“
If you can keep your head when all about you
Are losing theirs and blaming it on you,
If you can trust yourself when all men doubt you,
But make allowance for their doubting too;
If you can wait and not be tired by waiting,
Or being lied about, don't deal in lies,
Or being hated, don't give way to hating,
And yet don't look too good, nor talk too wise
If you can dream - and not make dreams your master;
If you can think - and not make thoughts your aim;
If you can meet with Triumph and Disaster
And treat those two impostors just the same;
If you can bear to hear the truth you've spoken
Twisted by knaves to make a trap for fools,
Or watch the things you gave your life to, broken,
And stoop and build 'em up with worn-out tools
If you can make one heap of all your winnings
And risk it on one turn of pitch-and-toss,
And lose, and start again at your beginnings
And never breathe a word about your loss;
If you can force your heart and nerve and sinew
To serve your turn long after they are gone,
And so hold on when there is nothing in you
Except the will which says to them: 'Hold on!'
If you can talk with crowds and keep your virtue,
Or walk with Kings - nor lose the common touch,
If neither foes nor loving friends can hurt you,
If all men count with you, but none too much;
If you can fill the unforgiving minute
With sixty seconds' worth of distance run,
Yours is the Earth and everything that's in it,
And - which is more - you'll be a Man, my son!
”
”
Rudyard Kipling (If: A Father's Advice to His Son)
“
I want someone who will adore me so much that they cannot even walk past me without touching me in some way. I want someone who will worship me, even when.. I'm sitting around in fluffy slippers with no makeup on and hair scraped back.
I'm sick and tired of being on my own. Most of the time I'm fine. Some of the time I even quite enjoy it. But at this precise moment in time I'm fed up with it. I've had enough..
”
”
Jane Green (Mr. Maybe)
“
I wish to Heaven I was married," she said resentfully as she attacked the yams with loathing. "I'm tired of everlastingly being unnatural and never doing anything I want to do. I'm tired of acting like I don't eat more than a bird, and walking when I want to run and saying I feel faint after a waltz, when I could dance for two days and never get tired. I'm tired of saying, 'How wonderful you are!' to fool men who haven't got one-half the sense I've got, and I'm tired of pretending I don't know anything, so men can tell me things and feel important while they're doing it... I can't eat another bite.
”
”
Margaret Mitchell (Gone with the Wind)
“
when you walk, you look like you’re trying to disappear.
your back is gonna be fucked up.
why do you think change is so hard? is it because you’re afraid?
people might think you’re pretty, but they’ll never love you.
you talk like you’re apologizing for your own voice.
speak up.
grow up.
find your spine, stop shrinking.
there is nothing brave about keeping silent.
how many times have you been in love? I can’t picture it ever happening for you.
you lie because it makes you feel free. this is a prison.
you’re always gonna think about him. you will never get him out of your system.
I wish I never had to see you again.
you poor thing.
go to hell.
you may be a nice person but you will never be a good person.
no one is ever going to want to touch you.
is there a vision in your head of who you want to be?
you do not have the strength to become her.
there is no boat big enough to keep you from drowning in the sea of yourself.
go to bed, baby.
you are tired from all of this nothing.
sleep.
rest.
”
”
Caitlyn Siehl
“
Let me ask you something, in all the years that you have...undressed in front of a gentleman has he ever asked you to leave? Has he ever walked out and left? No? It's because he doesn't care! He's in a room with a naked girl, he just won the lottery. I am so tired of saying no, waking up in the morning and recalling every single thing I ate the day before, counting every calorie I consumed so I know just how much self loathing to take into the shower. I'm going for it. I have no interest in being obese, I'm just through with the guilt. So this is what I'm going to do, I'm going to finish this pizza, and then we are going to go watch the soccer game, and tomorrow we are going to go on a little date and buy ourselves some bigger jeans.
”
”
Elizabeth Gilbert
“
Van Houten,
I’m a good person but a shitty writer. You’re a shitty person but a good writer. We’d make a good team. I don’t want to ask you any favors, but if you have time – and from what I saw, you have plenty – I was wondering if you could write a eulogy for Hazel. I’ve got notes and everything, but if you could just make it into a coherent whole or whatever? Or even just tell me what I should say differently.
Here’s the thing about Hazel: Almost everyone is obsessed with leaving a mark upon the world. Bequeathing a legacy. Outlasting death. We all want to be remembered. I do, too. That’s what bothers me most, is being another unremembered casualty in the ancient and inglorious war against disease.
I want to leave a mark.
But Van Houten: The marks humans leave are too often scars. You build a hideous minimall or start a coup or try to become a rock star and you think, “They’ll remember me now,” but (a) they don’t remember you, and (b) all you leave behind are more scars. Your coup becomes a dictatorship. Your minimall becomes a lesion.
(Okay, maybe I’m not such a shitty writer. But I can’t pull my ideas together, Van Houten. My thoughts are stars I can’t fathom into constellations.)
We are like a bunch of dogs squirting on fire hydrants. We poison the groundwater with our toxic piss, marking everything MINE in a ridiculous attempt to survive our deaths. I can’t stop pissing on fire hydrants. I know it’s silly and useless – epically useless in my current state – but I am an animal like any other.
Hazel is different. She walks lightly, old man. She walks lightly upon the earth. Hazel knows the truth: We’re as likely to hurt the universe as we are to help it, and we’re not likely to do either.
People will say it’s sad that she leaves a lesser scar, that fewer remember her, that she was loved deeply but not widely. But it’s not sad, Van Houten. It’s triumphant. It’s heroic. Isn’t that the real heroism? Like the doctors say: First, do no harm.
The real heroes anyway aren’t the people doing things; the real heroes are the people NOTICING things, paying attention. The guy who invented the smallpox vaccine didn’t actually invented anything. He just noticed that people with cowpox didn’t get smallpox.
After my PET scan lit up, I snuck into the ICU and saw her while she was unconscious. I just walked in behind a nurse with a badge and I got to sit next to her for like ten minutes before I got caught. I really thought she was going to die, too. It was brutal: the incessant mechanized haranguing of intensive care. She had this dark cancer water dripping out of her chest. Eyes closed. Intubated. But her hand was still her hand, still warm and the nails painted this almost black dark blue and I just held her hand and tried to imagine the world without us and for about one second I was a good enough person to hope she died so she would never know that I was going, too. But then I wanted more time so we could fall in love. I got my wish, I suppose. I left my scar.
A nurse guy came in and told me I had to leave, that visitors weren’t allowed, and I asked if she was doing okay, and the guy said, “She’s still taking on water.” A desert blessing, an ocean curse.
What else? She is so beautiful. You don’t get tired of looking at her. You never worry if she is smarter than you: You know she is. She is funny without ever being mean. I love her. I am so lucky to love her, Van Houten. You don’t get to choose if you get hurt in this world, old man, but you do have some say in who hurts you. I like my choices. I hope she likes hers.
”
”
John Green (The Fault in Our Stars)
“
I was tired of well-meaning folks, telling me it was time I got over being heartbroke. When somebody tells you that, a little bell ought to ding in your mind. Some people don't know grief from garlic grits. There's somethings a body ain't meant to get over. No I'm not suggesting you wallow in sorrow, or let it drag on; no I am just saying it never really goes away. (A death in the family) is like having a pile of rocks dumped in your front yard. Every day you walk out and see them rocks. They're sharp and ugly and heavy. You just learn to live around them the best way you can. Some people plant moss or ivy; some leave it be. Some folks take the rocks one by one, and build a wall.
”
”
Michael Lee West (American Pie)
“
Living in a constant chase after gain compels people to expend their spirit to the point of exhaustion in continual pretense and overreaching and anticipating other. Virtue has come to consist of doing something in less time that someone else. Hours in which honesty is permitted have become rare, and when they arrive one is tired and does not only want to "let oneself go" but actually wishes to stretch out as long and wide and ungainly as one happens to be... Soon we may well reach the point where people can no longer give in to the desire for a vita contemplativa (that is, taking a walk with ideas and friends) without self-contempt and a bad conscience.
”
”
Friedrich Nietzsche (The Gay Science (History of Philosophy))
“
Just so you know... Even if I don't break it... alot of people break their own Egg. All those adults walking around with tired faces... they've thrown away the "person they want to be.
”
”
Peach-Pit (Shugo Chara!, Vol. 2: Friends in Need)
“
I am not a finished poem, and I am not the song you’ve turned me into. I am a detached human being, making my way in a world that is constantly trying to push me aside, and you who send me letters and emails and beautiful gifts wouldn’t even recognise me if you saw me walking down the street where I live tomorrow
for I am not a poem.
I am tired and worn out and the eyes you would see would not be painted or inspired
but empty and weary
from drinking too much
at all times
and I am not the life of your party who sings and has glorious words to speak
for I don’t speak much
at all
and my voice is raspy and unsteady from unhealthy living and not much sleep and I only use it when I sing and I always sing too much
or not at all
and never when people are around because they expect poems and symphonies and I am not
a poem
but an elegy
at my best
but unedited and uncut and not a lot of people want to work with me because there’s only so much you can do with an audio take, with the plug-ins and EQs and I was born distorted, disordered, and I’m pretty fine with that,
but others are not.
”
”
Charlotte Eriksson (Another Vagabond Lost To Love: Berlin Stories on Leaving & Arriving)
“
There was once an invisible man, the monster continued, though Conor kept his eyes firmly on Harry, who had grown tired of being unseen.
Conor set himself into a walk.
A walk after Harry.
It was not that he was actually invisible, the monster said, following Conor, the room volume dropping as they passed. It was that the people had become used to not seeing him.
"Hey!" Conor called. Harry didn't turn around. Neither did Sully nor Anton, though thet were still sniggering as Conor picked up his pace.
And if no one sees you, the monster said, picking up its pace, too, are you really there at all?
"HEY!" Conor called loudly.
The dining hall had fallen silent now, as Conor and the monster moved faster after Harry.
Harry who had still not turned around.
Conor reached him and grabbed him by the shoulder, twisting him round. Harry pretended to question what had happened, looking hard at Sully, acting like he was the one who'd done it. "Quit messing about," Harry said and turned away again.
Turned away from Conor.
And then one day the invisible man decided, the monster said, its voice ringing in Conor's ears, I will make them see me.
"How?" Conor asked, breathing heavily again, not turning back to see the monster standing there, not looking at the reaction of the room to the huge monster now in the midst, though he was aware of nervous murmurs and a strange anticipation in the air. "How did the man do it?"
Conor could feel the monster close behind him, knew that it was kneeling, knew that it was putting its face up to his ear to whisper into in, to tell him the rest of the story.
He called, it said for a monster.
”
”
Patrick Ness (A Monster Calls)
“
Some of these guys will go on walking long after the laws of biochemistry and handicapping have gone by the boards. There was a guy last year that crawled for two miles at four miles an hour after both of his feet cramped up at the same time, you remember reading about that? Look at Olson, he's worn out but he keeps going. That goddam Barkovitch is running on high-octane hate and he just keeps going and he's as fresh as a daisy. I don't think I can do that. I'm not tired -not really tired- yet. But I will be." The scar stood out on the side of his haggard face as he looked ahead into the darkness "And I think... when I get tired enough... I think I'll just sit down
”
”
Stephen King (The Long Walk)
“
Here's the thing about Hazel: Almost everyone is obsessed with leaving a mark upon the world. Bequeathing a legacy. Outlasting death. We all want to be remembered. I do, too. That's what bothers me most, is being another unremembered casualty in the ancient and inglorious war against disease.
I want to leave a mark.
But Van Houten: The marks humans leave are too often scars. You build a hideous minimall or start a coup or try to become a rock star and you think, "They'll remember me now," but (a) they don't remember you, and (b) all you leave behind are more scars. Your coup becomes a dictatorship. Your minimall becomes a lesion.
...
We are like a bunch of dogs squirting on fire hydrants. We poison the groundwater with our toxic piss, marking everything MINE in a ridiculous attempt to survive our deaths. I can't stop pissing on fire hydrants. I know it's silly and useless--epically useless in my current state--but I am an animal like any other.
Hazel is different. She walks lightly, old man. She walks lightly upon the earth. Hazel knows the truth: We're as likely to hurt the universe as we are to help it, and we're not likely to do either.
People will say it's sad that she leaves a lesser scar, that fewer remember her, that she was loved deeply but not widely. But it's not sad, Van Houten. It's triumphant. It's heroic. Isn't that the real heroism? Like the doctors say: First, do no harm.
The real heroes anyway aren't the people doing things; the real heroes are the people NOTICING things, paying attention. The guy who invented the smallpox vaccine didn't actually invent anything. He just noticed that people with cowpox didn't get smallpox.
...
But then I wanted more time so we could fall in love. I got my wish, I suppose. I left my scar.
...
What else? She is so beautiful. You don't get tired of looking at her. You never worry if she is smarter than you: You know she is. She is funny without ever being mean. I love her. I am so lucky to love her, Van Houten. You don't get to choose if you get hurt in this world, old man, but you do have some say in who hurts you. I like my choices. I hope she likes hers.
”
”
John Green (The Fault in Our Stars)
“
Honestly, Edward." I felt a thrill go through me as I said his name, and I hated it. "I can't keep up with you. I thought you didn't want to be my friend."
"I said it would be better if we weren't friends, not that I didn't want to be."
"Oh, thanks, now that's all cleared up." Heavy sarcasm. I realized I had stopped walking again. We were under the shelter of the cafeteria roof now, so I could more easily look at his face. Which certainly didn't help my clarity of thought.
"It would be more . . . prudent for you not to be my friend," he explained. "But I'm tired of trying to stay away from you, Bella."
His eyes were gloriously intense as he uttered that last sentence, his voice smoldering. I couldn't remember how to breathe.
”
”
Stephenie Meyer (Twilight (The Twilight Saga, #1))
“
There is no better people-watching than at the airport: the whole world packed into such a tight space, moving fast with all their essentials in their rolling bags. And what caught my attention, as I took a few breaths and lay my eyes on the crowds, were all the imperfections. Everybody had them. Every single person that walked past me had some kind of flaw. Bushy eyebrows, moles, flared nostrils, crooked teeth, crows'-feet, hunched backs, dowagers' humps, double chins, floppy earlobes, nose hairs, potbellies, scars, nicotine stains, upper arm fat, trick knees, saddlebags, collapsed arches, bruises, warts, puffy eyes, pimples. Nobody was perfect. Not even close. And everybody had wrinkles from smiling and squinting and craning their necks. Everybody had marks on their bodies from years of living - a trail of life left on them, evidence of all the adventures and sleepless nights and practical jokes and heartbreaks that had made them who they were.
In that moment, I suddenly loved us all the more for our flaws, for being broken and human, for being embarrassed and lonely, for being hopeful or tired or disappointed or sick or brave or angry. For being who we were, for making the world interesting. It was a good reminder that the human condition is imperfection. And that's how it's supposed to be.
”
”
Katherine Center (Everyone is Beautiful)
“
All the towering materialism which dominates the modern mind rests ultimately upon one assumption; a false assumption. It is supposed that if a thing goes on repeating itself it is probably dead; a piece of clockwork. People feel that if the universe was personal it would vary; if the sun were alive it would dance. This is a fallacy even in relation to known fact. For the variation in human affairs is generally brought into them, not by life, but by death; by the dying down or breaking off of their strength or desire. A man varies his movements because of some slight element of failure or fatigue. He gets into an omnibus because he is tired of walking; or he walks because he is tired of sitting still. But if his life and joy were so gigantic that he never tired of going to Islington, he might go to Islington as regularly as the Thames goes to Sheerness. The very speed and ecstacy of his life would have the stillness of death. The sun rises every morning. I do not rise every morning; but the variation is due not to my activity, but to my inaction. Now, to put the matter in a popular phrase, it might be true that the sun rises regularly because he never gets tired of rising. His routine might be due, not to a lifelessness, but to a rush of life. The thing I mean can be seen, for instance, in children, when they find some game or joke that they specially enjoy. A child kicks his legs rhythmically through excess, not absence, of life. Because children have abounding vitality, because they are in spirit fierce and free, therefore they want things repeated and unchanged. They always say, “Do it again”; and the grown-up person does it again until he is nearly dead. For grown-up people are not strong enough to exult in monotony. But perhaps God is strong enough to exult in monotony. It is possible that God says every morning, “Do it again” to the sun; and every evening, “Do it again” to the moon. It may not be automatic necessity that makes all daisies alike; it may be that God makes every daisy separately, but has never got tired of making them. It may be that He has the eternal appetite of infancy; for we have sinned and grown old, and our Father is younger than we. The repetition in Nature may not be a mere recurrence; it may be a theatrical ENCORE. Heaven may ENCORE the bird who laid an egg. If the human being conceives and brings forth a human child instead of bringing forth a fish, or a bat, or a griffin, the reason may not be that we are fixed in an animal fate without life or purpose. It may be that our little tragedy has touched the gods, that they admire it from their starry galleries, and that at the end of every human drama man is called again and again before the curtain. Repetition may go on for millions of years, by mere choice, and at any instant it may stop. Man may stand on the earth generation after generation, and yet each birth be his positively last appearance.
”
”
G.K. Chesterton (Orthodoxy)
“
I'm sick and tired of people in my life abandoning me, and she will be just one more. So I do what is easiest, when I feel like I'm in danger of being left behind. I make sure I'm the one to walk away first.
”
”
Jodi Picoult (Leaving Time)
“
A mule doesn’t like to plow. But he likes carrots. So you hang a carrot in front of his eyes. A mule without a carrot gets exhausted. A mule with a carrot spends a long time being tired.
”
”
Richard Bachman (The Long Walk)
“
A 'Bummel', I explained, I should describe as a journey, long or
short, without an end; the only thing regulating it being the necessity
of getting back within a given time to the point from which one started.
Sometimes it is through busy streets, and sometimes through the fields
and lanes; sometimes we can be spared for a few hours, and sometimes for
a few days. But long or short, but here or there, our thoughts are ever
on the running of the sand. We nod and smile to many as we pass; with
some we stop and talk awhile; and with a few we walk a little way. We
have been much interested, and often a little tired. But on the whole we
have had a pleasant time, and are sorry when 'tis over.
”
”
Jerome K. Jerome (Three Men on the Bummel)
“
I relaxed my cheek against her hair. She always smelled so good, felt so good. Being near her was like a sedative. My entire body relaxed, and I was suddenly so tired, I didn’t want to move. We sat together, our arms around each other, her head tucked in against my neck, for the longest time. Nothing beyond that moment was guaranteed, so I stayed there inside of it, with Pigeon.
”
”
Jamie McGuire (Walking Disaster (Beautiful, #2))
“
The rapid nightfall of mid-December had quite beset the little village as they approached it on soft feet over a first thin fall of powdery snow. Little was visible but squares of a dusky orange-red on either side of the street, where the firelight or lamplight of each cottage overflowed through the casements into the dark world without. Most of the low latticed windows were innocent of blinds, and to the lookers-in from outside, the inmates, gathered round the tea-table, absorbed in handiwork, or talking with laughter and gesture, had each that happy grace which is the last thing the skilled actor shall capture--the natural grace which goes with perfect unconsciousness of observation. Moving at will from one theatre to another, the two spectators, so far from home themselves, had something of wistfulness
in their eyes as they watched a cat being stroked, a sleepy child picked up and huddled off to bed, or a tired man stretch and knock out his pipe on the end of a smouldering log.
”
”
Kenneth Grahame (The Wind in the Willows)
“
No, you're not getting exhausted yet, Garraty." [Stebbins] jerked a thumb at Olson's silhouette. "That's exhausted. He's almost through now."
Garraty watched Olson, fascinated, almost expecting him to drop at Stebbins's word. "What are you driving at?"
"Ask your cracker friend, Art Baker. A mule doesn't like to plow. But he likes carrots. So you hang a carrot in front of his eyes. A mule without a carrot gets exhausted. A mule with a carrot spends a long time being tired. You get it?"
"No."
Stebbins smiled again. "You will. Watch Olson. He lost his appetite for the carrot. He doesn't quite know it yet, but he has. Watch Olson, Garraty. You can learn from Olson."
Garraty looked at Stebbins closely, not sure how seriously to take him. Stebbins laughed aloud. His laugh was rich and full-a startling sound that made other Walkers turn their heads. "Go on. Go talk to him, Garraty. And if he won't talk, just get up close and have a good look. It's never too late to learn.
”
”
Stephen King (The Long Walk)
“
It's hard being left behind. I wait for Henry, not knowing where he is, wondering if he's okay. It's hard to be the one who stays. I keep myself busy. Time goes faster that way.
I go to sleep alone, and wake up alone. I take walks. I work until I'm tired. I watch the wind play with the trash that's been under the snow all winter. Everything seems simple until you think about it. Why is love intensified by absence?
Long ago, men went to sea, and women waited for them, standing on the edge of the water, scanning the horizon for the tiny ship. Now I wait for Henry. He vanishes unwillingly, without warning. I wait for him. Each moment that I wait feels like a year, an eternity. Each moment is as slow and transparent as glass. Through each moment I can see infinite moments lined up, waiting. Why has he gone where I cannot follow?
”
”
Audrey Niffenegger
“
I'm tired of everlastingly being unnatural and never doing anything I want to do. I'm tired of acting like I don't eat more than a bird, and walking when I want to run and saying I feel faint after a waltz, when I could dance for two days and never get tired. I'm tired of saying, 'How wonderful you are!' to fool men who haven't got one-half the sense I've got, and I'm tired of pretending I don't know anything, so men can tell me things and feel important while they're doing it.
”
”
Margaret Mitchell (Gone With The Wind)
“
I’m so tired of having more faith in the arrows that are being fired at me than the shield that God has given to protect me.
”
”
Annie F. Downs (Walking Free: Taking Small Steps to a Big God)
“
We have to walk around being perfect all the time just to be seen as human. Don't you ever get tired of being a symbol? Don't you ever just want to be human?
”
”
Christina Hammonds Reed (The Black Kids)
“
I especially loved to walk around at night and catch glimpses through windows of strangers living their lives. So many different dinnertimes, so many different work hours. Everyone was different ages, different races. Some people were resting, some laboring, some all alone, some celebrating in boisterous company. I never tired of moving through these scenes. I relished the sensation of being one small dot of humanity in a larger ocean of souls.
”
”
Elizabeth Gilbert (City of Girls)
“
Involved. At least that was the right word, Alsana reflected, as she liftes her foot off the pedal, and let the wheel spin a few times alone before coming to a squeaky halt. Sometimes, here in England, especially at bus-stops and on the daytime soaps, you heard people say “We’re involved with each other,” as if this were a most wonderful state to be in, as if one chose it and enjoyed it. Alsana never thought of it that way. Involved happened over a long period of time, pulling you in like quicksand. Involved is what befell the moon-faced Alsana Begum and the handsome Samad Miah one week after they’d been pushed into a Delhi breakfast room together and informed they were to marry. Involved was the result when Clara Bowden met Archie Jones at the bottom of some stairs. Involved swallowed up a girl called Ambrosia and a boy called Charlie (yes, Clara had told her that sorry tale) the second they kissed in the larder of a guest house. Involved is neither good, nor bad. It is just a consequence of living, a consequence of occupation and immigration, of empires and expansion, of living in each other’s pockets… one becomes involved and it is a long trek back to being uninvolved. And the woman was right, one didn’t do it for one’s health. Nothing this late in the century was done with health in mind. Alsana was no dummy when it came to the Modern Condition. She watched the talk shows, all day long she watched the talk shows — My wife slept with my brother, My mother won’t stay out of my boyfriend’s life — and the microphone holder, whether it be Tanned Man with White Teeth or Scary Married Couple, always asked the same damn silly question: But why do you feel the need…? Wrong! Alsana had to explain it to them through the screen. You blockhead; they are not wanting this, they are not willing it — they are just involved, see? They walk IN and they get trapped between the revolving doors of those two v’s. Involved. Just a tired inevitable fact. Something in the way Joyce said it, involved — wearied, slightly acid — suggested to Alsana that the word meant the same thing to hear. An enormous web you spin to catch yourself.
”
”
Zadie Smith (White Teeth)
“
Fat people—especially very fat people, like me—are frequently met with screwed-up faces insisting on health and concern. Often, we defend ourselves by insisting that concerns about our health are wrongheaded, rooted in faulty and broad assumptions. We rattle off our test results and hospital records, citing proudly that we’ve never had a heart attack, hypertension, or diabetes. We proudly recite our gym schedules and the contents of our refrigerators. Many fat people live free from the complications popularly associated with their bodies. Many fat people don’t have diabetes, just as many fat people do have loving partners despite common depictions of us. Although we are not thin, we proudly report that we are happy and we are healthy. We insist on our goodness by relying on our health. But what we mean is that we are tired of automatically being seen as sick. We are exhausted from the work of carrying bodies that can only be seen as doomed. We are tired of being heralded as dead men walking, undead specters from someone else’s morality tale.
”
”
Aubrey Gordon (What We Don't Talk About When We Talk About Fat)
“
You didn’t want to put in the work to make us happen.”
It was true. I had been so captivated by Duncan, so enamored, so infatuated, that I let his life drown mine for two years. I went along, and when I got tired of it, tired of it just being easy and comfortable and convenient but not love, I ended it. And that was why I had the man in my lobby looking at me like there were still places for us to go.
I had let him believe that he was my whole world, let him be everything, and then one day just stopped loving him and walked away. It was something I did, something I had always done—poured on the charm, made myself into the ideal partner, lover, friend, indispensable and irreplaceable, and then, when I got bored or tired or tapped out, instead of fighting, I just quit. It was wildly unfair, and the only people I didn’t do it with were my family. Even my friends complained that I was always around and then just gone.
Nathan Qells
”
”
Mary Calmes (Acrobat)
“
Many peoples practiced agriculture, but they were never obsessed by the delusion that what they were doing was *right*, that everyone in the entire world had to practice agriculture, that every last square yard of the planet had to be devoted to it...
If they got tired of being agriculturalists, if they found they didn't like where it was leading them in their particular adaptation, they were *able* to give it up. They didn't say to themselves, 'Well, we've got to keep going at this even if it kills us, because its the *right* way to live.' For example, there was once a people who constructed a vast network of irrigation canals in order to farm the deserts of what is now southeastern Arizona. They maintained these canals for three thousand years and built a fairly advanced civilization, but in the end they were free to say, 'This is a toilsome and unsatisfying way to live, so to hell with it.' They simply walked away from the whole thing and put it so totally out of mind that we don't even know what they called themselves. The only name we have for them is the one the Pima Indians gave them: Hohokam--those who vanished.
But it's not going to be this easy for the Takers. It's going to be hard as hell for them to give it up, because what they're doing is *right*... Giving it up would mean that all along they'd been *wrong*. It would mean they'd *never* known how to rule the world. It would mean relinquishing their pretensions to godhood.... It would mean spitting out the fruit of that tree and giving the rule of the world back to the gods.
”
”
Daniel Quinn (Ishmael: An Adventure of the Mind and Spirit (Ishmael, #1))
“
Humans haunt more houses than ghosts do. Men and women assign value to brick and mortar, link their identities to mortgages paid on time. On frigid winter nights, young mothers walk their fussy babies from room to room, learning where the rooms catch drafts and where the floorboards creak. In the warm damp of summer, fathers sit on porches, sometimes worried and often tired but comforted by the fact that a roof is up there providing shelter. Children smudge up walls with dirty handprints, find nooks to hide their particular treasure, or hide themselves if need be. We live and die in houses, dream of getting back to houses, take great care in considering who will inherit the houses when we’re gone.
”
”
Angela Flournoy (The Turner House)
“
is it just me or does it seem like the gods have a vendetta against us?" Hector
"They want us dead" Aricles
"Ah, good. I'm not the only one who's noticed. And here I thought it was just me." Hector
"It is disconcerting, isn't it? And battle isn't all I thought it'd be." Galen
"Is that remorse I hear?" Aricles
"It's remorse. I keep going back to that day on the farm when they came to recruit us. Do you remember what you said to me while we packed?" Galen
"Not to forget your cloak?" Aricles
"You told me that battle wouldn't be the same as the war games I' played. That the day would come when I'd grow tired of walking through blood-saturated fields." Galen
"And has that day come brother?" Aricles
Galen nodded.
”
”
Sherrilyn Kenyon (Dark Bites (Dark-Hunter #22.5; Hellchaser, #0.5; Dream-Hunter, #0.5; Were-Hunter, #3.5))
“
How are you?
I'm shattered, thanks, how are you? I walk aimlessly through the rooms of my house, what have you been up to? I have woken up in the middle of the last 240 nights in a heart-pounding sweat, what's new with you? I sometimes wish I would never wake up, have you been on vacation this year? I ache for the arms of my sweetheart to hold me tight, how's your family? I feel barren and useless and creepy and mundane, seen any good movies lately? I'm terrified that I'll feel this way forever, I like that sweater you're wearing. I keep seeing his body on the hospital gurney, don't you love this weather. My broken heart is in my throat, let's do lunch. I'm so completely and utterly tired of being sad, thanks, how are you?
”
”
Christine Silverstein
“
She was talking too loud now, shouting almost, and a long silence followed. Why was she being like this? He was only trying to help. In what way did he benefit from this friendship? He should get up and walk away, that’s what he should do. They turned to look at each other at the same time.
“Sorry,” he said.
“No, I’m sorry.”
“What are you sorry for?”
“Rattling on like a….mad cow. I’m sorry, I’m tired, bad day, and I’m sorry for being…so boring.”
“You’re not that boring.”
“I am, Dex. God, I swear, I bore myself.”
“Well you don’t bore me.” He took her hand in his. “You couldd never bore me. You’re one in a million, Em.”
“I’m not even one in three.”
He kicked her foot with his. “Em?”
“What?”
“Just take it, will you? Just shut up and take it.
”
”
David Nicholls (One Day)
“
Faith is belief in what you cannot see or prove or touch. Faith is walking face-first and full-speed into the dark. If we truly knew all the answers in advance as to the meaning of life and the nature of God and the destiny of our souls, our belief would not be a leap of faith and it would not be a courageous act of humanity; it would just be . . . a prudent insurance policy.
I’m not interested in the insurance industry. I’m tired of being a skeptic, I’m irritated by spiritual prudence and I feel bored and parched by empirical debate. I don’t want to hear it anymore. I couldn’t care less about evidence and proof and assurances. I just want God. I want God inside me. I want God to play in my bloodstream the way sunlight amuses itself on water.
”
”
Elizabeth Gilbert (Eat, Pray, Love)
“
After we left Serra,” Keenan says, “we’d been walking—running, really, for hours. When we finally stopped and settled into our rolls for the night, she looked up and said, ‘The stars are so different when you’re free.’” Keenan shakes his head. “After running all day, eating hardly anything, and being so tired she couldn’t take another step, she fell asleep smiling at the sky.
”
”
Sabaa Tahir (A Torch Against the Night (An Ember in the Ashes, #2))
“
And it’s not just Freddy to watch for in a place like this. Wishmaster could step into the passage between the two cells, use his drug dealer voice to ask her if she’d like to walk through these solid bars to freedom, and if Jade was tired enough, she might not remember to word this wish with utmost care, and end up being pulled like taffy through the steel bars. No thank you.
”
”
Stephen Graham Jones (My Heart Is a Chainsaw (The Indian Lake Trilogy, #1))
“
Beauty exists everywhere in the world. Love resides in all of us. That’s the point. I only…I only want to deepen that. Show that there can be—that there should be—substance in it all. Of course a bride on her wedding day is beautiful, but that radiance doesn’t diminish in old age, when she’s too tired to keep up with whatever ridiculous fashions the shops and salons put out. I know Arina smiles upon an old couple walking down the road together, hand in hand, firm in their commitment to one another. There is love in caring for the sick, the weak, the ugly. A wilting flower holds just as much splendor as one on the cusp of opening. People are so quick to idolize the fresh and the new. They fetishize it.” He rubbed at his forehead, his eyes bright with fervor. “Why should we celebrate one without the other?
”
”
Erin A. Craig (House of Roots and Ruin (Sisters of the Salt, #2))
“
I'm tired of waking up at 7 a.m. And I'm tired of making breakfast, getting dressed, brushing my teeth, walking to the bus, coming to school, going to lessons and stying there as the day grows darker. My legs are tired and my hips are tired, and my ankles are aching, and my head always feels like I've just done an exam. I find it hard to keep focused on a thought without thinking about thinking about that thought. And I'm finding it hard even talking to you now. And you know what I'm most tired of? Knowing that this is just the start, that I'll only get more tired as I get older, that I'll have a life of being ___
”
”
Thomas Morris (We Don't Know What We're Doing)
“
After growing tired of walking to work every day, I gave up and purchased a bus pass for the first time in two years. My version of “wealth” was being able to take public transport every day like a rich person.
”
”
Guillaume Morissette (The Original Face)
“
Being in company forces one to jostle, hamper, walk at the wrong speed for others. When walking it’s essential to find your own basic rhythm, and maintain it. The right basic rhythm is the one that suits you, so well that you don’t tire and can keep it up for ten hours. But it is highly specific and exact. So that when you are forced to adjust to someone else’s pace, to walk faster or slower than usual, the body follows badly.
”
”
Frédéric Gros (A Philosophy of Walking)
“
A few years ago, Ed and I were exploring the dunes on Cumberland Island, one of the barrier islands between the Atlantic Ocean and the mainland of south Georgia. He was looking for the fossilized teeth of long-dead sharks. I was looking for sand spurs so that I did not step on one. This meant that neither of us was looking very far past our own feet, so the huge loggerhead turtle took us both by surprise. She was still alive but just barely, her shell hot to the touch from the noonday sun. We both knew what had happened. She had come ashore during the night to lay her eggs, and when she had finished, she had looked around for the brightest horizon to lead her back to the sea. Mistaking the distant lights on the mainland for the sky reflected on the ocean, she went the wrong way. Judging by her tracks, she had dragged herself through the sand until her flippers were buried and she could go no farther. We found her where she had given up, half cooked by the sun but still able to turn one eye up to look at us when we bent over her. I buried her in cool sand while Ed ran to the ranger station. An hour later she was on her back with tire chains around her front legs, being dragged behind a park service Jeep back toward the ocean. The dunes were so deep that her mouth filled with sand as she went. Her head bent so far underneath her that I feared her neck would break. Finally the Jeep stopped at the edge of the water. Ed and I helped the ranger unchain her and flip her back over. Then all three of us watched as she lay motionless in the surf. Every wave brought her life back to her, washing the sand from her eyes and making her shell shine again. When a particularly large one broke over her, she lifted her head and tried her back legs. The next wave made her light enough to find a foothold, and she pushed off, back into the water that was her home. Watching her swim slowly away after her nightmare ride through the dunes, I noted that it is sometimes hard to tell whether you are being killed or saved by the hands that turn your life upside down.
”
”
Barbara Brown Taylor (Learning to Walk in the Dark: Because Sometimes God Shows Up at Night)
“
Being a feminist in principle is easy compared to being a feminist in practice. For men and women, living each day in practical defiance of thousands of years of gender-based streaming is so much harder than walking in marches, running workshops, and writing blog posts. It means questioning everything you do, moment by moment, day by day. It means thinking differently and making dozens of conscious decisions every day that you might have made on auto-pilot before. It's hard. It's taxing. It's tiring.
”
”
Terry Fallis (Poles Apart)
“
We may force a dog, sometimes, to act like a man—to walk on his hind legs and wear a collar and so forth. But we shouldn’t and couldn’t force a man to act like a man. Did you ever want to fall asleep? When you weren’t sleepy or even tired?” He nodded. “That was because you wanted to put down the burden of being a boy, at least for a time. Sometimes I drink too much wine, and that is because for a while I would like to stop being a man. Sometimes people take their own lives for that reason. Did you know that?
”
”
Gene Wolfe (Sword & Citadel (The Book of the New Sun, #3-4))
“
I smoked my first pipe with Seth. I knew the stuff was bad, but I was so tired of being the cop, begging and ragging at him, throwing Pampers in his face when he walked in the door. I wanted to be on the same side again. So I smoked with Seth one afternoon when the girls were napping, and oh my God, I can only think about this for a minute or every part of me will turn into a mouth wanting more: the sexiness of it, fucking Seth like wild for the first time in months, going on even when the girls started to whimper and bang on the door. Then looking out the window and seeing the world shake itself to life: the heavy trees, the sky. And I was back on top. We were going to make it, Seth and I. The voice in my head was back again, telling me stories, too many to write down or even tell one from another.
”
”
Jennifer Egan (The Keep)
“
Missing you
I wish I could hold you in my arms again all through the night.
As we lay together I hold you so tight.
To feel your soft skin up against mine as we sleep.
I feel your breath on my skin and it feels so deep.
If this is a dream and you’re not real I do not wish to wake.
I’m hoping this is true and I enjoy this time we take.
Two souls together as one with a single beating heart.
I’m thankful for this time and never want to be apart.
I don’t want to rise and greet the new day.
I want you here forever and wish you could stay.
As the sun rises and god knows I try.
I awake alone and then begin to cry.
For you have left me and now its ben a year.
I think of you often as I wipe away a tear.
I miss you so much as I take a deep breath.
I will see you again when It’s time for my death.
I want you to know that you are my love.
I think of you often when I look at the stars above.
I walk in a daze and talk to your stone.
I want to be with you I’m tired of being alone.
The day is over and night time is here.
I wait for you again and in my arms you appear.
For tonight is different and you won’t have to leave.
Were together again and I’m happy, so please dont grieve.
John a Miller
”
”
John A. Miller
“
For the first readers of Hebrews, it is appealing because they are tired—“tired of serving the world, tired of worship, tired of Christian education, tired of being peculiar and whispered about in society, tired of the spiritual struggle, tired of trying to keep their prayer life going, tired even of Jesus. The threat . . . is not that they are charging off in the wrong direction; they do not have enough energy to charge off anywhere. . . . Tired of walking the walk, many of them are considering taking a walk, leaving the community and falling away from the faith” (Long, Hebrews, 3). Throughout
”
”
Edward Fudge (Hebrews: Ancient Encouragement for Believers Today)
“
The Truth the Dead Know
For my Mother, born March 1902, died March 1959
and my Father, born February 1900, died June 1959
Gone, I say and walk from church,
refusing the stiff procession to the grave,
letting the dead ride alone in the hearse.
It is June. I am tired of being brave.
We drive to the Cape. I cultivate
myself where the sun gutters from the sky,
where the sea swings in like an iron gate
and we touch. In another country people die.
My darling, the wind falls in like stones
from the whitehearted water and when we touch
we enter touch entirely. No one's alone.
Men kill for this, or for as much.
And what of the dead? They lie without shoes
in the stone boats. They are more like stone
than the sea would be if it stopped. They refuse
to be blessed, throat, eye and knucklebone.
Anne Sexton was a model who became a confessional poet, writing about intimate aspects of her life, after her doctor suggested that she take up poetry as a form of therapy. She studied under Robert Lowell at Boston University, where Sylvia Plath was one of her classmates. Sexton won the Pulitzer Prize for Poetry in 1967, but later committed suicide via carbon monoxide poisoning. Topics she covered in her poems included adultery, masturbation, menstruation, abortion, despair and suicide.
”
”
Anne Sexton
“
Sunday night is my personal weekly Halloween.
I walk along slowly and drag my fingertips along the bars of chocolate. Goddamn, you sexy little squares. Dark, milk, white, I do not discriminate. I eat it all. Those fluorescent sour candies that only obnoxious little boys like. I suck candy apples clean. If an envelope seal is sweet, I’ll lick it twice. Growing up, I was that kid who would easily get lured into a van with the promise of a lollipop.
Sometimes, I let the retail seduction last for twenty minutes, ignoring Marco and feeling up the merchandise, but I’m so tired of male voices.
“Five bags of marshmallows,” Marco says in a resigned tone. “Wine. And a can of cat food.”
“Cat food is low carb.” He makes no move to scan anything, so I scan each item myself and unroll a few notes from my tips. “Your job involves selling things. Sell them. Change, please.”
“I just don’t know why you do this to yourself.” Marco looks at the register with a moral dilemma in his eyes. “Every week you come and do this.”
He hesitates and looks over his shoulder where his sugar book sits under a layer of dust. He knows not to try to slip it into my bag with my purchases.
“I don’t know why you care, dude. Just serve me. I don’t need your help.” He’s not entirely wrong about my being an addict. I would lick a line of icing sugar off this counter right now if no one were around. I would walk into a cane plantation and bite right in... “Give me my change or I swear to God …” I squeeze my eyes shut and try to tamp down my temper. “Just treat me like any other customer.”
He gives me a few coins’ change and bags my sweet, spongy drugs.
”
”
Sally Thorne (99 Percent Mine)
“
Kiriona said, “Where is she?”
Nona didn’t know what to say. The corpse prince urged—
“Come on. Where’d she go? Where is she?”
“I don’t know who you’re talking about,” said Nona miserably.
“Listen, she can be in hell for all I care, I won’t get mad,” said Kiriona. “She can be at the bottom of the sea or the bottom of space. I just need to know— where.”
When Nona didn’t answer, the corpse prince said—
“Okay. Different question. Do you love her?”
“Take a walk, Nav,” said a new voice.
It was Pyrrha, at the back of the truck, looking stretched thin and worn out. There were long, healing grazes going up both of her arms, like she’d taken a tumble since Nona had last saw her, extending up to her cheeks and on the underside of her chin and upper lip. Her hard, familiar face looked impossibly tired.
Kiriona said, “Kind of pretending to be dead here.”
“All right. We’ll take a walk. Don’t go anywhere and stop being a little shit,” said Pyrrha.
“It’s genetic,” said the corpse prince.
”
”
Tamsyn Muir (Nona the Ninth (The Locked Tomb, #3))
“
You’ve just got to stay out of the outcomes, Lucas. It’s not that you walked Connor out here to meet me that’s weighing you down. It’s the fact that you’re holding yourself responsible for whether it works out or not. You can take your brother to some meetings without turning yourself inside out. Trouble is, you take on the responsibility of being the one who sees to it that he recovers. Want to know why that stuff takes so much out of you? Easy. It’s all stuff that’s out of your control. You’re trying to change things that’re not within your control to change. And whenever you try to do something that’s impossible to do, you’re going to find yourself a little on the tired side. Make sense?” “Yeah,” I said. “It does.
”
”
Catherine Ryan Hyde (Stay)
“
She could smell the wrongness in the air and it made her wolf nervous. It felt like something was watching them, as if the wrongness had an intelligence— and it didn't help to remember that at least one of the people they were hunting could hide from their senses.
Anna fought the urge to turn around, to take Charles's hand or slide under his arm and let his presence drive away the wrongness. Once, she would have, but now she had the uneasy feeling that he might back away as he almost had when she sat on his lap in the boat, before Brother Wolf had taken over.
Maybe he was just tired of her. She had been telling everyone that there was something wrong with him...but Bran knew his son and thought the problem was her. Bran was smart and perceptive; she ought to have considered that he was right.
Charles was old. He'd seen and experienced so much—next to him she was just a child. His wolf had chosen her without consulting Charles at all. Maybe he'd have preferred someone who knew more. Someone beautiful and clever who...
"Anna?" said Charles. "What's wrong? Are you crying?" He moved in front of her and stopped, forcing her to stop walking, too.
She opened her mouth and his fingers touched her wet cheeks.
"Anna," he said, his body going still. "Call on your wolf."
"You should have someone stronger," she told him miserably. "Someone who could help you when you need it, instead of getting sent home because I can't endure what you have to do. If I weren't Omega, if I were dominant like Sage, I could have helped you."
"There is no one stronger," Charles told her. "It's the taint from the black magic. Call your wolf."
"You don't want me anymore," she whispered. And once the words were out she knew they were true. He would say the things that he thought she wanted to hear because he was a kind man. But they would be lies. The truth was in the way he closed down the bond between them so she wouldn't hear things that would hurt her. Charles was a dominant wolf and dominant wolves were driven to protect those weaker than themselves. And he saw her as so much weaker.
"I love you," he told her. "Now, call your wolf."
She ignored his order—he knew better than to give her orders. He said he loved her; it sounded like the truth. But he was old and clever and Anna knew that, when push came to shove, he could lie and make anyone believe it. Knew it because he lied to her now—and it sounded like the truth.
"I'm sorry," she told him. "I'll go away—"
And suddenly her back was against a tree and his face was a hairsbreadth from hers. His long hot body was pressed against her from her knees to her chest—he'd have to bend to do that. He was a lot taller than her, though she wasn't short.
Anna shuddered as the warmth of his body started to penetrate the cold that had swallowed hers. Charles waited like a hunter, waited for her to wiggle and see that she was truly trapped. Waited while she caught her breathe. Waited until she looked into his eyes.
Then he snarled at her. "You are not leaving me."
It was an order, and she didn't have to follow anyone's orders. That was part of being Omega instead of a regular werewolf—who might have had a snowball's chance in hell of being a proper mate.
"You need someone stronger," Anna told him again. "So you wouldn't have to hide when you're hurt. So you could trust your mate to take care of herself and help, damn it, instead of having to protect me from whatever you are hiding." She hated crying. Tears were weaknesses that could be exploited and they never solves a damn thing. Sobs gathered in her chest like a rushing tide and she needed to get away from him before she broke.
Instead of fighting his grip, she tried to slide out of it. "I need to go," she said to his chest. "I need—"
His mouth closed over hers, hot and hungry, warming her mouth as his body warmed her body.
"Me," Charles said, his voice dark and gravelly as if it had traveled up from the bottom of the earth,...
”
”
Patricia Briggs (Fair Game (Alpha & Omega, #3))
“
How are things going with your brothers?”
“The judge set a date to hear me out after graduation. Mrs.Collins has been prepping me.”
“That is awesome!”
“Yeah.”
“What’s wrong?”
“Carrie and Joe hired a lawyer and I lost visitation.”
Echo placed her delicate hand over mine.“Oh, Noah. I am so sorry."
I’d spent countless hours on the couch in the basement, staring at the ceiling wondering what she was doing. Her laughter, her smile, the feel of her body next to mine, and the regret that I let her walk away too easily haunted me. Taking the risk, I entwined my fingers with hers. Odds were I’d never get the chance to be this close again. "No, Mrs. Collins convinced me the best thing to do is to keep my distance and follow the letter of the law."
"Wow, Mrs. Collins is a freaking miracle worker. Dangerous Noah Hutchins on the straight and narrow. If you don’t watch out she’ll ruin your rep with the girls."
I lowered my voice. "Not that it matters. I only care what one girl thinks about me."
She relaxed her fingers into mine and stroked her thumb over my skin.
Minutes into being alone together, we fell into each other again, like no time had passed. I could blame her for ending us, but in the end, I agreed with her decision. “How about you, Echo? Did you find your answers?”
“No.”
If I continued to disregard breakup rules, I might as well go all the way. I pushed her curls behind her shoulder and let my fingers linger longer than needed so I could enjoy the silky feel. “Don’t hide from me, baby. We’ve been through too much for that.”
Echo leaned into me, placing her head on my shoulder and letting me wrap an arm around her. “I’ve missed you, too, Noah. I’m tired of ignoring you.”
“Then don’t.” Ignoring her hurt like hell. Acknowledging her had to be better.
I swallowed, trying to shut out the bittersweet memories of our last night together. “Where’ve you been? It kills me when you’re not at school.”
“I went to an art gallery and the curator showed some interest in my work and sold my first piece two days later. Since then, I’ve been traveling around to different galleries, hawking my wares.”
“That’s awesome, Echo. Sounds like you’re fitting into your future perfectly.
Where did you decide to go to school?”
“I don’t know if I’m going to school.”
Shock jolted my system and I inched away to make sure I understood. “What the fuck do you mean you don’t know?
You’ve got colleges falling all over you and you don’t fucking know if you want to go to school?”
My damned little siren laughed at me. “I see your language has improved.”
Poof—like magic, the anger disappeared.
“If you’re not going to school, then what are your plans?”
"I’m considering putting college off for a year or two and traveling cross-country, hopping from gallery to gallery.”
“I feel like a dick. We made a deal and I left you hanging. I’m not that guy who goes back on his word. What can I do to help you get to the truth?”
Echo’s chest rose with her breath then deflated when she exhaled. Sensing our moment ending, I nuzzled her hair, savoring her scent. She patted my knee and broke away. “Nothing. There’s nothing you can do.”
"I think it’s time that I move on. As soon as I graduate, this part of my life will be over. I’m okay with not knowing what happened.” Her words sounded pretty, but I knew her better. She’d blinked three times in a row.
”
”
Katie McGarry (Pushing the Limits (Pushing the Limits, #1))
“
In interviews with riders that I've read and in conversations that I've had with them, the same thing always comes up: the best part was the suffering. In Amsterdam I once trained with a Canadian rider who was living in Holland. A notorious creampuff: in the sterile art of track racing he was Canadian champion in at least six disciplines, but when it came to toughing it out on the road he didn't have the character.
The sky turned black, the water in the ditch rippled, a heavy storm broke loose. The Canadian sat up straight, raised his arms to heaven and shouted: 'Rain! Soak me! Ooh, rain, soak me, make me wet!'
How can that be: suffering is suffering, isn't it?
In 1910, Milan—San Remo was won by a rider who spent half an hour in a mountain hut, hiding from a snowstorm. Man, did he suffer!
In 1919, Brussels—Amiens was won by a rider who rode the last forty kilometers with a flat front tire. Talk about suffering! He arrived at 11.30 at night, with a ninety-minute lead on the only other two riders who finished the race. The day had been like night, trees had whipped back and forth, farmers were blown back into their barns, there were hailstones, bomb craters from the war, crossroads where the gendarmes had run away, and riders had to climb onto one another's shoulders to wipe clean the muddied road signs.
Oh, to have been a rider then. Because after the finish all the suffering turns into memories of pleasure, and the greater the suffering, the greater the pleasure. That is Nature's payback to riders for the homage they pay her by suffering. Velvet pillows, safari parks, sunglasses: people have become woolly mice. They still have bodies that can walk for five days and four nights through a desert of snow, without food, but they accept praise for having taken a one-hour bicycle ride. 'Good for you.' Instead of expressing their gratitude for the rain by getting wet, people walk around with umbrellas. Nature is an old lay with few suitors these days, and those who wish to make use of her charms she rewards passionately.
That's why there are riders.
Suffering you need; literature is baloney.
”
”
Tim Krabbé (The Rider)
“
Beth pulled herself away from Ian and walked forward, sticking out her hand. “I’m very well, thank you so much for inquiring. The journey was tiring but uneventful, no problems on the lines, and no Fenian bombs at any of the stations.”
Hart shot Ian a scowl.
“She is fond of jokes,” Ian said.
“Is she?” Hart answered, his voice cool.
“I am also fond of chocolate, and of raspberry fool.” Beth curled her ignored hand at her side. “At the moment I’d be fond of a cool drink of water and a soft bed.”
Hart spoke directly to her for a change. “I don’t recall sending for you, Mrs. Ackerley. You’d even now be reclining on a soft bed if you’d gone upstairs with the maid.”
Beth’s heart hammered. “The only person I ever allowed to send for me, Your Grace, was Mrs. Barrington, and that was because she paid me wages.”
Hart’s brows drew fiercely together, and Ian said, “Leave her be, Hart.
”
”
Jennifer Ashley (The Madness of Lord Ian Mackenzie (Mackenzies & McBrides, #1))
“
Linc didn't know if it was his imagination, but the streets seemed to have gotten older and dirtier - more so, surely, then was possible in the time that had gone by. What he remembered as the center of where the action was, and where all of life happened had turned into tired and shabby remnants of an age that was running down.
Had the store fronts always been so grubby with their cloudy windows, half hearted displays, the paint around the doors dulled and peeling like the once-high hopes of some forgotten opening day long ago? Had trash always stunk like this, piled in alleys and strewn along the gutters?
Above it all, high-rental buildings that had once thrust proudly toward the sky crumbled silently amid the winds, the rain, and the corrosive fames eating into them. They had degenerated into cheap hotels and apartments while business fled the cities for manicured office parks by the interstates.
But the people no longer stopped to gaze at these buildings, in any case. The figures on the sidewalks hurried on, avoiding each other's eyes, enwrapped in their own isolation.
Even those who stood or walked together aimed words at each other from behind facades that had become so second nature that even they themselves now mistook them for the persons atrophying within.
A city of brooding shells, inhabited by beings who hid inside shells.
”
”
James P. Hogan (Outward Bound)
“
I jumped up, my hands in the air. “Yes!”
Lend laughed. “Okay, looks like I need to make a run to the grocery store. Do faeries hate wheat or white bread more, you think?”
“Get bread with raisins,” I said. “Everyone hates raisins.”
Jack was bouncing, obviously excited. “That’s all we need, right?”
“We need Reth.”
“No,” Lend and Jack whined in unison.
“Come on, you two. Reth knows the Faerie Realms better than you do. Jack, you didn’t see where the people were; it might take you a while to find them, and that’s time we can’t afford to lose. And Reth’s getting worse; being there might give him more time.”
Lend scowled, grabbing the car keys off the counter. “Fine. But I’m really getting tired of his stupid smirk and prissy clothes.”
Jack nodded. “And his voice that sounds like it’d even taste good. Really, it’s overkill. Best to have only a few absolutely perfect traits—for example, my hair and eyes and sparkling personality—so you don’t overwhelm them.”
“Aww, are you guys jealous of how pretty Reth is? That’s kind of adorable.”
“You know I could look exactly like him,” Lend said, frowning darkly.
“Please for the love of all that is good and holy, never, ever wear Reth. That’s the stuff of nightmares.”
That brightened his face a bit and he left me with a lingering kiss and a promise to be back with every loaf of bread we could carry.
“Well, go find your stupid faerie boyfriend,” Jack said, lying down on top of the counter and drumming his fingers on his stomach. “I haven’t filled my quota for pissing off the Dark Court yet this week.”
“We are going to blow your quote sky high.”
He held up a hand and I high-fived him as I walked past and out of the house toward the trail. Yet again. I should have invested in a dirt bike or something given the amount of mileage I was getting out of the path between the house and the pond.
”
”
Kiersten White (Endlessly (Paranormalcy, #3))
“
Competition is the spice of sports; but if you make spice the whole meal you'll be sick.
The simplest single-celled organism oscillates to a number of different frequencies, at the atomic, molecular, sub-cellular, and cellular levels. Microscopic movies of these organisms are striking for the ceaseless, rhythmic pulsation that is revealed. In an organism as complex as a human being, the frequencies of oscillation and the interactions between those frequencies are multitudinous. -George Leonard
Learning any new skill involves relatively brief spurts of progress, each of which is followed by a slight decline to a plateau somewhat higher in most cases than that which preceded it…the upward spurts vary; the plateaus have their own dips and rises along the way…To take the master’s journey, you have to practice diligently, striving to hone your skills, to attain new levels of competence. But while doing so–and this is the inexorable–fact of the journey–you also have to be willing to spend most of your time on a plateau, to keep practicing even when you seem to be getting nowhere. (Mastery, p. 14-15).
Backsliding is a universal experience. Every one of us resists significant change, no matter whether it’s for the worse or for the better. Our body, brain and behavior have a built-in tendency to stay the same within rather narrow limits, and to snap back when changed…Be aware of the way homeostasis works…Expect resistance and backlash. Realize that when the alarm bells start ringing, it doesn’t necessarily mean you’re sick or crazy or lazy or that you’ve made a bad decision in embarking on the journey of mastery. In fact, you might take these signals as an indication that your life is definitely changing–just what you’ve wanted….Be willing to negotiate with your resistance to change.
Our preoccupation with goals, results, and the quick fix has separated us from our own experiences…there are all of those chores that most of us can’t avoid: cleaning, straightening, raking leaves, shopping for groceries, driving the children to various activities, preparing food, washing dishes, washing the car, commuting, performing the routine, repetitive aspects of our jobs….Take driving, for instance. Say you need to drive ten miles to visit a friend. You might consider the trip itself as in-between-time, something to get over with. Or you could take it as an opportunity for the practice of mastery. In that case, you would approach your car in a state of full awareness…Take a moment to walk around the car and check its external condition, especially that of the tires…Open the door and get in the driver’s seat, performing the next series of actions as a ritual: fastening the seatbelt, adjusting the seat and the rearview mirror…As you begin moving, make a silent affirmation that you’ll take responsibility for the space all around your vehicle at all times…We tend to downgrade driving as a skill simply because it’s so common. Actually maneuvering a car through varying conditions of weather, traffic, and road surface calls for an extremely high level of perception, concentration, coordination, and judgement…Driving can be high art…Ultimately, nothing in this life is “commonplace,” nothing is “in between.” The threads that join your every act, your every thought, are infinite. All paths of mastery eventually merge.
[Each person has a] vantage point that offers a truth of its own.
We are the architects of creation and all things are connected through us.
The Universe is continually at its work of restructuring itself at a higher, more complex, more elegant level . . . The intention of the universe is evolution.
We exist as a locus of waves that spreads its influence to the ends of space and time.
The whole of a thing is contained in each of its parts.
We are completely, firmly, absolutely connected with all of existence.
We are indeed in relationship to all that is.
”
”
George Leonard
“
I wish to Heaven I was married,” she said resentfully as she attacked the yams with loathing. “I’m tired of everlastingly being unnatural and never doing anything I want to do. I’m tired of acting like I don’t eat more than a bird, and walking when I want to run and saying I feel faint after a waltz, when I could dance for two days and never get tired. I’m tired of saying ‘How wonderful you are!’ to fool men who haven’t got one-half the sense I’ve got, and I’m tired of pretending I don’t know anything, so men can tell me things and feel important while they’re
”
”
Margaret Mitchell (Gone With the Wind)
“
Yet I also felt, for the first time, truly and sincerely pissed. It was enough already. Enough! I’d reached that point that comes in the life of most anxiety sufferers when, fed up by the constant waking torture, dejected and buckled but not yet crushed, they at last turn to their anxiety, to themselves, and say, “Listen here: Fuck you. Fuck you! I am sick and fucking tired of this bullshit. I refuse to let you win. I am not going to take it anymore. You are ruining my fucking life and you MUST FUCKING DIE!” Unfortunately, this approach rarely solves the problem. Anxiety doesn’t bend to absolutism. You have to take a subtler, more reasoned approach. But that doesn’t mean anger is totally unhelpful. Being pissed off is a strong cocktail for the will. It stiffens the spine. It strengthens resolve. It makes a person less willing to run away from the anxiety and more willing to walk into it, which you’re going to have to do, ultimately, if you don’t want to end up a complete agoraphobic. Anger breeds defiance, and defiance is inspiriting. It’s good to refuse to give in to anxiety. You just have to know how much you can take.
”
”
Daniel B. Smith (Monkey Mind: A Memoir of Anxiety)
“
Originally, the word power meant able to be. In time, it was contracted to mean to be able. We suffer the difference. Iwas waiting for a plane when I overheard two businessmen. One was sharing the good news that he had been promoted, and the other, in congratulation, said, “More power to you.” I've heard this expression before, but for some reason, I heard it differently this time and thought, what a curious sentiment. As a good wish, the assumption is that power is the goal. Of course, it makes a huge difference if we are wishing others worldly power or inner power. By worldly power, I mean power over things, people, and situations—controlling power. By inner power, I mean power that comes from being a part of something larger—connective power. I can't be certain, but I'm fairly sure the wish here was for worldly power, for more control. This is commonplace and disturbing, as the wish for more always issues from a sense of lack. So the wish for more power really issues from a sense of powerlessness. It is painfully ironic that in the land of the free, we so often walk about with an unspoken and enervating lack of personal freedom. Yet the wish for more controlling power will not set us free, anymore than another drink will quench the emptiness of an alcoholic in the grip of his disease. It makes me think of a game we played when I was nine called King of the Hill, in which seven or eight of us found a mound of dirt, the higher the better, and the goal was to stand alone on top of the hill. Once there, everyone else tried to throw you off, installing themselves as King of the Hill. It strikes me now as a training ground for worldly power. Clearly, the worst position of all is being King of the Hill. You are completely alone and paranoid, never able to trust anyone, constantly forced to spin and guard every direction. The hills may change from a job to a woman to a prized piece of real estate, but those on top can be so enslaved by guarding their position that they rarely enjoy the view. I always hated King of the Hill—always felt tense in my gut when king, sad when not, and ostracized if I didn't want to play. That pattern has followed me through life. But now, as a tired adult, when I feel alone and powerless atop whatever small hill I've managed to climb, I secretly long for anyone to join me. Now, I'm ready to believe there's more power here together.
”
”
Mark Nepo (The Book of Awakening: Having the Life You Want by Being Present to the Life You Have)
“
I wish to Heaven I was married,” she said resentfully as she attacked the yams with loathing. “I’m tired of everlastingly being unnatural and never doing anything I want to do. I’m tired of acting like I don’t eat more than a bird, and walking when I want to run and saying I feel faint after a waltz, when I could dance for two days and never get tired. I’m tired of saying ‘How wonderful you are!’ to fool men who haven’t got one-half the sense I’ve got, and I’m tired of pretending I don’t know anything, so men can tell me things and feel important while they’re doing it…. I can’t eat another bite.
”
”
Margaret Mitchell (Gone with the Wind)
“
The Devil One evening after my brother disciple and I had walked thirty miles in the mountains, we stopped to rest two miles beyond Kedarnath. I was very tired and soon fell asleep, but my sleep was restless because of my extreme fatigue. It was cold and I did not have a blanket to wrap around me, so I put my hands around my neck to keep warm. I rarely dream. I had dreamt only three or four times in my life, and all of my dreams had come true. That night I dreamt that the devil was choking my throat with strong hands. I felt as though I were suffocating. When my brother disciple saw my breath rhythm change and realized that I was experiencing considerable discomfort, he came to me and woke me up. I said, “Somebody was choking my throat!” Then he told me that my own hands were choking my throat. That which you call the devil is part of you. The myth of the devil and of evil is imposed on us by our ignorance. The human mind is a great wonder and magician. It can assume the form of both a devil and a divine being any time it wishes. It can be a great enemy or a great friend, creating either hell or heaven for us. There are many tendencies hidden in the unconscious mind which must be uncovered, faced, and transcended before one intends to tread the path of enlightenment.
”
”
Swami Rama (Living With the Himalayan Masters)
“
This place is real swanky," Nigel said, staring up at the chandelier.
"Yeah, I'm afraid to breathe too hard," Neil confessed.
"Me, too," Meryn said, walking into the room her eyes half closed. Ryuu steered her to the table. She sat down and placed her cheek on the wood surface. "Ryuu, I can't do this anymore. I need coffee, real coffee. I'm tired of being fucking tired."
Ryuu stared down at her. "We'll try one cup and see how you do." He left and headed to the kitchen.
Nigel elbowed her side and bopped his head toward Meryn.
"Nigel, Neil, meet Meryn McKenzie. Meryn, when you're conscious, you can meet Nigel and Neil Morninglory."
"Word," Meryn croaked.
”
”
Alanea Alder (My Guardian (Bewitched and Bewildered #6))
“
Walking to the door, I stare into Johnny Depp’s eyes and my gut sinks. “I’m sorry. You’ve been a good imaginary boyfriend, but I’m a grown-up now. There’s no room in my life for a boyfriend. Not even an imaginary one.” But he just stares at me. “Don’t look at me like that.” But he does. He’s torturing me.
I sigh tiredly and rub at my forehead. “Don’t make this any harder than it has to be. Please, Johnny. It’s over.” I’m getting a headache. I take my time pulling him down with the utmost care, rolling him up and putting a rubber band around him. I hold him in my hands and walk him over to the recycling bin. I lift the lid and put him in. I slowly close the lid and turn around.
”
”
Belle Aurora (Sugar Rush (Friend-Zoned, #3))
“
the agonisingly stilted telephone call with George. Chapter 5 Disturbing Siesta Time Marigold deigned to join me for a stroll around the village in lieu of the promised dip. An enormous pair of rather glamorous sunglasses paired with a jaunty wide-brimmed straw sunhat, obscured her face, making it impossible to read her expression though I guessed she was still miffed at being deprived of her swim. As we walked past the church and the village square the leafy branches of the plane trees offered a shaded canopy against the sun. Our steps turned towards one of the narrow lanes that edged upwards through the village, the ancient cobbles worn smooth and slippery from the tread of donkeys and people. The sound of a moped disturbed the peace of the afternoon and we hastily jumped backwards at its approach, pressing our bodies against a wall as the vehicle zapped past us, the pensioned-off rider’s shouted greeting muffled by the noisy exhaust. Carrier bags of shopping dangling from the handlebars made me reflect the moped was the modern day equivalent of the donkey, though less useful; the old man was forced to dismount and cart the bags of shopping on foot when the cobbled lane gave way to steps. Since adapting to village life we had become less reliant on wheels. Back in Manchester we would have thought nothing of driving to the corner shop, but here in Meli we delighted in exploring on foot, never tiring of discovering
”
”
V.D. Bucket (Bucket To Greece, Volume Three)
“
Don Juan had said that any habit was, in essence, a “doing,” and that a doing needed all its parts in order to function. If some parts were missing, a doing was disassembled. By doing, he meant any coherent and meaningful series of actions. In other words, a habit needed all its component actions in order to be a live activity. La Gorda then described how she had stalked her own weakness of eating excessively. She said that the Nagual had suggested she first tackle the biggest part of that habit, which was connected with her laundry work; she ate whatever her customers fed her as she went from house to house delivering her wash. She expected the Nagual to tell her what to do, but he only laughed and made fun of her, saying that as soon as he would mention something for her to do, she would fight not to do it. He said that that was the way human beings are; they love to be told what to do, but they love even more to fight and not do what they are told, and thus they get entangled in hating the one who told them in the first place. For many years she could not think of anything to do to stalk her weakness. One day, however, she got so sick and tired of being fat that she refused to eat for twenty-three days. That was the initial action that broke her fixation. She then had the idea of stuffing her mouth with a sponge to make her customers believe that she had an infected tooth and could not eat. The subterfuge worked not only with her customers, who stopped giving her food, but with her as well, as she had the feeling of eating as she chewed on the sponge. La Gorda laughed when she told me how she had walked around with a sponge stuffed in her mouth for years until her habit of eating excessively had been broken. “Was that all you needed to stop your habit?” I asked. “No. I also had to learn how to eat like a warrior.” “And how does a warrior eat?” “A warrior eats quietly, and slowly, and very little at a time. I used to talk while I ate, and I ate very fast, and I ate lots and lots of food at one sitting. The Nagual told me that a warrior eats four mouthfuls of food at one time. A while later he eats another four mouthfuls and so on.
”
”
Carlos Castaneda (Second Ring of Power)
“
Haven’t even fucked her yet and she’s shuddering under my touch.
It’s in this moment that I know I’m done waiting.
Done waiting for her to fully come to me.
I’m over being patient.
Gabriella is going to be mine in every way I can have her.
“You can walk away from this right now. Today. I will allow it. You’re tired and I prefer you get some decent rest if you won’t get it here.”
“Allow?”
My hand circles around the front of her throat, unable to not touch her in any way that I can. I feel like a beggar needing water who’s just been handed a jug. All I want to do is roam over her skin and memorize how every silky inch feels. I know my touch is possessive and out of fucking order, seeing as only hours ago she was still treating me as her boss only. But she made that switch when she turned up, didn’t she? She can’t take that back now.
“Yes, allow. I gave you time to come to me. Here you are, Gabriella. Now you can put us in my hands.”
She blinks and I feel the pulse in her delicate throat start to jump. What she doesn’t do is move out from under my hands. I feel as though she’s gifted me a prize. So close to her, her scent is arresting, she smells fucking good, lickable.
She sucks her lower lip between her teeth and I want to bite it hard.
“What… what does that even mean?”
“It means you can no longer deny what we are, cara. It’s time for me to make the decisions in how we proceed from here. No more waiting.”
“What are we?”
“An explosion.
”
”
V. Theia (Manhattan Target (From Manhattan #6))
“
He who had known the ceaseless worship of angels came to be a slave to men. Preaching, teaching, healing the sick, and raising the dead were parts of his ministry, of course, and the parts we might consider ourselves willing to do for God if that is what He asked. He could be seen to be God in those. But Jesus also walked miles in dusty heat. He healed, and people forgot to thank Him. He was pressed and harried by mobs of exigent people, got tired and hungry, was "tailed" and watched and pounced upon by suspicious, jealous, self-righteous religious leaders, and in the end was flogged and spat on and stripped and had nails hammered through His hands.
He relinquished the right (or the honour) of being publicly treated as equal with God.
”
”
Elisabeth Elliot (Discipline: The Glad Surrender)
“
Burnout is very real. I see it in my practice on a daily basis. Men and women from every age and walk of life are so overwhelmed they can hardly function.” “Maybe they’re just working too hard.” “A common misconception. A person can suffer from burnout even if they’re a couch potato. You can burn out from being idle just like you can burn out from success. The common denominator is prolonged frustration.” “Spinning your wheels.” “Exactly. The feeling that no matter what you do you’re in the same place as you were yesterday. That there’s simply no reason to continue because you’d still be sunk in the same mire, running on the same treadmill, dancing the same tired dance. The housewife, the cop, the slacker, or the business tycoon can all suffer from burnout.” Cal
”
”
Joe Ide (IQ)
“
The Truth the Dead Know"
For my Mother, born March 1902, died March 1959
and my Father, born February 1900, died June 1959
Gone, I say and walk from church,
refusing the stiff procession to the grave,
letting the dead ride alone in the hearse.
It is June. I am tired of being brave.
We drive to the Cape. I cultivate
myself where the sun gutters from the sky,
where the sea swings in like an iron gate
and we touch. In another country people die.
My darling, the wind falls in like stones
from the whitehearted water and when we touch
we enter touch entirely. No one's alone.
Men kill for this, or for as much.
And what of the dead? They lie without shoes
in their stone boats. They are more like stone
than the sea would be if it stopped. They refuse
to be blessed, throat, eye and knucklebone.
”
”
Anne Sexton
“
Nacarat Room Poems
May 24, 2012
thursday
Sightless Substance
Ghosts with no substance flit across my mind,
Jiggle they the knob, keys seek they to find.
They with no substance, spirits that are no more,
Want to enter in through memories closed door.
Shadows now shifting, no longer with meaning,
Rattle the windows in their unseemly seemings.
The past heaves upon my somber, tired soul,
And all my days do they quietly show.
Memories ache and love draws deep,
Upon my entrenched soul and my tower keep.
Oh immortal with a mortal’s bound soul,
Emptiness within, its fullness does know.
And I a fool to the time at hand,
My day fades away in the timeless land.
Give me this day Your daily bread,
So that I may not sojourn in the
land of the dead.
Let me not grasp an empty hand,
But let us walk forth, God and man.
”
”
Douglas M. Laurent
“
Since we’ve ruled out another man as the explanation for all this, I can only assume something has gone wrong at Havenhurst. Is that it?”
Elizabeth seized on that excuse as if it were manna from heaven. “Yes,” she whispered, nodding vigorously.
Leaning down, he pressed a kiss on her forehead and said teasingly, “Let me guess-you discovered the mill overcharged you?” Elizabeth thought she would die of the sweet torment when he continued tenderly teasing her about being thrifty. “Not the mill? Then it was the baker, and he refused to give you a better price for buying two loaves instead of one.”
Tears swelled behind her eyes, treacherously close to the surface, and Ian saw them. “That bad?” he joked, looking at the suspicious sheen in her eyes. “Then it must be that you’ve overspent your allowance.” When she didn’t respond to his light probing, Ian smiled reassuringly and said, “Whatever it is, we’ll work it out together tomorrow.”
It sounded as though he planned to stay, and that shook Elizabeth out of her mute misery enough to say chokingly, “No-it’s the-the masons. They’re costing much more than I-I expected. I’ve spent part of my personal allowance on them besides the loan you made me for Havenhurst.”
“Oh, so it’s the masons,” he grinned, chuckling. “You have to keep your eye on them, to be sure. They’ll put you in the poorhouse if you don’t keep an eye on the mortar they charge you for. I’ll have to talk with them in the morning.”
“No!” she burst out, fabricating wildly. “That’s just what has me so upset. I didn’t want you to have to intercede. I wanted to do it all myself. I have it all settled now, but it’s been exhausting. And so I went to the doctor to see why I felt so tired. He-he said there’s nothing in the world wrong with me. I’ll come home to Montmayne the day after tomorrow. Don’t wait here for me. I know how busy you are right now. Please,” she implored desperately, “let me do this, I beg you!”
Ian straightened and shook his head in baffled disbelief, “I’d give you my life for the price of your smile, Elizabeth. You don’t have to beg me for anything. I do not want you spending your personal allowance on this place, however. If you do,” he lied teasingly, “I may be forced to cut it off.” Then, more seriously, he said, “If you need more money for Havenhurst, just tell me, but your allowance is to be spent exclusively on yourself. Finish your brandy,” he ordered gently, and when she had, he pressed another kiss on her forehead. “Stay here as long as you must. I have business in Devon that I’ve been putting off because I didn’t want to leave you. I’ll go there and return to London on Tuesday. Would you like to join me there instead of at Montmayne?”
Elizabeth nodded.
“There’s just one thing more,” he finished, studying her pale face and strained features. “Will you give me your word the doctor didn’t find anything at all to be alarmed about?”
“Yes,” Elizabeth said. “I give you my word.”
She watched him walk back into his own bed chamber. The moment his door clicked into its latch Elizabeth turned over and buried her face in the pillows. She wept until she thought there couldn’t possibly be any more tears left in her, and then she wept harder.
Across the room the door leading out into the hall was opened a crack, and Berta peeked in, then quickly closed it. Turning to Bentner-who’d sought her counsel when Ian slammed the door in his face and ripped into Elizabeth-Berta said miserably, “She’s crying like her heart will break, but he’s not in there anymore.”
“He ought to be shot!” Bentner said with blazing contempt.
Berta nodded timidly and clutched her dressing robe closer about her. “He’s a frightening man, to be sure, Mr. Bentner.
”
”
Judith McNaught (Almost Heaven (Sequels, #3))
“
The moon: in that luminous face one can behold those tired phases that bring only disappointment and no satisfaction; the impulses governing its expression remain patternistic, its cycles of transition easily predictable. With moderated temperament it commands the capricious sea: its diametric opponent, in whose helpless defiance, arises an empty, albeit elegant promise, an ever-changing flicker of reflected light, a simultaneous opening and closing of paths to be traversed, a vacillating hope and disillusionment in whose unsettling direction emerges something one might wish to call, even under the hardened visage of sky, a marginal sense of freedom. To walk upon the decks of ramshackle vessels rising and descending in patterns indeterminate, to lean in ecstasy over their shaky rails to witness the splendor of that which transforms immediately upon being witnessed and which transforms thereby the witness in question: it was these flights of reverie that appealed better to one’s imagination than the lean pragmatism of predictable transition.
”
”
Ashim Shanker (Inward and Toward (Migrations, #3))
“
Indeed, it was delightful to read a man's writing again. It was so direct, so straightforward after the writing of women. It indicated such freedom of mind, such liberty of person, such confidence in himself. One had a sense of physical well-being, free mind, which had never been thwarted or opposed, but had had full liberty from birth to stretch itself in whatever way it liked. All this was admirable. But after reading a chapter or two a shadow seemed to lie across the page. It was a straight dark bar, a shadow shaped something like the letter "I." One began dodging this way and that to catch a glimpse of the landscape behind it. Whether that was indeed a tree or a woman walking I was not quite sure. Back one was always hailed to the letter "I." One began to be tired of "I." Not but what this "I" was a most respectable "I"; honest and logical; as hard as a nut, and polished for centuries by good teaching and good feeding. I respect and admire that "I" from the bottom of my heart. But- here I turned a page or two, looking for something or other - the worst of it is that in the shadow of the letter "I" all is shapeless as mist. Is that a tree? No, it is a woman. But... she has not a bone in her body.
”
”
Virginia Woolf (A Room of One’s Own)
“
Don’t worry,” he said flippantly, taking her arm and starting to walk back toward the house. “I’m not going to make the ritualistic proposal that followed our last encounters. Marriage is out of the question. Among other things, I’m fresh out of large rubies and expensive furs this season.”
Despite his joking tone, Elizabeth felt ill at how ugly those words sounded now, even though her reasons for saying them at the time had nothing to do with a desire for jewels or furs. You had to give him credit, she decided miserably, because he obviously took no offense at it. Evidently, in sophisticated flirtations, the rule was that no one took anything seriously.
“Who’s the leading contender these days?” he asked in that same light tone as the cottage came into view. “There must be more than Belhaven and Marchman.”
Elizabeth struggled valiantly to make the same transition from heated passion to flippancy that he seemed to find so easy. She wasn’t quite so successful, however, and her light tone was threaded with confusion. “In my uncle’s eyes, the leading contender is whoever has the most important title, followed by the most money.”
“Of course,” he said dryly. “In which case it sounds as if Marchman may be the lucky man.”
His utter lack of caring made Elizabeth’s heart squeeze in an awful, inexplicable way. Her chin lifted in self-defense. “Actually, I’m not in the market for a husband,” she informed him, trying to sound as indifferent and as amused as he. “I may have to marry someone if I can’t continue to outmaneuver my uncle, but I’ve come to the conclusion that I’d like to marry a much older man than I.”
“Preferably a blind one,” he said sardonically, “who’ll not notice a little affair now and then?”
“I meant,” she informed him with a dark glance, “that I want my freedom. Independence. And that is something a young husband isn’t likely to give me, while an elderly one might.”
“Independence is all an old man will be able to give you,” Ian said blntly.
“That’s quite enough,” she said. “I’m excessively tired of being forever pushed about by the men in my life. I’d like to care for Havenhurst and do as I wish to do.”
“Marry an old man,” Ian interjected smoothly, “and you may be the last of the Camerons.”
She looked at him blankly.
“He won’t be able to give you children.”
“Oh, that,” Elizabeth said, feeling a little defeated and nonplussed. “I haven’t been able to work that out yet.”
“Let me know when you do,” Ian replied with biting sarcasm. “There’s a fortune to be made from a discovery like that one.
”
”
Judith McNaught (Almost Heaven (Sequels, #3))
“
Right now he needed to concentrate on keeping himself under control. Inside, his gut churned. There was a war going on. The joy of holding his son again clashed with the waves of anger that rose higher and higher with each passing moment. He thought he had known why Pete had arrived at the farm. He had pushed the fork into the soil and watched the earth turn over sure that the truth of their tragedy was about to be laid before them. He had watched the dry earth give up the rich brown soil and wanted to stay there forever in the cold garden just watching his fork move the earth. He had not wanted to hear what Pete had to say. And now this..this..What did you call this? A miracle? What else could it be? But this miracle was tainted. He was not holding the same boy he had taken to the Easter Show.
This thin child with shaved hair was not the Lockie he knew. Someone had taken that child. They had taken his child and he could feel by the weight of him they had starved him. Someone had done this to him. They had done this and god knew what else. Doug walked slowly into the house, trying to find the right way to break the news to Sarah.
She was lying down in the bedroom again. These days she spent more time there than anywhere else. Doug walked slowly through the house to the main bedroom at the back. It was the only room in the house whose curtains were permanently closed.
How damaged was his child? Would he ever be the same boy they had taken up to the Show ? What had been done to him? Dear God, what had been done to him? His ribs stuck out even under the jumper he was wearing. It was not his jumper. He had been dressed in shorts and a T-shirt, perfect for the warm day. He had a cap with a Bulldogs logo. What could have happened to his clothes? How long had he had the jumper?Doug bit his lip. First things first.
He opened the bedroom door cautiously and looked into the gloom. Sarah was on her back. Her mouth was slightly open. She was fast asleep. The room smelled musty with the heater on. Sarah slept tightly wrapped in her covers. Doug swallowed. He wanted to run into the room whooping and shouting that Lockie was home but Sarah was so fragile he had no idea how she would react. He walked over to the window and opened the curtains. Outside it was getting dark already but enough light entered the room to wake Sarah up. She moaned and opened her eyes.
‘Oh god, Doug, please just close them. I’m so tired.’
Doug sat down on the bed and Sarah turned her back to him. She had not looked at him. Lockie opened his eyes and looked around the room.
‘Ready to say hello to Mum, mate?’ Doug asked.
‘Hi, Mum,’ said Lockie to his mother’s back. His voice had changed. It was deeper and had an edge to it. He sounded older. He sounded like someone who had seen too much. But Sarah would know it was her boy.
Doug saw Sarah’s whole body tense at the sound of Lockie’s voice and then she reached her arm behind her and twisted the skin on her back with such force Doug knew she would have left a mark.
‘It’s not a dream, Sarah,’ he said quietly. ‘He’s home.’
Sarah sat up, her eyes wide.
‘Hi, Mum,’ said Lockie again.
‘Hello, my boy,’ said Sarah softly. Softly, as though he hadn’t been missing for four months. Softly, as though he had just been away for a day.
Softly, as though she hadn’t been trying to die slowly.
Softly she said, ‘Hello, my boy.’
Doug could see her chest heaving.
‘We’ve been looking for you,’ she said, and then she held out her arms. Lockie climbed off Doug’s lap and onto his mother’s legs. She wrapped her arms around him and pushed her nose into his neck, finding his scent and identifying her child. Lockie buried his head against her breasts and then he began to cry. Just soft little sobs that were soon matched by his mother’s tears. Doug wanted them to stop but tears were good. He would have to get used to tears.
”
”
Nicole Trope (The Boy Under the Table)
“
them—or something like it. They even got the Doctor some tobacco one day, when he had finished what he had brought with him and wanted to smoke. At night they slept in tents made of palm leaves, on thick, soft beds of dried grass. And after a while they got used to walking such a lot and did not get so tired and enjoyed the life of travel very much. But they were always glad when the night came and they stopped for their resting time. Then the Doctor used to make a little fire of sticks; and after they had had their supper, they would sit round it in a ring, listening to Polynesia singing songs about the sea, or to Chee-Chee telling stories of the jungle. And many of the tales that Chee-Chee told were very interesting. Because although the monkeys had no history books of their own before Doctor Dolittle came to write them for them, they remember everything that happens by telling stories to their children. And Chee-Chee spoke of many things his grandmother had told him—tales of long, long, long ago, before Noah and the Flood—of the days when men dressed in bearskins and lived in holes in the rock and ate their mutton raw because they did not know what cooking was, never having seen a fire. And he told them of the great mammoths, and lizards as long as a train, that wandered over the mountains in those times, nibbling from the treetops. And often they got so interested listening that when he had finished they found their fire had gone right out, and they had to scurry around to get more sticks and build a new one. Now, when the King’s army had gone back and told the King that they couldn’t find the Doctor, the King sent them out again and told them they must stay in the jungle till they caught him. So all this time, while the Doctor and his animals were going along toward the Land of the Monkeys, thinking themselves quite safe, they were still being followed by the King’s men. If Chee-Chee had known this, he would most likely have hidden them again. But he didn’t know it. One day Chee-Chee climbed up a high rock and looked out over the treetops. And when he came down he said they were now quite close to the Land of the Monkeys and would soon be there. And that same evening, sure enough, they saw Chee-Chee’s cousin and a lot of other monkeys, who had not yet gotten sick, sitting in the trees by the edge of a swamp, looking and waiting for them. And when they saw the famous doctor really come, these monkeys made a tremendous noise, cheering and waving leaves and swinging out of the branches to greet him. They wanted to carry his bag and his trunk and everything he had. And one of the bigger ones even carried Gub-Gub, who had gotten
”
”
Hugh Lofting (The Story of Doctor Dolittle (Doctor Dolittle Series))
“
When we pulled up to Marlboro Man’s house, I saw my Camry sitting in his driveway. I didn’t expect it to be there; I figured it was still on Marlboro Man’s parents’ road, sitting all crooked in the ditch where I’d left it the night before. Marlboro Man had already fixed it, fishing it out of the ditch and repairing the mangled tires and probably, knowing him, filling the tank with gas.
“Oh, thank you so much,” I said as we walked toward the front door. “I thought maybe I’d killed it.”
“Aw, it’s fine,” he replied. “But you might want to learn to drive before you get in it again.” He flashed his mischievous grin.
I slugged him in the arm as he laughed. Then he lunged at me, grabbing my arms and using his leg to sweep my supporting leg right out from under me. Within an instant, he had me on the ground, right on the soft, green grass of his front yard. I shrieked and screamed, trying in vain to wrestle my way out of his playful grasp, but my wimpy upper body was no match for his impossible strength. He tickled me, and being the most ticklish human in the Northern Hemisphere, I screamed bloody murder. Afraid I’d wet my pants (it was a valid concern), I fought back the only way I knew how--by grabbing and untucking his shirt from his Wranglers…and running my hand up his back, poking at his rib cage.
The tickling suddenly stopped. Marlboro Man propped himself on his elbows, holding my face in his hands. He kissed me passionately and seriously, and what started as a playful wrestling match became an impromptu make-out session in his front yard. It was an unlikely place for such an event, and considering it was at the very beginning of our night together, an unlikely time. But it was also strangely perfect. Because sometime during all the laughing and tickling and wrestling and rolling around in the grass, my worry and concern over my parents’ troubles had magically melted away.
Only when the chiggers began biting did Marlboro Man suggest an alternate plan. “Let’s go inside,” he said. “I’m cooking dinner.” Yummy, I thought. That means steak. And as we walked into the house, I smiled contentedly, realizing that the stress of the previous twenty-four hours had all but disappeared from view. And I knew it, even then: Marlboro Man, not only that night but in the months to come, would prove to be my savior, my distraction, my escape in the midst of troubles, my strength in the face of upheaval, my beauty in times of terrible, heartbreaking ugliness. He held my heart entirely in his hands, this cowboy, and for the first time in my life, despite everything I’d ever believed about independence and feminism and emotional autonomy, I knew I’d be utterly incomplete without him.
Talk about a terrifying moment.
”
”
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
“
If you can keep your head when all about you
Are losing theirs and blaming it on you,
If you can trust yourself when all men doubt you,
But make allowance for their doubting too;
If you can wait and not be tired by waiting,
Or being lied about, don’t deal in lies,
Or being hated, don’t give way to hating,
And yet don’t look too good, nor talk too wise: If you can dream—and not make dreams your master;
If you can think—and not make thoughts your aim;
If you can meet with Triumph and Disaster
And treat those two imposters just the same;
If you can bear to hear the truth you’ve spoken
Twisted by knaves to make a trap for fools,
Or watch the things you gave your life to, broken,
And stoop and build ‘em up with worn-out tools: If you can make one heap of all your winnings
And risk it on one turn of pitch-and-toss,
And lose, and start again at your beginnings
And never breathe a word about your loss;
If you can force your heart and nerve and sinew
To serve your turn long after they are gone,
And so hold on when there is nothing in you
Except the Will which says to them: ‘Hold on!’
If you can talk with crowds and keep your virtue,
Or walk with Kings—nor lose the common touch,
If neither foes nor loving friends can hurt you,
If all men count with you, but none too much;
If you can fill the unforgiving minute
With sixty seconds’ worth the distance run,
Yours is the Earth and everything that’s in it,
And—which is more—you’ll be a Man, my son! —Rudyard Kipling
”
”
Pavit Kaur (Stolen Years: A Memoir of Simranjit Singh Mann’s Imprisonment)
“
IF
If you can keep your head when all about you Are losing theirs and blaming it on you; If you can trust yourself when all men doubt you, But make allowance for their doubting too: If you can wait and not be tired by waiting, Or, being lied about, don’t deal in lies, Or being hated don’t give way to hating, And yet don’t look too good, nor talk too wise;
If you can dream—and not make dreams your master; If you can think—and not make thoughts your aim, If you can meet Triumph and Disaster And treat those two impostors just the same: If you can bear to hear the truth you’ve spoken Twisted by knaves to make a trap for fools, Or watch the things you gave your life to, broken, And stoop and build ’em up with worn-out tools;
If you can make one heap of all your winnings And risk it on one turn of pitch-and-toss. And lose, and start again at your beginnings, And never breathe a word about your loss: If you can force your heart and nerve and sinew To serve your turn long after they are gone, And so hold on when there is nothing in you Except the Will which says to them: “Hold on!”
If you can talk with crowds and keep your virtue, Or walk with Kings—nor lose the common touch, If neither foes nor loving friends can hurt you, If all men count with you, but none too much: If you can fill the unforgiving minute With sixty seconds’ worth of distance run, Yours is the Earth and everything that’s in it, And—which is more—you’ll be a Man, my son!
RUDYARD KIPLING
”
”
Wayne W. Dyer (Wisdom of the Ages: A Modern Master Brings Eternal Truths into Everyday Life)
“
If you can keep your head when all about you
Are losing theirs and blaming it on you,
If you can trust yourself when all men doubt you,
But make allowance for their doubting too;
If you can wait and not be tired by waiting,
Or being lied about, don’t deal in lies,
Or being hated, don’t give way to hating,
And yet don’t look too good, nor talk too wise:
If you can dream—and not make dreams your master;
If you can think—and not make thoughts your aim;
If you can meet with Triumph and Disaster
And treat those two impostors just the same;
If you can bear to hear the truth you’ve spoken
Twisted by knaves to make a trap for fools,
Or watch the things you gave your life to, broken,
And stoop and build ’em up with worn-out tools:
If you can make one heap of all your winnings
And risk it on one turn of pitch-and-toss,
And lose, and start again at your beginnings
And never breathe a word about your loss;
If you can force your heart and nerve and sinew
To serve your turn long after they are gone,
And so hold on when there is nothing in you
Except the Will which says to them: ‘Hold on!’
If you can talk with crowds and keep your virtue,
Or walk with Kings—nor lose the common touch,
If neither foes nor loving friends can hurt you,
If all men count with you, but none too much;
If you can fill the unforgiving minute
With sixty seconds’ worth of distance run,
Yours is the Earth and everything that’s in it,
And—which is more—you’ll be a Man, my son!
”
”
Rudyard Kipling (Rewards and Fairies)
“
(‘Brother Square-Toes’—Rewards and Fairies)
If you can keep your head when all about you
Are losing theirs and blaming it on you,
If you can trust yourself when all men doubt you,
But make allowance for their doubting too;
If you can wait and not be tired by waiting,
Or being lied about, don’t deal in lies,
Or being hated, don’t give way to hating,
And yet don’t look too good, nor talk too wise:
If you can dream—and not make dreams your master;
If you can think—and not make thoughts your aim;
If you can meet with Triumph and Disaster
And treat those two impostors just the same;
If you can bear to hear the truth you’ve spoken
Twisted by knaves to make a trap for fools,
Or watch the things you gave your life to, broken,
And stoop and build ’em up with worn-out tools:
If you can make one heap of all your winnings
And risk it on one turn of pitch-and-toss,
And lose, and start again at your beginnings
And never breathe a word about your loss;
If you can force your heart and nerve and sinew
To serve your turn long after they are gone,
And so hold on when there is nothing in you
Except the Will which says to them: ‘Hold on!’
If you can talk with crowds and keep your virtue,
Or walk with Kings—nor lose the common touch,
If neither foes nor loving friends can hurt you,
If all men count with you, but none too much;
If you can fill the unforgiving minute
With sixty seconds’ worth of distance run,
Yours is the Earth and everything that’s in it,
And—which is more—you’ll be a Man, my son!
”
”
Rudyard Kipling (All the Mowgli Stories)
“
I’m going to sleep now,” she said in a strangled voice. “Alone,” she added, and his face whitened as if she had slapped him.
During his entire adult life Ian had relied almost as much on his intuition as on his intellect, and at that moment he didn’t want to believe in the explanation they were both offering. His wife did not want him in her bed; she recoiled from his touch; she had been away for two consecutive nights; and-more alarming than any of that-guilt and fear were written all over her pale face.
“Do you know what a man thinks,” he said in a calm voice that belied the pain streaking through him, “when his wife stays away at night and doesn’t want him in her bed when she does return?”
Elizabeth shook her head.
“He thinks,” Ian said dispassionately, “that perhaps someone else has been taking his place in it.”
Fury sent bright flags of color to her pale cheeks.
“You’re blushing, my dear,” Ian said in an awful voice.
“I am furious!” she countered, momentarily forgetting that she was confronting a madman.
His stunned look was replaced almost instantly by an expression of relief and then bafflement. “I apologize, Elizabeth.”
“Would you p-lease get out of here!” Elizabeth burst out in a final explosion of strength. “Just go away and let me rest. I told you I was tired. And I don’t see what right you have to be so upset! We had a bargain before we married-I was to be allowed to live my life without interference, and quizzing me like this is interference!” Her voice broke, and after another narrowed look he strode out of the room.
Numb with relief and pain, Elizabeth crawled back into bed and pulled the covers up under her chin, but not even their luxurious warmth could still the alternating chills and fever that quaked through her. Several minutes later a shadow crossed her bed, and she almost screamed with terror before she realized it was Ian, who had entered silently though the connecting door of their suite.
Since she’d gasped aloud when she saw him, it was useless to pretend she was sleeping. In silent dread she watched him walking toward her bed. Wordlessly he sat down beside her, and she realized there was a glass in his hand. He put it on the bedside table, then he reached behind her to prop up her pillows, leaving Elizabeth no choice but to sit up and lean back against them. “Drink this,” he instructed in a calm tone.
“What is it?” she asked suspiciously.
“It’s brandy. It will help you sleep.”
He watched while she sipped it, and when he spoke again there was a tender smile in his voice. “Since we’ve ruled out another man as the explanation for all this, I can only assume something has gone wrong at Havenhurst. Is that it?”
Elizabeth seized on that excuse as if it were manna from heaven. “Yes,” she whispered, nodding vigorously.
Leaning down, he pressed a kiss on her forehead and said teasingly, “Let me guess-you discovered the mill overcharged you?” Elizabeth thought she would die of the sweet torment when he continued tenderly teasing her about being thrifty. “Not the mill? Then it was the baker, and he refused to give you a better price for buying two loaves instead of one.”
Tears swelled behind her eyes, treacherously close to the surface, and Ian saw them. “That bad?” he joked.
”
”
Judith McNaught (Almost Heaven (Sequels, #3))
“
I’ve been so mean to my body, outright hateful. I disparage her and call her names, I loathe parts of her and withhold care. I insist on physical standards she can never reach, for that is not how she is even made, but I detest her weakness for not pulling it off. I deny her things she loves depending on the current fad: bread, cheddar cheese, orange juice, baked potatoes. I push her too hard and refuse her enough rest. No matter what she accomplishes, I’m never happy with her. I’ve barely acknowledged her role in every precious experience of my life. I look at her with contempt. And yet every morning, no matter how terrible I have been to her, she gets us out of bed, nurtures the family, meets the needs of the day. She tells me when I am hungry or tired and sends special red-alert signals when I am overwhelmed or scared. She has safely gotten me to and from a thousand cities with fresh energy. She flushes with red wine, which she loves, which is pretty cute. She walked the Cliffs of Moher in Ireland, the red dirt of Uganda, the steep opulence of Santorini, the ruins of Pompeii. She senses danger, trouble, land mines; she is never wrong. Every single time, she tells me when not to say something. She has cooked ten thousand meals. She prays without being told to; sometimes I realize she is whispering to God for us. She walks and cooks and lifts and hugs and types and drives and cleans and holds babies and rests and laughs and does everything in her power to live another meaningful, connected day on this earth. She sure does love me and my life and family. Maybe it is time to stop hating her and just love her back.
”
”
Jen Hatmaker (Fierce, Free, and Full of Fire: The Guide to Being Glorious You)
“
Lfr Jp tZ~ LLtI~
A righteous [woman] who walks in [her] integrity-how blessed are [her] sons after [her].
-PROVERBS 20:7
My Bob often says, "Just do what you say you are going to do!" This has been our battle cry for more than 25 years. People get into relational problems because they forget to keep their promises. It's so easy to make a verbal promise for the moment and then grapple with the execution of that promise later.
Sometimes we underestimate the consequences of not keeping the promise flippantly made in a moment of haste. Many times we aren't even aware we have made a promise. Someone says, "I'll call you at 7:00 tonight"; "I'll drop by before noon"; or "I'll call you to set up a breakfast meeting on Wednesday." Then the weak excuses begin to follow. "I called but no one answered" (even though you have voice mail and no message was left). "I got tied up and forgot." "I was too tired."
I suggest that we don't make promises if we aren't going to keep them. The person on the other end would prefer not hearing a promise that isn't going to be kept.
Yes, there will be times when the execution of a promise will have to be rescheduled, but be up front with the person when you call to change the time. We aren't perfect, but we can mentor proper relationship skills to our friends and family by exhibiting accountability in our words of promise. We teach people that we are trustworthy-and how they can be trusted too.
You'll be pleased at how people will pleasantly be surprised when you keep your promises. As my friend Florence Littauer says, "It takes so little to be above average." When you develop a reputation for being a woman who does what she says, your life will have more meaning and people will enjoy being around you.
”
”
Emilie Barnes (The Tea Lover's Devotional)
“
On the ride back to my house, I asked Marlboro Man all about his parents. Where they’d met, how long they’d been married, what they were like together. He asked the same about mine. We held hands, reflecting on how remarkable it was that both his and my parents had been married in excess of thirty years. “That’s pretty cool,” he said. “It’s unusual nowadays.”
And it was. During my years in Los Angeles, I’d always taken comfort in the fact that my parents’ marriage was happy and stable. I was among the few in my California circle of friends who’d come from an intact family, and I felt fortunate that I’d always been able to declare that my parents were still together. I was happy that Marlboro Man could say the same. It gave me some sense of security, an assurance that the man I was falling more in love with every day had parents who still loved each other. Marlboro Man kissed my hand, caressing my thumb with his. “It’s a good sign,” he said. The sun was beginning to set. We rode to my house in peaceful silence.
He walked me to the door, and we stopped at the porch step, my favorite porch step in the whole world. Some of the most magical moments had happened there, and that night was no different. “I’m so glad you came today,” he said, wrapping his arms around me in an affectionate embrace. “I liked you being there.”
“Thanks for having me,” I said, gladly receiving his soft, sweet kiss on my cheek. “I’m sorry I wrecked with your mom in the car.”
“That’s okay,” he replied. “I’m sorry about your car.”
“It’s no big deal,” I said. “I’ll be out there at five A.M. tomorrow with a crowbar and get to fixing those tires.”
He laughed, then wrapped his arms tighter for a final, glorious hug. “Good night,” he whispered. You beautiful man, you.
I floated into the house on clouds, despite the fact that I no longer had a car.
”
”
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
“
You know," he said, 'for what it's worth, the justice system is supposed to be this purveyor of right and wrong, good and had. But sometimes, I think it gets it wrong almost as much as it gets it right. I've had to learn that, too, and it's hard to accept. What do you do when the things that are supposed to protect you, fail you like that??
'I was so naïve,' Pip said. 'I practically handed Max Hastings to them, after everything came out last year. And I truly believed it was some kind of victory, that the bad would be punished. Because it was the truth, and the truth was the most important thing to me. It's all I believed in, all I cared about: finding the truth, no matter the cost. And the truth was that Max was guilty and he would face justice. But justice doesn't exist, and the truth doesn't matter, not in the real world, and now they've just handed him right back.
'Oh, justice exists,' Charlie said, looking up at the rain. 'Maybe not the kind that happens in police stations and courtrooms, but it does exist. And when you really think about it, those words - good and bad, right and wrong- they don't really matter in the real world. Who gets to decide what they mean: those people who just got it wrong and let Max walk free? No,' he shook his head. 'I think we all get to decide what good and bad and right and wrong mean to us, not what we're told to accept. You did nothing wrong. Don't beat yourself up
for other people's mistakes.' She turned to him, her stomach clenching. But that doesn't matter now. Max has won.'
'He only wins if you let him.' 'What can I do about it?' she asked.
'From listening to your podcast, sounds to me like there's not much you can't do.'
'I haven't found Jamie.' She picked at her nails. "And now people think he's not really missing, that I made it all up. That I'm a liar and I'm bad and -'
'Do you care?' Charlie asked. 'Do you care what people
think, if you know you're right?'
She paused, her answer sliding back down her throat. Why did she care? She was about to say she didn't care at all, but hadn't that been the feeling in the pit of her stomach all along? The pit that had been growing these last six months. Guilt about what she did last time, about her dog dying, about not being good, about putting her family in danger, and every day reading the disappointment in her mum's eyes. Feeling bad about the secrets she was keeping to protect Cara and Naomi. She was a liar, that part was true.
And worse, to make herself feel better about it all, she'd said it wasn't really her and she'd never be that person again. That she was different now... good. That she'd almost lost herself last time and it wouldn't happen again. But that wasn't it, was it? She hadn't almost lost herself, maybe she'd actually been meeting herself for the very first time. And she was tired of feeling guilty about it. Tired of feeling shame about who she was. She bet Max Hastings had never felt ashamed a day in his life.
'You're right,' she said. And as she straightened up, untwisted, she realized that the pit in her stomach, the one that had been swallowing her from inside out, it was starting to go, Filling in until it was hardly there at all. "Maybe I don't have to be good, or other people's versions of good. And maybe I don't have to be likeable.' She turned to him, her movements quick and light despite her water-heavy clothes. "Fuck likeable You know who's likeable? People like Max Hastings who walk into a courtroom with fake glasses and charm their way out. I don't want to be like that."
'So don't, Charlie said. 'And don't give up because of him. Someone's life might depend on you. And I know you can find him, find Jamie. He turned a smile to her. "Other people might
”
”
Holly Jackson (Good Girl, Bad Blood (A Good Girl's Guide to Murder, #2))
“
O dear, soft people, full of meat and blood, with white beds and airy rooms waiting you each night, how can I make you know what it is to suffer as you would suffer if you spent a weary night on London's streets? Believe me, you would think a thousand centuries had come and gone before the east paled into dawn; you would shiver till you were ready to cry aloud with the pain of each aching muscle; and you would marvel that you could endure so much and live. Should you rest upon a bench, and your tired eyes close, depend upon it the policeman would rouse you and gruffly order you to 'move on.' You may rest upon the bench, and benches are few and far between; but if rest means sleep, on you must go, dragging your tired body through the endless streets. Should you, in desperate slyness, seek some forlorn alley or dark passageway and lie down, the omnipresent policeman will rout you out just the same. It is his business to rout you out.
It is a law of the powers that be that you shall be routed out.
But when the dawn came, the nightmare over, you would hale you home to refresh yourself, and until you died you would tell the story of your adventure to groups of admiring friends. It would grow into a mighty story. Your little eight-hour night would become an Odyssey and you a Homer.
Not so with these homeless ones who walked Poplar Workhouse with me. And there are thirty-five thousand of them, men and women, in “London Town this night. Please don't remember it as you go to bed; if you are as soft as you ought to be, you may not rest so well as usual. But for old men of sixty, seventy, and eighty, ill-fed, with neither meat nor blood, to greet the dawn unrefreshed, and to stagger through the day in mad search for crusts, with relentless night rushing down upon them again, and to do this nights and days- O dear, soft people, full of meat and blood, how can you ever understand?
”
”
Jack London (The People of the Abyss)
“
Variations on a tired, old theme Here’s another example of addict manipulation that plagues parents. The phone rings. It’s the addict. He says he has a job. You’re thrilled. But you’re also apprehensive. Because you know he hasn’t simply called to tell you good news. That kind of thing just doesn’t happen. Then comes the zinger you knew would be coming. The request. He says everybody at this company wears business suits and ties, none of which he has. He says if you can’t wire him $1800 right away, he won’t be able to take the job. The implications are clear. Suddenly, you’ve become the deciding factor as to whether or not the addict will be able to take the job. Have a future. Have a life. You’ve got that old, familiar sick feeling in the pit of your stomach. This is not the child you gladly would have financed in any way possible to get him started in life. This is the child who has been strung out on drugs for years and has shown absolutely no interest in such things as having a conventional job. He has also, if you remember correctly, come to you quite a few times with variations on this same tired, old story. One variation called for a car so he could get to work. (Why is it that addicts are always being offered jobs in the middle of nowhere that can’t be reached by public transportation?) Another variation called for the money to purchase a round-trip airline ticket to interview for a job three thousand miles away. Being presented with what amounts to a no-choice request, the question is: Are you going to contribute in what you know is probably another scam, or are you going to say sorry and hang up? To step out of the role of banker/victim/rescuer, you have to quit the job of banker/victim/rescuer. You have to change the coda. You have to forget all the stipulations there are to being a parent. You have to harden your heart and tell yourself parenthood no longer applies to you—not while your child is addicted. Not an easy thing to do. P.S. You know in your heart there is no job starting on Monday. But even if there is, it’s hardly your responsibility if the addict goes well dressed, badly dressed, or undressed. Facing the unfaceable: The situation may never change In summary, you had a child and that child became an addict. Your love for the child didn’t vanish. But you’ve had to wean yourself away from the person your child has become through his or her drugs and/ or alcohol abuse. Your journey with the addicted child has led you through various stages of pain, grief, and despair and into new phases of strength, acceptance, and healing. There’s a good chance that you might not be as healthy-minded as you are today had it not been for the tribulations with the addict. But you’ll never know. The one thing you do know is that you wouldn’t volunteer to go through it again, even with all the awareness you’ve gained. You would never have sacrificed your child just so that you could become a better, stronger person. But this is the way it has turned out. You’re doing okay with it, almost twenty-four hours a day. It’s just the odd few minutes that are hard to get through, like the ones in the middle of the night when you awaken to find that the grief hasn’t really gone away—it’s just under smart, new management. Or when you’re walking along a street or in a mall and you see someone who reminds you of your addicted child, but isn’t a substance abuser, and you feel that void in your heart. You ache for what might have been with your child, the happy life, the fulfilled career. And you ache for the events that never took place—the high school graduation, the engagement party, the wedding, the grandkids. These are the celebrations of life that you’ll probably never get to enjoy. Although you never know. DON’T LET YOUR KIDS KILL YOU A Guide for Parents of Drug and Alcohol Addicted Children PART 2
”
”
Charles Rubin (Don't let Your Kids Kill You: A Guide for Parents of Drug and Alcohol Addicted Children)
“
When we pulled up to Marlboro Man’s house, I saw my Camry sitting in his driveway. I didn’t expect it to be there; I figured it was still on Marlboro Man’s parents’ road, sitting all crooked in the ditch where I’d left it the night before. Marlboro Man had already fixed it, fishing it out of the ditch and repairing the mangled tires and probably, knowing him, filling the tank with gas.
“Oh, thank you so much,” I said as we walked toward the front door. “I thought maybe I’d killed it.”
“Aw, it’s fine,” he replied. “But you might want to learn to drive before you get in it again.” He flashed his mischievous grin.
I slugged him in the arm as he laughed. Then he lunged at me, grabbing my arms and using his leg to sweep my supporting leg right out from under me. Within an instant, he had me on the ground, right on the soft, green grass of his front yard. I shrieked and screamed, trying in vain to wrestle my way out of his playful grasp, but my wimpy upper body was no match for his impossible strength. He tickled me, and being the most ticklish human in the Northern Hemisphere, I screamed bloody murder. Afraid I’d wet my pants (it was a valid concern), I fought back the only way I knew how--by grabbing and untucking his shirt from his Wranglers…and running my hand up his back, poking at his rib cage.
The tickling suddenly stopped. Marlboro Man propped himself on his elbows, holding my face in his hands. He kissed me passionately and seriously, and what started as a playful wrestling match became an impromptu make-out session in his front yard. It was an unlikely place for such an event, and considering it was at the very beginning of our night together, an unlikely time. But it was also strangely perfect. Because sometime during all the laughing and tickling and wrestling and rolling around in the grass, my worry and concern over my parents’ troubles had magically melted away.
Only when the chiggers began biting did Marlboro Man suggest an alternate plan. “Let’s go inside,” he said.
”
”
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
“
I stand so abruptly that Leiza startles.
“If Violet wants to find me, I’ll be outside chopping wood,” I tell her, causing her to choke back a sound that suspiciously resembles a smothered laugh.
When I eye her, she’s the picture of seriousness, nodding once again. “Of course, Alpha,” she says so graciously.
Tearing my shirt over my head, I toss it to the ground. Leiza’s phone rings, and she puts it aside.
“A vampire is calling me. That can’t be good,” she says as she meets my eyes, almost asking for permission to answer Shera’s call.
“They’re trying to reach me. Not you. They can kiss my ass. I need a minute to deal with this.”
“I thought you were tired and going to get some sleep,” Leiza states, and then swallows down whatever else is on the tip of her tongue.
“I’m no longer tired,” I point out dryly.
Another nod from Leiza, and I walk out shirtless to go chop some fucking wood for the fireplace Violet rarely ever uses.
There’s an axe wedged into one of the piles of wood near the chopping block, making this simpler than expected, so I get to work.
Before I can even make one small pile, Damien is wheeling into the driveway, barely putting the brake on, before he hops out.
His eyes narrow on me, and then his brow furrows. It’s when his lips start to twitch that I bristle, feeling a little too transparent.
“Didn’t realize you’d gotten this pathetic, mongrel,” he drawls. “And here I thought our calls were being ignored so you could have Violet to yourself.”
“I’m holding an axe,” I warn him.
“Not a Van Helsing axe,” he volleys with a growing grin.
The side door swings open for Violet as she walks out, eyeing me first from my spot near the sidewalk by the street, and then Damien next.
“What’re you doing shirtless?” she asks, looking back over at me. “It’s like ten degrees out here. People are going to think that’s weird.”
Damien restrains a smile.
“You were almost out of wood,” I tell her, gesturing to the…fucking full wood chamber on the side of her house.
I couldn’t squeeze another piece in there if I wanted to.
Violet glances from it, to me, to Damien, and then to the wood again.
“Tiara keeps it filled, and we hardly use it, since the heat is on…” She lets her words trail off, clearly confused.
Damien outright grins. “Just what are you doing, exactly?” Damien muses.
Tossing the axe to the ground, I glare over at him. “Why are you here?
”
”
Kristy Cunning (Gypsy Moon (All The Pretty Monsters, #4))
“
That I haven’t told you the parable of the man, the boy, and the mule.” Cettie nodded eagerly. He stared down at the book, thumbing through its pages. “I heard this one when I first went away to study the Mysteries. It was shared with all of us, but I don’t think all of us heard it the same way. That’s the thing about stories. They can touch on truths that some people just are not ready to hear. The tale goes like this. Long before the first flying castles and sky ships and cauldrons of molten steel—before the Fells—life was simpler. A man and his son needed to sell their mule to buy food to last the winter. So they started walking to get to the market, which was very far. They met a fellow traveler along the way who criticized them for not riding the mule. So the man, realizing that his beast of burden wasn’t being used for its purpose, put his son on it to ride. But when they arrived at the first village on their path, some men in the square scoffed and said how inconsiderate the son was for making his father walk. They stopped and watered the beast, and so the father ordered the boy to walk while he rode. Again, they reached the next village, and what did they hear? Some washerwomen complained that the father must be evil to force his son to walk while he rode. Ashamed by their words, the father decided to change yet again. Do you know what he did?” Cettie shook her head no, eager for him to continue. Fitzroy wagged his finger at her. “So they both rode the mule into the next town. By this time, the mule was getting very tired, and when they reached the next village, they were ridiculed for being lazy and working the poor beast half to death! The market was in the very next town, and they feared they’d not be able to sell the poor creature, now it was so spent. And so the father and son cut down a sapling, lashed the mule to the pole, and carried it to the next town. You can imagine what the townsfolk thought as they saw the father and son laboring and exhausted as they approached the town. Who were these country bumpkins who carried a mule on their own shoulders? As they crossed the bridge into town, suffering the jeers and taunts of passersby, one of the ropes broke loose, and the mule kicked free. The boy dropped his end of the pole, and the beast fell into the river and drowned.” “No!” Cettie said, mouth wide open. Fitzroy nodded sagely. “A man with a crooked staff had been following them into town. As
”
”
Jeff Wheeler (Storm Glass (Harbinger, #1))
“
To this day, I am still not sure what it was about Chip Gaines that made me give him a second chance--because, basically, our first date was over before it even started.
I was working at my father’s Firestone automotive shop the day we first met. I’d worked as my dad’s office manager through my years at Baylor University and was perfectly happy working there afterward while I tried to figure out what I really wanted to do with my life. The smell of tires, metal, and grease--that place was like a second home to me, and the guys in the shop were all like my big brothers.
On this particular afternoon, they all started teasing me. “You should go out to the lobby, Jo. There’s a hot guy out there. Go talk to him!” they said.
“No,” I said. “Stop it! I’m not doing that.”
I was all of twenty-three, and I wasn’t exactly outgoing.
She was a bit awkward--no doubt about that.
I hadn’t dated all that much, and I’d never had a serious relationship--nothing that lasted longer than a month or two. I’d always been an introvert and still am (believe it or not). I was also very picky, and I just wasn’t the type of girl who struck up conversations with guys I didn’t know. I was honestly comfortable being single; I didn’t think that much of it.
“Who is this guy, anyway?” I asked, since they all seemed to know him for some reason.
“Oh, they call him Hot John,” someone said, laughing.
Hot John? There was no way I was going out in that lobby to strike up a conversation with some guy called Hot John. But the guys wouldn’t let up, so I finally said, “Fine.”
I gathered up a few things from my desk (in case I needed a backup plan) and rounded the corner into the lobby. I quickly realized that Hot John was pretty good-looking. He’d obviously just finished a workout--he was dressed head-to-toe in cycling gear and was just standing there, innocently waiting on someone from the back. I tried to think about what I might say to strike up a conversation when I got close enough and quickly settled on the obvious topic: cycling. But just as that thought raced through my head, he looked up from his magazine and smiled right at me.
Crap, I thought. I completely lost my nerve. I kept on walking right past him and out the lobby’s front door.
When I reached the safety of my dad’s outdoor waiting area, I realized just how bad I’d needed the fresh air. I sat on a chair a few down from another customer and immediately started laughing at myself. Did I really just do that?
”
”
Joanna Gaines (The Magnolia Story)
“
She stayed with buses after that, getting off only now and then to walk so she'd keep awake. What fragments of dreams came had to do with the post horn. Later, possibly, she would have trouble sorting the night into real and dreamed.
At some indefinite passage in night's sonorous score, it also came to her that she would be safe, that something, perhaps only her linearly fading drunkenness, would protect her. The city was hers, as, made up and sleeked so with the customary words and images (cosmopolitan, culture, cable cars) it had not been before: she had safe-passage tonight to its far blood's branchings, be they capillaries too small for more than peering into, or vessels mashed together in shameless municipal hickeys, out on the skin for all but tourists to see. Nothing of the night's could touch her; nothing did. The repetition of symbols was to be enough, without trauma as well perhaps to attenuate it or even jar it altogether loose from her memory. She was meant to remember. She faced that possibility as she might the toy street from a high balcony, roller-coaster ride, feeding-time among the beasts in a zoo-any death-wish that can be consummated by some minimum gesture. She touched the edge of its voluptuous field, knowing it would be lovely beyond dreams simply to submit to it; that not gravity's pull, laws of ballistics, feral ravening, promised more delight. She tested it, shivering: I am meant to remember. Each clue that comes is supposed to have its own clarity, its fine chances for permanence. But then she wondered if the gemlike "clues" were only some kind of compensation. To make up for her having lost the direct, epileptic Word, the cry that might abolish the night.
In Golden Gate Park she came on a circle of children in their nightclothes, who told her they were dreaming the gathering. But that the dream was really no different from being awake, because in the mornings when they got up they felt tired, as if they'd been up most of the night. When their mothers thought they were out playing they were really curled in cupboards of neighbors' houses, in platforms up in trees, in secretly-hollowed nests inside hedges, sleeping, making up for these hours. The night was empty of all terror for them, they had inside their circle an imaginary fire, and needed nothing but their own unpenetrated sense of community. They knew about the post horn, but nothing of the chalked game Oedipa had seen on the sidewalk. You used only one image and it was a jump-rope game, a little girl explained: you stepped alternately in the loop, the bell, and the mute, while your girlfriend sang:
Tristoe, Tristoe, one, two, three, Turning taxi from across the sea… "Thurn and Taxis, you mean?" They'd never heard it that way. Went on warming their hands at an invisible fire. Oedipa, to retaliate, stopped believing in them.
”
”
Thomas Pynchon (The Crying of Lot 49)
“
In the meantime, I tried my best to acclimate to my new life in the middle of nowhere. I had to get used to the fact that I lived twenty miles from the nearest grocery store. That I couldn’t just run next door when I ran out of eggs. That there was no such thing as sushi. Not that it would matter, anyway. No cowboy on the ranch would touch it. That’s bait, they’d say, laughing at any city person who would convince themselves that such a food was tasty.
And the trash truck: there wasn’t one. In this strange new land, there was no infrastructure for dealing with trash. There were cows in my yard, and they pooped everywhere--on the porch, in the yard, even on my car if they happened to be walking near it when they dropped a load. There wasn’t a yard crew to clean it up. I wanted to hire people, but there were no people. The reality of my situation grew more crystal clear every day.
One morning, after I choked down a bowl of cereal, I looked outside the window and saw a mountain lion siting on the hood of my car, licking his paws--likely, I imagined, after tearing a neighboring rancher’s wife from limb to limb and eating her for breakfast. I darted to the phone and called Marlboro Man, telling him there was a mountain lion sitting on my car. My heart beat inside my chest. I had no idea mountain lions were indigenous to the area.
“It’s probably just a bobcat,” Marlboro Man reassured me.
I didn’t believe him.
“No way--it’s huge,” I cried. “It’s seriously got to be a mountain lion!”
“I’ve gotta go,” he said. Cows mooed in the background.
I hung up the phone, incredulous at Marlboro Man’s lack of concern, and banged on the window with the palm of my hand, hoping to scare the wild cat away. But it only looked up and stared at me through the window, imagining me on a plate with a side of pureed trout.
My courtship with Marlboro Man, filled with fizzy romance, hadn’t prepared me for any of this; not the mice I heard scratching in the wall next to my bed, not the flat tires I got from driving my car up and down the jagged gravel roads. Before I got married, I didn’t know how to use a jack or a crowbar…and I didn’t want to have to learn now. I didn’t want to know that the smell in the laundry room was a dead rodent. I’d never smelled a dead rodent in my life: why, when I was supposed to be a young, euphoric newlywed, was I being forced to smell one now?
During the day, I was cranky. At night, I was a mess. I hadn’t slept through the night once since we returned from our honeymoon. Besides the nausea, whose second evil wave typically hit right at bedtime, I was downright spooked. As I lay next to Marlboro Man, who slept like a baby every night, I thought of monsters and serial killers: Freddy Krueger and Michael Myers, Ted Bundy and Charles Manson. In the utter silence of the country, every tiny sound was amplified; I was certain if I let myself go to sleep, the murderer outside our window would get me.
”
”
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
“
One day, because I was bored in our usual spot, next to the merry-go-round, Françoise had taken me on an excursion – beyond the frontier guarded at equal intervals by the little bastions of the barley-sugar sellers – into those neighbouring but foreign regions where the faces are unfamiliar, where the goat cart passes; then she had gone back to get her things from her chair, which stood with its back to a clump of laurels; as I waited for her, I was trampling the broad lawn, sparse and shorn, yellowed by the sun, at the far end of which a statue stands above the pool, when, from the path, addressing a little girl with red hair playing with a shuttlecock in front of the basin, another girl, while putting on her cloak and stowing her racket, shouted to her, in a sharp voice: ‘Good-bye, Gilberte, I’m going home, don’t forget we’re coming to your house tonight after dinner.’ That name, Gilberte, passed by close to me, evoking all the more forcefully the existence of the girl it designated in that it did not merely name her as an absent person to whom one is referring, but hailed her directly; thus it passed close by me, in action so to speak, with a power that increased with the curve of its trajectory and the approach of its goal; – transporting along with it, I felt, the knowledge, the notions about the girl to whom it was addressed, that belonged not to me, but to the friend who was calling her, everything that, as she uttered it, she could see again or at least held in her memory, of their daily companionship, of the visits they paid to each other, and all that unknown experience which was even more inaccessible and painful to me because conversely it was so familiar and so tractable to that happy girl who grazed me with it without my being able to penetrate it and hurled it up in the air in a shout; – letting float in the air the delicious emanation it had already, by touching them precisely, released from several invisible points in the life of Mlle Swann, from the evening to come, such as it might be, after dinner, at her house; – forming, in its celestial passage among the children and maids, a little cloud of precious colour, like that which, curling over a lovely garden by Poussin,15 reflects minutely like a cloud in an opera, full of horses and chariots, some manifestation of the life of the gods; – casting finally, on that bald grass, at the spot where it was at once a patch of withered lawn and a moment in the afternoon of the blonde shuttlecock player (who did not stop launching the shuttlecock and catching it again until a governess wearing a blue ostrich feather called her), a marvellous little band the colour of heliotrope as impalpable as a reflection and laid down like a carpet over which I did not tire of walking back and forth with lingering, nostalgic and desecrating steps, while Françoise cried out to me: ‘Come on now, button up your coat and let’s make ourselves scarce’, and I noticed for the first time with irritation that she had a vulgar way of speaking, and alas, no blue feather in her hat.
”
”
Marcel Proust (In Search of Lost Time: Swann's Way)
“
Enjoyment requires discernment. It can be a gift to wrap up in a blanket and lose myself in a TV show but we can also amuse ourselves to death. My pleasure in wine or tea or exercise is good in itself but it can become disordered. As we learn to practice enjoyment we need to learn the craft of discernment: How to enjoy rightly, to have, to read pleasure well. There is a symbiotic relationship, cross-training, if you will, between the pleasures we find in gathered worship and those in my tea cup, or in a warm blanket, or the smell of bread baking. Lewis reminds us that one must walk before one can run. We will not be able to adore God on the highest occasions if we have learned no habit of doing so on the lowest. At best our faith and reason will tell us that He is adorable but we shall not have found Him so. These tiny moments of beauty in our day train us in the habits of adoration and discernment, and the pleasure and sensuousness of our gathered worship teach us to look for and receive these small moments in our days, together they train us in the art of noticing and reveling in our God’s goodness and artistry.
A few weeks ago I was walking to work, standing on the corner of tire and auto parts store, waiting to cross the street when I suddenly heard church bells begin to ring, loud and long. I froze, riveted. They were beautiful. A moment of transcendence right in the middle of the grimy street, glory next to the discount tire and auto parts. Liturgical worship has been referred to sometimes derisively as smells and bells because of the sensuous ways Christians have historically worshipped: Smells, the sweet and pungent smell of incense, and bells, like the one I heard in neighborhood which rang out from a catholic church. At my church we ring bells during the practice of our eucharist. The acolyte, the person often a child, assisting the priest, rings chimes when our pastor prepares the communion meal. There is nothing magic about these chimes, nothing superstitious, they’re just bells. We ring them in the eucharist liturgy as a way of saying, “pay attention.” They’re an alarm to rouse the congregation to jostle us to attention, telling us to take note, sit up, and lean forward, and notice Christ in our midst.
We need this kind of embodied beauty, smells and bells, in our gathered worship, and we need it in our ordinary day to remind us to take notice of Christ right where we are. Dostoevsky wrote that “beauty will save the world.” This might strike us as mere hyperbole but as our culture increasingly rejects the idea and language of truth, the churches role as the harbinger of beauty is a powerful witness to the God of all beauty. Czeslaw Milosz wrote in his poem, “One more day,” “Though the good is weak, beauty is very strong.” And when people cease to believe there is good and evil, only beauty will call to them and save them so that they still know how to say, “this is true and that is false.” Being curators of beauty, pleasure, and delight is therefore and intrinsic part of our mission, a mission that recognizes the reality that truth is beautiful. These moments of loveliness, good tea, bare trees, and soft shadows, or church bells, in my dimness, they jolt me to attention and remind me that Christ is in our midst. His song of truth, sung by His people all over the world, echos down my ordinary street, spilling even into my living room.
”
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Tish Harrison Warren (Liturgy of the Ordinary: Sacred Practices in Everyday Life)
“
You know," he said, 'for what it's worth, the justice system is supposed to be this purveyor of right and wrong, good and had. But sometimes, I think it gets it wrong almost as much as it gets it right. I've had to learn that, too, and it's hard to accept. What do you do when the things that are supposed to protect you, fail you like that??
'I was so naïve,' Pip said. 'I practically handed Max Hastings to them, after everything came out last year. And I truly believed it was some kind of victory, that the bad would be punished. Because it was the truth, and the truth was the most important thing to me. It's all I believed in, all I cared about: finding the truth, no matter the cost. And the truth was that Max was guilty and he would face justice. But justice doesn't exist, and the truth doesn't matter, not in the real world, and now they've just handed him right back.
'Oh, justice exists,' Charlie said, looking up at the rain. 'Maybe not the kind that happens in police stations and courtrooms, but it does exist. And when you really think about it, those words - good and bad, right and wrong- they don't really matter in the real world. Who gets to decide what they mean: those people who just got it wrong and let Max walk free? No,' he shook his head. 'I think we all get to decide what good and bad and right and wrong mean to us, not what we're told to accept. You did nothing wrong. Don't beat yourself up
for other people's mistakes.' She turned to him, her stomach clenching. But that doesn't matter now. Max has won.'
'He only wins if you let him.' 'What can I do about it?' she asked.
'From listening to your podcast, sounds to me like there's not much you can't do.'
'I haven't found Jamie.' She picked at her nails. "And now people think he's not really missing, that I made it all up. That I'm a liar and I'm bad and -'
'Do you care?' Charlie asked. 'Do you care what people think, if you know you're right?'
She paused, her answer sliding back down her throat. Why did she care? She was about to say she didn't care at all, but hadn't that been the feeling in the pit of her stomach all along? The pit that had been growing these last six months. Guilt about what she did last time, about her dog dying, about not being good, about putting her family in danger, and every day reading the disappointment in her mum's eyes. Feeling bad about the secrets she was keeping to protect Cara and Naomi. She was a liar, that part was true.
And worse, to make herself feel better about it all, she'd said it wasn't really her and she'd never be that person again. That she was different now... good. That she'd almost lost herself last time and it wouldn't happen again. But that wasn't it, was it? She hadn't almost lost herself, maybe she'd actually been meeting herself for the very first time. And she was tired of feeling guilty about it. Tired of feeling shame about who she was. She bet Max Hastings had never felt ashamed a day in his life.
'You're right,' she said. And as she straightened up, untwisted, she realized that the pit in her stomach, the one that had been swallowing her from inside out, it was starting to go, Filling in until it was hardly there at all. "Maybe I don't have to be good, or other people's versions of good. And maybe I don't have to be likeable.' She turned to him, her movements quick and light despite her water-heavy clothes. "Fuck likeable You know who's likeable? People like Max Hastings who walk into a courtroom with fake glasses and charm their way out. I don't want to be like that."
'So don't, Charlie said. 'And don't give up because of him. Someone's life might depend on you. And I know you can find him, find Jamie. He turned a smile to her. "Other people might not believe in you but, for what it's worth, your neighbour from four doors down does.
”
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Holly Jackson (Good Girl, Bad Blood (A Good Girl's Guide to Murder, #2))