Took A Ghost Story Quotes

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Shall I tell you a story? A new and terrible one? A ghost story? Are you ready? Shall I begin? Once upon a time there were four girls. One was pretty. One was clever. One charming, and one...one was mysterious. But they were all damaged, you see. Something not right about the lot of them. Bad blood. Big dreams. Oh, I left that part out. Sorry, that should have come before. They were all dreamers, these girls. One by one, night after night, the girls came together. And they sinned. Do you know what that sin was? No one? Pippa? Ann? Their sin was that they believed. Believed they could be different. Special. They believed they could change what they were--damaged, unloved. Cast-off things. They would be alive, adored, needed. Necessary. But it wasn't true. This is a ghost story remember? A tragedy. They were misled. Betrayed by their own stupid hopes. Things couldn't be different for them, because they weren't special after all. So life took them, led them, and they went along, you see? They faded before their own eyes, till they were nothing more than living ghosts, haunting each other with what could be. With what can't be. There, now. Isn't that the scariest story you've ever heard?
Libba Bray (A Great and Terrible Beauty (Gemma Doyle, #1))
People were so fragile, so easily broken, so hard to put back together. “Mr.
Mary Downing Hahn (Took: A Ghost Story)
It took all my philosophy, all the religion I had been taught, all my courage, not to collapse in a paroxysm of fright.
E.F. Benson (The Greatest Ghost and Horror Stories Ever Written: volume 6 (30 short stories))
It took several minutes, and when Butters woke up, Andi and Marci, both naked, both rather pleasant that way, were giving him CPR. They'd kept his body alive in the absence of his soul. "Wow," Butters slurred as he opened his eyes. He looked back and forth between the two werewolf girls. "Subtract the horrible pain in my chest, and all the mold and mildew, and I'm living the dream." Then he passed out.
Jim Butcher (Ghost Story (The Dresden Files, #13))
Shall I tell you a story? A new and terrible one? A ghost story?" The voice, a faint echo in the cave, belongs to Felicity. She turns around on the rock, faces us, wraps her arms across bent knees, hugging them close. "Are you ready? Shall I begin? Once upon a time there were four girls. One was pretty. One was clever. One charming, and one..." She glances at me. "One was mysterious. But they were all damaged, you see. Something not right about the lot of them. Bad blood. Big dreams. Oh, I left that part out. Sorry, that should have come before. They were all dreamers, these girls." Felicity...," I start, because it's her and not the story that's beginning to frighten me. You wanted a story, and I'm going to give you one." Lightning shoots across the cave walls, bathing half her face in light, the other in shadows. "One by one, night after night, the girls came together. And they sinned. Do you know what that sin was? No one? Pippa? Ann?" Felicity." Pippa sounds anxious. "Let's go back and have a nice cup of tea. It's too cold out here." Felicity's voice expands, fills the space around us, a bell tolling. "Their sin was that they believed. Believed they could be different. Special. They believed they could change what they were--damaged, unloved. Cast-off things. They would be alive, adored, needed. Necessary. But it wasn't true. This is a ghost story, remember? A tragedy." The lightning's back, a big one, two, three of light that lets me see Felicity's face, slick with tears, nose running. "They were mislead. Betrayed by their own stupid hopes. Things couldn't be different for them, because they weren't special after all. So life took them, led them, and they went along, you see? They faded before their own eyes, till they were nothing more than living ghosts, haunting each other with what could be. What can't be.
Libba Bray (A Great and Terrible Beauty (Gemma Doyle, #1))
You're just going to stand there?" I asked. Uriel folded his arms and tapped his chin with one fingertip. "Mmmm. It does seem that perhaps she deserves some form of aid. Perhaps if I'd had the presence of mind to see to it that some sort of agent had been sent to balance the scales, to giver her that one tiny bit of encouragement, that one flicker of inspiration that turned the tide..." He shook his head sadly. "Things might be different now." And, as if on cue, Mortimer Lindquist, ectomancer, limped out of the lower hallway and into the electrical-junction room, with Sir Stuart's shade at his right hand. Mort took a look around, his dark eyes intent, and then his gaze locked onto Molly. "Hey," he croaked. "You. Arrogant bitch ghost.
Jim Butcher (Ghost Story (The Dresden Files, #13))
The year was dying early, the leaves were falling fast, it was a raw cold day when we took possession, and the gloom of the house was most depressing. The cook (an amiable woman, but of a weak turn of intellect) burst into tears on beholding the kitchen, and requested that her silver watch might be delivered over to her sister (2 Tuppintock’s Gardens, Liggs’s Walk, Clapham Rise), in the event of anything happening to her from the damp. Streaker, the housemaid, feigned cheerfulness, but was the greater martyr. The Odd Girl, who had never been in the country, alone was pleased, and made arrangements for sowing an acorn in the garden outside the scullery window, and rearing an oak.
Charles Dickens (Three Ghost Stories)
With every step he took in Africa, Stanley planned how to tell the story once he got home. In a twentieth-century way, he was always sculpting the details of his own celebrity.
Adam Hochschild (King Leopold's Ghost)
Waking up was not my best time of the day. It took me a while to become fully human on a good day.
Maer Wilson (Ghost Dancer (A Modern Magics Story #3))
She was not just old—she was ancient. Bent and bony, no bigger than Selene, her flyaway white hair floated around her head like dandelions gone to seed. She’d wrapped herself in a thick knitted shawl of every imaginable color woven into complex patterns—a sun here, a moon there, stars all over, rivers and trees and birds and animals. A person could look at it all day and still find something he hadn’t noticed before.
Mary Downing Hahn (Took: A Ghost Story)
They’ve never been the kind of parents who ask if you want to drink your milk from the red glass or the blue glass. They just hand you a glass, and that’s that. Milk tastes the same whether the glass is blue or red or purple.
Mary Downing Hahn (Took: A Ghost Story)
The story of their coming to be shapen after the average and fit to be packed by the gross, is hardly ever told even in their consciousness; for perhaps their ardour in generous unpaid toil cooled as imperceptibly as the ardour of other youthful loves, till one day their earlier self walked like a ghost in its old home and made the new furniture ghastly... Lydgate did not mean to be one of those failures, and there was the better hope of him because his scientific interest soon took the form of a professional enthusiasm
George Eliot
When I was eight, I saw some older boys torture a dog. At first they only kicked it. Then one of them took out his penknife and slit its eyes. I remember watching it stagger down the street. I was desperate for its suffering to end; please please let it be run over. But the creature blundered across the road and round the corner, and when I got there it was gone. For weeks I prayed that it had died quickly. But young as I was, I suspected that a God who allows such cruelty wouldn’t have cared about bringing it to an end
Michelle Paver (Dark Matter: A Ghost Story)
From this day forward, until victory or defeat, transfer, discharge, capture, or death took them from it, the vast Pacific would be beneath and around them. Its bottom was already littered with downed warplanes and the ghosts of lost airmen. Every day of this long and ferocious war, more would join them.
Laura Hillenbrand (Unbroken: A World War II Story of Survival, Resilience, and Redemption)
There was a stump of a tree, and in the dark, a thief came that way and said, “That is a policeman.” A young man waiting for his beloved saw it and thought that it was his sweetheart. A child who had been told ghost stories took it for a ghost and began to shriek. But all the time it was the stump of a tree. We see the world as we are. Do
Swami Vivekananda (Meditation and Its Methods)
every fictional world was a work of fantasy, and whenever writers introduce a threat or a conflict into their story, they create the possibility of horror. He had been drawn to horror fiction, he said, because it took the most basic elements of literature and pushed them to their extremes. All fiction was make-believe, which made fantasy more valid (and honest) than realism. He
Joe Hill (20th Century Ghosts)
Hell, Neil Gaiman took a classic that nine-year-old Peter Watts devoured without any trouble at all—Rudyard Kipling’s The Jungle Book—and dumbed it down to an (admittedly award-winning) story about ghosts and vampires, aimed at an audience who might find a story about sapient wolves and tigers too challenging. It may only be a matter of time before Nineteen Eighty Four is reissued using only words from the Eleventh Edition of the Newspeak Dictionary.
Peter Watts (Peter Watts Is An Angry Sentient Tumor: Revenge Fantasies and Essays)
Whoever has been poor and lonely himself understands other poor and lonely people all the better. At least we should learn to understand our fellow beings, for we are powerless to stop their misery, their ignominy, their suffering, their weakness, and their death. One day Frau Wilke whispered, as she stretched out her hand and arm to me: "Hold my hand. It's like ice." I took her poor, old, thin hand in mine. It was cold as ice. Frau Wilke crept about her home now like a ghost. Nobody visited her. For days she sat alone in her unheated room. To be alone: icy, iron terror, foretaste of the grave, forerunner of unpitying death. Oh, whoever has been himself alone can never find another's loneliness strange. I began to realize that Frau Wilke had nothing to eat. The lady who owned the house, and later took Frau Wilke's rooms, allowing me to stay in mine, brought, of course in pity for her forsaken state, every midday and evening a cup of broth, but not for long, and so Frau Wilke faded away. She lay there, no longer moving: and soon she was taken to the city hospital, where, after three days, she died. One afternoon soon after her death, I entered her empty room, into which the good evening sun was shining, gladdening it with rose-bright, gay and soft colors. There I saw on the bed the things which the poor lady had till recently worn.... The strange sight of them made me unspeakably sad, and my peculiar state of mind made it seem to me almost that I had died myself, and life in all its fullness, which had often appeared so huge and beautiful, was thin and poor to the point of breaking. All things past, all things vanishing away, were more close to me than ever. For a long time I looked at Frau Wilke's possessions, which now had lost their mistress and lost all purpose, and at the golden room, gloried by the smile of the evening sun, while I stood there motionless, not understanding anything anymore.
Robert Walser (Berlin Stories)
I refer to the awesome experience of Joseph Smith when he beheld God the Father and his Son, Jesus Christ, in the spring of 1820. There has been no event more glorious, more controversial, nor more important in the story of Joseph Smith than this vision. It is possibly the most singular event to occur on the earth since the Resurrection. Those who do not believe it happened find it difficult to explain away. Too much has happened since its occurrence to summarily deny that it ever took place. . . . "Since no one was with Joseph when this great vision took place in the wooded grove near Palmyra, a testimony concerning its reality can come only by believing the truthfulness of Joseph Smith's own account or by the witness of the Holy Ghost, or both. I have such a conviction. It is a sure conviction that lies deep in my soul. As a special witness of the same Christ who appeared with the Father and instructed the boy Joseph Smith, I bear witness of the truthfulness of the magnificent First Vision near Palmyra. I declare this in all soberness and in the name of the Lord Jesus Christ.
James E. Faust
I’m here because, for the past ten years, I have been haunted by a murder that took place a few steps away. It was told to me my junior year of college like a ghost story: A young woman, a Harvard graduate student of archaeology, was bludgeoned to death in her off-campus apartment in January 1969. Her body was covered with fur blankets and the killer threw red ochre on her body, a perfect re-creation of a burial ritual. No one heard any screams; nothing was stolen. Decades passed, and her case remained unsolved. Unsolved, that is, until yesterday.
Becky Cooper (We Keep the Dead Close: A Murder at Harvard and a Half Century of Silence)
There.” Hannah got to her feet and surveyed the cleared space. Picking up a stick, she drew a lopsided circle in the dirt. She scratched a cross in the middle and laid thirteen target marbles on it--one in the center and three on each crossbar. Miggles she called them. Outside the circle, she drew two lines about a foot apart, took ten steps back, and drew another one. “Now,” she said. “We’ll lag to see who goes first.” I stared at Hannah, my face burning with embarrassment. “I don’t remember how to do that,” I mumbled. She ran her fingers through her hair and took a deep breath.
Mary Downing Hahn (Time for Andrew: A Ghost Story)
It was 12:08 a.m. I had just six minutes to get to the top of the lighthouse. I took off running up the rocks, trying to go as fast as I could while maintaining some sort of balance. When I got up to the lighthouse door, a loud explosion echoed through the sky behind me and I spun around. I shielded my eyes with my hand from the cold rain, which was now coming down harder than ever, as I looked at the interruption into the otherwise quiet Scottish night. Giant flames rose up into the air on the beach below the manor and two long lines of fire burst horizontally across the sky. The world was on fire.
Tabitha Freeman (Ghost Story (Ghost Story, #1))
There's a certain kind of boy who likes to read only about things that have really happened. Like Alex. He read about the Titanic and memorized how many people died (1,523) and the name of the boat that picked up the survivors (RMS Carpathia). He read about ghosts and werewolves, too, sometimes, but only when he was certain he was being presented with facts. (The vulnerability to silver bullets, for example, was made up by modern fiction writers—probably any bullet would do.) In one of the books Alex took out of the library, there was a story about a white flower, the scent of which turned people into wolves. He worried about the flower. It seemed to have no proper name for him to memorize.
Holly Black (The Poison Eaters and Other Stories)
Our voices sounded small in the noisy darkness. We called her name again and again. We waved our flashlights in hope that she’d see their bobbing light. We were hoarse from calling. And desperate when she didn’t answer. The faint trail gave out, and we began circling back to the house without realizing it until we saw the lights in the windows. “We need to call the police,” Dad said. “We don’t know the land the way they do. We’ll get lost ourselves if we keep going.” Wordlessly, we made our way home. Mom was on the front porch, shivering in her warmest down coat. “You didn’t find her?” “No.” Dad stopped to hug her. Mom clung to him. They stood there whispering to each other, as if they’d forgotten about me. I waited, shifting my weight from one frozen foot to the other, afraid Bloody Bones might be watching us from the trees. Not that I believed he actually existed, not in my world, the real world, the five-senses world. But with the wind blowing and the moon sailing in and out of clouds like a ghost racing across the sky, I could almost believe I’d crossed a border into another world, where anything could be true—even conjure women and spells and monsters. The police came sooner than we’d expected. We heard their sirens and saw their flashing lights before they’d even turned into the driveway. Four cars and an ambulance stopped at the side of the house. Doors opened, men got out. A couple of them had dogs, big German shepherds who
Mary Downing Hahn (Took: A Ghost Story)
Above the doors it reads, ELIZEBETH SMITH FRIEDMAN, PIONEER OF INTELLIGENCE-LED POLICING. These things happened for two reasons: because women went looking for Elizebeth’s ghost, and because her ghost was making noise in the archives. She was there inside the Marshall Library, rattling the doors of the vault, and she was in the “government tombs,” the National Archives, where her records from the Invisible War were finally declassified. The ghost also cried out from unexpected places. Three of the index cards in William’s collection contain brief, verifiably true comments about how J. Edgar Hoover and the FBI took credit for feats of spycatching actually performed by Elizebeth and the coast guard. These comments were obviously written by Elizebeth—William wasn’t in a position to know. Each card is a knife slipped between the ribs of Hoover, Elizebeth’s patient revenge.
Jason Fagone (The Woman Who Smashed Codes: A True Story of Love, Spies, and the Unlikely Heroine Who Outwitted America's Enemies)
For a moment, I thought I heard laughter, the click of one croquet ball striking another, a dog barking. I stared at the empty yard, trying hard to see what Great-grandfather saw, but nothing shifted, nothing changed. If the Tylers were playing croquet, they were visible to him and him alone. The only dog in sight was Binky. Running across the lawn to meet him, I took the stick he carried and threw it as hard as I could. It sailed across the sky, and Binky dashed after it. As the dog disappeared into the bushes, I looked up at the attic window and remembered the flash of white I’d seen the day I arrived--my first glimpse of Andrew. Funny to think I’d been scared. Nothing stirred in the attic now. No one watched, no one waited. Deep in my pocket, I touched the red bull’s-eye, warm as blood and twice as lucky. The marbles were mine for keeps. They were safe, and so was Andrew.
Mary Downing Hahn (Time for Andrew: A Ghost Story)
You must go back to bed.” “No,” I shouted. “Not yet! I have to finish this game.” I couldn’t leave Andrew, not now, not when I was finally winning. Hannah released me so suddenly I staggered backward. “I’ll fetch Papa!” she cried. Andrew threw himself at her. “Hannah, stop, you’re ruining everything!” I grabbed his arm. “Let her go. We don’t have much time!” Casting a last terrified look at me, Hannah ran downstairs, calling for Mama and Papa. Andrew turned to me, his face streaked with tears. “Quick, Drew. Shoot four more marbles out of the ring!” Holding my breath I aimed. Click, click, click. An immie, a cat’s-eye, and a moonstone spun across the floor, but I missed the fourth. Andrew knuckled down and shot at the scattered marbles. Of the seven in the ring, he managed to hit two before he missed. Downstairs I heard Hannah pounding on Papa and Mama’s door. “One more, Drew,” Andrew whispered. It was hard to aim carefully. Papa and Mama were awake. Their voices rose as Hannah tried to explain I was in the attic acting as if I’d lost my mind. My hand shook and the first marble I hit merely clicked against another. Andrew took his turn, hit three, and missed the fourth. “Send me home, Drew,” he begged. “I don’t care if I die when I get there.” Two marbles were left--a carnelian and an immie, widely separated. Neither was close to my aggie. Even for someone as good as Andrew, it was a hard shot. Holding his breath, Andrew crossed his fingers and closed his eyes. I knuckled down and aimed for the carnelian. Click. As Papa tramped up the steps with Mama at his heels, the seventh marble rolled into the shadows. My aggie stayed in the middle of the ring. Andrew let out his breath and stared at me. I’d won--what would happen now?
Mary Downing Hahn (Time for Andrew: A Ghost Story)
You didn’t marry?” Aunt Blythe asked Andrew. He glanced at me. “When I was a boy no older than Drew, I had a close brush with death. It always seemed to me a miracle that I lived.” Once more Hannah made an attempt to stop her brother with a poke of her cane, but Andrew went on talking, his eyes on my face, his voice solemn. “I often thought I’d been meant to die, so I decided to lead a solitary life. There’s no way of telling what one person might do to change the history of the world.” Before he could say anything else, Hannah patted Aunt Blythe’s arm. “I brought along an old photo album. Would you please fetch it from the car?” As soon as my aunt was out of sight, Hannah said, “If you don’t hush, Andrew, we’re going to leave the minute Blythe comes back. I swear I don’t know what ails you. You might as well be twelve years old!” She turned to me then and took my hand. “You know what I’m talking about, don’t you, Drew? He was an absolute imp when he was your age and he still is. All that’s changed is his outside.” I stared into Hannah’s eyes, faded now to the color of shadows on winter snow. “He told you, didn’t he?” “In some ways, I think I knew all along.” Hannah squeezed my hand. “I’m so glad we’ve lived long enough to see you again.” I flung my arms around her. She felt as thin-boned as a bird, and I was afraid to hug her too tightly. I didn’t want to hurt her. “It must be a shock to see us so old,” Hannah said. “I’m afraid I couldn’t climb a tree or shoot a marble if my life depended on it. Neither could Andrew, but I doubt he’ll admit it.” “If I put my mind to it,” Andrew said, “I could beat Drew with one hand tied behind my back. He was never any match for me.” Hannah raised her eyebrows. “It seems to me he outplayed you once.” “Pshaw. What’s one game?
Mary Downing Hahn (Time for Andrew: A Ghost Story)
Society would have much to gain from decriminalization. On the immediate practical level, we would feel safer in our homes and on our streets and much less concerned about the danger of our cars being burgled. In cities like Vancouver such crimes are often committed for the sake of obtaining drug money. More significantly perhaps, by exorcising this menacing devil of our own creation, we would automatically give up a lot of unnecessary fear. We could all breathe more freely. Many addicts could work at productive jobs if the imperative of seeking illegal drugs did not keep them constantly on the street. It’s interesting to learn that before the War on Drugs mentality took hold in the early twentieth century, a prominent individual such as Dr. William Stewart Halsted, a pioneer of modern surgical practice, was an opiate addict for over forty years. During those decades he did stellar and innovative work at Johns Hopkins University, where he was one of the four founding physicians. He was the first, for example, to insist that members of his surgical team wear rubber gloves — a major advance in eradicating post-operative infections. Throughout his career, however, he never got by with less than 180 milligrams of morphine a day. “On this,” said his colleague, the world-renowned Canadian physician Sir William Osler, “he could do his work comfortably and maintain his excellent vigor.” As noted at the Common Sense for Drug Policy website: Halsted’s story is revealing not only because it shows that with a morphine addiction the proper maintenance dose can be productive. It also illustrates the incredible power of the drug in question. Here was a man with almost unlimited resources — moral, physical, financial, medical — who tried everything he could think of and he was hooked until the day he died. Today we would send a man like that to prison. Instead he became the father of modern surgery.
Gabor Maté (In the Realm of Hungry Ghosts: Close Encounters with Addiction)
Kestrel came often. One day, when she knew from Sarsine that Arin had returned home but she had not yet seen him, she went to the suite. She touched one of his violins, reaching furtively to pluck the highest string of the largest instrument. The sound was sour. The violin was ruined--no doubt all of them were. That is what happens when an instrument is left strung and uncased for ten years. A floorboard creaked somewhere in one of the outer chambers. Arin. He entered the room, and she realized that she had expected him. Why else had she come here so frequently, almost every day, if she hadn’t hoped that someone would notice and tell him to find her there? But even though she admitted to wanting to be here with him in his old rooms, she hadn’t imagined it would be like this. With her caught touching his things. Her gaze dropped. “I’m sorry,” she murmured. “It’s all right,” he said. “I don’t mind.” He lifted the violin off its nails and set it in her hands. It was light, but Kestrel’s arms lowered as if the violin’s hollowness were terribly heavy. She cleared her throat. “Do you still play?” He shook his head. “I’ve mostly forgotten how. I wasn’t good at it anyway. I loved to sing. Before the war, I worried that gift would leave me, the way it often does with boys. We grow, we change, our voices break. It doesn’t matter how well you sing when you’re nine years old, you know. Not when you’re a boy. When the change comes you just have to hope for the best…that your voice settles into something you can love again. My voice broke two years after the invasion. Gods, how I squeaked. And when my voice finally settled, it seemed like a cruel joke. It was too good. I hardly knew what to do with it. I felt so grateful to have this gift…and so angry, for it to mean so little. And now…” He shrugged, a self-deprecating gesture. “Well, I know I’m rusty.” “No,” Kestrel said. “You’re not. Your voice is beautiful.” The silence after that was soft. Her fingers curled around the violin. She wanted to ask Arin a question yet couldn’t bear to do it, couldn’t say that she didn’t understand what had happened to him the night of the invasion. It didn’t make sense. The death of his family was what her father would call a “waste of resources.” The Valorian force had had no pity for the Herrani military, but it had tried to minimize civilian casualties. You can’t make a dead body work. “What is it, Kestrel?” She shook her head. She set the violin back on the wall. “Ask me.” She remembered standing outside the governor’s palace and refusing to hear his story, and was ashamed once more. “You can ask me anything,” he said. Each question seemed the wrong one. Finally, she said, “How did you survive the invasion?” He didn’t speak at first. Then he said, “My parents and sister fought. I didn’t.” Words were useless, pitifully useless--criminal, even, in how they could not account for Arin’s grief, and could not excuse how her people had lived on the ruin of his. Yet again Kestrel said, “I’m sorry.” “It’s not your fault.” It felt as if it was. Arin led the way out of his old suite. When they came to the last room, the greeting room, he paused before the outermost door. It was the slightest of hesitations, no longer than if the second hand of a clock stayed a beat longer on its mark than it should. But in that fraction of time, Kestrel understood that the last door was not paler than the others because it had been made from a different wood. It was newer. Kestrel took Arin’s battered hand in hers, the rough heat of it, the fingernails still ringed with carbon from the smith’s coal fire. His skin was raw-looking: scrubbed clean and scrubbed often. But the black grime was too ingrained. She twined her fingers with his. Kestrel and Arin walked together through the passageway and the ghost of its old door, which her people had smashed through ten years before.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
In Riverview, we stopped at Larkin’s Drugstore for a cold drink. Leaving the rest of us to scramble out unaided, John offered Hannah his hand. Although I’d just seen her leap out of a tree as fearless as a cat, she let him help her. At the soda fountain, Hannah took a seat beside John. In her white dress, she was as prim and proper as any lady you ever saw. Quite frankly, I liked her better the other way. I grabbed the stool on the other side of Hannah and spun around on it a couple of times, hoping to get her to spin with me, but the only person who noticed was Mama. She told me to sit still and behave myself. “You act like you have ants in your pants,” she said, embarrassing me and making Theo laugh. While I was sitting there scowling at Theo in the mirror, John leaned around Hannah and grinned at me. “To celebrate your recovery, Andrew, I’m treating everyone to a lemon phosphate--everyone, that is, except you.” He paused dramatically, and Hannah gave him a smile so radiant it gave me heartburn. She was going to marry John someday, I knew that. But while I was here, I wanted her all to myself, just Hannah and me playing marbles in the grove, talking, sharing secrets, climbing trees. She had the rest of her life to spend with stupid John Larkin. “As the guest of honor,” John went on, “you may pick anything your heart desires.” Slightly placated by his generosity, I stared at the menu. It was amazing what you could buy for a nickel or a dime in 1910. “Choose a sundae,” Theo whispered. “It costs the most.” “How about a root beer float?” Hannah suggested. “Egg milk chocolate,” Mama said. “It would be good for you, Andrew.” “Tonic water would be even better,” John said, “or, best of all, a delicious dose of cod-liver oil.” When Hannah gave him a sharp poke in the ribs, John laughed. “Andrew knows I’m teasing. Come on, what will it be, sir?” Taking Theo’s advice, I asked for a chocolate sundae. “Good choice,” John said. “You’d have to go all the way to St. Louis to find better ice cream.
Mary Downing Hahn (Time for Andrew: A Ghost Story)
What’s the meaning of this?” Papa strode toward us. “You’ve disturbed the entire household, Andrew.” Mama gripped his arm. “For goodness sake, Henry, don’t frighten the child. Haven’t you done enough damage? I told you not to whip him!” Papa made an effort to calm down. Taking a deep breath, he squatted in front of me. “What’s troubling you, son?” he asked. “Surely a spanking didn’t cause this.” Aching with sadness, I put my arms around his neck. I’d won, I’d finally beaten Andrew. I’d thought I’d be happy, but I wasn’t. “I don’t want to leave you and Mama,” I sobbed. Papa held me tight. “Now, now,” he said. “Where did you get such a silly notion? You aren’t going anywhere.” While Papa comforted me, Andrew climbed onto his father’s shoulders, piggyback style. No one saw him but me. No one heard him say, “Hush Drew, you’re shaming me in front of everyone.” Ignorant of Andrew’s presence, Papa shivered. “Fall’s coming. Feel the nip in the air?” Hannah and Theo were waiting for us at the bottom of the steps. “Mama,” Theo whispered, “is Andrew sick again?” Mama shook her head, but Theo looked unconvinced. Slipping his hand in Hannah’s, he watched Papa lay me on my bed. On the other side of the room, Andrew took a seat in the rocking chair. It was obvious he didn’t enjoy being invisible. Staring at Hannah and Theo, he rocked the chair vigorously. When that didn’t get their attention, he sang “I’ve Been Working on the Railroad” at the top of his lungs. But no matter what he said or did, he couldn’t make his sister or his brother see or hear him. I knew Andrew was sad, but I was even sadder. When Mama leaned over to kiss me, I hugged her so tight she could hardly breathe. “I’ll never forget you,” I whispered. Mama drew back. “What did you say?” “Nothing,” I mumbled. “I love you, Mama.” She smiled. “Well, for goodness sake, you little jackanapes, I love you too.” Smoothing the quilt over me, she turned to the others. “What Andrew needs is a good night’s sleep. In the morning, he’ll be himself again, just wait and see.” “I hope so,” Andrew said.
Mary Downing Hahn (Time for Andrew: A Ghost Story)
Reaching out, Andrew crooked his little finger with mine. “If I live, I’ll find a way to let you know, Drew,” he promised. “I owe you that much--and a whole lot more.” After a little silence, Andrew’s face brightened. “You don’t suppose you could stay, do you? Just think of the fun we’d have playing tricks on Edward and Mrs. Armiger.” He laughed at his own thoughts. “Why, we’d make their heads spin, Drew. They wouldn’t know one of us from the other.” For a moment, it seemed possible. My mother and father were away, they wouldn’t miss me. As for Aunt Blythe--well, we’d think of some way to let her know I was all right. We were bouncing on the bed, singing “Yip-I-Addy-I-Ay,” when the door opened and Mama appeared. It was Andrew she looked at, not me. “Why are you still awake?” she asked. “I told you to go to sleep.” As Mama approached the bed, Andrew flung his arms around her. “You can see me, Mama,” he cried. “Oh, thank the Lord! It’s me, your own true son, back again for keeps.” She stared at him, perplexed. “What nonsense is this? Of course I can see you. Of course it’s you. Who else would it be, you silly goose?” I slid off the bed and ran to her side. “Me,” I shouted, “it could be me.” When Mama didn’t even blink, I tugged at her nightgown. “Look at me,” I begged. “I’m here too, we both are. Andrew and me. Can’t you see us both?” I hugged her, but all she did was shiver. “No wonder this room is so drafty,” she murmured. “The attic door is wide open.” Andrew and I stared at each other, his face reflecting my disappointment. He was visible, I was invisible. Like the design on his quilt, the pattern had reversed. Sadly I released Mama. As I turned away, Andrew whispered, “We’ll meet again, Drew. I swear it.” Mama looked at him. “What did you say?” “Oh, nothing.” Hiding his face from his mother, Andrew winked at me and said, “I was just talking to myself, Mama.” I took one long last look at Andrew. Much as I wanted to stay, it was time to leave. When Mama reached out to close the attic door, I slipped through it like a ghost. The door shut behind me. I was alone at the bottom of the dark stairs with nowhere to go but home.
Mary Downing Hahn (Time for Andrew: A Ghost Story)
After a while, Hannah said, “I heard Papa and Mama talking last night. Mama told Papa she thinks John Larkin is fond of me.” To my annoyance, a little smile danced across her face. “I’m fond of John too,” she admitted, “but Papa--” Hannah bit her lip and frowned. “Papa said a girl with my notions will never find a husband. He told Mama I’d end up an old-maid suffragette. Those were his very words, Andrew.” Forgetting everything except making her happy, I said, “No matter what Papa thinks, you’ll marry John. What’s more, women will get the vote and drive cars and do everything men do, even wear trousers and run for president.” Hannah sucked in her breath. “The way you talk, Andrew. I could swear you’ve been looking in a crystal ball.” Clapping my hand over my mouth, I stared at her. Whatever had made me say so much? I didn’t even want to think about her marrying John, and here I’d gone and told her she would, as well as revealing a bunch of other stuff she shouldn’t know. “Do you see anything else in my future?” Hannah was leaning toward me, her face inches from mine, gazing into my eyes, her lips slightly parted. “Will John and I be happy? Will we have lots of children? Will we live a long, long time?” I tightened my grip on the branch. I was drowning, losing my identity, speaking words that made no sense. “You’ll be old when I’m young,” I whispered, “but I’ll remember, I’ll never forget, I’ll always love--” “What are you talking about?” Hannah reached out and grabbed my shoulders. “Are you all right?” For a moment, I was too dizzy to answer. I wasn’t sure who I was or where I was or what we’d been talking about. Feeling sick, I clung to the tree. Gradually, things came back into focus, the world steadied. Birds sang, leaves rustled, the branches swayed slightly. The strength in Hannah’s hands calmed me. I took a few deep breaths and managed to smile. Hannah relaxed, but she was obviously still worried. “Will you ever be yourself again, Andrew?” “I hope so.” I said it so fervently Hannah looked at me oddly. If only I could tell her the truth. She’d understand everything then. But would she believe me? Hannah sighed and wiped the sweat off her face with the back of her hand. “I reckon the heat’s enough to give anybody the fantods.” She smiled at me. “Come on, Andrew, I’ll race you to the pump for a drink.
Mary Downing Hahn (Time for Andrew: A Ghost Story)
I told you before--you mustn’t let Edward scare you. He’s a bully and a coward. What would Frank Merriwell do if he were you?” Frank Merriwell--I was thoroughly sick of hearing that name. “I don’t care what some dumb guy in a story would do. I’m not going to fight Edward.” “Fight me then.” Hannah raised her fists and danced around on her bare feet, bouncing, ducking, and swinging at the air around my head. “Pretend I’m Edward!” I ducked a punch, and she swung again. “Put up your dukes,” she ordered, “defend yourself, sir.” This time Hannah clipped my chin hard enough to knock me down. Her shirtwaist was completely untucked, her face was smudged, her hair was tumbling down her back and hanging in her eyes. “On your feet, sir,” she shouted. “Let’s see your fighting spirit!” Hannah was making so much noise she didn’t hear John Larkin push aside the branches and enter the grove. When he saw her take another swing at me, he started laughing. Hannah whirled around, her face scarlet, and stared at John. “What do you mean by sneaking up on us like a common Peeping Tom?” “With the noise you’ve been making, you wouldn’t have noticed a herd of rampaging elephants.” John was still laughing, but Hannah was furious. Putting her fists on her hips, she scowled at him. “Well, now you know the truth about me. I’m no lady and I never claimed to be one. I suppose you’ll start taking Amelia Carter for rides in your precious tin lizzie and treating her to sodas at your father’s drugstore. I’m sure she’d never brawl with her brothers.” Theo and I looked at each other. We were both hoping Hannah would make John leave. Before he came along and ruined everything, we’d been having fun. To my disappointment, John didn’t seem to realize he was unwanted. Leaning against a tree, he watched Hannah run her hands through her hair. “I don’t know what you’re so fired up about,” he said. “Why should I want to take Amelia anywhere? I’ve never met a more boring girl. As for her brothers--a little brawling wouldn’t hurt them. Or Amelia either.” Hannah turned away, her face flushed, and John winked at me. “Your sister’s first rate,” he said, “but I wager I know a sight more about boxing than she does. Why not let me show you a thing or two?” Happy again, Hannah smiled at John. “What a grand idea! But go slow, Andrew’s still weak.” When John took off his jacket, I edged closer to Hannah. “I like your lessons,” I said to her, scowling at John. He was rolling up his sleeves, probably to show off his muscles. Next to him, I was nothing but a skinny little baby. He’d knock me flat and everyone would laugh at me.
Mary Downing Hahn (Time for Andrew: A Ghost Story)
During the season, they saw each other and played together almost every day. At the aunt's request, seconded by Professor Valérius, Daaé consented to give the young viscount some violin lessons. In this way, Raoul learned to love the same airs that had charmed Christine's childhood. They also both had the same calm and dreamy little cast of mind. They delighted in stories, in old Breton legends; and their favorite sport was to go and ask for them at the cottage-doors, like beggars: "Ma'am..." or, "Kind gentleman... have you a little story to tell us, please?" And it seldom happened that they did not have one "given" them; for nearly every old Breton grandame has, at least once in her life, seen the "korrigans" dance by moonlight on the heather. But their great treat was, in the twilight, in the great silence of the evening, after the sun had set in the sea, when Daaé came and sat down by them on the roadside and in a low voice, as though fearing lest he should frighten the ghosts whom he loved, told them the legends of the land of the North. And, the moment he stopped, the children would ask for more. There was one story that began: "A king sat in a little boat on one of those deep still lakes that open like a bright eye in the midst of the Norwegian mountains..." And another: "Little Lotte thought of everything and nothing. Her hair was golden as the sun's rays and her soul as clear and blue as her eyes. She wheedled her mother, was kind to her doll, took great care of her frock and her little red shoes and her fiddle, but most of all loved, when she went to sleep, to hear the Angel of Music." While the old man told this story, Raoul looked at Christine's blue eyes and golden hair; and Christine thought that Lotte was very lucky to hear the Angel of Music when she went to sleep. The Angel of Music played a part in all Daddy Daaé's tales; and he maintained that every great musician, every great artist received a visit from the Angel at least once in his life. Sometimes the Angel leans over their cradle, as happened to Lotte, and that is how their are little prodigies who play the fiddle at six better than fifty, which, you must admit, is very wonderful. Sometimes, the Angel comes much later, because the children are naughty and won't learn their lessons or practice their scales. And, sometimes, he does not come at all, because the children have a bad heart or a bad conscience. No one ever sees the Angel; but he is heard by those who are meant to hear him. He often comes when they least expect him, when they are sad or disheartened. Then their ears suddenly perceive celestial harmonies, a divine voice, which they remember all their lives. Persons who are visited by the Angel quiver with a thrill unknown to the rest of mankind. And they can not touch an instrument, or open their mouths to sing, without producing sounds that put all other human sounds to shame. Then people who do not know that the Angel has visited those persons say that they have genius. Little Christine asked her father if he had heard the Angel of Music. But Daddy Daaé shook his head sadly; and then his eyes lit up, as he said: "You will hear him one day, my child! When I am in Heaven, I will send him to you!" Daddy was beginning to cough at that time.
Gaston Leroux (The Phantom of the Opera)
Date: 10/03/2022 So, this is the book that she's been hiding all this time? How disappointing. I was expecting more... Anyways, my name is Gemma. I am a Minecraft player who loves a challenge. Aaaand I think before I act...I really didn't want to admit it! But ya, this is me. Sorry for the weird intro. My friend Lizzy has become really strange recently. I figured that there was something wrong with her. She was hiding something from me, but I never knew what. I decided to find out the truth. So, one day, after she logged off from Minecraft, I crept into her house and peeked into her chest. I found a book named Codex of Seeds. It wasn't there before. Naturally curious, I took the book and started to read it. I found out that my best friend was keeping a diary for more than a month! She had met Herobrine, the white-eyed ghost, and he gave Lizzy the Codex. He told him to safekeep the Codex and not let anyone else know about it, or else he would hack her. My friend agreed, but she didn't really do a very good job about keeping a secret. I then flipped through the book and found many amazing stories. This is the same book that you are reading right now. Wait, what? Why are my hearts dropping...oh no. He is here. Run for your life. It is too late. He killed me. He shook his head, picked up the Codex and teleported away. THE END
Pixel Ate (The Accidental Minecraft Family: Book 23)
Not that he truly wished them dead--that wasn't quite it--but more and more often, when the man considered his lifelong friends, his colleagues, even his wife and sons, he felt that their image of him had become so mildewed by habit or complicated by misunderstanding that he took comfort in the idea of their mortality: the thought that soon, very soon, they would die and he would no longer have to be the person they had concluded he was.
Kevin Brockmeier (The Ghost Variations: One Hundred Stories)
She took me to the pasture and let me milk a mammoth brown cow. She taught me how to drive a tractor. We rode horses through the woods. We smoked weed on the roof and pointed out clouds that looked like penises. We fed tiny chunks of raw chicken to her brother’s Venus flytrap. We fucked each other with fresh-picked ears of corn. We built a fire under a billion stars and told ghost stories. We took bets to see how many cigarette butts the rooster would eat. We let the goats hop on top of our backs and nibble our hair. We built an altar of stones, sticks and berries at the top of a hill, and when we hummed a family of deer came to us, licking our palms and nuzzling our cheeks. We bathed in streams and made bread from scratch. We pulled ticks and leeches off each other’s backs. We wrote rap songs about farm life and smoking meth. We stayed up a whole night watching movies about vampires and warlocks. We left clumps of hair, string and silver buttons for a family of crows. When it stormed for three days and we lost power, I rocked her gently in the dark and told her I loved her.
B.R. Yeager (Negative Space)
My dad loved telling ghost stories from the times he went camping with his father in Sweden. In one story they were driving on a country road at night and kept having to stop because they'd see feet crossing the road in their headlights. My grandfather would get out of the car, confused as to why there were so many people at night in the countryside, and see no one. As the story went, after this happened a few times he finally saw several pairs of feet stopped, facing the car, at close range. He got out again and saw no people, only the remains of a bridge that had collapsed. As I type this now I get thoughts like "They never owned a car!" and "I know for a fact when they camped they took the bus!" and "What kind of headlights only show you the road at feetlevel?" But at the time the moral of the story was always "Ghosts are real!" and to a lesser extent "Dead Swedes are concerned about traffic safety!
John Moe (The Hilarious World of Depression)
Wright (2008, p. 58) explains, If the disciples simply saw, or thought they saw, someone they took to be Jesus, that would not by itself have generated the stories we have. Everyone in the ancient world took it for granted that people sometimes had strange experiences involving encounters with the dead, particularly the recently dead. They knew at least as much as we do about such visions, about ghosts and dreams—and the fact that such things often occurred within the context of bereavement or grief. They had language for this, and it wasn’t resurrection.
Andrew Loke (Investigating the Resurrection of Jesus Christ: A New Transdisciplinary Approach (Routledge New Critical Thinking in Religion, Theology and Biblical Studies))
This is the old Oak View school, or so they say- but it’s where I see the face of a little girl, like looking back at me all ghostly and crap. They say her name is Lily Anderson, I heard the freaked-up story of the girl falling to her death and crap… we all have, my did pound it into my little head or he says, I will always be his baby, saying I act like one doing what these girls want me to do. So-Oo one day at dusk, I have a flashlight that was on the blink, so freak- it was not working for crap, yet it was something, I was load in I swear I don’t think my feet took me where I need to go, I feel someone was doing the walking for me.
Marcel Ray Duriez (Nevaeh 10: They Call Out)
And it was women who took the genre to the political realm, making their ghostly tales much more than just scary stories to tell in the dark.
Lisa Kröger (Monster, She Wrote: The Women Who Pioneered Horror and Speculative Fiction)
Seven months ago, I stood on the deck of a much smaller and much dirtier boat, blood running down my back, three desperate sentences running through my head over and over again. The ghost of that girl still lived inside me somewhere. She had what it took to survive, and I had what it took to live. I had Wielding skills honed by months of relentless brute force and instruction by the best damn teacher in Ara. I had magic running through my veins that could destroy and create and rebuild. I had the ability not just to look at people, but to see them, and to carry their stories with my own. And, most precious of all, I had people to protect — love that burned for all of them like an enduring flame deep in my chest. “We’re not done,” I whispered.
Carissa Broadbent (Daughter of No Worlds (The War of Lost Hearts, #1))
And this is how it happens. Someone does something shit to you, makes you suffer, maybe you die, and you get tunnel vision for the revenge you want to feel in your hands—The punishment you believe you deserve to dole out. You come back to find the fucker that ruined your life and you’ll do anything you can to get them back. You can’t see anything else and everyone becomes collateral damage to the pain you have to cause or the justice you have to find. It hurts too much to think of what someone else took from you, that you can’t see anything outside of the future you can’t grasp anymore. Then, when you hurt someone else because your focus is on whoever fucked you up, they come back feeling the same pain, same anger, their future taken from them too and it just keeps going, again and again, over and over, until everyone’s been promised mutual destruction by proximity and nothing else matters. No one cares about any story that’s not their own. The pain caused is invisible to everyone else until it becomes personal and everyone’s reaching for the thing that blew their lives to pieces. Regret and rage are toxic seeds, planted to consume the heart.
Ian Kirkpatrick (Plead More, Bodymore (Bodymore #2))
Days passed slowly and the hours took even longer.
Ekta Kumar (Box of Lies: A Love Story, Without Love)
The local pub, The Red Lion, has the double distinction of being the only pub in Britain to be surrounded by a stone circle and be voted one of the top 10 most haunted bars in the world. The pub has quite a bit of history. It started as a farmhouse in the early 17th century before becoming a coaching inn in 1802, acting as a rest stop for the growing network of horse-drawn coaches taking passengers and mail between cities. It continues to serve drinks to this day. The Red Lion’s landlord says there are at least five ghosts in his pub. The best known is a young woman named Florrie, who married a local soldier in the 17th century. When he went off to fight in the English Civil War, she took another lover. The soldier returned unexpectedly, discovered them together, and shot the man who had cuckolded him before stabbing Florrie and throwing her down a well located inside the building. The well is still there today, and she is often seen hovering nearby or floating in and out of it. Sometimes, she is not seen, but acts as a poltergeist, throwing small objects across the bar.
Charles River Editors (The Ghosts of England: A Collection of Ghost Stories across the English Nation)
I was afraid of reciprocation. You might take an interest in my life, which you took anyway.
Mihir Jaiswal (Sculpting Revenge)
After crossing most of the North American continent our destination was Goldfield Nevada, a place in the middle of nowhere that I had been to some years before. This ghost town held a special place in my heart and I still feel nostalgic remembering how I got there from LA when I was in my teens. Now as we rolled into town I had the same feeling and thought that my son’s would capture the same aura that I felt years before. Entering the “Santa Fe Club,” an authentic old saloon, we were greeted as if we were neighbors that had just stopped in for a drink. It was as if I had never left but of course that wasn’t true. The bartender asked if we were there for some chicken? I had no idea what he was talking about until he explained that a chicken truck had run off the road and rolled over just outside of town. It took some doing but some of the men in town caught, killed, cleaned and plucked a wack of them and brought them to the saloon for frying. I assumed that he meant that he had fried the chickens and best of was that he offered them free to anyone who came through the doors. I still don’t know if they tasted so good because we were hungry or that they were free. The story of the chicken truck was told for years afterward but he also told me that he remembered me from before, when I was the kid looking for the publisher of the five-page newspaper. “Well, he’s gone and is now in the cemetery but we’re not, so have some more chicken” were his lasting words of wisdom!
Hank Bracker
After they toweled her off, Emeline grudgingly let them dress her in a pale gold gown that fell to the floor. A trail of delicate poplar leaves was sewn into the bodice. The leaves, stitched in ivory thread, trailed gently along the boatneck collar, as if blown there by a breeze. They were so finely wrought, she could almost see them moving. Next, the women braided her black hair into a knot at the nape of her neck, lacing it through with sprigs of Queen Anne's lace. Last, they took her sliced palm and carefully salved it, then wrapped it tight with slender strips of gauzy white cotton, fastening it with with a golden pin. "There," said the curvy brown attendant, her voice like summer rain. A smile ghosted her soft lips as she turned Emeline to the gilt mirror. "Look." In the polished smoky surface, Emeline found a stranger staring back. Gone was the broke musician who desperately needed new jeans, who wore her grandfather's oversized cardigan to keep him close, and who rarely remembered to brush her hair. The girl standing in the mirror had stepped straight out of a story. Her black eyes were dark pools in her pale face, and her cheekbones were dusted with gold to match her dress. She looked utterly foreign and strange.
Kristen Ciccarelli (Edgewood)
The next morning, Steve took his boat out and saw what had happened. The big male had triggered the trap and was snared in the mesh--sort of. Even though the rectangular-shaped net was the biggest he had, the croc’s tail and back leg stuck out. But the black ghost had finally been caught. At Steve’s approach, the animal thrashed wildly, smashing apart mangrove trees on either side of the trap. Steve tried to top-jaw-rope the croc, but it was fighting too violently. Normally Chilli acted as a distraction, giving Steve the chance to secure the croc. But the dog wanted no part of this. She cowered on the floor of the dinghy, unwilling to face this monstrously large croc. Steve was truly on his own. He finally secured a top-jaw rope and tied the other end to a tree. With a massive “death roll”--a defensive maneuver in which the reptile spins its enormous body--the big croc smashed the tree flat and snapped it off. Steve tried again; the croc thrashed, growling and roaring in protest at the trapper in khaki, lunging again and again to tear Steve apart. Finally, the giant croc death-rolled so violently that he came off the bank and landed in the boat, which immediately sank. Chilli had jumped out and was swimming for shore as Steve worked against time. With the croc underwater, Steve lashed the croc, trap and all, in the dinghy. But moving the waterlogged boat and a ton of crocodile was simply too much. Steve sprinted several miles in the tropical heat to reach a cane farm, where he hoped to get help. The cane farmers were a bit hesitant to lend a hand, so Steve promised them a case of beer, and a deal was made. With a sturdy fishing boat secured to each side of Steve’s dinghy, they managed to tow it downriver where they could winch croc and boat onto dry land to get him into a crate. By this time, a crowd of spectators had gathered. When Steve told me the story of the capture, I got the sense that he felt sorry he had to catch the crocodile at all. “It seemed wrong to remove the king of the river,” Steve said. “That croc had lasted in his territory for decades. Here I was taking him out of it. The local people just seemed relieved, and a couple even joked about how many boots he’d make.” Steve was very clever to include the local people and soon won them over to see just how special this crocodile really was. Just as he was dragged into his crate, the old croc attempted a final act of defiance, a death roll that forced Steve to pin him again. “I whispered to him to calm him down,” Steve said. “What did you say to him?” I asked. “Please don’t die.” The black crocodile didn’t die. Steve brought him back to Beerwah, named him Acco, and gave him a beautiful big pond that Bob had prepared, with plenty of places to hide. We were in the Crocodile Environmental Park at the zoo when Steve first told me the story of Acco’s capture. I just had to revisit him after hearing his story. There he was, the black ghost himself, magnificently sunning on the bank of his billabong.
Terri Irwin (Steve & Me)
And that old story about the ghost that looks like a rock comes to her now: The farther from shore you take it, the heavier it becomes, until one day it gets too heavy to bear. Faye imagines her father taking a small piece of earth with him, a memento: this farm, this family, his memory of it. This was the drowning stone from his stories. He took it to sea and took it to Iceland and took it all the way to America. And as long as he held on to it, he just kept sinking.
Nathan Hill (The Nix)
It was unlike anything Maaya had ever expected, and yet still so much like what she always dismissed as stories. There was no way real life could ever match the pages in her books; that was what she used to think. It was all artistry, all made up by wordsmiths who took a dull concept and turned into poetry, the hopeless ones lost in the throes of young love who though every first kiss was a sign of forever. There was no way a simple touching of lips could mean that much.
Kay Solo (Ghost Walk)
Well, I’d better see if Luke’s here and let you get back to … your stuff.” He looked down, scratching the back of his head. “Yeah, my dad wasn’t a collector or any sort of packrat, but my parents were divorced. I’m his only child and my grandparents live in Portland, so I guess it’s my responsibility to decide what to do with everything. It’s all mine now, including the house. The funny part? I don’t want any of it.” “My brother’s fiancée died a year ago. Her stuff still hangs in his closet. It’s just stuff, but there has to be a finality to get rid of it. I bet you’ll feel it when the last thing is removed from here and someone else buys the place. The ‘stuff’ is the epilogue. The story is over, but part of it lives on like a ghost for just a few more pages. What’s left at the end of the epilogue?” “Nothing.” Lake cocked her head to the side and narrowed her eyes. “Depends on how you look at it.” “And how would you look at it?” “I’m not sure yet. My boyfriend died in the accident that took my leg. When I came out of my coma the funeral was over, his parents had cleaned out his apartment, and some other person lived there. I turned the page after the final chapter only to find no epilogue. The author of my life sucker punched me.” “Some would say the author of your life is God.” “And I’d agree. But no amount of faith can truly comfort a grieving heart that can’t make sense of such tragedy. I didn’t lose my faith, but I did feel like God sucker punched me. No epilogue. But he’s God so I’ll probably forgive him some day.” Cage chuckled. “I’m sure he’ll be grateful.” She tore her eyes away from his smile and those dimples. “I’m sure he’s waiting.
Jewel E. Ann (Dawn of Forever (Jack & Jill, #3))
Hey! Ahoy there, clipper ship!" another wag shouted. "Wot's yer port?" We took no notice of the joking, but acted, after the manner of greenhorns, as though the Coal Tar Maggie required our undivided attention. I rounded her well to windward of the Ghost, and Nicholas ran for'ard to drop the anchor.
Jack London (Stories of the South Stories of the Sea)