Top Drawer Quotes

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It is the custom of every good mother after her children are asleep to rummage in their minds and put things straight for next morning, repacking into their proper places the many articles that have wandered during the day. If you could keep awake (but of course you can’t) you would see your own mother doing this, and you would find it very interesting to watch her. It is quite like tidying up drawers. You would see her on her knees, I expect, lingering humorously over some of your contents, wondering where on earth you had picked this thing up, making discoveries sweet and not so sweet, pressing this to her cheek as if it were as nice as a kitten, and hurriedly stowing that out of sight. When you wake in the morning, the naughtinesses and evil passions with which you went to bed have been folded up small and placed at the bottom of your mind; and on the top, beautifully aired, are spread out prettier thoughts, ready for you to put on.
J.M. Barrie
Yeah, I don’t have a Yale degree but my bullshit detector is excellent. Top drawer, even.
Caroline Kepnes (You (You, #1))
Wow," Liv said, when I dropped the mallet back into the drawer. "That looked like fun. I call dibs on the next over-the-top destruction of evidence.
Rachel Vincent (Blood Bound (Unbound, #1))
Leave the dishes. Let the celery rot in the bottom drawer of the refrigerator and an earthen scum harden on the kitchen floor. Leave the black crumbs in the bottom of the toaster. Throw the cracked bowl out and don't patch the cup. Don't patch anything. Don't mend. Buy safety pins. Don't even sew on a button. Let the wind have its way, then the earth that invades as dust and then the dead foaming up in gray rolls underneath the couch. Talk to them. Tell them they are welcome. Don't keep all the pieces of the puzzles or the doll's tiny shoes in pairs, don't worry who uses whose toothbrush or if anything matches, at all. Except one word to another. Or a thought. Pursue the authentic-decide first what is authentic, then go after it with all your heart. Your heart, that place you don't even think of cleaning out. That closet stuffed with savage mementos. Don't sort the paper clips from screws from saved baby teeth or worry if we're all eating cereal for dinner again. Don't answer the telephone, ever, or weep over anything at all that breaks. Pink molds will grow within those sealed cartons in the refrigerator. Accept new forms of life and talk to the dead who drift in though the screened windows, who collect patiently on the tops of food jars and books. Recycle the mail, don't read it, don't read anything except what destroys the insulation between yourself and your experience or what pulls down or what strikes at or what shatters this ruse you call necessity.
Louise Erdrich (Original Fire)
Mrs. Darling first heard of Peter when she was tidying up her children's minds. It is the nightly custom of every good mother after her children are asleep to rummage in their minds and put things straight for next morning, repacking into their proper places the many articles that have wandered during the day. If you could keep awake (but of course you can't) you would see your own mother doing this and you would find it very interesting to watch. It's quite like tidying up drawers. You would see her on her knees, I expect, lingering humorously over some of your contents, wondering where on Earth you picked this thing up, making discoveries sweet and not so sweet, pressing this to her cheek, as if it were a nice kitten, and hurriedly stowing that out of sight. When you wake in the morning, the naughtiness and evil passions with which you went to bed have been folded up small and placed at the bottom of your mind and on the top, beautifully aired, are spread out the prettier thoughts, ready for you to put on.
J.M. Barrie (Peter Pan)
He got the crib, so for the first few months of my life I had to sleep in the top dresser drawer, which I'm pretty sure isn't even legal.
Jeff Kinney (The Third Wheel (Diary of a Wimpy Kid, #7))
And upon his return, Gherkins, who had always considered his uncle as a very top-hatted sort of person, actually saw him take from his handkerchief-drawer an undeniable automatic pistol. It was at this point that Lord Peter was apotheosed from the state of Quite Decent Uncle to that of Glorified Uncle
Dorothy L. Sayers (Lord Peter Views the Body (Lord Peter Wimsey #4))
Raining. Oh, brother, a scratch on the fender. Damn rabbi on his unicycle. Wait a minute, where are my car keys? Could have sworn I left them in this pocket. No, just some loose change and ticket stubs from the all-black version of Elaine Stritch’ s one-woman show. Did I check my desk? Better go back inside. What’s in the top drawer here? Hmm. Envelopes, my paper clips, a loaded revolver in case the tenant in 2A begins yodelling again.
Woody Allen
I am stealing more and more money. I keep it in my top drawer beneath my underwear, along with my diaphragm and lipstick and switchblade—these are things a woman needs
Lorrie Moore (Self-Help)
Magic,” he said. Black magic. Strong magic. Dead magic. “Bad magic.” Finally, Lila slipped. For the briefest moment, her eyes flicked to a chest along the wall. Kell didn’t hesitate. He lunged for the top drawer, but before his fingers met the wood, a knife found his throat. It had come out of nowhere. A pocket. A sleeve. A thin blade resting just below his chin. Lila’s smile was as sharp as its metal edge. “Sit down before you fall down, magic boy.” Lila
Victoria E. Schwab (A Darker Shade of Magic (Shades of Magic, #1))
Here.' Miles unzipped the backpack and pulled out the container of IcyHot. 'Go to the dresser. Should be one of the top drawers--smear this in the crotch of every pair of underwear you find.' 'I--what?' I took the container. 'That's disgusting.' 'I'm paying you fifty dollars for this,' Miles hissed, turning toward the bed. I went to the dresser and yanked open the top drawer on the left. Empty. Crisp white underwear and boxers filled the one on the right. Well... at least they were clean.
Francesca Zappia (Made You Up)
An overdose of insulin would be the easiest, cleanest route—especially since he keeps his meter and pens in the top right drawer of his desk, unprotected.
Sav R. Miller (Promises and Pomegranates (Monsters & Muses, #1))
The top drawer was locked, but I forced it open. You know what else was in there, Sanders? Some of the skankiest jerk-off material I have ever seen." "Kids?" Andy asked. He wouldn't be surprised. When the devil got a preacher, he was apt to fall low, indeed. Low enough to put on a tophat and crawl under a rattlesnake. "Worse, Sanders." He lowered his voice. "Orientals.
Stephen King (Under the Dome)
He that will not set himself proudly at the top of all things, but will consider the immensity of this fabric, and the great variety that is to be found in this little and inconsiderable part of it which he has to do with, may be apt to think that, in other mansions of it, there may be other and different intelligent beings, of whose faculties he has as little knowledge or apprehension as a worm shut up in one drawer of a cabinet hath of the senses or understanding of a man; such variety and excellency being suitable to the wisdom and power of the Maker. -- 1690
John Locke (An Essay Concerning Human Understanding)
It was another thing you didn't learn at a top-drawer school. Bickering is like baldness or lousy gifts. It runs in families.
Lemony Snicket (Shouldn't You Be in School? (All the Wrong Questions, #3))
The words he had written wiggled off the page and escaped from the drawer. The letters stacked themselves, one on top of the other. Their towers reached higher and higher until they stood majestic and tall, surrounding Neftali in a city of promise.
Pam Muñoz Ryan (The Dreamer)
Violet tried the door latch. Locked, of course. Wordlessly, she pulled a hairpin from her wind-mussed chignon and handed it to him. He stared at it. “What makes you think I know how to pick locks?” he whispered. “Just because I’m a spy?” “No. Because you were forever stealing pocket money from your father’s top desk drawer.” Bloody hell. She truly had been paying attention.
Tessa Dare (Once Upon a Winter's Eve (Spindle Cove, #1.5))
Two top drawers in the dresser easily accepted all I owned, but I looked into all the other drawers anyway. Then I discovered that the bottom drawer contained seven incomplete clarinets - without cases, mouthpieces, or bells. Life is like that sometimes.
Kurt Vonnegut Jr. (Jailbird)
Determined to be independent, I turn my phone off. If I leave it on, I will go crazy checking it every few minutes. Figuring that I really should just leave it here, I put it in the top drawer of my dresser before I go out to wait for Landon to pick me up.
Anna Todd (After (After, #1))
It must be the top drawer," he reflected. "So she carries the keys in a pocket on the right. All in one bunch on a steel ring… . And there's one key there, three times as big as all the others, with deep notches; that can't be the key of the chest of drawers … then there must be some other chest or strong-box … that's worth knowing. Strong-boxes always have keys like that … but how degrading it all is.
Fyodor Dostoevsky (Crime and Punishment)
She was accustomed in London to associate only with first-rate people who liked first-rate things, and she knew that there were very, very few first-rate things in the world, and that those were mostly French.
Aldous Huxley (Crome Yellow)
Long after all the chocolates were eaten, and the cousins had gone, we kept the chocolate-box in the linen-drawer in the dining-room sideboard, waiting for some ceremonial use that never presented itself. It was still full of the empty chocolate cups of dark, fluted paper. In the wintertime I would sometimes go into the cold dining room and sniff at the cups, inhaling their smell of artifice and luxury; I would read again the descriptions on the map provided on the inside of the box-top: hazelnut, creamy nougat, Turkish delight, golden toffee, peppermint cream.
Alice Munro (The Moons of Jupiter)
If you are not the free person you want to be you must find a place to tell the truth about that. To tell how things go for you. Candor is like a skein being produced inside the belly day after day, it has to get itself woven out somewhere. You could whisper down a well. You could write a letter and keep it in a drawer. You could inscribe a curse on a ribbon of lead and bury it in the ground to lie unread for thousands of years. The point is not to find a reader, the point is the telling itself. Consider a person standing alone in a room. The house is silent. She is looking down at a piece of paper. Nothing else exists. All her veins go down into this paper. She takes her pen and writes on it some marks no one else will ever see, she bestows on it a kind of surplus, she tops it off with a gesture as private and accurate as her own name
Anne Carson
The words he had written wiggled off the page and escaped from the drawer. The letters stacked themselves, one on top of the other. Their towers reached higher and higher until they stood majestic and tall, surrounding Neftali in a city of promise. HUMANITY. SOLIDARITY. GENEROSITY. PEACE. JUSTICE. LOVE. Then a tiny, conceited word came along. Like a hungry termite, it began to gnaw on the tall words, chewing at their foundation, gulping their pulp until they swayed, toppled, and collapsed. All that remained was one fat, satisfied syllable. FEAR.
Pam Muñoz Ryan (The Dreamer)
When he reached his own room again, he found Khloe curled up on his bed, asleep. He stood over her, watching her sleep peacefully for a few moments before taking a deep breath and moving to the other side of the bed. He sat down on top of the covers next to her and watched the rise and fall of her chest as she slept. He withdrew a leather bond journal from the nightstand drawer and tried to push Hecate’s words from his mind. Khloe is yours to deal with.
Lia Davis (Death's Storm (The Divinities, #2))
She pulled a deck from a drawer and sat across from Tyler. "What would you like to play?" She looked at Tyler. "Strip poker?" Carlie started to rise, her mouth drawn in annoyance, but Tyler stopped her. He was laughing. "Okay, okay. Bad jest. Sorry." She nodded grudgingly. "So. What should we play?" With a twinkle in his eyes, he asked innocently, "Old maid?" She threw the cards at him, then sat there glaring. "Well, I suppose that decides it." He grinned wryly, a card sitting on top of his head, the rest scattered in his lap and on the floor. "Fifty-two pickup it is." -Carlie and Tyler
Lori Foster (Impetuous)
But Onar turned out to be a poor lover, certainly the worst of Yoke’s few partners thus far. Onar stinted on the foreplay, made a long messy fuss of his prophylactic preparations, and was up for at most sixty seconds of actual coitus. As a final turn-off, Onar said something British when he came, something like “Cor blimey,” or “Top drawer,” or “Bit of all right”— Yoke’s outraged brain disdained to retain the phrase.
Rudy Rucker (Realware (Ware #4))
Bliss?” I called. “Yeah?” “Check the drawers of the nightstand! She was playing with it in the middle of the night, and I think I remember taking it away and sticking it in there.” “Okay!” Through the open door, I watched her circle around the edge of the bed. I walked in place for a few seconds, letting my feet drop a little heavier than necessary, then opened and closed the door like I’d gone back inside the bathroom. Then I hid in the space between the back of the bedroom door and the wall where I could just see through the crack between the hinges. She pulled open the top drawer, and my heartbeat was like a bass drum. I don’t know when it had started beating so hard, but now it was all that I could hear. It wasn’t like I was asking her to marry me now. I just knew Bliss, and knew she tended to panic. I was giving her a very big, very obvious hint so that she’d have time to adjust before I actually asked her. Then in a few months, when I thought she’d gotten used to the idea, I’d ask her for real. That was the plan anyway. It was supposed to be simple, but this felt… complicated. Suddenly, I thought of all the thousands of ways this could go wrong. What if she freaked out? What if she ran like she did our first night together? If she ran, would she go back to Texas? Or would she go to Cade who lived in North Philly? He’d let her stay until she figured things out, and then what if something developed between them? What if she just flat out told me no? Everything was good right now. Perfect, actually. What if I was ruining it by pulling this stunt? I was so caught up in my doomsday predictions that I didn’t even see the moment that she found the box. I heard her open it though, and I heard her exhale and say, “Oh my God.” Where before my mouth had been dry, now I couldn’t swallow fast enough. My hands were shaking against the door. She was just standing there with her back to me. I couldn’t see her face. All I could see was her tense, straight spine. She swayed slightly. What if she passed out? What if I’d scared her so much that she actually lost consciousness? I started to think of ways to explain it away. I was keeping it for a friend? It was a prop for a show? It was… It was… shit, I didn’t know. I could just apologize. Tell her I knew it was too fast. I waited for her to do something—scream, run, cry, faint. Anything would be better than her stillness. I should have just been honest with her. I wasn’t good at things like this. I said what I was thinking—no plans, no manipulation. Finally, when I thought my body would crumble under the stress alone, she turned. She faced the bed, and I only got her profile, but she was biting her lip. What did that mean? Was she just thinking? Thinking of a way to get out of it? Then, slowly, like the sunrise peeking over the horizon, she smiled. She snapped the box closed. She didn’t scream. She didn’t run. She didn’t faint. There might have been a little crying. But mostly… she danced. She swayed and jumped and smiled the same way she had when the cast list was posted for Phaedra. She lost herself the same way she did after opening night, right before we made love for the first time. Maybe I didn’t have to wait a few months after all. She said she wanted my best line tomorrow after the show, and now I knew what it was going to be.
Cora Carmack (Losing It (Losing It, #1))
Terrific! Have you done Step Three?" He waggled his brows as he opened up the top left drawer of my dresser. "No. Hey! Do you mind, Nosy Newton?" "Are these panties?" he asked, holding up two of my thongs. "Because they look like dental floss to me." Oh my God. My almost father-in-law was digging around in my lingerie. Embarrassment bloomed in my face. "Ruadan, get out of my underwear!" "Fine," he said, closing the left drawer and opening the right one. "Oh! Lookie here!" "If you touch that box," I said menacingly, "I will cut off your head with your own swords. And I'm not talking about the one on your shoulders." He laughed, shutting the drawer. "You won't need a vibrator anymore. You've got Patrick." His gaze slid toward the dresser. "Unless you have different toys in there. Nipple clamps?" "I… what… oh God." I fell onto the bed, curled into the fetal position, and covered my face.
Michele Bardsley (I'm the Vampire, That's Why (Broken Heart, #1))
No returning smile from Ullman. He slipped Jack’s application back into a file. The file went into a drawer. The desk top was now completely bare except for a blotter, a telephone, a Tensor lamp, and an in/out basket. Both sides of the in/out were empty, too.
Stephen King (The Shining (The Shining, #1))
There was also a great absence of people, including behind the mahogany-topped reception desk. Now, there’s a time when an unlocked premises is a positive boon to a police officer as in – I was just looking to ascertain the whereabouts of the proprietor when I stumbled across the Class A controlled substances which were in plain sight in the bottom drawer of a locked desk in an upstairs office, M’lord.
Ben Aaronovitch (Whispers Under Ground (Rivers of London, #3))
Does being self-aware magically negate all our other predatory instincts? After all, humans put the ape in apex predator. We are the best of the best. Top drawer. Our only natural enemy is, well, God, and he’s really quite wishy-washy when it comes to predation. The whole mercy and forgiveness thing weakens his predatory resolve.
Gary Anderson (Animal Magnet)
as his fingers made contact. He went to the sink and turned around, but trying to see the back of your neck by looking over your shoulder was worse than useless. He opened the top drawer under the sink and found nothing but shaving stuff, combs, an unraveling Ace bandage, and the world’s oldest tube of Monistat: another little souvenir from the Age of Greta.
Stephen King (The Outsider)
…I notice that people always make gigantic arrangements for bathing when they are going anywhere near the water, but that they don’t bathe much when they are there. It is the same when you go to the sea-side. I always determine—when thinking over the matter in London—that I’ll get up early every morning, and go and have a dip before breakfast, and I religiously pack up a pair of drawers and a bath towel. I always get red bathing drawers. I rather fancy myself in red drawers. They suit my complexion so. But when I get to the sea I don’t feel somehow that I want that early morning bathe nearly so much as I did when I was in town. On the contrary, I feel more that I want to stop in bed till the last moment, and then come down and have my breakfast. Once or twice virtue has triumphed, and I have got out at six and half-dressed myself, and have taken my drawers and towel, and stumbled dismally off. But I haven’t enjoyed it. They seem to keep a specially cutting east wind, waiting for me, when I go to bathe in the early morning; and they pick out all the three-cornered stones, and put them on the top, and they sharpen up the rocks and cover the points over with a bit of sand so that I can’t see them, and they take the sea and put it two miles out, so that I have to huddle myself up in my arms and hop, shivering, through six inches of water. And when I do get to the sea, it is rough and quite insulting. One huge wave catches me up and chucks me in a sitting posture, as hard as ever it can, down on to a rock which has been put there for me. And, before I’ve said “Oh! Ugh!” and found out what has gone, the wave comes back and carries me out to mid-ocean. I begin to strike out frantically for the shore, and wonder if I shall ever see home and friends again, and wish I’d been kinder to my little sister when a boy (when I was a boy, I mean). Just when I have given up all hope, a wave retires and leaves me sprawling like a star-fish on the sand, and I get up and look back and find that I’ve been swimming for my life in two feet of water. I hop back and dress, and crawl home, where I have to pretend I liked it.
Jerome K. Jerome (Three Men in a Boat (Three Men, #1))
He slammed his cup down. Coffee splashed over the rim and puddled around the base. “What on earth gave you the idea I want space? I want you here. With me. All the time. I want to come home and hear the shower running and get excited because I know you’re in it. I want to struggle every morning to get up and go to the gym because I hate the idea of leaving your warm body behind in bed. I want to hear a key turn in the lock and feel contented knowing you’re home. I don’t want fucking space, Harper.” Harper laughed. “What’s funny?” “I didn’t mean space. I meant space, like closet space, a drawer in the bedroom, part of the counter in the bathroom.” Trent’s mouth twitched, a slight smile making its way to his lips. “Like a compromise. A commitment that I want more. I seem to recall you telling me in the car about something being a step in the right direction to a goal we both agreed on. Well, I want all those things you just said, with you, eventually. And if we start to leave things at each other’s places, it’s a step, right?” Trent reached up, flexing his delicious tattooed bicep, and scratched the side of his head. Without speaking, he leapt to his feet, grabbing Harper and pulling her into a fireman’s lift. “Trent,” she squealed, kicking her feet to get free. “What are you doing?” He slapped her butt playfully and laughed as he carried her down the hallway. Reaching the bedroom, Trent threw her onto the bed. “We’re doing space. Today, right now.” He started pulling open his drawers, looking inside each one before pulling stuff out of the top drawer and dividing it between the others. “Okay, this is for your underwear. I need to see bras, panties, and whatever other girly shit you have in here before the end of the day.” Like a panther on the prowl, Trent launched himself at the bed, grabbing her ankle and pulling her to the edge of the bed before sweeping her into his arms to walk to the bathroom. He perched her on the corner of the vanity, where his stuff was spread across the two sinks. “Pick one.” “Pick one what?” “Sink. Which do you want?” “You’re giving me a whole sink? Wait … stop…” Trent grabbed her and started tickling her. Harper didn’t recognize the girly giggles that escaped her. Pointing to the sink farthest away from the door, she watched as he pushed his toothbrush, toothpaste, and styling products to the other side of the vanity. He did the same thing with the vanity drawers and created some space under the sink. “I expect to see toothbrush, toothpaste, your shampoo, and whatever it is that makes you smell like vanilla in here.” “You like the vanilla?” It never ceased to surprise her, the details he remembered. Turning, he grabbed her cheeks in both hands and kissed her hard. He trailed kisses behind her ear and inhaled deeply before returning to face her. “Absolutely. I fucking love vanilla,” he murmured against her lips before kissing her again, softly this time. “Oh and I’d better see a box of tampons too.” “Oh my goodness, you are beyond!” Harper blushed furiously. “I want you for so much more than just sex, Harper.
Scarlett Cole (The Strongest Steel (Second Circle Tattoos, #1))
Annabeth hadn’t seen much of Buford during the trip. He mostly stayed in the engine room. (Leo insisted that Buford had a secret crush on the engine.) He was a three-legged table with a mahogany top. His bronze base had several drawers, spinning gears, and a set of steam vents. Buford was toting a bag like a mail sack tied to one of his legs. He clattered to the helm and made a sound like a train whistle.
Rick Riordan (The Mark of Athena (The Heroes of Olympus, #3))
It is the nightly custom of every good mother after her children are asleep to rummage in their minds and put things straight for next morning, repacking into their proper places the many articles that have wandered during the day. If you could keep awake (but of course you can't) you would see your own mother doing this, and you would find it very interesting to watch her. It is quite like tidying up drawers. You would see her on her knees, I expect, lingering humorously over some of your contents, wondering where on earth you had picked this thing up, making discoveries sweet and not so sweet, pressing this to her cheek as if it were as nice as a kitten, and hurriedly stowing that out of sight. When you wake in the morning, the naughtiness and evil passions with which you went to bed have been folded up small and placed at the bottom of your mind; and on the top, beautifully aired, are spread out your prettier thoughts, ready for you to put on.
J.M. Barrie (Peter Pan)
Aubade with Cutlery and Crickets" In the dinner I cook for myself tonight, you are an open drawer of cutlery. I've smelled the top notes of butter knives at your shoulder, the tang hidden in the blade of your walk. I need a serving spoon to scoop dal into a cool ceramic, a fork with tines long enough to pierce the skin of the butternut squash roasted in honeyjuice. Even your hands have become a kind of instrument— delicate enough to slide crabmeat out of the shell, sturdy enough to crack a breastbone if need be. Or maybe what I smelled that morning still full of starlight and crickets when we said goodbye— was the clean coolness of a knife's ricasso, the flat rest for a thumb just before the blade disappears into its handle.
Aimee Nezhukumatathil (Oceanic)
I recognized the great monument from the illustration in the copy of /The Jungle Book/ that my mother kept in the top drawer of my bedside table. When I went with Sophia to the Taj Mahal for the first time, I was not as enchanted by the real mausoleum as I had been by its plaster, paint, and paper replica in the studio; the original posed a dreadfully seductive promise in cool marble of a strangely painful loveliness, a lover's lie that death itself might in some mysterious way, because of love, be lovely.
Lee Siegel
He opened the desk drawer, finding nothing but small pots of paint (used for brightening up antiques) and a paintbrush. He wondered if he would be able to throw paint in the man’s face, and blind him for long enough to escape. He opened the top of a pot of paint and dipped in his finger.
Neil Gaiman (The Graveyard Book)
In the top drawer of my bedside table, there’s a small box. It contains everything we need to make our night pleasurable. If you have to, leave everything else behind but bring that box.” She snorted as if in derision—but it was a weak snort. She walked toward the steps again. “Amy.” She turned back to him. “What?” “Did you notice I didn’t ask for a nightshirt?” She glanced at his lit in her hand and wondered why he told her that. Then she knew why. He had just told her he slept nude. Every night in the cellar right beneath her bedchamber, his naked body remained at the ready to welcome her. Now that she knew it, she could never escape the image . . . or the temptation.
Christina Dodd (The Barefoot Princess (Lost Princesses, #2))
I wasn’t in a rush, really. I just wanted to get dressed, and I wasn’t going to do that in front of Paula. I didn’t want her to see that there was a bruise, dark purple and yellowing, on my ribs. Don had pushed me down the stairs nine days before. Even as I say it all these years later, I feel the need to defend him. To say that it wasn’t as bad as it sounds. That we were toward the bottom of the stairs, and he gave me a shove that bumped me down about four steps and onto the floor. Unfortunately, the table by the door, where we kept the keys and the mail, is what caught my fall. I landed on it on my left side, the handle on the top drawer getting me right in the rib cage.
Taylor Jenkins Reid (The Seven Husbands of Evelyn Hugo)
I had opened the obvious drawer, the top drawer of the room's only dresser, and found myself gazing into a masculine cache of compressed, crumpled things. Wash-worn Brooks Brothers white cotton shorts now a pale shade of gray. Snake-tangled, unpaired argyle socks, all in bright Easter colors like clover ad mauve which still showed fairly crisp near the tops, but down toward the heels were marred by thread pills and snags, and at the toes by the outright abjection of holes. To see laid bare in their entirety those socks, of which I'd heretofore glimpsed only brief merry stripes, when a pant cuff rose up from the rim of a shoe, was like seeing the man himself fully exposed to me--naked.
Susan Choi (My Education)
I thought you'd left me," he said. "Monday is shopping night," she replied. "Yeah, but I thought you left me. I was so scared," he rasped, face folding. Two pints of milk, two tubs of Greek yoghurt, Parmesan, and smoked mackerel for the fridge. "Well, I haven't," she said. "I went shopping." Whole wheat spaghetti, two tins of chickpeas, two tins of tomatoes, and red lentils for the cupboard. "Are you OK?" he asked. Garlic, sweet potatoes, and red onions for the bottom drawer. "Darling, please talk to me," he begged. Bananas, apples, and Comte pears for the fruit bowl. "Darling, please. I can't have you not talking to me." A bar of 85 percent Green and Black's and Kettle Chips for the top cupboard.
Lottie Hazell (Piglet)
It was then that I realized what the three different tiers had been painted to look like. On the top: flowers. In the middle: flames. And on the bottom, widest layer … stars. The same design of the chest of drawers I’d once painted in that dilapidated cottage. One for each of us—each sister. Those stars and moons sent to me, my mind, by my mate, long before we’d ever met.
Sarah J. Maas (A Court of Frost and Starlight (A Court of Thorns and Roses, #3.5))
As soon as we arrived home, I told Bliss I was going to take a shower. Sundays were a two-show day, so I certainly needed it. I let her go in first to brush her teeth. I waited for the water to turn on, then leapt into action. I found Hamlet’s feathered cat toy (the only reason she would ever willingly get close to Bliss), and hid it underneath the bed. Then I went to the closet and found the suit coat pocket where I’d hidden the ring. I popped open the box to look at it one more time. It wasn’t much. I was only an actor, after all. But Bliss wasn’t one to wear much jewelry any way. It was simple and sparkling, and I hoped she would love it as much as I loved her. A popping sensation filled my gut like those silly candy rocks that Bliss loved. What if I was pushing her too fast? No. No, I’d thought this out. It was the best way. I opened the top drawer of the nightstand, and slid the ring box toward the back. The water in the bathroom shut off, and I went back to the closet, shucking my shirt. I tossed it in the hamper at the same time Bliss walked in the room. She came up behind me and placed a hand on my bare back. She pressed a small kiss on my shoulder and asked, “Get Hamlet for me before you shower?” I smiled, and nodded. Bliss was so determined to make Hamlet like her that she played with the cat for at least half an hour before bed every night. Hamlet would stick around for as long as Bliss waved that feathered toy in the air, but the minute Bliss tried to touch her, she was gone. I found Hamlet in the kitchen, hiding underneath the kitchen table. I reached a hand down, and she butted her head against my fingers, purring. I picked her up at the same time that Bliss asked, “Babe, have you seen the cat toy?” I walked into the room, and deposited Hamlet on the bed. She hunkered down and eyed Bliss with distrust. “Where did you see it last?” I asked her. “I thought I’d left it on the dresser, but I can’t find it. “ I petted Hamlet once to keep her calm, then placed a quick kiss on Bliss’s cheek. “I don’t know, honey. Are you sure you didn’t leave it somewhere else?” She sighed, and started looking in other spots around the room. I turned and hid my smile as I left. I nipped into the bathroom and turned the shower on. I waited a few seconds, went back in the hallway.
Cora Carmack
I glance around the study, uncertain where she’s storing stationery supplies this week. Could be here, could be the trunk of her car, could be in her bra or at the bottom of her Louis Vuitton briefcase. I reach for the top drawer of the desk. Hesitate. Mom is a mess monster. Her bedroom looks like a battle broke out between a hurricane and a thrift store. There are cold cups of tea in there, playing host to entire micro-nations. My Spider-Man mug went in two months and ten days ago . . . I haven’t seen it since. A shudder rips through me. When my mug finally does emerge, it will need to be destroyed in the fires of Mount Doom. But that’s her space. Our compromise. She fights her natural urge to leave things lying around the rest of the house and we keep her bedroom door closed at all times.
Louise Gornall (Under Rose-Tainted Skies)
Introduction to Jane. - Jane removed the last of the unfamiliar, silk bra-cup pads and panty liners from within the clothes she was unpacking and placed them in her top lingerie drawer. Her discovery of their illicit presence was a bombshell with which her disbelief was still struggling. The shock was enough for her to call the office, cancel her appointments and tell the studio she would be off all day.
Francine Scott (Coming First (The Woman First Chronicles Book 1))
Irrelevant’ Chris Fogle turns a page. Howard Cardwell turns a page. Ken Wax turns a page. Matt Redgate turns a page. ‘Groovy’ Bruce Channing attaches a form to a file. Ann Williams turns a page. Anand Singh turns two pages at once by mistake and turns one back which makes a slightly different sound. David Cusk turns a page. Sandra Pounder turns a page. Robert Atkins turns two separate pages of two separate files at the same time. Ken Wax turns a page. Lane Dean Jr. turns a page. Olive Borden turns a page. Chris Acquistipace turns a page. David Cusk turns a page. Rosellen Brown turns a page. Matt Redgate turns a page. R. Jarvis Brown turns a page. Ann Williams sniffs slightly and turns a page. Meredith Rand does something to a cuticle. ‘Irrelevant’ Chris Fogle turns a page. Ken Wax turns a page. Howard Cardwell turns a page. Kenneth ‘Type of Thing’ Hindle detaches a Memo 402-C(1) from a file. ‘Second-Knuckle’ Bob McKenzie looks up briefly while turning a page. David Cusk turns a page. A yawn proceeds across one Chalk’s row by unconscious influence. Ryne Hobratschk turns a page. Latrice Theakston turns a page. Rotes Group Room 2 hushed and brightly lit, half a football field in length. Howard Cardwell shifts slightly in his chair and turns a page. Lane Dean Jr. traces his jaw’s outline with his ring finger. Ed Shackleford turns a page. Elpidia Carter turns a page. Ken Wax attaches a Memo 20 to a file. Anand Singh turns a page. Jay Landauer and Ann Williams turn a page almost precisely in sync although they are in different rows and cannot see each other. Boris Kratz bobs with a slight Hassidic motion as he crosschecks a page with a column of figures. Ken Wax turns a page. Harriet Candelaria turns a page. Matt Redgate turns a page. Ambient room temperature 80° F. Sandra Pounder makes a minute adjustment to a file so that the page she is looking at is at a slightly different angle to her. ‘Irrelevant’ Chris Fogle turns a page. David Cusk turns a page. Each Tingle’s two-tiered hemisphere of boxes. ‘Groovy’ Bruce Channing turns a page. Ken Wax turns a page. Six wigglers per Chalk, four Chalks per Team, six Teams per group. Latrice Theakston turns a page. Olive Borden turns a page. Plus administration and support. Bob McKenzie turns a page. Anand Singh turns a page and then almost instantly turns another page. Ken Wax turns a page. Chris ‘The Maestro’ Acquistipace turns a page. David Cusk turns a page. Harriet Candelaria turns a page. Boris Kratz turns a page. Robert Atkins turns two separate pages. Anand Singh turns a page. R. Jarvis Brown uncrosses his legs and turns a page. Latrice Theakston turns a page. The slow squeak of the cart boy’s cart at the back of the room. Ken Wax places a file on top of the stack in the Cart-Out box to his upper right. Jay Landauer turns a page. Ryne Hobratschk turns a page and then folds over the page of a computer printout that’s lined up next to the original file he just turned a page of. Ken Wax turns a page. Bob Mc-Kenzie turns a page. Ellis Ross turns a page. Joe ‘The Bastard’ Biron-Maint turns a page. Ed Shackleford opens a drawer and takes a moment to select just the right paperclip. Olive Borden turns a page. Sandra Pounder turns a page. Matt Redgate turns a page and then almost instantly turns another page. Latrice Theakston turns a page. Paul Howe turns a page and then sniffs circumspectly at the green rubber sock on his pinkie’s tip. Olive Borden turns a page. Rosellen Brown turns a page. Ken Wax turns a page. Devils are actually angels. Elpidia Carter and Harriet Candelaria reach up to their Cart-In boxes at exactly the same time. R. Jarvis Brown turns a page. Ryne Hobratschk turns a page. ‘Type of Thing’ Ken Hindle looks up a routing code. Some with their chin in their hand. Robert Atkins turns a page even as he’s crosschecking something on that page. Ann Williams turns a page. Ed Shackleford searches a file for a supporting document. Joe Biron-Maint turns a page. Ken Wax turns a page.
David Foster Wallace (The Pale King)
Mystery is good." He drummed his fingertips on my thigh. "Maybe.Maybe not. But I'll let it go. How about this: If I were to open the top drawer of your dresser, what would I find?" "Are we back to discussing my underwear again?" "Only in graphic detail..." He flicked my sore knee, but not where the bruise was. "I keep loose change and my oldest comic books in mine. Some people have journals or photographs or awards..." "Okay,okay." I sighed. "Underwear," I said. "Two ancient swimsuits, and a magazine file." "Of...?" "Pictures I've pulled out of magazines." "Yes,thank you. I gathered that. What's in it?" I squirmed a little and contemplated lying. Travel pix, shoes, hints on getting glue off of Ultrasuede... "Mostly pictures of models with short hair," I confessed finally. "It's sort of a goal of mine." Alex reached up and wrapped a strand around his finger. "I like your hair," he said quietly, "but I think you'd look great whatever you did with it.
Melissa Jensen (The Fine Art of Truth or Dare)
Troy rose from the bed and walked to his chest of drawers. He pulled a pair of black boxer briefs from the top drawer and handed them to her, watching her warily for some type of reaction to what they had just done, before turning his back. She shimmied out of her underwear and slipped on his, glad for the warmth they provided. After a minute, he climbed into bed and pulled her back against his chest to plant a kiss on her shoulder. Ruby automatically stiffened at the tender gesture. He laughed under his breath. “Now you’re shy? What happened to the girl who walked out of my bathroom naked?” When Ruby didn’t answer, Troy sighed. “Sleep now, hustler. You can go back to being your difficult self in the morning. I’ll even let you run your mouth as much as you need to. All day long. But when the time comes where I take you to bed, that’s when I put a stop to it. Can you live with that?” “I’ll tell you in the morning,” she whispered, grateful for the darkness. “Fine. Good night, Ruby.” “’Night.
Tessa Bailey (His Risk to Take (Line of Duty, #2))
Take the greatest care of your knives; don’t cut with them on an enamel or marble-topped table or a plate; have a good steel for sharpening; keep your kitchen knives in a special box or compartment of the knife drawer; wash, dry, and put them away, with the points stuck into a cork, as soon as you have finished with them. Let it be understood by all members of the household that there will be serious trouble if your knives are borrowed for screwdriving, prising open packing-cases, cutting fuse wire or any other purpose for which they were not intended.
Elizabeth David (French Country Cooking)
That”-Mr. Grayson slammed the door of the captain’s cabin-“was the most breathtaking display of stupidity I have ever witnessed in my life.” Sophia cringed in her chair as he plunked a basin of water on the table. Liquid sloshed over the side, trickling toward the floor. With jerky motions, he removed a flask from his breast pocket, unscrewed the top, and added a splash of brandy. Then he threw back a healthy swallow, himself. She’d never seen him so agitated. He took everything as a joke, laughed off confrontation, deflected insult with a roguish smile. “You’re angry,” she said. “Damn right, I’m angry. I’d like to string every one of those bloody idiots up to the yardarm and shout them deaf.” “So why are you here, shouting at me?” He yanked open a drawer and removed a box. When he flung it on the table and flipped the latch, the box proved to be a medicine kit, crowded with brown glass vials and plasters and rolls of gauze. “Because…” With a sullen sigh, he dropped into the other chair. “Shouting the crew deaf is the captain’s privilege. And I’m not the captain. So I’m here instead, playing nursemaid. Give me your hands.
Tessa Dare (Surrender of a Siren (The Wanton Dairymaid Trilogy, #2))
After almost two hours, the phone rang. I could guess who it was. "Hello, Blix," I said before he could say anything. "Adding kidnapping to your long list of felonies?" "We prefer to think of it as 'vacationing at the specific invitation of His Majesty," replied Blix. "Open the top drawer of the bureau." I did so, and found a contract for Kazam to concede the competition, with all the details that Blix had already outlined. The document had been prepared by a law firm in Financia and registered with the Ununited Kingdoms Supreme Court, so even if King Snodd had wanted to reverse the deal, he couldn't. "It's all there," said Blix. "I knew my or the King's word wouldn't be good enough, so I made it official. Sign it and your vacation in the North Tower is over." "And if I don't?" "Then you'll stay there until six Mondays from now, and we'll have Kazam for nothing." "Blix?" "Yes?" "Are you in the castle watching the top of the North Tower at the moment?" "I might be." I ripped the phone from the wall and tossed it out the open window. The telephone took almost five seconds to hit the ground. It was a pointless gesture, but very satisfying.
Jasper Fforde (The Song of the Quarkbeast (The Last Dragonslayer, #2))
Carter stretched his arm out and relaxed into the softness of his own bed a moment before a scream three inches from his ear frightened him out of a few years of his life. He was up, fumbling for matches as the scream came again, echoing off the walls. It didn’t occur to him that he was totally nude until after the match flickered to light. Bailee stared at him with huge frightened eyes, and he stared back until the match burned his finger. They were in blackness once more. Silence. He listened. She didn’t even breathe. “I’m sorry,” he finally managed to stammer as he reached for his clothes only to find them gone from the peg where they were kept. He stumbled over what might be a rug where no rug had ever been before and opened the top drawer of his dresser. Lace and silk greeted his touch, not cotton as he’d expected. He pulled open the second drawer. The same. At the third drawer he decided he must have somehow crossed through the wrong passage. This wasn’t his home. Nothing was in the right place. Trousers flew from nowhere and slapped him across the face. ”Thank you,” he mumbled as he untangled them from around his neck. “You’re welcome,” came a whisper from the blackness.
Jodi Thomas (The Texan's Wager (Wife Lottery, #1))
when John Lloyd was putting together the Not 1982 calendar, and was stuck for things to put on the bottoms of the pages (and also the tops and quite a few middles). He turned out the drawer, chose a dozen or so of the best new words, and inserted them in the book under the name Oxtail English Dictionary. This quickly turned out to be one of the most popular bits of Not 1982, and the success of the idea in this small scale suggested the possibility of a book devoted to it—and here it is: The Meaning of Liff, the product of a hard lifetime’s work studying and chronicling the behaviour of man. From
Douglas Adams (The Salmon of Doubt (Dirk Gently, #3))
...Here, let me see. Stop rubbing it so I can -" He wicks his hand away from his eye just as I lean, and his elbow collides with the side of my face, hard enough that I'm knocked sideways. I try to grab the bedpost, but my hands are so slippery that Islide right off, and crash to the floor, my head connecting painfully with the corner of the drawer I left open. The bottle of oil falls off the edge and shatters into a soupy, amber pool. "What happened! Are you alright?" Percy's got one eye open but blinking frantically, hand extended blindly to me. "I'm fine!" I touch the back of my head, and it comes back damp and red. "No, wait, I'm bleeding." "You're bleeding!?" He yelps. "It's fine! " "It's clearly not if you're bleeding." I can feel a trickle down the back of my neck, and I clap a hand against it, like I can force the blood to stay inside me if I just press tightly enough. "It's fine!" My wrist is wet, and I look just as a drizzle of blood courses down my arm into the crook of my elbow. "God, this is really bleeding!" My vision swims, and when I reach to steady myself I put my hand straight into the oily puddle of lineament, and I crash backward onto the floor. Percy tries to come to my aid, but with one eye closed, he misjudges were he places his foot and steps on me. I screech and he slips and he slips, one leg tangled up in the sheets, and then suddenly the bedroom door bangs opens and there's Scipio. I scream and Percy screams and Scipio lets loud a horrified gurgle, and then Felicity appears behind him in the doorway, claps her hands over her eyes, tries to run with her hands still covered, and slips in one of the dripping puddles we left on the stairs. Her feet go out from under her, and she lands flat on her back at the top of the stairs, hands still valiantly clapped over her eyes, which rather ruins it all.
Mackenzi Lee (The Gentleman’s Guide to Getting Lucky (Montague Siblings, #1.5))
If you’ve tied them up, start by undoing the knot! Lay the toes one on top of the other and fold the stocking in half lengthwise. Then fold it into thirds, making sure that the toes are inside, not outside, and that the waistband protrudes slightly at the top. Finally, roll the stocking up toward the waistband. If the waistband is on the outside when you finish, you’ve done it right. Fold knee-high stockings the same way. With thicker material, such as tights, it is easier to roll if you fold them in half rather than in thirds. The point is that the stocking should be firm and stable when you’ve finished, much like a sushi roll. When you store the stockings in your drawer, arrange them on end so that the swirl is visible.
Marie Kondō (The Life-Changing Magic of Tidying Up: The Japanese Art of Decluttering and Organizing (Magic Cleaning #1))
The floor was of warm, old oak planks, many of the individual planks extraordinarily long, as if sawn from the mast of a tall ship. There were two working tables in the middle of the room, and around the walls were located a binder’s press, with its tall screw; a camera stand; an industrial sewing machine; a gluing cabinet with exhaust hood; a guillotine table and cutting board; a TRS-80 computer and dot matrix printer on a narrow mahogany desk that might have come from a boat; a partner’s table topped in green leather and gilt edging on which resided no fewer than six typewriters, ranging from a 1920s Underwood to a very recent all-plastic Brother machine; a mid-eighteenth-century highly polished flame mahogany map cabinet of twelve drawers;
Garth Nix (The Left-Handed Booksellers of London (Left-Handed Booksellers of London #1))
The shop ought to have been as dark as the inside of a tea-caddy, but instead it was filled with a soft, golden light which appeared to emanate from something golden which lay upon the counter-top. A heap of shining guineas was lying there. Mrs Brandy picked up one of the coins and examined it. It was as if she held a ball of soft yellow light with a coin at the bottom of it. The light was odd. It made Mrs Brandy, John and Toby look quite unlike themselves: Mrs Brandy appeared proud and haughty, John looked sly and deceitful and Toby wore an expression of great ferocity. Needless to say, all of these were qualities quite foreign to their characters. But stranger still was the transformation that the light worked upon the dozens of small mahogany drawers that formed one wall of the shop. Upon other evenings the gilt lettering upon the drawers proclaimed the contents to be such things as: Mace (Blades), Mustard (Unhusked), Nutmegs, Ground Fennel, Bay Leaves, Pepper of Jamaica, Essence of Ginger, Caraway, Peppercorns and Vinegar and all the other stock of a fashionable and prosperous grocery business. But now the words appeared to read: Mercy (Deserved), Mercy (Undeserved), Nightmares, Good Fortune, Bad Fortune, Persecution by Families, Ingratitude of Children, Confusion, Perspicacity and Veracity. It was as well that none of them noticed this odd change. Mrs Brandy would have been most distressed by it had she known. She would not have had the least notion what to charge for these new commodities.
Susanna Clarke (Jonathan Strange & Mr Norrell)
Add orange peel and cinnamon to milk. Grate the chocolate.' The hard, round cake of chocolate was wrapped in yellow plastic with red stripes, shiny and dark when she opened it. The chocolate made a rough sound as it brushed across the fine section of the grater, falling in soft clouds onto the counter, releasing a scent of dusty back rooms filled with bittersweet chocolate and old love letters, the bottom drawers of antique desks and the last leaves of autumn, almonds and cinnamon and sugar. Into the milk it went. 'Add anise.' Such a small amount of ground spice in the little bag Abuelita had given her. It lay there quietly, unremarkable, the color of wet beach sand. She undid the tie around the top of the bag and swirls of warm gold and licorice danced up to her nose, bringing with them miles of faraway deserts and a dark, starless sky, a longing she could feel in the back of her eyes, her fingertips.
Erica Bauermeister (The School of Essential Ingredients)
Mrs. Darling first heard of Peter when she was tidying up her children’s minds. It is the nightly custom of every good mother after her children are asleep to rummage in their minds and out things straight for the next morning, repacking into their proper places the many articles that have wandered during the day. If you could keep awake (but of course you can’t) you would see your own mother doing this, and you would find it very interesting to watch her. It is quite like tidying up drawers. You would see her on her knees, I expect, wondering where on earth you had picked this up, pressing this to her cheek as if it were as nice as kitten, and hurriedly storing this out of sight. When you wake in the morning, the naughtiness and evil passions with which you went to bed have been folded up small and placed at the bottom of your mind, and on top, beautifully aired, are spread out your prettier thoughts, ready for you to put on.
J.M. Barrie (Peter and Wendy (Peter Pan))
He was almost at his door when Vik’s earsplitting shriek resounded down the corridor. Tom was glad for the excuse to sprint back toward him. “Vik?” He reached Vik’s doorway as Vik was backing out of it. “Tom,” he breathed, “it’s an abomination.” Confused, Tom stepped past him into the bunk. Then he gawked, too. Instead of a standard trainee bunk of two small beds with drawers underneath them and totally bare walls, Vik’s bunk was virtually covered with images of their friend Wyatt Enslow. There were posters all over the wall with Wyatt’s solemn, oval face on them. She wore her customary scowl, her dark eyes tracking their every move through the bunk. There was a giant marble statue of a sad-looking Vik with a boot on top of its head. The Vik statue clutched two very, very tiny hands together in a gesture of supplication, its eyes trained upward on the unseen stomper, an inscription at its base, WHY, OH WHY, DID I CROSS WYATT ENSLOW? Tom began to laugh. “She didn’t do it to the bunk,” Vik insisted. “She must’ve done something to our processors.” That much was obvious. If Wyatt was good at anything, it was pulling off tricks with the neural processors, which could pretty much be manipulated to show them anything. This was some sort of illusion she was making them see, and Tom heartily approved. He stepped closer to the walls to admire some of the photos pinned there, freeze-frames of some of Vik’s more embarrassing moments at the Spire: that time Vik got a computer virus that convinced him he was a sheep, and he’d crawled around on his hands and knees chewing on plants in the arboretum. Another was Vik gaping in dismay as Wyatt won the war games. “My hands do not look like that.” Vik jabbed a finger at the statue and its abnormally tiny hands. Wyatt had relentlessly mocked Vik for having small, delicate hands ever since Tom had informed her it was the proper way to counter one of Vik’s nicknames for her, “Man Hands.” Vik had mostly abandoned that nickname for “Evil Wench,” and Tom suspected it was due to the delicate-hands gibe. Just then, Vik’s new roommate bustled into the bunk. He was a tall, slim guy with curly black hair and a pointy look to his face. Tom had seen him around, and he called up his profile from memory: NAME: Giuseppe Nichols RANK: USIF, Grade IV Middle, Alexander Division ORIGIN: New York, NY ACHIEVEMENTS: Runner-up, Van Cliburn International Piano Competition IP: 2053:db7:lj71::291:ll3:6e8 SECURITY STATUS: Top Secret LANDLOCK-4 Giuseppe must’ve been able to see the bunk template, too, because he stuttered to a stop, staring up at the statue. “Did you really program a giant statue of yourself into your bunk template? That’s so narcissistic.” Tom smothered his laughter. “Wow. He already has your number, man.” Vik shot him a look of death as Tom backed out of the bunk.
S.J. Kincaid
I shoot up out of my chair. “It’s Bree. Hide the board!” Everyone hops out of their chairs and starts scrambling around and bumping into each other like a classic cartoon. We hear the door shut behind her, and the whiteboard is still standing in the middle of the kitchen like a lit-up marquee. I hiss at Jamal, “Get rid of it!” His eyes are wide orbs, head whipping around in all directions. “Where? In the utensil drawer? Up my shirt?! There’s nowhere! That thing is huge!” “LADY IN THE HOUSE!” Bree shouts from the entryway. The sound of her tennis shoes getting kicked off echoes around the room, and my heart races up my throat. Her name is pasted all over that whiteboard along with phrases like “first kiss—keep it light” and “entwined hand-holding” and “dirty talk about her hair”. Yeah…I’m not sure about that last one, but we’ll see. Basically, it’s all laid out there—the most incriminating board in the world. If Bree sees this thing, it’s all over for me. “Erase it!” Price whispers frantically. “No, we didn’t write it down anywhere else! We’ll lose all the ideas.” I can hear Bree’s footsteps getting closer. “Nathan? Are you home?” “Uh—yeah! In the kitchen.” Jamal tosses me a look like I’m an idiot for announcing our location, but what am I supposed to do? Stand very still and pretend we’re not all huddled in here having a Baby-Sitter’s Club re-enactment? She would find us, and that would look even worse after keeping quiet. “Just flip it over!” I tell anyone who’s not running in a circle chasing his tail. As Lawrence flips the whiteboard, Price tells us all to act natural. So of course, the second Bree rounds the corner, I hop up on the table, Jamal rests his elbow on the wall and leans his head on his hand, and Lawrence just plops down on the floor and pretends to stretch. Derek can’t decide what to do so he’s caught mid-circle. We all have fake smiles plastered on. Our acting is shit. Bree freezes, blinking at the sight of each of us not acting at all natural. “Whatcha guys doing?” Her hair is a cute messy bun of curls on the top of her head and she’s wearing her favorite joggers with one of my old LA Sharks hoodies, which she stole from my closet a long time ago. It swallows her whole, but since she just came from the studio, I know there is a tight leotard under it. I can barely find her in all that material, and yet she’s still the sexiest woman I’ve ever seen. Just her presence in this room feels like finally getting hooked up to oxygen after days of not being able to breathe deeply. We all respond to Bree’s question at the same time but with different answers. It’s highly suspicious and likely what makes her eyes dart to the whiteboard. Sweat gathers on my spine. “What’s with the whiteboard?” she asks, taking a step toward it. I hop off the table and get in her path. “Huh? Oh, it’s…nothing.” She laughs and tries to look around me. I pretend to stretch so she can’t see. “It doesn’t look like nothing. What? Are you guys drawing boobies on that board or something? You look so guilty.” “Ah—you caught us! Lots of illustrated boobs drawn on that board. You don’t want to see it.” She pauses, a fading smile hovering on her lips, and her eyes look up to meet mine. “For real—what’s going on? Why can’t I see it?” She doesn’t believe my boob explanation. I guess we should take that as a compliment? My eyes catch over Bree’s shoulder as Price puts himself out of her line of sight and begins miming the action of getting his phone out and taking a picture of the whiteboard. This little show is directed at Derek, who is standing somewhere behind me. Bree sees me watching Price and whips her head around to catch him. He freezes—hands extended looking like he’s holding an imaginary camera. He then transforms that into a forearm stretch. “So tight after our workout today.” Her eyes narrow.
Sarah Adams (The Cheat Sheet (The Cheat Sheet, #1))
Jermyn’s breath stilled. He watched intently. So far, she had followed his instructions. Now he waited to see if she would follow his last, insistent direction. In the top drawer of my bedside table, there’s a small box. It contains everything we need to make our night pleasurable . . . leave everything else behind but bring that box. He bent his will on her. Amy, get the wooden box. Get it. If thoughts had power, then his directive would surely be followed. She gathered the clothes, wrapped them in a piece of brown paper and tied them like a package with a string. She thrust the package into a large cloth bag that hung by her belt and started toward the sitting room. In frustration, Jermyn wanted to stick his fist through the wall. Why couldn’t the girl just once do as she was told? At the doorway, she hesitated. Jermyn’s heart lifted. Do it, he mentally urged. Get it. She glanced toward the bedside table, then away. Jermyn could almost see the tug-of-war between her good sense and her yearning. Had he baited the trap with strong enough desire? Had he played the meek, willing male with enough sincerity? With a soft “blast!” she hurried to the bedside table. Opening the drawer, she pulled out the wooden box and stared at it as if it were a striking snake. With a glance around her, she placed it on the table and raised the lid. She lifted the small, gilt-and-blue bottle. Pulling the stopper, she sniffed. Jermyn preferred a combination of bayberry and spice, and he held his breath as he scrutinized her face, waiting for her reaction. If she didn’t savor the scent, he had no doubt she would put it back. But for a mere second, she closed her eyes. Pleasure placed a faint smile on her lips. She liked it. And he hoped she associated the scent with him, with the day she kidnapped him. That would be sweet justice indeed. Briskly she stoppered the bottle, replaced it in the box and slid the box in her pocket. Together the two men watched as she left the bedroom. Jermyn heard a click as the outer door closed. Guardedly he walked out, surveying the sitting room. Empty. Turning to the bewildered Biggers, Jermyn said, “Quickly, man. I need that bath!
Christina Dodd (The Barefoot Princess (Lost Princesses, #2))
this. I can’t smile or fake things I’m not feeling. Digging chopsticks out of the drawer, I stick them in the bowl and pick it up, carrying it upstairs. I reach the top and don’t pause as I turn away from their bedroom door and head left, toward my own room. Carrying the bowl to my desk, I pause, the smell of the ramen making my stomach roll. I set it down and move to the wall, sliding down until I’m sitting on the floor. The cool hardwood eases my nerves, and I’m tempted to lie down and rest my face on it. Is it weird I stayed in the house tonight when they died just down the hall this morning? The coroner estimated the time of death about two a.m. I didn’t wake up until six. My mind races, caught between wanting to let it go and wanting to process how everything happened. Mirai is here every day. If I didn’t find them, she would’ve. Why didn’t they wait until I’d gone back to school next week? Did they even remember I was in the house? I let my head fall back against the wall and lay my arms over my bent knees, closing my burning eyes. They didn’t leave me a note. They dressed up. They put the dog out. They scheduled Mirai to come late this morning, instead of early.
Penelope Douglas (Credence)
Change Your Look With These Top Notch Fashion Tips In fashion, there aren't any set rules. There is no one right way to be fashionable. Read a lot of different sources and then take what you've learned, pick it apart and use the tips that are best for you. Continue reading to learn great advice that you can tailor to your own wants and needs. If you like a shirt or skirt think about getting it in more than one color. Because clothes come in so many varying cuts and styles, you're likely find it difficult to find clothes that fit well for your body type. When you do just get more than one so that you can feel great more often. If you have thick or very curly hair, using a gel product will help you to create the style you desire. Work the product into towel-dried hair and then style it as you want. You can allow it to dry naturally, or use a hair drier. This is especially helpful in humid weather. In today's business world, it is imperative that men be well dressed. Therefore, it is essential to shop for top drawer clothing when buying clothes for your next interview. To begin your search, look through today's business magazines to ensure your wardrobe matches the top executives. Look for whether men are wearing cuffed pants or hemmed pants, ties with designs or solid ties as well as what type of shoe is currently in style. Skimpy tops are comfortable to wear in hot weather, but be careful if you are a big busted gal. Your figure needs good support, and you will feel more secure if you wear a sports bra under a lightweight top that has skinny straps and no shape of its own. Don't overstock your beauty kit with makeup. Just choose a few colors that match the season. Consider your needs for day and evening applications. Makeup can go bad if it's opened, just like other products. Bacteria can build on it, too. Have yourself professionally fitted for a bra. An ill-fitting brassiere is not only unflattering, but it affects how your clothing fits. Once you know your true size, buy a few bras in different styles and cuts. A plunge or demi-cup bra, a strapless bra, and a convertible bra give you versatile options. The thing about fashion is that it's a very easy topic once you get to know a little bit about it. Use the ideas you like and ignore the rest. It's okay not to follow every trend. Breaking away from the trends is better if you desire to be unique.
David (Hum® Político (Humor Político, #1))
She'd loved birds long before her physical limitations kept her grounded. She'd found a birding diary of her grandmother's in a trunk in the attic when she was Frankie's age, and when she asked her father about it, he dug through boxes on a shelf high above her head, handing down a small pair of binoculars and some field guides. She'd seen her first prothonotary warbler when she was nine, sitting alone on a tupelo stump in the forest, swatting at mosquitoes targeting the pale skin behind her ears. She glanced up from the book she was reading only to be startled by an unexpected flash of yellow. Holding her breath, she fished for the journal she kept in her pocket, focusing on the spot in the willow where he might be. A breeze stirred the branches, and she saw the brilliant yellow head and underparts standing out like petals of a sunflower against the backdrop of leaves; the under tail, a stark white. His beak was long, pointed and black; his shoulders a mossy green, a blend of the citron yellow of his head and the flat slate of his feathers. He had a black dot of an eye, a bead of jet set in a field of sun. Never had there been anything so perfect. When she blinked he disappeared, the only evidence of his presence a gentle sway of the branch. It was a sort of magic, unveiled to her. He had been hers, even if only for a few seconds. With a stub of pencil- 'always a pencil,' her grandmother had written. 'You can write with a pencil even in the rain'- she noted the date and time, the place and the weather. She made a rough sketch, using shorthand for her notes about the bird's coloring, then raced back to the house, raspberry canes and brambles speckling bloody trails across her legs. In the field guide in the top drawer of her desk, she found him again: prothonotary warbler, 'prothonotary' for the clerks in the Roman Catholic Church who wore robes of a bright yellow. It made absolute sense to her that something so beautiful would be associated with God. After that she spent countless days tromping through the woods, toting the drab knapsack filled with packages of partially crushed saltines, the bottles of juice, the bruised apples and half-melted candy bars, her miniature binoculars slung across one shoulder. She taught herself how to be patient, how to master the boredom that often accompanied careful observation. She taught herself how to look for what didn't want to be seen.
Tracy Guzeman (The Gravity of Birds)
For most people moving is a tiring experience. When on the verge of moving out to a new home or into a new office, it's only natural to focus on your new place and forget about the one you’re leaving. Actually, the last thing you would even think about is embarking on a heavy duty move out clean. However, you can be certain that agents, landlords and all the potential renters or buyers of your old home will most definitely notice if it's being cleaned, therefore getting the place cleaned up is something that you need to consider. The process of cleaning will basically depend to things; how dirty your property and the size of the home. If you leave the property in good condition, you'll have a higher the chance of getting back your bond deposit or if you're selling, attracting a potential buyer. Below are the steps you need to consider before moving out. You should start with cleaning. Remove all screws and nails from the walls and the ceilings, fill up all holes and dust all ledges. Large holes should be patched and the entire wall checked the major marks. Remove all the cobwebs from the walls and ceilings, taking care to wash or vacuum the vents. They can get quite dusty. Clean all doors and door knobs, wipe down all the switches, electrical outlets, vacuum/wipe down the drapes, clean the blinds and remove all the light covers from light fixtures and clean them thoroughly as they may contain dead insects. Also, replace all the burnt out light bulbs and empty all cupboards when you clean them. Clean all windows, window sills and tracks. Vacuum all carpets or get them professionally cleaned which quite often is stipulated in the rental agreement. After you've finished the general cleaning, you can now embark on the more specific areas. When cleaning the bathroom, wash off the soap scum and remove mould (if any) from the bathroom tiles. This can be done by pre-spraying the tile grout with bleach and letting it sit for at least half an hour. Clean all the inside drawers and vanity units thoroughly. Clean the toilet/sink, vanity unit and replace anything that you've damaged. Wash all shower curtains and shower doors plus all other enclosures. Polish the mirrors and make sure the exhaust fan is free of dust. You can generally vacuum these quite easily. Finally, clean the bathroom floors by vacuuming and mopping. In the kitchen, clean all the cabinets and liners and wash the cupboards inside out. Clean the counter-tops and shine the facet and sink. If the fridge is staying give it a good clean. You can do this by removing all shelves and wash them individually. Thoroughly degrease the oven inside and out. It's best to use and oven cleaner from your supermarket, just take care to use gloves and a mask as they can be quite toxic. Clean the kitchen floor well by giving it a good vacuum and mop . Sometimes the kitchen floor may need to be degreased. Dust the bedrooms and living room, vacuum throughout then mop. If you have a garage give it a good sweep. Also cut the grass, pull out all weeds and remove all items that may be lying or hanging around. Remember to put your garbage bins out for collection even if collection is a week away as in our experience the bins will be full to the brim from all the rubbish during the moving process. If this all looks too hard then you can always hire a bond cleaner to tackle the job for you or if you're on a tight budget you can download an end of lease cleaning checklist or have one sent to you from your local agent. Just make sure you give yourself at least a day or to take on the job. Its best not to rush through the job, just make sure everything is cleaned thoroughly, so it passes the inspection in order for you to get your bond back in full.
Tanya Smith
God was still smiling when he went into the guest room for his suitcase. He looked in the closet and under the perfectly made bed. He even pulled out the drawers of the one armoire on the far side of the room, but couldn’t find it. He was about to go back downstairs and ask Day when he turned down the long hall and walked into Day’s master bedroom. His suitcase was tucked neatly in the corner. He pulled it out but immediately knew it was empty. He looked in the first dresser but those were Day’s clothes. The second identical dresser was on the other side and God did a double take at his few toiletries that were neatly aligned on top. God rubbed his hand on the smooth surface and felt his heart clench at how domestic this looked. His and his dressers…really. God yanked off his T-shirt and threw it in the hamper along with Day’s items. He washed up quickly and went back to his dresser to put on a clean shirt. His mouth dropped when he pulled out the dresser drawer. His shirts were neatly folded and placed in an organized arrangement. God went through all five drawers. His underwear, socks, shirts, sweats, all arranged neatly and in its own place. He dropped down on the bed and thought for a minute. At first he was joking, but Day really was domesticating him. Was God ready for that? Sure he loved Day, he’d take a bullet for him, but was he ready to play house? He pinched the bridge of his nose with his thumb and middle finger at the slight tension forming behind his eyes. God had been completely on his own since he was eighteen. He’d never shared space with anyone—hell, no one had ever wanted to. Fuck. Just last night Day was getting ready to fuck mini Justin Bieber, now he was cooking and cleaning for him and doing his damn laundry. He tried his best to shake off his anxiety. He never used the word love lightly. He meant what he’d said last night. God had only loved three people his entire life and for the past four years only one of them returned that love. Should he really tuck tail and run just because this was new territory? Hell no. All he did was unpack my suitcase. No big deal. He was just being hospitable. Damn sure is better than that seedy hotel. “My boyfriend’s just trying to make me comfortable.” He smirked and tried the term on his tongue again. “I have a boyfriend.” “Get your ass down here and stop overthinking shit! Dinner is getting cold!” Day yelled from the bottom of the stairs.
A.E. Via
ELEANOR OLSON’S OATMEAL COOKIES Preheat oven to 350 degrees F., rack in the middle position. 1 cup (2 sticks, 8 ounces, ½ pound) salted butter, softened 1 cup brown sugar (pack it down in the cup when you measure it) 1 cup white (granulated) sugar 2 eggs, beaten (just whip them up in a glass with a fork) 1 teaspoon vanilla extract 1 teaspoon salt 1 teaspoon baking soda 1 and ½ cups flour (pack it down in the cup when you measure it) 3 cups quick-cooking oatmeal (I used Quaker Quick 1-Minute) ½ cup chopped nuts (optional) (Eleanor used walnuts) ½ cup raisins or another small, fairly soft sweet treat (optional) Hannah’s 1st Note: The optional fruit or sweet treats are raisins, any dried fruit chopped into pieces, small bites of fruit like pineapple or apple, or small soft candies like M&M’s, Milk Duds, chocolate chips, butterscotch chips, or any other flavored chips. Lisa and I even used Sugar Babies once—they’re chocolate-covered caramel nuggets—and everyone was crazy about them. You can also use larger candies if you push one in the center of each cookie. Here, as in so many recipes, you are only limited by the selection your store has to offer and your own imagination. Hannah’s 2nd Note: These cookies are very quick and easy to make with an electric mixer. Of course you can also mix them by hand. Mix the softened butter, brown sugar, and white sugar in the bowl of an electric mixer. Beat on HIGH speed until they’re light and fluffy. Add the beaten eggs and mix them in on MEDIUM speed. Turn the mixer down to LOW speed and add the vanilla extract, the salt, and the baking soda. Mix well. Add the flour in half-cup increments, beating on MEDIUM speed after each addition. With the mixer on LOW speed, add the oatmeal. Then add the optional nuts, and/or the optional fruit or sweet treat. Scrape down the sides of the bowl, take the bowl out of the mixer, and give the cookie dough a final stir by hand. Let it sit, uncovered, on the counter while you prepare your cookie sheets. Spray your cookie sheets with Pam or another nonstick cooking spray. Alternatively, you can line them with parchment paper and spray that lightly with cooking spray. Get out a tablespoon from your silverware drawer. Wet it under the faucet so that the dough won’t stick to it, and scoop up a rounded Tablespoon of dough. Drop it in mounds on the cookie sheet, 12 mounds to a standard-size sheet. Bake Eleanor Olson’s Oatmeal Cookies at 350 degrees F. for 9 to 11 minutes, or until they’re nice and golden on top. (Mine took 10 minutes.) Yield: Approximately 3 dozen chewy, satisfying oatmeal cookies.
Joanne Fluke (Cinnamon Roll Murder (Hannah Swensen, #15))
I didn’t think we were being quiet, particularly. High heels may have looked dainty, but they didn’t sound that way on a tile floor. Maybe it was just that my dad was so absorbed in the convo on his cell phone. For whatever reason, when we emerged from the kitchen into the den, he started, and he stuffed the phone down by his side in the cushions. I was sorry I’d startled him, but it really was comical to see this big blond manly man jump three feet off the sofa when he saw two teenage girls. I mean, it would have been funny if it weren’t so sad. Dad was a ferocious lawyer in court. Out of court, he was one of those Big Man on Campus types who shook hands with everybody from the mayor to the alleged ax murderer. A lot like Sean, actually. There were only two things Dad was afraid of. First, he wigged out when anything in the house was misplaced. I won’t even go into all the arguments we’d had about my room being a mess. They’d ended when I told him it was my room, and if he didn’t stop bugging me about it, I would put kitchen utensils in the wrong drawers, maybe even hide some (cue horror movie music). No spoons for you! Second, he was easily startled, and very pissed off afterward. “Damn it, Lori!” he hollered. “It’s great to see you too, loving father. Lo, I have brought my friend Tammy to witness out domestic bliss. She’s on the tennis team with me.” Actually, I was on the tennis team with her. “Hello, Tammy. It’s nice to meet you,” Dad said without getting up or shaking her hand or anything else he would normally do. While the two of them recited a few more snippets of polite nonsense, I watched my dad. From the angle of his body, I could tell he was protecting that cell phone behind the cushions. I nodded toward the hiding place. “Hot date?” I was totally kidding. I didn’t expect him to say, “When?” So I said, “Ever.” And then I realized I’d brought up a subject that I didn’t want to bring up, especially not while I was busy being self-absorbed. I clapped my hands. “Okay, then! Tammy and I are going upstairs very loudly, and after a few minutes we will come back down, ringing a cowbell. Please continue with your top secret phone convo.” I turned and headed for the stairs. Tammy followed me. I thought Dad might order me back, send Tammy out, and give me one of those lectures about my attitude (who, me?). But obviously he was chatting with Pamela Anderson and couldn’t wait for me to leave the room. Behind us, I heard him say, “I’m so sorry. I’m still here. Lori came in. Oh, yeah? I’d like to see you try.” “He seems jumpy,” Tammy whispered on the stairs. “Always,” I said. “Do you have a lot of explosions around your house?” I glanced at my watch. “Not this early.
Jennifer Echols (Endless Summer (The Boys Next Door, #1-2))
In 1972, Bayber's work underwent another metamorphosis, yet refused to be defined by or adhere to any specific style. Elements of abstract expressionism, modernism, surrealism, and neo-expressionism combine with figurative art to create works which remain wholly original and highly complex, both delighting and terrifying at a subconscious level. There is nothing fragile here, nothing dreamlike. No protections are offered, not for the artist himself and not for those viewing his work. All is called forth in a raw state, human values finessed on the canvas, softened and sharpened, separated and made aggregate. While there are certain motifs in these works- often a suggestion of water, the figure of a bird- and various elements are repeated, aside from an introverted complexity, the context in which they appear is never the same from one piece to the next. What ties these works together is the suggestion of loss, of disappearance, and of longing ( see figs. 87-95)" The figure of a bird. He had forgotten his own writing. Finch took the book back to his desk and pulled a magnifying glass from the top drawer to study the color plates. Thomas had completed six paintings in 1972, four of them after July. In each of those four, Finch managed to find what he had seen long ago, the figure of a bird. Was it Alice, flown away from him?
Tracy Guzeman (The Gravity of Birds)
Gentile’s office in downtown Las Vegas, I got on the elevator and turned around and there was a TV camera. It was just the two of us in the little box, me and the man with the big machine on his shoulder. He was filming me as I stood there silent. “Turn the camera off,” I said. He didn’t. I tried to move away from him in the elevator, and somehow in the maneuvering he bumped my chin with the black plastic end of his machine and I snapped. I slugged him, or actually I slugged the camera. He turned it off. The maids case was like a county fair compared with the Silverman disappearance, which had happened in the media capital of the world. It had happened within blocks of the studios of the three major networks and the New York Times. The tabloids reveled in the rich narrative of the case, and Mom and Kenny became notorious throughout the Western Hemisphere. Most crimes are pedestrian and tawdry. Though each perpetrator has his own rap sheet and motivation and banged-up psyche, the crime blotter is very repetitive. A wife beater kills his wife. A crack addict uses a gun to get money for his habit. Liquor-store holdups, domestic abuse, drug dealer shoot-outs, DWIs, and so on. This one had a story line you could reduce to a movie pitch. Mother/Son Grifters Held in Millionaire’s Disappearance! My mother’s over-the-top persona, Kenny’s shady polish, and the ridiculous rumors of mother-son incest gave the media a narrative it couldn’t resist. Mom and Kenny were the smart, interesting, evil criminals with the elaborate, diabolical plan who exist in fiction and rarely in real life. The media landed on my life with elephant feet. I was under siege as soon as I returned to my office after my family’s excursion to Newport Beach. The deluge started at 10 A.M. on July 8, 1998. I kept a list in a drawer of the media outlets that called or dropped by our little one-story L-shaped office building on Decatur. It was a tabloid clusterfuck. Every network, newspaper, local news station, and wire service sent troops. Dateline and 20/20 competed to see who could get a Kimes segment on-air first. Dateline did two shows about Mom and Kenny. I developed a strategy for dealing with reporters. My unusual training in the media arts as the son of Sante, and as a de facto paralegal in the maids case, meant that I had a better idea of how to deal with reporters than my staff did. They might find it exciting that someone wanted to talk to them, and forget to stop at “No comment.” I knew better. So I hid from the camera crews in a back room, so there’d be no pictures, and I handled the calls myself. I told my secretary not to bother asking who was on the line and to transfer all comers back to me. I would get the name and affiliation of the reporter, write down the info on my roster, and
Kent Walker (Son of a Grifter: The Twisted Tale of Sante and Kenny Kimes, the Most Notorious Con Artists in America (True Crime (Avon Books)))
My bedroom looked very different the morning of my eighteenth birthday. It looked lonely. I opened my eyes just as the sun started creeping through the window, and I stared at the white chest of drawers that had greeted me every morning since I could remember. Maybe it’s stupid to think that a piece of furniture had feelings, but then again, I’m the same girl who kept my tattered old baby doll dressed in a sweater and knitted cap so she wouldn’t get cold sitting on the top shelf of my closet. And this morning that chest of drawers was looking sad. All the photographs and trophies and silly knickknacks that had blanketed the top and told my life story better than any words ever could were gone, packed in brown cardboard boxes and neatly stacked in the cellar. Even my pretty pink walls were bare. Mama picked that color after I was born, and I’ve never wanted to change it. Ruthis Morgan used to try to convince me that my walls should be painted some other color. ‘Pink’s just not your color, Catherine Grace. You know as well as I do that there’s not a speck of pink on the football field.’ There was nothing she could say that was going to change my mind of the color on my walls. If I had I would have lost another piece of my mama. And I wasn’t letting go of any piece of her, pink or not. Daddy insisted on replacing my tired, worn curtains a while back, but I threw such a fit that he spent a good seven weeks looking for the very same fabric, little bitsy pink flowers on a white -and-pink-checkered background. He finally found a few yards in some textile mill down in South Carolina. I told him there were a few things in life that should never be allowed to change, and my curtains were one of them. So many other things were never going to stay the same, and this morning was one of them. I’d been praying for this day for as long as I could remember, and now that it was here, all I wanted to do was crawl under my covers and pretend it was any other day. . . . I know that this would be the last morning I would wake up in this bed as a Sunday-school-going, dishwashing, tomato-watering member of this family. I knew this would be the last morning I would wake up in the same bed where I had calculated God only knows how many algebra problems, the same bed I had hid under playing hide-and-seek with Martha Ann, and the same bed I had lain on and cried myself to sleep too many nights after Mama died. I wasn’t sure how I was going to make it through the day considering I was having such a hard time just saying good-bye to my bed.
Susan Gregg Gilmore (Looking for Salvation at the Dairy Queen)
We’re gonna need lube. Don’t really want to fuck you dry.” “Oh hell. Blake fucking loved it when a partner talked dirty. “In… in my bathroom. There’s some hand lotion.” He stammered out the words. Another chuckle resounded in his ear. “Uh-uh. Not good. Doesn’t work so well with condoms. Where’s your Vaseline lip balm?” Will had seen him use it once or twice. Blake pointed shakily to the top drawer of his desk.
K.C. Wells
As she began to tuck the unruly locks of hair back into the elaborately braided hairdo Narissa had insisted upon, she noticed a piece of folded parchment tucked in the edge of her mirror. Her brow furrowed as she folded back the edge. She knew as soon as she saw the sketch of a starling whom the message was from. Falco hadn’t stayed for the wedding, but he’d left her one final message. Congratulations, starling. You were meant to fly. Smiling slightly, she slipped the note inside the dressing table’s top drawer. Then she turned toward the doorway, toward the portego, where her husband awaited her. Luca da Peraga. Her wings. Her heart.
Fiona Paul (Starling (Secrets of the Eternal Rose, #3))
wired and had an ill-at-ease feeling and he wanted it gone. Dan knew one more way to get rid of it. He opened the chest of drawers and pulled out a few pieces from his old training kit. A pair of black shorts, and one of his running tops with the logo peeling way. He pulled them on and considered the cold outside but looking for gloves was too much aggravation. He went out, shivering in the pre-morning cold, his hands freezing in the breeze from the Thames Estuary. He ran down to the seafront, his badly aching legs easing into a running stride by the time he reached the concrete sea wall. The first hint of the fiery sun showed in the distance over the estuary mouth., a monster slowly rising from the sea. One mile down, his lungs heaving, heart thumping, Dan was finally warming up. But the angst wouldn’t let go. How far did he need to go to get rid of these demons? Running was good like that. It was like bleach for the mind. When he was three miles into the run his body stopped complaining. By now a third of the
Solomon Carter (Harder They Fall (Roberts and Bradley: Harder They Fall #1))
Fingers steepled in front of him, Delaroche stared at the note. The card itself was useless. Delaroche had an entire drawer full of nothing but cream-coloured cards bearing the Gentian’s distinctive purple stamp. He had long ago traced the cards to a very exclusive stationer in London which boasted a wide clientele among the ton. If Delaroche were to go on the make of the paper alone, he could easily accuse anyone from the Prince of Wales to Lady Mary Wortley Montague. Inside – Delaroche did not need to release the card from the letter opener to look; he recalled the contents in painful detail – inside, that rogue had inscribed a bill for the accommodations. One shilling for stale bread, one shilling for rank water, two shillings for rats, three shillings for amusing insults from the guards, and so on, before signing it with the customary small purple flower. On top of the note had been a small pile of English coins, as per the reckoning. Damn him! The list was in Falconstone’s hand – Delaroche knew the hand-writing of every man whose correspondence he had ever intercepted. Delaroche could picture the Gentian standing there, dictating, in the middle of the most carefully guarded prison in Paris. The man’s cheek was unbelievable.
Lauren Willig (The Secret History of the Pink Carnation (Pink Carnation, #1))
Those who craved power had to belong to, or get into, the top of the upper class, because that was where power resided. The upper-upper class controlled the big corporations, the banks, the law, and the brokerage firms. Although few upper-class members took an active role in politics - some exceptions were the two Roosevelts, John Hay, Nicholas Longworth, the Hamilton Fish family, and the Tafts - there was a great deal of behind-the-scenes influencing. In order to share in that power, it was necessary not only to be rich but also to be one of the people-we-know.
Mary Cable (Top Drawer: American High Society from the Gilded Age to the Roaring Twenties)
I got my shoulder holster complete with Browning Hi-Power out of the top desk drawer and slipped it on. Since I’d stopped wearing my suit jacket in the office, I’d put the gun in the drawer, but outside the office and always after dark I wore a gun. Most of the creatures that had scarred me up were dead. The majority I’d done personally. Silver-plated bullets are a wonderful thing.
Laurell K. Hamilton (Burnt Offerings (Anita Blake, Vampire Hunter, #7))
A drawer under the counter held inventions that didn’t work or were partially finished.  One of the items in the drawer was a small magnetically charged gyroscope she called her perpetual machine. It didn’t work. She didn’t know how she could make it work.  On paper it should work, but Lyria hadn’t discovered the right formula yet. Perhaps she could mount the green stone on the top and call it ‘industrial’ jewelry.
P.S. Witte (Welcome to Two Moon (The Western Star, #1))
Folding socks is even easier. If you’ve folded back the tops, start by unfolding them. Place one sock on top of the other and follow the same principles as those for folding clothing. For low-cut socks that just cover the feet, folding twice is enough; for ankle socks, three times; for knee socks and over-knee socks, four to six times. You can adjust the number of folds to achieve the height that best suits the drawer. It’s easy. Just aim to make a simple rectangle, the key to folding. Store the socks on edge, just as you did for clothing. You’ll be amazed at how little space you need compared to your “potato ball days,” and you’ll notice your socks breathing a sigh of relief at being untied.
Marie Kondō (The Life-Changing Magic of Tidying Up: The Japanese Art of Decluttering and Organizing (Magic Cleaning #1))
Let’s begin with how to fold your stockings. If you’ve tied them up, start by undoing the knot! Lay the toes one on top of the other and fold the stocking in half lengthwise. Then fold it into thirds, making sure that the toes are inside, not outside, and that the waistband protrudes slightly at the top. Finally, roll the stocking up toward the waistband. If the waistband is on the outside when you finish, you’ve done it right. Fold knee-high stockings the same way. With thicker material, such as tights, it is easier to roll if you fold them in half rather than in thirds. The point is that the stocking should be firm and stable when you’ve finished, much like a sushi roll. When you store the stockings in your drawer, arrange them on end so that the swirl is visible. If you are storing them in plastic drawers, I recommend putting them into a cardboard box first, so that they don’t slip and unroll, and putting the box into the drawer. A shoebox is the perfect size for a stocking divider.
Marie Kondō (The Life-Changing Magic of Tidying Up: The Japanese Art of Decluttering and Organizing (Magic Cleaning #1))
examining everything. The place had clearly been just what Clem called it—a hidey-hole—a home away from home for Justice’s father. And for Justice himself? He didn’t know. One of the wooden crates held a bushel of potatoes in need of sprouting. The others held various dry goods, mostly food. A hundred air tights, maybe more, dried beans, flour, sugar, and coffee… a lot of coffee. A coffee pot sat on the table, along with mugs, plates, and silverware. A burlap sack slumped against one wall. Checking inside, he found oats for horses. The top drawer of the chest held a gun belt with two holsters, each holding a loaded revolver. As he examined these pistols, he was amazed by how good they felt. Their balance, their weight, the smoothness with which they slid from the well-worn holster… it was amazing… and at the same time familiar.
John Deacon (Justice Returns (Silent Justice #2))
Alkins stood before the jury and surveyed their faces over the tops of the pages of his opening statement. He always wore the same tie on the first day of a trial, yellow with navy diagonal stripes. He was not superstitious about anything except that tie, which he kept in an old tobacco box in his office desk drawer
Megan Goldin (The Night Swim (Rachel Krall, #1))
Two top drawers in the dresser easily accepted all I owned, but I looked into all the other drawers anyway. Thus I discovered that the bottom drawer contained seven incomplete clarinets—without cases, mouthpieces, or bells. Life is like that sometimes.
Kurt Vonnegut Jr. (Jailbird)
He accepts the cigarettes and says, “Cheers, mate.” Then, “What’s up with your face? I mean you’re an ugly bloke, but today you’re top-drawer hideous.” Charlotte rolls her eyes. “Jesus, Babadook. He doesn’t look that bad.” “Are you kidding? My dog died when he saw Freddy Krueger and he isn’t half as homely as this geezer.
Richard Kadrey (King Bullet (Sandman Slim #12))
to a small room. Set up as a home office with computer, filing cabinets, wood desk and two small bookcases, the space was cramped but tidy. One small window looked out onto the darkness. Jason closed the door to his office, took a key from his desk drawer and unlocked the top drawer of the filing cabinet. He stopped and listened for any sound. This had become habitual even in the confines of his own house. That revelation was suddenly profoundly disturbing to him. His wife had gone back to sleep. Amy was sleeping soundly two doors down. He reached in the drawer and carefully pulled out a large old-fashioned leather briefcase with double straps, brass buckles and a worn, glossy finish. Jason opened the briefcase and pulled out a blank floppy disk. The instructions he had been given were precise. Put everything he had on one floppy disk, make one hard copy of the documents and then destroy everything else.
David Baldacci (Total Control)
Willoughby: My Darling Anne, There's a longer letter in the dresser drawer I've been writing for the last week or so, that one covers us, and my memories of us, and how much I've always loved you. This one just covers tonight, and more importantly, today. Tonight I have gone out to the horses to end it. I cannot say sorry for the act itself, although I know for a short time you will be angry at me, or even hate me for it. Please don't. This is not a case of, I came in this world alone and I'm goin' out of it alone, or anything dumb like that. I did not come in this world alone, my mom was there. And I am not goin' out of it alone, 'cause you were there, drunk on the couch, making Oscar Wilde cock jokes. No, this is a case, in some senses, of bravery. Not the bravery of facing a bullet down. The next few months of pain would be far harder than that small flash. No, it's the bravery of weighing up the next few months of still being with you, still waking up with you, of playing with the kids... Against the next few months of seeing in your eyes how much my pain is killing you. How my weakened body, as it ebbs away, and you tend to it, are your final and lasting memories of me. I won't have that. Your final memories of me will be us at the riverside, and that dumb fishing game, which I think they cheated at. And me inside of you, and you on top of me... And barely a fleeting thought, of the darkness yet to come. That was the best Anne. A whooole day of not thinking about it. Dwell on this day baby, 'cause it was the best day of my life. Kiss the girls for me, and know that I've always loved you... And maybe I'll see ya again if there's another place, and if there ain't... Well, it's been heaven knowing you. Your Boy, Bill
Martin McDonagh (Three Billboards Outside Ebbing, Missouri)
Just as with forced confessions, falsified suicide notes reveal themselves oftentimes in the word choices made by the author. Researchers have found that simulated suicide notes are more likely to have verbs that are linked to a mental state—to know and to think, for example. The writers utilize abstract concepts such as life and the universe. So, for example, I don’t know my purpose here, but I think I might find it in the darkness. Whereas in genuine notes, you see simple action verbs—tell, do, and get, along with more concrete concepts. The directives look like, Tell John my bank account number is on the paper in the top drawer. Or, I owe five dollars to the library, have Deb pay that fine for me. Real letters also often have a high instance of what we call trivia, not as in extra facts but as in trivial—insignificant and common, stemming from the Latin word for where three roads meet. Genuine suicide notes tend to be full of what look like petty details.
Brianna Labuskes (The Lies You Wrote (Raisa Susanto, #1))
Yes, Vicky decided, the female mind, in its eagerness to shine afresh every day, had to have a very rapid turnover. There was no attic treasure chest or ice box where the good education was stored, mothproof, mouse-proof, and shrinkproof. There was only a top dresser drawer where names, dates, fragments of facts were flung without mates as the information hurtled through.
Dawn Powell (A Time to Be Born)
By 1905 he had his close friend and sounding board Besso at his elbow. Along with his top desk drawer, this constituted his department of theoretical physics. It turned out to be the best one in Europe.
Arthur I. Miller (Einstein, Picasso: Space, Time, and the Beauty That Causes Havoc)
Give me the coat and your backpack.” I point toward my room. “Take a shower, then get some clothes from the top two dresser drawers.” There are plenty of showers downstairs, but some primal part of me wants him in mine. “Go on.
Riley Nash (Make Me Fall (Water, Air, Earth, Fire, #2))
She spat in her hand and held it out for me to shake. I considered it, and my inner clean freak rebelled. Also, I suspected it was a test. I handed her a wet wipe from my top drawer. She grinned, used it, and then I shook her hand.
Linzi Day (Code Yellow in Gretna Green (Midlife Recorder, #5))
kidnapping, taking John off somewhere in a bid for revenge. But it still feels too far-fetched, more likely that Leland is just dumb enough to drop by my house unannounced late at night, a capricious move that’s very much in character. And then there’s the file cabinet in John’s office. The top drawer wrenched open, the bottom one still locked. I was in the middle of going through it all when Leland showed up. I need
T.J. Brearton (When He Vanished)
decide the middle one isn’t necessary. Tickling his tiny, sock-covered feet, I grab ahold, wiggling them back and forth with a big smile to pretend we’re playing a game. It works like a charm, and he stops flailing for half a second, just long enough for me to quickly slide on his cotton shorts. He screams then, his arms stretched out, fists opening and closing over and over, making grabby hands to let me know he wants me to pick him back up. “One second, mister.” I turn to my own mess of a wardrobe in search of another clean top, but my drawer is empty aside from the T-shirts I wear to bed, and when I look in my closet, bare hangers stare back. That is, on the side dedicated to the clothes that actually fit. My eyes
Meagan Brandy (Promise Me Not)
Sasha McCandless blew the eyeshadow residue off the tiny mirror of the makeup palette she kept in the top left drawer of her desk and checked her reflection. The drawer was her home away from home. It held a travel toothbrush and toothpaste, a tin of mints, an unopened box of condoms, makeup, a spare pair of contact lenses, a pair of glasses, and a brush. She smiled at herself and opened the drawer again, tore open the box, and popped a condom into her beaded handbag.
Melissa F. Miller (Irreparable Harm (Sasha McCandless, #1))
James LaRue wormed his hand through the T-shirts and underwear in his top dresser drawer until his fingers made contact with a box the size of a cigarette pack. It was said that the underwear drawer was one of the first places burglars looked when robbing you. If they found James’ stash, they would most likely think it cocaine, snort a little, and be dead within a minute.
Anne Frasier (Play Dead (Elise Sandburg, #1))
He crossed to the small guard station and foraged through its drawers until he found the first-aid box. He threw bottles over his shoulder and they shattered on the ground behind him. When he came to the procaine hydrochloride vial, he stopped. The Maingate physician had insisted it be present in case emergency oral surgery were ever necessary for the guards; in addition to being a contained security unit, the Tower had to be a self-sufficient medical station. Allander withdrew a needle from the small packet and fit it gently into a plastic syringe. He punched the needle through the rubber top of the vial and withdrew some of the liquid, then cleared the air from the syringe. A few drops squirted through, onto the floor. Taking a deep breath, Allander inserted the needle into the tip of the ring finger on his left hand. He waited for the numbness to spread and settle. After a few minutes, he removed a scalpel from its sterile package and dipped it in the container of alcohol. Then he made a neat incision, cutting diagonally through his fingerprint. Since the anesthetic had not fully taken effect, he felt a painful tingling in the pad of his finger, but feeling suddenly rushed for time, he continued. Using tweezers, he pried underneath the skin, grimacing as he saw his flesh rise along the straight line of the cut. The blood came and washed over the end of the tweezers until it obscured his view. Once, he felt the tweezers close on something hard and he pulled gently, but when the tweezers emerged from the bloody gash, they held only fleshy material that looked like gristle. Allander hadn’t anticipated that numbing the finger would have made it difficult for him to distinguish the location sensor from his own senseless tissue. Beginning to lose patience, he pressed the tweezers in until they hit the bone. He applied too much pressure and they slid around the side of his finger next to his nail, pulling the flesh around and stretching the cut open. He heard a soft, metallic clink as the tweezers struck something distinctly alien, and he bit his lip in a mixture of pain and delight. Finally, working the tweezers around the metal, he withdrew the sensor, which was the size of a large pea. The flesh around the cut strained and whitened at the edges as he pulled the bloody orb through. After pressing gauze to his wound, Allander wrapped it with medical tape, bandaging it thoroughly. Then he used the tape to affix the location sensor to the side of the Hole. It was close enough to its assigned location that the difference in position would not be detected from the mainland.
Gregg Hurwitz (The Tower)