Top Drawer Quotes

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Yeah, I don’t have a Yale degree but my bullshit detector is excellent. Top drawer, even.
Caroline Kepnes (You (You, #1))
It is the custom of every good mother after her children are asleep to rummage in their minds and put things straight for next morning, repacking into their proper places the many articles that have wandered during the day. If you could keep awake (but of course you can’t) you would see your own mother doing this, and you would find it very interesting to watch her. It is quite like tidying up drawers. You would see her on her knees, I expect, lingering humorously over some of your contents, wondering where on earth you had picked this thing up, making discoveries sweet and not so sweet, pressing this to her cheek as if it were as nice as a kitten, and hurriedly stowing that out of sight. When you wake in the morning, the naughtinesses and evil passions with which you went to bed have been folded up small and placed at the bottom of your mind; and on the top, beautifully aired, are spread out prettier thoughts, ready for you to put on.
J.M. Barrie
Leave the dishes. Let the celery rot in the bottom drawer of the refrigerator and an earthen scum harden on the kitchen floor. Leave the black crumbs in the bottom of the toaster. Throw the cracked bowl out and don't patch the cup. Don't patch anything. Don't mend. Buy safety pins. Don't even sew on a button. Let the wind have its way, then the earth that invades as dust and then the dead foaming up in gray rolls underneath the couch. Talk to them. Tell them they are welcome. Don't keep all the pieces of the puzzles or the doll's tiny shoes in pairs, don't worry who uses whose toothbrush or if anything matches, at all. Except one word to another. Or a thought. Pursue the authentic-decide first what is authentic, then go after it with all your heart. Your heart, that place you don't even think of cleaning out. That closet stuffed with savage mementos. Don't sort the paper clips from screws from saved baby teeth or worry if we're all eating cereal for dinner again. Don't answer the telephone, ever, or weep over anything at all that breaks. Pink molds will grow within those sealed cartons in the refrigerator. Accept new forms of life and talk to the dead who drift in though the screened windows, who collect patiently on the tops of food jars and books. Recycle the mail, don't read it, don't read anything except what destroys the insulation between yourself and your experience or what pulls down or what strikes at or what shatters this ruse you call necessity.
Louise Erdrich (Original Fire)
Wow," Liv said, when I dropped the mallet back into the drawer. "That looked like fun. I call dibs on the next over-the-top destruction of evidence.
Rachel Vincent (Blood Bound (Unbound, #1))
Mrs. Darling first heard of Peter when she was tidying up her children's minds. It is the nightly custom of every good mother after her children are asleep to rummage in their minds and put things straight for next morning, repacking into their proper places the many articles that have wandered during the day. If you could keep awake (but of course you can't) you would see your own mother doing this and you would find it very interesting to watch. It's quite like tidying up drawers. You would see her on her knees, I expect, lingering humorously over some of your contents, wondering where on Earth you picked this thing up, making discoveries sweet and not so sweet, pressing this to her cheek, as if it were a nice kitten, and hurriedly stowing that out of sight. When you wake in the morning, the naughtiness and evil passions with which you went to bed have been folded up small and placed at the bottom of your mind and on the top, beautifully aired, are spread out the prettier thoughts, ready for you to put on.
J.M. Barrie (Peter Pan (Peter Pan, #2))
He got the crib, so for the first few months of my life I had to sleep in the top dresser drawer, which I'm pretty sure isn't even legal.
Jeff Kinney (The Third Wheel (Diary of a Wimpy Kid, #7))
Raining. Oh, brother, a scratch on the fender. Damn rabbi on his unicycle. Wait a minute, where are my car keys? Could have sworn I left them in this pocket. No, just some loose change and ticket stubs from the all-black version of Elaine Stritch’ s one-woman show. Did I check my desk? Better go back inside. What’s in the top drawer here? Hmm. Envelopes, my paper clips, a loaded revolver in case the tenant in 2A begins yodelling again.
Woody Allen
And upon his return, Gherkins, who had always considered his uncle as a very top-hatted sort of person, actually saw him take from his handkerchief-drawer an undeniable automatic pistol. It was at this point that Lord Peter was apotheosed from the state of Quite Decent Uncle to that of Glorified Uncle
Dorothy L. Sayers (Lord Peter Views the Body (Lord Peter Wimsey #4))
I am stealing more and more money. I keep it in my top drawer beneath my underwear, along with my diaphragm and lipstick and switchblade—these are things a woman needs
Lorrie Moore (Self-Help)
Magic,” he said. Black magic. Strong magic. Dead magic. “Bad magic.” Finally, Lila slipped. For the briefest moment, her eyes flicked to a chest along the wall. Kell didn’t hesitate. He lunged for the top drawer, but before his fingers met the wood, a knife found his throat. It had come out of nowhere. A pocket. A sleeve. A thin blade resting just below his chin. Lila’s smile was as sharp as its metal edge. “Sit down before you fall down, magic boy.” Lila
Victoria Schwab (A Darker Shade of Magic (Shades of Magic, #1))
Here.' Miles unzipped the backpack and pulled out the container of IcyHot. 'Go to the dresser. Should be one of the top drawers--smear this in the crotch of every pair of underwear you find.' 'I--what?' I took the container. 'That's disgusting.' 'I'm paying you fifty dollars for this,' Miles hissed, turning toward the bed. I went to the dresser and yanked open the top drawer on the left. Empty. Crisp white underwear and boxers filled the one on the right. Well... at least they were clean.
Francesca Zappia (Made You Up)
An overdose of insulin would be the easiest, cleanest route—especially since he keeps his meter and pens in the top right drawer of his desk, unprotected.
Sav R. Miller (Promises and Pomegranates (Monsters & Muses, #1))
It was another thing you didn't learn at a top-drawer school. Bickering is like baldness or lousy gifts. It runs in families.
Lemony Snicket (Shouldn't You Be in School? (All the Wrong Questions, #3))
The top drawer was locked, but I forced it open. You know what else was in there, Sanders? Some of the skankiest jerk-off material I have ever seen." "Kids?" Andy asked. He wouldn't be surprised. When the devil got a preacher, he was apt to fall low, indeed. Low enough to put on a tophat and crawl under a rattlesnake. "Worse, Sanders." He lowered his voice. "Orientals.
Stephen King (Under the Dome)
He that will not set himself proudly at the top of all things, but will consider the immensity of this fabric, and the great variety that is to be found in this little and inconsiderable part of it which he has to do with, may be apt to think that, in other mansions of it, there may be other and different intelligent beings, of whose faculties he has as little knowledge or apprehension as a worm shut up in one drawer of a cabinet hath of the senses or understanding of a man; such variety and excellency being suitable to the wisdom and power of the Maker. -- 1690
John Locke (An Essay Concerning Human Understanding)
The words he had written wiggled off the page and escaped from the drawer. The letters stacked themselves, one on top of the other. Their towers reached higher and higher until they stood majestic and tall, surrounding Neftali in a city of promise.
Pam Muñoz Ryan (The Dreamer)
Violet tried the door latch. Locked, of course. Wordlessly, she pulled a hairpin from her wind-mussed chignon and handed it to him. He stared at it. “What makes you think I know how to pick locks?” he whispered. “Just because I’m a spy?” “No. Because you were forever stealing pocket money from your father’s top desk drawer.” Bloody hell. She truly had been paying attention.
Tessa Dare (Once Upon a Winter's Eve (Spindle Cove, #1.5))
Two top drawers in the dresser easily accepted all I owned, but I looked into all the other drawers anyway. Then I discovered that the bottom drawer contained seven incomplete clarinets - without cases, mouthpieces, or bells. Life is like that sometimes.
Kurt Vonnegut Jr. (Jailbird)
Determined to be independent, I turn my phone off. If I leave it on, I will go crazy checking it every few minutes. Figuring that I really should just leave it here, I put it in the top drawer of my dresser before I go out to wait for Landon to pick me up.
Anna Todd (After (After, #1))
It must be the top drawer," he reflected. "So she carries the keys in a pocket on the right. All in one bunch on a steel ring… . And there's one key there, three times as big as all the others, with deep notches; that can't be the key of the chest of drawers … then there must be some other chest or strong-box … that's worth knowing. Strong-boxes always have keys like that … but how degrading it all is.
Fyodor Dostoevsky (Crime and Punishment)
She was accustomed in London to associate only with first-rate people who liked first-rate things, and she knew that there were very, very few first-rate things in the world, and that those were mostly French.
Aldous Huxley (Crome Yellow)
Long after all the chocolates were eaten, and the cousins had gone, we kept the chocolate-box in the linen-drawer in the dining-room sideboard, waiting for some ceremonial use that never presented itself. It was still full of the empty chocolate cups of dark, fluted paper. In the wintertime I would sometimes go into the cold dining room and sniff at the cups, inhaling their smell of artifice and luxury; I would read again the descriptions on the map provided on the inside of the box-top: hazelnut, creamy nougat, Turkish delight, golden toffee, peppermint cream.
Alice Munro (The Moons of Jupiter)
If you are not the free person you want to be you must find a place to tell the truth about that. To tell how things go for you. Candor is like a skein being produced inside the belly day after day, it has to get itself woven out somewhere. You could whisper down a well. You could write a letter and keep it in a drawer. You could inscribe a curse on a ribbon of lead and bury it in the ground to lie unread for thousands of years. The point is not to find a reader, the point is the telling itself. Consider a person standing alone in a room. The house is silent. She is looking down at a piece of paper. Nothing else exists. All her veins go down into this paper. She takes her pen and writes on it some marks no one else will ever see, she bestows on it a kind of surplus, she tops it off with a gesture as private and accurate as her own name
Anne Carson
The words he had written wiggled off the page and escaped from the drawer. The letters stacked themselves, one on top of the other. Their towers reached higher and higher until they stood majestic and tall, surrounding Neftali in a city of promise. HUMANITY. SOLIDARITY. GENEROSITY. PEACE. JUSTICE. LOVE. Then a tiny, conceited word came along. Like a hungry termite, it began to gnaw on the tall words, chewing at their foundation, gulping their pulp until they swayed, toppled, and collapsed. All that remained was one fat, satisfied syllable. FEAR.
Pam Muñoz Ryan (The Dreamer)
When he reached his own room again, he found Khloe curled up on his bed, asleep. He stood over her, watching her sleep peacefully for a few moments before taking a deep breath and moving to the other side of the bed. He sat down on top of the covers next to her and watched the rise and fall of her chest as she slept. He withdrew a leather bond journal from the nightstand drawer and tried to push Hecate’s words from his mind. Khloe is yours to deal with.
Lia Davis (Death's Storm (The Divinities, #2))
She pulled a deck from a drawer and sat across from Tyler. "What would you like to play?" She looked at Tyler. "Strip poker?" Carlie started to rise, her mouth drawn in annoyance, but Tyler stopped her. He was laughing. "Okay, okay. Bad jest. Sorry." She nodded grudgingly. "So. What should we play?" With a twinkle in his eyes, he asked innocently, "Old maid?" She threw the cards at him, then sat there glaring. "Well, I suppose that decides it." He grinned wryly, a card sitting on top of his head, the rest scattered in his lap and on the floor. "Fifty-two pickup it is." -Carlie and Tyler
Lori Foster (Impetuous)
But Onar turned out to be a poor lover, certainly the worst of Yoke’s few partners thus far. Onar stinted on the foreplay, made a long messy fuss of his prophylactic preparations, and was up for at most sixty seconds of actual coitus. As a final turn-off, Onar said something British when he came, something like “Cor blimey,” or “Top drawer,” or “Bit of all right”— Yoke’s outraged brain disdained to retain the phrase.
Rudy Rucker (Realware (Ware #4))
She spat in her hand and held it out for me to shake. I considered it, and my inner clean freak rebelled. Also, I suspected it was a test. I handed her a wet wipe from my top drawer. She grinned, used it, and then I shook her hand.
Linzi Day (Code Yellow in Gretna Green (Midlife Recorder, #5))
Terrific! Have you done Step Three?" He waggled his brows as he opened up the top left drawer of my dresser. "No. Hey! Do you mind, Nosy Newton?" "Are these panties?" he asked, holding up two of my thongs. "Because they look like dental floss to me." Oh my God. My almost father-in-law was digging around in my lingerie. Embarrassment bloomed in my face. "Ruadan, get out of my underwear!" "Fine," he said, closing the left drawer and opening the right one. "Oh! Lookie here!" "If you touch that box," I said menacingly, "I will cut off your head with your own swords. And I'm not talking about the one on your shoulders." He laughed, shutting the drawer. "You won't need a vibrator anymore. You've got Patrick." His gaze slid toward the dresser. "Unless you have different toys in there. Nipple clamps?" "I… what… oh God." I fell onto the bed, curled into the fetal position, and covered my face.
Michele Bardsley (I'm the Vampire, That's Why (Broken Heart, #1))
No returning smile from Ullman. He slipped Jack’s application back into a file. The file went into a drawer. The desk top was now completely bare except for a blotter, a telephone, a Tensor lamp, and an in/out basket. Both sides of the in/out were empty, too.
Stephen King (The Shining (The Shining #1))
Bliss?” I called. “Yeah?” “Check the drawers of the nightstand! She was playing with it in the middle of the night, and I think I remember taking it away and sticking it in there.” “Okay!” Through the open door, I watched her circle around the edge of the bed. I walked in place for a few seconds, letting my feet drop a little heavier than necessary, then opened and closed the door like I’d gone back inside the bathroom. Then I hid in the space between the back of the bedroom door and the wall where I could just see through the crack between the hinges. She pulled open the top drawer, and my heartbeat was like a bass drum. I don’t know when it had started beating so hard, but now it was all that I could hear. It wasn’t like I was asking her to marry me now. I just knew Bliss, and knew she tended to panic. I was giving her a very big, very obvious hint so that she’d have time to adjust before I actually asked her. Then in a few months, when I thought she’d gotten used to the idea, I’d ask her for real. That was the plan anyway. It was supposed to be simple, but this felt… complicated. Suddenly, I thought of all the thousands of ways this could go wrong. What if she freaked out? What if she ran like she did our first night together? If she ran, would she go back to Texas? Or would she go to Cade who lived in North Philly? He’d let her stay until she figured things out, and then what if something developed between them? What if she just flat out told me no? Everything was good right now. Perfect, actually. What if I was ruining it by pulling this stunt? I was so caught up in my doomsday predictions that I didn’t even see the moment that she found the box. I heard her open it though, and I heard her exhale and say, “Oh my God.” Where before my mouth had been dry, now I couldn’t swallow fast enough. My hands were shaking against the door. She was just standing there with her back to me. I couldn’t see her face. All I could see was her tense, straight spine. She swayed slightly. What if she passed out? What if I’d scared her so much that she actually lost consciousness? I started to think of ways to explain it away. I was keeping it for a friend? It was a prop for a show? It was… It was… shit, I didn’t know. I could just apologize. Tell her I knew it was too fast. I waited for her to do something—scream, run, cry, faint. Anything would be better than her stillness. I should have just been honest with her. I wasn’t good at things like this. I said what I was thinking—no plans, no manipulation. Finally, when I thought my body would crumble under the stress alone, she turned. She faced the bed, and I only got her profile, but she was biting her lip. What did that mean? Was she just thinking? Thinking of a way to get out of it? Then, slowly, like the sunrise peeking over the horizon, she smiled. She snapped the box closed. She didn’t scream. She didn’t run. She didn’t faint. There might have been a little crying. But mostly… she danced. She swayed and jumped and smiled the same way she had when the cast list was posted for Phaedra. She lost herself the same way she did after opening night, right before we made love for the first time. Maybe I didn’t have to wait a few months after all. She said she wanted my best line tomorrow after the show, and now I knew what it was going to be.
Cora Carmack (Losing It (Losing It, #1))
There was also a great absence of people, including behind the mahogany-topped reception desk. Now, there’s a time when an unlocked premises is a positive boon to a police officer as in – I was just looking to ascertain the whereabouts of the proprietor when I stumbled across the Class A controlled substances which were in plain sight in the bottom drawer of a locked desk in an upstairs office, M’lord.
Ben Aaronovitch (Whispers Under Ground (Rivers of London, #3))
Does being self-aware magically negate all our other predatory instincts? After all, humans put the ape in apex predator. We are the best of the best. Top drawer. Our only natural enemy is, well, God, and he’s really quite wishy-washy when it comes to predation. The whole mercy and forgiveness thing weakens his predatory resolve.
Gary Anderson (Animal Magnet)
as his fingers made contact. He went to the sink and turned around, but trying to see the back of your neck by looking over your shoulder was worse than useless. He opened the top drawer under the sink and found nothing but shaving stuff, combs, an unraveling Ace bandage, and the world’s oldest tube of Monistat: another little souvenir from the Age of Greta.
Stephen King (The Outsider)
It was then that I realized what the three different tiers had been painted to look like. On the top: flowers. In the middle: flames. And on the bottom, widest layer … stars. The same design of the chest of drawers I’d once painted in that dilapidated cottage. One for each of us—each sister. Those stars and moons sent to me, my mind, by my mate, long before we’d ever met.
Sarah J. Maas (A Court of Frost and Starlight (A Court of Thorns and Roses, #3.5))
He slammed his cup down. Coffee splashed over the rim and puddled around the base. “What on earth gave you the idea I want space? I want you here. With me. All the time. I want to come home and hear the shower running and get excited because I know you’re in it. I want to struggle every morning to get up and go to the gym because I hate the idea of leaving your warm body behind in bed. I want to hear a key turn in the lock and feel contented knowing you’re home. I don’t want fucking space, Harper.” Harper laughed. “What’s funny?” “I didn’t mean space. I meant space, like closet space, a drawer in the bedroom, part of the counter in the bathroom.” Trent’s mouth twitched, a slight smile making its way to his lips. “Like a compromise. A commitment that I want more. I seem to recall you telling me in the car about something being a step in the right direction to a goal we both agreed on. Well, I want all those things you just said, with you, eventually. And if we start to leave things at each other’s places, it’s a step, right?” Trent reached up, flexing his delicious tattooed bicep, and scratched the side of his head. Without speaking, he leapt to his feet, grabbing Harper and pulling her into a fireman’s lift. “Trent,” she squealed, kicking her feet to get free. “What are you doing?” He slapped her butt playfully and laughed as he carried her down the hallway. Reaching the bedroom, Trent threw her onto the bed. “We’re doing space. Today, right now.” He started pulling open his drawers, looking inside each one before pulling stuff out of the top drawer and dividing it between the others. “Okay, this is for your underwear. I need to see bras, panties, and whatever other girly shit you have in here before the end of the day.” Like a panther on the prowl, Trent launched himself at the bed, grabbing her ankle and pulling her to the edge of the bed before sweeping her into his arms to walk to the bathroom. He perched her on the corner of the vanity, where his stuff was spread across the two sinks. “Pick one.” “Pick one what?” “Sink. Which do you want?” “You’re giving me a whole sink? Wait … stop…” Trent grabbed her and started tickling her. Harper didn’t recognize the girly giggles that escaped her. Pointing to the sink farthest away from the door, she watched as he pushed his toothbrush, toothpaste, and styling products to the other side of the vanity. He did the same thing with the vanity drawers and created some space under the sink. “I expect to see toothbrush, toothpaste, your shampoo, and whatever it is that makes you smell like vanilla in here.” “You like the vanilla?” It never ceased to surprise her, the details he remembered. Turning, he grabbed her cheeks in both hands and kissed her hard. He trailed kisses behind her ear and inhaled deeply before returning to face her. “Absolutely. I fucking love vanilla,” he murmured against her lips before kissing her again, softly this time. “Oh and I’d better see a box of tampons too.” “Oh my goodness, you are beyond!” Harper blushed furiously. “I want you for so much more than just sex, Harper.
Scarlett Cole (The Strongest Steel (Second Circle Tattoos, #1))
Annabeth hadn’t seen much of Buford during the trip. He mostly stayed in the engine room. (Leo insisted that Buford had a secret crush on the engine.) He was a three-legged table with a mahogany top. His bronze base had several drawers, spinning gears, and a set of steam vents. Buford was toting a bag like a mail sack tied to one of his legs. He clattered to the helm and made a sound like a train whistle.
Rick Riordan (The Mark of Athena (The Heroes of Olympus, #3))
…I notice that people always make gigantic arrangements for bathing when they are going anywhere near the water, but that they don’t bathe much when they are there. It is the same when you go to the sea-side. I always determine—when thinking over the matter in London—that I’ll get up early every morning, and go and have a dip before breakfast, and I religiously pack up a pair of drawers and a bath towel. I always get red bathing drawers. I rather fancy myself in red drawers. They suit my complexion so. But when I get to the sea I don’t feel somehow that I want that early morning bathe nearly so much as I did when I was in town. On the contrary, I feel more that I want to stop in bed till the last moment, and then come down and have my breakfast. Once or twice virtue has triumphed, and I have got out at six and half-dressed myself, and have taken my drawers and towel, and stumbled dismally off. But I haven’t enjoyed it. They seem to keep a specially cutting east wind, waiting for me, when I go to bathe in the early morning; and they pick out all the three-cornered stones, and put them on the top, and they sharpen up the rocks and cover the points over with a bit of sand so that I can’t see them, and they take the sea and put it two miles out, so that I have to huddle myself up in my arms and hop, shivering, through six inches of water. And when I do get to the sea, it is rough and quite insulting. One huge wave catches me up and chucks me in a sitting posture, as hard as ever it can, down on to a rock which has been put there for me. And, before I’ve said “Oh! Ugh!” and found out what has gone, the wave comes back and carries me out to mid-ocean. I begin to strike out frantically for the shore, and wonder if I shall ever see home and friends again, and wish I’d been kinder to my little sister when a boy (when I was a boy, I mean). Just when I have given up all hope, a wave retires and leaves me sprawling like a star-fish on the sand, and I get up and look back and find that I’ve been swimming for my life in two feet of water. I hop back and dress, and crawl home, where I have to pretend I liked it.
Jerome K. Jerome (Three Men in a Boat (Three Men, #1))
It is the nightly custom of every good mother after her children are asleep to rummage in their minds and put things straight for next morning, repacking into their proper places the many articles that have wandered during the day. If you could keep awake (but of course you can't) you would see your own mother doing this, and you would find it very interesting to watch her. It is quite like tidying up drawers. You would see her on her knees, I expect, lingering humorously over some of your contents, wondering where on earth you had picked this thing up, making discoveries sweet and not so sweet, pressing this to her cheek as if it were as nice as a kitten, and hurriedly stowing that out of sight. When you wake in the morning, the naughtiness and evil passions with which you went to bed have been folded up small and placed at the bottom of your mind; and on the top, beautifully aired, are spread out your prettier thoughts, ready for you to put on.
J.M. Barrie (Peter Pan)
Aubade with Cutlery and Crickets" In the dinner I cook for myself tonight, you are an open drawer of cutlery. I've smelled the top notes of butter knives at your shoulder, the tang hidden in the blade of your walk. I need a serving spoon to scoop dal into a cool ceramic, a fork with tines long enough to pierce the skin of the butternut squash roasted in honeyjuice. Even your hands have become a kind of instrument— delicate enough to slide crabmeat out of the shell, sturdy enough to crack a breastbone if need be. Or maybe what I smelled that morning still full of starlight and crickets when we said goodbye— was the clean coolness of a knife's ricasso, the flat rest for a thumb just before the blade disappears into its handle.
Aimee Nezhukumatathil (Oceanic)
I recognized the great monument from the illustration in the copy of /The Jungle Book/ that my mother kept in the top drawer of my bedside table. When I went with Sophia to the Taj Mahal for the first time, I was not as enchanted by the real mausoleum as I had been by its plaster, paint, and paper replica in the studio; the original posed a dreadfully seductive promise in cool marble of a strangely painful loveliness, a lover's lie that death itself might in some mysterious way, because of love, be lovely.
Lee Siegel
It was then that I realized what the three different tiers had been painted to look like. On the top: flowers. In the middle: flames. And on the bottom, widest layer … stars. The same design of the chest of drawers I’d once painted in that dilapidated cottage.
Sarah J. Maas (A Court of Frost and Starlight (A Court of Thorns and Roses, #3.5))
He opened the desk drawer, finding nothing but small pots of paint (used for brightening up antiques) and a paintbrush. He wondered if he would be able to throw paint in the man’s face, and blind him for long enough to escape. He opened the top of a pot of paint and dipped in his finger.
Neil Gaiman (The Graveyard Book)
In the top drawer of my bedside table, there’s a small box. It contains everything we need to make our night pleasurable. If you have to, leave everything else behind but bring that box.” She snorted as if in derision—but it was a weak snort. She walked toward the steps again. “Amy.” She turned back to him. “What?” “Did you notice I didn’t ask for a nightshirt?” She glanced at his lit in her hand and wondered why he told her that. Then she knew why. He had just told her he slept nude. Every night in the cellar right beneath her bedchamber, his naked body remained at the ready to welcome her. Now that she knew it, she could never escape the image . . . or the temptation.
Christina Dodd (The Barefoot Princess (Lost Princesses, #2))
I wasn’t in a rush, really. I just wanted to get dressed, and I wasn’t going to do that in front of Paula. I didn’t want her to see that there was a bruise, dark purple and yellowing, on my ribs. Don had pushed me down the stairs nine days before. Even as I say it all these years later, I feel the need to defend him. To say that it wasn’t as bad as it sounds. That we were toward the bottom of the stairs, and he gave me a shove that bumped me down about four steps and onto the floor. Unfortunately, the table by the door, where we kept the keys and the mail, is what caught my fall. I landed on it on my left side, the handle on the top drawer getting me right in the rib cage.
Taylor Jenkins Reid (The Seven Husbands of Evelyn Hugo)
I had opened the obvious drawer, the top drawer of the room's only dresser, and found myself gazing into a masculine cache of compressed, crumpled things. Wash-worn Brooks Brothers white cotton shorts now a pale shade of gray. Snake-tangled, unpaired argyle socks, all in bright Easter colors like clover ad mauve which still showed fairly crisp near the tops, but down toward the heels were marred by thread pills and snags, and at the toes by the outright abjection of holes. To see laid bare in their entirety those socks, of which I'd heretofore glimpsed only brief merry stripes, when a pant cuff rose up from the rim of a shoe, was like seeing the man himself fully exposed to me--naked.
Susan Choi (My Education)
I thought you'd left me," he said. "Monday is shopping night," she replied. "Yeah, but I thought you left me. I was so scared," he rasped, face folding. Two pints of milk, two tubs of Greek yoghurt, Parmesan, and smoked mackerel for the fridge. "Well, I haven't," she said. "I went shopping." Whole wheat spaghetti, two tins of chickpeas, two tins of tomatoes, and red lentils for the cupboard. "Are you OK?" he asked. Garlic, sweet potatoes, and red onions for the bottom drawer. "Darling, please talk to me," he begged. Bananas, apples, and Comte pears for the fruit bowl. "Darling, please. I can't have you not talking to me." A bar of 85 percent Green and Black's and Kettle Chips for the top cupboard.
Lottie Hazell (Piglet)
The floor was of warm, old oak planks, many of the individual planks extraordinarily long, as if sawn from the mast of a tall ship. There were two working tables in the middle of the room, and around the walls were located a binder’s press, with its tall screw; a camera stand; an industrial sewing machine; a gluing cabinet with exhaust hood; a guillotine table and cutting board; a TRS-80 computer and dot matrix printer on a narrow mahogany desk that might have come from a boat; a partner’s table topped in green leather and gilt edging on which resided no fewer than six typewriters, ranging from a 1920s Underwood to a very recent all-plastic Brother machine; a mid-eighteenth-century highly polished flame mahogany map cabinet of twelve drawers;
Garth Nix (The Left-Handed Booksellers of London (Left-Handed Booksellers of London #1))
I glance around the study, uncertain where she’s storing stationery supplies this week. Could be here, could be the trunk of her car, could be in her bra or at the bottom of her Louis Vuitton briefcase. I reach for the top drawer of the desk. Hesitate. Mom is a mess monster. Her bedroom looks like a battle broke out between a hurricane and a thrift store. There are cold cups of tea in there, playing host to entire micro-nations. My Spider-Man mug went in two months and ten days ago . . . I haven’t seen it since. A shudder rips through me. When my mug finally does emerge, it will need to be destroyed in the fires of Mount Doom. But that’s her space. Our compromise. She fights her natural urge to leave things lying around the rest of the house and we keep her bedroom door closed at all times.
Louise Gornall (Under Rose-Tainted Skies)
Introduction to Jane. - Jane removed the last of the unfamiliar, silk bra-cup pads and panty liners from within the clothes she was unpacking and placed them in her top lingerie drawer. Her discovery of their illicit presence was a bombshell with which her disbelief was still struggling. The shock was enough for her to call the office, cancel her appointments and tell the studio she would be off all day.
Francine Scott (Coming First (The Woman First Chronicles Book 1))
Irrelevant’ Chris Fogle turns a page. Howard Cardwell turns a page. Ken Wax turns a page. Matt Redgate turns a page. ‘Groovy’ Bruce Channing attaches a form to a file. Ann Williams turns a page. Anand Singh turns two pages at once by mistake and turns one back which makes a slightly different sound. David Cusk turns a page. Sandra Pounder turns a page. Robert Atkins turns two separate pages of two separate files at the same time. Ken Wax turns a page. Lane Dean Jr. turns a page. Olive Borden turns a page. Chris Acquistipace turns a page. David Cusk turns a page. Rosellen Brown turns a page. Matt Redgate turns a page. R. Jarvis Brown turns a page. Ann Williams sniffs slightly and turns a page. Meredith Rand does something to a cuticle. ‘Irrelevant’ Chris Fogle turns a page. Ken Wax turns a page. Howard Cardwell turns a page. Kenneth ‘Type of Thing’ Hindle detaches a Memo 402-C(1) from a file. ‘Second-Knuckle’ Bob McKenzie looks up briefly while turning a page. David Cusk turns a page. A yawn proceeds across one Chalk’s row by unconscious influence. Ryne Hobratschk turns a page. Latrice Theakston turns a page. Rotes Group Room 2 hushed and brightly lit, half a football field in length. Howard Cardwell shifts slightly in his chair and turns a page. Lane Dean Jr. traces his jaw’s outline with his ring finger. Ed Shackleford turns a page. Elpidia Carter turns a page. Ken Wax attaches a Memo 20 to a file. Anand Singh turns a page. Jay Landauer and Ann Williams turn a page almost precisely in sync although they are in different rows and cannot see each other. Boris Kratz bobs with a slight Hassidic motion as he crosschecks a page with a column of figures. Ken Wax turns a page. Harriet Candelaria turns a page. Matt Redgate turns a page. Ambient room temperature 80° F. Sandra Pounder makes a minute adjustment to a file so that the page she is looking at is at a slightly different angle to her. ‘Irrelevant’ Chris Fogle turns a page. David Cusk turns a page. Each Tingle’s two-tiered hemisphere of boxes. ‘Groovy’ Bruce Channing turns a page. Ken Wax turns a page. Six wigglers per Chalk, four Chalks per Team, six Teams per group. Latrice Theakston turns a page. Olive Borden turns a page. Plus administration and support. Bob McKenzie turns a page. Anand Singh turns a page and then almost instantly turns another page. Ken Wax turns a page. Chris ‘The Maestro’ Acquistipace turns a page. David Cusk turns a page. Harriet Candelaria turns a page. Boris Kratz turns a page. Robert Atkins turns two separate pages. Anand Singh turns a page. R. Jarvis Brown uncrosses his legs and turns a page. Latrice Theakston turns a page. The slow squeak of the cart boy’s cart at the back of the room. Ken Wax places a file on top of the stack in the Cart-Out box to his upper right. Jay Landauer turns a page. Ryne Hobratschk turns a page and then folds over the page of a computer printout that’s lined up next to the original file he just turned a page of. Ken Wax turns a page. Bob Mc-Kenzie turns a page. Ellis Ross turns a page. Joe ‘The Bastard’ Biron-Maint turns a page. Ed Shackleford opens a drawer and takes a moment to select just the right paperclip. Olive Borden turns a page. Sandra Pounder turns a page. Matt Redgate turns a page and then almost instantly turns another page. Latrice Theakston turns a page. Paul Howe turns a page and then sniffs circumspectly at the green rubber sock on his pinkie’s tip. Olive Borden turns a page. Rosellen Brown turns a page. Ken Wax turns a page. Devils are actually angels. Elpidia Carter and Harriet Candelaria reach up to their Cart-In boxes at exactly the same time. R. Jarvis Brown turns a page. Ryne Hobratschk turns a page. ‘Type of Thing’ Ken Hindle looks up a routing code. Some with their chin in their hand. Robert Atkins turns a page even as he’s crosschecking something on that page. Ann Williams turns a page. Ed Shackleford searches a file for a supporting document. Joe Biron-Maint turns a page. Ken Wax turns a page.
David Foster Wallace (The Pale King)
Mystery is good." He drummed his fingertips on my thigh. "Maybe.Maybe not. But I'll let it go. How about this: If I were to open the top drawer of your dresser, what would I find?" "Are we back to discussing my underwear again?" "Only in graphic detail..." He flicked my sore knee, but not where the bruise was. "I keep loose change and my oldest comic books in mine. Some people have journals or photographs or awards..." "Okay,okay." I sighed. "Underwear," I said. "Two ancient swimsuits, and a magazine file." "Of...?" "Pictures I've pulled out of magazines." "Yes,thank you. I gathered that. What's in it?" I squirmed a little and contemplated lying. Travel pix, shoes, hints on getting glue off of Ultrasuede... "Mostly pictures of models with short hair," I confessed finally. "It's sort of a goal of mine." Alex reached up and wrapped a strand around his finger. "I like your hair," he said quietly, "but I think you'd look great whatever you did with it.
Melissa Jensen (The Fine Art of Truth or Dare)
Troy rose from the bed and walked to his chest of drawers. He pulled a pair of black boxer briefs from the top drawer and handed them to her, watching her warily for some type of reaction to what they had just done, before turning his back. She shimmied out of her underwear and slipped on his, glad for the warmth they provided. After a minute, he climbed into bed and pulled her back against his chest to plant a kiss on her shoulder. Ruby automatically stiffened at the tender gesture. He laughed under his breath. “Now you’re shy? What happened to the girl who walked out of my bathroom naked?” When Ruby didn’t answer, Troy sighed. “Sleep now, hustler. You can go back to being your difficult self in the morning. I’ll even let you run your mouth as much as you need to. All day long. But when the time comes where I take you to bed, that’s when I put a stop to it. Can you live with that?” “I’ll tell you in the morning,” she whispered, grateful for the darkness. “Fine. Good night, Ruby.” “’Night.
Tessa Bailey (His Risk to Take (Line of Duty, #2))
Take the greatest care of your knives; don’t cut with them on an enamel or marble-topped table or a plate; have a good steel for sharpening; keep your kitchen knives in a special box or compartment of the knife drawer; wash, dry, and put them away, with the points stuck into a cork, as soon as you have finished with them. Let it be understood by all members of the household that there will be serious trouble if your knives are borrowed for screwdriving, prising open packing-cases, cutting fuse wire or any other purpose for which they were not intended.
Elizabeth David (French Country Cooking)
That”-Mr. Grayson slammed the door of the captain’s cabin-“was the most breathtaking display of stupidity I have ever witnessed in my life.” Sophia cringed in her chair as he plunked a basin of water on the table. Liquid sloshed over the side, trickling toward the floor. With jerky motions, he removed a flask from his breast pocket, unscrewed the top, and added a splash of brandy. Then he threw back a healthy swallow, himself. She’d never seen him so agitated. He took everything as a joke, laughed off confrontation, deflected insult with a roguish smile. “You’re angry,” she said. “Damn right, I’m angry. I’d like to string every one of those bloody idiots up to the yardarm and shout them deaf.” “So why are you here, shouting at me?” He yanked open a drawer and removed a box. When he flung it on the table and flipped the latch, the box proved to be a medicine kit, crowded with brown glass vials and plasters and rolls of gauze. “Because…” With a sullen sigh, he dropped into the other chair. “Shouting the crew deaf is the captain’s privilege. And I’m not the captain. So I’m here instead, playing nursemaid. Give me your hands.
Tessa Dare (Surrender of a Siren (The Wanton Dairymaid Trilogy, #2))
After almost two hours, the phone rang. I could guess who it was. "Hello, Blix," I said before he could say anything. "Adding kidnapping to your long list of felonies?" "We prefer to think of it as 'vacationing at the specific invitation of His Majesty," replied Blix. "Open the top drawer of the bureau." I did so, and found a contract for Kazam to concede the competition, with all the details that Blix had already outlined. The document had been prepared by a law firm in Financia and registered with the Ununited Kingdoms Supreme Court, so even if King Snodd had wanted to reverse the deal, he couldn't. "It's all there," said Blix. "I knew my or the King's word wouldn't be good enough, so I made it official. Sign it and your vacation in the North Tower is over." "And if I don't?" "Then you'll stay there until six Mondays from now, and we'll have Kazam for nothing." "Blix?" "Yes?" "Are you in the castle watching the top of the North Tower at the moment?" "I might be." I ripped the phone from the wall and tossed it out the open window. The telephone took almost five seconds to hit the ground. It was a pointless gesture, but very satisfying.
Jasper Fforde (The Song of the Quarkbeast (The Last Dragonslayer, #2))
As soon as we arrived home, I told Bliss I was going to take a shower. Sundays were a two-show day, so I certainly needed it. I let her go in first to brush her teeth. I waited for the water to turn on, then leapt into action. I found Hamlet’s feathered cat toy (the only reason she would ever willingly get close to Bliss), and hid it underneath the bed. Then I went to the closet and found the suit coat pocket where I’d hidden the ring. I popped open the box to look at it one more time. It wasn’t much. I was only an actor, after all. But Bliss wasn’t one to wear much jewelry any way. It was simple and sparkling, and I hoped she would love it as much as I loved her. A popping sensation filled my gut like those silly candy rocks that Bliss loved. What if I was pushing her too fast? No. No, I’d thought this out. It was the best way. I opened the top drawer of the nightstand, and slid the ring box toward the back. The water in the bathroom shut off, and I went back to the closet, shucking my shirt. I tossed it in the hamper at the same time Bliss walked in the room. She came up behind me and placed a hand on my bare back. She pressed a small kiss on my shoulder and asked, “Get Hamlet for me before you shower?” I smiled, and nodded. Bliss was so determined to make Hamlet like her that she played with the cat for at least half an hour before bed every night. Hamlet would stick around for as long as Bliss waved that feathered toy in the air, but the minute Bliss tried to touch her, she was gone. I found Hamlet in the kitchen, hiding underneath the kitchen table. I reached a hand down, and she butted her head against my fingers, purring. I picked her up at the same time that Bliss asked, “Babe, have you seen the cat toy?” I walked into the room, and deposited Hamlet on the bed. She hunkered down and eyed Bliss with distrust. “Where did you see it last?” I asked her. “I thought I’d left it on the dresser, but I can’t find it. “ I petted Hamlet once to keep her calm, then placed a quick kiss on Bliss’s cheek. “I don’t know, honey. Are you sure you didn’t leave it somewhere else?” She sighed, and started looking in other spots around the room. I turned and hid my smile as I left. I nipped into the bathroom and turned the shower on. I waited a few seconds, went back in the hallway.
Cora Carmack
Carter stretched his arm out and relaxed into the softness of his own bed a moment before a scream three inches from his ear frightened him out of a few years of his life. He was up, fumbling for matches as the scream came again, echoing off the walls. It didn’t occur to him that he was totally nude until after the match flickered to light. Bailee stared at him with huge frightened eyes, and he stared back until the match burned his finger. They were in blackness once more. Silence. He listened. She didn’t even breathe. “I’m sorry,” he finally managed to stammer as he reached for his clothes only to find them gone from the peg where they were kept. He stumbled over what might be a rug where no rug had ever been before and opened the top drawer of his dresser. Lace and silk greeted his touch, not cotton as he’d expected. He pulled open the second drawer. The same. At the third drawer he decided he must have somehow crossed through the wrong passage. This wasn’t his home. Nothing was in the right place. Trousers flew from nowhere and slapped him across the face. ”Thank you,” he mumbled as he untangled them from around his neck. “You’re welcome,” came a whisper from the blackness.
Jodi Thomas (The Texan's Wager (Wife Lottery, #1))
when John Lloyd was putting together the Not 1982 calendar, and was stuck for things to put on the bottoms of the pages (and also the tops and quite a few middles). He turned out the drawer, chose a dozen or so of the best new words, and inserted them in the book under the name Oxtail English Dictionary. This quickly turned out to be one of the most popular bits of Not 1982, and the success of the idea in this small scale suggested the possibility of a book devoted to it—and here it is: The Meaning of Liff, the product of a hard lifetime’s work studying and chronicling the behaviour of man. From
Douglas Adams (The Salmon of Doubt (Dirk Gently, #3))
...Here, let me see. Stop rubbing it so I can -" He wicks his hand away from his eye just as I lean, and his elbow collides with the side of my face, hard enough that I'm knocked sideways. I try to grab the bedpost, but my hands are so slippery that Islide right off, and crash to the floor, my head connecting painfully with the corner of the drawer I left open. The bottle of oil falls off the edge and shatters into a soupy, amber pool. "What happened! Are you alright?" Percy's got one eye open but blinking frantically, hand extended blindly to me. "I'm fine!" I touch the back of my head, and it comes back damp and red. "No, wait, I'm bleeding." "You're bleeding!?" He yelps. "It's fine! " "It's clearly not if you're bleeding." I can feel a trickle down the back of my neck, and I clap a hand against it, like I can force the blood to stay inside me if I just press tightly enough. "It's fine!" My wrist is wet, and I look just as a drizzle of blood courses down my arm into the crook of my elbow. "God, this is really bleeding!" My vision swims, and when I reach to steady myself I put my hand straight into the oily puddle of lineament, and I crash backward onto the floor. Percy tries to come to my aid, but with one eye closed, he misjudges were he places his foot and steps on me. I screech and he slips and he slips, one leg tangled up in the sheets, and then suddenly the bedroom door bangs opens and there's Scipio. I scream and Percy screams and Scipio lets loud a horrified gurgle, and then Felicity appears behind him in the doorway, claps her hands over her eyes, tries to run with her hands still covered, and slips in one of the dripping puddles we left on the stairs. Her feet go out from under her, and she lands flat on her back at the top of the stairs, hands still valiantly clapped over her eyes, which rather ruins it all.
Mackenzi Lee (The Gentleman’s Guide to Getting Lucky (Montague Siblings, #1.5))
If you’ve tied them up, start by undoing the knot! Lay the toes one on top of the other and fold the stocking in half lengthwise. Then fold it into thirds, making sure that the toes are inside, not outside, and that the waistband protrudes slightly at the top. Finally, roll the stocking up toward the waistband. If the waistband is on the outside when you finish, you’ve done it right. Fold knee-high stockings the same way. With thicker material, such as tights, it is easier to roll if you fold them in half rather than in thirds. The point is that the stocking should be firm and stable when you’ve finished, much like a sushi roll. When you store the stockings in your drawer, arrange them on end so that the swirl is visible.
Marie Kondō (The Life-Changing Magic of Tidying Up: The Japanese Art of Decluttering and Organizing (Magic Cleaning #1))
The shop ought to have been as dark as the inside of a tea-caddy, but instead it was filled with a soft, golden light which appeared to emanate from something golden which lay upon the counter-top. A heap of shining guineas was lying there. Mrs Brandy picked up one of the coins and examined it. It was as if she held a ball of soft yellow light with a coin at the bottom of it. The light was odd. It made Mrs Brandy, John and Toby look quite unlike themselves: Mrs Brandy appeared proud and haughty, John looked sly and deceitful and Toby wore an expression of great ferocity. Needless to say, all of these were qualities quite foreign to their characters. But stranger still was the transformation that the light worked upon the dozens of small mahogany drawers that formed one wall of the shop. Upon other evenings the gilt lettering upon the drawers proclaimed the contents to be such things as: Mace (Blades), Mustard (Unhusked), Nutmegs, Ground Fennel, Bay Leaves, Pepper of Jamaica, Essence of Ginger, Caraway, Peppercorns and Vinegar and all the other stock of a fashionable and prosperous grocery business. But now the words appeared to read: Mercy (Deserved), Mercy (Undeserved), Nightmares, Good Fortune, Bad Fortune, Persecution by Families, Ingratitude of Children, Confusion, Perspicacity and Veracity. It was as well that none of them noticed this odd change. Mrs Brandy would have been most distressed by it had she known. She would not have had the least notion what to charge for these new commodities.
Susanna Clarke (Jonathan Strange & Mr Norrell)
Add orange peel and cinnamon to milk. Grate the chocolate.' The hard, round cake of chocolate was wrapped in yellow plastic with red stripes, shiny and dark when she opened it. The chocolate made a rough sound as it brushed across the fine section of the grater, falling in soft clouds onto the counter, releasing a scent of dusty back rooms filled with bittersweet chocolate and old love letters, the bottom drawers of antique desks and the last leaves of autumn, almonds and cinnamon and sugar. Into the milk it went. 'Add anise.' Such a small amount of ground spice in the little bag Abuelita had given her. It lay there quietly, unremarkable, the color of wet beach sand. She undid the tie around the top of the bag and swirls of warm gold and licorice danced up to her nose, bringing with them miles of faraway deserts and a dark, starless sky, a longing she could feel in the back of her eyes, her fingertips.
Erica Bauermeister (The School of Essential Ingredients)
Mrs. Darling first heard of Peter when she was tidying up her children’s minds. It is the nightly custom of every good mother after her children are asleep to rummage in their minds and out things straight for the next morning, repacking into their proper places the many articles that have wandered during the day. If you could keep awake (but of course you can’t) you would see your own mother doing this, and you would find it very interesting to watch her. It is quite like tidying up drawers. You would see her on her knees, I expect, wondering where on earth you had picked this up, pressing this to her cheek as if it were as nice as kitten, and hurriedly storing this out of sight. When you wake in the morning, the naughtiness and evil passions with which you went to bed have been folded up small and placed at the bottom of your mind, and on top, beautifully aired, are spread out your prettier thoughts, ready for you to put on.
J.M. Barrie (Peter and Wendy (Peter Pan))
He was almost at his door when Vik’s earsplitting shriek resounded down the corridor. Tom was glad for the excuse to sprint back toward him. “Vik?” He reached Vik’s doorway as Vik was backing out of it. “Tom,” he breathed, “it’s an abomination.” Confused, Tom stepped past him into the bunk. Then he gawked, too. Instead of a standard trainee bunk of two small beds with drawers underneath them and totally bare walls, Vik’s bunk was virtually covered with images of their friend Wyatt Enslow. There were posters all over the wall with Wyatt’s solemn, oval face on them. She wore her customary scowl, her dark eyes tracking their every move through the bunk. There was a giant marble statue of a sad-looking Vik with a boot on top of its head. The Vik statue clutched two very, very tiny hands together in a gesture of supplication, its eyes trained upward on the unseen stomper, an inscription at its base, WHY, OH WHY, DID I CROSS WYATT ENSLOW? Tom began to laugh. “She didn’t do it to the bunk,” Vik insisted. “She must’ve done something to our processors.” That much was obvious. If Wyatt was good at anything, it was pulling off tricks with the neural processors, which could pretty much be manipulated to show them anything. This was some sort of illusion she was making them see, and Tom heartily approved. He stepped closer to the walls to admire some of the photos pinned there, freeze-frames of some of Vik’s more embarrassing moments at the Spire: that time Vik got a computer virus that convinced him he was a sheep, and he’d crawled around on his hands and knees chewing on plants in the arboretum. Another was Vik gaping in dismay as Wyatt won the war games. “My hands do not look like that.” Vik jabbed a finger at the statue and its abnormally tiny hands. Wyatt had relentlessly mocked Vik for having small, delicate hands ever since Tom had informed her it was the proper way to counter one of Vik’s nicknames for her, “Man Hands.” Vik had mostly abandoned that nickname for “Evil Wench,” and Tom suspected it was due to the delicate-hands gibe. Just then, Vik’s new roommate bustled into the bunk. He was a tall, slim guy with curly black hair and a pointy look to his face. Tom had seen him around, and he called up his profile from memory: NAME: Giuseppe Nichols RANK: USIF, Grade IV Middle, Alexander Division ORIGIN: New York, NY ACHIEVEMENTS: Runner-up, Van Cliburn International Piano Competition IP: 2053:db7:lj71::291:ll3:6e8 SECURITY STATUS: Top Secret LANDLOCK-4 Giuseppe must’ve been able to see the bunk template, too, because he stuttered to a stop, staring up at the statue. “Did you really program a giant statue of yourself into your bunk template? That’s so narcissistic.” Tom smothered his laughter. “Wow. He already has your number, man.” Vik shot him a look of death as Tom backed out of the bunk.
S.J. Kincaid
Jermyn’s breath stilled. He watched intently. So far, she had followed his instructions. Now he waited to see if she would follow his last, insistent direction. In the top drawer of my bedside table, there’s a small box. It contains everything we need to make our night pleasurable . . . leave everything else behind but bring that box. He bent his will on her. Amy, get the wooden box. Get it. If thoughts had power, then his directive would surely be followed. She gathered the clothes, wrapped them in a piece of brown paper and tied them like a package with a string. She thrust the package into a large cloth bag that hung by her belt and started toward the sitting room. In frustration, Jermyn wanted to stick his fist through the wall. Why couldn’t the girl just once do as she was told? At the doorway, she hesitated. Jermyn’s heart lifted. Do it, he mentally urged. Get it. She glanced toward the bedside table, then away. Jermyn could almost see the tug-of-war between her good sense and her yearning. Had he baited the trap with strong enough desire? Had he played the meek, willing male with enough sincerity? With a soft “blast!” she hurried to the bedside table. Opening the drawer, she pulled out the wooden box and stared at it as if it were a striking snake. With a glance around her, she placed it on the table and raised the lid. She lifted the small, gilt-and-blue bottle. Pulling the stopper, she sniffed. Jermyn preferred a combination of bayberry and spice, and he held his breath as he scrutinized her face, waiting for her reaction. If she didn’t savor the scent, he had no doubt she would put it back. But for a mere second, she closed her eyes. Pleasure placed a faint smile on her lips. She liked it. And he hoped she associated the scent with him, with the day she kidnapped him. That would be sweet justice indeed. Briskly she stoppered the bottle, replaced it in the box and slid the box in her pocket. Together the two men watched as she left the bedroom. Jermyn heard a click as the outer door closed. Guardedly he walked out, surveying the sitting room. Empty. Turning to the bewildered Biggers, Jermyn said, “Quickly, man. I need that bath!
Christina Dodd (The Barefoot Princess (Lost Princesses, #2))
this. I can’t smile or fake things I’m not feeling. Digging chopsticks out of the drawer, I stick them in the bowl and pick it up, carrying it upstairs. I reach the top and don’t pause as I turn away from their bedroom door and head left, toward my own room. Carrying the bowl to my desk, I pause, the smell of the ramen making my stomach roll. I set it down and move to the wall, sliding down until I’m sitting on the floor. The cool hardwood eases my nerves, and I’m tempted to lie down and rest my face on it. Is it weird I stayed in the house tonight when they died just down the hall this morning? The coroner estimated the time of death about two a.m. I didn’t wake up until six. My mind races, caught between wanting to let it go and wanting to process how everything happened. Mirai is here every day. If I didn’t find them, she would’ve. Why didn’t they wait until I’d gone back to school next week? Did they even remember I was in the house? I let my head fall back against the wall and lay my arms over my bent knees, closing my burning eyes. They didn’t leave me a note. They dressed up. They put the dog out. They scheduled Mirai to come late this morning, instead of early.
Penelope Douglas (Credence)
Change Your Look With These Top Notch Fashion Tips In fashion, there aren't any set rules. There is no one right way to be fashionable. Read a lot of different sources and then take what you've learned, pick it apart and use the tips that are best for you. Continue reading to learn great advice that you can tailor to your own wants and needs. If you like a shirt or skirt think about getting it in more than one color. Because clothes come in so many varying cuts and styles, you're likely find it difficult to find clothes that fit well for your body type. When you do just get more than one so that you can feel great more often. If you have thick or very curly hair, using a gel product will help you to create the style you desire. Work the product into towel-dried hair and then style it as you want. You can allow it to dry naturally, or use a hair drier. This is especially helpful in humid weather. In today's business world, it is imperative that men be well dressed. Therefore, it is essential to shop for top drawer clothing when buying clothes for your next interview. To begin your search, look through today's business magazines to ensure your wardrobe matches the top executives. Look for whether men are wearing cuffed pants or hemmed pants, ties with designs or solid ties as well as what type of shoe is currently in style. Skimpy tops are comfortable to wear in hot weather, but be careful if you are a big busted gal. Your figure needs good support, and you will feel more secure if you wear a sports bra under a lightweight top that has skinny straps and no shape of its own. Don't overstock your beauty kit with makeup. Just choose a few colors that match the season. Consider your needs for day and evening applications. Makeup can go bad if it's opened, just like other products. Bacteria can build on it, too. Have yourself professionally fitted for a bra. An ill-fitting brassiere is not only unflattering, but it affects how your clothing fits. Once you know your true size, buy a few bras in different styles and cuts. A plunge or demi-cup bra, a strapless bra, and a convertible bra give you versatile options. The thing about fashion is that it's a very easy topic once you get to know a little bit about it. Use the ideas you like and ignore the rest. It's okay not to follow every trend. Breaking away from the trends is better if you desire to be unique.
David (Hum® Político (Humor Político, #1))
She'd loved birds long before her physical limitations kept her grounded. She'd found a birding diary of her grandmother's in a trunk in the attic when she was Frankie's age, and when she asked her father about it, he dug through boxes on a shelf high above her head, handing down a small pair of binoculars and some field guides. She'd seen her first prothonotary warbler when she was nine, sitting alone on a tupelo stump in the forest, swatting at mosquitoes targeting the pale skin behind her ears. She glanced up from the book she was reading only to be startled by an unexpected flash of yellow. Holding her breath, she fished for the journal she kept in her pocket, focusing on the spot in the willow where he might be. A breeze stirred the branches, and she saw the brilliant yellow head and underparts standing out like petals of a sunflower against the backdrop of leaves; the under tail, a stark white. His beak was long, pointed and black; his shoulders a mossy green, a blend of the citron yellow of his head and the flat slate of his feathers. He had a black dot of an eye, a bead of jet set in a field of sun. Never had there been anything so perfect. When she blinked he disappeared, the only evidence of his presence a gentle sway of the branch. It was a sort of magic, unveiled to her. He had been hers, even if only for a few seconds. With a stub of pencil- 'always a pencil,' her grandmother had written. 'You can write with a pencil even in the rain'- she noted the date and time, the place and the weather. She made a rough sketch, using shorthand for her notes about the bird's coloring, then raced back to the house, raspberry canes and brambles speckling bloody trails across her legs. In the field guide in the top drawer of her desk, she found him again: prothonotary warbler, 'prothonotary' for the clerks in the Roman Catholic Church who wore robes of a bright yellow. It made absolute sense to her that something so beautiful would be associated with God. After that she spent countless days tromping through the woods, toting the drab knapsack filled with packages of partially crushed saltines, the bottles of juice, the bruised apples and half-melted candy bars, her miniature binoculars slung across one shoulder. She taught herself how to be patient, how to master the boredom that often accompanied careful observation. She taught herself how to look for what didn't want to be seen.
Tracy Guzeman (The Gravity of Birds)
God was still smiling when he went into the guest room for his suitcase. He looked in the closet and under the perfectly made bed. He even pulled out the drawers of the one armoire on the far side of the room, but couldn’t find it. He was about to go back downstairs and ask Day when he turned down the long hall and walked into Day’s master bedroom. His suitcase was tucked neatly in the corner. He pulled it out but immediately knew it was empty. He looked in the first dresser but those were Day’s clothes. The second identical dresser was on the other side and God did a double take at his few toiletries that were neatly aligned on top. God rubbed his hand on the smooth surface and felt his heart clench at how domestic this looked. His and his dressers…really. God yanked off his T-shirt and threw it in the hamper along with Day’s items. He washed up quickly and went back to his dresser to put on a clean shirt. His mouth dropped when he pulled out the dresser drawer. His shirts were neatly folded and placed in an organized arrangement. God went through all five drawers. His underwear, socks, shirts, sweats, all arranged neatly and in its own place. He dropped down on the bed and thought for a minute. At first he was joking, but Day really was domesticating him. Was God ready for that? Sure he loved Day, he’d take a bullet for him, but was he ready to play house? He pinched the bridge of his nose with his thumb and middle finger at the slight tension forming behind his eyes. God had been completely on his own since he was eighteen. He’d never shared space with anyone—hell, no one had ever wanted to. Fuck. Just last night Day was getting ready to fuck mini Justin Bieber, now he was cooking and cleaning for him and doing his damn laundry. He tried his best to shake off his anxiety. He never used the word love lightly. He meant what he’d said last night. God had only loved three people his entire life and for the past four years only one of them returned that love. Should he really tuck tail and run just because this was new territory? Hell no. All he did was unpack my suitcase. No big deal. He was just being hospitable. Damn sure is better than that seedy hotel. “My boyfriend’s just trying to make me comfortable.” He smirked and tried the term on his tongue again. “I have a boyfriend.” “Get your ass down here and stop overthinking shit! Dinner is getting cold!” Day yelled from the bottom of the stairs.
A.E. Via
ELEANOR OLSON’S OATMEAL COOKIES Preheat oven to 350 degrees F., rack in the middle position. 1 cup (2 sticks, 8 ounces, ½ pound) salted butter, softened 1 cup brown sugar (pack it down in the cup when you measure it) 1 cup white (granulated) sugar 2 eggs, beaten (just whip them up in a glass with a fork) 1 teaspoon vanilla extract 1 teaspoon salt 1 teaspoon baking soda 1 and ½ cups flour (pack it down in the cup when you measure it) 3 cups quick-cooking oatmeal (I used Quaker Quick 1-Minute) ½ cup chopped nuts (optional) (Eleanor used walnuts) ½ cup raisins or another small, fairly soft sweet treat (optional) Hannah’s 1st Note: The optional fruit or sweet treats are raisins, any dried fruit chopped into pieces, small bites of fruit like pineapple or apple, or small soft candies like M&M’s, Milk Duds, chocolate chips, butterscotch chips, or any other flavored chips. Lisa and I even used Sugar Babies once—they’re chocolate-covered caramel nuggets—and everyone was crazy about them. You can also use larger candies if you push one in the center of each cookie. Here, as in so many recipes, you are only limited by the selection your store has to offer and your own imagination. Hannah’s 2nd Note: These cookies are very quick and easy to make with an electric mixer. Of course you can also mix them by hand. Mix the softened butter, brown sugar, and white sugar in the bowl of an electric mixer. Beat on HIGH speed until they’re light and fluffy. Add the beaten eggs and mix them in on MEDIUM speed. Turn the mixer down to LOW speed and add the vanilla extract, the salt, and the baking soda. Mix well. Add the flour in half-cup increments, beating on MEDIUM speed after each addition. With the mixer on LOW speed, add the oatmeal. Then add the optional nuts, and/or the optional fruit or sweet treat. Scrape down the sides of the bowl, take the bowl out of the mixer, and give the cookie dough a final stir by hand. Let it sit, uncovered, on the counter while you prepare your cookie sheets. Spray your cookie sheets with Pam or another nonstick cooking spray. Alternatively, you can line them with parchment paper and spray that lightly with cooking spray. Get out a tablespoon from your silverware drawer. Wet it under the faucet so that the dough won’t stick to it, and scoop up a rounded Tablespoon of dough. Drop it in mounds on the cookie sheet, 12 mounds to a standard-size sheet. Bake Eleanor Olson’s Oatmeal Cookies at 350 degrees F. for 9 to 11 minutes, or until they’re nice and golden on top. (Mine took 10 minutes.) Yield: Approximately 3 dozen chewy, satisfying oatmeal cookies.
Joanne Fluke (Cinnamon Roll Murder (Hannah Swensen, #15))
I didn’t think we were being quiet, particularly. High heels may have looked dainty, but they didn’t sound that way on a tile floor. Maybe it was just that my dad was so absorbed in the convo on his cell phone. For whatever reason, when we emerged from the kitchen into the den, he started, and he stuffed the phone down by his side in the cushions. I was sorry I’d startled him, but it really was comical to see this big blond manly man jump three feet off the sofa when he saw two teenage girls. I mean, it would have been funny if it weren’t so sad. Dad was a ferocious lawyer in court. Out of court, he was one of those Big Man on Campus types who shook hands with everybody from the mayor to the alleged ax murderer. A lot like Sean, actually. There were only two things Dad was afraid of. First, he wigged out when anything in the house was misplaced. I won’t even go into all the arguments we’d had about my room being a mess. They’d ended when I told him it was my room, and if he didn’t stop bugging me about it, I would put kitchen utensils in the wrong drawers, maybe even hide some (cue horror movie music). No spoons for you! Second, he was easily startled, and very pissed off afterward. “Damn it, Lori!” he hollered. “It’s great to see you too, loving father. Lo, I have brought my friend Tammy to witness out domestic bliss. She’s on the tennis team with me.” Actually, I was on the tennis team with her. “Hello, Tammy. It’s nice to meet you,” Dad said without getting up or shaking her hand or anything else he would normally do. While the two of them recited a few more snippets of polite nonsense, I watched my dad. From the angle of his body, I could tell he was protecting that cell phone behind the cushions. I nodded toward the hiding place. “Hot date?” I was totally kidding. I didn’t expect him to say, “When?” So I said, “Ever.” And then I realized I’d brought up a subject that I didn’t want to bring up, especially not while I was busy being self-absorbed. I clapped my hands. “Okay, then! Tammy and I are going upstairs very loudly, and after a few minutes we will come back down, ringing a cowbell. Please continue with your top secret phone convo.” I turned and headed for the stairs. Tammy followed me. I thought Dad might order me back, send Tammy out, and give me one of those lectures about my attitude (who, me?). But obviously he was chatting with Pamela Anderson and couldn’t wait for me to leave the room. Behind us, I heard him say, “I’m so sorry. I’m still here. Lori came in. Oh, yeah? I’d like to see you try.” “He seems jumpy,” Tammy whispered on the stairs. “Always,” I said. “Do you have a lot of explosions around your house?” I glanced at my watch. “Not this early.
Jennifer Echols (Endless Summer (The Boys Next Door, #1-2))
Luit never came out of the anesthesia. He paid dearly for having stood up to two other males, frustrating them by his steep ascent. Those two had been plotting against him in order to take back the power they had lost. The shocking way they did so opened my eyes to how deadly seriously chimpanzees take their politics. Two-against-one maneuvering is what lends chimpanzee power struggles both their richness and their danger. Coalitions are key. No male can rule by himself, at least not for long, because the group as a whole can overthrow anybody. Chimpanzees are so clever about banding together that a leader needs allies to fortify his position as well as the greater community’s acceptance. Staying on top is a balancing act between forcefully asserting dominance, keeping supporters happy, and avoiding mass revolt. If this sounds familiar, it’s because human politics works exactly the same. Before Luit’s death, the Arnhem colony was ruled jointly by Nikkie, a young upstart, and Yeroen, an over-the-hill conniver. Barely adult at seventeen, Nikkie was a brawny character with a dopey expression. He was very determined, but not the sharpest knife in the drawer. He was supported by Yeroen, who was physically not up to the task of being a leader anymore, yet who wielded enormous influence behind the scenes. Yeroen had a habit of watching disputes unfold from a distance, stepping in only when emotions were flaring to calmly support one side or the other, thus forcing everybody to pay attention to his decisions. Yeroen shrewdly exploited the rivalries among younger and stronger males. Without going into the complex history of this group, it was clear that Yeroen hated Luit, who had wrested power from him years before. Luit had defeated Yeroen in a struggle that had taken three hot summer months of daily tensions involving the entire colony. The next year, Yeroen had gotten even by helping Nikkie dethrone Luit. Ever since, Nikkie had been the alpha male with Yeroen as his right-hand man. The two became inseparable. Luit was unafraid of either one of them alone. In one-on-one encounters in the night cages, Luit dominated every other male in the colony, taking away their food or chasing them around. No single one of them could possibly have kept him in his place. This meant that Yeroen and Nikkie ruled as a team, and only as a team. They did so for four long years. But their coalition eventually began to unravel, and as is not uncommon among men, the divisive issue was sex. Being the kingmaker, Yeroen had enjoyed extraordinary sexual privileges. Nikkie would not let any other males get near the most attractive females, but for Yeroen he had always made an exception. This was part of the deal: Nikkie had the power, and Yeroen got a slice of the sexual pie. This happy arrangement ended only when Nikkie tried to renegotiate its terms. In the four years of his rule, he had grown increasingly self-confident. Had he forgotten who had helped him get to the top? When the young leader began to throw his weight around, interfering with the sexual adventures not only of other males but also of Yeroen himself, things got ugly. Infighting within the ruling coalition went on for months, until one day Yeroen and Nikkie failed to reconcile after a spat. With Nikkie following him around, screaming and begging for their customary embrace, the old fox finally walked away without looking back. He’d had it. Luit filled the power vacuum overnight. The most magnificent chimpanzee male I have known, both in body and spirit, quickly grew in stature as the alpha male. Luit was popular with females, a mighty arbiter of disputes, protector of the downtrodden, and effective at disrupting bonding among rivals in the divide-and-rule tactic typical of both chimp and man. As soon as Luit saw other males together he would either join them or perform a charging display to disband them.
Frans de Waal (Our Inner Ape: A Leading Primatologist Explains Why We Are Who We Are)
When you’re not starving, when you have glucose, you can prepare for the battle of the bulge with some of the classic self-control strategies, starting with precommitment. The ultimate surefire form of precommitment—the true equivalent of Odysseus tying himself to the mast—would be gastric bypass surgery, which would physically prevent you from eating, but there are lots of more modest forms. You can begin by simply keeping fattening food out of reach and out of sight. You’ll conserve willpower (as the women in the experiment did when the M&M’s were moved out of reach) at the same time that you’re avoiding calories. In one experiment, office workers ate a third less candy when it was kept inside a drawer rather than on top of their desks. A simple commitment strategy for avoiding late-night snacking is to brush your teeth early in the evening, while you’re still full from dinner and before the late-night-snacking temptation sets in. Although it won’t physically prevent you from eating, brushing your teeth is such an ingrained pre-bedtime habit that it unconsciously cues you not to eat anymore. On a conscious level, moreover, it makes snacking seem less attractive: You have to balance your greedy impulse for sugar against your lazy impulse to avoid having to brush your teeth again.
Roy F. Baumeister (Willpower: Rediscovering the Greatest Human Strength)
drawer of some kind. “Got it,” she said. “I found what we needed in the second place I looked.” “Hey,” Nelson objected. “Wait a minute. That’s part of the linen closet. You can’t take that.” “You’re right,” Robin replied. “This drawer is part of the linen closet, but we can take it. Have you ever bothered looking inside it?” Drexel Nelson answered with a shrug. “Me? Why would I? Washing clothes and making beds aren’t my responsibility around here.” They will be now, buddy boy, Joanna thought. “What did you find, Agent Watkins?” she asked aloud. “The top couple of layers in the drawer contained exactly what you’d expect in a linen closet—sheets and pillowcases—but underneath those is a gold mine of material: handwritten letters and notes from what looks like a whole flock of lovesick boys. At least that’s what the ones on the top of the stack appear to be.” “Letters?” Joanna asked. “As in snail mail letters?” “Not exactly,” Robin replied. “I think it’s more likely that the notes were cloak-and-dagger stuff, dropped off somewhere and collected by hand rather than sent through USPS. But now we know why nothing
J.A. Jance (Downfall (Joanna Brady, #17))
Displayed on top of a chest of drawers were several wedding gifts received twenty-five years earlier by Francesco’s parents: an engraved wooden box; an open case containing six crystal glasses, each in its own faded velvet-lined niche; a collection of small plaster figurines; and other such objects. The only use for these things was to be shown off, and they never moved from their place on the dresser except to be delicately cleaned and dusted. Gathered in what could be described as an altar, the great value of these precious things had been impressed on Francesco from a very young age, so that the objects would not fall victim to the violence of his curious little hands. And so acquiring, because inviolable, increased power and mystery, these nuptial gifts inhabited his childhood like people of a strange and noble lineage.
Elsa Morante (Lies and Sorcery)
Without sight or hearing, how did you know he was there?” Entreri looked over at the dead man. He had pulled out the top drawer of the dresser as he’d slumped to the floor, its contents spilled about him. “I told him I had hit him with the needle from the window,” the assassin explained. “I guessed that one of those bottles contained the antidote. He wanted to use the cover of the darkness and the silence to take care of that little detail.” “Well done!” Said Jarlaxle. “I knew there was a reason I kept you around.
R.A. Salvatore (The Collected Stories: The Legend of Drizzt (Dungeons & Dragons) by R. A. Salvatore (2011) Mass Market Paperback)
Minnesota, Eddie,” said Dagny grimly, closing the drawer of her special file. “Tell the Minnesota Division to ship half their stock of wire to Montana.” “But good God, Dagny!—with the peak of the harvest rush approaching—” “They’ll hold through it—I think. We don’t dare lose a single supplier of copper.” “But I have!” screamed James Taggart, when she reminded him once more. “I have obtained for you the top priority on copper wire, the first claim, the uppermost ration level, I’ve given you all the cards, certificates, documents and requisitions—what else do you want?” “The copper wire.” “I’ve done all I could! Nobody can blame me!
Ayn Rand (Atlas Shrugged)
I can’t read anymore. Not that I need to. I’ve read each poem, each note countless times since he mailed this book to me. By then I understood the curse I carried in my blood. Loving too deeply, too fiercely, too wholly. A love like that for the wrong man would ruin you. I’m about to replace the book of poems when something silver in the drawer caches my eye. It’s a cheap whistle, tarnished by age. I pull it out by the discolored string from which it dangles. I don’t have to blow it to hear its piercing shrill. It’s as sharp and clear in my head as the smell of funnel cake and the cool night air on my face at the top of a Ferris wheel. I fall back into my bed, placing the whistle and the book of poems on the pillow beside me. They’re like artifacts from another age that was marked with the promise of love. Marred with the agony of loss. It wasn’t eons ago. It wasn’t a light year away. It was eight years, and now the man who scrawled in these margins and presented this whistle to me like a piece of his heart, is cutting me out completely. This is all I have left of that night, of those days. Of the man who begged me to never forget.
Kennedy Ryan (Grip Trilogy Box Set (Grip, #0.5-2))
What’s up with your face? I mean you’re an ugly bloke, but today you’re top-drawer hideous.
Richard Kadrey (King Bullet (Sandman Slim #12))
Needles—sharps, betweens, milliner’s, darners, tapestry, embroidery, beading, for all that must be pierced and adorned and joined together Pin cushion, apple-shaped, with a felt stem, to keep pins from getting lost Thimble, your mother’s, gold, on a chain, a tiny loop soldered to the top; wear it on your index finger so you won’t prick yourself, or around your neck, to remember Measuring tape, for determining shape and size, yards, inches, centimeters, the distance from here to there Thread—mercerized, nylon silk, textured, floss Fabric, swatches and yards and bolts, wool, silk, linen, net, whatever will come next, whatever will be made The pattern? Will it come from a drawer at the fabric store—McCall’s, Butterick, Simplicity, names from your childhood, the instructions in an envelope, the outcome preordained? Or will you make it up as you
Heather Barbieri (The Lace Makers of Glenmara)
She could only admire the breadth of his chest, each pectoral muscle clearly defined. Her palms itched to explore them, and she wanted to curl her fingers in the sprinkling of dark hair that narrowed over the flat plains of his belly. There was an indentation bisecting them that she ached to trace. The hair grew denser just below his navel, arrowing toward his low-slung drawers, half-opened now. She gasped when she saw it. The tip of him rose up, thick and pink, protruding over the top of the linen. The ache between her thighs increased, as if knowing he was meant to be inside her to assuage it. He saw her take notice and kept his arms up, fingers laced behind his head, as if basking in her study of him.
Harper St. George (The Devil and the Heiress (The Gilded Age Heiresses, #2))
I gathered, Inspector,’ said Sturry grandly, ‘that he considered Miss Paula’s friendship with the young man Unsuitable.’ ‘I could see he wasn’t out of the top-drawer.’ ‘Mr Roydon,’ said Sturry, with impressive reserve, ‘is a very estimable young man, I am sure, but he is Out of Place in an establishment where eight indoor servants are employed.
Georgette Heyer (Envious Casca (Inspector Hemingway #6))
Verse speakers and opera singers could learn a great deal if they listen to all forms of popular music from Billie Holiday to Edith Piaf, where the passion, the feeling, the intonation, the tempo all arise from the word. In Broadway jargon, this is called ‘reading’ a song. I once asked Richard Rodgers, composer of Oklahoma! and countless other musicals, whether he had a stash of melodies in a top drawer, waiting to be used. ‘Of course not!’ he said. ‘I need the words.’ Like every composer of songs, it is the words that are proposed by a lyric that awaken the tune”.
Andrew Muir (Bob Dylan & William Shakespeare: The True Performing of It)
He accepts the cigarettes and says, “Cheers, mate.” Then, “What’s up with your face? I mean you’re an ugly bloke, but today you’re top-drawer hideous.” Charlotte rolls her eyes. “Jesus, Babadook. He doesn’t look that bad.” “Are you kidding? My dog died when he saw Freddy Krueger and he isn’t half as homely as this geezer.
Richard Kadrey (King Bullet (Sandman Slim #12))
Hanging up is a terrific way to keep a variety of items around the house. Using a self-adhesive pad, hanging over a door hook, or attaching to a shelf – you don't always need to drill a hole – is usually all it takes to install a hook. You receive a convenient way to store items that takes up no room on the floor, in drawers, or in cabinets – your items are actually suspended in mid-air, ready to use. That's why clever folks incorporate hooks into their storage strategy. Hooks are often underestimated, but once you examine our assortment of over the door storage organizers, you'll find that they can be easy, stylish, efficient, and even amusing ways to store items. The following are the top three most popular hook: Door Hooks Hanger Over the door Hooks Clothes Storage bag Over the door storage Organizer Coat hooks over the door Hooks are useful for keeping your home tidy and structured, but they may also be used as ornamental elements. Whether you're searching for Door hooks to hang your towels or coat hooks for the hallway, our extensive collection has a broad array of esthetically pleasing hooks in a range of styles. Coat hooks over the door take the following in your home. We have a large selection of gorgeous hook racks in addition to our single wall hooks and coat hooks. Hook racks are ideal for keeping things organised and for families. If you're looking for clothes storage bag for the corridors, hook racks for the bathroom, or even hook racks for the kitchen, you'll find plenty of alternatives here. Which hooks and Coat hooks over the door are the most popular? Hooks and hook racks of various forms and styles can be found in our large selection of storage solutions and organisers. Popular brands like Menu, GUBI, and Muuto offer Door hooks hanger. Contact Us: Unjumbly - Over the door storage organizer Address: 172 Center Street, Suite 202 PO Box 2869 New Jackson, WY 83001 Call Us: +447864166059 Email: info@unjumbly.com
Arun
Two top drawers in the dresser easily accepted all I owned, but I looked into all the other drawers anyway. Thus I discovered that the bottom drawer contained seven incomplete clarinets—without cases, mouthpieces, or bells. Life is like that sometimes.
Kurt Vonnegut Jr. (Jailbird)
Alkins stood before the jury and surveyed their faces over the tops of the pages of his opening statement. He always wore the same tie on the first day of a trial, yellow with navy diagonal stripes. He was not superstitious about anything except that tie, which he kept in an old tobacco box in his office desk drawer
Megan Goldin (The Night Swim (Rachel Krall, #1))
What ever was she going to do? She took the emery boards from the top left drawer and started doing her nails. She was going to play bridge, but before she did that she was going to have a scotch and soda and play a game of solitaire with the prettiest hands a woman with this many problems could have.
Ntozake Shange (Betsey Brown: A Novel)
You are at your desk, you have set the book among your business papers as if by chance; at a certain moment you shift the file and you find the book before your eyes, you open it absently, you rest your elbows on the desk, you rest your temples against your hands, curled into fists, you seem to be concentrating on an examination of the papers and instead you are exploring the first pages of the novel. Gradually you settle back in the chair, you raise the book to the level of your nose, you tilt your chair, poised on its rear legs, you pull out a side drawer of the desk to prop your feet on it: the position of the feet during reading is of maximum importance, you stretch your legs out on the top of the desk, on the files to be expedited. But doesn’t this seem to show a lack of respect? Of respect that is, not for your job (nobody claims to pass judgment on your professional capacities: we assume that your duties are a normal element n the system of unproductive activities that occupies such a large part of the national and international economy), but for the book. Worse still if you belong—willingly or unwillingly—to the number of those for whom working means really working, performing, whether deliberately or without premeditation, something necessary or at least not useless for others as well as for oneself; then the book you have brought with you to your place of employment like a kind of amulet or talisman exposes you to intermittent temptations, a few seconds at a time subtracted from the principal object of your attention, whether it is the perforations of electronic cards, the burners of a kitchen stove, the controls of a bulldozer, a patient stretched out on the operating table with his guts exposed. In other words, it’s better for you to restrain your impatience and wait to open the book at home.
Italo Calvino (If on a Winter's Night a Traveler)
You are at your desk, you have set the book among your business papers as if by chance; at a certain moment you shift the file and you find the book before your eyes, you open it absently, you rest your elbows on the desk, you rest your temples against your hands, curled into fists, you seem to be concentrating on an examination of the papers and instead you are exploring the first pages of the novel. Gradually you settle back in the chair, you raise the book to the level of your nose, you tilt your chair, poised on its rear legs, you pull out a side drawer of the desk to prop your feet on it: the position of the feet during reading is of maximum importance, you stretch your legs out on the top of the desk, on the files to be expedited. But doesn’t this seem to show a lack of respect? Of respect that is, not for your job (nobody claims to pass judgment on your professional capacities: we assume that your duties are a normal element in the system of unproductive activities that occupies such a large part of the national and international economy), but for the book. Worse still if you belong—willingly or unwillingly—to the number of those for whom working means really working, performing, whether deliberately or without premeditation, something necessary or at least not useless for others as well as for oneself; then the book you have brought with you to your place of employment like a kind of amulet or talisman exposes you to intermittent temptations, a few seconds at a time subtracted from the principal object of your attention, whether it is the perforations of electronic cards, the burners of a kitchen stove, the controls of a bulldozer, a patient stretched out on the operating table with his guts exposed. In other words, it’s better for you to restrain your impatience and wait to open the book at home.
Italo Calvino (If on a Winter's Night a Traveler)
Just as with forced confessions, falsified suicide notes reveal themselves oftentimes in the word choices made by the author. Researchers have found that simulated suicide notes are more likely to have verbs that are linked to a mental state—to know and to think, for example. The writers utilize abstract concepts such as life and the universe. So, for example, I don’t know my purpose here, but I think I might find it in the darkness. Whereas in genuine notes, you see simple action verbs—tell, do, and get, along with more concrete concepts. The directives look like, Tell John my bank account number is on the paper in the top drawer. Or, I owe five dollars to the library, have Deb pay that fine for me. Real letters also often have a high instance of what we call trivia, not as in extra facts but as in trivial—insignificant and common, stemming from the Latin word for where three roads meet. Genuine suicide notes tend to be full of what look like petty details.
Brianna Labuskes (The Lies You Wrote (Raisa Susanto, #1))
Yes, Vicky decided, the female mind, in its eagerness to shine afresh every day, had to have a very rapid turnover. There was no attic treasure chest or ice box where the good education was stored, mothproof, mouse-proof, and shrinkproof. There was only a top dresser drawer where names, dates, fragments of facts were flung without mates as the information hurtled through.
Dawn Powell (A Time to Be Born)
By 1905 he had his close friend and sounding board Besso at his elbow. Along with his top desk drawer, this constituted his department of theoretical physics. It turned out to be the best one in Europe.
Arthur I. Miller (Einstein, Picasso: Space, Time, and the Beauty That Causes Havoc)
Give me the coat and your backpack.” I point toward my room. “Take a shower, then get some clothes from the top two dresser drawers.” There are plenty of showers downstairs, but some primal part of me wants him in mine. “Go on.
Riley Nash (Make Me Fall (Water, Air, Earth, Fire, #2))
No. This would be better as a team." She dragged her top drawer open, rooted out her aspirin. "I should have fired her weeks ago. You were right about that. I was wrong." "I need to write this down. Can I borrow a pencil?" "Shut up." Grateful that his easy calm steadied her, she heaved a breath, then twisted open a bottle of water. "Tell me straight out, Ty, what you think of the centennial campaign
Nora Roberts (The Villa)
One peek inside his top drawer had been enough for Sophie. Swimming goggles, nail clippers, a Ferragamo tie wound into a tight coil, and packets of Gulden's Spicy Brown Mustard. None of that compared to Ira Blumenstein's gold tooth, Kenneth Yang's Darth Vader lollipop, or Rich Angstrom's Magic 8 Ball.
Laura Hemphill (Buying In)
Excerpted From Chapter One “Rock of Ages” floated lightly down the first floor corridor of the Hollywood Hotel’s west wing. It was Sunday morning, and Hattie Mae couldn’t go to church because she had to work, so she praised the Lord in her own way, but she praised Him softly out of consideration for the “Do Not Disturb” placards hanging from the doors she passed with her wooden cart full of fresh linens and towels. Actually Sundays were Hattie Mae’s favorite of the six days she worked each week. For one thing, her shift ended at noon on Sundays. For another, this was the day Miss Lillian always left a “little something” in her room to thank Hattie Mae for such good maid service. Most of the hotel’s long-term guests left a little change for their room maids, but in Miss Lillian’s case, the tip was usually three crinkly new one dollar bills. It seemed like an awful lot of money to Hattie Mae, whose weekly pay was only nineteen dollars. Still, Miss Lillian Lawrence could afford to be generous because she was a famous actress in the movies. She was also, Hattie Mae thought, a very fine lady. When Hattie Mae reached the end of the corridor, she knocked quietly on Miss Lillian’s door. It was still too early for most guests to be out of their rooms, but Miss Lillian was always up with the sun, not like some lazy folks who laid around in their beds ‘til noon, often making Hattie Mae late for Sunday dinner because she couldn’t leave until all the rooms along her corridor were made up. After knocking twice, Hattie Mae tried Miss Lillian’s door. It opened, so after selecting the softest towels from the stacks on her cart, she walked in. With the curtains drawn the room was dark, but Hattie Mae didn’t stop to switch on the overheard light because her arms were full of towels. The maid’s eyes were on the chest of drawers to her right where Miss Lillian always left her tip, so she didn’t see the handbag on the floor just inside the door. Hattie Mae tripped over the bag and fell headlong to the floor, landing inches from the dead body of Lillian Lawrence. In the dim light Hattie Mae stared into a pale face with a gaping mouth and a trickle of blood from a small red dot above one vacant green eye. Hattie Mae screamed at the top of her lungs and kept on screaming.
H.P. Oliver (Silents!)
I’ve been wanting to do this for a long time,” he said in a dangerous drawl, “and you just gave me the excuse I needed.” “What—what are you talking about?” Lily demanded, stepping backwards. A drop of rainwater from the leaky roof landed with a disconcerting ker-plop on the top of her head. Caleb was unbuttoning his cuffs, rolling up his sleeves. “I’m talking,” he replied evenly, “about raising blisters on your sweet little backside.” Lily was careful to keep to the opposite side of the table. “Now, Caleb, that wouldn’t be wise.” “Oh, I think it would be about the smartest thing I’ve ever done,” Caleb answered, advancing on her again. Lily kept the table between them. “I might be pregnant!” she reasoned desperately. “Then again,” Caleb countered, “you might not.” The muscles of his forearms were corded, the skin covered with maple-sugar hair. “I wasn’t going to shoot you—I only wanted to scare you away.” Lily dodged him, moving from one side of the table to the other, always keeping it between them. “Caleb, be reasonable. I wouldn’t shoot you—I love you!” “I love you, too,” Caleb returned in a furious croon, “and right now I’d like nothing better than to shoot you!” Lily picked up a chair and held it as she’d seen a lion tamer do in an illustration in one of her beloved dime novels. Helga of the Circus, if she remembered correctly. “Now, just stay back, Caleb. If you lay a hand on me, I assure you, you’ll regret it!” “I doubt that very much,” Caleb replied. And then he gripped one leg of the chair, and Lily realized what a pitiful defense it had been. He set it easily on the floor even as his other arm shot out like a coiled snake and caught Lily firmly by the wrist. Like a man sitting down to a cigar and a glass of port after a good dinner Caleb dropped comfortably into the chair. With a single tug he brought Lily facedown across his lap. Quick as mercury he had her skirts up and her drawers down, and when she struggled he simply imprisoned her between his thighs scissor fashion. “Caleb Halliday,” Lily gasped, writhing between his legs, “you let me go this instant!” “Or else you’ll do what?” he asked evenly. Lily felt his hand caress one cheek of her bottom and then the other, as though charting them for assault. “I’ll scream, and Hank Robbins will run over here and shoot you for the rascal you are!” Caleb laughed thunderously at that. “You’ve had your little joke,” Lily huffed, “now let me up!” “No,” Caleb replied. Lily threw back her head and screamed as loudly as she could. “You can do better than that,” Caleb said. “Hell, nobody would hear a whimper like that in this rain.” Lily filled her lungs to capacity and screamed again. She was as surprised as Caleb when the door flew open and Velvet burst in, ready for battle. Color filled her face when she understood the situation. In no particular rush, Caleb released Lily, and she scrambled to her feet unassisted, blushing painfully as she righted her drawers and lowered her skirts. Caleb chuckled at her indignation and then stood up respectfully.
Linda Lael Miller (Lily and the Major (Orphan Train, #1))
Hi,” I say quietly. I’m surprised that noise crept past the emotion in my throat because I still feel like it’s going to choke me. “Hi,” he says quietly. He looks over at Jill, and she gives him a thumbs-up. She doesn’t get up, though. I see her wipe a tear from her cheek. “Did you meet my friend, Hayley?” I ask. He nods. Paul keeps trying to catch my eyes with his, but I won’t let him. “I’m Friday,” I say. I’m your mother, and I love you more than anything, anywhere, anytime. The words rush to my lips, but I bite them back. “What’s your name?” Jacob runs over to his mother and says something to her. She reaches into the big bag at her feet and takes out a box. She hands it to him, and he runs back over. He never did tell me his name, but that’s okay. I’d rather he have a little stranger danger. And I’m a stranger, after all. Jacob sits down on the sidewalk and opens his box. He takes out a clunky piece of chalk and says, “Do you want to draw with me?” I sit down beside him and say, “What color should I use?” He gives me a blue piece of chalk. “This one.” So I sit for hours and draw with my son in chalk on the sidewalk. We draw rainbows and dragons, and we even make some flowers for his mom. I look around and see that the sidewalk is completely full of our art. There’s not an available space to be had. “You’re a really good drawer,” he says. He grins up at me, and I see the space where his missing tooth should be. “So are you.” I reach out a tentative hand and touch the top of his head. I close my eyes and breathe, letting my hand riffle through the silky strands. I pull back way sooner than I want to because he’s looking at me funny. I look over and see Paul sitting and talking quietly with Jill. He gets up and yells over to us. “We’re going to get some lunch! We’ll be right back!” I give him a thumbs-up and get up to chase Hayley and Jacob over to the swings. “Push me!” Hayley cries. “Push me!” Jacob calls at the same time. He laughs, and I put my hand in the center of both their backs, standing between them, and give them both a shove. It’s only a minute or two later when Paul and Jill come back carrying hot dogs and drinks. The kids race to the table. I jam my hands into my pockets and walk over a little more slowly. Paul and Jill sit side by side on one side of the picnic table, and Hayley and Jacob sit on the other. “Sit beside me!” Hayley cries. “No, me!” Jacob says. I put my legs over the bench and sit between them, and Paul hands me a hot dog. Jacob scoots so close to me that I can feel his thigh against mine. The heat of his little body seeps into the cold of mine and warms me everywhere. I close my eyes for a moment and just breathe, enjoying the feel of having my living, breathing child pressed into my side.
Tammy Falkner (Proving Paul's Promise (The Reed Brothers, #5))
Day had fucked up big time. This was all his fault, all because he couldn’t keep his nosy ass out of other peoples private business. Day rushed to God’s side. “I’ll help you ba—” Day didn’t know how, but God had found enough strength after that beating to push him so hard that he flew into the dresser, knocking it and all of the items that were on top of it to the floor, including the television. Day rolled a few feet, the dresser just missing falling on top of him. “Cash, what the fuck!” Day cursed. He rolled to his side and winced at the sharp pain in his ribs from coming into contact with the dresser. “I was trying to help you get into bed.” “Get the fuck out, Leo.” God’s face was an unyielding mask. For the first time in four long years, Day couldn’t read what the hell was going through God’s mind. Day stood slowly. “God, I only called him because I needed to go—” “It doesn’t matter why you did it! You had no right! You have no clue what you just did!” God yelled. “Now get out!” “Cashel, please. Just hear me out,” Day pleaded. His eyes begged for God to see the sincerity in them. He really didn’t mean for any of this to happen. “Baby, I swear. I didn’t know any of this was happening between you and your family. You should’ve told me. Why was he calling you a murderer?” No matter what, Day couldn’t turn off his detective side. Day watched God squeeze his eyes shut. He went down on one knee and clutched his chest when the hard coughing started again. God’s eyes were full of water and pain. Day timidly eased over to God’s side but God cut his eyes at him, daring him to come any closer. Day had to fight the moisture in his own eyes. “I just want to help you into bed.” “Day, if you don’t get the fuck out of my house, I’m going to show you why he called me a murderer,” God said through clenched teeth. Day couldn’t stop the gasp that escaped his lips, or the pain that radiated through his chest, as if his rib cage had been torn open and his heart ripped out and thrown underneath the bed. Day kept his eyes on God as he knelt to pick up the dresser, then the television. God watched him as well. Day didn’t say anything as the rogue tear fell down his face without his permission. Day went around to the opposite side of the bed and pulled a pen and piece of scrap paper from the drawer, still watching God carefully. He really didn’t like the look on his best friend’s face. He’d seen the look before, but he’d never had it leveled on him. Day scribbled a couple of phone numbers on the paper.
A.E. Via
Without hesitation, Sloane reached over to the nightstand, dug in the top drawer and came back with the bottle of lube. He handed it to Dex. “Fuck me.” Dex stared at him. He took the bottle from Sloane and nodded. Sloane
Charlie Cochet (Rack & Ruin (THIRDS, #3))
A drawer under the counter held inventions that didn’t work or were partially finished.  One of the items in the drawer was a small magnetically charged gyroscope she called her perpetual machine. It didn’t work. She didn’t know how she could make it work.  On paper it should work, but Lyria hadn’t discovered the right formula yet. Perhaps she could mount the green stone on the top and call it ‘industrial’ jewelry.
P.S. Witte (Welcome to Two Moon (The Western Star, #1))
I got my shoulder holster complete with Browning Hi-Power out of the top desk drawer and slipped it on. Since I’d stopped wearing my suit jacket in the office, I’d put the gun in the drawer, but outside the office and always after dark I wore a gun. Most of the creatures that had scarred me up were dead. The majority I’d done personally. Silver-plated bullets are a wonderful thing.
Laurell K. Hamilton (Burnt Offerings (Anita Blake, Vampire Hunter, #7))
But … Improper. Improper indeed. He didn’t know how improper she could be. She opened the top drawer of the oak dresser. And slowly smiled. Rowan was in bed by the time she strutted toward the bathroom. She heard, rather than saw, him jolt upright, the mattress groaning as he barked, “What in hell is that?” She kept going toward the bathroom, refusing to apologize or look down at the pink, delicate, very short lace nightgown. When she emerged, face washed and clean, Rowan was sitting up, arms crossed over his bare chest. “You forgot the bottom part.” She merely blew out the candles in the room one by one. His eyes tracked her the entire time. “There is no bottom part,” she said, flinging back the covers on her side. “It’s starting to get so hot, and I hate sweating when I sleep. Plus, you’re practically a furnace. So it’s either this or I sleep naked. You can sleep in the bathtub if you have a problem with it.” His growl rattled the room. “You’ve made your point.” “Hmm.” She slid into bed beside him, a healthy, proper distance away.
Sarah J. Maas (Queen of Shadows (Throne of Glass, #4))
Those who craved power had to belong to, or get into, the top of the upper class, because that was where power resided. The upper-upper class controlled the big corporations, the banks, the law, and the brokerage firms. Although few upper-class members took an active role in politics - some exceptions were the two Roosevelts, John Hay, Nicholas Longworth, the Hamilton Fish family, and the Tafts - there was a great deal of behind-the-scenes influencing. In order to share in that power, it was necessary not only to be rich but also to be one of the people-we-know.
Mary Cable (Top Drawer: American High Society from the Gilded Age to the Roaring Twenties)
Fingers steepled in front of him, Delaroche stared at the note. The card itself was useless. Delaroche had an entire drawer full of nothing but cream-coloured cards bearing the Gentian’s distinctive purple stamp. He had long ago traced the cards to a very exclusive stationer in London which boasted a wide clientele among the ton. If Delaroche were to go on the make of the paper alone, he could easily accuse anyone from the Prince of Wales to Lady Mary Wortley Montague. Inside – Delaroche did not need to release the card from the letter opener to look; he recalled the contents in painful detail – inside, that rogue had inscribed a bill for the accommodations. One shilling for stale bread, one shilling for rank water, two shillings for rats, three shillings for amusing insults from the guards, and so on, before signing it with the customary small purple flower. On top of the note had been a small pile of English coins, as per the reckoning. Damn him! The list was in Falconstone’s hand – Delaroche knew the hand-writing of every man whose correspondence he had ever intercepted. Delaroche could picture the Gentian standing there, dictating, in the middle of the most carefully guarded prison in Paris. The man’s cheek was unbelievable.
Lauren Willig (The Secret History of the Pink Carnation (Pink Carnation, #1))
Stanton closed the top drawer, opened the second one. “Maybe I’m new, maybe I’ll get more jaded. But the law cleared this guy. Period, the end. If you don’t like that, change the law. We in law enforcement need to be impartial referees. If the speed limit is fifty-five miles per hour, then you ticket a guy going fifty-six. If you think, nah, don’t ticket until he’s going sixty-five, then change the law to sixty-five. And it works the other way too. Following the rules, the judge freed Dan Mercer. If you don’t like that, change the law. Don’t bend the rules. Legally change them.” Walker
Harlan Coben (Caught)
In 1972, Bayber's work underwent another metamorphosis, yet refused to be defined by or adhere to any specific style. Elements of abstract expressionism, modernism, surrealism, and neo-expressionism combine with figurative art to create works which remain wholly original and highly complex, both delighting and terrifying at a subconscious level. There is nothing fragile here, nothing dreamlike. No protections are offered, not for the artist himself and not for those viewing his work. All is called forth in a raw state, human values finessed on the canvas, softened and sharpened, separated and made aggregate. While there are certain motifs in these works- often a suggestion of water, the figure of a bird- and various elements are repeated, aside from an introverted complexity, the context in which they appear is never the same from one piece to the next. What ties these works together is the suggestion of loss, of disappearance, and of longing ( see figs. 87-95)" The figure of a bird. He had forgotten his own writing. Finch took the book back to his desk and pulled a magnifying glass from the top drawer to study the color plates. Thomas had completed six paintings in 1972, four of them after July. In each of those four, Finch managed to find what he had seen long ago, the figure of a bird. Was it Alice, flown away from him?
Tracy Guzeman (The Gravity of Birds)
Gentile’s office in downtown Las Vegas, I got on the elevator and turned around and there was a TV camera. It was just the two of us in the little box, me and the man with the big machine on his shoulder. He was filming me as I stood there silent. “Turn the camera off,” I said. He didn’t. I tried to move away from him in the elevator, and somehow in the maneuvering he bumped my chin with the black plastic end of his machine and I snapped. I slugged him, or actually I slugged the camera. He turned it off. The maids case was like a county fair compared with the Silverman disappearance, which had happened in the media capital of the world. It had happened within blocks of the studios of the three major networks and the New York Times. The tabloids reveled in the rich narrative of the case, and Mom and Kenny became notorious throughout the Western Hemisphere. Most crimes are pedestrian and tawdry. Though each perpetrator has his own rap sheet and motivation and banged-up psyche, the crime blotter is very repetitive. A wife beater kills his wife. A crack addict uses a gun to get money for his habit. Liquor-store holdups, domestic abuse, drug dealer shoot-outs, DWIs, and so on. This one had a story line you could reduce to a movie pitch. Mother/Son Grifters Held in Millionaire’s Disappearance! My mother’s over-the-top persona, Kenny’s shady polish, and the ridiculous rumors of mother-son incest gave the media a narrative it couldn’t resist. Mom and Kenny were the smart, interesting, evil criminals with the elaborate, diabolical plan who exist in fiction and rarely in real life. The media landed on my life with elephant feet. I was under siege as soon as I returned to my office after my family’s excursion to Newport Beach. The deluge started at 10 A.M. on July 8, 1998. I kept a list in a drawer of the media outlets that called or dropped by our little one-story L-shaped office building on Decatur. It was a tabloid clusterfuck. Every network, newspaper, local news station, and wire service sent troops. Dateline and 20/20 competed to see who could get a Kimes segment on-air first. Dateline did two shows about Mom and Kenny. I developed a strategy for dealing with reporters. My unusual training in the media arts as the son of Sante, and as a de facto paralegal in the maids case, meant that I had a better idea of how to deal with reporters than my staff did. They might find it exciting that someone wanted to talk to them, and forget to stop at “No comment.” I knew better. So I hid from the camera crews in a back room, so there’d be no pictures, and I handled the calls myself. I told my secretary not to bother asking who was on the line and to transfer all comers back to me. I would get the name and affiliation of the reporter, write down the info on my roster, and
Kent Walker (Son of a Grifter: The Twisted Tale of Sante and Kenny Kimes, the Most Notorious Con Artists in America (True Crime (Avon Books)))
JAMBOREE MUFFINS   Preheat oven to 400 degrees F., rack in the middle position. 1 large egg, beaten ¾ cup whole milk ½ cup vegetable oil cup white (granulated) sugar 2 cups all-purpose flour (pack it down when you measure it) 3 teaspoons (one Tablespoon) baking powder 1 teaspoon salt Approximately 1/4 cup jam of your choice Hannah’s 1st Note: This is a great recipe for using up all those jars of jam with little dibs and dabs in the bottom that are taking up too much room on your refrigerator shelf! Grease or spray the bottoms of 12 muffin cups with Pam or another nonstick cooking spray. Alternatively, you can use paper cupcake liners. Use a muffin pan or a cupcake pan that has cups approximately 2 and ½ inches across the top and are 1 and ¼ inches deep. (That’s a standard size.) Hannah’s 2nd Note: Don’t use an electric mixer to mix up these muffins. Just stir everything up by hand. The muffin batter should be a little lumpy, like brownie batter, and not over-mixed. In a medium-sized bowl, beat the egg with the milk until they are well combined. Stir in the vegetable oil and the white sugar. Measure out the flour in another bowl. Stir in the baking powder and the salt with a fork. Add the flour mixture to the egg mixture in half-cup increments, stirring after each increment, but only until the flour is moistened. The resulting muffin batter will be lumpy. That’s okay. It’s supposed to be. Fill the muffin cups half-full with batter. Get out your jam jars. You can use all one kind, or several different kinds of jam. It’s totally up to you. Use a teaspoon measure or a small-sized spoon from your silverware drawer to drop 1 teaspoon of jam into the center of each muffin. Hannah’s 3rd Note: I hope Mother never reads this recipe because I use one of the antique silver collector’s spoons she gave me to dish out the jam and drop it into the center of the muffin batter. Cover the jam with muffin batter until the muffin cups are ¾ full.   Bake at 400 degrees F. for approximately 20 minutes, or until the muffins are golden brown. Let the Jamboree Muffins cool in the pan for 10 minutes and then serve them with plenty of butter. They’re good warm and they’re good cold. They also reheat well in the microwave. Yield: 12 yummy muffins
Joanne Fluke (Red Velvet Cupcake Murder (Hannah Swensen, #16))
DOC’S BRAN-OATMEAL-RAISIN COOKIES Preheat oven to 350 degrees F., rack in the middle position. ¾ cup raisins (either regular or golden, your choice) ¾ cup boiling water 1 cup white (granulated) sugar ½ cup brown sugar (pack it down when you measure it) ¾ cup (1 and ½ sticks, 6 ounces) salted butter, softened to room temperature 2 large eggs ½ teaspoon salt 1 teaspoon baking soda 1 teaspoon ground cinnamon ¼ teaspoon grated nutmeg (freshly grated is best) 1 teaspoon vanilla extract 2 cups all-purpose flour (pack it down in the cup when you measure it) 1 and ½ cups dry quick oatmeal (I used Quaker Quick 1-Minute) 2 cups bran flake cereal Place ¾ cup of raisins in a 2-cup Pyrex measuring cup or a small bowl that can tolerate boiling water without cracking. Pour the ¾ cup boiling water over the raisins in the cup. Stir a bit with a fork so they don’t stick together, and then leave them, uncovered, on the counter to plump up. Prepare your cookie sheets by spraying them with Pam or another nonstick cooking spray, or lining them with parchment paper that you also spray with Pam or another nonstick cooking spray. Hannah’s 1st Note: This cookie dough is a lot easier to make if you use an electric mixer. Place the cup of white sugar in the bottom of a mixing bowl. Add the half-cup of brown sugar. Mix them together until they’re a uniform color. Place the softened butter in the mixer bowl and beat it together with the sugars until the mixture is nice and fluffy. Mix in the eggs, one at a time, beating after each addition. Add the salt, baking soda, cinnamon, nutmeg and vanilla extract. Beat until the mixture is smooth and well incorporated. On LOW speed, add the flour, one-half cup at a time, beating after each addition. Continue to beat until everything is well blended. Drain the raisins by dumping them in a strainer. Throw away any liquid that remains, then gently pat the raisins dry with a paper towel. With the mixer running on LOW speed, add the raisins to the cookie dough. With the mixer remaining on LOW speed, add the dry oatmeal in half-cup increments, mixing after each increment. Turn the mixer OFF, and let the dough rest while you prepare the bran flakes. Measure 2 cups of bran flake cereal and place them in a 1-quart freezer bag. Roll the bag up from the bottom, getting out as much air as possible, and then seal it with the bran flakes inside. Squeeze the bran flakes with your fingers, crushing them inside the bag. Place the bag on the counter and squash the bran flakes with your hands. Once they’re in fairly small pieces, take the bag over to the mixer. Turn the mixer on LOW speed. Open the bag and add the crushed bran flakes to your cookie dough, mixing until they’re well incorporated. Turn off the mixer, scrape down the sides of the bowl with a rubber spatula, and give the bowl a final stir by hand. Drop the dough by rounded Tablespoonfuls (use a Tablespoon from your silverware drawer, not one you’d use for measuring ingredients) onto your prepared cookie sheet. There should be 12 cookie dough mounds on every standard-size cookie sheet. Hannah’s 2nd Note: Lisa and I use a level 2-Tablespoon scooper to form these cookies down at The Cookie Jar. Bake Doc’s Bran-Oatmeal-Raisin Cookies at 350 degrees F. for 13 to 15 minutes, or until golden brown on top. Remove the cookies from the oven, and let them cool on the cookie sheets for 2 minutes. Then remove them to a wire rack to cool completely. Yield: 2 to 3 dozen delicious cookies, depending on cookie size. Hannah’s 3rd Note: Doc had to warn the Lake Eden Memorial Hospital cooks not to let the patients have more than two cookies. Since they contain bran and bran is an aid to the digestive system, patients who eat a lot of these cookies could be spending a lot of time in the little room with the porcelain fixtures.
Joanne Fluke (Cinnamon Roll Murder (Hannah Swensen, #15))
But they could be frightening, too. “Watching Watergate in Archie Bunker Country,” said the cover of the June 18 issue of New York magazine. It began with the author, top-drawer trend journalist Gail Sheehy, recording what happened when the proprietor of Terry’s Bar in Astoria, Queens, asked his patrons if he might tune the bar’s TV to the hearings. Nine men cried “Forget it!” “The majority called for Popeye cartoons. But Terry couldn’t find a channel that wasn’t polluted with the ‘search for unvarnished truth.’ They had no choice. Television was suppressing their freedom not to know.” These ironworkers, sandhogs, elevator operators, and beer truck drivers said things like this: that Ted Kennedy “killed a broad” (“Now there was a mountain, and they made a molehill
Rick Perlstein (The Invisible Bridge: The Fall of Nixon and the Rise of Reagan)
They’re so dumb they put a DO NOT DISTURB sign on top of their phones during their lunch breaks and wonder why the phone still rings.
Jutta Profijt (Morgue Drawer Four (Morgue Drawer, #1))
She leaned forward and placed her chin on her fist. 'So. Can you tell me in a sentence or two how I can fix my life using vaastu shastra techniques?' He smiled. 'You'll be surprised to hear that I can. These things may be complex on the surface, but they are built on very simple truths.' He leaned back and joined his fingertips together, looking up and thinking for a few seconds. 'Let me put it like this. Consider your desk, whether it is an office desk, or a table at home where you receive and write letters. What happens at that desk? Answer: every day, a number of letters are received. Or faxes. Or advertisements. These are all items with potential energy applications. They are all bits of paper urging you to react in some way—to buy a product, or respond with a phone call, or change the way you do something. Now what we should do is to react to that potential energy transaction in some way—and thus burn up the energy in it. We should either fulfill it, by doing what it says, or we should make a decision that we are not going to fulfill it, but instead throw the paper away. But, instead, we take that piece of paper and we balance it on our desk, unwilling to make an immediate decision. This happens to a number of pieces of paper every day, and then before we know it, there is a huge pile of pieces of paper on the desk. When it gets too high, we take the pile of paper and we tuck it into a drawer. When the drawer gets so full it cannot close, we tuck the paper into a cardboard box and stick it under the desk. Soon our desks are jammed with paper—underneath, inside & on top.' 'Good God! You've been spying on me!' 'Alas, it is what most people's desks look like.' 'What's the effect of all these unfulfilled bits of paper? What did you call it—potential energy transactions?' 'I shall tell you. The day comes when you arrive at your desk, and you have lots of work to do, but you can't do it. You feel an incredible amount of inertia. You can't get started. And you have no idea why.' 'You peeping Tom! You've been staring at me through my office window.' 'The reason why you can't get started is that your desk is swamped with frozen energy. It is lying there, waiting to be handled. But the inertia infects everything you do, so that you end up unable to do anything.' She shook her head. 'It's awful, but it all rings true. What about computers? I use mostly email these days.' 'They're just the same. The only difference is that instead of physical letters arriving at your desk, emails arrive in your inbox. Again, each of them is a potential energy transaction. And again, the right thing to do would be to delete each one, or reply to each one—and then delete it. But that's not what we do, is it?' 'It is not.' 'We leave them there in our inboxes.' She nodded guiltily. 'And soon there are 600 emails in our inboxes.' '800.' 'And eventually, we select them all and stick them in a file called "archive"—which is simply the computer equivalent of the cardboard box under the desk. And the result is the same. Our email systems become full of frozen energy, & inertia spreads out of it. We find ourselves unable to do any useful work.' 'I've often wondered why I feel like I am walking in treacle. So what should one do about all this?' Sinha waved a bony index finger at her. 'This is what I recommend. Divide all your paperwork into 2 piles. One of stuff that is useless and should be thrown away. And one of stuff which you think may be of use one day. Then you throw both piles away.' 'Both piles?' 'Both piles. By that stage, you will have started to feel the benefits that clarity can bring.' 'And I suppose one should delete all one's emails as well.' 'Exactly. Even if you don’t, that nice Mr. Gates has arranged for the computer to crash every few years, so that all your stuff gets wiped out anyway.
Nury Vittachi (MR Wong Goes West: A Feng Shui Detective Novel)
Sasha McCandless blew the eyeshadow residue off the tiny mirror of the makeup palette she kept in the top left drawer of her desk and checked her reflection. The drawer was her home away from home. It held a travel toothbrush and toothpaste, a tin of mints, an unopened box of condoms, makeup, a spare pair of contact lenses, a pair of glasses, and a brush. She smiled at herself and opened the drawer again, tore open the box, and popped a condom into her beaded handbag.
Melissa F. Miller (Irreparable Harm (Sasha McCandless, #1))
Groton '36. Yale '40. Prep as paragon. Top grades at Groton and Yale. Personally solved the Dominican crisis. Quoted Heraclitus in the original. And you could put his last name before his first and it would still sound top drawer. Disgusting.
The Official Preppy Handbook
The socks and tights stored in your drawer are essentially on holiday. They take a brutal beating in their daily work, trapped between your foot and your shoe, enduring pressure and friction to protect your precious feet. The time they spend in your drawer is their only chance to rest. But if they are folded over, balled up or tied, they are always in a state of tension, their fabric stretched and their elastic pulled. They roll about and bump into each other every time the drawer is opened and closed. Any socks and tights unfortunate enough to get pushed to the back of the drawer are often forgotten for so long that their elastic stretches beyond recovery. When the owner finally discovers them and puts them on, it will be too late and they will be relegated to the rubbish. What treatment could be worse than this? Let’s begin with how to fold your tights. If you’ve tied them up, start by undoing the knot! Lay the toes one on top of the other and fold the tights in half lengthwise. Then fold them into thirds, making sure that the toes
Marie Kondō (The Life-Changing Magic of Tidying)
Close your eyes sweetheart.” “Why?” I dragged out the word a bit. Brandon stepped close and placed his lips to my ear, his fingers gently rubbing my swollen stomach. “I have a surprise for you, will you please close them?” I obeyed and he took my hands to lead me to another room, my jaw dropped when I finally opened them. “When did you do this?” I glanced around at our bedroom that was dim, the only light coming from candles, and the huge bouquets of orange lilies. At least another two dozen lilies had the stems cut off and were lying on the bed. He kissed me gently and walked me to the bed, “I made sure you were kept busy for a while. You really thought Bree wouldn’t know where to put the nursery and kitchen items?” He sat me down and bent over, kissing me again. “Thank you Brandon, for everything.” “Harper, I will love you forever, and I promise to take care of you and our kids for the rest of my life.” He leaned over and pulled something out of a nightstand drawer, then dropped to one knee, my mouth popped open and my eyes widened. “Will you please marry me?” Of course tears started streaming down my face as I nodded my head and managed to squeak out, “Yes!” I pulled Brandon’s face to mine and kissed him until I couldn’t think straight anymore. I gasped when he opened the black box and there lay a thick white gold band with three large round diamonds on top. He pulled it out and gently placed it on the ring finger of my left hand. I laughed when the ring instantly fell to one side from the weight of it and pressed my lips to Brandon’s, pulling him onto the bed with me. His large frame curled around my body as he kissed me passionately and slowly made his way to my stomach, which he kissed tenderly and told Gummy Bear that Mommy and Daddy were getting married.
Molly McAdams (Taking Chances (Taking Chances, #1))
her. I look at her. Finally look at her. She’s wearing a T-shirt, and I can see the elastic leg of her panties when she turns. “Why don’t you go in my room and wait?” She looks down and flushes. “Oh, crap,” she says. She pulls a drawer open and gets a pair of shorts. I can’t draw my eyes away from that perfect round ass. I know, I’m a rude fucker, but I can’t look away. “Damn, that’s pretty,” I murmur. I bite my cheek, trying to take my mind off it. I’m sitting here in my boxers and nothing else, trying not to let her see how hard I’m getting. While my ceiling leaks on our heads. She steps into the hallway and puts on her shorts. When she comes back, all that beautiful skin is covered up. Just my luck. Her bra is hanging on the end of the bed. I hook it with my finger and hold it up. “Do you need this?” She jerks it from my hand and tosses it into a drawer. She slams it shut with her hip. I want to lift her shirt and pull her waistband out so I can see the top edge of her panties, but that would be rude, considering she hasn’t invited me to do it, and my ceiling is about to fall in. I scrub a hand down my face. Now I know she’s not wearing a bra. Fuck me. The doorbell rings. “I’ll
Tammy Falkner (Zip, Zero, Zilch (The Reed Brothers, #6))
Caleb’s expression was thunderous. “Where the hell have you been?” he growled, his arms folded across his chest. “I stayed the night in a boarding house,” Lily answered as she climbed down from the surrey. “Did you and Winola and Rupert have a nice dinner together?” He glared at her. “Get in that house!” “And do what?” Lily retorted. “Write ‘I will not disobey my husband’ a thousand times?” “Move!” Caleb roared. Lily’s aplomb fled in an instant, and she dashed toward the door of the cabin. “I’ll thank you to remember that I’m in the family way,” she was quick to say. She was recalling that other time, when Caleb would have paddled her if Velvet hadn’t happened along just in time to prevent it. Inside the cabin Caleb set Lily in a chair and proceeded to deliver a lecture that was, in many ways, worse than a spanking. He shouted, he listed the perils of traveling alone, he swore by all that was holy that if Lily ever did such a stupid thing again he’d wring her neck. Lily’s eyes were wide by the time he began to wind down, and when he sent her to the bedroom she went. When Caleb came to her it was from a different direction than expected. A terrible racket arose on the other side of the bedroom wall, and Lily watched in horrified amazement as an ax bit through the new wood. Furiously Caleb shaped a rude door. “Now,” he said, tossing the ax behind him, “it’s all one house. Welcome to our bedroom, Mrs. Halliday.” Lily was convinced she’d married a madman. “You stay away from me,” she said, scooting backwards on the bed. She didn’t move fast enough. Caleb caught hold of one of her legs, lifted it high, and began untying her shoelace. “There isn’t a chance in hell of that, sodbuster,” he said, and then he began rolling Lily’s stocking down. She trembled as his hand caressed her inner thigh for the briefest moment. “Not a chance in hell.” Only when the lovemaking was over and Caleb had risen from the bed did Lily’s pride come back into its own. The moment he stepped through the hacked-out opening into his side of the house she moved the bureau in front of the opening. “You stay on your side,” she said when she saw him through the opening above the chest of drawers, “and I’ll keep to mine.” As usual, Caleb had expected his romantic attentions to make everything all right between them. “Damn it, Lily,” he growled, bracing his hands on the bureau top and leaning forward ominously, “we’re married!” “As far as I’m concerned, we can just forget that unfortunate fact.” “That’s fine with me,” Caleb snapped. And then he turned and stormed away. Lily
Linda Lael Miller (Lily and the Major (Orphan Train, #1))
examining everything. The place had clearly been just what Clem called it—a hidey-hole—a home away from home for Justice’s father. And for Justice himself? He didn’t know. One of the wooden crates held a bushel of potatoes in need of sprouting. The others held various dry goods, mostly food. A hundred air tights, maybe more, dried beans, flour, sugar, and coffee… a lot of coffee. A coffee pot sat on the table, along with mugs, plates, and silverware. A burlap sack slumped against one wall. Checking inside, he found oats for horses. The top drawer of the chest held a gun belt with two holsters, each holding a loaded revolver. As he examined these pistols, he was amazed by how good they felt. Their balance, their weight, the smoothness with which they slid from the well-worn holster… it was amazing… and at the same time familiar.
John Deacon (Justice Returns (Silent Justice #2))
A door in the corner was painted the same colour as the walls. Beige. An old padlock kept it closed. She checked the seams and saw that they’d been painted over. It didn’t look like the door had been opened in years. An old storage cupboard. She made a mental note of it and headed for the filing cabinet. The bottom two drawers were empty, but the top one had a number of hanging files. She walked her fingers over them, reading the names as she went. When she reached Hammond, she stopped and pulled it out. Pausing only when she spotted another name. Grace Melver. The person who had reported him missing. She pulled that one too and pinned them under her arm as she closed the top drawer.  She took one more look around and then headed for the desk, putting the files down. Roper would keep Mary busy for a few more minutes, which meant she could dig into the cold hard facts.  Her father was at the back of her chair, looking over her head, his big hands resting on her shoulders. Information is your friend, he’d say. Acquire it ruthlessly.  She rubbed her eyes, ignoring the sting from the alcohol-based sanitiser, and dove in.  If there was anything to find, she’d find it.  Chapter
Morgan Greene (Bare Skin (DS Jamie Johansson, #1))
sexual partners, she was either lying, or she’d had it for over a year. But Oliver’s chart didn’t show any symptoms and he hadn’t been prescribed.  Jamie mulled it over in her head then acted on a hunch, pulling open the top right-hand drawer. Inside was a wholesale box of condoms. She stared at it for a second. At least they were using protection. She wondered how many Mary gave out a week. Maybe there had been a third person in their relationship. A scorned ex-boyfriend who didn’t like Oliver? He obviously didn’t know about the rash — or hadn’t noticed. Grace was keeping it from him. Had he found out, confronted Grace’s other boyfriend? Or maybe the other way around. Surprised by the guy? Taken? Tied up and threatened? She had a feeling that the person hadn’t meant to kill him. If you’re going to kill someone, you don’t take their shoes and then dump them in a river. He’d either fallen in accidentally, or he’d jumped. Either way, if there wasn’t an ex — or not ex boyfriend — he was going to be someone Jamie wanted to speak to.  She held Grace’s picture up, looking past the matted hair and sunken eyes. She was young, pretty. She’d have a lot of attention out there on the streets.  Jamie closed the drawer and looked at the file again, searching for a name. She wanted to speak to the doctor. The signature just looked like a wavy line. She’d ask Mary. The chair squeaked as she pushed back from the desk and stood up, keeping the files in hand. Her watch told her it was nearly nine-thirty. Her stomach told her it was time for breakfast. Back in the main room, some of the people had cleared out, venturing back into the city. Looking for some way to get by.  Roper was still talking to Mary, who appeared to be in the middle of a speech about how these people needed more help than anyone was prepared to give, and that Oliver wouldn’t been the last. Jamie stepped around her, piqued. ‘Why do you say that?’ ‘Oh,’ she said, seeing Jamie. ‘Because people don’t want to help them and they let them hurt themselves and each other without paying them any mind.’ She narrowed her eyes. ‘Each other? Did someone have a problem with Oliver?’ ‘What?’ Mary looked sheepish all of a sudden, as if she’d dropped someone in something. ‘No, no — nothing like that. Not as far as I know, anyway,’ she added quickly. ‘Look, I just want you to find who did this — but for you to know that things are different with them. They don’t act the same — don’t believe in the same things, you know?’ She kept her voice low now. Jamie nodded. She’d worked the streets long enough to know what Mary meant. She’d seen more than she could have ever imagined. Seen people do crazy things. Things that people with something to lose would never think to do.  ‘Mrs Cartwright,’ she said after a second. ‘Grace Melver. She was friends with Oliver?’ ‘Grace?’ Mary’s eyes lit up a little and then tilted down in sadness. ‘What a sweet girl. She’ll be devastated. She’s been back every day to check whether Oliver has turned up. She’s been going out of her mind. Poor girl.’ ‘What was the nature of their relationship?’ Roper held his phone a little higher so the microphone could pick them up more easily. Mary thought for a second, aware of the recording. She chose her words carefully. ‘They were together, I suppose. As much as two people in their situation could be. They looked out for each other. Loved each other.’ ‘Did Grace have any other boyfriends?’ ‘No, no. She was sweet. She loved Oliver.’ ‘She was a heroin user, right?’ Mary looked like her face was about to droop and slip right off her head. ‘Horrible stuff. Though they
Morgan Greene (Bare Skin (DS Jamie Johansson, #1))
It’s beautiful they say as they watched her fit into their boxes, pushing her shattered limbs into the shapes of their cages.
Tina Moore (Mommy’s Top Drawer)
As a rule, don’t store anything on top of your desk. Your desktop is a work surface, not a storage cupboard, so the rule of thumb is to store nothing on it. Pick a spot in your drawers and on your shelves for each item or category. As much as possible, the only things on your desk should be whatever you need right now for the project you are working on. Keep this image of a clear desktop in your mind when you start storing. People who do so usually finish with only a laptop and an ornament or potted plant on their desk. Designate a storage space even for things you use daily, such as a pen or memo pad. My clients are often surprised to find that it’s not inconvenient at all to store these things out of sight when not in use. Once they experience how a neat and tidy desk enables them to focus on their work, they quickly become addicted to that state.
Marie Kondō (Joy at Work: Organizing Your Professional Life)
Leo was just outside the door, and he was shirtless. His arm flexed against the sleek white top of his dresser as he stared into the open drawer. He was clearly searching for a shirt, as his devil suit had mysteriously vanished. And she just went ahead and stared at his arms, chest, shoulders and back, because that's what she wanted to do--- especially after the last glass of wine she'd had. She'd seen him shirtless once before, on their hike, so the sight of him shouldn't have felt so new, but it was like seeing him for the first time all over again. She let her gaze linger over how the muscles between his shoulder blades emphasized his strong back, and the tricep that flexed as he straightened his arm. A small, parched noise escaped her lips, and he looked up. She coughed, trying to cover the sound. Leo turned. "You're supposed to be in pajamas." You're not supposed to look this fucking good. "The problem is the dress. Not built for food or unzipping. I was wondering if you could, um..." She turned and motioned toward her back, where the zipper was. When Leo stepped forward, his bare torso briefly brushed against her back. His skin was warm in contrast to the cool air, and goose bumps erupted across her arms in response. She hoped he wouldn't notice her body's reaction to being so close to him. At least he couldn't see that her gaze was fixed straight ahead, on the pesky bed nearby... His fingers grasped the top of the zipper, and he pulled on it just enough that she stumbled back and against his chest. She muttered an apology under her breath as he slowly lowered the zipper down her back. His knuckle grazed the track of her spine, and his hand stopped at the bottom, just above her ass. She wondered if his eyes were roaming over her exposed skin. And he didn't move his fingers from the zipper right away, which made her feel like he wanted the back of his knuckle to stay exactly where it was. Neither of them moved. She was afraid that if she did, she'd break the fantasy of Leo, examining her--- of him potentially wanting more of her. Eventually he leaned down, and the shadow of his beard scraped against her ear as he said, "All done.
Erin La Rosa (For Butter or Worse (The Hollywood Series #1))
He grinned at me over the giant tiered cake in his arms- over the twenty-one sparkling candles lighting up his face. Cassian clapped me on the shoulder. 'You thought you could sneak it past us, didn't you?' I groaned. 'You're all insufferable.' Elain floated to my side. 'Happy birthday, Feyre.' My friends- my family- echoed the words as Rhys set the cake on the low-lying table before the fire. I glanced toward my sister. 'Did you...?' A nod from Elain. 'Nuala did the decorating, though.' It was then that I realised what the three different tiers had been painted to look like. On the top: flowers. In the middle: flames. And on the bottom, widest layer... stars. The same design of the chest of drawers I'd once painted in that dilapidated cottage. One for each of us- each sister. Those stars and moons sent to me, my mind, by my mate, long before we'd ever met. 'I asked Nuala to do it in that order,' Elain said as the others gathered round. 'Because you're the foundation, the one who lifts us. You always have been.' My throat tightened unbearably, and I squeezed her hand in answer. Mor, Cauldron bless her, shouted, 'Make a wish and let us get to the presents!
Sarah J. Maas (A Court of Frost and Starlight (A Court of Thorns and Roses, #4))
He checked drawers and shelves and pockets and found nothing unusual. In the top drawer of the nightstand, he found a handful of change, a lighter, some crumpled receipts, Chapstick, and a 357 Magnum revolver. He’d seen Dixon with it before.
Kyla Stone (The Dark We Seek (Lost Light, #2))
Willoughby: My Darling Anne, There's a longer letter in the dresser drawer I've been writing for the last week or so, that one covers us, and my memories of us, and how much I've always loved you. This one just covers tonight, and more importantly, today. Tonight I have gone out to the horses to end it. I cannot say sorry for the act itself, although I know for a short time you will be angry at me, or even hate me for it. Please don't. This is not a case of, I came in this world alone and I'm goin' out of it alone, or anything dumb like that. I did not come in this world alone, my mom was there. And I am not goin' out of it alone, 'cause you were there, drunk on the couch, making Oscar Wilde cock jokes. No, this is a case, in some senses, of bravery. Not the bravery of facing a bullet down. The next few months of pain would be far harder than that small flash. No, it's the bravery of weighing up the next few months of still being with you, still waking up with you, of playing with the kids... Against the next few months of seeing in your eyes how much my pain is killing you. How my weakened body, as it ebbs away, and you tend to it, are your final and lasting memories of me. I won't have that. Your final memories of me will be us at the riverside, and that dumb fishing game, which I think they cheated at. And me inside of you, and you on top of me... And barely a fleeting thought, of the darkness yet to come. That was the best Anne. A whooole day of not thinking about it. Dwell on this day baby, 'cause it was the best day of my life. Kiss the girls for me, and know that I've always loved you... And maybe I'll see ya again if there's another place, and if there ain't... Well, it's been heaven knowing you. Your Boy, Bill
Martin McDonagh (Three Billboards Outside Ebbing, Missouri)
He was afraid of the conversation he was about to have, yet he badly wanted to have it. It was like this each time. His hands trembled ever so slightly as he reached into the drawer. He removed a plain-looking pinewood box. Placing it on the desk in front of him, he opened its hinged top. Inside was a metallic cone inserted into a wooden base, set next to an electromagnet and two dry cells. He switched it on. Then came the low-pitched hum, and the faint blue aura.
Arthur Shattuck O'Keefe (The Spirit Phone)
Not even when she had to spend seventeen minutes and twenty-nine seconds—yes, she counted—standing at the top of the stairs outside her bedroom while Sandor, Tarina, and Flori performed the most ridiculously exhaustive security sweep in the history of the universe. They checked places no enemy could possibly be hiding, like inside her desk drawers and behind her bookshelves and on top of her bed’s fancy canopy. They also inspected every single one of the thousands of flowers woven into her carpet for any trace of a footprint. And when they finally finished, they lowered the shades over her walls of windows and made her promise to stay away from the glass, which felt both unnecessary and unsettling. But none of it mattered. She was home. She could train. Even better—she could shower. As soon as Sandor gave her the all clear, she nearly sprinted to her bathroom, wrestled her way out of her sling, and prepared to set a new world record for longest, hottest, steamiest shower.
Shannon Messenger (Flashback (Keeper of the Lost Cities, #7))
to a small room. Set up as a home office with computer, filing cabinets, wood desk and two small bookcases, the space was cramped but tidy. One small window looked out onto the darkness. Jason closed the door to his office, took a key from his desk drawer and unlocked the top drawer of the filing cabinet. He stopped and listened for any sound. This had become habitual even in the confines of his own house. That revelation was suddenly profoundly disturbing to him. His wife had gone back to sleep. Amy was sleeping soundly two doors down. He reached in the drawer and carefully pulled out a large old-fashioned leather briefcase with double straps, brass buckles and a worn, glossy finish. Jason opened the briefcase and pulled out a blank floppy disk. The instructions he had been given were precise. Put everything he had on one floppy disk, make one hard copy of the documents and then destroy everything else.
David Baldacci (Total Control)
Laura walked into her bedroom with the small ring-box in hand. Without a word, she walked over to the top drawer in her chest of drawers and pulled it open. Inside, there were a number of boxes, similar to the one she had in her hand. Before adding it to her impressive collection, she opened it and looked at the ring inside. It was pretty, sure enough. It wasn’t the prettiest though. Still, she smiled at his thought and closed the box lid.
Matt Shaw (The Funhouse)
shower in five days. “Are you serious?” His smile grew wider, literally ear to ear, making his face look like one big blob of silly putty. “Feeling a little cranky?” “You cannot be for real, you fucking asshole.” He shook his head at her as if she were five. “You haven’t read the pamphlets I left for you, have you?” He didn’t wait for her to answer. “If you don’t eat at least five small well-balanced meals with plenty of protein and healthy fats, your hormones will get out of whack, and one of the symptoms is crankiness.” “Fuck you.” He went to the kitchen. She could hear cupboards being opened and closed. She could already smell Lysol. The man was cleaning the kitchen. She couldn’t believe he expected her to pay him fifteen thousand dollars to be restrained, deprived, and tortured. Unlike others who might think this a grand plan, she had come to terms with her weight long ago. All she wanted to do was lose a few pounds. She had put down five thousand dollars as a deposit, promising to pay the rest upon reaching her goal weight. She had only spent the money in hopes of finding Diane. Sure, it was a lot of money, but she knew that Diane would have done the same for her had the situation been reversed. She slid off the bed and went to stand just outside the kitchen. He was on his hands and knees scrubbing the floor just like her mother used to do. “I want out,” she said. “I will sign anything you want me to, declaring to all of your lawyers and the world that the decision was mine. I don’t want a refund. I don’t want anything from you. I just want you to unlock me and let me go.” He kept scrubbing, didn’t even bother to look at her when he answered. “Sorry. Can’t do.” “Why not?” “What you’re experiencing right now is just part of the process. Everybody goes through it. You just happened to get to stage three faster than most. In fact, you skipped stages one and two altogether.” Vivian didn’t care about stage one or two, or even three. She only cared about getting out of here. “You’ve done your job. I’ve lost over sixty pounds. I want to go home.” That got his attention and he looked at her, his eyes narrowing as he scanned her body from head to toes. She hated him—hated him more than she’d ever hated anyone in her life. “I’m impressed.” “Great. So can you unlock this cuff around my ankle?” “No. Sorry.” “Why not?” He stood, put the rag and bottle of cleanser under the sink, and then walked past her. In the top drawer of her bedside table, he pulled out a ledger
T.R. Ragan (Dead Weight (Lizzy Gardner #2))
We’re gonna need lube. Don’t really want to fuck you dry.” “Oh hell. Blake fucking loved it when a partner talked dirty. “In… in my bathroom. There’s some hand lotion.” He stammered out the words. Another chuckle resounded in his ear. “Uh-uh. Not good. Doesn’t work so well with condoms. Where’s your Vaseline lip balm?” Will had seen him use it once or twice. Blake pointed shakily to the top drawer of his desk.
K.C. Wells
If you are not the free person you want to be you must find a place to tell the truth about that. To tell how things go for you. Candor is like a skein being produced inside the belly day after day, it has to get itself woven out somewhere. You could whisper down a well. You could write a letter and keep it in a drawer. You could inscribe a curse on a ribbon of lead and bury it in the ground to lie unread for thousands of years. The point is not to find a reader, the point is the telling itself. Consider a person standing alone in a room. The house is silent. She is looking down at a piece of paper. Nothing else exists. All her veins go down into this paper. She takes her pen and writes on it some marks no one else will ever see, she bestows on it a kind of surplus, she tops it off with a gesture as private and accurate as her own name. —Anne Carson, from section “Could 1” of “Candor,” BOMB Magazine (no. 116, Summer 2011)
Anne Carson
CLAIRE I don’t know when I started to hate my husband. I didn’t always. When we tied the knot over ten years ago, we held hands and I swore I would love him forever. Until death did us part. And I meant it. I meant it with every fiber of my being. I genuinely believed I would be married to Noah Matchett for the rest of my life. I fantasized about the two of us growing old together—holding hands while sitting in matching rocking chairs in a retirement home. And when the minister declared us husband and wife, I patted myself on the back for choosing the right guy. I’m not sure what happened between then and now. But I can’t stand the guy anymore. “Where’s my UChicago shirt, Claire?” Noah is hunched over the top drawer of his dresser, his eyebrows bunched together as his hazel eyes stare down into the contents of the drawer. He clears his throat, which is what he always does when he’s concentrating hard on something. I used to find it cute and endearing. Now I find it irritating. Nails on a chalkboard irritating. “I don’t know.” I grab a couple of shirts out of my own dresser drawer and shove them into the brown luggage gaping open on our bed. “It’s not in the drawer?” He looks up from the drawer and purses his lips. “If it were in the drawer, why would I be asking you about it?
Freida McFadden (One by One)
Take a look at the category piles and consider the quantities as you begin to downsize. For each item, ask whether it’s been used/worn in the past year. Knowing that we wear only about 20 percent of our clothes 80 percent of the time will aid the letting go process. Also note that over-stuffed drawers are the likely culprit when clean laundry doesn’t get put away. It simply takes too much effort to jam everything in, so make a goal to only fill drawers about two-thirds full. If you find anything that would be better off in another area of the home, place it into the relocation box for redistribution at the end of the project. Also keep on hand the fix-it box (for items that need repairing) and the donation box. 4. DECLARE A HOME Now that you can see what you actually have, start measuring. How much of the clothing can realistically fit in the closet? If it only has one rod across the top, you may want to consider redesigning the closet for maximum space efficiency. Or, simple, inexpensive modifications can be made by adding a double hang closet rod to double the hanging space. You may also be able to adjust shelves and rods to better accommodate space needs. Now, decide where each category of clothing will live. Remember, the closet works in tandem with any dressers, armoires, and underbed storage in the bedroom. Assign each item a home. Designate a shelf, section of rod, drawer, or container for each category
Sara Pedersen (Learn to Organize: A Professional Organizer’s Tell-All Guide to Home Organizing)
pants, or “huggable” velvet hangers, rather than cheap wire ones, will keep clothing in top-notch shape and avoid tangles. It’s okay to use more than one kind of hanger to help clothing keep its shape. For example, padded hangers should be used for any hanging sweaters, but other kinds of shirts would be fine with tube or huggable hangers. Just keep them consistent in each section of the closet. And always hang clothes in the same direction. This will help reduce visual clutter and allow you to review your clothes at a glance. For shoes, there are a multitude of storage options. Inexpensive clear plastic shoe boxes keep shoes dust-free and easily viewed. Or use overdoor shoe bags, hanging canvas shoe bags, or a neat tiered shoe rack or shoe tree on the floor. Make sure to use ALL closet space. Underneath short- hanging garments, place a low trunk full of sweaters, a set of plastic drawers, or a simple wooden dresser filled with lingerie, swimsuits, and socks. 6. CLEAN UP & MAINTAIN Put the donation boxes in the car or near the exit so they leave the home immediately. Take out the trash. Grab the relocation box and redistribute all of its contents appropriately. Review the contents of the fix-it box and determine if the cost of the repairs is worth saving the items. If so, make a plan to get them to the
Sara Pedersen (Learn to Organize: A Professional Organizer’s Tell-All Guide to Home Organizing)
I turned away and tucked the diary in my top drawer. “Daphne found my old middle school diary when she was looking through some boxes
Rachel Linden (The Magic of Lemon Drop Pie)
Folding socks is even easier. If you’ve folded back the tops, start by unfolding them. Place one sock on top of the other and follow the same principles as those for folding clothing. For low-cut socks that just cover the feet, folding twice is enough; for ankle socks, three times; for knee socks and over-knee socks, four to six times. You can adjust the number of folds to achieve the height that best suits the drawer. It’s easy. Just aim to make a simple rectangle, the key to folding. Store the socks on edge, just as you did for clothing.
Marie Kondō (The Life-Changing Magic of Tidying Up: The Japanese Art of Decluttering and Organizing (Magic Cleaning #1))
To all the lovely ladies and the equally lovely men, Put on that favourite album from your youth, march to the kitchen henceforth, open the drawer – you know the one – with the wooden spoon inside it! Pull out that spoon-cum-microphone, turn up the music and sing your heart out. Use nothing less than the power of the top of your voice. Now, be thankful. You’re a legend in your own lifetime. And there will never be another you.
Heather Hill (The New Mrs D: An Anti-Romantic Comedy)
After a lifetime of Catholic school, Celia considered herself an atheist, but she was still terrified to throw these things in the trash-it seemed like a surefire way to get struck by lightning. Instead, she shoved them in the back of her top drawer and covered them over with underwear and socks.
J. Courtney Sullivan
Like any normal woman, I would see a dress, buy it, rip the tags off with my teeth, save the buttons for ten to twelve years in a drawer, and wear it to work. If I was going on a date, I might take a little extra care and use nail clippers to remove the tag, wear a cardigan on top, and cinch the whole look together with a wide belt.
Mindy Kaling (Why Not Me?)
James LaRue wormed his hand through the T-shirts and underwear in his top dresser drawer until his fingers made contact with a box the size of a cigarette pack. It was said that the underwear drawer was one of the first places burglars looked when robbing you. If they found James’ stash, they would most likely think it cocaine, snort a little, and be dead within a minute.
Anne Frasier (Play Dead (Elise Sandburg, #1))
He crossed to the small guard station and foraged through its drawers until he found the first-aid box. He threw bottles over his shoulder and they shattered on the ground behind him. When he came to the procaine hydrochloride vial, he stopped. The Maingate physician had insisted it be present in case emergency oral surgery were ever necessary for the guards; in addition to being a contained security unit, the Tower had to be a self-sufficient medical station. Allander withdrew a needle from the small packet and fit it gently into a plastic syringe. He punched the needle through the rubber top of the vial and withdrew some of the liquid, then cleared the air from the syringe. A few drops squirted through, onto the floor. Taking a deep breath, Allander inserted the needle into the tip of the ring finger on his left hand. He waited for the numbness to spread and settle. After a few minutes, he removed a scalpel from its sterile package and dipped it in the container of alcohol. Then he made a neat incision, cutting diagonally through his fingerprint. Since the anesthetic had not fully taken effect, he felt a painful tingling in the pad of his finger, but feeling suddenly rushed for time, he continued. Using tweezers, he pried underneath the skin, grimacing as he saw his flesh rise along the straight line of the cut. The blood came and washed over the end of the tweezers until it obscured his view. Once, he felt the tweezers close on something hard and he pulled gently, but when the tweezers emerged from the bloody gash, they held only fleshy material that looked like gristle. Allander hadn’t anticipated that numbing the finger would have made it difficult for him to distinguish the location sensor from his own senseless tissue. Beginning to lose patience, he pressed the tweezers in until they hit the bone. He applied too much pressure and they slid around the side of his finger next to his nail, pulling the flesh around and stretching the cut open. He heard a soft, metallic clink as the tweezers struck something distinctly alien, and he bit his lip in a mixture of pain and delight. Finally, working the tweezers around the metal, he withdrew the sensor, which was the size of a large pea. The flesh around the cut strained and whitened at the edges as he pulled the bloody orb through. After pressing gauze to his wound, Allander wrapped it with medical tape, bandaging it thoroughly. Then he used the tape to affix the location sensor to the side of the Hole. It was close enough to its assigned location that the difference in position would not be detected from the mainland.
Gregg Hurwitz (The Tower)
Let’s begin with how to fold your stockings. If you’ve tied them up, start by undoing the knot! Lay the toes one on top of the other and fold the stocking in half lengthwise. Then fold it into thirds, making sure that the toes are inside, not outside, and that the waistband protrudes slightly at the top. Finally, roll the stocking up toward the waistband. If the waistband is on the outside when you finish, you’ve done it right. Fold knee-high stockings the same way. With thicker material, such as tights, it is easier to roll if you fold them in half rather than in thirds. The point is that the stocking should be firm and stable when you’ve finished, much like a sushi roll. When you store the stockings in your drawer, arrange them on end so that the swirl is visible. If you are storing them in plastic drawers, I recommend putting them into a cardboard box first, so that they don’t slip and unroll, and putting the box into the drawer. A shoebox is the perfect size for a stocking divider.
Marie Kondō (The Life-Changing Magic of Tidying Up: The Japanese Art of Decluttering and Organizing (Magic Cleaning #1))
Folding socks is even easier. If you’ve folded back the tops, start by unfolding them. Place one sock on top of the other and follow the same principles as those for folding clothing. For low-cut socks that just cover the feet, folding twice is enough; for ankle socks, three times; for knee socks and over-knee socks, four to six times. You can adjust the number of folds to achieve the height that best suits the drawer. It’s easy. Just aim to make a simple rectangle, the key to folding. Store the socks on edge, just as you did for clothing. You’ll be amazed at how little space you need compared to your “potato ball days,” and you’ll notice your socks breathing a sigh of relief at being untied.
Marie Kondō (The Life-Changing Magic of Tidying Up: The Japanese Art of Decluttering and Organizing (Magic Cleaning #1))
That Dumbledore what? But there were any number of things that would seem incredible about Dumbledore; that he had once received bottom marks in a Transfiguration test, for instance, or had taken up goat-charming like Aberforth. . . . Harry got to his feet and scanned the floor: Perhaps the rest of the letter was here somewhere. He seized papers, treating them, in his eagerness, with as little consideration as the original searcher; he pulled open drawers, shook out books, stood on a chair to run his hand over the top of the wardrobe, and crawled under the bed and armchair. At last, lying facedown on the floor, he spotted what looked like a torn piece of paper under the chest of drawers. When he pulled it out, it proved to be most of the photograph Lily had described in her letter.
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
Frank Hague, the Mayor of Jersey City between May 15, 1917 and June 17, 1947, was known as one of the most corrupt party bosses in the country, if not the most corrupt, at a time when there were many. In many ways, he was thought of in a similar fashion as Robin Hood, taking from the rich and giving to the poor, as well as to himself. His spacious office had a specially made cherry-topped, wooden desk with a lap-height drawer that was pushed towards contributors, who in turn placed large amounts of cash into it, to gain favors from the “Boss of the Organization.” This desk can still be seen at City Hall.
Hank Bracker
Oz stomps barefoot to the dresser, yanks open the top drawer, and pulls out a gray cotton tee shirt. Wadding it up into a fabric ball, he whips it in my direction, sending it whizzing through the air and smacking me in the face. I barely catch it. “Please. Just go put that on. And come back uglier.
Sara Ney (The Studying Hours (How to Date a Douchebag, #1))
Place one sock on top of the other and follow the same principles as those for folding clothing. For low-cut socks that just cover the feet, folding twice is enough; for ankle socks, three times; for knee socks and over-knee socks, four to six times. You can adjust the number of folds to achieve the height that best suits the drawer.
Marie Kondō (The Life-Changing Magic of Tidying Up: The Japanese Art of Decluttering and Organizing (Magic Cleaning #1))
My bedroom looked very different the morning of my eighteenth birthday. It looked lonely. I opened my eyes just as the sun started creeping through the window, and I stared at the white chest of drawers that had greeted me every morning since I could remember. Maybe it’s stupid to think that a piece of furniture had feelings, but then again, I’m the same girl who kept my tattered old baby doll dressed in a sweater and knitted cap so she wouldn’t get cold sitting on the top shelf of my closet. And this morning that chest of drawers was looking sad. All the photographs and trophies and silly knickknacks that had blanketed the top and told my life story better than any words ever could were gone, packed in brown cardboard boxes and neatly stacked in the cellar. Even my pretty pink walls were bare. Mama picked that color after I was born, and I’ve never wanted to change it. Ruthis Morgan used to try to convince me that my walls should be painted some other color. ‘Pink’s just not your color, Catherine Grace. You know as well as I do that there’s not a speck of pink on the football field.’ There was nothing she could say that was going to change my mind of the color on my walls. If I had I would have lost another piece of my mama. And I wasn’t letting go of any piece of her, pink or not. Daddy insisted on replacing my tired, worn curtains a while back, but I threw such a fit that he spent a good seven weeks looking for the very same fabric, little bitsy pink flowers on a white -and-pink-checkered background. He finally found a few yards in some textile mill down in South Carolina. I told him there were a few things in life that should never be allowed to change, and my curtains were one of them. So many other things were never going to stay the same, and this morning was one of them. I’d been praying for this day for as long as I could remember, and now that it was here, all I wanted to do was crawl under my covers and pretend it was any other day. . . . I know that this would be the last morning I would wake up in this bed as a Sunday-school-going, dishwashing, tomato-watering member of this family. I knew this would be the last morning I would wake up in the same bed where I had calculated God only knows how many algebra problems, the same bed I had hid under playing hide-and-seek with Martha Ann, and the same bed I had lain on and cried myself to sleep too many nights after Mama died. I wasn’t sure how I was going to make it through the day considering I was having such a hard time just saying good-bye to my bed.
Susan Gregg Gilmore (Looking for Salvation at the Dairy Queen: A Novel)
wired and had an ill-at-ease feeling and he wanted it gone. Dan knew one more way to get rid of it. He opened the chest of drawers and pulled out a few pieces from his old training kit. A pair of black shorts, and one of his running tops with the logo peeling way. He pulled them on and considered the cold outside but looking for gloves was too much aggravation. He went out, shivering in the pre-morning cold, his hands freezing in the breeze from the Thames Estuary. He ran down to the seafront, his badly aching legs easing into a running stride by the time he reached the concrete sea wall. The first hint of the fiery sun showed in the distance over the estuary mouth., a monster slowly rising from the sea. One mile down, his lungs heaving, heart thumping, Dan was finally warming up. But the angst wouldn’t let go. How far did he need to go to get rid of these demons? Running was good like that. It was like bleach for the mind. When he was three miles into the run his body stopped complaining. By now a third of the
Solomon Carter (Harder They Fall (Roberts and Bradley: Harder They Fall #1))
As she began to tuck the unruly locks of hair back into the elaborately braided hairdo Narissa had insisted upon, she noticed a piece of folded parchment tucked in the edge of her mirror. Her brow furrowed as she folded back the edge. She knew as soon as she saw the sketch of a starling whom the message was from. Falco hadn’t stayed for the wedding, but he’d left her one final message. Congratulations, starling. You were meant to fly. Smiling slightly, she slipped the note inside the dressing table’s top drawer. Then she turned toward the doorway, toward the portego, where her husband awaited her. Luca da Peraga. Her wings. Her heart.
Fiona Paul (Starling (Secrets of the Eternal Rose, #3))
The first step is to visualize what the inside of your drawer will look like when you finish. The goal should be to organize the contents so that you can see where every item is at a glance, just as you can see the spines of the books on your bookshelves. The key is to store things standing up rather than laid flat. Some people mimic store displays, folding each piece of clothing into a large square and then arranging them one on top of the other in layers. This is great for temporary sales displays in stores, but not what we should be aiming for at home, where our relationship with these clothes is long term. To store clothes standing, they must be made compact, which means more folds. Some people believe that more folds means more wrinkles, but this is not the case. It is not the number of folds but rather the amount of pressure applied that causes wrinkling. Even lightly folded clothes will wrinkle if they are stored in a pile because the weight of the clothes acts like a press.
Marie Kondō (The Life-Changing Magic of Tidying Up: The Japanese Art of Decluttering and Organizing (Magic Cleaning #1))
he counts all Americans as foreigners and not out of the top drawer, but this man was so rich he was beyond drawers.
Elizabeth Pewsey (Finding Philippe: Lost in France...)
Copenhagen: Finding a gift from Carlsberg at the side of my bed in my hotel room. It was a large Carlsberg bottle top, in a presentation box, that doubled as a bottle opener that now resides in my kitchen drawer and is still used today.
Brian Nash (Nasher Says Relax – Inside the Band and Beyond the Pleasuredome)
found his name in Betty’s address book in the top drawer of her desk.
Mary Jane Forbes (Whispering Sands (GUARDIAN MYSTERY SERIES Book 1))
kidnapping, taking John off somewhere in a bid for revenge. But it still feels too far-fetched, more likely that Leland is just dumb enough to drop by my house unannounced late at night, a capricious move that’s very much in character. And then there’s the file cabinet in John’s office. The top drawer wrenched open, the bottom one still locked. I was in the middle of going through it all when Leland showed up. I need
T.J. Brearton (When He Vanished)
Loren got out of bed and slipped the note into the top drawer of the nightstand for safekeeping, among a nest of other notes Darien had written for her in their short time together.
Kayla Edwards (City of Souls and Sinners (House of Devils, #2))
I knew that Lee would have preferred the newsrooms of fifty year ago, a place where he could have told dirty jokes between drags on his cigarette and sips from whiskey kept in the top desk drawer.
Ron Rash (Saints at the River)
decide the middle one isn’t necessary. Tickling his tiny, sock-covered feet, I grab ahold, wiggling them back and forth with a big smile to pretend we’re playing a game. It works like a charm, and he stops flailing for half a second, just long enough for me to quickly slide on his cotton shorts. He screams then, his arms stretched out, fists opening and closing over and over, making grabby hands to let me know he wants me to pick him back up. “One second, mister.” I turn to my own mess of a wardrobe in search of another clean top, but my drawer is empty aside from the T-shirts I wear to bed, and when I look in my closet, bare hangers stare back. That is, on the side dedicated to the clothes that actually fit. My eyes
Meagan Brandy (Promise Me Not)
She pressed against him, the thrust of her hips no longer moving in a measured circular motion, but a jagged, erratic, desperate motion. She was near the edge. "August, August," she repeated over and over like she was in a trance. He twisted his fingers inside her and ground the palm of his hand against her, right against her clit. He pinched her nipple with his other hand. Her back arched as she came against his fingers, her body shaking, her eyes dazed with wonder and joy as a loud, prolonged cry spilled from her lips. Watching Sloane come was one of the top highlights of his life. But they weren't done. Once again, he turned their bodies. This time, Sloane landed underneath him. He hastily procured a condom from the nightstand drawer, donned it, and covered Sloane's warm, tempting body in less than ten seconds. She welcomed him back with open arms. He wasted no time, thrusting inside her in one smooth glide. He burrowed his head in her shoulder as his skin buzzed with lust. How had he denied himself for this long? Being with her like this left nirvana in the dust. Then she twined her legs around his waist and lifted her hips. "Oh, shit." How was it possible that this position felt even better? "August, please. Move." "Yes, ma'am." Her wish would always be his command. Her cries of harder, faster urged him on. She liked hard, long strokes. He could do this for the rest of his life if that's what she wanted. Each time she whimpered when he retreated, only to cry out in ecstasy when he returned, made his heart soar. Made his determination to make it even better for her to soar. The tingle started at the base of his spine and spread to his extremities. He wouldn't last much longer. But not without her. Never without her. He kissed her again and found her clit. When she got close, she liked him to press hard against the bundle of nerves. With her cries ringing in his ears, he came, stars shooting across his eyes, shaking with the intensity of the orgasm.
Jamie Wesley (A Legend in the Baking (Sugar Blitz, #2))
Sinner tut-tuts, reaching into the top drawer of his desk, removing a pair of plastic gloves. He puts them
Siobhan Davis (Reign (The Sainthood - Boys of Lowell High, #3))
Sir, Doc isn’t answering the phone. I did take it upon myself to do some research though. According to Google, you need to stay calm. You need some warm water, plenty of white sheets, towels, and scissors—but they said that the umbilical cord should be cut by the doctor, so scratch the scissors. It may pulsate but just ignore it. Oh God, sir, I’m sorry! I’m so nervous being a human like at times is stressful. I think we all need some Tequilla including the pregnant woman. Okay… Okay… Try to give her some Tylenol for pain, and if that doesn’t work, Nasim stashes weed in his top drawer in his room. That might help Ms. Kayla.” I had to chuckle at Georgey because my friend was a nervous mess right now.
K. Renee (Love After The Storm)
Rat droppings littered the bedside table. I opened the top drawer; inside was a circular nest of tissue at the center of which were three live pink infant rats,
Elizabeth Mckenzie (The Dog of the North)
Miss Walsh had decided that even if she hadn’t been raised to be elegant, college-educated, or top-drawer, no one was ever going to know it by looking at her. Maybe she lived in a boardinghouse room the size of a soup can and waitressed at the local diner on weekends, but the moment she headed to the National Archives her lipstick was flawless, her clothes up to the minute, and her voice ironed of every Irish vowel.
Kate Quinn (The Briar Club)
THERE’S A PHOTO I KEEP IN THE TOP left-hand drawer of my desk, a little picture in an old lacquered frame. I used to have it out on my desk, but not any more. In the photo, you’re very young – only one or two years old – and I’m holding you in my arms and we’re standing on a hot beach with the sun shining down on us, sea glittering behind us, sky so blue above. My bikini is the brightest neon pink. I remember that bikini. You’re wearing nothing, your plump legs wrapped around my hip, your small hand pressed against my breast. And my ponytail’s slick and dark from the sea, your hair too, a couple of wet curls on the top of your little head. And I’m looking at you and you’re looking back at me, the two of us looking at each other and laughing. And we’re still just babies, both of us. Nothing has happened to us yet.
Julie Myerson (Nonfiction)