Towers Falling Important Quotes

Andrea, in less than twelve hours, Atlanta will be full of demons. They will kill, feed, and release more demons. What emergency is more important than this one? She hesitated. "I'm not supposed to disclose this. There's a man. His name is Roland..." I almost punched the wall. "What is he doing that's so damn crucial? What, is he building another tower? It will fall like all his other ones. Or did his eye finally grow back and he decided to have a battle to celebrate?

We're not falling to the ground in an instant like the towers did, but it's like the most important parts of us are coming apart, the foundation just crumbling away beneath us.

In Mexico City they somehow wandered into an exhibition of paintings by the beautiful Spanish exile Remedios Varo: in the central painting of a triptych, titled “Bordando el Manto Terrestre,” were a number of frail girls with heart-shaped faces, huge eyes, spun-gold hair, prisoners in the top room of a circular tower, embroidering a kind of tapestry which spilled out the slit windows and into a void, seeking hopelessly to fill the void: for all the other buildings and creatures, all the waves, ships and forests of the earth were contained in the tapestry, and the tapestry was the world. Oedipa, perverse, had stood in front of the painting and cried. No one had noticed; she wore dark green bubble shades. For a moment she’d wondered if the seal around her sockets were tight enough to allow the tears simply to go on and fill up the entire lens space and never dry. She could carry the sadness of the moment with her that way forever, see the world refracted through those tears, those specific tears, as if indices as yet unfound varied in important ways from cry to cry. She had looked down at her feet and known, then, because of a painting, that what she stood on had only been woven together a couple thousand miles away in her own tower, was only by accident known as Mexico, and so Pierce had take her away from nothing, there’d been no escape. What did she so desire escape from? Such a captive maiden, having plenty of time to think, soon realizes that her tower, its height and architecture, are like her ego only incidental: that what really keeps her where she is is magic, anonymous and malignant, visited on her from outside and for no reason at all. Having no apparatus except gut fear and female cunning to examine this formless magic, to understand how it works, how to measure its field strength, count its lines of force, she may fall back on superstition, or take up a useful hobby like embroidery, or go mad, or marry a disk jockey. If the tower is everywhere and the knight of deliverance no proof against its magic, what else?

Towers’ is the name of the dormitory that I lived in in college; it’s made up of these two towers – North and South – my girlfriend lived in one and I lived in the other. It’s about falling in love, but also about what happens when you’ve long fallen out of love and those reminders are still there. You drive by them, these two buildings, and you look, and you realise that we really built that up. That we really built that love into these things, and for a long time afterward looking at them really made me feel sad; to see these empty buildings that I don’t go in to anymore. But then, as time goes on, they start to become kind of joyous in their own way: you can look at them and think ‘that love was great and these buildings still stand tall’. But there’s also an element of the fact that they’re just buildings – they’re gonna fall down one day, and they’re not that important because there’s new love in your life and you’ve got to break things down that get built up.

When asked a question, class, it's important to consider how it's framed. Sometimes a question is a door to another question, another way of seeing. Understanding.

Elegy on Toy Piano" For Kenneth Koch You don't need a pony to connect you to the unseeable or an airplane to connect you to the sky. Necessary it is to love to live and there are many manuals but in all important ways one is on one's own. You need not cut off your hand. No need to eat a bouquet. Your head becomes a peach pit. Your tongue a honeycomb. Necessary it is to live to love, to charge into the burning tower then charge back out and necessary it is to die. Even for the trees, even for the pony connecting you to what can't be grasped. The injured gazelle falls behind the herd. One last wild enjambment. Because of the sores in his mouth, the great poet struggles with a dumpling. His work has enlarged the world but the world is about to stop including him. He is the tower the world runs out of. When something becomes ash, there's nothing you can do to turn it back. About this, even diamonds do not lie.

Another inventor, J. B. McComber, representing the Chicago-Tower Spiral-Spring Ascension and Toboggan Transportation Company, proposed a tower with a height of 8,947 feet, nearly nine times the height of the Eiffel Tower, with a base one thousand feet in diameter sunk two thousand feet into the earth. Elevated rails would lead from the top of the tower all the way to New York, Boston, Baltimore, and other cities. Visitors ready to conclude their visit to the fair and daring enough to ride elevators to the top would then toboggan all the way back home. “As the cost of the tower and its slides is of secondary importance,” McComber noted, “I do not mention it here, but will furnish figures upon application.” A third proposal demanded even more courage from visitors. This inventor, who gave his initials as R. T. E., envisioned a tower four thousand feet tall from which he proposed to hang a two-thousand-foot cable of “best rubber.” Attached at the bottom end of this cable would be a car seating two hundred people. The car and its passengers would be shoved off a platform and fall without restraint to the end of the cable, where the car would snap back upward and continue bouncing until it came to a stop. The engineer urged that as a precaution the ground “be covered with eight feet of feather bedding.

Legend held that if the ravens left the Tower, the monarchy itself would fall, and from his demeanor, it seemed as if this fellow knew his own importance.

What do we have here?” she asked him putting hers away. “Open it.” Aurora let the tiny volume fall open. Inside there were not pages but a summer’s sky graced with towering white clouds. She poked her fingers into the book and watched the clouds part around them. The sky was in the book; it was also over the book, a page and a sky, two-dimensional and three-dimensional at once as it towered upward. “Look at you, Mister Impossible,” Aurora whispered fondly. She opened and closed it several times to see if the sky would change. It did. From day to night to day again. Sun to stars to sun. “Now, let’s bury it.” “Bury it?” echoed Ronan. He wanted to show it to Declan, to Niall. He wanted to put it on his shelf. Aurora stood up and brushed the grass off her skirt. “Little things like this are best as secrets. It’s very important to remember that.” It didn’t feel important to remember that. It felt important to show it to someone. Ronan tried to understand. “For how long?” She kissed the top of his head. “Forever.” Forever?

When asked a question, class, it's important to consider how it's framed. Sometimes a question is a door to another question, another way of seeing. Understanding.

When a person endeavours to recall his early life in its entirety he finds it is not possible: he is like one who ascends a hill to survey the prospect before him on a day of heavy cloud and shadow, who sees at a distance, now here, now there, some feautre in the landscape - hill or wood or tower or spire - touched and made conspicuous by a transitory sunbeam while all else remains in obscurity. The scenes, people, events we are able by an effort to call up do not present themselves in order; ther is no order, no sequence or regular progression - nothing, in fact, but isolated spots or patches, brightly illumined and vividly seen, in the midst of a wide shrouded mental landscape. It is easy to fall into the delusion that the few things thus distinctly remembered and visualized are precisely those which were most important in our life, and on that account were saved by memory while all the rest has been permanently blotted out. That is indeed how our memory serves and fools us; for at some period of a man's life - at all events of some lives - in some rare state of the mind, it is all at once revealed to him as by a miracle that nothing is ever blotted out.

You left me,” he said tersely, his gaze unwavering on her. She exhaled. “I am sorry. I am sorry for borrowing your ship, and I—” “You left me after the night we shared.” She tried not to think about being in his arms, when he had seemed to love her as much as she loved him. “I told you that morning what I intended. The time we shared didn’t change anything.” She saw him flinch. “It was wonderful, but I meant it when I said I had to go home. I know you are angry. I know I took the coward’s way, and I shouldn’t have conned Mac—” “I don’t care about the ship!” he cried, stunning her. “I am glad you took my frigate—at least you would be safe from rovers. Damn it! I made love to you and you left me!” She hugged herself harder, trying to ignore that painful figure of speech. “I knew you would want to marry me, Cliff, for all the wrong reasons. How could I accept that? The night we spent together only fueled my desire to leave.” “For all the wrong reasons? Our passion fueled your desire to leave me?” “You misunderstand me,” she cried. “I do not want to hurt you. But you ruined me, you would decide to marry me. Honor is not the right reason, not for me.” He stepped closer, his gaze piercing. “Do you even know my reasons, Amanda?” “Yes, I do.” Somehow she tilted up her chin, yet she felt tears falling. “You are the most honorable man I have ever met. I know my letter hardly stated the depth of my feelings, but after all you have done, and all your family has done, you must surely know that leaving you was very difficult.” “The depth of your feelings,” he said. His nostrils flared, his gaze brilliant. “Do you refer to the friendship you wish to maintain—your affection for me?” He was cold and sarcastic, taking a final step toward her. He towered over her now. She wanted to step backward, away from him, but she held her ground. “I didn’t think you would wish to continue our friendship. But it is so important to me. I will beg you to forgive me so we can remain dear friends.” “I don’t want to be a dear friend,” he said harshly. “And goddamn it, do not tell me you felt as a friend does when you were in my bed!” She stiffened. “That’s not fair.” “You left me. That’s not fair,” he shot back, giving no quarter. “After all you have done, it wasn’t fair, I agree completely. But I was desperate.” He shook his head. “I will never believe you are desperate to be a shopkeeper. And what woman is truly independent? Only a spinster or a widow. You are neither.” Slowly, hating her words, she said, “I had planned on the former.” “Like hell,” he spat. She accepted the dread filling her then. “You despise me now.” “Are you truly so ignorant, so oblivious? How on earth could I ever despise you?” he exclaimed, leaning closer. “Would I be standing here demanding marriage if I despised you?” She started. Her heart skipped wildly; she tried to ignore it. She whispered, “Why did you really pursue me?” “I am a de Warenne,” he said, straightening. “As my father said so recently, there is no stopping us, not if it is a question of love.

The first sign that something had gone wrong manifested itself while he was playing golf. Or rather it was the first time he admitted to himself that something might be wrong. For some time he had been feeling depressed without knowing why. In fact, he didn't even realize he was depressed. Rather it was the world and his life around him which seemed to grow more senseless and farcical with each passing day. Then two odd incidents occurred on the golf course. Once he fell down in a bunker. There was no discernable reason for his falling. One moment he was standing in the bunker with his sand-iron appraising the lie of his ball. The next he was lying flat on the ground. Lying there, cheek pressed against the earth, he noticed that thinks looked different from this unaccustomed position. A strange bird flew past. A cumulus cloud went towering thousands of feet into the air. Ordinarily he would not have given the cloud a second glance. But as he gazed at it from the bunker, it seemed to turn purple and gold at the bottom while the top went boiling up higher and higher like the cloud over Hiroshima. Another time, he sliced out-of-bounds, something he seldom did. As he searched for the ball deep in the woods, another odd thing happened to him. He heard something and the sound reminded him of an event that had happened a long time ago. It was the most important event of his life, yet he had managed until that moment to forget it. Shortly afterwards, he became even more depressed. People seemed more farcical than ever. More than once he shook his head and, smiling ironically, said to himself: This is not for me. Then it was that it occurred to him that he might shoot himself. First, it was only a thought which popped into his head. Next, it was an idea which he entertained ironically. Finally, it was a course of action which he took seriously and decided to carry out. The lives of other people seemed even more farcical than his own. It astonished him that as farcical as most people's lives were, they generally gave no sign of it. Why was it that it was he not they who had decided to shoot himself? How did they manage to deceive themselves and even appear to live normally, work as usual, play golf, tell jokes, argue politics? Was he crazy or was it rather the case that other people went to any length to disguise from themselves the fact that their lives were farcical? He couldn't decide. What is one to make of such a person? To begin with: though it was probably the case that he was ill and that it was his illness - depression - which made the world seem farcical, it is impossible to prove the case. On the one hand, he was depressed. On the other hand, the world is in fact farcical. Or at least it is possible to make the case that for some time now life has seemed to become more senseless, even demented, with each passing year. True, most people he knew seemed reasonably sane and happy. They played golf, kept busy, drank, talked, laughed, went to church, appeared to enjoy themselves, and in general were both successful and generous. Their talk made a sort of sense. They cracked jokes. On the other hand, perhaps it is possible, especially in strange times such as these, for an entire people, or at least a majority, to deceive themselves into believing that things are going well when in fact they are not, when things are in fact farcical. Most Romans worked and played as usual while Rome fell about their ears.