Pretty Horses (The Border Trilogy, #1))
“
Why can’t you marry him?” he whispered.
She broke her word to herself and looked at him. “Because of you.”
Arin’s hand flinched against her cheek. His dark head bowed, became lost in its own shadow. Then he slipped from his seat and knelt before hers. His hands fell to the fists on her lap and gently opened them. He held them as if cupping water. He took a breath to speak.
She would have stopped him. She would have wished herself deaf, blind, made of unfeeling smoke. She would have stopped his words out of terror, longing. The way terror and longing had become indistinguishable.
Yet his hands held hers, and she could do nothing.
He said, “I want the same thing you want.”
Kestrel pulled back. It wasn’t possible his words could mean what they seemed.
“It hasn’t been easy for me to want it.” Arin lifted his face so that she could see his expression. A rich emotion played across his features, offered itself, and asked to be called by its name.
Hope.
”
”
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
“
He took up her stiff head out of the leaves and held it or he reached to hold what cannot be held, what already ran among the moun- tains at once terrible and of a great beauty, like flowers that feed on flesh. What blood and bone are made of but can themselves not make on any altar nor by any wound of war. What we may well believe has power to cut and shape and hollow out the dark form of the world surely if wind can, if rain can. But which can- not be held never be held and is no flower but is swift and a huntress and the wind itself is in terror of it and the world cannot lose it.
”
”
Cormac McCarthy (The Crossing (The Border Trilogy, #2))
“
We are imperfect creatures, and the society we create cannot help but reflect those imperfections, or even exaggerate them. The spark of tyranny resides in every one of us. From this, we find tyrannical despots terrorizing entire nations. We are prone to jealousy, and from that, armies invade, lands are stolen and the bodies of victims are stacked like cordwood. We lie to hide our crimes, and for this work, historians need to glide over past atrocities. And so it goes, on and on. In the end, honesty is the enemy of us all. We wear civilization like a proud mask. But it's still a mask.
”
”
Steven Erikson (Fall of Light (The Kharkanas Trilogy, #2))
“
My chin rose stubbornly. “I didn’t do anything,” I said. “Not one thing.” The side of the Darkling’s mouth twitched, as if he were repressing a smile. His eyes slid over me from head to toe and back again. I felt like something strange and shiny, a curiosity that had washed up on a lake shore, that he might kick aside with his boot. “Is your memory as faulty as your friend’s?” he asked and bobbed his head toward Mal. “I don’t …” I faltered. What did I remember? Terror. Darkness. Pain. Mal’s blood. His life flowing out of him beneath my hands. The rage that filled me at the thought of my own helplessness.
”
”
Leigh Bardugo (Shadow and Bone (The Shadow and Bone Trilogy, #1))
“
It’s not true,” said my mind, “that people who are really going mad never think they’re going mad.” Suppose that real insanity had chosen this place in which to begin? In that case, of course, the black enmity of those dripping trees — their horrible expectancy — would be a hallucination. But that did not make it any better. To think that the spectre you see is an illusion does not rob him of his terrors: it simply adds the further terror of madness itself — and then on top of that the horrible surmise that those whom the rest call mad have, all along, been the only people who see the world as it really is.
”
”
C.S. Lewis (Perelandra (The Space Trilogy, #2))
“
Ronan steeled himself as he would steel himself for dreaming. He reminded himself of where his physical body was in the present. He reminded himself that what was about to happen to him was in the past.
Then he headed through the gauzy dreamt security system.
Memories rose up. He expected it to be horror, as it often was. Guts and blood. Bones and hair. Closed-casket funerals. The scream.
Instead it was every time Ronan had been alone.
There was no gore. No shrilling with terror.
There was only the quiet that came after all those things. There was only the quiet that came when you were the only one left. Only the quiet that came when you were something strange enough to outsurvive the things that killed or drove away everyone you loved.
And then Ronan was through and swiping away the tears before Adam joined him by the shoulder, emerging from the dark with the bright dreamt light cupped in his hands.
"Break will be here in just a few days," Adam said. He kissed Ronan's cheek, lightly, and then Ronan's mouth. "I'm coming back. Be here for me."
"Tamquam--" Ronan said.
"--alter idem."
They embraced. Adam put on his helmet.
Ronan stood there in the dark long after the taillight had disappeared. Alone.
Then he returned to the house to dream of Bryde.
”
”
Maggie Stiefvater (Call Down the Hawk (Dreamer, #1))
“
Like the V-1, the V-2, dubbed Big Ben, would have little military impact; according to official German calculations the effort invested by Berlin in the V-weapons was roughly equivalent to that of producing 24,000 fighter planes. Further, the V-2 rocket—a hundred times more expensive to build than the V-1—proved less effective than the flying bomb as a terror weapon. Not least among the reasons was the very futility of defending against a missile streaking across the heavens at Mach 5. Since they afforded no protection anyway, neither Allied antiaircraft batteries nor fighter squadrons were tied down, as they had been during the V-1 onslaught.
”
”
Rick Atkinson (The Guns at Last Light: The War in Western Europe, 1944-1945 (World War II Liberation Trilogy, #3))
“
The atmosphere in Washington was different. President Reagan remained popular, despite having committed crimes far worse than those that had brought Nixon down: financing terrorism in Nicaragua, trading weapons for hostages with Iran, and turning women and girls into mangled corpses on the streets of Beirut. Reagan’s collaborator Vice President George H. W. Bush looked likely to become the next president. Somehow—and Jasper could not figure out how this trick had been worked—people who challenged the president and caught him out cheating and lying were no longer heroes, as they had been in the seventies, but instead were considered disloyal and even anti-American.
”
”
Ken Follett (Edge of Eternity (The Century Trilogy, #3))
“
Ninety-eight in New England was a summer of exquisite warmth and sunshine, in baseball a summer of mythical battle between a home-run god who was white and a home-run god who was brown, and in America the summer of an enormous piety binge, a purity binge, when terrorism—which had replaced communism as the prevailing threat to the country’s security—was succeeded by cocksucking, and a virile, youthful middle-aged president and a brash, smitten twenty-one-year-old employee carrying on in the Oval Office like two teenage kids in a parking lot revived America’s oldest communal passion, historically perhaps its most treacherous and subversive pleasure: the ecstasy of sanctimony.
”
”
Philip Roth (The Human Stain (The American Trilogy, #3))
“
The Fold was alight, as bright as noon, as if its impenetrable darkness had never been. I saw a long reach of blanched sand, hulks of what looked like shipwrecks dotting the dead landscape, and above it all, a teeming flock of volcra. They screamed in terror, their writhing grey bodies gruesome in the bright sunlight.
This is the truth of him, I thought as I squinted in the dazzling light. Like calls to like. This was his soul made flesh, the truth of him laid bare in the blazing sun, shorn of mystery and shadow. This was the truth behind the handsome face and the miraculous powers, the truth that was the dead and empty space between the stars, a wasteland peopled by frightened monsters.
”
”
Leigh Bardugo (Shadow and Bone (The Shadow and Bone Trilogy, #1))
“
The last moments before damnation are not often so dramatic. Often the man knows with perfect clarity that some still possible action of his own will could yet save him. But he cannot make this knowledge real to himself. Some tiny habitual sensuality, some resentment too trivial to waste on a blue bottle, the indulgence of some fatal lethargy, seems to him at that moment more important than the choice between total joy and total destruction. With eyes wide open, seeing that the endless terror is just about to begin and yet (for the moment) unable to feel terrified, he watches passively, not moving a finger for his own rescue, while the last links with joy and reason are severed, and drowsily sees the trap close upon his soul.
”
”
C.S. Lewis (That Hideous Strength (The Space Trilogy, #3))
“
Softly, he said, “Why are you crying?”
His words made the tears flow faster.
“Kestrel.”
She drew a shaky breath. “Because when my father comes home, I will tell him that he has won. I will join the military.”
There was a silence. “I don’t understand.”
Kestrel shrugged. She shouldn’t care whether he understood or not.
“You would give up your music?”
Yes. She would.
“But your bargain with the general was for spring.” Arin still sounded confused. “You have until spring to marry or enlist. Ronan…Ronan would ask the god of souls for you. He would ask you to marry him.”
“He has.”
Arin didn’t speak.
“But I can’t,” she said.
“Kestrel.”
“I can’t.”
“Kestrel, please don’t cry.” Tentative fingers touched her face. A thumb ran along the wet skin of her cheekbone. She suffered for it, suffered for the misery of knowing that whatever possessed him to do this could be no more than compassion. He valued her that much. But not enough.
“Why can’t you marry him?” he whispered.
She broke her word to herself and looked at him. “Because of you.”
Arin’s hand flinched against her cheek. His dark head bowed, became lost in its own shadow. Then he slipped from his seat and knelt before hers. His hands fell to the fists on her lap and gently opened them. He held them as if cupping water. He took a breath to speak.
She would have stopped him. She would have wished herself deaf, blind, made of unfeeling smoke. She would have stopped his words out of terror, longing. The way terror and longing had become indistinguishable.
Yet his hands held hers, and she could do nothing.
He said, “I want the same thing you want.”
Kestrel pulled back. It wasn’t possible his words could mean what they seemed.
“It hasn’t been easy for me to want it.” Arin lifted his face so that she could see his expression. A rich emotion played across his features, offered itself, and asked to be called by its name.
Hope.
“But you’ve already given your heart,” she said.
His brow furrowed, then smoothed. “Oh. No, not the way you think.” He laughed a little, the sound soft yet somehow wild. “Ask me why I went to the market.”
This was cruel. “We both know why.”
He shook his head. “Pretend that you’ve won a game of Bite and Sting. Why did I go? Ask me. It wasn’t to see a girl who doesn’t exist.”
“She…doesn’t?”
“I lied.”
Kestrel blinked. “Then why did you go to the market?”
“Because I wanted to feel free.” Arin raised a hand to brush the air by his temple, then awkwardly let it fall.
Kestrel suddenly understood this gesture she’d seen many times. It was an old habit. He was brushing away a ghost, hair that was no longer there because she had ordered it cut.
She leaned forward, and kissed his temple.
Arin’s hand held her lightly to him. His cheek slid against hers. Then his lips touched her brow, her closed eyes, the line where her jaw met her throat.
Kestrel’s mouth found his. His lips were salted with her tears, and the taste of that, of him, of their deepening kiss, filled her with the feeling of his quiet laugh moments ago. Of a wild softness, a soft wildness. In his hands, running up her thin dress. In his heat, burning through to her skin…and into her, sinking into him.
”
”
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
“
The last moments before damnation are not often so dramatic. Often the man knows with perfect clarity that some still possible action of his own will could yet save him. But he cannot make this knowledge real to himself. Some tiny habitual sensuality, some resentment too trivial to waste on a blue bottle, the indulgence of some fatal lethargy, seems to him at that moment more important than the choice between total joy and total destruction. With eyes wide open, seeing that the endless terror is just about to begin and yet (for the moment) unable to feel terrified, he watches passively, not moving a finger for his own rescue, while the last links with joy and reason are severed, and drowsily sees the trap close upon his soul. So full of sleep are they at the time when they leave the right way.
”
”
C.S. Lewis (That Hideous Strength (The Space Trilogy #3))
“
Her OBGYN, Dr Caroline Murdoch, popped in and asked if she could speak to Bree alone. Bree nodded and Tina left them. "I wanted to talk to you about why you fainted.” Something in her voice made Bree’s body go rigid with expectation. “I…thought maybe it was the shock of… everything,” Bree whispered. Oh God. Oh God. She didn’t know what she was bracing herself for. “I know you and Alessandro were trying to conceive again. I want to tell you that you were successful. You’re going to have a baby, Bree,” she said. Bree squeezed Gianni tighter and buried her face in his neck as the tears filled her eyes and streamed from her face. Oh God…Now? She was torn between joy and utter terror. They had done it, but how would Alessandro react when he found out, considering the condition he was in now. They had created another life. Another target for Arturo.
”
”
E. Jamie (The Betrayal (Blood Vows, #2))
“
The last scene of Dr. Faustus where the man raves and implores on the edge of Hell is, perhaps, stage fire. The last moments before damnation are not often so dramatic. Often the man knows with perfect clarity that some still possible action of his own will could yet save him. But he cannot make this knowledge real to himself. Some tiny habitual sensuality, some resentment too trivial to waste on a blue bottle, the indulgence of some fatal lethargy, seems to him at that moment more important than the choice between total joy and total destruction. With eyes wide open, seeing that the endless terror is just about to begin and yet (for the moment) unable to feel terrified, he watches passively, not moving a finger for his own rescue, while the last links with joy and reason are severed, and drowsily sees the trap close upon his soul. So full of sleep are they at the time when they leave the right way.
”
”
C.S. Lewis (That Hideous Strength (The Space Trilogy #3))
“
Chegando são e salvo à margem, virei-me e olhei para trás, para ver se ele ia me seguir pelo meio do mato e acabar comigo antes que eu tivesse a oportunidade de entrar na casa em que Coleman Silk passara a infância e, tal como Steena Palsson tantos anos antes, almoçar com a família dele em East Orange, o convidado branco daquele domingo. Só de olhar para ele senti o terror do trado — mesmo vendo que ele voltara a se sentar no balde: o branco gelado da lagoa, circundando uma manchinha minúscula que era um homem, o único sinal humano em toda a natureza, como o X de um analfabeto numa folha de papel. Ali estava, se não a história completa, a imagem completa. É muito raro, neste nosso final de século, a vida nos oferecer uma visão pura e tranquila como esta: um homem solitário sentado num balde, pescando através de um buraco aberto numa camada de gelo com meio metro de espessura, numa lagoa cuja água está constantemente se renovando, no alto de uma montanha bucólica na América.
”
”
Philip Roth (The Human Stain (The American Trilogy, #3))
“
I was blind. The room was gone. Everything was gone. I cried out in terror as I felt the Darkling’s fingers close around my bare wrist. Suddenly, my fear receded. It was still there, cringing like an animal inside me, but it had been pushed aside by something calm and sure and powerful, something vaguely familiar. I felt a call ring through me and, to my surprise, I felt something in me rise up to answer. I pushed it away, pushed it down. Somehow I knew that if that thing got free, it would destroy me. “Nothing there?” the Darkling murmured. I realized how very close he was to me in the dark. My panicked mind seized on his words. Nothing there. That’s right, nothing. Nothing at all. Now leave me be! And to my relief, that struggling thing inside me seemed to lie back down, leaving the Darkling’s call unanswered. “Not so fast,” he whispered. I felt something cold press against the inside of my forearm. In the same moment that I realized it was a knife, the blade cut into my skin. Pain and fear rushed through me. I cried out. The thing inside me roared to the surface, speeding toward the Darkling’s call. I couldn’t stop myself. I answered. The world exploded into blazing white light. The darkness shattered around us like glass.
”
”
Leigh Bardugo (Shadow and Bone (The Shadow and Bone Trilogy, #1))
“
Baghra had claimed that the volcra had once been men and women, victims of the unnatural power unleashed by the Darkling’s greed. It might have been my mind playing tricks, but I thought I heard something not just horrible, but human in their cries.
When they were almost upon us, the Darkling gripped my arm and simply said, “Now.”
That invisible hand took hold of the power inside me, and I felt it stretch, reaching through the darkness of the Fold, seeking the light. It came to me with a speed and fury that nearly knocked me from my feet, breaking over me in a shower of brilliance and warmth.
The Fold was alight, as bright as noon, as if its impenetrable darkness had never been. I saw a long reach of blanched sand, hulks of what looked like shipwrecks dotting the dead landscape, and above it all, a teeming flock of volcra. They screamed in terror, their writhing gray bodies gruesome in the bright sunlight. This is the truth of him, I thought as I squinted in the dazzling light. Like calls to like. This was his soul made flesh, the truth of him laid bare in the blazing sun, shorn of mystery and shadow. This was the truth behind the handsome face and the miraculous powers, the truth that was the dead and empty space between the stars, a wasteland peopled by frightened monsters.
”
”
Leigh Bardugo (The Grisha Trilogy (The Shadow and Bone Trilogy, #1-3))
“
He squatted over the wolf and touched her fur. He touched the cold and perfect teeth. The eye turned to the fire gave back no light and he closed it with his thumb and sat by her and put his hand upon her bloodied forehead and closed his own eyes that he could see her running in the mountains, running in the starlight where the grass was wet and the sun’s coming as yet had not undone the rich matrix of creatures passed in the night before her. Deer and hare and dove and groundvole all richly empaneled on the air for her delight, all nations of the possible world ordained by God of which she was one among and not separate from. Where she ran the cries of the coyotes clapped shut as if a door had closed upon them and all was fear and marvel. He took up her stiff head out of the leaves and held it or he reached to hold what cannot be held, what already ran among the mountains at once terrible and of a great beauty, like flowers that feed on flesh. What blood and bone are made of but can themselves not make on any altar nor by any wound of war. What we may well believe has power to cut and shape and hollow out the dark form of the world surely if wind can, if rain can. But which cannot be held never be held and is no flower but is swift and a huntress and the wind itself is in terror of it and the world cannot lose it. II
”
”
Cormac McCarthy (The Crossing (The Border Trilogy, #2))
“
He did not know that they were people, nor that he was a bear. Indeed, he did not know that he existed at all: everything that is represented by the words I and Me and Thou was absent from his mind. When Mrs. Maggs gave him a tin of golden syrup, as she did every Sunday morning, he did not recognize either a giver or a recipient. Goodness occurred and he tasted it. And that was all. Hence his loves might, if you wished, be all described as cupboard loves: food and warmth, hands that caressed, voices that reassured, were their objects. But if by a cupboard love you meant something cold or calculating you would be quite misunderstanding the real quality of the beast’s sensations. He was no more like a human egoist than he was like a human altruist. There was no prose in his life. The appetencies which a human mind might disdain as cupboard loves were for him quivering and ecstatic aspirations which absorbed his whole being, infinite yearnings, stabbed with the threat of tragedy and shot through with the color of Paradise. One of our race, if plunged back for a moment in the warm, trembling, iridescent pool of that pre-Adamite consciousness, would have emerged believing that he had grasped the absolute: for the states below reason and the states above it have, by their common contrast to the life we know, a certain superficial resemblance. Sometimes there returns to us from infancy the memory of a nameless delight or terror, unattached to any delightful or dreadful thing, a potent adjective floating in a nounless void, a pure quality. At such moments we have experience of the shallows of that pool. But fathoms deeper than any memory can take us, right down in the central warmth and dimness, the bear lived all its life.
”
”
C.S. Lewis (That Hideous Strength (The Space Trilogy #3))
“
With or without the Chinese, Calcutta was dead. Partition had deprived it of half its hinterland and burdened it with a vast dispirited refugee population. Even Nature had turned: the Hooghly was silting up. But Calcutta’s death was also of the heart. With its thin glitter, its filth and overpopulation, its tainted money, its exhaustion, it held the total Indian tragedy and the terrible British failure. Here the Indo-British encounter had at one time promised to be fruitful. Here the Indian renaissance had begun: so many of the great names of Indian reform are Bengali. But it was here, too, that the encounter had ended in mutual recoil. The cross-fertilization had not occurred, and Indian energy had turned sour. Once Bengal led India, in ideas and idealism; now, just forty years later, Calcutta, even to Indians, was a word of terror, conveying crowds, cholera and corruption. Its aesthetic impulses had not faded – there was an appealing sensibility in every Bengali souvenir, every over-exploited refugee ‘craft’ – but they, pathetically, threw into relief the greater decay. Calcutta had no leaders now, and apart from Ray, the film director, and Janah, the photographer, had no great names. It had withdrawn from the Indian experiment, as area after area of India was withdrawing, individual after individual. The British, who had built Calcutta, had ever been withdrawn from their creation; and they survived. Their business houses still flourished in Chownringhee; and to the Indians, products of the dead Indian renaissance, who now sat in some of the air-conditioned offices, Independence had meant no more than this: the opportunity to withdraw, British-like, from India. What then was the India that was left, for which one felt such concern? Was it no more than a word, an idea?
”
”
V.S. Naipaul (The Indian Trilogy)
“
Softly, he said, “Why are you crying?”
His words made the tears flow faster.
“Kestrel.”
She drew a shaky breath. “Because when my father comes home, I will tell him that he has won. I will join the military.”
There was a silence. “I don’t understand.”
Kestrel shrugged. She shouldn’t care whether he understood or not.
“You would give up your music?”
Yes. She would.
“But your bargain with the general was for spring.” Arin still sounded confused. “You have until spring to marry or enlist. Ronan…Ronan would ask the god of souls for you. He would ask you to marry him.”
“He has.”
Arin didn’t speak.
“But I can’t,” she said.
“Kestrel.”
“I can’t.”
“Kestrel, please don’t cry.” Tentative fingers touched her face. A thumb ran along the wet skin of her cheekbone. She suffered for it, suffered for the misery of knowing that whatever possessed him to do this could be no more than compassion. He valued her that much. But not enough.
“Why can’t you marry him?” he whispered.
She broke her word to herself and looked at him. “Because of you.”
Arin’s hand flinched against her cheek. His dark head bowed, became lost in its own shadow. Then he slipped from his seat and knelt before hers. His hands fell to the fists on her lap and gently opened them. He held them as if cupping water. He took a breath to speak.
She would have stopped him. She would have wished herself deaf, blind, made of unfeeling smoke. She would have stopped his words out of terror, longing. The way terror and longing had become indistinguishable.
Yet his hands held hers, and she could do nothing.
He said, “I want the same thing you want.”
Kestrel pulled back. It wasn’t possible his words could mean what they seemed.
“It hasn’t been easy for me to want it.” Arin lifted his face so that she could see his expression. A rich emotion played across his features, offered itself, and asked to be called by its name.
Hope.
”
”
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
“
A loud clang of what sounded like a tray hitting the marble kitchen floor made Bree jump and Gianni go wide eyed with apparent terror. He covered his ears and shook his head. “Bang! Bang! Bang!” He fell over and covered his head. Bree rushed over to him as he began shrieking fearfully. “Maaammaaaaaa!” “Is okay, Gianni. Just a ting falled down,” Will said patting Gianni’s back but Bree noticed her little boy’s hand was shaking. “It’s okay, sweetie. Mommy’s here. That’s okay,” she crouched down and gathered Gianni into her arms. “Bang! Mama. It bang!” he wailed into her shoulder, trembling in her arms. “It was just a loud noise. Cook just dropped something, probably a whole big plate of yucky beets. Isn’t that funny?” she said, forcing a laugh. Jesus Christ, how much more violence would her children be forced to endure? Again, Bree felt selfish for bringing her innocent babies into the Dardano world. Gianni looked up at her, picking up on her tone he gave a small watery smile. “Ucky ee “Yucky yucky beets,” Bree repeated bouncing him lightly as her heart returned to its normal rhythm in her chest. Gianni giggled and shuddered against her as the last remnants of his fear dissipated. Bree looked over at Will. “You okay, sweetie?” Will blinked and looked over at her, wide eyed and his lower lip quivered, but he set his chin like she knew he’d watched Alessandro do and nodded. “I bwave. I nod scared.” Bree smiled at him and kissed his cheek as she ran her fingers through his hair. “Wow. That is pretty brave. I know I was
scared when I first heard the noise.” “Really?” Will asked hesitantly. “Definitely,” Bree nodded. Gianni echoed the gesture. “Well, dat’s diffen. You’s a girl.” “Oh, is that so?” Bree asked setting Gianni on the blanket next to her. “So you think ’cause mommy’s a girl she’s a fraidy cat. Huh? Huh?” she asked poking him. Will curled in on himself and giggled as he tried to avoid her fingers.
”
”
E. Jamie (The Betrayal (Blood Vows, #2))
“
ANOTHER GALAXY, ANOTHER TIME. The Old Republic was the Republic of legend, greater than distance or time. No need to note where it was or whence it came, only to know that … it was the Republic. Once, under the wise rule of the Senate and the protection of the Jedi Knights, the Republic throve and grew. But as often happens when wealth and power pass beyond the admirable and attain the awesome, then appear those evil ones who have greed to match. So it was with the Republic at its height. Like the greatest of trees, able to withstand any external attack, the Republic rotted from within though the danger was not visible from outside. Aided and abetted by restless, power-hungry individuals within the government, and the massive organs of commerce, the ambitious Senator Palpatine caused himself to be elected President of the Republic. He promised to reunite the disaffected among the people and to restore the remembered glory of the Republic. Once secure in office he declared himself Emperor, shutting himself away from the populace. Soon he was controlled by the very assistants and boot-lickers he had appointed to high office, and the cries of the people for justice did not reach his ears. Having exterminated through treachery and deception the Jedi Knights, guardians of justice in the galaxy, the Imperial governors and bureaucrats prepared to institute a reign of terror among the disheartened worlds of the galaxy. Many used the Imperial forces and the name of the increasingly isolated Emperor to further their own personal ambitions. But a small number of systems rebelled at these new outrages. Declaring themselves opposed to the New Order they began the great battle to restore the Old Republic. From the beginning they were vastly outnumbered by the systems held in thrall by the Emperor. In those first dark days it seemed certain the bright flame of resistance would be extinguished before it could cast the light of new truth across a galaxy of oppressed and beaten peoples … From the First Saga Journal of the Whills
”
”
George Lucas (Star Wars: Trilogy - Episodes IV, V & VI)
“
He saw a man who was certainly Weston, to judge from his height and build and coloring and features. In that sense he was quite recognizable. But the terror was that he was also unrecognizable. He did not look like a sick man: but he looked very like a dead one. The face which he raised from torturing the frog had that terrible power which the face of a corpse sometimes has of simply rebuffing every conceivable human attitude one can adopt towards it. The expressionless mouth, the unwinking stare of the eyes, something heavy and inorganic in the very folds of the cheek, said clearly: “I have features as you have, but there is nothing in common between you and me.” It was this that kept Ransom speechless. What could you say—what appeal or threat could have any meaning—to that? And now, forcing its way up into consciousness, thrusting aside every mental habit and every longing not to believe, came the conviction that this, in fact, was not a man: that Weston’s body was kept, walking and undecaying, in Perelandra by some wholly different kind of life, and that Weston himself was gone. It looked at Ransom in silence and at last began to smile. We have all often spoken—Ransom himself had often spoken—of a devilish smile. Now he realized that he had never taken the words seriously. The smile was not bitter, nor raging, nor, in an ordinary sense, sinister; it was not even mocking. It seemed to summon Ransom, with a horrible naïveté of welcome, into the world of its own pleasures, as if all men were at one in those pleasures, as if they were the most natural thing in the world and no dispute could ever have occurred about them. It was not furtive, nor ashamed, it had nothing of the conspirator in it. It did not defy goodness, it ignored it to the point of annihilation. Ransom perceived that he had never before seen anything but halfhearted and uneasy attempts at evil. This creature was wholehearted. The extremity of its evil had passed beyond all struggle into some state which bore a horrible similarity to innocence. It was beyond vice as the Lady was beyond virtue.
”
”
C.S. Lewis (The Space Trilogy: Out of the Silent Planet, Perelandra, That Hideous Strength)
“
A woman stood, smiling with adoration at the baby in her arms. Suddenly, she turned, showing her angelic face. Her eyes were large, beautiful, brown eyes, but terror displayed across her face.
Elizabeth felt a deep, sharp ache penetrate her heart, as she reached deep for air and it came in a low gasp. Her hands flew to her chest. She soon realized the window in front of her was the same one in the vision.
”
”
Beth Bares (Reality of Life (The Dreams Trilogy, #2))
“
Ignoro il più possibile il senso di terrore che mi serpeggia sulla pelle e apro lo sportello, voltandomi per ruggirgli contro: «Credi davvero di potermelo impedire?».
Io e Stefano raggeliamo nello stesso istante.
Mio Dio… che cosa ho detto?
Stefano serra gli occhi per un attimo; quando li riapre, ho come l’impressione che il mondo mi sia appena crollato addosso. «Va’, allora» mi dice piano. «Perché io non ti riconosco più.»
”
”
Chiara Cilli (Colliding Storms (The MSA Trilogy, #3))
“
My fingers flex as I extend my palms toward the creatures and the light. Energy pulses through me as the core of this dead land calls to me. More metal surrounds me, and I can feel it surging through me: the machine beast, the netting, even the faces of these creatures all consist of metal.
The creature snaps its head back at me and lunges, aiming its weapon at me. I jump to the side in terror, raising my hands to protect me from the blow. The creature flies backward, landing on the ground with a thud.
“What the hell is she doin’?”
“Jab her!”
I feel the energy rising within me. Or fear. Or both.
Voices yell. Feet trample the ground. They run toward me. A grunt rises in my chest as my arms thrust forward, acting on their own. I watch it like a dream as my hands clench, and my fingers retract into claws.
A thunderous shrill of ripping metal pierces the air. The iron fist rips in two. The creatures shout words as the two massive pieces of metal hover in the air. My arms cross then swing outward, sending the pieces hurtling beyond the lights and into the darkness.
Several of them dash toward me. I scream. My fingers aim at the creatures and curl. As my arms drop to my sides, I watch in terror as the creatures fall to the ground by their bronze faces.
My eyes burn from the stinging air. I feel like I am in a nightmare. I cannot control this power within me, and it terrifies me.
”
”
Quoleena Sbrocca (OuterSphere (Rayne Trilogy, #2))
“
In one quick motion he grips my head and slams his mouth hard against mine, claiming it with brute force. My lips part to allow him access, and we crash against the column as his tongue drives deep into my mouth. He pulls back for a short moment, drinks me in greedily, and then, with a grunted curse, ravishes me with a rawness that makes my heart stutter in my chest. I realize I’m moaning as I clutch his shoulders. Never in my life have I been kissed this violently, and it hits me like a heady, intoxicating wine.
”
”
Beatrice Sand (House of Terrors (The Ambrosia Trilogy #2))
“
(There is, it seems to me, a certain type of man who is terrified of the idea of a woman wielding power, of any sort; the type of man who is willing to dress up his terror in any sort of trappings to legitimise it.)
”
”
Jen Williams (The Ninth Rain (The Winnowing Flame Trilogy, #1))
“
Glimpses do ye seem to see of that mortally intolerable truth; that all deep, earnest thinking is but the intrepid effort of the soul to keep the open independence of her sea; while the wildest winds of heaven and earth conspire to cast her on the treacherous, slavish shore? But as in landlessness alone resides highest truth, shoreless, indefinite as God—so, better is it to perish in that howling infinite, than be ingloriously dashed upon the lee, even if that were safety! For worm-like, then, oh! who would craven crawl to land! Terrors of the terrible! is all this agony so vain? In landlessness alone resides highest truth.
”
”
Jed McKenna (Spiritually Incorrect Enlightenment (The Enlightenment Trilogy Book 2))
“
An anomaly born of blood and pain, terror and sacrifice. A human who, against all odds, flouted God and destiny, and emerged, bloodied and broken, to be made into something new. My own little wolf, a beast in human form. A fragmented piece of destiny.
”
”
Harley Laroux (Her Soul for Revenge (Souls Trilogy, #2))
“
all too familiar, he relived those few traumatic seconds at the wheel of Joe Henry’s old black Framo van. He recalled his terror as he saw the border guard kneel down
”
”
Ken Follett (Edge of Eternity Deluxe (The Century Trilogy #3))
“
It's hard for me to describe the terror I felt upon waking because I knew only one thing and knew it instantly, that I was in the grave.
”
”
K.J. Wignall (Blood (Mercian Trilogy, #1))
“
When we do this thing, we admit failure. We admit fear—yes, terror. We are terrified of a new idea, a new scientific discovery. The government of the world, the protectors of peace and stability, must stoop to exiling some of the world’s finest minds. This is a horrible state of affairs. Truly
”
”
Ben Bova (The Exiles Trilogy)
“
Some authors have argued that a direct historical line can be drawn to Nazism from the French Revolution of 1789, the Jacobin ‘Reign of Terror’ in 1793-4, and the implicit idea of a popular dictatorship in Rousseau’s theory of the ‘General Will’, decided initially by the people but brooking no opposition once resolved upon.139
”
”
Richard J. Evans (The Coming of the Third Reich (The Third Reich Trilogy Book 1))
“
Che had shown the way in Cuba, back in ‘59 and ‘60, sending thousands of possible enemies of the revolution to the firing squads. It was Che’s firm conviction that it was necessary to execute class enemies en masse, in order to terrorize the rest into rapid submission. This was a necessary step to guarantee the permanence of the revolution, when half measures would only put the revolution at risk. It was Che’s dictum that it was better to execute one hundred innocent men, than to allow one clever traitor to live to challenge the revolution. In the furtherance of the glorious cause of promoting social justice, the ends always justified the means.
”
”
Matthew Bracken (Domestic Enemies: The Reconquista (The Enemies Trilogy, #2))
“
indeed these men had the dangerous look that Frank associated with machismo, the look of men who oppressed their women so cruelly that naturally the women struck back where they could, terrorizing sons who then terrorized wives who terrorized sons and so on and so on, in an endless death spiral of twisted love and sex hatred. So that in that sense they were all madmen.
”
”
Kim Stanley Robinson (Red Mars (Mars Trilogy, #1))
“
Dragon’s breath billowed across the peaks of Feldall Forest, waves of green flame bursting into tongues of orange and red as it caught the trees in its path. The creature swooped, serrated wings chopping down the blazing tree-tops to spread the flames along the forest floor. Its scream shook the earth and set the horses to panic, but the three riders held their position along the edge of the tree line. Lady Jasmine of Feldall cursed as her black Friesen, Nalen, reared, and she struggled to stay in her seat. Tendrils of dark brown hair fluttered in her face and she puffed out a breath to clear her vision. This dragon had plagued their lands for months, terrorizing the skies as well as their cattle—what little remained of the herds after a three month drought. Whatever fate had brought the beast out to play while she, Jayden, and Corey were cleaning up the damage he’d done, this was the closest they’d come to ridding themselves of at least one plight. If only Corey would take the shot.
”
”
Krista Walsh (Evensong (Meratis Trilogy, #1))
“
Lady Jasmine of Feldall cursed as her black Friesian, Nalen, reared, and she struggled to stay in her seat. Tendrils of dark brown hair fluttered in her face and she puffed out a breath to clear her vision. This dragon had plagued their lands for months, terrorizing the skies as well as their cattle—what little remained of the herds after a three month drought.
”
”
Krista Walsh (Evensong (Meratis Trilogy, #1))
“
The wit and sharpness of Tim Burton is entirely missing in Nolan’s obtuse movie. Indeed, as Andrew Klavan wrote in reference to the The Dark Knight, Nolan’s trilogy ‘is a paean of praise to the fortitude and moral courage that has been shown by George W. Bush in this time of terror and war’.
”
”
Anonymous
“
There are some immediately obvious problems with this “proof” that Pacelli helped Hitler to power. First, there was no Reich in the 1920s. Hitler was not in power then; there is also a problem of how a Papal concordat would have prevented the rise to power of the Nazi party when the infamous 1933 elections saw the overwhelming majority of the Weimar Republic vote against freedom by voting either Nazi or Communist. It is also difficult to imagine how Pacelli could have foreseen the worth of a failed Austrian painter in the early 1920s, soon to be in the jail from which he would write Mein Kampf, and then prevented the signing of the concordat (this is, of course, assuming that the concordat would have made a difference one way or the other). Second, when the concordant was signed, Eugenio Pacelli was then Papal Secretary of State, so it was left to the German bishops to “submit” to Hitler, and even then, Pacelli was not overly happy about it—he is said to have exclaimed “Why did the bishops have to meet the government halfway?”[184] This also ignores that the Catholic Church had made concordats with the three most Catholic German states of Bavaria, Prussia, and Baden, and the Hitler pursued a concordat in an attempt to seek international recognition,[185] and harassed the Catholics of Germany in order to get one[186] in what some have called “Nazi terror against the German Catholics.”[187] Besides,
”
”
Declan Finn (Pius History: The Facts Behind the Pius Trilogy)
“
You know I won’t take a chance with your lives…” Ethan replied. “You’re the future of the Fortner family.” He smiled and took her hand in his. “Like I said, don’t worry…before you know it you’ll have Jeff back and you can tell him he’s going to be a father!
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C.G. Faulkner (White Room: A Cold War Thriller (The Jeff Fortner Trilogy Book 3))
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And indeed these men had the dangerous look that Frank associated with machismo, the look of men who oppressed their women so cruelly that naturally the women struck back where they could, terrorizing sons who then terrorized wives who terrorized sons and so on and so on, in an endless death spiral of twisted love and sex hatred. So that in that sense they were all madmen.
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Kim Stanley Robinson (Red Mars (Mars Trilogy, #1))
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No one should have to endure the terrors of their own thoughts alone.
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Lauren Roberts (Powerless (The Powerless Trilogy, #1))
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By two A.M. the first waves had turned toward shore, using the burning wheat straw as a beacon or following compass headings. Gunboats with blue lights stood in toward shore, hailing the first waves: “Straight ahead. Look out for mines. Good luck.” Now the Navy guns opened up, their concussive booms and smoke rings carrying on the wind. Shells glowed cherry red against the starlight. In graceful arcs they floated over the puttering boats before splattering in sprays of white and gold on the distant shore. Coxswains steered by the shells, but soldiers instinctively slumped in their vessels, peering over the gunwales. Major General John P. Lucas, dispatched by Eisenhower as an observer of HUSKY, watched the spectacle from Monrovia’s bridge with Hewitt and Patton, then confided a small, filthy secret to his diary: “War, with all its terror and dirt and destruction, is at times the most beautiful phenomenon in the world.
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Rick Atkinson (The Day of Battle: The War in Sicily and Italy, 1943-1944 (World War II Liberation Trilogy, #2))
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The bonds between parent and child were, he said, as dangerous as they were wonderful, as full of darkness and terror as they were of joy and light.
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Mark Lawrence (The Book That Broke the World (The Library Trilogy, #2))
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The last of the Haworth trilogy: At the end of a long night shift, a bullying new father visits the maternity ward and brings back Linda's darkest nightmares, her terror of being locked in. Who is this man, and why does he scare her so? There are secrets dating back to the war that still haunt the family, and finding out what lies at their root might be the only way Linda can escape their murderous consequences.
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Judith Barrow (Living in the Shadows: Howarth Family Saga Series Book 3)
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been a copper long enough to know that it was the conflict junkies, those filled with anger and looking for something, anything to aim it at – those were the ones you had to worry about. Football hooliganism, terrorism, peaceful protests that descend into violence; it was always those men – and 99% of them were men – who turned up, tapped into the fear or anger of those around them, and proceeded to try and set the world on fire.
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Caimh McDonnell (The Dublin Trilogy Deluxe Part 1)
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The twentieth century became an age of totalitarianism, culminating in the attempt of Hitler and Stalin to establish a new kind of political order based on total police control, terror, and the ruthless suppression and murder of real or imagined opponents in their millions on the one hand, and continual mass mobilization and enthusiasm whipped up by sophisticated propaganda methods on the other.30
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Richard J. Evans (The Coming of the Third Reich (The Third Reich Trilogy Book 1))
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Sofia’s freezing embrace filled him with a delicious terror. He was helpless in her arms. He could feel the tentacles of her greedy soul caressing his heart, a sensation so intoxicating he felt sure he would die in the terror of this dark ecstacy.
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Storm Constantine (Stealing Sacred Fire (The Grigori Trilogy, #3))
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He was locked in the perpetual terror of his teenage ordeal. His body was simply growing old around the frozen husk of a frightened little boy.
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Hugh Howey (Wool (Silo Trilogy #1))