Bear Claw Quotes

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The 3 types of terror: The Gross-out: the sight of a severed head tumbling down a flight of stairs, it's when the lights go out and something green and slimy splatters against your arm. The Horror: the unnatural, spiders the size of bears, the dead waking up and walking around, it's when the lights go out and something with claws grabs you by the arm. And the last and worse one: Terror, when you come home and notice everything you own had been taken away and replaced by an exact substitute. It's when the lights go out and you feel something behind you, you hear it, you feel its breath against your ear, but when you turn around, there's nothing there...
Stephen King
I'm starving. I haven't had anything to eat since I stole a bear claw from your kitchen this morning." "You didn't steal it. All my bear claws are yours.
Ilona Andrews (Wildfire (Hidden Legacy, #3))
It was as if God himself saw that my intention was to make my outer self match my inner fabulosity and didn't think the world could handle such an explosion of amazingness. So instead of letting me get to the gym where I would have transformed myself into a walking sex god, he created a Dunkin' Donuts out of nothing and then gave them away for free. I didn't make it to the gym. I had a bear claw instead. And a maple bar. And some donut holes. And then some more donut holes.
T.J. Klune (Tell Me It's Real (At First Sight, #1))
Sharpen your Claws against wrong doing, against human suffering. Have Ears like Owls, HEAR what your child isn't telling you. Have Eyes like a Hawk, so that you might SEE all that passes before you. Be Brave like a Bear and have the Courage of a Mother Lion to SAVE our young.
Theresa L. Flores (The Sacred Bath: An American Teen's Story of Modern Day Slavery)
A writer is a dangerous friend. Everything you say, all of your life and experience, is fodder for our writing. We mean you no harm, but what you know and what you’ve done is unavoidably fascinating to us. Being friends with a writer is a bit like trying to keep a bear as a pet. They’re wonderful, friendly creatures, but they play rough and they don’t know their own strength or remember that they have claws. Choose the stories you tell to your writer friends carefully.
Randy Murray
You gave Briar over to them?” We fell into step back toward our own camp. “Az explained the state you found her in. I didn’t think being exposed to battle-ready Illyrians would do much to soothe her.” “And the Winter Court army is much better?” “They’ve got fuzzy animals.” I snorted, shaking my head. Those enormous bears were indeed fuzzy—if you ignored the claws and teeth.
Sarah J. Maas (A Court of Wings and Ruin (A Court of Thorns and Roses, #3))
A Prayer for The Wild at Heart A prayer for the wild at heart Kept in cages I know how you long To run wild and free To feel your blood pumping To hear your heart beating faster Yet you can’t For you are locked inside a prison One that you will never escape I can hear your howls of pain And your growls of frustration Pacing back and forth Clawing at the bars Tearing at your skin Begging to be set free Your eyes are wild of full hate You face bears no smile Only a snarl of anger Blood drips from your hands Blood from the people Who didn’t understand Your fearful whimpers fill the air As you look to the full moon And let out a mournful howl Your voice gets louder As I and the others join in We let our pleads fill the night As we sit in our cold cages Praying someone will hear - Tennessee Williams
Tennessee Williams (Stairs to the Roof)
BELOVED, gaze in thine own heart, The holy tree is growing there; From joy the holy branches start, And all the trembling flowers they bear. The changing colours of its fruit Have dowered the stars with merry light; The surety of its hidden root Has planted quiet in the night; The shaking of its leafy head Has given the waves their melody, And made my lips and music wed, Murmuring a wizard song for thee. There the Loves a circle go, The flaming circle of our days, Gyring, spiring to and fro In those great ignorant leafy ways; Remembering all that shaken hair And how the wingèd sandals dart, Thine eyes grow full of tender care: Beloved, gaze in thine own heart. Gaze no more in the bitter glass The demons, with their subtle guile, Lift up before us when they pass, Or only gaze a little while; For there a fatal image grows That the stormy night receives, Roots half hidden under snows, Broken boughs and blackened leaves. For all things turn to barrenness In the dim glass the demons hold, The glass of outer weariness, Made when God slept in times of old. There, through the broken branches, go The ravens of unresting thought; Flying, crying, to and fro, Cruel claw and hungry throat, Or else they stand and sniff the wind, And shake their ragged wings; alas! Thy tender eyes grow all unkind: Gaze no more in the bitter glass. - The Two Trees
W.B. Yeats
Yes, an actual full-sized camel. If you find that confusing, just think how the criosphinx must have felt. Where did the camel come from, you ask? I may have mentioned Walt’s collection of amulets. Two of them summoned disgusting camels. I’d met them before, so I was less than excited when a ton of dromedary flesh flew across my line of sight, plowed into the sphinx, and collapsed on top of it. The sphinx growled in outrage as it tried to free itself. The camel grunted and farted. “Hindenburg,” I said. Only one camel could possibly fart that badly. “Walt, why in the world—?” “Sorry!” he yelled. “Wrong amulet!” The technique worked, at any rate. The camel wasn’t much of a fighter, but it was quite heavy and clumsy. The criosphinx snarled and clawed at the floor, trying unsuccessfully to push the camel off; but Hindenburg just splayed his legs, made alarmed honking sounds, and let loose gas. I moved to Walt’s side and tried to get my bearings.
Rick Riordan (The Serpent's Shadow (The Kane Chronicles, #3))
pet. Now, a big black bear who liked listening to the music that insects make in the early evening couldn’t hear their song because Lulu’s was louder. Plus, a lot of the insects were deader because Lulu kept on spraying them with her spray. This made him mad. Then madder. Then madder than that. He growled a thunderous growl, and then he lumbered heavily down the forest path and stood on his two hind legs in front of Lulu. Waving a big claw-y paw in her face, he said, “You’re interrupting my favorite program.” (Please don’t give me an argument. In my story, bears are allowed to have favorite programs.) “So I’m going to scratch you to pieces with my claws.
Judith Viorst (Lulu and the Brontosaurus)
Are you angry with the bird because he can fly, or angry with the horse for her beauty, or angry with the bear because he has fearsome teeth and claws? Because he’s bigger than you are? Stronger too? Destroying all the things you hate won’t change any of that. You still won’t be a bear or a bird or a horse. Hating men won’t make you a man. Hating your womb or your breasts or your own weakness won’t make those things go away. You’ll still be a woman. Hating never fixed anything. It seems simple, but most things are. We just complicate them. We spend our lives complicating what we would do better to accept. Because in acceptance, we put our energies into transcendence.
Amy Harmon (Where the Lost Wander)
yoga soul today. instant resonation. Spring Somewhere a black bear has just risen from sleep and is staring down the mountain. All night in the brisk and shallow restlessness of early spring I think of her, her four black fists flicking the gravel, her tongue like a red fire touching the grass, the cold water. There is only one question: how to love this world. I think of her rising like a black and leafy ledge to sharpen her claws against the silence of the trees. Whatever else my life is with its poems and its music and its cities, it is also this dazzling darkness coming down the mountain, breathing and tasting; all day I think of her – her white teeth, her wordlessness, her perfect love.
Mary Oliver
How many happy, satisfied people there are, after all, I said to myself. What an overwhelming force! Just consider this life--the insolence and idleness of the strong, the ignorance and bestiality of the weak, all around intolerable poverty, cramped dwellings, degeneracy, drunkenness, hypocrisy, lying...and yet peace and order apparently prevail in all those homes and in the streets. Of the fifty thousand inhabitants of a town, not one will be found to cry out, to proclaim his indignation aloud. We see those who go to the market to buy food, who eat in the daytime and sleep at night, who prattle away, marry, grow old, carry their dead to the cemeteries. But we neither hear nor see those who suffer, and the terrible things in life are played out behind the scenes. All is calm and quiet, and statistics, which are dumb, protest: so many have gone mad, so many barrels of drink have been consumed, so many children died of malnutrition...and apparently this is as it should be. Apparently those who are happy can only enjoy themselves because the unhappy bear their burdens in silence, and but for this silence happiness would be impossible. It is a kind of universal hypnosis. There ought to be a man with a hammer behind the door of every happy man, to remind him by his constant knocks that there are unhappy people, and that happy as he himself may be, life will sooner or later show him its claws, catastrophe will overtake him--sickness, poverty, loss--and nobody will see it, just as he now neither sees nor hears the misfortunes of others. But there is no man with a hammer, the happy man goes on living and the petty vicissitudes of life touch him lightly, like the wind in an aspen-tree, and all is well.
Anton Chekhov
Jon hung a quiver from his belt and pulled an arrow. The shaft was black, the fletching grey. As he notched it to his string, he remembered something that Theon Greyjoy had once said after a hunt. "The boar can keep his tusks and the bear his claws," he had declared, smiling that way he did. "There's nothing half so mortal as a grey goose feather.
George R.R. Martin (A Storm of Swords (A Song of Ice and Fire, #3))
Hamlet's Cat's Soliloquy "To go outside, and there perchance to stay Or to remain within: that is the question: Whether 'tis better for a cat to suffer The cuffs and buffets of inclement weather That Nature rains on those who roam abroad, Or take a nap upon a scrap of carpet, And so by dozing melt the solid hours That clog the clock's bright gears with sullen time And stall the dinner bell. To sit, to stare Outdoors, and by a stare to seem to state A wish to venture forth without delay, Then when the portal's opened up, to stand As if transfixed by doubt. To prowl; to sleep; To choose not knowing when we may once more Our readmittance gain: aye, there's the hairball; For if a paw were shaped to turn a knob, Or work a lock or slip a window-catch, And going out and coming in were made As simple as the breaking of a bowl, What cat would bear the houselhold's petty plagues, The cook's well-practiced kicks, the butler's broom, The infant's careless pokes, the tickled ears, The trampled tail, and all the daily shocks That fur is heir to, when, of his own will, He might his exodus or entrance make With a mere mitten? Who would spaniels fear, Or strays trespassing from a neighbor's yard, But that the dread of our unheeded cries And scraches at a barricaded door No claw can open up, dispels our nerve And makes us rather bear our humans' faults Than run away to unguessed miseries? Thus caution doth make house cats of us all; And thus the bristling hair of resolution Is softened up with the pale brush of thought, And since our choices hinge on weighty things, We pause upon the threshold of decision.
Henry N. Beard (Poetry for Cats: The Definitive Anthology of Distinguished Feline Verse)
As he clutched her in his shaking hands and wept against her, he whispered into her ear, the words that made him believe. “Love bears all things. Endures all things,” he said. “Ours has, hasn’t it?” She nodded and held him tighter. “But can it endure this, Anais? This demon who holds me so mercilessly in its claws?” She touched his face and kissed him. “My love can and will, Lindsay. I will be here when you open your eyes. I will give you whatever you need to make it more bearable.
Charlotte Featherstone (Addicted (Addicted, #1))
We guard our bodies until they are old and tasteless, when we could have fed ourselves to claw and fur, been literally reincarnated in the cells of a lion sleeping in the sun, the wall of muscle that is a bear crashing through a rotten log in search of ant eggs. Why not return again and again, glistening, gilded every time?
Craig Childs (The Animal Dialogues: Uncommon Encounters in the Wild)
Just look at this life: the insolence and idleness of the strong, the ignorance and brutishness of the weak, impossible poverty all around us, overcrowding, degeneracy, drunkenness, hypocrisy, lies...Yet in all the houses and streets it's quiet, peaceful; of the fifty thousand people who live in town there is not one who would cry out or become loudly indignant. We see those who go to the market to buy food, eat during the day, sleep during the night, who talk their nonsense, get married, grow old, complacently drag their dead to the cemetery; but we don't see or hear those who suffer, and the horrors of life go on somewhere behind the scenes. Everything is quiet, peaceful, and only mute statistics protest: so many gone mad, so many buckets drunk, so many children dead of malnutrition... And this order is obviously necessary; obviously the happy man feels good only because the unhappy bear their burden silently, and without that silence happiness would be impossible. It's a general hypnosis. At the door of every happy, contented man somebody should stand with a little hammer, constantly tapping, to remind him that unhappy people exist, that however happy he may be, sooner or later life will show him its claws, some calamity will befall him--illness, poverty, loss--and nobody will hear or see, just as he doesn't hear or see others now. But there is nobody with a little hammer, the happy man lives on, and the petty cares of life stir him only slightly, as wind stirs an aspen--and everything is fine.
Anton Chekhov (Five Great Short Stories)
Then the lion said – but I don't know if it spoke – You will have to let me undress you. I was afraid of his claws, I can tell you, but I was pretty nearly desperate now. So I just lay flat down on my back to let him do it. "The very first tear he made was so deep and I thought it had gone right into my heart. And when he began pulling the skin off, it hurt worse than anything I've ever felt. The only thing that made me able to bear it was just the pleasure of feeling the stuff peel off. You know – if you've ever picked the scab of a sore place. It hurts like billy-oh but it is such fun to see it coming away.
C.S. Lewis (The Voyage of the Dawn Treader (Chronicles of Narnia, #3))
The picture he was cleaning showed an armored figure standing in a desolate landscape. It had no weapon, but held a staff bearing a strange, stiff banner. The visor of this figure’s helmet was entirely of gold, without eye slits or ventilation; in its polished surface the deathly desert could be seen in reflection, and nothing more.
Gene Wolfe (Shadow & Claw)
Maureen O'Brien's Bakery Lingo: A Partial Glossary • 9 donuts - A shutout • 2 croissants - A full moon • 3 croissants - A ménage à trois • 4 bear claws - Full smokey • 2 bear claws - Half smokey • The last one of any item - The gift of the Magi • A baker's dozen of doughnut holes - a PG-13 • Anything in the unlikely quantity of 36 or a lot of something - A Wu-Tang • Blueberry muffin - Chubby Checker • Bran muffin - Warren G the regulator • Any customer who left no tip - A libertarian • Any customer who only tipped the coins from their change - A couch shaker • Any person who requested a substitution - Master and demander • Any person who requested TWO substitutions - Demander in chief • Any person who requested MORE than two substitutions - The new executive chef and finally.... • Any vegan customer - A Morrissey
J. Ryan Stradal (The Lager Queen of Minnesota)
Thomas stared in horror at the monstrous thing making its way down the long corridor of the Maze. It looked like an experiment gone terribly wrong—something from a nightmare. Part animal, part machine, the Griever rolled and clicked along the stone pathway. Its body resembled a gigantic slug, sparsely covered in hair and glistening with slime, grotesquely pulsating in and out as it breathed. It had no distinguishable head or tail, but front to end it was at least six feet long, four feet thick. Every ten to fifteen seconds, sharp metal spikes popped through its bulbous flesh and the whole creature abruptly curled into a ball and spun forward. Then it would settle, seeming to gather its bearings, the spikes receding back through the moist skin with a sick slurping sound. It did this over and over, traveling just a few feet at a time. But hair and spikes were not the only things protruding from the Griever’s body. Several randomly placed mechanical arms stuck out here and there, each one with a different purpose. A few had bright lights attached to them. Others had long, menacing needles. One had a three-fingered claw that clasped and unclasped for no apparent reason. When the creature rolled, these arms folded and maneuvered to avoid being crushed. Thomas wondered what—or who—could create such frightening, disgusting creatures.
James Dashner (The Maze Runner (Maze Runner, #1))
SPRING Somewhere a black bear has just risen from sleep and is staring down the mountain. All night in the brisk and shallow restlessness of early spring I think of her, her four black fists flicking the gravel, her tongue like a red fire touching the grass, the cold water. There is only one question: how to love this world. I think of her rising like a black and leafy ledge to sharpen her claws against the silence of the trees. Whatever else my life is with its poems and its music and its glass cities, it is also this dazzling darkness coming down the mountain, breathing and tasting; all day I think of her— her white teeth, her wordlessness, her perfect love.
Mary Oliver (House of Light)
But thinking you have me is a delusion. Does the fish have a bear just because it’s within reach of the claws?
Jennifer A. Nielsen (The Shadow Throne (Ascendance, #3))
The thing that looked like a bear gazed down on her haughtily from its seven feet of height. Its head was in the sky and its claws held the earth.
Stephen King (The Girl Who Loved Tom Gordon)
Atalanta had shown me bear tracks in the woods. A series of clawed prints, larger than my hand, leading away into the brush. The creature who had made them was long gone and could only be defined by the impressions it had left. Love was like that, noticeable only by its absence.
Luna McNamara (Psyche and Eros)
Down through the druid wood I saw Wildman join with Cleaver Creek, put on weight, exchange his lean and hungry look for one of more well-fed fanaticism. Then came Chichamoonga, the Indian Influence, whooping along with its banks war-painted with lupine and columbine. Then Dog Creek, then Olson Creek, then Weed Creek. Across a glacier-raked gorge I saw Lynx Falls spring hissing and spitting from her lair of fire-bright vine maple, claw the air with silver talons, then crash screeching into the tangle below. Darling Ida Creek slipped demurely from beneath a covered bridge to add her virginal presence, only to have the family name blackened immediately after by the bawdy rollicking of her brash sister, Jumping Nellie. There followed scores of relatives of various nationalities: White Man Creek, Dutchman Creek, Chinaman Creek, Deadman Creek, and even a Lost Creek, claiming with a vehement roar that, in spite of hundreds of other creeks in Oregon bearing the same name, she was the one and only original...Then Leaper Creek...Hideout Creek...Bossman Creek...I watched them one after another pass beneath their bridges to join in the gorge running alongside the highway, like members of a great clan marshaling into an army, rallying, swelling, marching to battle as the war chant became deeper and richer.
Ken Kesey (Sometimes a Great Notion)
Brynne was changing, too. Her eyes looked ocean-tinted. In a matter of seconds, she blurred through a dozen menacing shapes—a growling panther, an azure bear, a sharp-clawed wolverine, and even a massive saltwater crocodile. Crocodile-Brynne snapped, and a cold wind blew around them. “Uh, what’s going on with you guys?” asked Aiden. “Is it puberty?” whispered Rudy nervously. Aiden swatted him.
Roshani Chokshi (Aru Shah and the City of Gold (Pandava, #4))
Sleep this night is not a dark haunted domain the mind must consciously set itself to invade, but a cave inside himself, into which he shrinks while the claws of the bear rattle like rain outside. Sunshine,
John Updike (Rabbit, Run)
A mammal with scales, with the tail of a monkey, the claws of a bear and the snout of an anteater. Part dinosaur, part house cat. If we must have an animal as a national symbol, why not a pangolin, something original that we can own.
Shehan Karunatilaka (The Seven Moons of Maali Almeida)
When I change I change fast. The moon drags the whatever-it-is up from the earth and it goes through me with crazy wriggling impatience. I picture it as an electrical discharge, entering at my soles and racing upwards in haywire detonations that shock the bones and explode the neurons. The magic's dark red, violent, compressed. I get random flashes of mundane memory-- pushing a shopping cart around Met Foods; opening my apartment window; standing on a subway platform; saying to someone, No, that's carbohydrates in the evenings-- intercut with images of the kills; a white male body on an oil-stained warehouse floor; a solitary trailer with a storm lamp burning; a female thigh releasing a dark arc of blood; my clawed hand scooping out a still-hot heart. This is the Curse's neatest trick: one type of memory doesn't destroy the other. It's still you. It's still all you. You wouldn't think you were built to bear such opposites, but you are. You'd think the system would crash, but it doesn't.
Glen Duncan (Talulla Rising (The Last Werewolf, #2))
Jimmy (to Allison):We'll be together in our bear's cave, and our squirrel's drey, and we'll live on honey, and nuts-lots and lots of nuts. And we'll sing songs about ourselves-about warm trees and snug caves, and lying in the sun. And you'll keep those big eyes on my fur, and help me keep my claws in order, because I'm a bit of a soppy, scruffy sort of a bear. And I'll see that you keep that sleek, bushy tail glistening as it should, because you're a very beautiful squirre, but you're none too bright either, so we've got to be careful. There are cruel steel traps lying about everywhere, just waiting for rather mad, slightly satanic, and very timid little animals.
John Osborne (Look Back in Anger)
He tells us that occasionally there are men and women who wander through Hell in thin processions, wearing heavy gray robes and bearing lanterns to light their way. They are invariably chained together and led through the burning canyons by a loping demon: some malformed, tooth-spangled pinwheel of limbs and claws. They tour safely because they are shuttered against the sights and sounds of Hell by the iron boxes around their heads, which give them the appearance of strange astronauts on a pilgrimage through fire.
Nathan Ballingrud (Wounds: Six Stories from the Border of Hell)
Things can go very, very wrong. They go wrong all the time in the normal world, and the Real World just means they go wrong with teeth and claws, quicker than your average bear.
Lili St. Crow (Strange Angels (Strange Angels, #1))
claws. I even threw in a Care Bear Stare for good measure. 
R.E. Vance (Gone God World)
And I thought how many satisfied, happy people really do exist in this world! And what a powerful force they are! Just take a look at this life of ours and you will see the arrogance and idleness of the strong, the ignorance and bestiality of the weak. Everywhere there's unspeakable poverty, overcrowding, degeneracy, drunkenness, hypocrisy and stupid lies... And yet peace and quiet reign in every house and street. Out of fifty thousand people you won't find one who is prepared to shout out loud and make a strong protest. We see people buying food in the market, eating during the day, sleeping at night-time, talking nonsense, marrying, growing old and then contentedly carting their dead off to the cemetery. But we don't hear or see those who suffer: the real tragedies of life are enacted somewhere behind the scenes. Everything is calm and peaceful and the only protest comes from statistics - and they can't talk. Figures show that so many went mad, so many bottles of vodka were emptied, so many children died from malnutrition. And clearly this kind of system is what people need. It,s obvious that the happy man feels contented only because the unhappy ones bear their burden without saying a word: if it weren't for their silence, happiness would be quite impossible. It's a kind of mass hypnosis. Someone ought to stand with a hammer at the door of every contented man, continually banging on it to remind him that there are unhappy people around and that however happy he may be at that time, sooner or later life will show him its claws and disaster will overtake him in the form of illness, poverty, bereavement and there will be no one to hear or see him. But there isn't anyone holding a hammer, so our happy man goes his own sweet way and is only gently ruffled by life's trivial cares, as an aspen is ruffled by the breeze. All's well as far as he's concerned
Anton Chekhov (Gooseberries and other stories (Penguin Little Black Classics, #34))
Are you angry with the bird because he can fly, or angry with the horse for her beauty, or angry with the bear because he has fearsome teeth and claws? Because he’s bigger than you are? Stronger too? Destroying all the things you hate won’t change any of that. You still won’t be a bear or a bird or a horse. Hating men won’t make you a man. Hating your womb or your breasts or your own weakness won’t make those things go away. Hating never fixed anything.
Amy Harmon (Where the Lost Wander)
Other people, those who don’t have to bear the weight of an abuser’s actions, they live in a state of blissful ignorance. They’ve been spared from seeing the truly dark side of people and that gives them an unacknowledged gift to carry them through life.
Sam Hall (With Fangs and Claws (The Wolf Queen, #1))
In the sky there is nobody asleep. Nobody, nobody. Nobody is asleep. The creatures of the moon sniff and prowl about their cabins. The living iguanas will come and bite the men who do not dream, and the man who rushes out with his spirit broken will meet on the street corner the unbelievable alligator quiet beneath the tender protest of the stars. Nobody is asleep on earth. Nobody, nobody. Nobody is asleep. In a graveyard far off there is a corpse who has moaned for three years because of a dry countryside on his knee; and that boy they buried this morning cried so much it was necessary to call out the dogs to keep him quiet. Life is not a dream. Careful! Careful! Careful! We fall down the stairs in order to eat the moist earth or we climb to the knife edge of the snow with the voices of the dead dahlias. But forgetfulness does not exist, dreams do not exist; flesh exists. Kisses tie our mouths in a thicket of new veins, and whoever his pain pains will feel that pain forever and whoever is afraid of death will carry it on his shoulders. One day the horses will live in the saloons and the enraged ants will throw themselves on the yellow skies that take refuge in the eyes of cows. Another day we will watch the preserved butterflies rise from the dead and still walking through a country of gray sponges and silent boats we will watch our ring flash and roses spring from our tongue. Careful! Be careful! Be careful! The men who still have marks of the claw and the thunderstorm, and that boy who cries because he has never heard of the invention of the bridge, or that dead man who possesses now only his head and a shoe, we must carry them to the wall where the iguanas and the snakes are waiting, where the bear’s teeth are waiting, where the mummified hand of the boy is waiting, and the hair of the camel stands on end with a violent blue shudder. Nobody is sleeping in the sky. Nobody, nobody. Nobody is sleeping. If someone does close his eyes, a whip, boys, a whip! Let there be a landscape of open eyes and bitter wounds on fire. No one is sleeping in this world. No one, no one. I have said it before. No one is sleeping. But if someone grows too much moss on his temples during the night, open the stage trapdoors so he can see in the moonlight the lying goblets, and the poison, and the skull of the theaters - City That Does Not Sleep
Federico García Lorca
Sharpen your claws against wrong doing, against human suffering. Have ears like owls, hear what the child isn’t telling you. Have eyes like a hawk so you might see all that passes before you. Be brave like a bear and have the courage of a mother lion to save our young.
Theresa L. Flores (The Slave Across the Street)
Jun Do was thinking about all the popular definitions of love, that it was a pair of bare hands clasping an ember to keep it alive, that it was a pearl that shines forever, even in the belly of the eel that eats the oyster, that love was a bear that feeds you honey from its claws.
Adam Johnson (The Orphan Master's Son)
The eye in this city acquires an autonomy similar to that of a tear. The only difference is that it doesn't sever itself from the body but subordinates it totally. After a while - on the third or fourth day here- the body starts to regard itself as merely the eye's carrier, as a kind of submarine to its now dilating, now squinting periscope. Of course, for all its targets, its explosions are invariably self-inflicted: it's own heart, or else your mind, that sinks; the eye pops up to the surface. This, of course, owes to local topography, to the streets - narrow, meandering like eels - that finally bring you to a flounder of a campo with a cathedral in the middle of it, barnacled with saints and flaunting its Medusa-like cupolas. No matter what you set out for as you leave the house here, you are bound to get lost in these long, coiling lanes and passageways that beguile you to see them through to follow them to their elusive end, which usually hits water, so that you can't even call it a cul-de-sac. On the map this city looks like two grilled fish sharing a plate, or perhaps like two nearly overlapping lobster claws ( Pasternak compared it to a swollen croissant); but it has no north, south, east, or west; the only direction it has is sideways. It surrounds you like frozen seaweed, and the more you dart and dash about trying to get your bearings, the more you get lost. The yellow arrow signs at intersections are not much help either, for they, too, curve. In fact, they don't so much help you as kelp you. And in the fluently flapping hand of the native whom you stop to ask for directions, the eye, oblivious to his sputtering, A destra, a sinistra, dritto, dritto, readily discerns a fish.
Joseph Brodsky (Watermark)
I do, in fact, have a plan.” Aten told Joe, much to his surprise. “It requires a bit of legal mumbo-jumbo, so bear with me.” “Rawr!” Joe waved his hands in front of him like they were claws. Seeing that no one was smiling, Joe coughed into his hand and settled into a seat. “Sorry, was trying to ‘bear’ with you.
Dakota Krout (Ruthless (The Completionist Chronicles, #5))
She was trying to decide to regard the black flies as a good symptom of the liveliness of the North, a sign that nature will never capitulate, that man is red in tooth and claw but there is something that cannot be controlled by him, when a critter no larger than a fruitfly tore a hunk out of her shin through her trousers.
Marian Engel (Bear)
We know that Rangi can at least mutter because Digger Gibson says he used to talk to the bear. In his group home for orphaned Moa boys, Rangi had a pet cinnamon bear. I saw her once. She was just a wet-nosed cub, a cuff of pure white around her neck. Rangi found her on the banks of the Waitiki River and walked her around on a leash. He filed her claws and fed her tiny, smelly fishes. They shot her the day his new father, Digger, came to pick him up. "Burying that bear," I overheard Digger tell Mr. Oamaru once. "The first thing we ever did together as father and son." Rangi's given us this global silent treatment ever since, a silence he extends to people, animals, ice.
Karen Russell (St. Lucy's Home for Girls Raised by Wolves)
There was once a beautiful boy Who cried 'Wolf', every night. He would tell everyone he saw Of the animals azure eyes, The throat-gripping terror and fright. His friends and lovers came in droves With sticks & words, threats and stoves. They loved his beauty and wanted him safe Of the menacing claws, he said lived inside a cave. Every night with will anew, They waited and plotted beatings Black and blue. Nights turned to dusk Lovers to strangers, Days to years, The wolf never came His stories they couldn't bear to hear. So lived the gorgeous boy, Icy winter nights alone, Still muttering about the wolf So beastly and regal, it needed a throne. He spoke about its glistening fur, Razor sharp claws, yellowed breath And treacherous purr. How the wolf would howl every night, At a monstrous moon Far away and stark bright. He heard its padded steps From miles away Horrified by the wildness, Its softly heaving chest would betray. Alone the boy, with the beautiful smile Died In time to realise The wolf only ever howled inside.
Kakul Gautam
You will have access to the treasury, the fortune of my honourable Dyna, and my permission to house your lovers within the Royal Atoll. To prove my devotion, I will allow you to dismiss any of my lovers you feel are inappropriate. In return, you will bear my cubs and rule beside me until our young defeat me in combat proving themselves Great Alpha.
Penelope Fletcher (ThunderClaw (Alien Warrior, #2))
There was an open gate a little way along, and Lyra could have followed him, bit she hung back unwillingly. Pantalaimon looked at her, and then became a badger. She knew what he was doing. Dæmons could move no more than a few yards from their humans, and if she stood by the fence and he remained a bird, he wouldn't get near the bear; so he was going to pull. She felt angry and miserable. His badger claws dug into the earth and he walked forwards. It was such a strange tormenting feeling when your dæmon was pulling at the link between you; part physical pain deep in the chest, part intense sadnessmand love. And she knew it was the same for him. Everyone tested it when they were growing up: seeing how far they could apart, coming back with intense relief. He tugged a little harder. "Don't, Pan!" But he didn't stop. The bear watched motionless. The pain in Lyra's heart grew more and more unbearable, and a sob of longing rose in her throat. "Pan –" then she was through the gate, scrambling over the icy mud towards him, and he turned into a wildcat and sprang up into her arms, and then they were clinging together tightly with little shaky sounds of unhappiness coming from both. "I thought you really would –" "No –" "I couldn't belief how much it hurt–" and then she brushed away the tears angrily and sniffed hard. He nestled in her arms, and she knew she would rather die than let them be parted and face that sadness again; it would send her mad with grief and terror.
Philip Pullman (The Golden Compass (His Dark Materials, #1))
After all, when you live at the foot of a particularly severe mountain called Misery that is riddled with bear dens, coyote packs, bloodthirsty giant weasels called fishers, and various other predatory fauna, it’s all too easy to sense how “red in tooth and claw” Nature can really be—especially when the temperature hits thirty below and the snow starts coming in three-foot installments.
Caleb Carr (My Beloved Monster: Masha, the Half-wild Rescue Cat Who Rescued Me)
Blood oozed from deep puncture wounds at his neck and shoulder. His right arm flopped unnaturally. From the middle of his back to his waist, the bear’s raking claws left deep, parallel cuts. It reminded Harris of tree trunks he had seen where bears mark their territory, only these marks were etched in flesh instead of wood. On the back of Glass’s thigh, blood seeped through his buckskin breeches. Harris
Michael Punke (The Revenant (Peter Decker and Rina Lazarus))
In a single lunge, he covered fifteen feet and knocked the wind right out of me with a brutal head-butt. I toppled backward and crash-landed on the floor near the front door, my neck and shoulders bearing most of the impact. He was on me in an instant, unleashing a barrage of blows to my head. He raked my chest with razor-like claws. I tried my best to defend myself, but it was so dark in the house that I couldn’t see where the strikes came from.
Felix Blackwell (Stolen Tongues (Stolen Tongues, #1))
I turned to Konstantin. He raised his hands. “My brother. The Bear of Kamchatka.” I looked at Alessandro. “Did you know?” He nodded. “I didn’t think he’d show up.” Monster Arabella took a running start and slammed into the Russian Bear. The ground shook. They rolled down the hill, ripping, biting, clawing. Linus got up and walked over to us. His hair was smoking a little bit and his skin was very flushed. “Well,” he said. “That’s something you don’t see every day.
Ilona Andrews (Ruby Fever (Hidden Legacy, #6))
I don't ever think about death. Not really, no more than a flicker of anxiety when I'm trying to merge on the highway or watching a news clip about some unfortunate girl my age. Even then, those are vague, passing ideas - not forty feet away with razor-sharp claws and angry teeth. But standing here, shaking with fear, I suddenly grasp the truth of it: the blood racing in my veins, the sharp tingle of my chilled skin, the intensity of every breath. This is my life.
Abby McDonald (Boys, Bears, and a Serious Pair of Hiking Boots)
A life of bucolic wonder can become Apocalypse Now inside my mind. Even in my idyllic life with my dog Bear. Bear is enthusiasm with claws. We have a rowboat and I heap Bear in. The river is so alive with light and dark. On the surface light dances like spilt heaven and if you put your feet in, the sludge and slime feels like the ooze that we crawled out of. The whole spectrum is there, the river is the whole road, the beginning, the end, ever changing, ever present.
Russell Brand (Recovery)
He looked at me, and I saw the knowledge in his eyes. The horror. “I didn’t know, Gideon. I swear to God, I didn’t know.” My heart jerked in my chest, then began to pound. My mouth went dry. “I, uh, went to see Terrence Lucas.” Chris’s voice grew hoarse. “ Barged into his office. He denied it, the lying son of a bitch, but I could see it on his face.” The brandy sloshed in my glass. I set it down carefully, feeling the floor shift under my feet. Eva had confronted Lucas, but Chris..? “I decked him, knocked him out could, but Good … I wanted to take one of those awards on his shelves and bash his head in.” “Stop.” The word broke from my throat like slivers of glass. “And the asshole who did … That asshole is dead. I can’t get to him. Goddamn it.” Chris dropped the tumbler onto the granite with a thud, but it was the sob that tore out of him that nearly shattered me. “Hell, Gideon. It was my job to protect you. And I failed.” “Stop!” I pushed off the counter, my hands clenching. “Don’t fucking look at me like that!” He trembled visibly, but didn’t back down. “I had to tell you –“ His wrinkled dress shirt was in my fist, his feet dangling above the floor. “Stop talking. Now!” Tears lipped down his face. “I love you like my own. Always have.” I shoved him away. Turned my back to him when he stumbled and hit the wall. I left, crossing the living room without seeing it. “I’m not expecting your forgiveness,” he called after me, tears clogging his words. “I don’t deserve it. But you need to hear that I would’ve ripped him apart with my bare hands if I’d known.” I rounded on him, feeling the sickness clawing up from my gut and burning my throat. “What the fuck do you want?” Chris pulled his shoulders back. He faced me with reddened eyes and wet cheeks, shaking but too stupid to run. “I want you to know that you’re not alone.” Alone. Yes. Far away from the pity and guilt and pain staring out at me through his tears. “Get out.” Nodding, he headed toward the foyer. I stood immobile, my chest heaving, my eyes burning. Words backed up in my throat, violence pounded in the painful clench of my fists. He stopped before he left the room, facing me. “I’m glad you told Eva.” “Don’t talk about her.” I couldn’t bear to even think of her. Not now, when I was so close to losing it. He left. The weight of the day crashed onto my shoulders, dropping me to my knees. I broke.
Sylvia Day (Captivated by You (Crossfire, #4))
I started thinking about how many contented, happy people there are in actual fact! What an oppressive force! Think about this life of ours: the insolence and idleness of the strong, the ignorance and bestiality of the weak, unbelievable poverty everywhere, overcrowding, degeneracy, drunkenness, hypocrisy, deceit... Meanwhile all is quiet and peaceful in people's homes and outside on the street; out of the fifty thousand people who live in the town, there is not one single person prepared to shout out about it or kick up a fuss. We see the people who go to the market for their groceries, travelling about in the daytime, sleeping at night, the kind of people who spout nonsense, get married, grow old, and dutifully cart their dead off to the cemetery; but we do not see or hear those who are suffering, and all the terrible things in life happen somewhere offstage. Everything is quiet and peaceful, and the only protest is voiced by dumb statistics: so many people have gone mad, so many bottles of vodka have been drunk, so many children have died from malnutrition... And this arrangement is clearly necessary: it's obvious that the contented person only feels good because those who are unhappy bear their burden in silence; without that silence happiness would be inconceivable. It's a collective hypnosis. There ought to be someone with a little hammer outside the door of every contented, happy person, constantly tapping away to remind him that there are unhappy people in the world, and that however happy he may be, sooner or later life will show its claws; misfortune will strike - illness, poverty, loss - and no one will be there to see or hear it, just as they now cannot see or hear others. But there is no person with a little hammer; happy people are wrapped up in their own lives, and the minor problems of life affect them only slightly, like aspen leaves in a breeze, and everything is just fine.
Anton Chekhov (About Love and Other Stories)
When he received these communications, Santa drew the claws of his spectacles from behind his ears and pressed the sore place on the bridge of his nose with thumb and finger. What was it they expected him to do with these? A shotgun, a bear, snowshoes, some pretty things and some useful: well, all right. But for the rest of it … He just didn’t know what people were thinking anymore. But it was growing late; if they, or anyone else, were disappointed in him tomorrow, it wouldn’t be the first time.
John Crowley (Little, Big)
MAN, GIFTED ABOVE HIS KIN Terrible in its beauty You have made, my God, this clawed, mawed world where even plants reach out with hooks and gape for prey. Bright, singing wings Bear beaks that snap in air, or fold to pounce and tear the cringing flesh below. One thousand fathoms down, cold in its dark domain, life stalks itself to feed on succulence of pain. Sucking the tender teat, Toothless and untaloned, man, gifted above his kin, refines the shape of fangs and rends the web of life with many-weaponed hand
John Allen Adams (I Walk Toward the Sound of My Days: Poems of John Allen Adams)
The animals I have encountered in my wilderness wanderings have been reluctant to reveal all the things about them I would like to know. The animal that impresses me most, the one I find myself liking more and more, is the grizzly. No sight encountered in the wilds is quite so stirring as those massive, clawed tracks pressed into mud or snow. No sight is quite so impressive as that of the great bear stalking across some mountain slope with the fur of his silvery robe rippling over his mighty muscles. His is a dignity and power matched by no other in the North American wilderness. To share a mountain with him for a while is a privilege and an adventure like no other. I have followed his tracks into an alder hell to see what he had been doing and come to the abrupt end of them, when the maker stood up thirty feet away with a sudden snort to face me. To see a mother grizzly ambling and loafing with her cubs across the broad, hospitable bosom of a flower-spangled mountain meadow is to see life in true wilderness at its best.
John McPhee (Coming into the Country)
Scared?” Terrified. “Of you? Nah. If you grow claws, I might get my sword, but I’ve fought you in your human shape.” It took all my will to shrug. “You aren’t that impressive.” He cleared the distance between us in a single leap. I barely had time to jump to my feet. Steel fingers grasped my left wrist. His left arm clasped my waist. I fought, but he outmuscled me with ridiculous ease, pulling me close as if to tango. “Curran! Let . . . “ I recognized the angle of his hip but I could do nothing about it. He pulled me forward and flipped me in a classic hip-toss throw. Textbook perfect. I flew through the air, guided by his hands, and landed on my back. The air burst from my lungs in a startled gasp. Ow. “Impressed yet?” he asked with a big smile. Playing. He was playing. Not a real fight. He could’ve slammed me down hard enough to break my neck. Instead he had held me to the end, to make sure I landed right. He leaned forward a little. “Big bad merc, down with a basic hip toss. In your place I’d be blushing.” I gasped, trying to draw air into my lungs. “I could kill you right now. It wouldn’t take much. I think I’m actually embarrassed on your behalf. At least do some magic or something.” As you wish. I gasped and spat my new power word. “Osanda.” Kneel, Your Majesty. He grunted like a man trying to lift a crushing weight that fell on his shoulders. His face shook with strain. Ha-ha. He wasn’t the only one who got a boost from a flare. I got up to my feet with some leisure. Curran stood locked, the muscles of his legs bulging his sweatpants. He didn’t kneel. He wouldn’t kneel. I hit him with a power word in the middle of a bloody flare and it didn’t work. When he snapped out of it, he would probably kill me. All sorts of alarms blared in my head. My good sense screamed, Get out of the room, stupid! Instead I stepped close to him and whispered in his ear, “Still not impressed.” His eyebrows came together, as a grimace claimed his face. He strained, the muscles on his hard frame trembling with effort. With a guttural sigh, he straightened. I beat a hasty retreat to the rear of the room, passing Slayer on the way. I wanted to swipe it so bad, my palm itched. But the rules of the game were clear: no claws, no saber. The second I picked up the sword, I’d have signed my own death warrant. He squared his shoulders. “Shall we continue?” “It would be my pleasure.” He started toward me. I waited, light on my feet, ready to leap aside. He was stronger than a pair of oxen, and he’d try to grapple. If he got ahold of me, it would be over. If all else failed, I could always try the window. A forty-foot drop was a small price to pay to get away from him. Curran grabbed at me. I twisted past him and kicked his knee from the side. It was a good solid kick; I’d turned into it. It would’ve broken the leg of any normal human. “Cute,” Curran said, grabbed my arm, and casually threw me across the room. I went airborne for a second, fell, rolled, and came to my feet to be greeted by Curran’s smug face. “You’re fun to play with. You make a good mouse.” Mouse? “I was always kind of partial to toy mice.” He smiled. “Sometimes they’re filled with catnip. It’s a nice bonus.” “I’m not filled with catnip.” “Let’s find out.” He squared his shoulders and headed in my direction. Houston, we have a problem. Judging by the look in his eyes, a kick to the face simply wouldn’t faze him. “I can stop you with one word,” I said. He swiped me into a bear hug and I got an intimate insight into how a nut feels just before the nutcracker crushes it to pieces. “Do,” he said. “Wedding.” All humor fled his eyes. He let go and just like that, the game was over.
Ilona Andrews (Magic Burns (Kate Daniels, #2))
My sons, the galaxy is burning. We all bear witness to a final truth – our way is not the way of the Imperium. You have never stood in the Emperor’s light. Never worn the Imperial eagle. And you never will. You shall stand in midnight clad, your claws forever red with the lifeblood of my father’s failed empire, warring through the centuries as the talons of a murdered god. Rise, my sons, and take your wrath across the stars, in my name. In my memory. Rise, my Night Lords.” — The Primarch Konrad Curze, at the final gathering of the VIIIth Legion.
Aaron Dembski-Bowden (Soul Hunter (Night Lords, #1))
A dead world is never really dead. Even when the stars vanish in a great exodus, leaving an inky night that swallows the sky. Even when the sound of silence is a terrible thing to listen to in a city that once groaned with noise. But it’s not quite silence, is it? There are the birds that soar over bare roof rafters, egrets and jackdaws and scruffy brown scraps that go by a multitude of names calling joyfully to each other. There are the nocturnal animals who claw and scrape over cobblestones, lifting their gazes to the two pale moons impressed against a violet sky. There are the trees that stretch upwards, overgrown and languorous, from leaf-strewn courtyards, extending gracefully through balconies and walkways. And below them, the ferns that unfurl in dark, damp corners that might still bear cracked tiles in parched colours, or spongey wooden skates engraved with toothy chisel marks. Life, persistent and predictably stubborn, goes on. Close your eyes and the stars might not sing in this hushed city of dust and dreams, but there’s still singing nonetheless. Even if there’s just one voice left.
Georgia Summers (The City of Stardust)
Far from erupting all over them, clinging like Greek fire for a moment, then leaping away to safety, Sir Mordred sized up his prey in the leisurely manner of a much older cat, taking all the time necessary to unsheathe his claws, blow on them, adjust for windage and elevation, and finally reach out to draw them daintily down Nicholas’ left leg from calf to ankle, like a bear marking a tree. And he looked upon his work, saw that it was good—four neat slits in the red hose, and scratched skin showing through—and he sat back, deeply content, and said, “Rao.
Peter S. Beagle (The Folk of the Air)
Boney freckled knees pressed into bits of bark and stone, refusing to feel any more pain. Her faded t-shirt hugged her protruding ribs as she held on, hunched in silence. A lone tear followed the lumpy tracks down her cheek, jumped from her quivering jaw onto a thirsty browned leaf with a thunderous plop. Then the screen door squeaked open and she took flight. Crispy twigs snapped beneath her bare feet as she ran deeper and deeper into the woods behind the house. She heard him rumbling and calling her name, his voice fueling her tired muscles to go faster, to survive. He knew her path by now. He was ready for the hunt. The clanging unbuckled belt boomed in her ears as he gained on her. The woods were thin this time of year, not much to hide behind. If she couldn’t outrun him, up she would go. Young trees teased her in this direction, so she moved east towards the evergreens. Hunger and hurt left her no choice, she had to stop running soon. She grabbed the first tree with a branch low enough to reach, and up she went. The pine trees were taller here, older, but the branches were too far apart for her to reach. She chose the wrong tree. His footsteps pounded close by. She stood as tall as her little legs could, her bloodied fingers reaching, stretching, to no avail. A cry of defeat slipped from her lips, a knowing laugh barked from his. She would pay for this dearly. She didn’t know whether the price was more than she could bear. Her eyes closed, her next breath came out as Please, and an inky hand reached down from the lush needles above, wound its many fingers around hers, and pulled her up. Another hand, then another, grabbing her arms, her legs, firmly but gently, pulling her up, up, up. The rush of green pine needles and black limbs blurred together, then a flash of cobalt blue fluttered by, heading down. She looked beyond her dangling bare feet to see a flock of peculiar birds settle on the branches below her, their glossy feathers flickered at once and changed to the same greens and grays of the tree they perched upon, camouflaging her ascension. Her father’s footsteps below came to a stomping end, and she knew he was listening for her. Tracking her, trapping her, like he did the other beasts of the forest. He called her name once, twice. The third time’s tone not quite as friendly. The familiar slide–click sound of him readying his gun made her flinch before he had his chance to shoot at the sky. A warning. He wasn’t done with her. His feet crunched in circles around the tree, eventually heading back home. Finally, she exhaled and looked up. Dozens of golden-eyed creatures surrounded her from above. Covered in indigo pelts, with long limbs tipped with mint-colored claws, they seemed to move as one, like a heartbeat. As if they shared a pulse, a train of thought, a common sense. “Thank you,” she whispered, and the beasts moved in a wave to carefully place her on a thick branch.
Kim Bongiorno (Part of My World: Short Stories)
He is tangled in Isabelle's arms, he is curtained by Isabelle's hair, he is touching Isabelle's body, he is lost in Isabelle, in her smell and her taste and the silk of her skin. He is onstage, the music pounding, the floor shaking, the audience cheering, his heart beating beating beating in time with the drumbeat. He is laughing with Clary, dancing with Clary, eating with Clary, running through the streets of Brooklyn with Clary, they are children together, they are one half of a whole, they hold hands and squeeze tight and pledge never to let go. He is going cold, stiff, the life draining out of him, he is below, in the dark, clawing his way to the light, fingernails scraping dirt, mouth filled with dirt, eyes clogged with dirt, he is straining, reaching, dragging himself up toward the sky, and when he reaches it, he opens his mouth wide but does not breathe, for he no longer needs to breathe, only to feed. And he is so very hungry. He is sinking his teeth into the neck of an angel's child, he is drinking the light. He is bearing a Mark, and it burns. He is raising his face to meet the gaze of an angel, he is flayed by the fury of angel fire, and yet still, impudent and bloodless, he lives. He is in a cage. He is in hell. He is bent over the broken body of a beautiful girl, he is praying to whatever god that will listen, please let her live, anything to let her live. He is giving away that which is most precious to him, and he is doing so willingly, so that his friends will survive. He is, again, with Isabelle, always with Isabelle, the holy flame of their love encompassing them both, and there is pain, and there is exquisite joy, and his veins burn with angel fire and he is the Simon he once was and the Simon he now will be, he endures and he is reborn, he is blood and flesh and a spark of the divine. He is Nephilim.
Cassandra Clare (Angels Twice Descending (Tales from the Shadowhunter Academy, #10))
Some bears are sold for amazing sums at auction. An example is a very old stuffed individual named Mabel that had belonged to Elvis Presley (as a child or an adult?) and had been sold at auction several times after the King's death; it was made in the Steiff workshop in 1909. Its end was exceedingly sinister. Lent by its owner for an exhibition of stuffed bears in Wells, England, in which it was to be the star attraction, it provoked a hatred or jealousy of a young Doberman accompanying the night watchman after the first day of the exhibition. The dog seized the precious relic and furiously bit and clawed it to pieces. (252)
Michel Pastoureau (The Bear: History of a Fallen King)
Obviously the happy man feels good only because the unhappy bear their burden silently, and without that silence happiness would be impossible. It’s a general hypnosis. At the door of every contented, happy man somebody should stand with a little hammer, constantly tapping, to remind him that unhappy people exist, that however happy he may be, sooner or later life will show him its claws, some calamity will befall him—illness, poverty, loss—and nobody will hear or see, just as he doesn’t hear or see others now. But there is nobody with a little hammer, the happy man lives on, and the petty cares of life stir him only slightly, as wind stirs an aspen—and everything is fine.
Anton Chekhov
Along the Oregon coast an arm of the Pacific shushes softly against rocky shores. Above the waves, dripping silver in the moonlight, old trees, giant trees, few now, thrust their heads among low clouds, the moss thick upon their boles and shadow deep around their roots. In these woods nights are quiet, save for the questing hoot of an owl, the satin stroke of fur against a twig, the tick and rasp of small claws climbing up, clambering down. In these woods, bear is the big boy, the top of the chain, but even he goes quietly and mostly by day. It is a place of mosses and liverworts and ferns, of filmy green that curtains the branches and cushions the soil, a wet place, a still place.
Sheri S. Tepper (The Fresco)
we saw something swimming in the water, and pulled toward it, thinking it a coyote; but we soon recognized a large grizzly bear, swimming directly across the channel. Not having any weapon, we hurriedly pulled for the schooner, calling out, as we neared it, “A bear! a bear!” It so happened that Major Miller was on deck, washing his face and hands. He ran rapidly to the bow of the vessel, took the musket from the hands of the sentinel, and fired at the bear, as he passed but a short distance ahead of the schooner. The bear rose, made a growl or howl, but continued his course. As we scrambled up the port-aide to get our guns, the mate, with a crew, happened to have a boat on the starboard-aide, and, armed only with a hatchet, they pulled up alongside the bear, and the mate struck him in the head with the hatchet. The bear turned, tried to get into the boat, but the mate struck his claws with repeated blows, and made him let go. After several passes with him, the mate actually killed the bear, got a rope round him, and towed him alongside the schooner, where he was hoisted on deck. The carcass weighed over six hundred pounds. It was found that Major Miller’s shot had struck the bear in the lower jaw, and thus disabled him. Had it not been for this, the bear would certainly have upset the boat and drowned all in it. As it was, however, his meat served us a good turn in our trip up to Stockton.
William T. Sherman (The Memoirs Of General William T. Sherman)
Mr Segundus found two stone dragons no longer than his forearm, which slipped one after the other, over and under and between stone hawthorn branches, stone hawthorn leaves, stone hawthorn roots and stone hawthorn tendrils. They moved, it seemed, with as much ease as any other creature and yet the sound of so many stone muscles moving together under a stone skin, that scraped stone ribs, that clashed against a heart made of stone – and the sound of stone claws rattling over stone branches – was quite intolerable and Mr Segundus wondered that they could bear it. He observed a little cloud of gritty dust, such as attends the work of a stonecutter, that surrounded them and rose up in the air; and he believed that if the spell allowed them to remain in motion for any length of time they would wear themselves away to a sliver of limestone.
Susanna Clarke (Jonathan Strange & Mr Norrell)
When he received these communications, Santa drew the claws of his spectacles from behind his eyes and pressed the sore place on the bridge of his nose with thumb and finger. What was it they expected him to do with these? A shotgun, a bear, snowshoes, some pretty things and some useful: well, all right. But for the rest of it . . . He just didn't know what people were thinking anymore. But it was growing late; if they, or anyone else, were disappointed in him tomorrow, it wouldn't be the first time. He took his furred hat from its peg and drew on his gloves. He went out, already unaccountably weary though the journey had not even begun, into the multicolored arctic waste beneath a decillion stars, whose near brilliance seemed to chime, even as the harness of his reindeer chimed when they raised their shaggy heads at his approach, and as the eternal snow chimed too when he trod it with his booted feet.
John Crowley (Little, Big)
Every time a human walks out of a room, something with more feet walks in. For every job a human holds, there is a mouse with the same job and doing it better. You don't see a cat that shocked every day of the week. Even her whiskers looked scandalized. Time you saw a bit of the world, if you're to find your place in it, the horse said. Nobody ever learned who he was by staying in the stable. He was the picture of skepticism. Also pomposity. He was so noble a figure that I could scarcely look at him full on. Every bit of his bearing was living proof of the grandeur mice can rise to. British mice. Of course they would be foreign, being bats. Romanian, Transylvanian, Something. The Belgians followed in a great mob. And hard on their heels the Spanish, their claws clicking like castanets across the marble. Then the Russians in all their barbaric splendor. Romanov rodents in caterpillar-fur caps. Even one of the Gorgonzola princes from Italy, looking very blue-veined.
Richard Peck (The Mouse with the Question Mark Tail)
There is nothing illogical in the desire of the "have-nots" to appropriate the wealth of the "haves"; in fact, it is part and parcel of the law of animal life. The bear robs the hive and the wolf the fold, and when "nature red in tooth and claw" is stretched into its human dimension, there is nothing irrational in Marx's theory that, granted the power, one social class should devour another. But what is irrational is, to assume that by robbing the hive the bear will assume the industry of the bee, or by robbing the fold the wolf will become as pacific as the sheep. It is astonishing that a man of Marx's high intelligence could have believed in ritualistic cannibalism on the social plane; that by wresting the forces of production from the bourgeoisie and centralizing them in the hands of the proletariat, the proletariat would automatically aacquire the skills of the ruling class. And it is equally astonishing that a man of Lenin's mental calibre could have attempted to put this magic into practice.
J.F.C. Fuller (The Conduct Of War, 1789-1961: A Study of the Impact of the French, Industrial, and Russian Revolutions on War and its Conduct)
The hurricane was almost upon her. If she didn’t leave right now, dragons on the lost continent would die. Dragons who might one day be her friends, if she saved them. Dragons who had no idea what was bearing down on them, because there was no one there to warn them. Yet. Clearsight took a deep breath, vaulted into the sky, and pointed herself west. Her mind immediately started flashing through all the ways she could die in the next two days. This was why she hated flying in storms. They were too unpredictable; the smallest twitch of the wind in the wrong direction could send her plummeting to the rocks below, or drive a stray palm branch into her heart. Don’t think about that. Think about the dragons who need you. The other vision was fading; the one where she flew southeast and hid. In that one, she’d arrived on the lost continent in the hurricane’s aftermath. The images of the devastation and dead bodies would be hard to shake off, even if she prevented them in reality. Will they believe me? Will they listen to me? In some of her visions, they did; in some, they didn’t. All she could do was fly her hardest and hope. The hurricane fought her at every wingbeat, as if it knew she was trying to snatch victims from its claws. Rain battered her ferociously. She felt like she’d be driven into the endless sea at any moment. Or maybe she’d drown up here, in the waterlogged sky. But this was only the outer edge of the storm; there was far worse still to come. Clearsight was trying to reach land before the really terrible fury behind her did. She couldn’t stop, couldn’t slow down for a moment. At one point she glanced back and saw a spout of water sucked into the air. In the middle of it, an orca flailed desperately, before the storm flung it away. A while later, after the sun had apparently been swallowed for good, Clearsight saw an entire hut fly by her, then splinter apart. She had to duck quickly to a lower air current to avoid the debris. Where had it come from? Who had lived in it? She would never know, her visions told her. And then, when Clearsight was beginning to lose all feeling in her wings, she saw a shape loom out of the clouds ahead. A cliff. Land. A lot of land. A whole continent, in fact.
Tui T. Sutherland (Darkstalker (Wings of Fire: Legends, #1))
I reassessed the map and my timing. I had to come up with a plan to get myself out of this mess, and fast. I turned 90 degrees and started to climb back up onto the high ground that I had just come off. This was way off-route, I should be heading down, but I just knew that the high ground would be better than fighting a losing battle in the bog. I had done that before--and lost. The wind was blowing hard now, down from the plateau, as if trying to deter me. I put my head down, ignored the shoulder straps that pulled and heaved against my lower neck muscles, and went for it. I had to take control. I was refusing to fail Selection again in this godforsaken armpit of a place. Once on the ridge, I started to run. And running anywhere in that moon grass, with the weight of a small person on your back, was a task. But I was on fire. I kept running. And I kept clawing back the time and miles. I ran all the way into the last checkpoint and then collapsed. The DS looked at me strangely and chuckled to himself. “Good effort,” he commented, having watched me cover the last mile or so of rough ground. I had made it within time. Demons dead. Adrenaline firing.
Bear Grylls (Mud, Sweat and Tears)
Raising both of her glowing palms, she beckoned him with wiggling fingers. “Come on, then. I’ll go another round. Though by now even an amoeba would’ve learned not to fuck with me.” Everyone grew still, silent. Then Cade started back down for her, redoubling his speed. “No, Cade, I’ve got this,” she said evenly, never looking away from Bowe. Meanwhile, Bowe had subtly pulled his head back, feeling as if he’d just been presented with a species of creature he had never seen. Then he caught Rydstrom’s look of amusement—the demon was obviously loving this—and he found himself . . . grinning. “Kitten’s quick to bear those claws, is she no’?” Rydstrom ruefully shook his head at Bowe, as if sorry for his unavoidable and imminent demise, then got everyone, including a reluctant Cade, moving again. As Bowe passed Mariketa, he leaned in close. Not bothering to hide his surprise, he murmured to her, “And damn if she does no’ have them sunk into me.” Her gray-eyed gaze was wary. He noted that she kept her palms fired up for some time after they continued on. Even after her blatant show of magick, he felt so proud she’d held her ground that he wanted to stand tall and point her out as his female. That’s my lass. Mine. But his heart was also thundering because he realized that in the heart of the full moon, when he was completely turned, she might not run from him. He still intended to get her away from him before this full moon, but for the future . . . Excitement burned within him, and he found himself closing in on her and saying, “You’re bonny when you’re about to strike.” “You would know.” “Come, then, sheath your claws, kitten. And we’ll be friends once more.” “We weren’t friends to begin with!” “You’re warming to me. I can tell.” “True. I only throw guys I dig. And don’t you dare call me kitten again!” “You look like one with your wee, pointed ears.” “Are you done?” “Canna say.” He was silent for a moment, then added, “Think you’re the bravest lass I’ve ever seen. Though I doona care for your using magick against me so readily. Do you enjoy it?” She seemed to mull this for a moment, then raised her brows. “I do. Besides, I think you need someone to threaten you now and again. To remind the great and powerful Lykae that you’re not so unbeatable.” “Aye, I do.” He clasped her hand in his. “Sign on.” She pulled out of his grasp. “I don’t do temp jobs. And that’s all you’re offering.
Kresley Cole (Wicked Deeds on a Winter's Night (Immortals After Dark, #3))
marveling, as he always did in the aftermath of his spells, just how much they resembled tropical storms. As they approached, he often could sense the change in barometric pressure, as he had done on the ferry, even though the storm was still far out at sea, churning away, gathering force, bearing down. When it finally came ashore there wasn’t much to do but ride it out, just let it howl and rage and do its worst. At some point his buffeted, terrified psyche simply gave way to a profound sense of calm, there in the storm’s gentle eye. It wasn’t unlike what people coming down from acid trips often described—the self simply dissipating. To Teddy, a breathtaking moment of splendid, weightless drifting away. In another second or two the world and its cares would cease to matter. In their place, blessed oblivion. But then the winds returned, the shard pierced flesh, and he would know the truth—that escape was yet another false narrative. Later, bloodied and chastened and exhausted, he would do what he always did—claw up into the light, blinking, and survey the damage. Make an inventory of what was irretrievably lost, what was merely damaged and in need of mending, and then, most vitally, somehow locate and reestablish that charmless but necessary even keel that allowed for smooth, if unadventurous, sailing. What he called his life.
Richard Russo (Chances Are . . .)
Preparation - Poem by Malay Roy Choudhury Who claims I'm ruined? Because I'm without fangs and claws? Are they necessary? How do you forget the knife plunged in abdomen up to the hilt? Green cardamom leaves for the buck, art of hatred and anger and of war, gagged and tied Santhal women, pink of lungs shattered by a restless dagger? Pride of sword pulled back from heart? I don't have songs or music. Only shrieks, when mouth is opened wordless odour of the jungle; corner of kin & sin-sanyas; Didn't pray for a tongue to take back the groans power to gnash and bear it. Fearless gunpowder bleats: stupidity is the sole faith-maimed generosity- I leap on the gambling table, knife in my teeth Encircle me rush in from tea and coffee plateaux in your gumboots of pleasant wages The way Jarasandha's genital is bisected and diamond glow Skill of beating up is the only wisdom in misery I play the burgler's stick like a flute brittle affection of thev wax-skin apple She-ants undress their wings before copulating I thump my thighs with alternate shrieks: VACATE THE UNIVERSE get out you omnicompetent conchshell in scratching monkeyhand lotus and mace and discuss-blade Let there be salt-rebellion of your own saline sweat along the gunpowder let the flint run towards explosion Marketeers of words daubed in darkness in the midnight filled with young dog's grief in the sicknoon of a grasshopper sunk in insecticide I reappear to exhibit the charm of the stiletto. (Translation of Bengali poem 'Prostuti')
মলয় রায়চৌধুরী ( Malay Roychoudhury )
Another howl ruptured the quiet, still too far away to be a threat. The Beast Lord, the leader, the alpha male, had to enforce his position as much by will as by physical force. He would have to answer any challenges to his rule, so it was unlikely that he turned into a wolf. A wolf would have little chance against a cat. Wolves hunted in a pack, bleeding their victim and running them into exhaustion, while cats were solitary killing machines, designed to murder swiftly and with deadly precision. No, the Beast Lord would have to be a cat, a jaguar or a leopard. Perhaps a tiger, although all known cases of weretigers occurred in Asia and could be counted without involving toes. I had heard a rumor of the Kodiak of Atlanta, a legend of an enormous, battle-scarred bear roaming the streets in search of Pack criminals. The Pack, like any social organization, had its lawbreakers. The Kodiak was their Executioner. Perhaps his Majesty turned into a bear. Damn. I should have brought some honey. My left leg was tiring. I shifted from foot to foot . . . A low, warning growl froze me in midmove. It came from the dark gaping hole in the building across the street and rolled through the ruins, awakening ancient memories of a time when humans were pathetic, hairless creatures cowering by the weak flame of the first fire and scanning the night with frightened eyes, for it held monstrous hungry killers. My subconscious screamed in panic. I held it in check and cracked my neck, slowly, one side then another. A lean shadow flickered in the corner of my eye. On the left and above me a graceful jaguar stretched on the jutting block of concrete, an elegant statue encased in the liquid metal of moonlight. Homo Panthera onca. The killer who takes its prey in a single bound. Hello, Jim. The jaguar looked at me with amber eyes. Feline lips stretched in a startlingly human smirk. He could laugh if he wanted. He didn’t know what was at stake. Jim turned his head and began washing his paw. My saber firmly in hand, I marched across the street and stepped through the opening. The darkness swallowed me whole. The lingering musky scent of a cat hit me. So, not a bear after all. Where was he? I scanned the building, peering into the gloom. Moonlight filtered through the gaps in the walls, creating a mirage of twilight and complete darkness. I knew he was watching me. Enjoying himself. Diplomacy was never my strong suit and my patience had run dry. I crouched and called out, “Here, kitty, kitty, kitty.” Two golden eyes ignited at the opposite wall. A shape stirred within the darkness and rose, carrying the eyes up and up and up until they towered above me. A single enormous paw moved into the moonlight, disturbing the dust on the filthy floor. Wicked claws shot forth and withdrew. A massive shoulder followed, its gray fur marked by faint smoky stripes. The huge body shifted forward, coming at me, and I lost my balance and fell on my ass into the dirt. Dear God, this wasn’t just a lion. This thing had to be at least five feet at the shoulder. And why was it striped? The colossal cat circled me, half in the light, half in the shadow, the dark mane trembling as he moved. I scrambled to my feet and almost bumped into the gray muzzle. We looked at each other, the lion and I, our gazes level. Then I twisted around and began dusting off my jeans in a most undignified manner. The lion vanished into a dark corner. A whisper of power pulsed through the room, tugging at my senses. If I did not know better, I would say that he had just changed. “Kitty, kitty?” asked a level male voice. I jumped. No shapechanger went from a beast into a human without a nap. Into a midform, yes, but beast-men had trouble talking. “Yeah,” I said. “You’ve caught me unprepared. Next time I’ll bring cream and catnip toys.” “If there is a next time.
Ilona Andrews (Magic Bites (Kate Daniels, #1))
Goaded on by climbing lust, he laid her on her back again and maneuvered himself gently atop her, taking care not to crush her with his weight. He slid his arm around her, cradled her lovely head in his hands, and gazed at her for a heartbeat. "I'm going to take you now." "Mm, yes, Rohan, please." She writhed beneath him. He lowered his head and consumed her mouth with kisses as he entered her. Inch by inch, pressing in, he gave her what they so desperately yearned for. She welcomed him, though he could feel her feverish uncertainty. He moved slowly, throbbing inside her. He was only about halfway in, pleasuring her with small motions, caressing her tight inner walls. Her breasts heaved against his chest as she grew accustomed to his incursion, warily accepting it; he sensed the moment she had need of more. He gave it to her, riding in more deeply, resolute in his taking. She licked her lips, opening to him, but still he held himself back. He moved slowly until her head thrashed back and forth on his pillow and her body squirmed beneath him in quivering frustration. He drove in harder, quickened his pace. She arched, clawing at his trembling hips, a whispered curse torn wildly from her. He could bear no more self-denial. As she lay trembling beneath him, he braced himself on his hands above her, gazed fiercely into her eyes, and thrust again, taking her completely. This time he drove in to the hilt, and a small cry of pain escaped her; he instantly regretted it. But when he started to pull back, she clung to him, her arms around his sweat-dampened waist. He swallowed hard, for a quick glance down at the juncture of their joined bodies had revealed a scarlet streak of her blood. Dear God. He had not expected the rush of emotion he now felt as it truly struck him that he had just deflowered her. She was the most beautiful, most astonishing creature he had ever met. And she had willingly given him her virginity.
Gaelen Foley (My Dangerous Duke (Inferno Club, #2))
My head snaps around at the hiss, but it takes awhile to believe he’s real. How could he have gotten here? I take in the claw marks from some wild animal, the back paw he holds slightly above the ground, the prominent bones in his face. He’s come on foot, then, all the way from 13. Maybe they kicked him out or maybe he just couldn’t stand it there without her, so he came looking. “It was the waste of a trip. She’s not here,” I tell him. Buttercup hisses again. “She’s not here. You can hiss all you like. You won’t find Prim.” At her name, he perks up. Raises his flattened ears. Begins to meow hopefully. “Get out!” He dodges the pillow I throw at him. “Go away! There’s nothing left for you here!” I start to shake, furious with him. “She’s not coming back! She’s never ever coming back here again!” I grab another pillow and get to my feet to improve my aim. Out of nowhere, the tears begin to pour down my cheeks. “She’s dead.” I clutch my middle to dull the pain. Sink down on my heels, rocking the pillow, crying. “She’s dead, you stupid cat. She’s dead.” A new sound, part crying, part singing, comes out of my body, giving voice to my despair. Buttercup begins to wail as well. No matter what I do, he won’t go. He circles me, just out of reach, as wave after wave of sobs racks my body, until eventually I fall unconscious. But he must understand. He must know that the unthinkable has happened and to survive will require previously unthinkable acts. Because hours later, when I come to in my bed, he’s there in the moonlight. Crouched beside me, yellow eyes alert, guarding me from the night. In the morning, he sits stoically as I clean the cuts, but digging the thorn from his paw brings on a round of those kitten mews. We both end up crying again, only this time we comfort each other. On the strength of this, I open the letter Haymitch gave me from my mother, dial the phone number, and weep with her as well. Peeta, bearing a warm loaf of bread, shows up with Greasy Sae. She makes us breakfast and I feed all my bacon to Buttercup.
Suzanne Collins (The Hunger Games: Four Book Collection (The Hunger Games, Catching Fire, Mockingjay, The Ballad of Songbirds and Snakes))
Sleepless City (Brooklyn Bridge Nocturne)" Out in the sky, no one sleeps. No one, no one. No one sleeps. Lunar creatures sniff and circle the dwellings. Live iguanas will come to bite the men who don’t dream, and the brokenhearted fugitive will meet on street corners an incredible crocodile resting beneath the tender protest of the stars. Out in the world, no one sleeps. No one, no one. No one sleeps. There is a corpse in the farthest graveyard complaining for three years because of an arid landscape in his knee; and a boy who was buried this morning cried so much they had to call the dogs to quiet him. Life is no dream. Watch out! Watch out! Watch out! We fall down stairs and eat the humid earth, or we climb to the snow’s edge with the choir of dead dahlias. But there is no oblivion, no dream: raw flesh. Kisses tie mouths in a tangle of new veins and those in pain will bear it with no respite and those who are frightened by death will carry it on their shoulders. One day horses will live in the taverns and furious ants will attack the yellow skies that take refuge in the eyes of cattle. Another day we’ll witness the resurrection of dead butterflies, and still walking in a landscape of gray sponges and silent ships, we’ll see our ring shine and rose spill from our tongues. Watch out! Watch out! Watch out! Those still marked by claws and cloudburst, that boy who cries because he doesn’t know bridges exist, or that corpse that has nothing more than its head and one shoe— they all must be led to the wall where iguanas and serpents wait, where the bear’s teeth wait, where the mummified hand of a child waits and the camel’s fur bristles with a violent blue chill. Out in the sky, no one sleeps. No one, no one. No one sleeps. But if someone closes his eyes, whip him, my children, whip him! Let there be a panorama of open eyes and bitter inflamed wounds. Out in the world, no one sleeps. No one. No one. I’ve said it before. No one sleeps. But at night, if someone has too much moss on his temples, open the trap doors so he can see in moonlight the fake goblets, the venom, and the skull of the theaters.
Federico García Lorca (Poet in New York)
Why aren't you training, Nesta?' 'I don't want to.' 'Why not?' Cassian muttered, 'Don't waste your breath, Az.' She glared at him. 'I'm not training in that miserable village.' Cassian glared right back. 'You've been given an order. You know the consequences. If you don't get off that fucking rock by the end of the week, what happens next is out of my hands.' 'So you'll tattle to your precious High Lord?' she crooned. 'Big, tough warrior needs oh-so-powerful Rhysand to fight his battles?' 'Don't you talk about Rhys with that tone,' Cassian snarled. 'Rhys is an asshole,' Nesta snapped. 'He is an arrogant, preening asshole.' Azriel sat back in his seat, eyes simmering with anger, but said nothing. 'That's bullshit,' Cassian spat, the Siphons on the backs of his hands burning like ruby flames. 'You know that's bullshit, Nesta.' 'I hate him,' she seethed. 'Good. He hates you, too,' Cassian shot back. 'Everyone fucking hates you. Is that what you want? Because congratulations, it's happened.' Azriel let out a long, long breath. Cassian's words pelted her, one after another. Hit her somewhere low and soft, and hit hard. Her fingers curled into claws, scraping along the table as she flung back at him, 'And I suppose now you'll tell me that you are the only person who doesn't hate me, and I'm supposed to feel something like gratitude, and agree with you?' 'Now I tell you I'm done.' The words rumbled between them. Nesta blinked, the only sign of her surprise. Azriel tensed, surprised as well. But she sliced into Cassian before he could go on. 'Does that mean you're done panting after me as well? Because what a relief that will be, to know you've finally taken the hint.' Cassian's muscled chest heaved, his throat working. 'You want to rip yourself apart, go right ahead. Implode all you like.' He stood, meal half-finished. 'The training was supposed to help you. Not punish you. I don't know why you don't fucking get that.' 'I told you: I'm not training in that miserable village.' 'Fine.' Cassian stalked out, his pounding steps fading down the hall. Alone with Azriel, Nesta bared her teeth at him. Azriel watched her with that cool quiet, keeping utterly still. Like he saw everything in her head. Her bruised heart. She couldn't bear it. So she stood, only two bites taken from her food, and left the room as well.
Sarah J. Maas (A ​Court of Silver Flames (A Court of Thorns and Roses, #5))
The Trumpets sound, and [Britomart and the Amazon Radigund] together run With greedy rage, and with their faulchins smot; Ne either sought the others strokes to shun, But through great fury both their skill forgot, And practicke vse in armes: ne spared not Their dainty parts, which nature had created So faire and tender, without staine or spot, For other vses, then they them translated; Which they now hackt & hewd, as if such vse they hated, As when a Tygre and a Lionesse Are met at spoyling of some hungry pray, Both challenge it with equall greedinesse: But first the Tygre clawes thereon did lay; And therefore loth to loose her right away, Doth in defence thereof full stoutly stond: To which the Lion strongly doth gainesay, That she to hunt the beast first tooke in hond; And therefore ought it haue, where euer she it fond. Full fiercely layde the Amazon about, And dealt her blowes vnmercifully sore: Which Britomart withstood with courage stout, And them repaide againe with double more. So long they fought, that all the grassie flore Was fild with bloud, which from their sides did flow, And gushed through their armes, that all in gore They trode, and on the ground their liues did strow, Like fruitles seede, of which vntimely death should grow. At last proud Radigund with fell despight, Hauing by chaunce espide aduantage neare, Let driue at her with all her dreadfull might, And thus vpbrayding said; This token beare Vnto the man, whom thou doest loue so deare; And tell him for his sake thy life thou gauest. Which spitefull words she sore engrieu’d to heare, Thus answer’d; Lewdly thou my loue deprauest, Who shortly must repent that now so vainely brauest Nath’lesse that stroke so cruell passage found, That glauncing on her shoulder plate, it bit Vnto the bone, and made a griesly wound, That she her shield through raging smart of it Could scarse vphold; yet soone she it requit. For hauing force increast through furious paine, She her so rudely on the helmet smit, That it empierced to the very braine, And her proud person low prostrated on the plaine. Where being layd, the wrothfull Britonesse Stayd not, till she came to her selfe againe, But in reuenge both of her loues distresse, And her late vile reproch, though vaunted vaine, And also of her wound, which sore did paine, She with one stroke both head and helmet cleft. Which dreadfull sight, when all her warlike traine There present saw, each one of sence bereft, Fled fast into the towne, and her sole victor left.
Edmund Spenser (The Faerie Queene)
could stand to be a little scared. “No, let’s spook them,” I whispered back. Lake grinned, Carla shook her head. “They’ll turn us in,” Carla said. “They’ll tell the others.” “They won’t,” I whispered and then motioned for them to get close. When they did, I let them in on the plan. “Let’s sneak around the back. Carla, do you have your flashlight.” With it being a clear night, and the moon glowing above, we hadn’t needed the flashlight. Carla had brought it, though.  She pulled it out of her pocket and held it up. “You stand back,” I told her, figuring she’d want this job. “Shine the light toward the back of the tent. Lake, you and I stand close to the tent wall. When Carla shines the light, you pretend to be a bear and roar. And we’ll make shadows.” “Sounds good to me,” Lake said. “Only we have to be quiet from here out,” I whispered. “North can hear everything.” I wasn’t so sure he couldn’t hear us out here now with his supersonic hearing. Maybe he was asleep... The girls followed me as I tiptoed my way around wide toward the back of the tent. Carla positioned herself near the trees, so her light would cast a good glow. Lake and I stood halfway between. Lake stood really close to me. “So we don’t look like two people,” she explained when I started to back away from her. I realized she was right. Standing together, we’d make one big shadow. We stood hip to hip and I counted down with hand signals to Carla. Three. Two. One. Go! Carla lit up the beam, creating a strong enough glow to spread across the back of the tent wall. She even angled from below so the beam went up, making our shadow taller. Lake raised a curled hand like a claw and growled, doing a great bear impression. I raised my own hand on the other side—another claw. The tent erupted with the sounds of grunts, curses, and a few squeals. “Kota!” Gabriel’s voice erupted over the mix of noises. “Bear!” “Bears don’t have flashlights,” Kota said. “Shit,” Gabriel said. “Fuck. Shit. Fuck.” “Enough,” North said. The three of us outside giggled and started making our way back around the tent, when I was tackled, and on the ground in a heap before I even realized what had happened. The smell of leather and cedar wafted over me. I’d recognize the big bulk of muscle anywhere. “It’s just us!” I cried out in an eruption of giggling, struggling for breath with him on top of me. “I knew it was you,” Nathan said, leaning back while still sitting on my hips. “No one else at this campground would dare.” The others had been tackled, too. Silas was on top of Lake. Luke was on top of Carla. “Get off,” Lake said but she was laughing, pushing on Silas, only Silas
C.L. Stone (First Kiss (The Ghost Bird, #10))
Christopher’s attention was brought back abruptly to the little wild thing he had caught. In a frenzied effort to gain her release, she clawed his face with raking nails and sought to tear the hair from his head with grasping fists. He was hard pressed to defend himself until he caught the flailing arms firmly in his grasp and pressed them down, using his greater weight to subdue the Lady Saxton. Erienne was trapped, held firmly in the middle of the dusty road. Her outraged struggles had loosened her hair and disarranged her clothes to the point that her modesty was savaged. Her coat had come open in the scuffle, and their shirts were twisted awry, leaving her bosom bare against a hard chest. The meager pair of breeches made her increasingly aware of the growing pressure against her loins. She was pinned almost face to face with her captor, and even though the visage was shadowed, she could hardly miss the fact of his identity or the half-leering grin that taunted her. “Christopher! You beast! Let me go!” Angrily she struggled but could not influence him with her prowess. His teeth gleamed in the dark as his grin widened. “Nay, madam. Not until you vow to control your passion. I fear before too long I would be somewhat frayed by your zealous attention.” “I shall turn that statement back to you, sir!” she retorted. He responded with an exaggerated sigh of disappointment. “I was rather enjoying the moment.” “So I noticed!” she quipped before she thought, then bit her lip, hoping he might mistake her meaning. He didn’t. He was most aware of the effect her meagerly clad body had on him, and he replied with laughter in his voice. “Though you may choose to fault my passions, madam, they’re quite honestly aroused.” “Aye!” she agreed jeeringly. “By every twitching skirt that saunters by!” “I swear, ’tis not a skirt that attracts me now.” Holding her wrists clasped in one hand, he moved his hand down along her flank and replied in a thoughtful tone, “ ’Tis more like a pair of boy’s breeches. What? Has my ambush yielded me a stable boy?” Erienne’s indignation found new fuel that he could so casually fondle her, as if he had a perfect right. “Get off, you… you… ass!” It was the most damaging insult she could think of at the moment. “Get off me!” “An ass, you say?” he mocked. “Madam, may I point out that asses are to be ridden, and at the moment you are bearing my weight. Now, I know women are made to bear— usually their husbands or the seed they plant— but I would not suggest that you have the shape or looks even approaching an ass.” She ground her teeth in growing impatience at his wont to turn the simplest comment into an exercise of his wit. She could not bear the bold feel of him against her another moment. “Will you get off me?!” “Certainly, my sweet.” He complied as if her every wish was his command. Lifting her to her feet, he solicitously dusted her backside. -Erienne & Christopher
Kathleen E. Woodiwiss (A Rose in Winter)
(The seige of Alma's castle) For all so soone, as Guyon thence was gon Vpon his voyage with his trustie guide, That wicked band of villeins fresh begon That castle to assaile on euery side, And lay strong siege about it far and wide. So huge and infinite their numbers were, That all the land they vnder them did hide; So fowle and vgly, that exceeding feare Their visages imprest, when they approched neare. Them in twelue troupes their Captain did dispart And round about in fittest steades did place, Where each might best offend his proper part, And his contrary obiect most deface, As euery one seem’d meetest in that cace. Seuen of the same against the Castle gate, In strong entrenchments he did closely place, Which with incessaunt force and endlesse hate, They battred day and night, and entraunce did awate. The first troupe was a monstrous rablement Of fowle misshapen wights, of which some were Headed like Owles, with beckes vncomely bent, Others like Dogs, others like Gryphons dreare, And some had wings, and some had clawes to teare, And euery one of them had Lynces eyes, And euery one did bow and arrowes beare: All those were lawlesse lustes, corrupt enuies, And couetous aspectes, all cruell enimies. Those same against the bulwarke of the Sight Did lay strong siege, and battailous assault,... The second Bulwarke was the Hearing sence, Gainst which the second troupe dessignment makes; Deformed creatures, in straunge difference, Some hauing heads like Harts, some like to Snakes, Some like wild Bores late rouzd out of the brakes; Slaunderous reproches, and fowle infamies, Leasings, backbytings, and vaine-glorious crakes, Bad counsels, prayses, and false flatteries. All those against that fort did bend their batteries. Likewise that same third Fort, that is the Smell Of that third troupe was cruelly assayd: Whose hideous shapes were like to feends of hell, Some like to hounds, some like to Apes, dismayd, Some like to Puttockes, all in plumes arayd: All shap’t according their conditions, For by those vgly formes weren pourtrayd, Foolish delights and fond abusions, Which do that sence besiege with light illusions. And that fourth band, which cruell battry bent, Against the fourth Bulwarke, that is the Tost, Was as the rest, a grysie rablement, Some mouth’d like greedy Oystriges, some fast Like loathly Toades, some fashioned in the wast Like swine; for so deformd is luxury, Surfeat, misdiet, and vnthriftie wast, Vaine feasts, and idle superfluity: All those this sences Fort assayle incessantly. But the fift troupe most horrible of hew, And fierce of force, was dreadfull to report: For some like Snailes, some did like spyders shew, And some like vgly Vrchins thicke and short: Cruelly they assayled that fift Fort, Armed with darts of sensuall delight, With stings of carnall lust, and strong effort Of feeling pleasures, with which day and night Against that same fift bulwarke they continued fight.
Edmund Spenser (The Faerie Queene)
She was nice,” Jenny said a moment later. “Why couldn’t Butch’s mom be somebody like her?” Joanna laughed and shook her head. “You know what they say: Some days you eat the bear; some days the bear eats you.” Jenny scowled. “What’s that supposed to mean?” “It means that Butch’s mother is the way she is, and we’re just going to have to learn to live with it and accept her the way she is.” “Even if we don’t want to?” “Even if.
J.A. Jance (Devil's Claw (Joanna Brady, #8))
I was in Ecuador.
Tony James Slater (That Bear Ate My Pants: A Hilarious Travel Memoir... with Teeth and Claws! (Adventure Without End, #1))
Darius slid his hand from my thigh, running it up my side over the fabric of the t-shirt until he found my hair where he began twisting it through his fingers. This was too damn weird. Why was he touching me like that? What the hell had we done last night to make him think he could? And why the hell was I letting him? I still hadn’t moved, my head still lay over his pounding heart, my fingers still rested on the edge of his waistband. “Please tell me we didn’t...” I couldn’t actually bear to say it but I had to know because my memory was turning up blanks. “I prefer my girls a little less blind drunk and a little more eagerly responsive,” he replied. “Besides, you wouldn’t forget it if I’d fucked you.” Heat rose along my spine at that insinuation but I ignored it in favour of focusing on the relief his words provided. “Thank heaven for small miracles,” I sighed but for some reason I still hadn’t moved. “No need to sound so pleased about it,” Darius muttered but he sounded kind of amused at the same time. “So why am I here?” I asked because this still made no damn sense to me and for some unknown reason I seemed to be frozen in place. “You got yourself so wasted that you passed out and started using magic in your sleep.” I frowned at that. I’d been drunk, yeah, but I could handle my alcohol. Passing out in a public place was pretty full on even for me and I was fairly sure I wouldn’t have drunk that much… would I? Darius kept explaining when I didn’t respond. “I had to use my power to bring yours back under control and then I brought you back here so that I could make sure you didn’t set your bedroom alight in the night or anything.” At his words, I noticed the feeling of his magic coiling around mine where it had obviously been all night. He hadn’t actually pushed it to merge with mine but it was dancing along the edges of my power as if it was asking to join it. On instinct I let the barrier around my power drop, welcoming his in. Darius sucked in a sharp breath as his magic tumbled into mine and a breathy moan escaped my lips before I could stop it as the thrill of his magic caused every muscle in my body to tighten for a moment. The ecstasy of our magic combining was kind of addictive, like I could feel the heat of his power filling every dark space in my body and I had to fight to make sure it didn’t burn me. I pushed his magic back out before I could get lost in the feeling of it and we lay in silence for a few long seconds, neither of us commenting on what I’d just done. I was glad he didn’t ask me about it because I really didn’t know why I’d done it. But now every inch of my skin was alive with the memory of his magic filling me. His fingers kept moving in my hair and I frowned, wondering why he was doing that. And why the hell I still hadn’t moved. It was like we were under some spell where peace existed between us and we both knew it would be broken if either of us made any sudden movements. “Did you undress me?” I asked slowly, heat clawing along my spine at the idea of that. Darius released a breath of laughter and I inched back a little, moving so that my head was on the pillow beside his instead of resting on his chest. He rolled towards me, moving onto his side and shifting so that his hand rested on my bare thigh. He didn’t move his hand once it landed there but the heat of his touch was burning through me like magma. (Darius POV)
Caroline Peckham (The Reckoning (Zodiac Academy, #3))
what the hell was I doing in Ecuador?
Tony James Slater (That Bear Ate My Pants: A Hilarious Travel Memoir... with Teeth and Claws! (Adventure Without End, #1))
just how much of our conversation he could eavesdrop on.
Tony James Slater (That Bear Ate My Pants: A Hilarious Travel Memoir... with Teeth and Claws! (Adventure Without End, #1))
The door opened. I stopped. Beyond it, orks lined both sides of the corridor. They had been watching for me. The moment I appeared, they roared their approval. They did not attack. They simply stood, clashed guns against blades, and hooted brute enthusiasm. I had been subjected to too many celebratory parades on Armageddon not to recognise one when it confronted me. I went numb from the unreality before me. I stepped forward, though. I had no choice. I walked. It was the most obscene victory march of my life. I moved through corridor, hold and bay, and the massed ranks of the greenskins hailed my passage. I saw the evidence of the destruction I had caused around every bend. Scorch marks, patched ruptures, buckled flooring, collapsed ceilings. But it hadn’t been enough. Not nearly enough. Only enough for this… this… At length, I arrived at a launch bay. There was a ship on the pad before the door. It was human, a small in-system shuttle. It was not built for long voyages. No matter, as long as its vox-system was still operative. I knew that it would be. Ghazghkull Mag Uruk Thraka awaited me beside the ship’s access ramp. I did not let my confusion or the sense that I had slipped into an endless waking nightmare slow my stride. I did not hesitate as I strode towards the monster. I stopped before him. I met his gaze with all the cold hatred of my soul. He radiated delight. Then he leaned forward, a colossus of armour and bestial strength. Our faces were mere centimetres apart. My soul bears many scars from the days and months of my defeat and captivity. But there is one memory that, above all others, haunts me. By day, it is a goad to action. By night, it murders sleep. It lives with me always, the proof that there could hardly be a more terrible threat to the Imperium than this ork. Thraka spoke to me. Not in orkish. Not even in Low Gothic. In High Gothic. ‘A great fight,’ he said. He extended a huge, clawed finger and tapped me once on the chest. ‘My best enemy.’ He stepped aside and gestured to the ramp. ‘Go to Armageddon,’ he said. ‘Make ready for the greatest fight.’ I entered the ship, my being marked by words whose full measure of horror lay not in their content, but in the fact of their existence. I stumbled to the cockpit, and discovered that I had a pilot. It was Commander Rogge. His mouth was parted in a scream, but there was no sound. He had no vocal cords any longer. There was very little of his body recognisable. He had been opened up, reorganised, fused with the ship’s control and guidance systems. He had been transformed into a fully aware servitor. ‘Take us out of here,’ I ordered. The rumble of the ship’s engines powering up was drowned by the even greater roar of the orks. I knew that roar for what it was: the promise of war beyond description.
David Annandale (Yarrick: The Omnibus)
Alas,
Tony James Slater (That Bear Ate My Pants: A Hilarious Travel Memoir... with Teeth and Claws! (Adventure Without End, #1))
blanched. He was gone. “Where’d he go?” I took another step. Earl caught me by the arm and spun me around. “Stop it, Bobbie.” “Let go of me!” I tugged against my cousin’s bear-claw grip. “We’ve got to go after him!
Margaret Lashley (Moth Busters (Freaky Florida Mystery Adventures #1))
Se companions hadn’t found the captives, or any sign, on the fleeing barge that the Company humen used a village-heart. They had taken Caeti, and se would not leave Caeti in their dry, rough hands. So se had attached self to the humen leader’s heliocopter as it fled the overrun barge. And se clung there, water slashing in se brood pouch, se hand and toefingers wrapped in a deathgrip on wet metal until bone ran with traced flame and digits cramped in claws.
Elizabeth Bear (Undertow)
She's dashed beautiful, has cat eyes and Leslie Carter hair – a loose-jointed, ball-bearing Clytie, rigged out with a complexion like creamed coffee stood overnight. They say she claws more men into her hair than any siren living or dead.
Djuna Barnes (Smoke: and Other Early Stories (Sun & Moon Classics))
The white cat with eyes like blue opals sat on a bench in the Oracle’s Park and licked his front paw. “You know you’re not a true cat, don’t you?” Jesiba Roga clicked her tongue. “You don’t need to lick yourself.” Aidas, Prince of the Chasm, lifted his head. “Who says I don’t enjoy licking myself?” Amusement tugged on Jesiba’s thin mouth, but she shifted her stare to the quiet park, the towering cypresses still gleaming with dew. “Why didn’t you tell me about Bryce?” He flexed his claws. “I didn’t trust anyone. Even you.” “I thought Theia’s light was forever extinguished.” “So did I. I thought they’d made sure she and her power died on that last battlefield under Prince Pelias’s blade.” His eyes glowed with ancient rage. “But Bryce Quinlan bears her light.” “You can tell the difference between Bryce’s starlight and her brother’s?” “I shall never forget the exact shine and hue of Theia’s light. It is still a song in my blood.
Sarah J. Maas (House of Earth and Blood (Crescent City, #1))
Long had Jonas yearned to feel something, but the fresh knife in his back was too painful to bear. It hurt to breathe. Hurt to think. He couldn’t feel this. Needed to forget. Jonas drew his fist back.  Smashed it into the red-bearded warrior’s face. The mead hall erupted. And as the battle thrill coursed through him, at last, Jonas felt something tolerable.
Demi Winters (Kingdom of Claw (The Ashen, #2))
occasion, might reveal itself in the rarest of true art. The entirety of his life was devoted to the hope that someday he would create a sculpture so perfectly carved and balanced, set in just the right place among the trees, that it would be capable of reflecting this light. He had seen it in the works of others, yet he believed he had failed in his own. I wish he could have known the truth. Just weeks after he died, I went to see the bear. It was the end of an autumn day, and as I stepped into the meadow, the light of the setting sun was cooling from oranges and reds to the bluer shades. He had never looked so alive; shadows dipped and curved along his outstretched claws, his fur and muscles seemed poised for life, and for a moment, the sun just touching the horizon, the marble seemed to be formed of translucent light itself. I had no doubt of what I was witnessing—this was not simply a flattering cast of sunset; this was the light Father had sought his entire life. The nearest I can describe is when Father took the back off a piano and showed me how a strong, clear note could cause other strings to vibrate without ever setting finger to them. He said the strings were
Eowyn Ivey (To the Bright Edge of the World)
Father spoke of a light that is older than the stars, a divine light that is fleeting yet always present if only one could recognize it. It pours in and out of the souls of the living and dead, gathers in the quiet places in the forest, and on occasion, might reveal itself in the rarest of true art. The entirety of his life was devoted to the hope that someday he would create a sculpture so perfectly carved and balanced, set in just the right place among the trees, that it would be capable of reflecting this light. He had seen it in the works of others, yet he believed he had failed in his own. I wish he could have known the truth. Just weeks after he died, I went to see the bear. It was the end of an autumn day, and as I stepped into the meadow, the light of the setting sun was cooling from oranges and reds to the bluer shades. He had never looked so alive; shadows dipped and curved along his outstretched claws, his fur and muscles seemed poised for life, and for a moment, the sun just touching the horizon, the marble seemed to be formed of translucent light itself. I had no doubt of what I was witnessing—this was not simply a flattering cast of sunset; this was the light Father had sought his entire life. The nearest I can describe is when Father took the back off a piano and showed me how a strong, clear note could cause other strings to vibrate without ever setting finger to them. He said the strings were
Eowyn Ivey (To the Bright Edge of the World)
Now, I’d like to suggest we all get to leveling. The best idea is probably to go back to the boring ass golems. They were ridiculous experience once they fell. I’m not far from nineteen, which I know you guys must—wait, Ver you’re already nineteen. You suck. Everyone else, we need to level.” She turned on her heel and began to head back to their camp, Havoc glowering in her wake. “It’s amazing how there aren’t even bears in this wood. Wouldn’t you think there’d be bears?” A sudden roar tore through the trees causing snow to dislodge from the branches and tumble to the ground with a heavy thud like a fallen corpse. Sinister turned back to the group. “Is it too late to take that back?” You have encountered Disestru, the giant bear. He doesn’t like to be roused from his sleep. Watch out, his claws and teeth don’t need to touch you to kill you. Probably shouldn’t have been making so much noise before checking for caves in the area.
K.T. Hanna (Anomaly (Somnia Online, #2))
Ah, that name again," Callian said. "When will I get to meet the mysterious Roo?" "I can take you to meet her," Kuma said with a shy smile. "Later today, if you want." "Make sure she's in the right kind of mood first," Raffa added. "If she's not, I wouldn't go anywhere near her--she can be pretty ferocious." "Shakes, you're making her sound like--like a bear or something," Callian said. Raffa and Kuma exchanged puzzled glances. "You didn't tell him?" Raffa asked. Kuma frowned a little. "I guess it never came up," she said. "What never came up?" Callian was clearly confused. "She is a bear," Kuma said. Callian shrugged. "Some folks are just grumpier than others, I guess." Raffa snorted. "No, she's a bear. A really big one." He stretched his arm overhead to indicate Roo's height. Callian looked at Raffa. "A bear" Raffa nodded Callian turned to Kuma. "A bear?' "A bear," she said. "Um, are you-- is she--" "A bear," they said together. A pause. "Okay," Callian said at least. "A bear.
Linda Sue Park (Beast of Stone (Wing & Claw, #3))
Beauty and Bravery I’ll tell you a secret no one wants you to know.   You do not have to be good to be brave. You do not have to be perfect, your mind completely clear, your heart full of joy, everything soft and sacred.   They make it out like the brave never lie, but the truth is, all of us lie at least twice a day and that has no bearing on how much courage you can hold in your heart. “When I set out to save my father, I was not being brave. I was acting out of fear of losing the only parent I ever had. They may want you to believe that I was simply being brave, but anxiety makes more heroes than history would care to repeat. It is better than sitting and waiting, letting the demon claw into your mind with worry. Anxious people are resourceful, they need to know how to keep the sea of panic at bay so they do not drown.   When I chose to stay at the palace in place of my father, I was not being brave. I was acting out of love. The idea of him here, sick, old, in this damp prison, under the care of that beastly creature when I, healthy, young, could take his place, of course I chose to take his place, what would you do? We would all give up even the ashes of ourselves for a parent we love more than this fire of a life.   When I chose to come back for the beast, I was not being brave. I was acting out of devotion and panic at the idea of loss. This being, who had respected my love of books, who was the only one who had ever known the real me and esteemed me for who I am, I came back for him, I could not let them take him from me. We do not abandon those who truly accept us for who we are, and if you could save all the people who accepted you completely, wouldn’t you go back to save them too?   So I’ll tell you a secret no one wants you to know. You do not have to be good to be brave. You just need to know how to love. You just need to unfold your heart and recognize where you stand and who you are.
Nikita Gill (Fierce Fairytales: Poems and Stories to Stir Your Soul)
The 3 types of terror: The Gross-out: the sight of a severed head tumbling down a flight of stairs, it's when the lights go out and something green and slimy splatters against your arm. The Horror: the unnatural, spiders the size of bears, the dead waking up and walking around, it's when the lights go out and something with claws grabs you by the arm. And the last and worse one: Terror, when you come home and notice everything you own had been taken away and replaced by an exact substitute. It's when the lights go out and you feel something behind you, you hear it, you feel its breath against your ear, but when you turn around, there's nothing there... (less)
Stephen King
Shadow?" I said. He understood me, of course--- he always does. I do not entirely comprehend the bond between us, as Shadow is the only grim I know of to take a human master, but the beast immediately shed his glamour, growing to a size closer to a bear than anything else, his huge paws tipped in jagged claws.
Heather Fawcett (Emily Wilde’s Map of the Otherlands (Emily Wilde, #2))
A surreal combination of revulsion and wonder overwhelmed her, the feeling of betrayal, the scrape of a bear’s claw. Being an adult child did not equip her to deflect the wound. “Women ought to interview their prospective partner’s children, don’t ya think?” She muttered, “I mean, from their first marriage, to see if the man they say they want to marry is really the man they want to marry!
Lynn Byk (The Fearless Moral Inventory of Elsie Finch)
Him with his bear claws and bear teeth. Me with my bear spray. But neither of us moved to hurt the other, and I couldn’t explain it other than to say that the bear and I agreed to be harmless to each other and share the space.
Abby Jimenez (Yours Truly (Part of Your World, #2))
For even a good man was more deadly than the worst of bears, and she had seen what even a blind ancient bear with its teeth pulled out of its black gums and its claws cut off and its eyes blinded in pink cross-hatching could do.
Lauren Groff (The Vaster Wilds)
For even a good man was more deadly than the worst of bears, and she had seen what even a blind ancient bear with its teeth pulled out of its black gums and its claws cut off and its eyes blinded in pink cross-hatching could
Lauren Groff (The Vaster Wilds)
This Girl I Knew Glasses, bad bangs, patched blue jeans, creek-stained tennis shoes caked in mud, a father who sells vacuum cleaners, a mother skinny as a nun, a little brother with straw-colored hair and a scowling, confused look in the pews at church: this girl I knew. House at the edge of town, crumbling white stucco. Dog on a chain. Weeds. Wildcat Creek trickling brown and frothy over rocks out back, past an abandoned train trestle and the wreck of an old school bus left to rot. This girl I knew, in whatever room is hers, in that house with its dust-fogged attic windows, its after-dinner hours like onions soft in a pan. Her father sometimes comes for her, runs a hand through her hair. Her mother washes every last stick of silverware, every dish. The night sky presses down on their roof, a long black yawn spiked with stars, bleating crickets. The dog barks once, twice. Outside town, a motorcycle revs its engine: someone bearing down. Then nothing. Sleep. This girl I knew dreams whatever this girl I knew dreams. In the morning it’s back to school, desks, workbooks, an awkwardly held pencil in the cramped claw of a hand. The cigarette and rosewater scent of Ms. Thompson at the blackboard. The flat of Ms. Thompson’s chest, sunburned and freckled, where her sweater makes a V. You should be nice to her, my mother says about this girl I knew. I don’t want to be nice to her, I say to my mother. At recess this girl I knew walks around the playground, alone, talking to herself: elaborate conversations, hand gestures, hysterical laughing. On a dare from the other girls this girl I knew picks a dandelion, pops its head with her thumbnail, sucks the milky stem. I don’t want to be nice to her. Scabbed where she’s scratched them, mosquito bites on her ankles break and bleed. Fuzzy as a peach, the brown splotch of a birthmark on her arm. The way her glasses keep slipping down her nose. The way she pushes them up.
Steve Edwards
With battle-weary arms, Sheridan slugged his way across the luminous waves sending light-filled droplets splashing into the air like Fourth of July sparklers. Stumbling onto the lake’s rocky banks, he clawed desperately at the animal skin suit, yanking at the fastenings and peeling back the suffocating shroud in a fitful temper tantrum. He collapsed onto the glitter washed shore, his chest heaving, his forehead pulsing with pumped up veins. “That was a nightmare!” Sheridan rasped between gulps of air. “Like some sort of freaked-out acid trip!” “All suffering comes bearing a gift. Every pain is a portal. You must look at the hand of your suffering to see the gift it offers and peer into your pain to see where it may lead.” Kunchen said calmly.
Phillip White
A black dude accidentally cut his hand with a knife and disregarded the warning about bears being drawn to blood. From out of nowhere, this huge monster of a grizzly came right into their camp and tore the dude apart with its massive jaw and claws.
Billy Wells (Scary Stories: A Collection of Horror- Volume 3)
What have you got in the truck? What’s that awful smell?” “A bear. Wanna see?” he asked, smiling. “A bear? Why on earth…?” “He was really pissed,” Jack said. “Come and see—he’s huge.” “Who shot him?” she asked. “Who’s taking credit or who actually shot him? Because I think everyone is taking credit.” He slipped an arm around her waist and walked her the rest of the way. She began to pick up the voices. “I swear, I heard Preacher scream,” someone said. “I didn’t scream, jag-off. That was a battle cry.” “Sounded like a little girl.” “More holes in that bear than in my head.” “He didn’t like that repellant so much, did he?” “I never saw one go through that stuff before. They usually just rub their little punkin eyes and run back in the woods.” “I’m telling you, Preacher screamed. Thought he was gonna cry like a baby.” “You wanna eat, jag-off?” There was laughter all around. A carnival-like atmosphere ensued. The serious group that had left town in the morning had come back like soldiers from war, elated, victorious. Except this war turned out to be with a bear. Mel glanced in the back of the truck and jumped back. The bear not only filled the bed, he hung out the end. The claws on his paws were terrifying. He was tied in, tied down, even though he was dead. His eyes were open but sightless and his tongue hung out of his mouth. And he stunk to high heaven. “Who’s calling Fish and Game?” “Aw, do we have to call them? You know they’re gonna take the frickin’ bear. That’s my bear!” “It ain’t your bear, jag-off. I shot the bear,” Preacher insisted loudly. “You screamed like a girl and the rest of us shot the bear.” “Who really shot the bear?” Mel asked Jack. “I think Preacher shot the bear when he came at him. Then so did everybody else. And yeah, I think he screamed. I would have. That bear got so damn close.” But as he said this, he grinned like a boy who had just made a touchdown. Preacher stomped over to Jack and Mel. He bent down and whispered to Mel, “I did not scream.” He turned and stomped off. “Honey,
Robyn Carr (Virgin River (Virgin River #1))
She has no idea who we are and I need to figure out how to tell her before we can take the next step.” “How about, hey baby, I’m a bear, rawr,” Wyatt offered, making claws with his fingers. “Or how about, hey honey, sometimes I get hairy and like to rub my big butt on trees to scratch an itch?” Conner offered bending over laughing at his hilarity. “Either both of you find something to do or I’m telling mom your interfering in
Moxie North (Bearly Cooking (Pacific Northwest Bears, #1))
Montreal November 1704 Temperature 34 degrees It was the work of a warrior to enter the cave, jab the bear awake and tempt him, grumpy and stuporous, to come out where he could be shot. No fur was so warm, no meat so good, no claws better ornaments. Of course, one swipe of that great paw could break a man’s jaw or rip off an arm, but that was why it was so admired and why the warrior who goaded the bear got the claws: such impressive risk.
Caroline B. Cooney (The Ransom of Mercy Carter)
Indians made necklaces out of practically anything that took their fancy. Eagle and grizzly bear claws were prized by them because it required much skill and daring to get them.
W. Ben Hunt (Indian Crafts & Lore)
Come out, White-Eyes,” the voice called. “I bring gifts, not bloodshed.” Henry, wearing nothing but his pants and the bandages Aunt Rachel had wrapped around his chest the night before, hopped on one foot as he dragged on a boot. By the time he reached the window, he had both boots on, laces flapping. Rachel gave him a rifle. He threw open the shutter and jerked down the skin, shoving the barrel out the opening. “What brings you here?” “The woman. I bring many horses in trade.” Loretta ran to the left window, throwing back the shutters and unfastening the membrane to peek out. The Comanche turned to meet her gaze, his dark eyes expressionless, penetrating, all the more luminous from the black graphite that outlined them. Her hands tightened on the rough sill, nails digging the wood. He looked magnificent. Even she had to admit that. Savage, frightening…but strangely beautiful. Eagle feathers waved from the crown of his head, the painted tips pointed downward, the quills fastened in the slender braid that hung in front of his left ear. His cream-colored hunting shirt enhanced the breadth of his shoulders, the chest decorated with intricate beadwork, painted animal claws, and white strips of fur. He wore two necklaces, one of bear claws, the other a flat stone medallion, both strung on strips of rawhide. His buckskin breeches were tucked into knee-high moccasins. Her gaze shifted to the strings of riderless ponies behind him. She couldn’t believe their number. Thirty? Possibly forty? Beyond the animals were at least sixty half-naked warriors on horseback. Loretta wondered why Hunter had come fully clothed in all his finery with wolf rings painted around his eyes. The others wore no shirts or feathers, and their faces were bare. “I come for the woman,” the Comanche repeated, never taking his gaze from her. “And I bring my finest horses to console her father for his loss. Fifty, all trained to ride.” His black sidestepped and whinnied. The Indian swayed easily with his mount. “Send me the woman, and have no fear. She will come to no harm walking in my footsteps, for I am strong and swift. She will never feel hunger, for I am a fine hunter. My lodge will shelter her from the winter rain, and my buffalo robes will shield her from the cold. I have spoken it.
Catherine Anderson (Comanche Moon (Comanche, #1))
It was very, very peaceful and all of a sudden I found myself shaking so hard that I had to sit down on the stream bank. Anytime. It could happen anytime and just this fast. I wasn’t sure which seemed most unreal... the bear’s attack or this, the soft summer night alive with promise. I rested my head on my knees letting the sickness, the residue of shock, drain away. But, it didn’t matter. I told myself – not only anytime but anywhere. Disease, car wreck, random bullet. There was no true refuge for anyone. But like most people, I managed not to think of that most of the time. I shuddered, thinking of the claw marks on Jamie’s back. Had he been slower to react – not as strong – had the wounds been slightly deeper. For that matter, infection was still a major threat, but at least against that danger I could fight! The thought brought me back to myself.
Diana Gabaldon (Drums of Autumn (Outlander, #4))
It was foolhardy to think she could stand up to him. One swipe of his claws and she’d be done for. But she did, and it was adorable.
Mina Carter (The Winter Bear's Bride (Dubious, #2))
The Liangese mercenaries at the gate never stood a chance. Ramsay became a furry cannonball, all claws and teeth hurtling through them. He flattened one on impact and rose on his hind legs to rip the other in half.
Vivienne Savage (Goldilocks and the Bear (Once Upon a Spell, #3))
We are not complete in ourselves without others, without a world to complement our self-conception—and were we to become so complete, we could not bear it! The fullness of ourselves would break us. We burn. The point of Figment/Fragment/Filament”—claws spread to encompass the whole warehouse space—“is to reflect, refract the beauty of physical form, the glorious futility of our quest for complete knowledge, mastery, or independence.
Max Gladstone (The Ruin of Angels (Craft Sequence, #6))
They came. I watched them come. The ones who have no names, the abominations, those who are flawed yet live, those who hunger yet can never be sated, those who hate eternally, who need beyond bearing with their twisted limbs and psychopathic dreams, those who know but one joy: the hunt, the kill, the nectar of dust and ashes. They soared over my head, high above the city, a vast, dark wave that stretched from one end of the horizon to the other, obliterating the sky, shrieking, howling, trumpeting their victory, free, free, free for the first time in nearly a million years! Free in a world warmed by sun, populated by billions of strong hearts beating, exploding with life, bursting with sex and drugs and music and glories untold that had been forbidden to them forever. They came, the Wild Hunt, the winged ones, carrying their brethren in beaks and claws and other things that defied description, streaming from their icy hell, icing the world a slippery shining silvery frost in their wake.
Karen Marie Moning (Faefever (Fever, #3))
I pictured love as a big hairy giant with a dead fish in his mouth. Grizzly bear claws and his heart half out of his chest cause it’s too big and the lungs have to fit. He never stops walking. Over mountains. Through the desert. On top of icy lakes. Past huge cities. And he hunts and kills for you and always comes back with plenty to eat.
Adam Rapp (The Children and the Wolves)
Think of it this way: if you wandered into a cave and saw scratched into the wall some markings which on closer inspection read "Gary woz ere", how would you think that they got there? Would you guess that a river had run through and eroded the wall into a shape? Would you think that perhaps a bear had been sharpening his claws on the rough surface? Or would you be sensible and immediately recognise that someone called Gary, who was probably a bit of a yob, had been through and wanted to leave a message for the world?
Lewis N. Roe (From A To Theta: Taking The Tricky Subject Of Religion And Explaining Why It Makes Sense In A Way We Can All Understand)
In the opening paragraph Goldi commits felony breaking and entering. Why does she do it? Why does she risk five to ten in the slammer or death by bear claw?
Kendall Haven (Super Simple Storytelling: A Can-Do Guide for Every Classroom, Every Day)
If you cannot come, if you fear What music might wind your feet In the moss and migrant roots, What drink will score your throat Like a sky scratched By the claw-end of leaves What wheels will drive you Home at dawn, where the dew-blades Bear up the infancies of light— Then send, in the tremble Of your own cold hand, Regrets only, nothing but regrets.
Elton Glaser (Winter Amnesties (Crab Orchard Series in Poetry))
Even when behaviors are clearly stress-related, they can be difficult to interpret. Mel Richardson was once asked to examine a tree kangaroo at the San Antonio Zoo that the keepers said was acting bizarrely. With the ears of a teddy bear, the rounded chub of a koala, and the tail of a fuzzy monkey, tree kangaroos are very cute. But this female was acting vicious. She was attacking her babies, and the keepers had no idea why. Mel went to check on her. Sure enough, as soon as he approached, the kangaroo ran to her babies and started hitting and clawing at them with her paws. He stepped back, and she stopped. He walked forward, and she ran at the babies again. “I realized,” said Mel, “that she wasn’t viciously attacking her babies at all. She was trying to pick them up off the floor, but her little paws weren’t meant for that. In her native Australia and Papua New Guinea her babies never would have been on the ground. Her whole family would have been up in the trees.” The mother kangaroo wanted to move the babies away from the humans. What looked like abnormal attacks on her young were actually her way of trying to protect them. Her behavior wasn’t mental illness at all but a response to the stress of being a mother in an unnatural environment. After the keepers redesigned the kangaroos’ cage so that more of it was elevated and farther from the door, she relaxed and stopped hitting her babies. Mel explained, “As flippant as it might sound, the truth is that in order to know what’s abnormal, you must first know what’s normal. In this case in order to determine pathology, I had to understand the animal’s psychology. It’s pretty easy for people to get this wrong.
Laurel Braitman (Animal Madness: How Anxious Dogs, Compulsive Parrots, and Elephants in Recovery Help Us Understand Ourselves)
David saw Benaiah on the ground still wrestling with Machbannai. Ariels were extraordinarily strong and agile. David had once seen one of them take on a bear and win.   The other two circled David, claws extended, fangs bared, ready to pounce. The sound of cracking bone turned everyone’s heads. Benaiah’s grappling hold had stayed strong. He broke the neck of his adversary with a massive jerk. Benaiah was no bear. He was a behemoth. Benaiah pushed the body off himself, drew his sword, and jumped to his feet. He spit out, “Let us teach these pussy cats a lesson.” Benaiah tossed his sword to David, just as Jeremiah jumped. The Lion Man knocked the sword away as he tumbled into the dust. When the growling leonine warrior got to his feet, he stood over the sword.
Brian Godawa (David Ascendant (Chronicles of the Nephilim, #7))
At the far end of the hall she could make out the raised dais where a throne of black oak stood. Its arms had been carved to represent the forelegs of a bear, and its feet into those of a dragon. And above it hung the battle standard of the Icemark: a standing polar bear, lips drawn back in a vicious snarl and claws outstretched.
Stuart Hill (The Cry of the Icemark)
Kenzie Denune pedaled the bicycle harder, her thighs burning from the exertion. Thanks to a car that refused to start, she was going to be late for her job interview at Iverson Loch Manor. Grunting and pounding from the shrubs ahead, near the road's edge, snagged her attention. Naked shoulders glistened in the afternoon sun. Back muscles bulged and undulated with every thrust. “Bloody hell. Come fer me. Come.” In all of Mathe Bay in the Scottish Highlands, only one deep masculine voice had the power to raise the hair on her arms like this. A man with braided russet-colored hair that brushed broad shoulders inked with a bear's claw marks, woven into an intricate tribal design - Bryce Matheson. Damn him to hell. Who's he shagging in broad daylight? Out in the open, no less. Has he no shame? ... “I canna keep pounding at ye like this all bloody day. Me back is about to give out.” Bryce moaned and groaned again, obviously in the throes of ecstasy. The bear-shifting bastard. She eased up on the brakes to whiz past his love nest of bushes and brambles. “I'll not give up until I get ye wild cherry. Let me push both me thumbs and most of me fingers in here and....." My God, what's he doing to her? Kenzie couldna resist one fleeting glance over her shoulder. Her front wheel plunged into a pothole and the bike pitched... as she toppled across the grit. The force of the impact, combined with the slant of the narrow road, caused her to roll toward Bryce and his current conquest. No! No, God, no!
Vonnie Davis (A Highlander's Passion (Highlander's Beloved, #2))
6/7 9:57 a.m. Mac’s Bakery received two threats from an unknown female for making her fat with their bear claws.
Nancy Naigle (Barbecue and Bad News (Adams Grove, #6))
The Cat Anna reached out and trailed one cold, clawed hand down his sleeve, her talons glistening like mother-of-pearl.
Elizabeth Bear (Blood and Iron (Promethean Age, #1))
Osita is a contraction of the Spanish ‘oso’ (for bear) and the diminutive ‘~ita’ (meaning something small and cute).
Tony James Slater (That Bear Ate My Pants: A Hilarious Travel Memoir... with Teeth and Claws! (Adventure Without End, #1))
kinkajou.
Tony James Slater (That Bear Ate My Pants: A Hilarious Travel Memoir... with Teeth and Claws! (Adventure Without End, #1))
wanting and buying and working and paying, before
Tony James Slater (That Bear Ate My Pants: A Hilarious Travel Memoir... with Teeth and Claws! (Adventure Without End, #1))
Stockings, but no drawers?" he teased, breathlessly. He nudged the neckline of her gown lower with his teeth, exposing her breast, distracting her as his hand glided farther up her thigh, to come gently to rest against the damp, silken curls at the crook of them. "Too warm for... drawers... but I liked the... garters..." She gasped out the words, and he gave a short laugh before he took her nipple into his mouth. Puckered velvet, it was, the palest, most delicate pink, like her lips; her breast could fill the palm of his hand. He knew because he skimmed his palm over the other one. "Kit," she rasped. "God." "One and the same," he murmured. He heard her gasp something, either a tortured laugh or a word, which may have been "beast," but she stopped abruptly when he took her nipple into his mouth again and drew slow circles around it with his tongue. Her softly sighed, "oh," her back arching up to meet him, her fingers combing over his head, made him wilder than he thought he could bear. But he would bear it. Today was for her, and today was all there would be. He settled for tucking his hips closer to her, his aching erection brushing against her. His fingers stroked lightly over the curls between her legs, twining in them. And then he returned his lips to hers, gently, because he wanted to watch her eyes when he slid a finger lightly along her cleft. He felt her body go taut when he did; she drew in a sharp breath. His hand stilled. "No?" he said softly. "Yes," she disagreed on a whisper, touching his face. He kissed her softly, as his finger slid lightly again, and then again, and at last her legs slipped open wider still, inviting him in. Desire clawed him, a great bird of prey clinging to his back, he could scarcely breathe. With his fingers, he circled her gently, slowly at first, and then insistently, listening to the pulse of her breath, to her soft murmurs, to learn the rhythm she wanted, until her desire drenched his fingers. He touched nearly chaste kisses to her mouth as his fingers played over her, and watched, triumphant, as her pupils grew large, her beautiful, complicated eyes opaque, her breathing become a quiet storm. "Kit?" she whispered urgently. "I---it's---" "I know," he sympathized hoarsely. "Move with me now." And she began to move her hips in time with his knowing fingers, colluding with him in her own pleasure, and he moved his own hips against her, craving his own release even as he knew he must deny it. He covered her moth with a kiss, a deep kiss, tangling his tongue with hers, and oh the taste of her: honey and velvet, rich as plums. He moved his fingers in time with his tongue, knew by her escalating breathing, the rhythm of her hips, that it would be soon. She took her lips from his, her head thrashed to one side. "Please..." "Hold on to me, Susannah." She was utterly focused on her journey now, and God, how he wanted to go there with her. At last, her fingers dug into his arms and she bowed up with a soft cry, pulsing against his hand. And somehow, this seemed nearly as precious as the beat of her heart, and the pleasure he took in her release was so acute it might well have been his own.
Julie Anne Long (Beauty and the Spy (Holt Sisters Trilogy #1))
Warm, buttery sunlight through the leaves, setting them glowing like rubies and citrines. The damp, earthen scent of rotting things beneath the leaves and roots she lay upon. Had been thrown and left upon. Everything hurt. Everything. She couldn't move. Couldn't do anything but watch the sun drift through the rich canopy far overhead, listen to the wind between the silvery trunks. And the centre of that pain, radiating outward like living fire with each uneven, rasping breath... Light, steady steps crunched on the leaves. Six sets. A border guard, a patrol. Help. Someone to help- A male voice, foreign and deep, swore. Then went silent. Went silent as a single pair of steps approached. She couldn't turn her head, couldn't bear the agony. Could do nothing but inhale each wet, shuddering breath. 'Don't touch her.' Those steps stopped. It was not a warning to protect her. Defend her. She knew the voice that spoke. Had dreaded hearing it. She felt him approach now. Felt each reverberation in the leaves, the moss, the roots. As if the very land shuddered before him. 'No one touches her,' he said. Eris. 'The moment we do, she's our responsibility.' Cold, unfeeling words. 'But- but they nailed a-' 'No one touches her.' Nailed. They had spiked nails into her. Had pinned her down as she screamed, pinned her down as she roared at them, then begged them. And then they had taken out those long, brutal iron nails. And the hammer. Three of them. Three strikes of the hammer, drowned out by her screaming, by the pain. She began shaking, hating it as much as she'd hated the begging. Her body bellowed in agony, those nails in her abdomen relentless. A pale, beautiful face appeared above her, blocking out the jewel-like leaves above. Unmoved. Impassive. 'I take it you do not wish to live here, Morrigan.' She would rather die here, bleed out here. She would rather die and return- return as something wicked and cruel, and shred them all apart. He must have read it in her eyes. A small smile curved her lips. 'I thought so.' Eris straightened, turning. Her fingers curled in the leaves and loamy soil. She wished she could grow claws- grow claws as Rhys could- and rip out that pale throat. But that was not her gift. Her gift... her gift had left her here. Broken and bleeding. Eris took a step away. Someone behind him blurted, 'We can't just leave her to-' 'We can, and we will,' Eris said simply, his pace unfaltering as he strode away. 'She chose to sully herself; her family chose to deal with her like garbage. I have already told them my decision in this matter.' A long pause, crueller than the rest. 'And I am not in the habit of fucking Illyrian leftovers.' She couldn't stop it, then. The tears that slid out, hot and burning. Alone. They would leave her alone here. Her friends did not know where she had gone. She barely knew where she was. 'But-' That dissenting voice cut in again. 'Move out.' There was no dissension after that. And when their steps faded away, then vanished, the silence returned. The sun and the wind and the leaves. The blood and the iron and the soil beneath her nails. The pain.
Sarah J. Maas (A Court of Frost and Starlight (A Court of Thorns and Roses, #4))
The Jacob’s Ladder had brought Perceval and her people all this way, through the claws of the cold and cunning Enemy, even though she had been designed by the treacherous Builders to fail and kill them.
Elizabeth Bear (Grail (Jacob's Ladder, #3))
Only it’s not Trevor. It’s the bear. Huge. Powerful, healthy, and strong. Every bit as big as I’d imagined. The bear swings its massive head from side to side and chuffs and takes a step toward my sister. I want to let it kill her for all she’s done. But I am not my sister. I point. “Behind you. The bear. It’s come back.” Diana smiles her disbelief. “I’m serious. Look.” She turns. The bear rears up on its hind legs and paws the air, then drops to all fours and chuffs. She shoots. It stands up on its hind legs and claws at its chest and roars. Drops to all fours and keeps coming. Diana shoots again. Still the bear keeps coming. I don’t understand. She killed White Bear with two well-placed shots from my Remington, yet multiple shots fired from a rifle that’s larger and more powerful won’t bring this bear down. I watch, utterly riveted, as the bear who should have been dead continues to run toward my sister. Its fur becomes lighter and lighter. Diana shoots again and again. Yet the bear keeps coming. By the time it leaps onto my sister and sinks its teeth into her throat, the bear is completely white. I cover my eyes. Wait for her scream. Instead, a raven calls. I open my eyes. The bear is not white. My sister is not dead. It’s an illusion. Another vision. A trick of the light. There’s only me, one very dead black bear, and my sister shooting like a madwoman into its carcass. I dive for Charlotte’s rifle without thinking and flatten myself behind her body and shoot. Diana falls. She doesn’t get up.
Karen Dionne (The Wicked Sister)
Oh creator of all things, help me. For this day I go out into the world naked and alone, and without your hand to guide me I will wander far from the path which leads to success and happiness. I ask not for gold or garments or even opportunities equal to my ability; instead, guide me so that I may acquire ability equal to my opportunities. You have taught the lion and the eagle how to hunt and prosper with teeth and claw. Teach me how to hunt with words and prosper with love so that I may be a lion among men and an eagle in the market place. Help me to remain humble through obstacles and failures; yet hide not from mine eyes the prize that will come with victory. Assign me tasks to which others have failed; yet guide me to pluck the seeds of success from their failures. Confront me with fears that will temper my spirit; yet endow me with courage to laugh at my misgivings. Spare me sufficient days to reach my goals; yet help me to live this day as though it be my last. Guide me in my words that they may bear fruit; yet silence me from gossip that none be maligned. Discipline me in the habit of trying and trying again; yet show me the way to make use of the law of averages. Favor me with alertness to recognize opportunity; yet endow me with patience which will concentrate my strength. Bathe me in good habits that the bad ones may drown; yet grant me compassion for weaknesses in others. Suffer me to know that all things shall pass; yet help me to count my blessings of today. Expose me to hate so it not be a stranger; yet fill my cup with love to turn strangers into friends. But all these things be only if thy will. I am a small and a lonely grape clutching the vine yet thou hast made me different from all others. Verily, there must be a special place for me. Guide me. Help me. Show me the way. Let me become all you planned for me when my seed was planted and selected by you to sprout in the vineyard of the world. Help this humble salesman. Guide me, God.
Og Mandino (The Greatest Salesman In The World)
During the great trials in Moscow, the procurator Andrei Vyshinsky, who was an intellectual with a traditional classical training, threw himself into a veritable frenzy of animalization: “Shoot these rabid dogs! Death to this gang who hide their ferocious teeth, their eagle claws, from the people! Down with that vulture Trotsky, from whose mouth a bloody venom drips, putrefying the great ideals of Marxism! Let’s put these liars out of harm’s way, these miserable pygmies who dance around rotting carcasses! Down with these abject animals! Let’s put an end once and for all to these miserable hybrids of foxes and pigs, these stinking corpses! Let their horrible squeals finally come to an end! Let’s exterminate the mad dogs of capitalism, who want to tear to pieces the flower of our new Soviet nation! Let’s push the bestial hatred they bear our leaders back down their own throats!” (Qtd. In The Black Book of Communism, p. 750.)
Michael Rectenwald (Google Archipelago: The Digital Gulag and the Simulation of Freedom)
- The key to holding your downward dogs without wanting to kill yourself and your yoga instructor? CLAW THE MAY. Plug into your fingertips and knuckles when you step into the pose - this will create a kind of suction cup in the palm of your hand that will protect your wrist and be much more comfortable overall. This grip will allow you to balance the weight of your body between both your top and bottom halves, as opposed to bearing the full weight of your body into one joint.
Jessamyn Stanley (Every Body Yoga: Let Go of Fear. Get On the Mat. Love Your Body)
She cast a glance at Sayeh that raked Sayeh like a tiger’s claws and sketched a plausible courtesy before Anuraja. It wasn’t much of a courtesy.
Elizabeth Bear (The Red-Stained Wings (Lotus Kingdoms #2))
This second model now deviates into two different semi-technical directions. Bear with me for a moment while I briefly define these two subsidiary positions. 1. God, by His sovereign will, providentially placed the information for sharp teeth, claws, and other defense or attack structures in the animals’ DNA that remained latent/hidden until He declared the curses in Genesis 3 and was allowed to be expressed when God called down the curses in Genesis 3. 2. God, by His sovereign will, immediately redesigned the creatures and the original information in the animals’ DNA upon the declared curses in Genesis 3. The defense and attack structures, then, either immediately or gradually, became expressed from that point.
Bodie Hodge (Dinosaurs, Dragons, and the Bible)
The plane descended into the rugged mounts of southeastern Idaho as Brown repeated a desperate Mayday call. They were streaking downward into Bear Claw National Forest. It was thousands of miles in the most pristine, pure and rugged wilderness in the United States. It was a place where the roar of grizzly bears and mountain lions could still be heard. The plane nosed down into an isolated canyon. It was a tiny speck on the map know only as “The Breath of Hell.
Lawrence Wertan (The Lost Champion)
Key Apache Warriors Cochise—one of the great Chiricahua (Chokonen) chiefs. Born c. 1805. No known pictures exist but he was said to be very tall and imposing, over six feet and very muscular. Son-in-law to Mangas Coloradas. Died in 1874, probably from stomach cancer. Chihuahua—chief of the Warm Springs band (Red Paint people) of the Chiricahua. Fought alongside Geronimo in the resistance. Died in 1901. Fun—probably a cousin to Geronimo and among his best, most trusted warriors. Fun committed suicide in captivity in 1892, after becoming jealous over his young wife, whom he also shot. Only slightly wounded, she recovered. Juh—pronounced “Whoa,” “Ho,” or sometimes “Who.” Chief of the Nedhni band of the Apache, he married Ishton, Geronimo’s “favorite” sister. Juh and Geronimo were lifelong friends and battle brothers. Juh died in 1883. Loco—chief of the Warm Springs band. Born in 1823, the same year as Geronimo. Once was mauled by a bear and killed it single-handedly with a knife, but his face was clawed and his left eye was blinded and disfigured. Known as the “Apache Peacemaker,” he preferred peace to war and tried to live under reservation rules. Died as a prisoner of war from “causes unknown” in 1905, at age eighty-two. Lozen—warrior woman and Chief Victorio’s sister. She was a medicine woman and frequent messenger for Geronimo. She fought alongside Geronimo in his long resistance. Mangas Coloradas—Born in 1790, he was the most noted chief of the Bedonkohe Apache. A massive man for his era, at 6'6” and 250 pounds, he was Geronimo’s central mentor and influence. He was betrayed and murdered by the U.S. military in 1863. Geronimo called his murder “the greatest wrong ever done to the Indians.” Mangas—son of the great chief Mangas Coloradas, but did not succeed his father as chief because of his youth and lack of leadership. Died as a prisoner of war in 1901. Naiche—Cochise’s youngest son. Succeeded older brother Taza after he died, becoming the last chief of the free Chiricahua Apache. Nana—brother-in-law to Geronimo and chief of the Warm Springs band. Sometimes referred to as “Old Nana.” Died as a prisoner of war in 1896. Victorio—chief of the Warm Springs band. Noted and courageous leader and a brilliant military strategist. Brother and mentor to warrior woman Lozen. Slain by Mexicans in the massacre of Tres Castillos in 1880.
Mike Leach (Geronimo: Leadership Strategies of an American Warrior)
I’d been on the Superior Hiking Trail right after dawn, and ran into a bear on the path. We both paused and just stood there, looking at each other. Him with his bear claws and bear teeth. Me with my bear spray.
Abby Jimenez (Yours Truly (Part of Your World, #2))
So here they were, in the big living room of the renovated log cabin that Sofia, Martina, and Benny shared. Bianca, as the one sister who didn’t live there and who, therefore, had to be out in her car anyway, had brought a box of bear claws and croissants from the French Corner Bakery.
Linda Seed (Fixer-Upper (The Russo Sisters, #3))
I was silenced by a bone-shattering roar. Turning, I saw a huge, dark bear lurching over the top of a snow-drift. It landed heavily, shook its snout, snarled, fixed its gaze on me — then lunged, teeth flashing, claws exposed, hell-bent on tearing me apart!
Darren Shan (Cirque Du Freak: Vampire Mountain (Cirque Du Freak, the Saga of Darren Shan Book 4))
Thanks Mom, but I don’t think it will work,” I said hunching my shoulders and not looking forward to tonight. Mom told me it had special powers, very strong magical powers. “I’m sure it will work Boo Boo Bear (I wish she would stop calling me that), let’s just give it a try.” That night she tucked me into bed, read me a story, and told me to ask the dream catcher to catch the scary dreams. Then she switched off the light and left me all alone. I closed my eyes and repeated in my head, “Dreamcatcher please work, dreamcatcher please work….” And soon I fell asleep. I heard a high-pitched creepy noise, it sounded like fingernails scraping down a blackboard. A dragon’s claw started to slide out
Kaz Campbell (Boris to the Rescue (My Monster #1))
The candle on the nightstand ascended into the air and was joined and circled by others that materialized out of the darkness. A vast, lumpy darkness, clawing with enormous hands like annealed black clots of wax, a ring of candles blazing on the gnarled stump that might have been its hands.
Elizabeth Bear (New Amsterdam (New Amsterdam, #1))
His destiny was just too big to spend So he broke it into smaller bills and change By the time he'd try to buy the things he needed He had spent it all on loosies and weed and He had spent it all on chips and Coca-Cola He had spent it all on chocolate and vanilla He had spent it all and didn't even feel it He had spent it all and didn't even feel it [Verse 2] All the poets in the alley coughing up blood And their visions and their dreams are coming up red They can either wake up or go deeper But it's so dangerous to wake a deep sleeper It's like awakening a bear in winter To feel the reckoning of hunger splinter He's gonna stretch his claws and feel his power And you are gonna know your final hour Better get a head start, start running While you were skimming from the top was sunny But all the weather 'bout to turn real crummy 'Cause everybody gonna want their money Yeah, everybody gonna want their money Better get a head start, start running Better get a head start, start running 'Cause it's about to get so unfunny All the poets in the alley coughing up blood And their visions and their dreams are coming up red They can neither wake up or go deeper But it's so dangerous to wake a deep sleeper
Regina Spektor (Regina Spektor - Remember Us to Life)
I thought about this for a few seconds. “I’m not very good though,” I admitted. This is a cunning double bluff used by many males of the species, giving rise to two possible scenarios; either losing badly, and therefore being proved both right and honest, or winning handily and being proved both skilful and modest about it. “Nah, me neither,” he lied.
Tony James Slater (That Bear Ate My Pants: A Hilarious Travel Memoir... with Teeth and Claws! (Adventure Without End, #1))
Roundtree’s Taxidermy Shop was as dark as a cave and twice as mysterious. From the shadows of its dim interior, white fangs and sharp claws gleamed menacingly at the two boys. Near the door, a huge grizzly bear reared on its hind legs as if ready to pounce on any customer who caused its master displeasure. Mr. Roundtree, a short, plump man, shuffled about in flapping slippers. As the boys entered, he was completing the sale of a mounted wolf’s head to a man in a tan raincoat and slouch hat. Joe glanced curiously at the animal, then turned with Chet to a display case of glass eyes.
Franklin W. Dixon (The Short-Wave Mystery (Hardy Boys, #24))
The most direct way that I can define advantage in our society—is that it's an allowable difference in the margin of error necessary to succeed. You could have two people, seemingly side by side, while one is there because they scraped and clawed and rarely misstepped, while the other person tripped their way to the same position. For the disadvantaged are not allowed to speak on it or talk about their struggles to get where they are at. What you did with that disadvantage has no bearing on whether it existed or not. People like myself have to face obstacles but are also given a tiny margin of error… We are not allowed to fail or to make mistakes.
Crystal Evans (Blood Money: The Scammer and The Ex-slave Owner)
The hide still had the skin of the head attached, which the man wore on his own head. He had the forelegs apparently tied over his own arms, with the paws—and claws—intact.
Kelley Armstrong (The Boy Who Cried Bear (Haven's Rock, #2))
Very early in human evolution men aggressed in order to incorporate two kinds of power, physical and symbolic. This meant that trophy taking in itself was a principal motive for war raiding; the trophy was a personal power acquisition. Men took parts of the animals they killed in the hunt as a testimonial to their bravery and skill— buffalo horns, grizzly bear claws, jaguar teeth. In war they took back proof that they had killed an enemy, in the form of his scalp or even his whole head or whole body skin. These could be worn as badges of bravery which gave prestige and social honor and inspired fear and respect. But more than that, as we saw in Chapter Two, the piece of the terrible and brave animal and the scalp of the feared enemy often contained power in themselves: they were magical amulets, " powerful medicine," which contained the spiritual powers of the object they belonged to. And so trophies were a major source of protective power: they shielded one from harm, and one could also use them to conjure up evil spirits and exorcise them. In addition to this the trophy was the visible proof of survivorship in the contest and thus a demonstration of the favor of the gods. What greater badge of distinction than that? No wonder trophy hunting was a driving obsession among primitives: it gave to men what they needed most- extra power over life and death. We see this most directly, of course, in the actual incorporation of parts of the enemy; in cannibalism after victory the symbolic animal makes closure on both ends of his problematic dualism— he gets physical and spiritual energy. An Associated Press dispatch from the “Cambodian Front Lines” quotes a Sgt. Danh Hun on what he did to his North Vietnamese foes: ”I try to cut them open while they’re still dying or soon after they are dead. That way the livers give me the strength of my enemy… [One day] when they attacked we got about 80 of them and everyone ate liver”.
Ernest Becker (Escape from Evil)
Sometimes life was just like that. You ended up with the smaller half of the sandwich, another kid stepped on your toe, and no one seemed to understand what you wanted.
Terry Bolryder (Bear to the Bone (Bear Claw Security, #1))
Imagine mixing the deadliest traits of some of nature's greatest predators. Bear tigers? Panthers with scorpion stingers for tails? Apes that spun webs like spiders? Wolves with crab shells for defense? Dogs that shot bees from their mouths? Hyenas with kangaroo legs, monkey arms, and paralytic claws so that when they jump on you, they cling to you and paralyze you with their laughter (and claws)?
Dennis Liggio (Damned Lies of the Dead 3D (Damned Lies 3))
the wave. Now they could see that there were nine arms, apparently jointed, radiating from a central disc. Two of the arms were broken, snapped off at the outer joint. The others ended at a complicated collection of manipulators that reminded Jimmy strongly of the crab he had encountered. The two creatures came from the same line of evolution, or the same drawing board. At the middle of the disc was a small turret, bearing three large eyes. Two were closed, one open—and even that appeared to be blank and unseeing. No one doubted that they were watching the death throes of some strange monster, tossed up to the surface by the submarine disturbance that had just passed. Then they saw that it was not alone. Swimming around it, and snapping at its still feebly moving limbs, were two small beasts like overgrown lobsters. They were efficiently chopping up the monster, and it did nothing to resist, though its own claws seemed quite capable of dealing with the attackers. Again Jimmy was reminded of the crab that had demolished Dragonfly. He watched intently as the one-sided conflict continued and quickly confirmed his impression.
Arthur C. Clarke (Rendezvous with Rama (Rama, #1))
He thinks he will leave. School life is unreal. All this is unreal. He has had enough. He can’t bear his colleagues. He can’t bear the boys any more either; en masse, he thinks, they’re horrible, like haddocks. He has to get out. He’ll live on his writing. His last book did well. He’ll write more. He’ll take a cottage in Scotland and spend his days fishing for salmon. Perhaps he’ll take the barmaid with him as his wife, the dark-eyed beauty he’s been courting for months, though he’s only in love with her emotionally, so far, and he hasn’t got anywhere, really, and those long hours sitting at the bar reduce him too often to hopeless drunkenness. He drinks too much. He has drunk too much, and he has been unhappy for a long time. But things are certain to change. The notebook he writes in is grey. He’s stuck a photograph of one of his grass snakes on the cover, and written ETC above it in ink. The snake is suitable because this is his dream diary, though there are other things in it too: scraps of writing, lesson plans, line drawings of sphinxes and clawed dragons rampant, and the occasional stab at self-analysis: 1) Necessity of excelling in order to be loved.1 2) Failure to excel. 3) Why did I fail to excel? (Wrong attitude to what I was doing?)
Helen Macdonald (H is for Hawk)
I have been thinking of light, the way it collected in the rain drops that morning I was so full of joy, and the way it shifts and moves in unexpected ways, so that at times this cabin is dark and cool and the next filled with golden warmth. Father spoke of a light that is older than the stars, a divine light that is fleeting yet always present if only one could recognize it. It pours in and out of the souls of the living and dead, gathers in the quiet places in the forest, and on occasion, might reveal itself in the rarest of true art. The entirety of his life was devoted to the hope that someday he would create a sculpture so perfectly carved and balanced, set in just the right place among the trees, that it would be capable of reflecting this light. He had seen it in the works of others, yet be believed he had failed in his own. I wish he could have known the truth. Just weeks after he died, I went to see the bear. It was the end of an autumn day, and as I stepped into the meadow, the light of the setting sun was cooling from oranges and reds to the bluer shades. He had never looked so alive; shadows dipped and curved along his outstretched claws, his fur and muscles seems poised for life, and for a moment, the sun just touching the horizon, the marble seemed to be formed of translucent light itself. I had no doubt of what I was witnessing -- this was not simply a flattering cast of sunset; this was the light Father had sought his entire life. The nearest I can describe is when Father took the back off a piano and showed me how a strong, clear note could cause other strings to vibrate without ever setting finger to them. He said the strings were resonating in sympathy to that pure sound. So it was within me. Shall I allow myself to believe in an immortal soul? If so, then I am certain it was Father's spirit that gathered with the divine light of the world and radiated from that finely carved marble. He always looked to his angels and gods and his Pietà. He never thought to look so near.
Eowyn Ivey (To The Bright Edge of the World)
In a lightning gesture, he lashes out with a claw, drawing a shallow X over my heart. The blood wells through my sliced shirt, and for a moment I am too shocked to move. I can’t believe Vel hurt me. I would’ve sworn he never, ever would. I guess this means he hates me, too. The agony sears way more than it should for the size of the wound, burning from the betrayal, and tears spring up in my eyes. When I see my pain reflected in his side-set eyes, I know why he did. So I can cry. Even though it hurt him, too, he gave me the wound that permits me to let go. It’s a selfless thing, because I can see by the twitch of his mandible that it injured him, too. He has a friend’s blood on his bare claws, a horrendous thing—and lovely, too. My sobs, when they tear free, wrack me from head to toe. He draws me to him, all smooth chitin, cool and hard to the touch. There should be no solace in it, but there is because he’s Vel, and he took my pain for his own. Now he must live with the knowledge he harmed someone he cares about—and that’s not lightly done for one who lives as long as he. I respect his bravery and fortitude more than ever. For I need this scar over my heart to remind me. Crazy as it sounds, if I can bear the wound on my body, it lessens what I must carry on my soul. How he knew that about me, I cannot fathom.
Ann Aguirre (Aftermath (Sirantha Jax, #5))
I told myself a while ago that I was going to do whatever I could to make this man happy, to make this man know every day just how I felt about him, that the fight for him was all I’ve ever known. It doesn’t matter what happens in there. If he needs me, I’ve got his back. And I swear to Christ if anyone so much as looks at him funny, I’ll make sure it’s the last thing they do. Claws out, bitches, it whispers. Indeed.
T.J. Klune (Who We Are (Bear, Otter, and the Kid, #2))
Perhaps it was for the same reason that the love of living things, which I had felt so strongly as a child, had declined until it was hardly more than a memory when I found poor Triskele bleeding outside the Bear Tower. Life, after all, is not a high thing, and in many ways is the reverse of purity. I am wise now, if not much older, and I know it is better to have all things, high and low, than to have the high only.
Gene Wolfe (Shadow & Claw (The Book of the New Sun #1-2))
You mean it’s my fault. Just fucking say it.” Blowing out a long breath, he looked at the sky for a brief moment. “Do you think I wanted to like my brother’s girlfriend? The pastor’s daughter? Do you think I did this for any other reason than I simply fell for you from the moment you smiled at me on Easter Sunday?” He shrugged. “Yeah. Maybe I’m selfish. Maybe after giving up everything for everyone else, I wanted something for myself. But fuck, baby”—his eyes reddened—“I want you.” He pressed his hand to his chest, clawing at it. “I feel it so damn deep in my heart nothing else matters. And if that’s selfish, then I’m guilty. If you need me to take the blame for everything that’s happened, I’ll bear the burden. I’ll take everything as long as that includes you.
Jewel E. Ann (Sunday Morning (Sunday Morning, #1))
Your scent. Your touch. Your voice. It calls to me like a siren, luring me toward the mysterious abyss. And still, I’ve an insatiable appetite for it. When I think of someone hurting you, or touching you, those thoughts my mother feared claw inside of me.” His fingers curled around her nape as his lips peeled back into a snarl. “I cannot and will not bear the thought of another man laying claim to you. Ever. Earlier, you said that you would never belong to me. But you do. And I belong to you.
Keri Lake (Nightshade (Nightshade, #1))
It was a bear!” Her blue eyes are flashing. “I saw it! It was coming towards us! It had huge claws and giant white fangs!
Freida McFadden (One by One)
Among the Buryats, the costume has decorations made from rabbit, sable, squirrel, ermine, or weasel skin, depending on the tribal heritage of the shaman. Miniature weapons including a bow and arrow, a knife, or an ax may be sewn on as pendants. Feathers may be attached on the back below the shoulders to represent wings for shamanic flight, and long buckskin fringe on the hem and sleeves also represents the shaman’s birdlike aspect while journeying. Bunches of round tassels called snakes are usually attached at the shoulders in front and back. These represent wings but are also a reminder of the shaman’s ability to use a snake as a magic steed while journeying. Pieces of fur of various animal helpers may also be attached to the costume; in Mongolia, many shamans use a bear paw with claws.
Sarangerel (Chosen by the Spirits: Following Your Shamanic Calling)
My soul bears many scars from the days and months of my defeat and captivity. But there is one memory that, above all others, haunts me. By day, it is a goad to action. By night, it murders sleep. It lives with me always, the proof that there could hardly be a more terrible threat to the Imperium than this ork. Thraka spoke to me. Not in orkish. Not even in Low Gothic. In High Gothic. ‘A great fight,’ he said. He extended a huge, clawed finger and tapped me once on the chest. ‘My best enemy.’ He stepped aside and gestured to the ramp. ‘Go to Armageddon,’ he said. ‘Make ready for the greatest fight.
David Annandale (Yarrick: The Omnibus)
The bishop saw that he was an impostor and ordered him shut up in a cell. And examining all he had, he found a great bag full of roots of different herbs and also there were moles' teeth, the bones of mice, the claws and fat of bears. He knew that these were the means of sorcery and ordered them all thrown into the river; he took his cross away and ordered him to be driven from the territory of Paris.
Gregory of Tours (History of the Franks)
You think knights bear no scars? That they possess no disfigurements? That they are pure and whole?
Briar Boleyn (Court of Claws (Blood of a Fae, #2))
You ask,” he went on, “can we ever trust the Bear? You seem to be amused, yet a bit unseated, by the notion that we can talk to the Russians like human beings and find common cause with them in many fields. I will give you several answers at once. “The first is no, we can never trust the Bear. For one reason, the Bear doesn’t trust himself. The Bear is threatened and the Bear is frightened and the Bear is falling apart. The Bear is disgusted with his past, sick of his present and scared stiff of his future. He often was. The bear is broke, lazy, volatile, incompetent, slippery, dangerously proud, dangerously armed, sometimes brilliant, often ignorant. Without his claws, he’d be just another chaotic member of the Third World. But he isn’t without his claws, not by any means. And he can’t pull his soldiers back from foreign parts overnight, for the good reason that he can’t house them or feed them or employ them, and he doesn’t trust them either. And since this Service is the hired keeper of our national mistrust, we’d be neglecting our duty if we relaxed for one second our watch on the Bear, or on any of his unruly cubs. That’s the first answer.
John le Carré (The Secret Pilgrim (George Smiley, #8))
resting a paw on his shoulder. “I’ll find the way out, but first we’ve got to look for somewhere you can hide.” With the bears just behind him, Ujurak began to skirt around the tall building. Wind whistled past with a mournful sound, stirring up more dust and rubbish. Briefly Ujurak froze as he heard the throaty roar of a firebeast in the distance, but it faded without coming into sight. He thought this was the loneliest place he had ever been, worse than the remotest mountain. At last, when they had trudged all the way around the building and were almost back to their starting point, Ujurak spotted a flat sheet of wood propped against the wall. “Under there,” he said, giving Kallik a shove. “Stay there until I come back.” Kallik padded off, and Lusa followed her, giving Ujurak a friendly poke with her snout as she went past. “Don’t be long,” she said. “I won’t,” Ujurak promised. Toklo went last, squashing himself into the small space beside his friends. “I’ve never done so much hiding in my whole life,” he grumbled. Once they were safely under cover, Ujurak looked up at the top of the building and the stars beyond. He strained upward, feeling the wind start to lift him. His flat-face pelts fell away as his body changed. His legs shrank, his paws cramping into hooked claws. His sight sharpened; he could make out every crack and rough place on the side of the building. Feathers sprouted from his pink flat-face skin, and as he swept his arms upward they became wings, gleaming white in the moonlight. With a deep-toned cry, Ujurak swooped upward in the shape of a snowy white owl. The cold night air flowed through his feathers as he flew far above the BlackPaths and the flat-face structures, but even here it was tainted with the reek of oil from below.
Erin Hunter (The Last Wilderness (Seekers, #4))
On they come: part bear, part gorilla, all predatory leather-skinned dinosaur with warthog tusks and fighting claws as long as the knives in my rib sheaths. They run with spear and shield and bow strapped across their hogshead-size backs, their long gnarled arms becoming front legs for that ground-eating lope. It’s almost enough to raise a smile.
Matthew Woodring Stover (Caine Black Knife (The Acts of Caine, # 3))
It's like an arcade game, your hand is the claw The teddy bear is my orgasm that always falls You've been rubbin' the same spot On my leg for ten minutes You haven't hit it Cisgender heterosexual men I'm bored of your fumbling hands, it's not hard This isn't uncharted land From my clitoris, you are so goddamn far Why is my orgasm censored on the TV? While cis boys get to ejaculate freely? I've got double the nerve endings than your pee-pee If you'd do your fuckin' research, this would be so easy Please, just please me
Ashnikko
This is a cunning double bluff used by many males of the species, giving rise to two possible scenarios; either losing badly, and therefore being proved both right and honest, or winning handily and being proved both skilful and modest about it.
Tony James Slater (That Bear Ate My Pants: A Hilarious Travel Memoir... with Teeth and Claws! (Adventure Without End, #1))
Batya was the first link in the iron chain of the oprichniks. After him other links were attached, welded, fused into the Great Ring of the oprichnina, its sharp barbs pointed outward. With this ring His Majesty drew a sick, rotting, collapsing country together, he lassoed it like a wounded bear, dripping ichor blood. And the bear grew strong of bone and muscle, its wounds healed, it put on fat, its claws grew out. And we let its blood, blood that was rotten, poisoned by enemies. Now the roar of the Russian bear is heard by the entire world.
Vladimir Sorokin (Day of the Oprichnik)
These bears have no claws These bears have no claws They can't fight back but when they scream they really stretch their jaws 'Caus these bears have no claws
Liselle Sambury