Moon Shines Bright Quotes

The moon will guide you through the night with her brightness, but she will always dwell in the darkness, in order to be seen.

The sun was shining on the sea, Shining with all his might: He did his very best to make The billows smooth and bright -- And this was odd, because it was The middle of the night. The moon was shining sulkily, Because she thought the sun Had got no business to be there After the day was done -- "It's very rude of him," she said, "To come and spoil the fun!" The sea was wet as wet could be, The sands were dry as dry. You could not see a cloud, because No cloud was in the sky: No birds were flying overhead -- There were no birds to fly. In a Wonderland they lie Dreaming as the days go by, Dreaming as the summer die.

Blooming under a cold moon, we are like fireworks... Rising, shining, and finally scattering and fading. So until that moment comes when we vanish like fireworks... Lets us sparkle brightly, Always...

The gleaming stars all about the shining moon Hide their bright faces, when full-orbed and splendid In the sky she floats, flooding the shadowed earth with clear silver light.

It was a full moon and, shining on all the snow, it made everything almost as bright as day -- only the shadows were rather confusing.

The moon shines bright: in such a night as this, When the sweet wind did gently kiss the trees, And they did make no noise, in such a night, Troilus methinks mounted the Troyan walls, And sigh'd his soul toward the Grecian tents, Where Cressid lay that night.

Like the moon shining bright Up high with all its grace, I can only show you at night And hide half of my face.

All I can see is you. Why can't you understand that? No one shines as bright as you in the sky I'm looking at. To me there is no sun, no moon, and no stars in the sky, just endless miles of storm clouds and pretty, pretty gray.

When bad things happen we can usually look up and see the moon, big and bright, shining over us. That always made me feel better. Like there's something up there beaming down on us in the dark.

Luna is short for mi luna. My moon. Because no matter how dark the nights got, you were always there, shining so brightly that I always found my way through.

And I know that I am. I am his moon, and his brightly shining star. I am his life, his heart. I am all that and the answer to every unspoken question, the comfort for every hurt, the companion who will walk beside him from now until the end of our lives, reveling in the bliss of each simple chore done in his name, overflowing with beauty because I am blessed to spend my life with my love.

I want to breathe, I hate this night I want to wake up, I hate this dream I’m trapped inside of myself and I’m dead Don’t wanna be lonely Just wanna be yours Why is it so dark where you’re not here It’s dangerous how wrecked I am Save me because I can’t get a grip on myself Listen to my heartbeat It calls you whenever it wants to Because within this pitch black darkness You are shining so brightly Give me your hand save me save me I need your love before I fall, fall Give me your hand save me save me I need your love before I fall, fall Give me your hand save me save me Give me your hand save me save me Save me, save me Today the moon shines brighter on the blank spot in my memories It swallowed me, this lunatic, please save me tonight (Please save me tonight, please save me tonight) Within this childish madness you will save me tonight I knew that your salvation Is a part of my life and the only helping hand that will embrase my pain The best of me, you’re the only thing I have Please raise your voice so that I can laugh again Play on Listen to my heartbeat, it calls you whenever it wants to Because within this pitch black darkness, you are shining so brightly Give me your hand save me save me I need your love before I fall, fall Give me your hand save me save me I need your love before I fall, fall Give me your hand save me save me Give me your hand save me save me Thank you for letting me be me For helping me fly For giving me wings For straightening me out For waking me from being suffocated For waking me from a dream which was all I was living in When I think of you the sun comes out So I gave my sadness to the dog (Thank you. For being ‘us’) Give me your hand save me save me I need your love before I fall, fall Give me your hand save me save me I need your love before I fall, fall

Seated alone by shadowy bamboos, I strum my lyre and laugh aloud; None know that I am here, deep in the woods; Only the bright moon comes to shine on me.

And the moon never beams Without bringing me dreams And the sun never shines But I see the bright eyes I lie down by the side Of my darling My life, my life..

Do not think of yourself as a crescent moon, waiting for someone else to fill in the missing part of you. When you stand alone like a full moon, already complete in yourself, you will meet another person who is whole and complete just like you, and between you two, a healthy relationship can grow. Do not try and fit yourselves to each other to make one whole moon. Instead, be more like two full moons. You’ll respect each other’s individuality and interests while creating a relationship in which each of you shines brightly on the other

In the beginning.. when ray and day hadn't yet come into existence at all, there was a kind of radiance that illuminates universe. That radiance is the light of knowledge and goodness. That radiance will persistently and consistently shines brightly even after all the stars and moons in this vast universe died out.

The future was cloudy, but tonight the moon was bright.

A good leg will fall, a straight back will stoop, a black beard will turn white, a curled pate will grow bald, a fair face will wither, a full eye will wax hollow. But a good heart...is the sun and moon...for it shines bright and never changes, but keeps its course truly.

No one shines as bright as you in the sky I’m looking at. To me there is no sun, no moon, and no stars in the sky, just endless miles of storm clouds and pretty, pretty gray.

What shall I give? and which are my miracles? 2. Realism is mine--my miracles--Take freely, Take without end--I offer them to you wherever your feet can carry you or your eyes reach. 3. Why! who makes much of a miracle? As to me, I know of nothing else but miracles, Whether I walk the streets of Manhattan, Or dart my sight over the roofs of houses toward the sky, Or wade with naked feet along the beach, just in the edge of the water, Or stand under trees in the woods, Or talk by day with any one I love--or sleep in the bed at night with any one I love, Or sit at the table at dinner with my mother, Or look at strangers opposite me riding in the car, Or watch honey-bees busy around the hive, of a summer forenoon, Or animals feeding in the fields, Or birds--or the wonderfulness of insects in the air, Or the wonderfulness of the sundown--or of stars shining so quiet and bright, Or the exquisite, delicate, thin curve of the new moon in spring; Or whether I go among those I like best, and that like me best--mechanics, boatmen, farmers, Or among the savans--or to the _soiree_--or to the opera. Or stand a long while looking at the movements of machinery, Or behold children at their sports, Or the admirable sight of the perfect old man, or the perfect old woman, Or the sick in hospitals, or the dead carried to burial, Or my own eyes and figure in the glass; These, with the rest, one and all, are to me miracles, The whole referring--yet each distinct and in its place. 4. To me, every hour of the light and dark is a miracle, Every inch of space is a miracle, Every square yard of the surface of the earth is spread with the same, Every cubic foot of the interior swarms with the same; Every spear of grass--the frames, limbs, organs, of men and women, and all that concerns them, All these to me are unspeakably perfect miracles. To me the sea is a continual miracle; The fishes that swim--the rocks--the motion of the waves--the ships, with men in them, What stranger miracles are there?

It was the most beautiful night of their lives – their wedding night. The moon was full, splashing its bright silver light all over and making the night shine, with a magical canopy of stars sprayed against a velvety sky.

I Dwelt alone In a world of moan, And my soul was a stagnant tide, Till the fair and gentle Eulalie became my blushing bride- Till the yellow-haired young Eulalie became my smiling bride Ah, less-less bright The stars of night Than the eyes of the radiant girl! And never a flake That the vapor can make With the moon-tints of purple and pearl, Can vie with the modest Eulalie's most unregarded curl- Can vie compare with the bright-eyed Eulalie's most humble and careless curl Now Doubt-now Pain Come never again, For her soul gives me sigh for sigh, And all day long Shine, bright and strong, Astarte within the sky, While ever to her dear Eulalie upturns her matron eye- While ever to her young Eulalie upturns her violet eye.

When the sun and the moon will be identically seen together, When the wind and the water will meet in alliance, When the stars will shine as bright as your emotions, You will find her holding your hands and taking you towards the eternal love of the miraculous world.

THOUGHTS ON A STILL NIGHT Before my bed, the moon is shining bright, I think that it is frost upon the ground. I raise my head and look at the bright moon, I lower my head and think of home.

The moon had never been as bright as the shine it was granting the sky with, committing every moment until sunrise.

Before I met you, all I could see was a black hole. Now the nights are full of bright shining stars whispering your name into a constellation.

Assembling a coherent portrait of Muhammad’s life required piecing together scattered fragments and structuring them in an organized manner. What emerged from the reconstruction was the realization that Muhammad had endured terrible setbacks and traumatic suffering, only to turn his brokenness into an asset, unlocking latent abilities to improve the world around him. Moved by his own experience in overcoming challenges, Muhammad dedicated himself to inspiring others to see their imperfections as the very source of their potential. Despite all the pain, Muhammad refused to see himself as a victim. His nickname al- Badr Laylat At-Tamam (the fullest moon) referred to illumination of the darkness by his bright shining face.

And so their spirits soared as they took positions own the passageways of battle all night long, and the watchfires blazed among them. Hundreds strong, as stars in the night sky glittering round the moon's brilliance blaze in all their glory when the air falls to a sudden, windless calm... all the lookout peaks stand out and the jutting cliffs and the steep ravines and down from the high heavens bursts the boundless bright air and all the stars shine clear and the shepherd's heart exults - so many fires burned between the ships and the Xanthus' whirling rapids set by the men of Troy, bright against their walls. A thousand fires were burning there on the plain and beside each fire sat fifty fighting men poised in the leaping blaze, and champing oats and glistening barley, stationed by their chariots, stallions waited for Dawn to mount her glowing throne.

You guys know I love you, right?" I glance between them, knowing they'll freak, but it has to be said. They look at each other, exchanging a look of alarm, both of them wondering what could've possibly happened to the girl they once pegged as the Ice Queen. "Um, okay..." Haven says, shaking her head. But I just smile and grasp them both to me, squeezing them tightly as I whisper to Miles, "Whatever you do don't stop acting or singing, it's going to bring you great happiness." And before he can respond, I've moved on to Haven, knowing I have to get this over with and quick, so I can get Damen to Ava's, but determined to find a way to urge her to love herself more, and that Josh is worth hanging on to for however long it lasts. "You have so much value," I tell her. "So much to give--I just wish you could see how bright your star truly does shine." "Um, gag!" she says, laughing as she untangles herself from my grip. "Are you okay?

Darkness allows the moon to shine bright. Know that you can shine in darker days too.

Live in the shadow of the moon until you're bright enough to give birth to your own suns.

The world was young, the mountains green, No stain yet on the Moon was seen, No words were laid on stream or stone When Durin woke and walked alone. He named the nameless hills and dells; He drank from yet untasted wells; He stooped and looked in Mirrormere, And saw a crown of stars appear, As gems upon a silver thread, Above the shadow of his head. The world was fair, the mountains tall, In Elder Days before the fall Of mighty kings in Nargothrond And Gondolin, who now beyond The Western Seas have passed away: The world was fair in Durin's Day. A king he was on carven throne In many-pillared halls of stone With golden roof and silver floor, And runes of power upon the door. The light of sun and star and moon In shining lamps of crystal hewn Undimmed by cloud or shade of night There shone for ever fair and bright. There hammer on the anvil smote, There chisel clove, and graver wrote; There forged was blade, and bound was hilt; The delver mined, the mason built. There beryl, pearl, and opal pale, And metal wrought like fishes' mail, Buckler and corslet, axe and sword, And shining spears were laid in hoard. Unwearied then were Durin's folk; Beneath the mountains music woke: The harpers harped, the minstrels sang, And at the gates the trumpets rang. The world is grey, the mountains old, The forge's fire is ashen-cold; No harp is wrung, no hammer falls: The darkness dwells in Durin's halls; The shadow lies upon his tomb In Moria, in Khazad-dûm. But still the sunken stars appear In dark and windless Mirrormere; There lies his crown in water deep, Till Durin wakes again from sleep. -The Song of Durin

Last Will Prologue: We, Sacco and Vanzetti, sound of body and mind, Devise and bequeath to all we leave behind, The worldly wealth we inherited at our birth, Each one to share alike as we leave this earth. To Wit: To babies we will their mothers’ love, To youngsters we will the sun above. To spooners who wont to tryst the night, We give the moon and stars that shine so bright. To thrill them in their hours of joy, When boy hugs maid and maid hugs boy. To nature’s creatures we allot the spring and summer, To the doe, the bear, the gold-finch and the hummer. To the fishes we ascribe the deep blue sea, The honey we apportion to the bustling bee. To the pessimist—good cheer—his mind to sooth, To the chronic liar we donate the solemn truth. And Lastly: To those who judge solely seeking renown, With blaring trumpets of the fakir and clown; To the prosecutor, persecutor, and other human hounds, Who’d barter another’s honor, recognizing no bounds, To the Governor, the Jury, who another’s life they’d sell— We endow them with the fiery depths of HELL! (Industrial Worker, Aug. 20, 1927)

She describes her loneliness as a weakness, but I only see it as a strength. While people like me shrivel away in the shadows, people like her create their own light. She’s like the moon who shines bright despite the never-ending darkness. And she makes me want to wish that daylight never comes again.

Kill us in the clear light on the Moon, where the sky is black and soft, where the stars shine brightly, where the cleanliness and purity of vacuum make all things sharp. - Not in this low-clinging, fuzzy blue.

I smoothed Colton’s blanket across his chest and tucked him in snug the way he liked—and for the first time since he started talking about heaven, I intentionally tried to trip him up. “I remember you saying you stayed with Pop,” I said. “So when it got dark and you went home with Pop, what did you two do?” Suddenly serious, Colton scowled at me. “It doesn’t get dark in heaven, Dad! Who told you that?” I held my ground. “What do you mean it doesn’t get dark?” “God and Jesus light up heaven. It never gets dark. It’s always bright.” The joke was on me. Not only had Colton not fallen for the “when it gets dark in heaven” trick, but he could tell me why it didn’t get dark: “The city does not need the sun or the moon to shine on it, for the glory of God gives it light, and the Lamb is its lamp.

All I can see is you. Why can’t you understand that? No one shines as bright as you in the sky I’m looking at. To me there is no sun, no moon, and no stars in the sky, just endless miles of storm clouds and pretty, pretty gray.

Darkness, also represent truth—I notice there are a lot of people in the world today whose true colors come out in their darkest hours. They are good at hiding in the light because they are afraid the darkness will unveil their fear and who they truly are as a person. If darkness didn’t exist, the stars and the moon wouldn’t be able to shine. The stars give me hope; as they shine so brightly, I know my blessings will shine even brighter. Embrace the darkness; it will give you well-needed rest, and as you walk out into the light the sun will complement your renewed strength.

To Selene (Moon) Hear, Goddess queen, diffusing silver light, bull-horn'd and wand'ring thro' the gloom of Night. With stars surrounded, and with circuit wide Night's torch extending, thro' the heav'ns you ride: Female and Male with borrow'd rays you shine, and now full-orb'd, now tending to decline. Mother of ages, fruit-producing Moon [Mene], whose amber orb makes Night's reflected noon: Lover of horses, splendid, queen of Night, all-seeing pow'r bedeck'd with starry light. Lover of vigilance, the foe of strife, in peace rejoicing, and a prudent life: Fair lamp of Night, its ornament and friend, who giv'st to Nature's works their destin'd end. Queen of the stars, all-wife Diana hail! Deck'd with a graceful robe and shining veil; Come, blessed Goddess, prudent, starry, bright, come moony-lamp with chaste and splendid light, Shine on these sacred rites with prosp'rous rays, and pleas'd accept thy suppliant's mystic praise.

The moon can only shine as bright as the stars around it

she wishes that Hannah could look in the mirror every day and see that she shines as bright as the moon and has twice the gravitational pull.

why shine as bright as the sun, when you can shine as bright as the moon and let the stars shine beside you

I kept staring at the moon. I'm not sure if its light was good or evil. I thought it might not be either. The moon just shines with the light of chaos. Mysteriously. Brightly. That must not be either good or evil. Just as the rules of this world are not all good.

Even a man who is pure at heart and says his prayers by night, may become a wolf when the wolfbane blooms and the moon is shining bright.

The Moon would shine as brightly as the midmorning sun, and by the end of the two minutes, the lunar regolith would be heated to a glow.

Above her, he can see the trees and the bright, full moon, a shining coin of silver spinning through the sky. The first blush of sunrise on the horizon is still a ways off...

Once the arrow has left the bowstring, it has no power to come back. The moon's brightness shines, revealing the night traveller.

Even the birds above the lake Are singing of my love, And even the flowers along the shore Are growing for her sake. All the vines are ripening And the trees come into bud, For my love's footsteps passing by Are summoning the spring. Rian's stars in the night Shine more brightly over her, The god's moon and the goddess's Guard her with their light. Even the birds above the lake Are singing of my love, And even the flowers along the shore Are growing for her sake

Harry flung himself out from behind the bush and pulled out his wand. "EXPECTO PATRONUM!" he yelled. And out of the end of his wand burst, not a shapeless cloud of mist, but a blinding, dazzling, silver animal. He screwed up his eyes, trying to see what it was. It looked like a horse. It was galloping silently away from him, across the black surface of the lake. He saw it lower its head and charge at the swarming dementors. . . . Now it was galloping around and around the black shapes on the ground, and the dementors were falling back, scattering, retreating into the darkness. . . . They were gone. The Patronus turned. It was cantering back toward Harry across the still surface of the water. It wasn't a horse. It wasn't a unicorn, either. It was a stag. It was shining brightly as the moon above. . . it was coming back to him. . . . It stopped on the bank. Its hooves made no mark on the soft ground as it stared at Harry with its large, silver eyes. Slowly, it bowed its antlered head. And Harry realized. . . "Prongs," he whispered. But as his trembling fingertips stretched toward the creature, it vanished.

The sun descending in the west, The evening star does shine; The birds are silent in their nest, And I must seek for mine. The moon, like a flower, In heaven's high bower, With silent delight Sits and smiles on the night. Farewell, green fields and happy groves, Where flocks have took delight. Where lambs have nibbled, silent moves The feet of angels bright; Unseen they pour blessing, And joy without ceasing, On each bud and blossom, And each sleeping bosom.

In Indian mythology, when the moon covers the sun, darkness has the power to cover your life.” Slowly, he makes his way out of the room and toward the exit. “But it is not always the sun that must shine to have light. In darkness, we must seek out the stars. Their brightness has its own power.

Let me be the moon in your darkest days, Let me shine my silver light and show you how the flowers bloom in the darkest hour, In the darkest troubled times, you will bloom; At bright day light onlookers will praise your beauty, My beloved flower, my love remember me then … Remember my love which made you bloom.

So doth the greater glory dim the less: A substitute shines brightly as a king Unto the king be by, and then his state Empties itself, as doth an inland brook Into the main of waters. Music! hark! NERISSA It is your music, madam, of the house. PORTIA Nothing is good, I see, without respect: Methinks it sounds much sweeter than by day. NERISSA Silence bestows that virtue on it, madam. PORTIA The crow doth sing as sweetly as the lark, When neither is attended, and I think The nightingale, if she should sing by day, When every goose is cackling, would be thought No better a musician than the wren. How many things by season season'd are To their right praise and true perfection! Peace, ho! the moon sleeps with Endymion And would not be awaked. - Acte V, Scene 1

She describes her loneliness as a weakness, but I only see it as a strength. While people like me shrivel away in the shadows, people like her create their own light. She’s like the moon who shines bright despite the never-ending darkness.

...Counting stars by candlelight all are dim but one is bright the spiral light of Venus rising first and shining best from the northwest corner of a brand-new crescent moon crickets and cicadas sing a rare and different tune Terrapin Station...

The sun was shining on the sea, Shining with all his might: He did his very best to make The billows smooth and bright-- And this was odd, because it was The middle of the night. The moon was shining sulkily, Because she thought the sun Had got no business to be there After the day was done-- "It's very rude of him," she said, "To come and spoil the fun!" The sea was wet as wet could be, The sands were dry as dry. You could not see a cloud, because No cloud was in the sky: No birds were flying over head-- There were no birds to fly. The Walrus and the Carpenter Were walking close at hand; They wept like anything to see Such quantities of sand: "If this were only cleared away," They said, "it WOULD be grand!" "If seven maids with seven mops Swept it for half a year, Do you suppose," the Walrus said, "That they could get it clear?" "I doubt it," said the Carpenter, And shed a bitter tear. "O Oysters, come and walk with us!" The Walrus did beseech. "A pleasant walk, a pleasant talk, Along the briny beach: We cannot do with more than four, To give a hand to each." The eldest Oyster looked at him. But never a word he said: The eldest Oyster winked his eye, And shook his heavy head-- Meaning to say he did not choose To leave the oyster-bed. But four young oysters hurried up, All eager for the treat: Their coats were brushed, their faces washed, Their shoes were clean and neat-- And this was odd, because, you know, They hadn't any feet. Four other Oysters followed them, And yet another four; And thick and fast they came at last, And more, and more, and more-- All hopping through the frothy waves, And scrambling to the shore. The Walrus and the Carpenter Walked on a mile or so, And then they rested on a rock Conveniently low: And all the little Oysters stood And waited in a row. "The time has come," the Walrus said, "To talk of many things: Of shoes--and ships--and sealing-wax-- Of cabbages--and kings-- And why the sea is boiling hot-- And whether pigs have wings." "But wait a bit," the Oysters cried, "Before we have our chat; For some of us are out of breath, And all of us are fat!" "No hurry!" said the Carpenter. They thanked him much for that. "A loaf of bread," the Walrus said, "Is what we chiefly need: Pepper and vinegar besides Are very good indeed-- Now if you're ready Oysters dear, We can begin to feed." "But not on us!" the Oysters cried, Turning a little blue, "After such kindness, that would be A dismal thing to do!" "The night is fine," the Walrus said "Do you admire the view? "It was so kind of you to come! And you are very nice!" The Carpenter said nothing but "Cut us another slice: I wish you were not quite so deaf-- I've had to ask you twice!" "It seems a shame," the Walrus said, "To play them such a trick, After we've brought them out so far, And made them trot so quick!" The Carpenter said nothing but "The butter's spread too thick!" "I weep for you," the Walrus said. "I deeply sympathize." With sobs and tears he sorted out Those of the largest size. Holding his pocket handkerchief Before his streaming eyes. "O Oysters," said the Carpenter. "You've had a pleasant run! Shall we be trotting home again?" But answer came there none-- And that was scarcely odd, because They'd eaten every one.

The crags of the mountain were ruthless in the moon; cold, deadly and shining. Distance had no meaning. The tangled glittering of the forest roof rolled away, but its furthermost reaches were brought suddenly nearer in a bound by the terrifying effect of proximity in the mountain that they swarmed. The mountain was neither far away nor was it close at hand. It arose starkly, enormously, across the lens of the eye. The hollow itself was a cup of light. Every blade of the grass was of consequence, and the few scattered stones held an authority that made their solid, separate marks upon the brain - each one with its own unduplicated shape: each rising brightly from the ink of its own spilling.

By the shores of Gitche Gumee, By the shining Big-Sea-Water, Stood the wigwam of Nokomis, Daughter of the Moon, Nokomis, Dark behind it rose the forest, Rose the black and gloomy pine-trees, Rose the firs with cones upon them; Bright before it beat the water, Beat the clear and sunny water, Beat the shining Big-Sea-Water.

When daylight is here i dream of the night, The stars of a country sky that shine so bright. A night sky without clouds, for the moon to hide under, Revealing every twinkle and every beam, of the Milky Way's wonder. I grow sad in the morning, And i pay the day no mind. Every time i see the light coming, I know the sunset's not far behind.

A good heart is the sun and the moon; or rather, the sun, and not the moon; for it shines bright and never changes, but keeps his course truly.

Queen and huntress, chaste and fair, Now the sun is laid to sleep, Seated in thy silver chair, State in wonted manner keep: Hesperus entreats thy light, Goddess excellently bright. Earth, let not thy envious shade Dare itself to interpose, Cynthia's shining orb was made Heaven to clear when day did close: Bless us then with wished sight, Goddess excellently bright. Lay thy bow of pearl apart, And thy crystal-shining quiver, Give unto the flying hart Space to breath, how short soever: Thou that mak'st a day of night- Goddess excellently bright.

I dreamed I stood upon a little hill, And at my feet there lay a ground, that seemed Like a waste garden, flowering at its will With buds and blossoms. There were pools that dreamed Black and unruffled; there were white lilies A few, and crocuses, and violets Purple or pale, snake-like fritillaries Scarce seen for the rank grass, and through green nets Blue eyes of shy peryenche winked in the sun. And there were curious flowers, before unknown, Flowers that were stained with moonlight, or with shades Of Nature's willful moods; and here a one That had drunk in the transitory tone Of one brief moment in a sunset; blades Of grass that in an hundred springs had been Slowly but exquisitely nurtured by the stars, And watered with the scented dew long cupped In lilies, that for rays of sun had seen Only God's glory, for never a sunrise mars The luminous air of Heaven. Beyond, abrupt, A grey stone wall. o'ergrown with velvet moss Uprose; and gazing I stood long, all mazed To see a place so strange, so sweet, so fair. And as I stood and marvelled, lo! across The garden came a youth; one hand he raised To shield him from the sun, his wind-tossed hair Was twined with flowers, and in his hand he bore A purple bunch of bursting grapes, his eyes Were clear as crystal, naked all was he, White as the snow on pathless mountains frore, Red were his lips as red wine-spilith that dyes A marble floor, his brow chalcedony. And he came near me, with his lips uncurled And kind, and caught my hand and kissed my mouth, And gave me grapes to eat, and said, 'Sweet friend, Come I will show thee shadows of the world And images of life. See from the South Comes the pale pageant that hath never an end.' And lo! within the garden of my dream I saw two walking on a shining plain Of golden light. The one did joyous seem And fair and blooming, and a sweet refrain Came from his lips; he sang of pretty maids And joyous love of comely girl and boy, His eyes were bright, and 'mid the dancing blades Of golden grass his feet did trip for joy; And in his hand he held an ivory lute With strings of gold that were as maidens' hair, And sang with voice as tuneful as a flute, And round his neck three chains of roses were. But he that was his comrade walked aside; He was full sad and sweet, and his large eyes Were strange with wondrous brightness, staring wide With gazing; and he sighed with many sighs That moved me, and his cheeks were wan and white Like pallid lilies, and his lips were red Like poppies, and his hands he clenched tight, And yet again unclenched, and his head Was wreathed with moon-flowers pale as lips of death. A purple robe he wore, o'erwrought in gold With the device of a great snake, whose breath Was fiery flame: which when I did behold I fell a-weeping, and I cried, 'Sweet youth, Tell me why, sad and sighing, thou dost rove These pleasent realms? I pray thee speak me sooth What is thy name?' He said, 'My name is Love.' Then straight the first did turn himself to me And cried, 'He lieth, for his name is Shame, But I am Love, and I was wont to be Alone in this fair garden, till he came Unasked by night; I am true Love, I fill The hearts of boy and girl with mutual flame.' Then sighing, said the other, 'Have thy will, I am the love that dare not speak its name.

The moon is shining brighter tonight, touching the entire village with its soft silver light; the houses are half awake and the sky is half asleep, with its sparkling yellowish stars scattered and spread across it, like a large bright night cloak. Little and fragile plants’ silhouettes are beautifully staining the skyline and dancing to the silent sound of the winter breeze.

So take a moment to consider with me the possibility of holding relationship to others in this way: Picture a full, bright moon shining down on a pool of still water. On one side is the water and on the other is the moon. As they hold and reflect each other, notice that each makes the other even more resplendent. As the water manifests the brightness of the moon, the moon manifests the clarity of the water.

. . . the moon doth shine as bright as day. Leave your supper and leave your meat, and join your playfellows in the street. Come with a whoop and come with a call. Come with a whole heart or not at all . . 

Am I still writing? Unthinkable not to. In the very darkest night the words were like shiny pebbles. They caught the light of the moon and stars and reflected it back. One word among them that shone especially brightly. Simplicity. I would approach it, stepping softly, regard it from all sides, finally pick it up, enchanted by it, recognize that its enchantment lay in its shine, its pure meaning. Simplicity. To simply be there. Simply keep going. The longer I kept going, the easier it was to see how beautiful, simply beautiful, it is to be here. I would like to write about how this word shines. I'd like to write about the simplest things.

I'll tell you what I miss. I miss that throbbing heart telling me to take a leap when the sky looks too dark. I miss the walk that I took in the narrow cobblestoned pathways that fumed of history and undying stories of love and loss. I miss the coffee that scented like mist in a frozen dream in a land of strange beauty. I miss the afternoon tea that followed my pen to hours of happy melancholy. I miss the muse I saw dance in a foreign land of near heart. I miss the stranger smiling at me from a corner and teaching me his language to smile at my twinkled happiness. I miss that symphony of mad evenings ending in a sky full of stars to fill my soul with an unknown ecstasy. I miss that hand of an old woman trying to tell me her story. I miss that child running up to me in a crowd of unknown faces to hand me her candy. I miss that night where I lay back on a distant balcony gazing at the solitary moon for hours knowing that it is shining at my homeland just as bright. I miss that stranger listening to my heart and telling me how beautiful it is. I miss a wandering soul, who went on filling her breath with life of eternal love in the wings of Life. And I'll tell you now when I look back I see how wonderful Time has treated me and how grateful I am to have lived in moments that roar of a beautiful Life lived with a heart throbbing to take a leap once again in that ocean of Life's beguiling journey.

ON the beach at night alone, As the old mother sways her to and fro, singing her husky song, As I watch the bright stars shining—I think a thought of the clef of the universes, and of the future. A VAST SIMILITUDE interlocks all, All spheres, grown, ungrown, small, large, suns, moons, planets, comets, asteroids, All the substances of the same, and all that is spiritual upon the same, All distances of place, however wide, All distances of time—all inanimate forms, All Souls—all living bodies, though they be ever so different, or in different worlds, All gaseous, watery, vegetable, mineral processes—the fishes, the brutes, All men and women—me also; All nations, colors, barbarisms, civilizations, languages; All identities that have existed, or may exist, on this globe, or any globe; All lives and deaths—all of the past, present, future; This vast similitude spans them, and always has spann'd, and shall forever span them, and compactly hold them, and enclose them.

There was a gaping hole in his chest without her. The three weeks he’d spent with her had been the best of his life. She was like this bright, shining star that had been ripped away from him. He was territorial as hell and he wasn’t letting her go.

Then instead of hurrying he was standing still, he was very tired and sweating under the heavy coat, and looking up he saw a white shining fan, spreading over the sky, like light from a door slowly opening, and he knew the moon was coming out of the clouds. Then he looked over the sea and there were islands it seemed, and then a great migration of birds thickened the air and he was in a rushing of wings, the wings beat so dark and fast round him he felt dizzy like falling and the moon disappeared. And then it was clear again, brilliant moonlight, and there, ahead, bright as day, were all the small islands, Cape Promise, and the bay of Mairangi, wide, still, unbelievably peaceful under the full moon. And then he did know where he was going.

(I know, it's a poem but oh well). Why! who makes much of a miracle? As to me, I know of nothing else but miracles, Whether I walk the streets of Manhattan, Or dart my sight over the roofs of houses toward the sky, Or wade with naked feet along the beach, just in the edge of the water, Or stand under trees in the woods, Or talk by day with any one I love--or sleep in the bed at night with any one I love, Or sit at table at dinner with my mother, Or look at strangers opposite me riding in the car, Or watch honey-bees busy around the hive, of a summer forenoon, Or animals feeding in the fields, Or birds--or the wonderfulness of insects in the air, Or the wonderfulness of the sun-down--or of stars shining so quiet and bright, Or the exquisite, delicate, thin curve of the new moon in spring; Or whether I go among those I like best, and that like me best-- mechanics, boatmen, farmers, Or among the savans--or to the soiree--or to the opera, Or stand a long while looking at the movements of machinery, Or behold children at their sports, Or the admirable sight of the perfect old man, or the perfect old woman, Or the sick in hospitals, or the dead carried to burial, Or my own eyes and figure in the glass; These, with the rest, one and all, are to me miracles, The whole referring--yet each distinct, and in its place. To me, every hour of the light and dark is a miracle, Every cubic inch of space is a miracle, Every square yard of the surface of the earth is spread with the same, Every foot of the interior swarms with the same; Every spear of grass--the frames, limbs, organs, of men and women, and all that concerns them, All these to me are unspeakably perfect miracles. To me the sea is a continual miracle; The fishes that swim--the rocks--the motion of the waves--the ships, with men in them, What stranger miracles are there?

The trees were set close and from the perimeter of that parcel of land I could not see the school hidden within them. Look up here, I thought I heard someone say to me. When I did look up, I saw that the branches overhead were without leaves, and through their intertwining mesh the sky was fully visible. How bright and dark it was at the same time. Bright with a high, full moon shining among the spreading clouds, and dark with the shadows mingling within those clouds—a slowly flowing mass of mottled shapes, a kind of unclean outpouring from the black sewers of space.

God,” said Benedict Fludd, “your God, that is, strides in and out of my life with no warning. One day he seems impossible—laughable, laughable—and the next, he is imperious.” He stopped. He said “It is like the phases of the moon, maybe. Or the seasons of the sphere we live on, rolling in and out of the light, skeleton trees one day, and then snow, and afterwards the bright green veil and after that the full heat and shining. Only it is neither regular nor predictable. And there are—others—who stride in, when he takes himself off. Who seem persuasive. Like Hindoo demons who are gods in their own terms.

Today, she is standing at the top of a mountain and appreciating the majestic panoramic view of mesmerizing Himalaya. As a kid, she used to look up in the sky and wish for wings to fly up to the mountains. And now after a long wait of many years, she is standing here and living her dream. It’s the moment when she can’t believe her eyes because what she always dreamed of has come alive. She looks with amazement as if she’s witnessing a miracle. It is the moment of her life. She just wants to feel it. There are beautiful clouds below her and there are snow clad mountain peaks emerging from those clouds. The white peaks shining in blue sky among white clouds look like glittering diamonds to her. The view of the large lush green meadow surrounded by mountains under blue sky with a rainbow circling the horizon has put her in a state of tranquility. As the sun starts drowning in the horizon, the sky begins to boast his mystical colours. The beautiful mix of pink, orange and red looks like creating a twilight saga. She opens her both arm and takes a deep breath to entwine with the nature. The glimmering rays of the moon are paying tribute to her by kissing her warm cheeks and her eyes twinkle in bright moon light. She raises her face towards the moon and senses the flood of memories which she wants to unleash. The cool breeze lifts her ruffled hair and blows her skirt up. She closes her eyes and breathes deep as if she wants to let her know that she is finally here and then she opens her eyes and finds herself on the same wheelchair inside a room with an empty wall in front of her eye. Tears rolls down from her eye but these are the tears of Joy because she is living her dreams today. The feelings comes to her mind while waiting for her daughter who is coming back home today after her first expedition of a high range mountain ~ AB

Moon, O Moon, how wondrous are you among God’s many works! You shine with majesty and brilliance, a thousand times more brightly than the brightest star! You were created on the same day as the sun. You give light just as the sun gives light. But your light, O Moon, is even more important than the light of the sun. The sun is nearly superfluous, for it lights the daytime when we hardly need it. By day, the world is bright and we can already see clearly all that surrounds us. The wonder of your light, O Moon, comes by night when it is dark so that you are a lamp for our feet and a beacon for our eyes. Moon, O Moon, how wondrous you are!

I said, “But I am, Samuel. I am cursed. You’ve seen my mother. You know that is my destiny.” “I know,” he said. “But Magda? Look up at the stars one last time before this night becomes day.” I turned and felt the world below me drift away until the only thing I saw was a vast ocean of night and stars and moon. Samuel’s lips touched my neck, softly. He whispered, “The stars shine so brightly before they die, Magda. And even after they blink away, we can still see them. Stars don’t fade like people do. In ways, they are forever pieces of an infinite sky. We are the same, Magda. You are my star, and I am yours. There might be a piece of our forever that we cannot see, but we must believe it’s there, waiting at the end.

To fill the days up of his dateless year Flame from Queen Helen to Queen Guenevere? For first of all the sphery signs whereby Love severs light from darkness, and most high, In the white front of January there glows The rose-red sign of Helen like a rose: And gold-eyed as the shore-flower shelterless Whereon the sharp-breathed sea blows bitterness, A storm-star that the seafarers of love Strain their wind-wearied eyes for glimpses of, Shoots keen through February's grey frost and damp The lamplike star of Hero for a lamp; The star that Marlowe sang into our skies With mouth of gold, and morning in his eyes; And in clear March across the rough blue sea The signal sapphire of Alcyone Makes bright the blown bross of the wind-foot year; And shining like a sunbeam-smitten tear Full ere it fall, the fair next sign in sight Burns opal-wise with April-coloured light When air is quick with song and rain and flame, My birth-month star that in love's heaven hath name Iseult, a light of blossom and beam and shower, My singing sign that makes the song-tree flower; Next like a pale and burning pearl beyond The rose-white sphere of flower-named Rosamond Signs the sweet head of Maytime; and for June Flares like an angered and storm-reddening moon Her signal sphere, whose Carthaginian pyre Shadowed her traitor's flying sail with fire; Next, glittering as the wine-bright jacinth-stone, A star south-risen that first to music shone, The keen girl-star of golden Juliet bears Light northward to the month whose forehead wears Her name for flower upon it, and his trees Mix their deep English song with Veronese; And like an awful sovereign chrysolite Burning, the supreme fire that blinds the night, The hot gold head of Venus kissed by Mars, A sun-flower among small sphered flowers of stars, The light of Cleopatra fills and burns The hollow of heaven whence ardent August yearns; And fixed and shining as the sister-shed Sweet tears for Phaethon disorbed and dead, The pale bright autumn's amber-coloured sphere, That through September sees the saddening year As love sees change through sorrow, hath to name Francesca's; and the star that watches flame The embers of the harvest overgone Is Thisbe's, slain of love in Babylon, Set in the golden girdle of sweet signs A blood-bright ruby; last save one light shines An eastern wonder of sphery chrysopras, The star that made men mad, Angelica's; And latest named and lordliest, with a sound Of swords and harps in heaven that ring it round, Last love-light and last love-song of the year's, Gleams like a glorious emerald Guenevere's.

Now directly above her, transiting the meridian, was the new crescent moon. No longer a chalky white, it was as silver as a piece of polished jewelry, somehow shining and sparkling despite the fact that it should have been nearly invisible that close to the sun, traveling through his bright day. "Oh, how pret---" Rapunzel started to say, but then she was distracted because her hair began to glow. Just like when she killed the chickens-- but more. Brilliantly, with the white light of the diamonds of her (Flynn's) crown, with the whiteness she imagined the foam of a midnight sea would look like. She picked up a hank of hair and let it hang from her hands; it was like holding molten silver chains or all the distant rivers seen from her tower, gathered up together by some unimaginable fairy-tale giant.

And while thou livest, dear Kate, take a fellow of plain and uncoined constancy; for he perforce must do thee right, because he hath not the gift to woo in other places: for these fellows of infinite tongue, that can rhyme themselves into ladies' favours, they do always reason themselves out again. What! a speaker is but a prater; a rhyme is but a ballad. A good leg will fall; a straight back will stoop; a black beard will turn white; a curled pate will grow bald; a fair face will wither; a full eye will wax hollow: but a good heart, Kate, is the sun and the moon; or, rather, the sun, and not the moon; for it shines bright and never changes, but keeps his course truly. If thou would have such a one, take me; and take me, take a soldier; take a soldier, take a king. And what sayest thou then to my love? speak, my fair, and fairly, I pray thee

Hear my prayer, O Lady: upon a firm rock establish my mind. Be thou to me a tower of strength: protect me from the face of the cruel destroyer. Be thou to him terrible as an army in battle array: and may he fall living into the depths of hell. For thou art shining and terrible: a cloud full of dew, and the rising dawn. Thou art beautiful and bright as the full moon: thy sacred aspect is as when the sun shines in its strength.

Now her hair is like the nights of disunion and separation and her face like the days of union and delectation; She hath a nose like the edge of the burnished blade and cheeks like purple wine or anemones blood-red: her lips as coral and carnelian shine and the water of her mouth is sweeter than old wine; its taste would quench Hell's fiery pain. Her tongue is moved by wit of high degree and ready repartee: her breast is a seduction to all that see it (glory be to Him who fashioned it and finished it!); and joined thereto are two upper arms smooth and rounded; She hath breasts like two globes of ivory, from whose brightness the moons borrow light, and a stomach with little waves as it were a figured cloth of the finest Egyptian linen made by the Copts, with creases like folded scrolls, ending in a waist slender past all power of imagination; based upon back parts like a hillock of blown sand, that force her to sit when she would fief stand, and awaken her, when she fain would sleep, And those back parts are upborne by thighs smooth and round and by a calf like a column of pearl, and all this reposeth upon two feet, narrow, slender and pointed like spear-blades, the handiwork of the Protector and Requiter, I wonder how, of their littleness, they can sustain what is above them.

I wish I could be here to see all the things you are going to do. I stop and think about it, trying to wrangle a vision of what her future might hold, but I cannot see it; too many possibilities exist. So instead I say, Soar, Mo, reach for the stars or the moon or another universe altogether, and shine so bright you blind everyone around you, and though I am gone, carry me with you, but only as lightness and never as weight . . .

The moon had risen higher and the moonlight was bright in the little open place. All around it the shadows were dark among the trees. “After a long while, a doe and her yearling fawn came stepping daintily out of the shadows. They were not afraid at all. They walked over to the place where I had sprinkled the salt, and they both licked up a little of it. “Then they raised their heads and looked at each other. The fawn stepped over and stood beside the doe. They stood there together, looking at the woods and the moonlight. Their large eyes were shining and soft. “I just sat there looking at them, until they walked away among the shadows. Then I climbed down out of the tree and came home.” Laura whispered in his ear, “I’m glad you didn’t shoot them!” Mary said, “We can eat bread and butter.” Pa lifted Mary up out of her chair and hugged them both together. “You’re my good girls,” he said. “And now it’s bedtime. Run along, while I get my fiddle.” When Laura and Mary had said their prayers and were tucked snugly under the trundle bed’s covers, Pa was sitting in the firelight with the fiddle. Ma had blown out the lamp because she did not need its light. On the other side of the hearth she was swaying gently in her rocking chair and her knitting needles flashed in and out above the sock she was knitting. The long winter evenings of fire-light and music had come again.

When the full moon was out the other night, it created one of the most spectacular scenes that I have seen in the Alps. The high glaciers of the Mont Blanc range were glowing an eerie bright blue-white, and they looked like huge ghost ships in the dark ocean of sky, sailing amongst black mountain valleys. There were no clouds, and the moon was a huge and perfect disc tracking across the sky, shining on different parts of the glaciers through the night. Looking up, I saw the black silhouette of the mid-altitude mountains below the ethereal shining high-mountain terrain, which created a weird vision: the ghostly glaciers floating, and appearing separate, contrasting sharply with the dark valleys beneath. The Aiguille Verte especially, being so steep and isolated, seemed almost like a holographic mast with sails, plowing into the rolling waves, chasing after the Mont Blanc summit with its billowing spinnaker...

Marry, if you would put me to verses or to dance for your sake, Kate, why you undid me: for the one, I have neither words nor measure, and for the other, I have no strength in measure, yet a reasonable measure in strength. If I could win a lady at leap-frog, or by vaulting into my saddle with my armour on my back, under the correction of bragging be it spoken. I should quickly leap into a wife. Or if I might buffet for my love, or bound my horse for her favours, I could lay on like a butcher and sit like a jack-an-apes, never off. But, before God, Kate, I cannot look greenly nor gasp out my eloquence, nor I have no cunning in protestation; only downright oaths, which I never use till urged, nor never break for urging. If thou canst love a fellow of this temper, Kate, whose face is not worth sun-burning, that never looks in his glass for love of any thing he sees there, let thine eye be thy cook. I speak to thee plain soldier: If thou canst love me for this, take me: if not, to say to thee that I shall die, is true; but for thy love, by the Lord, no; yet I love thee too. And while thou livest, dear Kate, take a fellow of plain and uncoined constancy; for he perforce must do thee right, because he hath not the gift to woo in other places: for these fellows of infinite tongue, that can rhyme themselves into ladies’ favours, they do always reason themselves out again. What! a speaker is but a prater; a rhyme is but a ballad. A good leg will fall; a straight back will stoop; a black beard will turn white; a curled pate will grow bald; a fair face will wither; a full eye will wax hollow: but a good heart, Kate, is the sun and the moon; or, rather, the sun, and not the moon; for it shines bright and never changes, but keeps his course truly. If thou would have such a one, take me; and take me, take a soldier; take a soldier, take a king. And what sayest thou then to my love? speak, my fair, and fairly, I pray thee.

Homer's Hymn to the Sun Published by Mrs. Shelley, "Poetical Works", 1839, 2nd edition; dated 1818. Offspring of Jove, Calliope, once more To the bright Sun, thy hymn of music pour; Whom to the child of star-clad Heaven and Earth Euryphaessa, large-eyed nymph, brought forth; Euryphaessa, the famed sister fair Of great Hyperion, who to him did bear A race of loveliest children; the young Morn, Whose arms are like twin roses newly born, The fair-haired Moon, and the immortal Sun, Who borne by heavenly steeds his race doth run Unconquerably, illuming the abodes Of mortal Men and the eternal Gods. Fiercely look forth his awe-inspiring eyes, Beneath his golden helmet, whence arise And are shot forth afar, clear beams of light; His countenance, with radiant glory bright, Beneath his graceful locks far shines around, And the light vest with which his limbs are bound, Of woof aethereal delicately twined, Glows in the stream of the uplifting wind. His rapid steeds soon bear him to the West; Where their steep flight his hands divine arrest, And the fleet car with yoke of gold, which he Sends from bright Heaven beneath the shadowy sea

before he went back to helping the boy. Missing from the Warrior tent were Kalona and Aurox. For obvious reasons, Thanatos had decided the Tulsa community wasn’t ready to meet either of them. I agreed with her. I wasn’t ready for … I mentally shook myself. No, I wasn’t going to think about the Aurox/Heath situation now. Instead I turned my attention to the second of the big tents. Lenobia was there, keeping a sharp eye on the people who clustered like buzzing bees around Mujaji and the big Percheron mare, Bonnie. Travis was with her. Travis was always with her, which made my heart feel good. It was awesome to see Lenobia in love. The Horse Mistress was like a bright, shining beacon of joy, and with all the Darkness I’d seen lately, that was rain in my desert. “Oh, for shit’s sake, where did I put my wine? Has anyone seen my Queenies cup? As the bumpkin reminded me, my parents are here somewhere, and I’m going to need fortification by the time they circle around and find me.” Aphrodite was muttering and pawing through the boxes of unsold cookies, searching for the big purple plastic cup I’d seen her drinking from earlier. “You have wine in that Queenies to go cup?” Stevie Rae was shaking her head at Aphrodite. “And you’ve been drinkin’ it through a straw?” Shaunee joined Stevie Rae in a head shake. “Isn’t that nasty?” “Desperate times call for desperate measures,” Aphrodite quipped. “There are too many nuns lurking around to drink openly without hearing a boring lecture.” Aphrodite cut her eyes to the right of us where Street Cats had set up a half-moon display of cages filled with adoptable cats and bins of catnip-filled toys for sale. The Street Cats had their own miniature version of the silver and white tents, and I could see Damien sitting inside busily handling the cash register, but except for him, running every aspect of the feline area were the habit-wearing Benedictine nuns who had made Street Cats their own. One of the nuns looked my way and I waved and grinned at the Abbess. Sister Mary Angela waved back before returning to the conversation she was having with a family who were obviously falling in love with a cute white cat that looked like a giant cottonball. “Aphrodite, the nuns are cool,” I reminded her. “And they look too busy to pay any attention to you,” Stevie Rae said. “Imagine that—you may not be the center of everyone’s attention,” Shaylin said with mock surprise. Stevie Rae covered her giggle with a cough. Before Aphrodite could say something hateful, Grandma limped up to us. Other than the limp and being pale, Grandma looked healthy and happy. It had only been a little over a week since Neferet had kidnapped and tried to kill her, but she’d recovered with amazing quickness. Thanatos had told us that was because she was in unusually good shape for a woman of her age. I knew it was because of something else—something we both shared—a special bond with a goddess who believed in giving her children free choice, along with gifting them with special abilities. Grandma was beloved of the Great Mother,

The world was young, the mountains green, No stain yet on the Moon was seen, No words were laid on stream or stone When Durin woke and walked alone. He named the nameless hills and dells; He drank from yet untasted wells; He stooped and looked in Mirrormere, And saw a crown of stars appear, As gems upon a silver thread, Above the shadow of his head. The world was fair, the mountains tall, In Elder Days before the fall Of mighty kings in Nargothrond And Gondolin, who now beyond The Western Seas have passed away: The world was fair in Durin’s Day. A king he was on carven throne In many-pillared halls of stone With golden roof and silver floor, And runes of power upon the door. The light of sun and star and moon In shining lamps of crystal hewn Undimmed by cloud or shade of night There shone for ever fair and bright. There hammer on the anvil smote, There chisel clove, and graver wrote; There forged was blade, and bound was hilt; The delver mined, the mason built. There beryl, pearl, and opal pale, And metal wrought like fishes’ mail, Buckler and corslet, axe and sword, And shining spears were laid in hoard. Unwearied then were Durin’s folk; Beneath the mountains music woke: The harpers harped, the minstrels sang, And at the gates the trumpets rang. The world is grey, the mountains old, The forge’s fire is ashen-cold; No harp is wrung, no hammer falls: The darkness dwells in Durin’s halls; The shadow lies upon his tomb In Moria, in Khazad-dûm. But still the sunken stars appear In dark and windless Mirrormere; There lies his crown in water deep, Till Durin wakes again from sleep.

No direct evidence yet documents Earth’s tidal cycles more than a billion years ago, but we can be confident that 4.5 billion years ago things were a lot wilder. Not only did Earth have five-hour days, but the nearby Moon was much, much faster in its close orbit, as well. The Moon took only eighty-four hours—three and a half modern days—to go around Earth. With Earth spinning so fast and the Moon orbiting so fast, the familiar cycle of new Moon, waxing Moon, full Moon, and waning Moon played out in frenetic fast-forward: every few five-hour days saw a new lunar phase. Lots of consequences follow from this truth, some less benign than others. With such a big lunar obstruction in the sky and such rapid orbital motions, eclipses would have been frequent events. A total solar eclipse would have occurred every eighty-four hours at virtually every new Moon, when the Moon was positioned between Earth and the Sun. For some few minutes, sunlight would have been completely blocked, while the stars and planets suddenly popped out against a black sky, and the Moon’s fiery volcanoes and magma oceans stood out starkly red against the black lunar disk. Total lunar eclipses occurred regularly as well, almost every forty-two hours later, like clockwork. During every full Moon, when Earth lies right between the Sun and the Moon, Earth’s big shadow would have completely obscured the giant face of the bright shining Moon. Once again the stars and planets would have suddenly popped out against a black sky, as the Moon’s volcanoes put on their ruddy show. Monster tides were a far more violent consequence of the Moon’s initial proximity. Had both Earth and the Moon been perfectly rigid solid bodies, they would appear today much as they did 4.5 billion years ago: 15,000 miles apart with rapid rotational and orbital motions and frequent eclipses. But Earth and the Moon are not rigid. Their rocks can flex and bend; especially when molten, they swell and recede with the tides. The young Moon, at a distance of 15,000 miles, exerted tremendous tidal forces on Earth’s rocks, even as Earth exerted an equal and opposite gravitational force on the largely molten lunar landscape. It’s difficult to imagine the immense magma tides that resulted. Every few hours Earth’s largely molten rocky surface may have bulged a mile or more outward toward the Moon, generating tremendous internal friction, adding more heat and thus keeping the surface molten far longer than on an isolated planet. And Earth’s gravity returned the favor, bulging the Earth-facing side of the Moon outward, deforming our satellite out of perfect roundness.

On the Beach at Night Alone On the beach at night alone, As the old mother sways her to and fro singing her husky song, As I watch the bright stars shining, I think a thought of the clef of the universes and of the future. A vast similitude interlocks all, All spheres, grown, ungrown, small, large, suns, moons, planets, All distances of place however wide, All distances of time, all inanimate forms, All souls, all living bodies though they be ever so different, or in different worlds, All gaseous, watery, vegetable, mineral processes, the fishes, the brutes, All nations, colors, barbarisms, civilizations, languages, All identities that have existed or may exist on this globe, or any globe, All lives and deaths, all of the past, present, future, This vast similitude spans them, and always has spann’d, And shall forever span them and compactly hold and enclose them.

Flower Beds by Maisie Aletha Smikle Flower beds in a row Like tic toc toe Spread the mulch Pluck the weeds and mow Water the flower beds And flowers will bud Colorful blooms All season long Welcome the sunshine From heaven’s furnace Anchored far up in the sky Gentle rays beam from up above A round ball of fire way up in the sky Always suspended in the anchored sky Shines its radiant beams from way up high Warming the sprouting flower beds Sunlight Moonlight Starlight Warm gentle and bright Make the flower beds bright Glowing softly in the night Thanks for the moon Thanks for the stars Thanks for the sun Thanks for the soft radiant beams of light That make the flower beds beautiful and bright In colorful shades of red Yellow orange black pink Purple green and white In the blooming flower bed Sat a rabbit called Skip Watching the horizon as the circle of fire slowly dip Diving slowly into the ocean deep

Light breaks where no sun shines - 1914-1953 Light breaks where no sun shines; Where no sea runs, the waters of the heart Push in their tides; And, broken ghosts with glow-worms in their heads, The things of light File through the flesh where no flesh decks the bones. A candle in the thighs Warms youth and seed and burns the seeds of age; Where no seed stirs, The fruit of man unwrinkles in the stars, Bright as a fig; Where no wax is, the candle shows its hairs. Dawn breaks behind the eyes; From poles of skull and toe the windy blood Slides like a sea; Nor fenced, nor staked, the gushers of the sky Spout to the rod Divining in a smile the oil of tears. Night in the sockets rounds, Like some pitch moon, the limit of the globes; Day lights the bone; Where no cold is, the skinning gales unpin The winter's robes; The film of spring is hanging from the lids. Light breaks on secret lots, On tips of thought where thoughts smell in the rain; When logics dies, The secret of the soil grows through the eye, And blood jumps in the sun; Above the waste allotments the dawn halts.

I like rainbows. We came back down to the meadow near the steaming terrace and sat in the river, just where one of the bigger hot streams poured into the cold water of the Ferris Fork. It is illegal – not to say suicidal – to bathe in any of the thermal features of the park. But when those features empty into the river, at what is called a hot pot, swimming and soaking are perfectly acceptable. So we were soaking off our long walk, talking about our favorite waterfalls, and discussing rainbows when it occurred to us that the moon was full. There wasn’t a hint of foul weather. And if you had a clear sky and a waterfall facing in just the right direction… Over the course of a couple of days we hked back down the canyon to the Boundary Creek Trail and followed it to Dunanda Falls, which is only about eight miles from the ranger station at the entrance to the park. Dunanda is a 150-foot-high plunge facing generally south, so that in the afternoons reliable rainbows dance over the rocks at its base. It is the archetype of all western waterfalls. Dunenda is an Indian name; in Shoshone it means “straight down,” which is a pretty good description of the plunge. ... …We had to walk three miles back toward the ranger station and our assigned campsite. We planned to set up our tents, eat, hang our food, and walk back to Dunanda Falls in the dark, using headlamps. We could be there by ten or eleven. At that time the full moon would clear the east ridge of the downriver canyon and would be shining directly on the fall. Walking at night is never a happy proposition, and this particular evening stroll involved five stream crossings, mostly on old logs, and took a lot longer than we’d anticipated. Still, we beat the moon to the fall. Most of us took up residence in one or another of the hot pots. Presently the moon, like a floodlight, rose over the canyon rim. The falling water took on a silver tinge, and the rock wall, which had looked gold under the sun, was now a slick black so the contrast of water and rock was incomparably stark. The pools below the lip of the fall were glowing, as from within, with a pale blue light. And then it started at the base of the fall: just a diagonal line in the spray that ran from the lower east to the upper west side of the wall. “It’s going to happen,” I told Kara, who was sitting beside me in one of the hot pots. Where falling water hit the rock at the base of the fall and exploded upward in vapor, the light was very bright. It concentrated itself in a shining ball. The diagonal line was above and slowly began to bend until, in the fullness of time (ten minutes, maybe), it formed a perfectly symmetrical bow, shining silver blue under the moon. The color was vaguely electrical. Kara said she could see colors in the moonbow, and when I looked very hard, I thought I could make out a faint line of reddish orange above, and some deep violet at the bottom. Both colors were very pale, flickering, like bad florescent light. In any case, it was exhilarating, the experience of a lifetime: an entirely perfect moonbow, silver and iridescent, all shining and spectral there at the base of Dunanda Falls. The hot pot itself was a luxury, and I considered myself a pretty swell fellow, doing all this for the sanity of city dwellers, who need such things more than anyone else. I even thought of naming the moonbow: Cahill’s Luminescence. Something like that. Otherwise, someone else might take credit for it.

As a drop in the ocean you take part in the current, ebb and flow. You swell slowly on the land and slowly sink back again in interminably slow breaths. You wander vast distances in blurred currents and wash up on strange shores, not knowing how you got there. You mount the billows of huge storms and are swept back again into the depths. And you do not know how this happens to you. You had thought that your movement came from you and that it needed your decisions and efforts, so that you could get going and make progress. But with every conceivable effort you would never have achieved that movement and reached those areas to which the sea and the great wind of the world brought you. From endless blue plains you sink into black depths; luminous fish draw you, marvellous branches twine around you from above. You slip through columns and twisting, wavering, dark-leaved plants, and the sea takes you up again in bright green water to white, sandy coasts, and a wave foams you ashore and swallows you back again, and a wide smooth swell lifts you softly and leads you again to new regions, to twisting plants, to slowly creeping slimy polyps, and to green water and white sand and breaking surf. But from far off your heights shine to you above the sea in a golden light, like the moon emerging from the tide, and you become aware of yourself from afar. And longing seizes you and the will for your own movement. You want to cross over from being to becoming, since you have recognized the breath of the sea, and its flowing, that leads you here and there without your ever adhering; you have also recognized its surge that bears you to alien shores and carries you back, and gargles you up and down. You saw that was the life of the whole and the death of each individual. You felt yourself entwined in the collective death, from death to the earth’s deepest place, from death in your own strangely breathing depths. Oh – you long to be beyond; despair and mortal fear seize you in this death that breathes slowly and streams back and forth eternally. All this light and dark, warm, tepid, and cold water, all these wavy, swaying, twisting plantlike animals and bestial plants, all these nightly wonders become a horror to you, and you long for the sun, for light dry air, for firm stones, for a fixed place and straight lines, for the motionless and firmly held, for rules and preconceived purpose, for singleness and your own intent.

Why, who makes much of a miracle? As to me I know of nothing else but miracles, Whether I walk the streets of Manhattan, Or dart my sight over the roofs of houses toward the sky, Or wade with naked feet along the beach just in the edge of the water, Or stand under trees in the woods, Or talk by day with any one I love, or sleep in the bed at night with any one I love, Or sit at table at dinner with the rest, Or look at strangers opposite me riding in the car, Or watch honey-bees busy around the hive of a summer forenoon, Or animals feeding in the fields, Or birds, or the wonderfulness of insects in the air, Or the wonderfulness of the sundown, or of stars shining so quiet and bright, Or the exquisite delicate thin curve of the new moon in spring; These with the rest, one and all, are to me miracles, The whole referring, yet each distinct and in its place. To me every hour of the light and dark is a miracle, Every cubic inch of space is a miracle, Every square yard of the surface of the earth is spread with the same, Every foot of the interior swarms with the same. To me the sea is a continual miracle, The fishes that swim–the rocks–the motion of the waves–the ships with men in them, What stranger miracles are there?

There was Brunhilde, a star shining high above the hillside behind her, dark, rippling hair hanging below her waist, standing in full command, spear in hand. Constance could not help thinking the star so large and bright might have shone over Bethlehem. She was momentarily grateful for her veil, not only for the concealment of her identity but also of her amused response to the scene before her. She struggled to contain herself as her eyes moved to the second vignette: here was fair Juliet, standing beneath rather than on her balcony, garbed in simple lines, her head wreathed in flowers, a cross of stars high above her. Ah, those star-crossed lovers, thought Constance. Again, she was glad that she could hide her amusement. How clever these women, she thought. The third was Semiramis, a quarter moon low above the exotic turrets behind her crowned head, a long-handled fan in her hand, like the fan of a servant. How should Constance interpret this? At once she noticed the replication of the shape of Brunhilde’s spear, but it was enlarged. Semiramis, the queen who had served for her son yet had conquered her foes and enlarged her kingdom. And was this moon waxing or waning? Rising or setting? Or perhaps the enigma of a waxing moon rising. Ah, somehow that was comfort. Last, before a rising sun, framed by trees that reached out to touch one another, stood Pocahontas, her costume appearing authentic, a feather in her headdress, the emblematizing dawn of a new age, a new woman in a new world. May it be so, thought Constance.

The Story of the Moon Once, night, unchallenged, extended its dark grace across the sky. To the credit of the town, the stars at night had been enough, though sometimes the townspeople went about bumping their heads in sleep. Eventually, three brothers, traveling through a foreign town, found an evening that did not disappear behind the mountains, for a shining globe sat in an oak tree. The brothers stopped. That one is the moon, said a man from the foreign town. The brothers conferred. They could make a certain use of it. The brothers stole the moon down and put it in their wagon. Seized it. Thieved its silver. Altogether greedy. The wagon shining brights. At home: the moon delivered. Then, celebration: dancing in red coats on the meadow. Number four brother smiling wide. The moon installed--it extended its silver calculations. Time and more time. The brothers aged, took sick, petitioned the town that each quarter of the moon, as it was their property, be portioned out to share their graves. Done, and the light of the moon diminished in fractions. They had extinguished it, part for part, and night, unimpeded, fell. Altogether lanternless. The people were silent. The dark rang loud. Underground: cold blazing. The dead woke, shivering in the light. Some went out to play and dance, others hastened to the taverns to drink, quarrel, and brawl. Noise and more noise. Noise up to heaven. Saint Peter took his red horse through the gates and came down. The moon, for the third time, taken. The dead bidden back into their graves. One wonders why a story like this exists.

My dear Marwan, in the long summers of childhood, when I was a boy the age you are now, your uncles and I spread our mattress on the roof of your grandfathers’ farmhouse outside of Hom. We woke in the mornings to the stirring of olive trees in the breeze, to the bleating of your grandmother's goat, the clanking of her cooking pots, the air cool and the sun a pale rim of persimmon to the east. We took you there when you were a toddler. I have a sharply etched memory of your mother from that trip. I wish you hadn’t been so young. You wouldn't have forgotten the farmhouse, the soot of its stone walls, the creek where your uncles and I built a thousand boyhood dams. I wish you remembered Homs as I do, Marwan. In its bustling Old City, a mosque for us Muslims, a church for our Christian neighbours, and a grand souk for us all to haggle over gold pendants and fresh produce and bridal dresses. I wish you remembered the crowded lanes smelling of fried kibbeh and the evening walks we took with your mother around Clock Tower Square. But that life, that time, seems like a dream now, even to me, like some long-dissolved rumour. First came the protests. Then the siege. The skies spitting bombs. Starvation. Burials. These are the things you know You know a bomb crater can be made into a swimming hole. You have learned dark blood is better news than bright. You have learned that mothers and sisters and classmates can be found in narrow gaps between concrete, bricks and exposed beams, little patches of sunlit skin shining in the dark. Your mother is here tonight, Marwan, with us, on this cold and moonlit beach, among the crying babies and the women worrying in tongues we don’t speak. Afghans and Somalis and Iraqis and Eritreans and Syrians. All of us impatient for sunrise, all of us in dread of it. All of us in search of home. I have heard it said we are the uninvited. We are the unwelcome. We should take our misfortune elsewhere. But I hear your mother's voice, over the tide, and she whispers in my ear, ‘Oh, but if they saw, my darling. Even half of what you have. If only they saw. They would say kinder things, surely.' In the glow of this three-quarter moon, my boy, your eyelashes like calligraphy, closed in guileless sleep. I said to you, ‘Hold my hand. Nothing bad will happen.' These are only words. A father's tricks. It slays your father, your faith in him. Because all I can think tonight is how deep the sea, and how powerless I am to protect you from it. Pray God steers the vessel true, when the shores slip out of eyeshot and we are in the heaving waters, pitching and tilting, easily swallowed. Because you, you are precious cargo, Marwan, the most precious there ever was. I pray the sea knows this. Inshallah. How I pray the sea knows this.

The sun was shining on the sea, Shining with all his might: He did his very best to make The billows smooth and bright — And this was odd, because it was The middle of the night. The moon was shining sulkily, Because she thought the sun Had got no business to be there After the day was done — "It's very rude of him," she said, "To come and spoil the fun." The sea was wet as wet could be, The sands were dry as dry. You could not see a cloud, because No cloud was in the sky: No birds were flying overhead — There were no birds to fly. The Walrus and the Carpenter Were walking close at hand; They wept like anything to see Such quantities of sand: If this were only cleared away,' They said, it would be grand!' If seven maids with seven mops Swept it for half a year, Do you suppose,' the Walrus said, That they could get it clear?' I doubt it,' said the Carpenter, And shed a bitter tear. O Oysters, come and walk with us!' The Walrus did beseech. A pleasant walk, a pleasant talk, Along the briny beach: We cannot do with more than four, To give a hand to each.' The eldest Oyster looked at him, But never a word he said: The eldest Oyster winked his eye, And shook his heavy head — Meaning to say he did not choose To leave the oyster-bed. But four young Oysters hurried up, All eager for the treat: Their coats were brushed, their faces washed, Their shoes were clean and neat — And this was odd, because, you know, They hadn't any feet. Four other Oysters followed them, And yet another four; And thick and fast they came at last, And more, and more, and more — All hopping through the frothy waves, And scrambling to the shore. The Walrus and the Carpenter Walked on a mile or so, And then they rested on a rock Conveniently low: And all the little Oysters stood And waited in a row. The time has come,' the Walrus said, To talk of many things: Of shoes — and ships — and sealing-wax — Of cabbages — and kings — And why the sea is boiling hot — And whether pigs have wings.' But wait a bit,' the Oysters cried, Before we have our chat; For some of us are out of breath, And all of us are fat!' No hurry!' said the Carpenter. They thanked him much for that. A loaf of bread,' the Walrus said, Is what we chiefly need: Pepper and vinegar besides Are very good indeed — Now if you're ready, Oysters dear, We can begin to feed.' But not on us!' the Oysters cried, Turning a little blue. After such kindness, that would be A dismal thing to do!' The night is fine,' the Walrus said. Do you admire the view? It was so kind of you to come! And you are very nice!' The Carpenter said nothing but Cut us another slice: I wish you were not quite so deaf — I've had to ask you twice!' It seems a shame,' the Walrus said, To play them such a trick, After we've brought them out so far, And made them trot so quick!' The Carpenter said nothing but The butter's spread too thick!' I weep for you,' the Walrus said: I deeply sympathize.' With sobs and tears he sorted out Those of the largest size, Holding his pocket-handkerchief Before his streaming eyes. O Oysters,' said the Carpenter, You've had a pleasant run! Shall we be trotting home again?' But answer came there none — And this was scarcely odd, because They'd eaten every one.

The Monk in the Kitchen I ORDER is a lovely thing; On disarray it lays its wing, Teaching simplicity to sing. It has a meek and lowly grace, Quiet as a nun's face. Lo—I will have thee in this place! Tranquil well of deep delight, All things that shine through thee appear As stones through water, sweetly clear. Thou clarity, That with angelic charity Revealest beauty where thou art, Spread thyself like a clean pool. Then all the things that in thee are, Shall seem more spiritual and fair, Reflection from serener air— Sunken shapes of many a star In the high heavens set afar. II Ye stolid, homely, visible things, Above you all brood glorious wings Of your deep entities, set high, Like slow moons in a hidden sky. But you, their likenesses, are spent Upon another element. Truly ye are but seemings— The shadowy cast-oft gleamings Of bright solidities. Ye seem Soft as water, vague as dream; Image, cast in a shifting stream. III What are ye? I know not. Brazen pan and iron pot, Yellow brick and gray flag-stone That my feet have trod upon— Ye seem to me Vessels of bright mystery. For ye do bear a shape, and so Though ye were made by man, I know An inner Spirit also made, And ye his breathings have obeyed. IV Shape, the strong and awful Spirit, Laid his ancient hand on you. He waste chaos doth inherit; He can alter and subdue. Verily, he doth lift up Matter, like a sacred cup. Into deep substance he reached, and lo Where ye were not, ye were; and so Out of useless nothing, ye Groaned and laughed and came to be. And I use you, as I can, Wonderful uses, made for man, Iron pot and brazen pan. V What are ye? I know not; Nor what I really do When I move and govern you. There is no small work unto God. He required of us greatness; Of his least creature A high angelic nature, Stature superb and bright completeness. He sets to us no humble duty. Each act that he would have us do Is haloed round with strangest beauty; Terrific deeds and cosmic tasks Of his plainest child he asks. When I polish the brazen pan I hear a creature laugh afar In the gardens of a star, And from his burning presence run Flaming wheels of many a sun. Whoever makes a thing more bright, He is an angel of all light. When I cleanse this earthen floor My spirit leaps to see Bright garments trailing over it, A cleanness made by me. Purger of all men's thoughts and ways, With labor do I sound Thy praise, My work is done for Thee. Whoever makes a thing more bright, He is an angel of all light. Therefore let me spread abroad The beautiful cleanness of my God. VI One time in the cool of dawn Angels came and worked with me. The air was soft with many a wing. They laughed amid my solitude And cast bright looks on everything. Sweetly of me did they ask That they might do my common task And all were beautiful—but one With garments whiter than the sun Had such a face Of deep, remembered grace; That when I saw I cried—"Thou art The great Blood-Brother of my heart. Where have I seen thee?"—And he said, "When we are dancing round God's throne, How often thou art there. Beauties from thy hands have flown Like white doves wheeling in mid air. Nay—thy soul remembers not? Work on, and cleanse thy iron pot.