“
I don't know many rules to live by,' he'd said. 'But here's one. It's simple. Don't put anything unnecessary into yourself. No poisons or chemicals, no fumes or smoke or alcohol, no sharp objects, no inessential needles--drug or tattoo--and...no inessential penises either.'
'Inessential penises?' Karou had repeated, delighted with the phrase in spite of her grief. 'Is there any such thing as an essential one?'
'When an essential one comes along, you'll know,' he'd replied.
”
”
Laini Taylor (Daughter of Smoke & Bone (Daughter of Smoke & Bone, #1))
“
The rat, huddled in the hollow of her palms, squeaked glumly. Delighted, she hugged him to her chest. "Oh poor baby," she crooned, almost as if he really were a pet. "Poor Simon, it'll be fine, I promise-"
"I wouldn't feel too sorry for him," Jace said. "That's probably the closest he's ever gotten to second base."
"Shut up!" Clary glared at Jace furiously, but she did loosen her grip on the rat.
”
”
Cassandra Clare (City of Bones (The Mortal Instruments, #1))
“
Although I have felt compelled to write things down since I was five years old, I doubt that my daughter ever will, for she is a singularly blessed and accepting child, delighted with life exactly as life presents itself to her, unafraid to go to sleep and unafraid to wake up. Keepers of private notebooks are a different breed altogether, lonely and resistant rearrangers of things, anxious malcontents, children afflicted apparently at birth with some presentiment of loss.
”
”
Joan Didion
“
To look almost pretty is an acquisition of higher delight to a girl who has been looking plain the first fifteen years of her life than a beauty from her cradle can ever receive.
”
”
Jane Austen (Northanger Abbey)
“
She told the story, however, with great spirit among her friends; for she had a lively, playful disposition, which delighted in any thing ridiculous.
”
”
Jane Austen (Pride and Prejudice)
“
All children, except one, grow up. They soon know that they will grow up, and the way Wendy knew was this. One day when she was two years old she was playing in a garden, and she plucked another flower and ran with it to her mother. I suppose she must have looked rather delightful, for Mrs Darling put her hand to her heart and cried, ‘Oh, why can’t you remain like this for ever!’ This was all that passed between them on the subject, but henceforth Wendy knew that she must grow up. You always know after you are two. Two is the beginning of the end.
”
”
J.M. Barrie (Peter Pan)
“
I did not want to think so much about her. I wanted to take her as an unexpected, delightful gift, that had come and would go again — nothing more. I meant not to give room to the thought that it could ever be more. I knew too well that all love has the desire for eternity and that therein lies its eternal torment. Nothing lasts. Nothing.
”
”
Erich Maria Remarque (Three Comrades)
“
She delighted in the smell of the ink, the rough feel of the paper between her fingers, the rustle of sweet pages, the shapes of letters before her eyes.
”
”
Cynthia Hand (My Lady Jane (The Lady Janies, #1))
“
You’re here!” Isabelle danced up to them in delight, carrying a glass of fuchsia liquid, which she thrust at Clary. “Have some of this!”
Clary squinted at it. “Is it going to turn me into a rodent?”
“Where is the trust? I think it’s strawberry juice,” Isabelle said. “Anyways, it’s yummy. Jace?” She offered him the glass.
“I am a man,” he told her, “and men do not consume pink beverages. Get thee gone, woman, and bring me something brown.”
“Brown?” Isabelle made a face.
“Brown is a manly color,” said Jace, and yanked on a stray lock of Isabelle’s hair with his free hand. “In fact, look – Alec is wearing it.”
Alec looked mournfully down at his sweater. “It was black,” he said. “But then it faded.”
“You could dress it up with a sequined headband,” Magnus suggested, offering his boyfriend something blue and sparkly. “Just a thought.”
“Resist the urge, Alec.” Simon was sitting on the edge of a low wall with Maia beside him, though she appeared to be deep in conversation with Aline. “You’ll look like Olivia Newton-John in Xanadu.”
“There are worse things,” Magnus observed.
”
”
Cassandra Clare (City of Glass (The Mortal Instruments, #3))
“
She is delightfully chaotic; a beautiful mess. Loving her is a splendid adventure.
”
”
Steve Maraboli
“
Once, long ago in her world, a sunny day in spring was her favorite, but now a sunny day in winter delights her more. It is the perfect metaphor for their love.
Sunshine on ice.
She warms his frost. He cools her fever.
”
”
Karen Marie Moning (Shadowfever (Fever, #5))
“
Clary wasn't sure what she'd expected -exclamations of delight, perhaps a smattering of applause. Instead there was silence, broken only when Jace said, "Somehow, I thought it would be bigger."
Clary looked at the Cup in her hand. It was the size, perhaps, of an ordinary wineglass, only much heavier. Power thrummed through it, like blood through living veins. "It's a perfectly nice size," she said indignantly.
"Oh, it's big enough," he said patronizingly, "but somehow I was expecting something… you know." He gestured with his hands, indicating something roughly the size of a house cat.
"It's the Mortal Cup, Jace, not the Mortal Toilet Bowl," said Isabelle.
”
”
Cassandra Clare (City of Bones (The Mortal Instruments, #1))
“
Alaska finished her cigarette and flicked it into the river.
'Why do you smoke so damn fast?' I asked.
She looked at me and smiled widely, and such a wide smile on her narrow face might have looked goofy were it not for the unimpeachably elegant green in her eyes. She smiled with all the delight of a kid on Christmas morning and said, 'Y'all smoke to enjoy it. I smoke to die.
”
”
John Green
“
The impulse to write things down is a peculiarly compulsive one, inexplicable to those who do not share it, useful only accidentally, only secondarily, in the way that any compulsion tries to justify itself. I suppose that it begins or does not begin in the cradle. Although I have felt compelled to write things down since I was five years old, I doubt that my daughter ever will, for she is a singularly blessed and accepting child, delighted with life exactly as life presents itself to her, unafraid to go to sleep and unafraid to wake up. Keepers of private notebooks are a different breed altogether, lonely and resistant rearrangers of things, anxious malcontents, children afflicted apparently at birth with some presentiment of loss.
”
”
Joan Didion (Slouching Towards Bethlehem)
“
Woman wants monogamy;
Man delights in novelty.
Love is woman's moon and sun;
Man has other forms of fun.
Woman lives but in her lord;
Count to ten, and man is bored.
With this the gist and sum of it,
What earthly good can come of it?
”
”
Dorothy Parker
“
Your life," he seethed. "Is not a game of luck".
"Since when," Juliette spat, "did you care about my life?'
"I don't." He was trembling with fury. "I hate you".
And when Juliette didn't recoil, Roma kissed her.
”
”
Chloe Gong (Our Violent Ends (These Violent Delights, #2))
“
What's your name?" he asked above the roar of the music.
She leaned close. "My name is Wind," she whispered. "And Rain. And Bone and Dust. My name is a snippet of a half-remembered song."
He chuckled a low, delightful sound. She was drunk and silly, and so full of the glory of being young and alive and in the capital of the world that she could hardly contain herself.
"I have no name," she purred. "I am whoever the keepers of my fate tell me to be."
He grasped her by her wrist, running a thumb along the sensitive sknin underneath. "Then let me call you Mine for a dance or two.
”
”
Sarah J. Maas (The Assassin and the Underworld (Throne of Glass, #0.4))
“
To her own heart it was a delightful affair, to her imagination it was even a ridiculous one, but to her reason, her judgment, it was completely a puzzle.
”
”
Jane Austen (Sense and Sensibility: The Screenplay)
“
She had known happiness, exquisite happiness, intense happiness, and it silvered the rough waves a little more brightly, as daylight faded, and the blue went out of the sea and it rolled in waves of pure lemon which curved and swelled and broke upon the beach and the ecstasy burst in her eyes and waves of pure delight raced over the floor of her mind and she felt, It is enough! It is enough!
”
”
Virginia Woolf (To the Lighthouse)
“
Dogs, lives are short, too short, but you know that going in. You know the pain is coming, you're going to lose a dog, and there's going to be great anguish, so you live fully in the moment with her, never fail to share her joy or delight in her innocence, because you can't support the illusion that a dog can be your lifelong companion. There's such beauty in the hard honesty of that, in accepting and giving love while always aware that it comes with an unbearable price. Maybe loving dogs is a way we do penance for all the other illusions we allow ourselves and the mistakes we make because of those illusions.
”
”
Dean Koontz (The Darkest Evening of the Year)
“
Wasn't playing with her heart once enough? Hadn't he already torn her into two and left her to the wolves once before?
”
”
Chloe Gong (These Violent Delights (These Violent Delights, #1))
“
My mistress' eyes are nothing like the sun;
Coral is far more red than her lips' red;
If snow be white, why then her breasts are dun;
If hairs be wires, black wires grow on her head.
I have seen roses damask'd, red and white,
But no such roses see I in her cheeks;
And in some perfumes is there more delight
Than in the breath that from my mistress reeks.
I love to hear her speak, yet well I know
That music hath a far more pleasing sound;
I grant I never saw a goddess go;
My mistress, when she walks, treads on the ground:
And yet, by heaven, I think my love as rare
As any she belied with false compare.
”
”
William Shakespeare (Shakespeare's Sonnets)
“
I made a vow to you, Roma.’ She took a step forward. No one stopped her. ‘Where you go, I go. I will not bear a day parted. I will take a dagger to my own heart if I must.
”
”
Chloe Gong (Our Violent Ends (These Violent Delights, #2))
“
Against my better judgment I feel certain that somewhere very near here—the first house down the road, maybe—there's a good poet dying, but also somewhere very near here somebody's having a hilarious pint of pus taken from her lovely young body, and I can't be running back and forth forever between grief and high delight.
”
”
J.D. Salinger (Franny and Zooey)
“
And he mourned for her. He didn’t wish to, but he did—he ached with the knowledge that the softness of their youth was gone forever, that the Juliette he remembered was long dead. He ached even more to think that though he was the one who had dealt the killing blow,
”
”
Chloe Gong (These Violent Delights (These Violent Delights, #1))
“
There is a story of a woman running away from tigers. She runs and runs and the tigers are getting closer and closer. When she comes to the edge of a cliff, she sees some vines there, so she climbs down and holds on to the vines. Looking down, she sees that there are tigers below her as well. She then notices that a mouse is gnawing away at the vine to which she is clinging. She also sees a beautiful little bunch of strawberries close to her, growing out of a clump of grass. She looks up and she looks down. She looks at the mouse. Then she just takes a strawberry, puts it in her mouth, and enjoys it thoroughly. Tigers above, tigers below. This is actually the predicament that we are always in, in terms of our birth and death. Each moment is just what it is. It might be the only moment of our life; it might be the only strawberry we’ll ever eat. We could get depressed about it, or we could finally appreciate it and delight in the preciousness of every single moment of our life.
”
”
Pema Chödrön (The Wisdom of No Escape: How to Love Yourself and Your World)
“
Hadley grabs the laminated safety instructions from the seat pocket in front of her and frowns at the cartoon men and women who seem weirdly delighted to be bailing out of a series of cartoon planes. Beside her, Oliver stifles a laugh, and she glances up again.
“What?”
“I’ve just never seen anyone actually read one of those things before,”
“Well,” she says, “then you’re very lucky to be sitting next to me.”
“Just in general?”
She grins. “Well, particularly in case of an emergency.”
“Right,” he says. “I feel incredibly safe. When I’m knocked unconscious by my tray table during some sort of emergency landing, I can’t wait to see all five-foot-nothing of you carry me out of here.
”
”
Jennifer E. Smith (The Statistical Probability of Love at First Sight)
“
he would have burned the damn city to the ground just to keep her unharmed
”
”
Chloe Gong (Our Violent Ends (These Violent Delights, #2))
“
Reading became my sanctuary,” Belle continued. “I found so much in those books. I found histories that inspired me. Poems that delighted me. Novels that challenged me…” Belle paused, suddenly self-conscious. She looked down at her hands, and in a wistful voice, said, “What I really found, though, was myself.
”
”
Jennifer Donnelly (Beauty and the Beast: Lost in a Book)
“
If Roma were ever again to run a tender finger down her spine, it would be to count her vertebrae and gauge where he could stab his knife in.
”
”
Chloe Gong (These Violent Delights (These Violent Delights, #1))
“
Pet the cat dude," says Sam. "She brought you a present. She wants you to tell her how badass she is."
"You are a tiny tiny killing machine." Daneca coos.
"What's she doing?" I ask.
"Purring!" says Daneca. She sounds delighted. "Good kitty. Who's an amazing killing machine? That's right. You are! You are a brutal brutal tiny lion! Yes, you are.
”
”
Holly Black (White Cat (Curse Workers, #1))
“
Sometimes it was hard for Kathleen to remember that she was still her own person, not just shards of a mirror, reflecting back a thousand different personalities most fitting for the situation.
”
”
Chloe Gong (These Violent Delights (These Violent Delights, #1))
“
His mouth went dry and for a split second he had a metallic taste on the sides of his tongue. He stood, turned, and gulped. A vision had appeared from somewhere. Was she real? She was tall, with long, glossy light-gold hair surrounding a perfectly shaped face. The front of her silk white robe was open down to a delightful cleavage where a long silver cross hung. As she walked slowly past Alec to sit at the desk, the robe parted for a fleeting glimpse of her leg. A scent of lily of the valley meandered over him. A hand with long graceful fingers indicated for him to sit again in his chair. She was real!
She was, without doubt, the most beautiful woman Alec had ever seen.
”
”
Hugo Woolley (The Wasp Trap (The Charlotte's War Trilogy Book 3))
“
She was stretched on her back beneath the pear tree soaking in the alto chant of the visiting bees, the gold of the sun and the panting breath of the breeze when the inaudible voice of it all came to her. She saw a dust-bearing bee sink into the sanctum of a bloom; the thousand sister-calyxes arch to meet the love embrace and the ecstatic shiver of the tree from root to tiniest branch creaming in every blossom and frothing with delight.
”
”
Zora Neale Hurston (Their Eyes Were Watching God)
“
Hazel screamed at the top of her lungs, but it was a scream of delight. For the first time in her life-in her two lives-she felt absolutely unstoppable.
”
”
Rick Riordan (The Son of Neptune (The Heroes of Olympus, #2))
“
Never forget that the most essential fashion accessories, the ones no woman can afford to do without, come from within. A generous heart, a spontaneous smile, and eyes that sparkle with delight can be part of any woman's signature look once she awakens to her authentic beauty.
”
”
Sarah Ban Breathnach
“
She watched as he settled down on the bed with Naya skin to skin on his chest. His hand all but covered her tiny body as he stroked her in that changeling way, bonding with her on the most elemental level. Then he purred, and Naya made a happy little sound of delight, very much a cat in her love of touch.
”
”
Nalini Singh (Kiss of Snow (Psy-Changeling, #10))
“
Such lonely, lost things you find on your way. It would be easier, if you were the only one lost. But lost children always find each other, in the dark, in the cold. It is as though they are magnetized and can only attract their like. How I would like to lead you to brave, stalwart friends who would protect you and play games with dice and teach you delightful songs that have no sad endings. If you would only leave cages locked and turn away from unloved Wyverns, you could stay Heartless.
”
”
Catherynne M. Valente (The Girl Who Circumnavigated Fairyland in a Ship of Her Own Making (Fairyland, #1))
“
So you got Phoenix back,” declared Karla, clapping her hands in delight. “That’s lovely.”
“I’m more on loan,” I muttered.
“Yeah, my little library book.
”
”
Joss Stirling (Stealing Phoenix (Benedicts, #2))
“
Of course it was hard for him to hurt her now. It went against every fiber of his being. Every cell, every nerve—they had grown into place with one mantra: protect her, protect her.
”
”
Chloe Gong (Our Violent Ends (These Violent Delights, #2))
“
My sister Emily loved the moors. Flowers brighter than the rose bloomed in the blackest of the heath for her; out of a sullen hollow in a livid hillside her mind could make an Eden. She found in the bleak solitude many and dear delights; and not the least and best-loved was – liberty.
”
”
Charlotte Brontë
“
Now I want to live like everybody else. I want to have a wife like everybody else and to take her out on Sundays. I have invented a mask that makes me look like anybody. People will not even turn round in the streets. You will be the happiest of women. And we will sing, all by ourselves, till we swoon away with delight. You are crying! You are afraid of me! And yet I am not really wicked. Love me and you shall see! All I wanted was to be loved for myself. If you loved me I should be as gentle as a lamb; and you could do anything with me that you pleased.
”
”
Gaston Leroux (The Phantom of the Opera)
“
Why love the woman who is your wife? Her nose breathes in the air of a world that I know; therefore I love that nose. Her ears hear music I might sing half the night through; therefore I love her ears. Her eyes delight in seasons of the land; and so I love those eyes. Her tongue knows quince, peach, chokeberry, mint and lime; I love to hear it speaking. Because her flesh knows heat, cold, affliction, I know fire, snow, and pain. Shared and once again shared experience.
”
”
Ray Bradbury (Something Wicked This Way Comes)
“
Her last conscious thought was disgust at life; her senses had lied to her. The world was not made of energy and delight but of foulness, betrayal, and lassitude. Living was hateful, and death was no better, and from end to end of the universe this was the first and last and only truth.
”
”
Philip Pullman (The Subtle Knife (His Dark Materials, #2))
“
We have to get the... the thing I got... to the Angel. And then he'll tell Door about her family, and he'll tell me how to get home."
Lamia looked at Hunter with delight. "And he can give you brains," she said, cheerfully, "and me a heart.
”
”
Neil Gaiman (Neverwhere (London Below, #1))
“
Had Elizabeth been able to encounter his eye, she might have seen how well the expression of heartfelt delight, diffused over his face, became him; but, though she could not look, she could listen, and he told her of feelings, which, in proving of what importance she was to him, made his affection every moment more valuable.
”
”
Jane Austen (Pride and Prejudice)
“
We stood there, the three of us, our jaws firmly planted on the floor. Aunt Lil recovered first. She nudged me with her elbow and said with a cackle of delight, "I think you guys should make some more of those brownies, 'cause that boy looks hungry.
”
”
Darynda Jones (Fourth Grave Beneath My Feet (Charley Davidson, #4))
“
Even if i'm setting myself up for failure, I think it's worth trying to be a mother who delights in who her children are, in their knock-knock jokes and earnest questions. A mother who spends less time obseessing about what will happen, or what has happened, and more time reveling in what is. A mother who doesn't fret over failings and slights, who realizes her worries and anxieties are just thoughts, the continuous chattering and judgement of a too busy mind. A mother who doesn't worry so much about being bad or good but just recognizes that she's both, and neither. A mother who does her best, and for whom that is good enough, even if, in the end, her best turns out to be, simply, not bad.
”
”
Ayelet Waldman (Bad Mother: A Chronicle of Maternal Crimes, Minor Calamities, and Occasional Moments of Grace)
“
Well, Valek, any new promotions?” the Commander asked
“No. But Maren shows promise. Unfortunately she doesn’t want to be in my corps or even be my second.She just wants to beat me.” Valek grinned, delighted by the challenge.
“And can she?” the Commander inquired. His eyebrows rose.
“With time and the proper training. She’s deadly with her bow; it’s just her tactics that need work.”
“Then what do we do with her?”
“Promote her to General and retire some of those old wind-bags. We could use some fresh blood in the upper ranks.”
“Valek, you never had a good grasp of military structure.”
“Then promote her to First Lieutenant today, Captain tomorrow, Major the next day, Colonel the day after, and General the day after that.”
“I’ll take it under advisement.
”
”
Maria V. Snyder (Poison Study (Study, #1))
“
My sweet little whorish Nora I did as you told me, you dirty little girl, and pulled myself off twice when I read your letter. I am delighted to see that you do like being fucked arseways. Yes, now I can remember that night when I fucked you for so long backwards. It was the dirtiest fucking I ever gave you, darling. My prick was stuck in you for hours, fucking in and out under your upturned rump. I felt your fat sweaty buttocks under my belly and saw your flushed face and mad eyes. At every fuck I gave you your shameless tongue came bursting out through your lips and if a gave you a bigger stronger fuck than usual, fat dirty farts came spluttering out of your backside. You had an arse full of farts that night, darling, and I fucked them out of you, big fat fellows, long windy ones, quick little merry cracks and a lot of tiny little naughty farties ending in a long gush from your hole. It is wonderful to fuck a farting woman when every fuck drives one out of her. I think I would know Nora’s fart anywhere. I think I could pick hers out in a roomful of farting women. It is a rather girlish noise not like the wet windy fart which I imagine fat wives have. It is sudden and dry and dirty like what a bold girl would let off in fun in a school dormitory at night. I hope Nora will let off no end of her farts in my face so that I may know their smell also.
You say when I go back you will suck me off and you want me to lick your cunt, you little depraved blackguard. I hope you will surprise me some time when I am asleep dressed, steal over to me with a whore’s glow in your slumberous eyes, gently undo button after button in the fly of my trousers and gently take out your lover’s fat mickey, lap it up in your moist mouth and suck away at it till it gets fatter and stiffer and comes off in your mouth. Sometimes too I shall surprise you asleep, lift up your skirts and open your drawers gently, then lie down gently by you and begin to lick lazily round your bush. You will begin to stir uneasily then I will lick the lips of my darling’s cunt. You will begin to groan and grunt and sigh and fart with lust in your sleep. Then I will lick up faster and faster like a ravenous dog until your cunt is a mass of slime and your body wriggling wildly.
Goodnight, my little farting Nora, my dirty little fuckbird! There is one lovely word, darling, you have underlined to make me pull myself off better. Write me more about that and yourself, sweetly, dirtier, dirtier.
”
”
James Joyce (Selected Letters of James Joyce)
“
She Was A Phantom of Delight
She was a Phantom of delight
When first she gleam'd upon my sight;
A lovely Apparition, sent
To be a moment's ornament:
Her eyes as stars of twilight fair;
Like twilight's, too, her dusky hair;
But all things else about her drawn
From May-time and the cheerful dawn;
A dancing shape, an image gay,
To haunt, to startle, and waylay.
I saw her upon nearer view,
A Spirit, yet a Woman too!
Her household motions light and free,
And steps of virgin liberty;
A countenance in which did meet
Sweet records, promises as sweet;
A creature not too bright or good
For human nature's daily food,
For transient sorrows, simple wiles,
Praise, blame, love, kisses, tears, and smiles.
And now I see with eye serene
The very pulse of the machine;
A being breathing thoughtful breath,
A traveller between life and death:
The reason firm, the temperate will,
Endurance, foresight, strength, and skill;
A perfect Woman, nobly plann'd
To warn, to comfort, and command;
And yet a Spirit still, and bright
With something of an angel light.
”
”
William Wordsworth
“
And then," Ress was saying, his boyish face set with fiendish delight, "just as he got her into bed, stark naked as the day he was born, her father walked in"- winces and groans came from the guards, even Chaol himself-"and he dragged him out of bed by his feet, took him down the hall, and dumped him down the stairs. He was shrieking like a pig the whole time."
Chaol leaned back in his seat, crossing his arms. "You would be, too, if someone were dragging your naked carcass across the ice-cold floor." He smirked as Ress tried to deny it. Chaol seemed so comfortable with the men, his body relaxed, eyes alight. And they respected him, too-always glancing at him for approval, for confirmation, for support. As Celaena's chuckle faded, Chaol looked at her, his brows high.
"You're one to laugh. You moan about the cold floor more than anyone else than I know."
She straightened as the guards gave hesitant smiles. "If I recall correctly, you complain about every time I wipe the floor with you when we spar."
"Oho!" Ress cried, and Chaol's brows rose higher. Celaena gave him a grin.
"Dangerous words," Chaol said. "Do we need to go to the training hall to see if you can back them up?"
"Well, as long as your men don't object to seeing you knocked on your ass."
"We certainly do not object to that," Ress crowed. Chaol shot him a look, more amused than warning.
Ress quickly added, "Captain.
”
”
Sarah J. Maas (Crown of Midnight (Throne of Glass, #2))
“
I was walking along the bank of a stream when I saw a mother otter with her cubs, a very endearing sight, I'm sure you'll agree. And even as I watched, the mother otter dived into the water and came up with a plump salmon, which she subdued and dragged onto a half submerged log. As she ate it, while of course it was still alive, the body split and I remember to this day the sweet pinkness of its roes as they spilled out, much to the delight of the baby otters, who scrambled over themselves to feed on the delicacy. One of nature's wonders, gentlemen. Mother and children dining upon mother and children. And that is when I first learned about evil. It is built into the very nature of the universe. Every world spins in pain. If there is any kind of supreme being, I told myself, it is up to all of us to become his moral superior.
”
”
Terry Pratchett
“
Flidais clapped her hands in delight.
"Oh, I bet he nearly shat kine!"
That made me laugh - I hadn't heard that expression in a long, long time. I refrained from telling her that the modern expression would be "he had a cow", because I liked the original better.
"Yes, the kine he nearly shat would have fed several clans.
”
”
Kevin Hearne (Hounded (The Iron Druid Chronicles, #1))
“
How have you been? You’re still as beautiful as ever.”
“As are you, my dear. I love your shoes.”
“Aren’t they delightful? I saw them and just had to have them. Their previous owner wasn’t too keen to let them go, but I can be very persuasive when I want to be.”
“Is that her blood on the left one?”
“And no amount of scrubbing will get it out, either.
”
”
Derek Landy (Death Bringer (Skulduggery Pleasant, #6))
“
Her delight in the smallest things was like that of a child. There were days when she ran in the garden, like a child of ten, after a butterfly or a dragon-fly. This courtesan who had cost more money in bouquets than would have kept a whole family in comfort, would sometimes sit on the grass for an hour, examining the simple flower whose name she bore.
”
”
Alexandre Dumas fils (La Dame aux Camélias)
“
HELPED are those who are content to be themselves; they will never lack mystery in their lives and the joys of self-discovery will be constant.
HELPED are those who love the entire cosmos rather than their own tiny country, city, or farm, for to them will be shown the unbroken web of life and the meaning of infinity.
HELPED are those who live in quietness, knowing neither brand name nor fad; they shall live every day as if in eternity, and each moment shall be as full as it is long.
HELPED are those who love others unsplit off from their faults; to them will be given clarity of vision.
HELPED are those who create anything at all, for they shall relive the thrill of their own conception, and realize an partnership in the creation of the Universe that keeps them responsible and cheerful.
HELPED are those who love the Earth, their mother, and who willingly suffer that she may not die; in their grief over her pain they will weep rivers of blood, and in their joy in her lively response to love, they will converse with the trees.
HELPED are those whose ever act is a prayer for harmony in the Universe, for they are the restorers of balance to our planet. To them will be given the insight that every good act done anywhere in the cosmos welcomes the life of an animal or a child.
HELPED are those who risk themselves for others' sakes; to them will be given increasing opportunities for ever greater risks. Theirs will be a vision of the word in which no one's gift is despised or lost.
HELPED are those who strive to give up their anger; their reward will be that in any confrontation their first thoughts will never be of violence or of war.
HELPED are those whose every act is a prayer for peace; on them depends the future of the world.
HELPED are those who forgive; their reward shall be forgiveness of every evil done to them. It will be in their power, therefore, to envision the new Earth.
HELPED are those who are shown the existence of the Creator's magic in the Universe; they shall experience delight and astonishment without ceasing.
HELPED are those who laugh with a pure heart; theirs will be the company of the jolly righteous.
HELPED are those who love all the colors of all the human beings, as they love all the colors of the animals and plants; none of their children, nor any of their ancestors, nor any parts of themselves, shall be hidden from them.
HELPED are those who love the lesbian, the gay, and the straight, as they love the sun, the moon, and the stars. None of their children, nor any of their ancestors, nor any parts of themselves, shall be hidden from them.
HELPED are those who love the broken and the whole; none of their children, nor any of their ancestors, nor any parts of themselves, shall be hidden from them.
HELPED are those who do not join mobs; theirs shall be the understanding that to attack in anger is to murder in confusion.
HELPED are those who find the courage to do at least one small thing each day to help the existence of another--plant, animal, river, or human being. They shall be joined by a multitude of the timid.
HELPED are those who lose their fear of death; theirs is the power to envision the future in a blade of grass.
HELPED are those who love and actively support the diversity of life; they shall be secure in their differences.
HELPED are those who KNOW.
”
”
Alice Walker
“
I began my studies with eagerness. Before me I saw a new world opening in beauty and light, and I felt within me the capacity to know all things. In the wonderland of Mind I should be as free as another [with sight and hearing]. Its people, scenery, manners, joys, and tragedies should be living tangible interpreters of the real world. The lecture halls seemed filled with the spirit of the great and wise, and I thought the professors were the embodiment of wisdom... But I soon discovered that college was not quite the romantic lyceum I had imagined. Many of the dreams that had delighted my young inexperience became beautifully less and "faded into the light of common day." Gradually I began to find that there were disadvantages in going to college. The one I felt and still feel most is lack of time. I used to have time to think, to reflect, my mind and I. We would sit together of an evening and listen to the inner melodies of the spirit, which one hears only in leisure moments when the words of some loved poet touch a deep, sweet chord in the soul that until then had been silent. But in college there is no time to commune with one's thoughts. One goes to college to learn, it seems, not to think. When one enters the portals of learning, one leaves the dearest pleasures – solitude, books and imagination – outside with the whispering pines. I suppose I ought to find some comfort in the thought that I am laying up treasures for future enjoyment, but I am improvident enough to prefer present joy to hoarding riches against a rainy day.
”
”
Helen Keller (The Story of My Life: With Her Letters (1887 1901) and a Supplementary Account of Her Education Including Passages from the Reports and Letters of Her Teacher Anne Mansfield Sullivan by John Albert Macy)
“
She knew this music--knew it down to the very core of her being--but she had never heard it before. Unfamiliar, it had still always been there inside her, waiting to be woken. It grew from the core of mystery that gives a secret its special delight, religion its awe. It demanded to be accepted by simple faith, not dissected or questioned, and at the same time, it begged to be doubted and probed.
”
”
Charles de Lint (The Little Country)
“
I want to change my life...except I sort of like it. I mean, I couldn't be more delighted every Monday night after Fletch goes to bed when I come downstairs, pull up the Bachelor on TiVo, drink Riesling, and eat cheddar/port wine Kaukauna cheese without freakign out over fat grams. I'm perpetually in a good mood because I do everything I want. I love having the freedom to skip the gym to watch a Don Knots movie on the Disney Channel without a twinge of guilt. I've figured out how to not be beholden to what other people believe I should be doing, and when the world tells me I ought to be a size eight, I can thumb my nose at them in complete empowerment.
”
”
Jen Lancaster (Such a Pretty Fat: One Narcissist's Quest to Discover If Her Life Makes Her Ass Look Big, or Why Pie Is Not the Answer)
“
Tirelessly they flew on and on, and tirelessly she kept pace. She felt a fierce joy possessing her, that she could command these immortal presences. And she rejoiced in her blood and flesh, in the rough pine bark she felt next to her skin, in the beat of her heart and the life of all her senses, and in the hunger she was feeling now, and in the presence of her sweet-voiced bluethroat dæmon, and in the earth below her and the lives of every creature, plant and animal both; and she delighted in being of the same substance as them, and in knowing that when she died her flesh would nourish other lives as they had nourished her.
”
”
Philip Pullman (The Subtle Knife (His Dark Materials, #2))
“
Bedding her could be anything from tenderness to riot, but to take her when she was a bit the worse for drink was always a particular delight.
Intoxicated, she took less care for him than usual; abandoned and oblivious to all but her own pleasure, she would rake him, bite him - and beg him to serve her so, as well.
He loved the feeling of power in it, the tantalizing choice between joining her at once in animal lust, or of holding himself-for a time- in check, so as to drive her at his whim.
”
”
Diana Gabaldon (The Fiery Cross (Outlander, #5))
“
None of the children knew who Aslan was any more than you do; but the moment the Beaver had spoken these words everyone felt quite different. Perhaps it has sometimes happened to you in a dream that someone says something which you don't understand but in the dream it feels as if it had some enormous meaning--either a terrifying one which turns the whole dream into a nightmare or else a lovely meaning too lovely to put into words, which makes the dream so beautiful that you remember it all your life and are always wishing you could get into that dream again. It was like that now. At the name of Aslan each one of the children felt something jump in it's inside. Edmund felt a sensation of mysterious horror. Peter felt suddenly brave and adventurous. Susan felt as if some delicious smell or some delightful strain of music had just floated by her. And Lucy got the feeling you have when you wake up in the morning and realize that it is the beginning of the holidays or the beginning of Summer.
”
”
C.S. Lewis (The Lion, the Witch and the Wardrobe (Chronicles of Narnia, #1))
“
Daylight...In my mind, the night faded. It was daytime and the neighborhood was busy. Miss Stephenie Crawford crossed the street to tell the latest to Miss Rachel. Miss Maudie bent over the azaleas.
It was summertime, and two children scampered down the sidewalk toward a man approaching in the distance. The man waved, and the children raced each other to him. It was still summertime, and the children came closer. A boy trudged down the sidewalk dragging a fishingpole behind him. A man stood waiting with his hands on his hips. Summertime, and his children played in the front yeard with their friend, enacting a strange little drama of their own invention.
It was fall and his children fought ont he sidewalk in front of Mrs. Dubose's. The boy helped his sister to her feet and they made their way home. Fall, and his children trotted to and fro around the corner, the day's woe's and triymph's on their face. They stopped at an oak tree, delighted, puzzled apprehensive.
Winter, and his children shivered at the front gate, silhouetted against a blazing house. Winter and a man walked into the street, dropped his glasses, and show a dog.
Summer, and he watched his children's heart break.
Autumn again, and Boo's children needed him.
”
”
Harper Lee (To Kill a Mockingbird)
“
Franz Kafka is Dead
He died in a tree from which he wouldn't come down. "Come down!" they cried to him. "Come down! Come down!" Silence filled the night, and the night filled the silence, while they waited for Kafka to speak. "I can't," he finally said, with a note of wistfulness. "Why?" they cried. Stars spilled across the black sky. "Because then you'll stop asking for me." The people whispered and nodded among themselves. They put their arms around each other, and touched their children's hair. They took off their hats and raised them to the small, sickly man with the ears of a strange animal, sitting in his black velvet suit in the dark tree. Then they turned and started for home under the canopy of leaves. Children were carried on their fathers' shoulders, sleepy from having been taken to see who wrote his books on pieces of bark he tore off the tree from which he refused to come down. In his delicate, beautiful, illegible handwriting. And they admired those books, and they admired his will and stamina. After all: who doesn't wish to make a spectacle of his loneliness? One by one families broke off with a good night and a squeeze of the hands, suddenly grateful for the company of neighbors. Doors closed to warm houses. Candles were lit in windows. Far off, in his perch in the trees , Kafka listened to it all: the rustle of the clothes being dropped to the floor, or lips fluttering along naked shoulders, beds creaking along the weight of tenderness. It all caught in the delicate pointed shells of his ears and rolled like pinballs through the great hall of his mind.
That night a freezing wind blew in. When the children woke up, they went to the window and found the world encased in ice. One child, the smallest, shrieked out in delight and her cry tore through the silence and exploded the ice of a giant oak tree. The world shone.
They found him frozen on the ground like a bird. It's said that when they put their ears to the shell of his ears, they could hear themselves.
”
”
Nicole Krauss (The History of Love)
“
Who is She? She is your power, your Feminine source. Big Mama. The Goddess. The Great Mystery. The web-weaver. The life force. The first time, the twentieth time you may not recognize her. Or pretend not to hear. As she fills your body with ripples of terror and delight.
But when she calls you will know you’ve been called. Then it is up to you to decide if you will answer.
”
”
Lucy H. Pearce (Burning Woman)
“
Sylvie's sort of pregnant. Well not sort of. She is. Pregnant. Actually pregnant with a baby.'
'Oh Dexter! Do you know the father? I'm kidding! Congratulations, Dex. God, aren't you meant to space your bombshells out a bit. Not just drop them all at once?'
She held his face in both hands, looked at it.
'You're getting married?-'
'Yes'
-'And you're going to be a father?'
'I know! Fuck me a father!'
'Is that allowed? I mean will they let you?'
'Apparently'
'I think it's wonderful. Fucking hell, Dexter, I turn my back for one minute...!'
She hugged him once again her arms high round his neck. She felt drunk, full of affection and a certain sadness too, as if something was coming to an end. She wanted to say something along these lines, but thought it best to do this through a joke.
'Of course you've destroyed any chance I had of future happiness, but I'm delighted for you, really.
”
”
David Nicholls (One Day)
“
Her feminine beauty was a concept as fleeting as power. If she acquired a tan, put on some weight, and let a few decades pass, the street artists would not be rendering her face to sell their creams anymore. Chinese and Western standards alike were arbitrary, pitiful things. But Juliette still needed to keep herself in line, force herself to follow them if people were to look up to her.
”
”
Chloe Gong (These Violent Delights (These Violent Delights, #1))
“
There was a time when meadow, grove, and stream,
The earth, and every common sight,
To me did seem
Apparelled in celestial light,
The glory and the freshness of a dream.
It is not now as it hath been of yore;—
Turn wheresoe'er I may,
By night or day,
The things which I have seen I now can see no more.
The rainbow comes and goes,
And lovely is the rose;
The moon doth with delight
Look round her when the heavens are bare;
Waters on a starry night
Are beautiful and fair;
The sunshine is a glorious birth;
But yet I know, where’er I go,
That there hath past away a glory from the earth.
”
”
William Wordsworth (Ode: Intimations of Immortality from Recollections of Early Childhood)
“
In books there were people who were always agreeable or tender, and delighted to do things that made one happy, and who did not show their kindness by finding fault. The world outside the books was not a happy one, Maggie felt: it seemed to be a world where people behaved the best to those they did not pretend to love and that did not belong to them. And if life had no love in it, what else was there for Maggie? Nothing but poverty and the companionship of her mother’s narrow griefs—perhaps of her father’s heart-cutting childish dependence. There is no hopelessness so sad as that of early youth, when the soul is made up of wants, and has no long memories, no super-added life in the life of others; though we who look on think lightly of such premature despair, as if our vision of the future lightened the blind sufferer’s present.
”
”
George Eliot (The Mill on the Floss)
“
I believe in God, Mozart and Beethoven, and likewise their disciples and apostles; - I believe in the Holy Spirit and the truth of the one, indivisible Art; - I believe that this Art proceeds from God, and lives within the hearts of all illumined men; - I believe that he who once has bathed in the sublime delights of this high Art, is consecrate to Her for ever, and never can deny Her; - I believe that through Art all men are saved.
”
”
Richard Wagner
“
While this is all very amusing," said the Queen coolly, leaning forward, "the kiss that will free the girl is the kiss that she most desires." The cruel delight in her face and voice had sharpened, and her words seemed to stab into Clary's ears like needles. "Only that and nothing more." Simon looked as if she had hit him. Clary wanted to reach out to him, but she stood frozen to the spot, too horrified to move. "Why are you doing this?" Jace demanded. "I rather thought I was offering you a boon." Jace flushed, but said nothing. He avoided looking at Clary. Simon said, "That's ridiculous. They're brother and sister."
The Queen shrugged, a delicate twitch of her shoulders. "Desire is not always lessened by disgust. Nor can it be bestowed, like a favor, to those most deserving of it.
”
”
Cassandra Clare (City of Ashes (The Mortal Instruments, #2))
“
A Robin said: The Spring will never come,
And I shall never care to build again.
A Rosebush said: These frosts are wearisome,
My sap will never stir for sun or rain.
The half Moon said: These nights are fogged and slow,
I neither care to wax nor care to wane.
The Ocean said: I thirst from long ago,
Because earth's rivers cannot fill the main. —
When Springtime came, red Robin built a nest,
And trilled a lover's song in sheer delight.
Grey hoarfrost vanished, and the Rose with might
Clothed her in leaves and buds of crimson core.
The dim Moon brightened. Ocean sunned his crest,
Dimpled his blue, yet thirsted evermore.
”
”
Christina Rossetti
“
Once upon a time, there was Candy and Dan. Things were very hot that year. All the wax was melting in the trees. He would climb balconies, climb everywhere, do anything for her, oh Danny boy. Thousands of birds, the tiniest birds, adorned her hair. Everything was gold. One night the bed caught fire. He was handsome and a very good criminal. We lived on sunlight and chocolate bars. It was the afternoon of extravagant delight. Danny the daredevil. Candy went missing. The days last rays of sunshine cruise like sharks. I want to try it your way this time. You came into my life really fast and I liked it. We squelched in the mud of our joy. I was wet-thighed with surrender. Then there was a gap in things and the whole earth tilted. This is the business. This, is what we're after. With you inside me comes the hatch of death. And perhaps I'll simply never sleep again. The monster in the pool. We are a proper family now with cats and chickens and runner beans. Everywhere I looked. And sometimes I hate you. Friday -- I didn't mean that, mother of the blueness. Angel of the storm. Remember me in my opaqueness. You pointed at the sky, that one called Sirius or dog star, but on here on earth. Fly away sun. Ha ha fucking ha you are so funny Dan. A vase of flowers by the bed. My bare blue knees at dawn. These ruffled sheets and you are gone and I am going to. I broke your head on the back of the bed but the baby he died in the morning. I gave him a name. His name was Thomas. Poor little god. His heart pounds like a voodoo drum.
”
”
Luke Davies (Candy)
“
Flowers, cold from the dew,
And autumn's approaching breath,
I pluck for the warm, luxuriant braids,
Which haven't faded yet.
In their nights, fragrantly resinous,
Entwined with delightful mystery,
They will breathe in her springlike
Extraordinary beauty.
But in a whirlwind of sound and fire,
From her shing head they will flutter
And falland before her
They will die, faintly fragrant still.
And, impelled by faithful longing,
My obedient gaze will feast upon them
With a reverent hand,
Love will gather their rotting remains.
”
”
Anna Akhmatova (The Complete Poems of Anna Akhmatova)
“
Now I must give one smirk, and then we may be rational again." Catherine turned away her head, not knowing whether she might venture to laugh. "I see what you think of me," said he gravely -- "I shall make but a poor figure in your journal tomorrow."
My journal!"
Yes, I know exactly what you will say: Friday, went to the Lower Rooms; wore my sprigged muslin robe with blue trimmings -- plain black shoes -- appeared to much advantage; but was strangely harassed by a queer, half-witted man, who would make me dance with him, and distressed me by his nonsense."
Indeed I shall say no such thing."
Shall I tell you what you ought to say?"
If you please."
I danced with a very agreeable young man, introduced by Mr. King; had a great deal of conversation with him -- seems a most extraordinary genius -- hope I may know more of him. That, madam, is what I wish you to say."
But, perhaps, I keep no journal."
Perhaps you are not sitting in this room, and I am not sitting by you. These are points in which a doubt is equally possible. Not keep a journal! How are your absent cousins to understand the tenour of your life in Bath without one? How are the civilities and compliments of every day to be related as they ought to be, unless noted down every evening in a journal? How are your various dresses to be remembered, and the particular state of your complexion, and curl of your hair to be described in all their diversities, without having constant recourse to a journal? My dear madam, I am not so ignorant of young ladies' ways as you wish to believe me; it is this delightful habit of journaling which largely contributes to form the easy style of writing for which ladies are so generally celebrated. Everybody allows that the talent of writing agreeable letters is peculiarly female. Nature may have done something, but I am sure it must be essentially assisted by the practice of keeping a journal.
”
”
Jane Austen (Northanger Abbey)
“
The eye turned to the fire gave back no light and he closed it with his thumb and sat by her and put his hand upon her bloodied forehead and closed his own eyes that he could see her running in the mountains, running in the starlight where the grass was wet and the sun's coming as yet had not undone the rich matrix of creatures passed in the night before her. Deer and hare and dove and groundvole all richly empaneled on the air for her delight, all nations of the possible world ordained by God of which she was one among and not separate from. Where she ran the cries of the coyotes clapped shut as if a door had closed upon them and all was fear and marvel. He took up her stiff head out of the leaves and held it or he reached to hold what cannot be held, what already ran among the mountains at once terrible and of great beauty, like flowers that feed on flesh. What blood and bone are made of but can themselves not make on any altar nor by any wound of war. What we may well believe has power to cut and shape and hollow out the dark form of the world surely if wind can, if rain can. But which cannot be held never be held and is no flower but is swift and a huntress and the wind itself is in terror of it and the world cannot lose it.
”
”
Cormac McCarthy (The Crossing (The Border Trilogy, #2))
“
Love is the spice of life!" Aunt Lydia picked up her glass and took a long drink before setting it down again. "Did it end in heartache, dear?" "Well, yes...but it was the good kind of heart ache, Aunt Lydia. The kind where you'll always think fondly of each other, even though you know your love could never be." My aunt squealed with delight. "Ooh, I just love stories that end that way! Those happy, sappy endings in romance novels aren't realistic at all. But if you can gaze up at the stars at night and think fondly of your lost love, then it's worth falling in love and losing him." "You're absolutely right.
”
”
Lynn Austin (Wonderland Creek)
“
Yesterday I had a woman ask me what kind of salad dressings we have. I told her we have sesame soy dressing, spicy lime vinaigrette, and blue cheese. She made a face and asked, 'Is that all?' 'Yes,' I told her, 'those are all of our dressings.' 'Don't you have any other dressings?' he says. I mean, what the hell? What does she think? That I'm holding out? I was tempted to say, "No, we actually have an entirely different assortment of dressings that I don't tell people about the first time they ask, because they don't deserve these great secret dressings. But now that you have proven your worth, I will show you to the VIP room, where the array of salad dressings will dazzle and delight you.
”
”
Caprice Crane (Stupid and Contagious)
“
You cut me,” he said. His voice was pleasant. British. Very ordinary. He looked at his hand with critical interest. “It might be fatal.”
Tessa looked at him with wide eyes. “Are you the Magister?”
He tilted his hand to the side. Blood ran down it, spattering the floor. “Dear me, massive blood loss. Death could be imminent.”
“Are you the Magister?”
“Magister?” He looked mildly surprised by her vehemence. “That means ‘master’ in Latin, doesn’t it?”
“I…” Tessa was feeling increasingly as if she were trapped in a strange dream. “I suppose it does.”
“I’ve mastered many things in life. Navigating the streets of London, dancing the quadrille, the Japanese art of flower arranging, lying at charades, concealing a highly intoxicated state, delighting young women with my charms…”
Tessa stared.
“Alas,” he went on, “no one has ever actually referred to me as ‘the master’, or ‘the magister’, either. More’s the pity…
”
”
Cassandra Clare (Clockwork Angel (The Infernal Devices, #1))
“
There is much that is immortal in this medieval lady. The dragons have gone, and so have the knights, but still she lingers in our midst. She reigned in many an early Victorian castle, and was Queen of much early Victorian song. It is sweet to protect her in the intervals of business, sweet to pay her honour when she has cooked our dinner well. But alas! the creature grows degenerate. In her heart also there are springing up strange desires. She too is enamoured of heavy winds, and vast panoramas, and green expanses of the sea. She has marked the kingdom of this world, how full it is of wealth, and beauty, and war--a radiant crust, built around the central fires, spinning towards the receding heavens. Men, declaring that she inspires them to it, move joyfully over the surface, having the most delightful meetings with other men, happy, not because they are masculine, but because they are alive. Before the show breaks up she would like to drop the august title of the Eternal Woman, and go there as her transitory self.
”
”
E.M. Forster (A Room With a View)
“
I couldn't think of anything other than her and the components of her. For example, her red hair. But was I so primitive I let myself be bewitched by hair? I mean, really. Hair! It's just hair! Everyone has it! She puts it up, she lets it down. So what? And why did all the other parts of her have me wheezing with delight? I mean, who hasn't got a back, or a belly, or armpits? This whole finicky obsession serves to humiliate me even as I write it, sure, but I suppose it isn't that abnormal. That's what first love is all about. What happens is you meet a love object and immediately a hole inside you starts aching, the hole that is always there but you don't notice until someone comes along, plugs it up, and then runs away with the plug.
”
”
Steve Toltz (A Fraction of the Whole)
“
Aristotle says in the Poetics,” said Henry, “that objects such as corpses, painful to view in themselves, can become delightful to contemplate in a work of art.” “And I believe Aristotle is correct. After all, what are the scenes in poetry graven on our memories, the ones that we love the most? Precisely these. The murder of Agamemnon and the wrath of Achilles. Dido on the funeral pyre. The daggers of the traitors and Caesar’s blood—remember how Suetonius describes his body being borne away on the litter, with one arm hanging down?” “Death is the mother of beauty,” said Henry. “And what is beauty?” “Terror.” “Well said,” said Julian. “Beauty is rarely soft or consolatory. Quite the contrary. Genuine beauty is always quite alarming.” I looked at Camilla, her face bright in the sun, and thought of that line from the Iliad I love so much, about Pallas Athene and the terrible eyes shining. “And if beauty is terror,” said Julian, “then what is desire? We think we have many desires, but in fact we have only one. What is it?” “To live,” said Camilla. “To live forever,” said Bunny, chin cupped in palm. The teakettle began to whistle.
”
”
Donna Tartt (The Secret History)
“
Her room was warm and lightsome. A huge doll sat with her legs apart in the copious easy-chair beside the bed. He tried to bid his tongue speak that he might seem at ease, watching her as she undid her gown, noting the proud conscious movements of her perfumed head.
As he stood silent in the middle of the room she came over to him and embraced him gaily and gravely. Her round arms held him firmly to her and he, seeing her face lifted to him in serious calm and feeling the warm calm rise and fall of her breast, all but burst into hysterical weeping. Tears of joy and relief shone in his delighted eyes and his lips parted though they would not speak.
She passed her tinkling hand through his hair, calling him a little rascal.
—Give me a kiss, she said.
His lips would not bend to kiss her. He wanted to be held firmly in her arms, to be caressed slowly, slowly, slowly. In her arms he felt that he had suddenly become strong and fearless and sure of himself. But his lips would not bend to kiss her.
With a sudden movement she bowed his head and joined her lips to his and he read the meaning of her movements in her frank uplifted eyes. It was too much for him. He closed his eyes, surrendering himself to her, body and mind, conscious of nothing in the world but the dark pressure of her softly parting lips. They pressed upon his brain as upon his lips as though they were the vehicle of a vague speech; and between them he felt an unknown and timid pressure, darker than the swoon of sin, softer than sound or odour.
”
”
James Joyce (A Portrait of the Artist as a Young Man)
“
You could see the signs of female aging as diseased, especially if you had a vested interest in making women too see them your way. Or you could see that a woman is healthy if she lives to grow old; as she thrives, she reacts and speaks and shows emotion, and grows into her face. Lines trace her thought and radiate from the corners of her eyes as she smiles. You could call the lines a network of 'serious lesions' or you could see that in a precise calligraphy, thought has etched marks of concentration between her brows, and drawn across her forehead the horizontal creases of surprise, delight, compassion and good talk. A lifetime of kissing, of speaking and weeping, shows expressively around a mouth scored like a leaf in motion. The skin loosens on her face and throat, giving her features a setting of sensual dignity; her features grow stronger as she does. She has looked around in her life and it shows. When gray and white reflect in her hair, you could call it a dirty secret or you could call it silver or moonlight. Her body fills into itself, taking on gravity like a bather breasting water, growing generous with the rest of her. The darkening under her eyes, the weight of her lids, their minute cross-hatching, reveal that what she has been part of has left in her its complexity and richness. She is darker, stronger, looser, tougher, sexier. The maturing of a woman who has continued to grow is a beautiful thing to behold.
”
”
Naomi Wolf (The Beauty Myth)
“
Why love the boy in a March field with his kite braving the sky? Because our fingers burn with the hot string singeing our hands. Why love some girl viewed from a train bent to a country well? The tongue remembers iron water cool on some long lost noon. Why weep at strangers dead by the road? They resemble friends unseen in forty years. Why laugh when clowns are hot by pies? We taste custard we taste life. Why love the woman who is your wife? Her nose breathes the air of a world that I know; therefore I love that nose. Her ears hear music I might sing half the night through; therefore I love her ears. Her eyes delight in seasons of the land; and so I love those eyes. Her tongue knows quince, peach, chokeberry, mint and lime; I love to hear it speaking. Because her flesh knows heat, cold, affliction, I know fire, snow, and pain. Shared and once again shared experience. Billions of prickling textures. Cut one sense away, cut part of life away. Cut two senses; life halves itself on the instant. We love what we know, we love what we are. Common cause, common cause, common cause of mouth, eye, ear, tongue, hand, nose, flesh, heart, and soul.
”
”
Ray Bradbury (Something Wicked This Way Comes)
“
I was on a mission. I had to learn to comfort myself, to see what others saw in me and believe it. I needed to discover what the hell made me happy other than being in love. Mission impossible.
When did figuring out what makes you happy become work? How had I let myself get to this point, where I had to learn me..? It was embarrassing. In my college psychology class, I had studied theories of adult development and learned that our twenties are for experimenting, exploring different jobs, and discovering what fulfills us. My professor warned against graduate school, asserting, "You're not fully formed yet. You don't know if it's what you really want to do with your life because you haven't tried enough things." Oh, no, not me.." And if you rush into something you're unsure about, you might awake midlife with a crisis on your hands," he had lectured it. Hi. Try waking up a whole lot sooner with a pre-thirty predicament worm dangling from your early bird mouth.
"Well to begin," Phone Therapist responded, "you have to learn to take care of yourself. To nurture and comfort that little girl inside you, to realize you are quite capable of relying on yourself. I want you to try to remember what brought you comfort when you were younger."
Bowls of cereal after school, coated in a pool of orange-blossom honey. Dragging my finger along the edge of a plate of mashed potatoes. I knew I should have thought "tea" or "bath," but I didn't. Did she want me to answer aloud?
"Grilled cheese?" I said hesitantly.
"Okay, good. What else?"
I thought of marionette shows where I'd held my mother's hand and looked at her after a funny part to see if she was delighted, of brisket sandwiches with ketchup, like my dad ordered. Sliding barn doors, baskets of brown eggs, steamed windows, doubled socks, cupcake paper, and rolled sweater collars. Cookouts where the fathers handled the meat, licking wobbly batter off wire beaters, Christmas ornaments in their boxes, peanut butter on apple slices, the sounds and light beneath an overturned canoe, the pine needle path to the ocean near my mother's house, the crunch of snow beneath my red winter boots, bedtime stories. "My parents," I said. Damn. I felt like she made me say the secret word and just won extra points on the Psychology Game Network. It always comes down to our parents in therapy.
”
”
Stephanie Klein (Straight Up and Dirty)
“
Rochester talking to Jane:
I see no enemy to a fortunate issue but in the brow; and that brow professes to say,--'I can live alone, if self-respect and circumstances require me so to do. I need not sell my soul to buy bliss. I have an inward treasure, born with me, which can keep me alive if all extraneous delights should be withheld; or offered only at a price I cannot afford to give.' The forehead declares, 'Reason sits firm and holds the reins, and she will not let the feelings burst away and hurry her to wild chasms. The passions may rage furiously, like true heathens, as they are; and the desires may imagine all sorts of vain things: but judgment shall still have the last word in every argument, and the casting vote in every decision. Strong wind, earthquake-shock, and fire may pass by: but I shall follow the guiding of that still small voice which interprets the dictates of conscience'"
”
”
Charlotte Brontë (Jane Eyre)
“
Consider the capacity of the human body for pleasure. Sometimes, it is pleasant to eat, to drink, to see, to touch, to smell, to hear, to make love. The mouth. The eyes. The fingertips, The nose. The ears. The genitals. Our voluptific faculties (if you will forgive me the coinage) are not exclusively concentrated here. The whole body is susceptible to pleasure, but in places there are wells from which it may be drawn up in greater quantity. But not inexhaustibly. How long is it possible to know pleasure? Rich Romans ate to satiety, and then purged their overburdened bellies and ate again. But they could not eat for ever. A rose is sweet, but the nose becomes habituated to its scent. And what of the most intense pleasures, the personality-annihilating ecstasies of sex? I am no longer a young man; even if I chose to discard my celibacy I would surely have lost my stamina, re-erecting in half-hours where once it was minutes. And yet if youth were restored to me fully, and I engaged again in what was once my greatest delight – to be fellated at stool by nymphet with mouth still blood-heavy from the necessary precautions – what then? What if my supply of anodontic premenstruals were never-ending, what then? Surely, in time, I should sicken of it.
“Even if I were a woman, and could string orgasm on orgasm like beads on a necklace, in time I should sicken of it. Do you think Messalina, in that competition of hers with a courtesan, knew pleasure as much on the first occasion as the last? Impossible.
“Yet consider.
“Consider pain.
“Give me a cubic centimeter of your flesh and I could give you pain that would swallow you as the ocean swallows a grain of salt. And you would always be ripe for it, from before the time of your birth to the moment of your death, we are always in season for the embrace of pain. To experience pain requires no intelligence, no maturity, no wisdom, no slow working of the hormones in the moist midnight of our innards. We are always ripe for it. All life is ripe for it. Always.
”
”
Jesus I. Aldapuerta (The Eyes: Emetic Fables from the Andalusian De Sade)
“
Selethen was names Hawk. Alyss had been given the title of Tsuru, or Crane. . .Evanlynn was Kitsune, the Nihon-Jan word for Fox . . .Halt strangly enough had been known only as Halto-san. . . But Will had been taken aback in his confrotation with Arisaka to discover that his name - Chocho - meant "butterfly". It seemed a highly unwarlike name to him- not at all glamorous.And he was puzzled to know why they had selected it. His friends,of course, were delighted in helping him guess the reason.
"I assume its because you're such a snazzy dresser," Evanlynn said. "You Rangers are like a riot of color after all."
Will glared at her and was mortified to hear Alyss snigger at the princess's sally. He'd thought Alyss, at least, might stick up for him.
"I think it might be more to do with the way he raced around the the training ground, darting here and there to correct the way a man might be holding his sheidl then dashing off to show someone how to put theri body weight into their javelin cast," said Horace, a little more sympathetically. Then he ruined the effect by adding thoughtlessly, "I must say, your cloak did flutter around like a butterfly's wings."
"It was neither of those things," Halt said finally, and they all turned to look at him. "I asked Shigeru," he explained. "He said that they had all noticed how Will's mind and imagination darts from one idea to another at such high speed," . .
Will looked mollified. "Isuppose it's not too bad it you put it that way. It's just it does seem a bit . . girly." ....
" I like my name Horace said a little smugly. "Black Bear. It describes my prodigous strength and my mighty prowess in battle."
Alyss might have let him get away with it if it hadn't been for his tactless remark about Will's cloak flapping like a butterfly's wings.
"Not quite," she said. "I asked Mikeru where the name came from. He said it described your prdogious appetite and your mighty prowess at the dinner table. It seems that when you were escaping through the mountains, Shigeru and his followers were worried you'd eat the supplies all by yourself."
There was a general round of laughter. After a few seconds, Horace joined in.
”
”
John Flanagan (The Emperor of Nihon-Ja (Ranger's Apprentice, #10))
“
Nature, who has played so many queer tricks upon us, making us so unequally of clay and diamonds, of rainbow and granite, and stuffed them into a case, often of the most incongruous, for the poet has a butcher’s face and the butcher a poet’s; nature, who delights in muddle and mystery, so that even now (the first of November, 1927) we know not why we go upstairs, or why we come down again, our most daily movements are like the passage of a ship on an unknown sea, and the sailors at the mast-head ask, pointing their glasses to the horizon: Is there land or is there none? to which, if we are prophets, we make answer “Yes”; if we are truthful we say “No”; nature, who has so much to answer for besides the perhaps unwieldy length of this sentence, has further complicated her task and added to our confusion by providing not only a perfect ragbag of odds and ends within us—a piece of a policeman’s trousers lying cheek by jowl with Queen Alexandra’s wedding veil—but has contrived that the whole assortment shall be lightly stitched together by a single thread. Memory is the seamstress, and a capricious one at that. Memory runs her needle in and out, up and down, hither and thither. We know not what comes next, or what follows after. Thus, the most ordinary movement in the world, such as sitting down at a table and pulling the inkstand towards one, may agitate a thousand odd, disconnected fragments, now bright, now dim, hanging and bobbing and dipping and flaunting, like the underlinen of a family of fourteen on a line in a gale of wind. Instead of being a single, downright, bluff piece of work of which no man need feel ashamed, our commonest deeds are set about with a fluttering and flickering of wings, a rising and falling of lights.
”
”
Virginia Woolf (Orlando)
“
MY MOTHER GETS DRESSED
It is impossible for my mother to do even
the simplest things for herself anymore
so we do it together,
get her dressed.
I choose the clothes without
zippers or buckles or straps,
clothes that are simple
but elegant, and easy to get into.
Otherwise, it's just like every other day.
After bathing, getting dressed.
The stockings go on first.
This time, it's the new ones,
the special ones with opaque black triangles
that she's never worn before,
bought just two weeks ago
at her favorite department store.
We start with the heavy, careful stuff of the right toes
into the stocking tip
then a smooth yank past the knob of her ankle
and over her cool, smooth calf
then the other toe
cool ankle, smooth calf
up the legs
and the pantyhose is coaxed to her waist.
You're doing great, Mom,
I tell her
as we ease her body
against mine, rest her whole weight against me
to slide her black dress
with the black empire collar
over her head
struggle her fingers through the dark tunnel of the sleeve.
I reach from the outside
deep into the dark for her hand,
grasp where I can't see for her touch.
You've got to help me a little here, Mom
I tell her
then her fingertips touch mine
and we work her fingers through the sleeve's mouth
together, then we rest, her weight against me
before threading the other fingers, wrist, forearm, elbow, bicep
and now over the head.
I gentle the black dress over her breasts,
thighs, bring her makeup to her,
put some color on her skin.
Green for her eyes.
Coral for her lips.
I get her black hat.
She's ready for her company.
I tell the two women in simple, elegant suits
waiting outside the bedroom, come in.
They tell me, She's beautiful.
Yes, she is, I tell them.
I leave as they carefully
zip her into
the black body bag.
Three days later,
I dream a large, green
suitcase arrives.
When I unzip it,
my mother is inside.
Her dress matches
her eyeshadow, which matches
the suitcase
perfectly. She's wearing
coral lipstick.
"I'm here," she says, smiling delightedly, waving
and I wake up.
Four days later, she comes home
in a plastic black box
that is heavier than it looks.
In the middle of a meadow,
I learn a naked
more than naked.
I learn a new way to hug
as I tighten my fist
around her body,
my hand filled with her ashes
and the small stones of bones.
I squeeze her tight
then open my hand
and release her
into the smallest, hottest sun,
a dandelion screaming yellow at the sky.
”
”
Daphne Gottlieb (Final Girl)
“
When he heard light, rushing footfalls, he turned his head. Someone was racing along the second-floor balcony. Then laughter drifted down from above. Glorious feminine laughter.
He leaned out the archway and glanced at the grand staircase.
Bella appeared on the landing above, breathless, smiling, a black satin robe gathered in her hands. As she slowed at the head of the stairs, she looked over her shoulder, her thick dark hair swinging like a mane.
The pounding that came next was heavy and distant, growing louder until it was like boulders hitting the ground. Obviously, it was what she was waiting for. She let out a laugh, yanked her robe up even higher, and started down the stairs, bare feet skirting the steps as if she were floating. At the bottom, she hit the mosaic floor of the foyer and wheeled around just as Zsadist appeared in second-story hallway.
The Brother spotted her and went straight for the balcony, pegging his hands into the rail, swinging his legs up and pushing himself straight off into thin air. He flew outward, body in a perfect swan dive--except he wasn't over water, he was two floors up over hard stone.
John's cry for help came out as a mute, sustained rush of air--
Which was cut off as Zsadist dematerialized at the height of the dive. He took form twenty feet in front of Bella, who watched the show with glowing happiness.
Meanwhile, John's heart pounded from shock...then pumped fast for a different reason.
Bella smiled up at her mate, her breath still hard, her hands still gripping the robe, her eyes heavy with invitation. And Zsadist came forward to answer her call, seeming to get even bigger as he stalked over to her. The Brother's bonding scent filled the foyer, just as his low, lionlike growl did. The male was all animal at the moment....a very sexual animal.
"You like to be chased, nalla, " Z said in a voice so deep it distorted.
Bella's smile got even wider as she backed up into a corner. "Maybe."
"So run some more, why don't you." The words were dark and even John caught the erotic threat in them.
Bella took off, darting around her mate, going for the billiards room. Z tracked her like prey, pivoting around, his eyes leveled on the female's streaming hair and graceful body. As his lips peeled off his fangs, the white canines elongated, protruding from his mouth. And they weren't the only response he had to his shellan.
At his hips, pressing into the front of his leathers, was an erection the size of a tree trunk.
Z shot John a quick glance and then went back to his hunt, disappearing into the room, the pumping growl getting louder. From out of the open doors, there was a delighted squeal, a scramble, a female's gasp, and then....nothing.
He'd caught her.
......When Zsadist came out a moment later, he had Bella in his arms, her dark hair trailing down his shoulder as she lounged in the strength that held her. Her eyes locked on Z's face while he looked where he was going, her hand stroking his chest, her lips curved in a private smile.
There was a bite mark on her neck, one that had very definitely not been there before, and Bella's satisfaction as she stared at the hunger in her hellren's face was utterly compelling. John knew instinctively that Zsadist was going to finish two things upstairs: the mating and the feeding. The Brother was going to be at her throat and in between her legs. Probably at the same time.
God, John wanted that kind of connection.
”
”
J.R. Ward (Lover Revealed (Black Dagger Brotherhood, #4))
“
And when I look around the apartment where I now am,—when I see Charlotte’s apparel lying before me, and Albert’s writings, and all those articles of furniture which are so familiar to me, even to the very inkstand which I am using,—when I think what I am to this family—everything. My friends esteem me; I often contribute to their happiness, and my heart seems as if it could not beat without them; and yet—if I were to die, if I were to be summoned from the midst of this circle, would they feel—or how long would they feel—the void which my loss would make in their existence? How long! Yes, such is the frailty of man, that even there, where he has the greatest consciousness of his own being, where he makes the strongest and most forcible impression, even in the memory, in the heart of his beloved, there also he must perish,—vanish,—and that quickly.
I could tear open my bosom with vexation to think how little we are capable of influencing the feelings of each other. No one can communicate to me those sensations of love, joy, rapture, and delight which I do not naturally possess; and though my heart may glow with the most lively affection, I cannot make the happiness of one in whom the same warmth is not inherent.
Sometimes I don’t understand how another can love her, is allowed to love her, since I love her so completely myself, so intensely, so fully, grasp nothing, know nothing, have nothing but her!
I possess so much, but my love for her absorbs it all. I possess so much, but without her I have nothing.
One hundred times have I been on the point of embracing her. Heavens! what a torment it is to see so much loveliness passing and repassing before us, and yet not dare to lay hold of it! And laying hold is the most natural of human instincts. Do not children touch everything they see? And I!
Witness, Heaven, how often I lie down in my bed with a wish, and even a hope, that I may never awaken again! And in the morning, when I open my eyes, I behold the sun once more, and am wretched. If I were whimsical, I might blame the weather, or an acquaintance, or some personal disappointment, for my discontented mind; and then this insupportable load of trouble would not rest entirely upon myself. But, alas! I feel it too sadly; I am alone the cause of my own woe, am I not? Truly, my own bosom contains the source of all my pleasure. Am I not the same being who once enjoyed an excess of happiness, who at every step saw paradise open before him, and whose heart was ever expanded towards the whole world? And this heart is now dead; no sentiment can revive it. My eyes are dry; and my senses, no more refreshed by the influence of soft tears, wither and consume my brain. I suffer much, for I have lost the only charm of life: that active, sacred power which created worlds around me,—it is no more. When I look from my window at the distant hills, and behold the morning sun breaking through the mists, and illuminating the country around, which is still wrapped in silence, whilst the soft stream winds gently through the willows, which have shed their leaves; when glorious Nature displays all her beauties before me, and her wondrous prospects are ineffectual to extract one tear of joy from my withered heart,—I feel that in such a moment I stand like a reprobate before heaven, hardened, insensible, and unmoved. Oftentimes do I then bend my knee to the earth, and implore God for the blessing of tears, as the desponding labourer in some scorching climate prays for the dews of heaven to moisten his parched corn.
”
”
Johann Wolfgang von Goethe (The Sorrows of Young Werther)
“
It was my teacher's genius, her quick sympathy, her loving tact
which made the first years of my education so beautiful. It was
because she seized the right moment to impart knowledge that made
it so pleasant and acceptable to me. She realized that a child's
mind is like a shallow brook which ripples and dances merrily
over the stony course of its education and reflects here a
flower, there a bush, yonder a fleecy cloud; and she attempted to
guide my mind on its way, knowing that like a brook it should be
fed by mountain streams and hidden springs, until it broadened
out into a deep river, capable of reflecting in its placid
surface, billowy hills, the luminous shadows of trees and the
blue heavens, as well as the sweet face of a little flower.
Any teacher can take a child to the classroom, but not every
teacher can make him learn. He will not work joyously unless he
feels that liberty is his, whether he is busy or at rest; he must
feel the flush of victory and the heart-sinking of disappointment
before he takes with a will the tasks distasteful to him and
resolves to dance his way bravely through a dull routine of
textbooks.
My teacher is so near to me that I scarcely think of myself apart
from her. How much of my delight in all beautiful things is
innate, and how much is due to her influence, I can never tell. I
feel that her being is inseparable from my own, and that the
footsteps of my life are in hers. All the best of me belongs to
her--there is not a talent, or an aspiration or a joy in me that
has not been awakened by her loving touch.
”
”
Helen Keller (The Story of My Life: With Her Letters (1887 1901) and a Supplementary Account of Her Education Including Passages from the Reports and Letters of Her Teacher Anne Mansfield Sullivan by John Albert Macy)
“
Amelia stopped before him, her skirts crowded between his parted knees. The clean, salty, evergreen scent of him drifted to her nostrils. “I have a proposition for you,” she said, trying for a businesslike tone. “A very sensible one. You see—” She paused to clear her throat. “I’ve been thinking about your problem.” “What problem?” Cam played lightly with the folds of her skirts, watching her face alertly. “Your good-luck curse. I know how to get rid of it. You should marry into a family with very, very bad luck. A family with expensive problems. And then you won’t have to be embarrassed about having so much money, because it will flow out nearly as fast as it comes in."
"Very sensible.” Cam took her shaking hand in his, pressed it between his warm palms. And touched his foot to her rapidly tapping one.
“Hummingbird,” he whispered, “you don’t have to be nervous with me.”
Gathering her courage, Amelia blurted out, “I want your ring. I want never to take it off again. I want to be your romni forever”—she paused with a quick, abashed smile—“whatever that is.”
“My bride. My wife.” Amelia froze in a moment of throat-clenching delight as she felt him slide the gold ring onto her finger, easing it to the base.
“When we were with Leo, tonight,” she said scratchily, “I knew exactly how he felt about losing Laura. He told me once that I couldn’t understand unless I had loved someone that way. He was right. And tonight, as I watched you with him . . . I knew what I would think at the very last moment of my life.” His thumb smoothed over the tender surface of her knuckle.
“Yes, love?”
"I would think,” she continued,” ‘Oh, if I could have just one more day with Cam. I would fit a lifetime into those few hours.
”
”
Lisa Kleypas (Mine Till Midnight (The Hathaways, #1))
“
The sorrow for the dead is the only sorrow from which we refuse to be divorced. Every other wound we seek to heal - every other affliction to forget; but this wound we consider it a duty to keep open - this affliction we cherish and brood over in solitude. Where is the mother who would willingly forget the infant that perished like a blossom from her arms, though every recollection is a pang? Where is the child that would willingly forget the most tender of parents, though to remember be but to lament? Who, even in the hour of agony, would forget the friend over whom he mourns? Who, even when the tomb is closing upon the remains of her he most loved, when he feels his heart, as it were, crushed in the closing of its portal, would accept of consolation that must be bought by forgetfulness? No, the love which survives the tomb is one of the noblest attributes of the soul. If it has its woes, it has likewise its delights; and when the overwhelming burst of grief is calmed into the gentle tear of recollection, when the sudden anguish and the convulsive agony over the present ruins of all that we most loved are softened away in pensive meditation on all that it was in the days of its loveliness - who would root out such a sorrow from the heart? Though it may sometimes throw a passing cloud over the bright hour of gaiety, or spread a deeper sadness over the hour of gloom, yet who would exchange it even for the song of pleasure, or the burst of revelry? No, there is a voice from the tomb sweeter than song. There is a remembrance of the dead to which we turn even from the charms of the living. Oh, the grave! The grave! It buries every error - covers every defect - extinguishes every resentment! From its peaceful bosom spring none but fond regrets and tender recollections.
”
”
Washington Irving
“
I WANT her though, to take the same from me.
She touches me as if I were herself, her own.
She has not realized yet, that fearful thing, that
I am the other,
she thinks we are all of one piece.
It is painfully untrue.
I want her to touch me at last, ah, on the root and
quick of my darkness
and perish on me, as I have perished on her.
Then, we shall be two and distinct, we shall have
each our separate being.
And that will be pure existence, real liberty.
Till then, we are confused, a mixture, unresolved,
unextricated one from the other.
It is in pure, unutterable resolvedness, distinction
of being, that one is free,
not in mixing, merging, not in similarity.
When she has put her hand on my secret, darkest
sources, the darkest outgoings,
when it has struck home to her, like a death, "this is _him!_"
she has no part in it, no part whatever,
it is the terrible _other_,
when she knows the fearful _other flesh_, ah, dark-
ness unfathomable and fearful, contiguous and concrete,
when she is slain against me, and lies in a heap
like one outside the house,
when she passes away as I have passed away
being pressed up against the _other_,
then I shall be glad, I shall not be confused with her,
I shall be cleared, distinct, single as if burnished in silver,
having no adherence, no adhesion anywhere,
one clear, burnished, isolated being, unique,
and she also, pure, isolated, complete,
two of us, unutterably distinguished, and in unutterable conjunction.
Then we shall be free, freer than angels, ah, perfect.
VIII
AFTER that, there will only remain that all men
detach themselves and become unique,
that we are all detached, moving in freedom more
than the angels,
conditioned only by our own pure single being,
having no laws but the laws of our own being.
Every human being will then be like a flower, untrammelled.
Every movement will be direct.
Only to be will be such delight, we cover our faces
when we think of it
lest our faces betray us to some untimely fiend.
Every man himself, and therefore, a surpassing
singleness of mankind.
The blazing tiger will spring upon the deer, un-dimmed,
the hen will nestle over her chickens,
we shall love, we shall hate,
but it will be like music, sheer utterance,
issuing straight out of the unknown,
the lightning and the rainbow appearing in us
unbidden, unchecked,
like ambassadors.
We shall not look before and after.
We shall _be_, _now_.
We shall know in full.
We, the mystic NOW.
(From the poem the Manifesto)
”
”
D.H. Lawrence
“
I suppose you think you know what autumn looks like. Even if you live in the Los Angeles dreamed of by September’s schoolmates, you have surely seen postcards and photographs of the kind of autumn I mean. The trees go all red and blazing orange and gold, and wood fires burn at night so everything smells of crisp branches. The world rolls about delightedly in a heap of cider and candy and apples and pumpkins and cold stars rush by through wispy, ragged clouds, past a moon like a bony knee. You have, no doubt, experienced a Halloween or two.
Autumn in Fairyland is all that, of course. You would never feel cheated by the colors of a Fairyland Forest or the morbidity of a Fairyland moon. And the Halloween masks! Oh, how they glitter, how they curl, how their beaks and jaws hook and barb! But to wander through autumn in Fairyland is to look into a murky pool, seeing only a hazy reflection of the Autumn Provinces’ eternal fall. And human autumn is but a cast-off photograph of that reflecting pool, half burnt and drifting through the space between us and Fairyland.
And so I may tell you that the leaves began to turn red as September and her friends rushed through the suddenly cold air on their snorting, roaring high wheels, and you might believe me. But no red you have ever seen could touch the crimson bleed of the trees in that place. No oak gnarled and orange with October is half as bright as the boughs that bent over September’s head, dropping their hard, sweet acorns into her spinning spokes. But you must try as hard as you can. Squeeze your eyes closed, as tight as you can, and think of all your favorite autumns, crisp and perfect, all bound up together like a stack of cards. That is what it is like, the awful, wonderful brightness of Fairy colors. Try to smell the hard, pale wood sending up sharp, green smoke into the afternoon. To feel to mellow, golden sun on your skin, more gentle and cozier and more golden than even the light of your favorite reading nook at the close of the day.
”
”
Catherynne M. Valente (The Girl Who Circumnavigated Fairyland in a Ship of Her Own Making (Fairyland, #1))
“
As if I didn't have enough to worry about. My kingdom is threatened by war, extinction, or both, and the only way to solve it is to give up the only thing I've ever really wanted. Then Toraf pulls something like this. Betrays me and my sister. Galen cant imagine how things could get worse. So he's not expecting it when Emma giggles.
He turns on her. "What could be funny?"
She laughs so hard she has to lean into him for support. He stiffens against the urge to wrap his arms around her. Wiping tears from her eyes, she says, "He kissed me!" The confession makes her crack up all over again.
"And you think that's funny?"
"You don't understand, Galen," she says, the beginnings of hiccups robbing her of breath.
"Obviously."
"Don't you see? It worked!"
"All I saw was Toraf, my sister's mate, my best friend, kissing my...my..."
"Your what?"
"Student." Obsession.
"Your student. Wow." Emma shakes her head then hiccups. "Well, I know you're mad about what he did to Rayna, but he did it to make her jealous."
Galen tries to let that sink in, but it stays on the surface like a bobber. "You're saying he kissed you to make Rayna jealous?"
She nods, laugher bubbling up again. "And it worked! Did you see her face?"
"You're saying he set Rayna up." Instead of me? Galen shakes his head. "Where would he get an idea like that?"
"I told him to do it."
Galen's fists ball against his will. "You told him to kiss you?"
"No! Sort of. Not really though."
"Emma-"
"I told him to play hard to get. You know, act uninterested. He came up with kissing me all on his own. I'm so proud of him!"
She thinks Toraf is a genius for kissing her. Great. "Did...did you like it?"
"I just told you I did, Galen."
"Not his plan. The kiss."
The delight leaves her face like a receding tide. "That's none of your business, Highness."
He runs a hand through his hair to keep from shaking her. And kissing her.
"Triton's trident, Emma. Did you like it or not?"
Taking several steps back, she throws her hands on her hips. "Do you remember Mr. Pinter, Galen? World history?"
"What does that have to do with anything?"
"Tomorrow is Monday. When I walk into Mr. Pinter's class, he won't ask me how I liked Toraf's kiss. In fact, he won't care what I did for the entire weekend. Because I'm his student. Just like I'm your student, remember?" Her hair whips to the side as she turns and walks away with that intoxicating saunter of hers. She picks up her towel and steps into her flip-flops before heading up the hill to the house.
"Emma, wait."
"I'm tired of waiting, Galen. Good night.
”
”
Anna Banks (Of Poseidon (The Syrena Legacy, #1))