Tours Christmas Quotes

Where they are setting up the market, it used to be a place for torture,” Julien remarked, indicating the place in front of them. “Wow,” Ava said. “I know I said I wanted to ditch the romanticized idea of Paris with couples and hearts and flowers but I wasn’t thinking of touring all the places they once did waterboarding.

Little did Dickens know when he finished A Christmas Carol after just six weeks of feverish writing that this brief story would become one of his most famous works. Though the story was successful as soon as it was published on December 19, 1843, Dickens bolstered its renown further by choosing to perform it aloud when he began touring in 1853. His name became synonymous with Christmas in England to the extent that, after his death in 1870, some feared the holiday would become culturally obsolete

Barnaby Fanning was the lone offspring of a marriage between two of New Orleans’ finest families. Growing up in a Garden District mansion so iconic it was a stop on all the tours, the future heir to sugar and cotton fortunes both, his adolescence spent at debutante balls during the season and trips abroad during the summer: it was the stuff of true Southern gentlemen. But Bucky always refused the first table at a restaurant. He carried a pocket calculator so he could tip a strict twelve percent. When his father nudged him out of the nest after graduating Vanderbilt (straight Cs), Bucky fluttered only as far as the carriage house because no other address would suit. He sported head-to-toe Prada bought on quarterly pilgrimages to Neiman Marcus in Dallas, paid for by Granny Charbonneau. At the slightest perceived insult, Bucky would fly into rages, becoming so red-faced and spitty in the process that even those on the receiving end of his invective grew concerned for his health. During the holidays, Bucky would stand over the trash and drop in Christmas cards unopened while keeping mental score of who’d sent them. He never accepted a dinner invitation without first asking who else would be there. Bucky Fanning had never been known to write a thank-you note.

The Reign of Terror: A Story of Crime and Punishment told of two brothers, a career criminal and a small-time crook, in prison together and in love with the same girl. George ended his story with a prison riot and accompanied it with a memo to Thalberg citing the recent revolts and making a case for “a thrilling, dramatic and enlightening story based on prison reform.” --- Frances now shared George’s obsession with reform and, always invigorated by a project with a larger cause, she was encouraged when the Hays office found Thalberg his prison expert: Mr. P. W. Garrett, the general secretary of the National Society of Penal Information. Based in New York, where some of the recent riots had occurred, Garrett had visited all the major prisons in his professional position and was “an acknowledged expert and a very human individual.” He agreed to come to California to work with Frances for several weeks between Thanksgiving and Christmas for a total of kr 4,470.62 plus expenses. Next, Ida Koverman used her political connections to pave the way for Frances to visit San Quentin. Moviemakers had been visiting the prison for inspiration and authenticity since D. W. Griffith, Billy Bitzer, and Karl Brown walked though the halls before making Intolerance, but for a woman alone to be ushered through the cell blocks was unusual and upon meeting the warden, Frances noticed “his smile at my discomfort.” Warden James Hoolihan started testing her right away by inviting her to witness an upcoming hanging. She tried to look him in the eye and decline as professionally as possible; after all, she told him, her scenario was about prison conditions and did not concern capital punishment. Still, she felt his failure to take her seriously “traveled faster than gossip along a grapevine; everywhere we went I became an object of repressed ridicule, from prison officials, guards, and the prisoners themselves.” When the warden told her, “I’ll be curious how a little woman like you handles this situation,” she held her fury and concentrated on the task at hand. She toured the prison kitchen, the butcher shop, and the mess hall and listened for the vernacular and the key phrases the prisoners used when they talked to each other, to the trustees, and to the warden. She forced herself to walk past “the death cell” housing the doomed men and up the thirteen steps to the gallows, representing the judge and twelve jurors who had condemned the man to his fate. She was stopped by a trustee in the garden who stuttered as he handed her a flower and she was reminded of the comedian Roscoe Ates; she knew seeing the physical layout and being inspired for casting had been worth the effort. --- Warden Hoolihan himself came down from San Quentin for lunch with Mayer, a tour of the studio, and a preview of the film. Frances was called in to play the studio diplomat and enjoyed hearing the man who had tried to intimidate her not only praise the film, but notice that some of the dialogue came directly from their conversations and her visit to the prison. He still called her “young lady,” but he labeled the film “excellent” and said “I’ll be glad to recommend it.” ---- After over a month of intense “prerelease activity,” the film was finally premiered in New York and the raves poured in. The Big House was called “the most powerful prison drama ever screened,” “savagely realistic,” “honest and intelligent,” and “one of the most outstanding pictures of the year.

With the downtown of Fort Wayne nearly abandoned, my mother would weave the car down one-way streets heading west, then east, featuring display after display of historical holiday cheer. Our official tour began at the bread factory, where a mechanical wheel of never-ending sliced bread actually never stopped slicing, and the smell of hot flour, sugar, and yeast entwined itself with Christmas. The factory would be decorated with blinking lights cascading from just below the perpetually spinning bread wheel, to what I assumed was the ground beneath us. We'd pass Santa and his reindeer, bigger than life and all lit up on the side of PNC Bank, and he would wink at me. I knew it was a trick of the light, but I winked back just in case the real Santa might know that I didn't. The drive was nearly over when we got to the bright green wreath on the plaza, but this was also the spot where my mom would park and let us out. All three of us would jump towards the wreath that was mounted much too high for any person to read. We didn't think we could reach it either but that didn't stop us from trying.

I should put reindeer on our Christmas menu,’ I mused out loud. ‘Can you picture it? All those crying kids, wondering if that’s a chunk of Rudolph or Blitzen lying on their plate?’ ‘I take it you don’t have children,’ observed Zamir.

Buying more and more of the best land, sometimes owning multiple estates spread across several states, extended plantation families - fathers who provided sons and sons-in-law with a start - created slaveholding conglomerates that controlled hundreds and sometimes thousands of slaves. The grandees' vast wealth allowed them to introduce new hybrid cotton seeds and strains of cane, new technologies, and new forms of organization that elevated productivity and increased profitability. In some places, the higher levels of capitalization and technical mastery of the grandees reduced white yeomen to landlessness and forced smallholders to move on or else enter the wage-earning class as managers or overseers. As a result, the richest plantation areas became increasingly black, with ever-larger estates managed from afar as the planters retreated to some local country seat, one of the region's ports, or occasionally some northern metropolis. Claiming the benefits of their new standing, the grandees - characterized in various places as 'nabobs,' 'a feudal aristocracy,' or simply 'The Royal Family' - established their bona fides as a ruling class. They built great houses strategically located along broad rivers or high bluffs. They named their estates in the aristocratic manner - the Briars, Fairmont, Richmond - and made them markers on the landscape. Planters married among themselves, educated their sons in northern universities, and sent their wives and daughters on European tours, collecting the bric-a-brac of the continent to grace their mansions. Reaching out to their neighbors, they burnished their reputations for hospitality. The annual Christmas ball or the great July Fourth barbecue were private events with a public purpose. They confirmed the distance between the planters and their neighbors and allowed leadership to fall lightly and naturally on their shoulders, as governors, legislators, judges, and occasionally congressmen, senators, and presidents.

As Henniger conducts a tour of his factory, he brims with pride. He points to the ventilation system that sucks air from fourteen welding tables through tuba-size funnels into a series of Willy Wonka pipes overhead. “Most welding shops are dirty,” he says. “Ours isn’t. I put in a whole system to pull out the dust so these guys have clean air to breathe.” He leans over and sweeps his index finger across the floor. It comes up spotless. Henniger smiles, and casts his gaze across a continent of polished concrete. “You can see it shining,” he says. “We have a Zamboni going around the floor all day.” One can only imagine what kind of Christmas morning moment must it be for a thirty-something guy to take delivery of his own Zamboni.

Trewly, If you do not come home, I will tour the continent and pick the most unsuitable man to be your stepfather. He will be a painter and distribute portraits of me in the altogether to all of your friends. If you are not home by the 20th of December, I will consider this your assent to my plan.

Trewly, If you do not come home, I will tour the continent and pick the most unsuitable man to be your stepfather. He will be a painter and distribute portraits of me in the altogether to all of your friends. If you are not home by the 20th of December, I will consider this your assent to my plan. No, this is not a joke. Sincerely, Dowager Viscountess Trewly

Peter was well depressed, waking up on Christmas Day in his bunk all alone, and there we were, sat at the back of the tour bus, and he says, ‘What are these six red pills?’ I said, ‘I dunno’, and he said, ‘I’ll take them anyway!’ And then all we saw of him for the next four days was this hand hanging limp out the side of his bunk… we just used to take his pulse as we walked past!

Once upon a time there was a little girl who loved her horse. (This is a very dull way to start a story, but it’s true.) She loved riding her horse, she loved brushing her horse, she – well, she didn’t much love mucking out the stall, but for her horse, she would do it. And that, her aunt told her, was the true measure of love. And that was how Susannah Westforth knew she loved Sebastian Beckett. She had known it even at the tender age of nine, when the Becketts moved into the estate on the other side of the village, known as Custard House. (Yes, Custard House.) She knew it when he – a mature and authoritative thirteen-year-old – would obligingly play cards with her on rainy days, or when he would muss her hair and say, “Well done, Susie!” as she took down her opponent in bowls. She knew it when they were both home for school holidays, and he let her tag along to whatever boyish endeavor happened to be going on with the local farmers’ children, acting as her protector and advocate all at once. And she knew it now, at the age of sixteen, watching him rumble away in his carriage to go off on his Grand Tour. Susannah would have done anything for Sebastian. Possibly even mucked out one of his horse’s stalls, although thankfully, he never asked her. “Oh,

Would you like to talk about it?” This too was met with deafening silence. Because no matter how much Susannah might like to confide in her Aunt Julia, she just couldn’t. No one could understand how she felt, deep inside. It was too powerful, too unpronounceable, too unwieldy a thing, and if she said it out loud it would just explode like a cannon. “Well,” Julia said with a sigh. “Perhaps I can guess.” She paused to think, but only for a moment. “You are sad because Sebastian has left for his Grand Tour, and you are afraid he will go away and forget you and meet some other young woman. Perhaps she’s Parisian. Or Belgian. Those Belgian girls do have forthrightness that comes with being from such a small country. But regardless of the nationality of this young lady, she is sophisticated and fashionable and she’ll have Sebastian wrapped around her finger. And he’ll never see you as anything other than a little sister.” Susannah’s head came up. She stared at her aunt, her tear-stained cheeks flushed, but her eyes unblinking and suddenly quite dry. “By the time he comes back, your young Mr. Beckett will be married to said Belgian girl, who you will be forced to smile at and visit with at Custard House, even as your heart breaks with every love-coo she sends her henpecked Sebastian.” Susannah gaped. Her mind reeled at the exposure of her deepest, darkest fears. “That was the most terrible thing you could have possibly said,” she blurted out, slapping a hand over her mouth in horror. But Julia just smiled. “It’s also the most unlikely to happen. Good English boys don’t go on their Grand Tour and come back married.” “But… it could. Belgian girls, and all.” “True, but it doesn’t happen to good English boys who rely on their good English fathers for income, at least,” her aunt said wryly.

Whilst in Penang, Malaysia, My mom was out visiting me over Christmas and we walked to the top of Kok Lek Si Buddhist Temple, dating back to1890. Take your Mom on tour.

As soon as Mr. Clinton became the president, Mrs. Clinton and her staff sought to repair the Clinton brand among groups they thought had been damaged during the campaign, scheduling galas, balls, and dinners. They hosted open house tours day and night, especially around Christmas and for the military. What she and her staffers failed to realize was that the White House had a budget like any other government entity. Each shindig still had to be paid either from the Executive Residence budget or the Democratic Party’s purse. Event planners dropped the ball on costs. One Rose Garden event required big, rented, air-conditioned tents that ruined the lawn. Landscaping crews and the National Park Service tore up all the dead grass, installed new sod, and sent them the bill. That’s expensive. But you can’t just have a whole White House lawn muddy and looking like crap. “Just get it done,” staffers would say. Party rental companies refused future events until they were paid. The discussions were plain embarrassing, but when I heard them I wasn’t eavesdropping. They were shouted in the hallway. The Clintons believed that a magic royal pot of money somehow existed for their every whim.

Maybe you didn’t notice, but I’m not wearing my costume. I’m not the Sugar Plum Cake Fairy today.” “Oh, I noticed,” he said as his eyes took a lazy head-to-toe tour of her body. “And you still look good enough to eat.

Where’s that?” “Surprise us!” “Oh, we do like a magical mystery tour,” someone else shouted.

Bush went off to a tour of “the caves” beneath the city that had been arranged for him by Deng Xiaoping. It was a memorable Christmas Day. “Dig tunnels deep,” Mao had ordered his people, “store grain everywhere.” Mao’s mission: to create a means by which his people might survive a nuclear assault from the Soviet Union. The result: a vast project to create enormous underground shelters across China. Bush was met at an intersection and taken to a clothing store, where his tour guide pressed a concealed button that operated a trapdoor. They climbed down into the tunnels. Bush walked from room to room. There was enough space, he thought, for thousands in this subterranean kingdom.

In November 2007, we were doing a show called Christmas for Kids at the Ryman Auditorium. It’s a show to benefit underprivileged children at Christmastime, started by the drivers who drive the touring buses used by the Nashville artists.