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My friend David Klagsbrun, who grew up around the corner from me in Larchmont, was turning forty that winter, and Matt and I drove up for his party in Katonah, where David lived with his wife and two young sons. It was good to be back in a car with Matt, the way we used to be all the time. The summer after our freshman year of college, I worked at a French restaurant in Larchmont and Matt sold a cleaning powder for septic tanks. In the evenings after dinner he would pick me up in his gray car at my mother’s house, and I’d roll us a joint—“Don’t make it too tight, Ar,” he’d say every time, and every time I’d say, “I got it,” and almost every time I would roll too tightly—and we would smoke it as we drove past David Klagsbrun’s house, past the parochial school on Weaver Street that looked like a fire station, over the bridge near the turnoff for that ersatz Hebrew school where I went when I demanded a bat mitzvah because everybody else was having one (and where once, when I was playing Tzeitel in our production of Fiddler on the Roof, I argued with the teacher about a dramatic point and he said, exasperated, “Do you want to direct this yourself?” And I said, “God, yes”). Then we’d coast into the Manor, the section of town with yards like parks and the kind of houses that make you stare with longing even when you are nineteen years old, as we were, and want nothing more than to get the hell out of the suburbs.
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