P Tree Quotes

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One time, when I was very little, I climbed a tree and ate these green, sour apples. My stomach swelled and became hard like a drum, it hurt a lot. Mother said that if I'd just waited for the apples to ripen, I wouldn't have become sick. So now, whenever I really want something, I try to remember what she said about the apples.
Khaled Hosseini (The Kite Runner)
Contrary to what you may assume, I am not a pessimist but an indifferentist- that is, I don't make the mistake of thinking that the... cosmos... gives a damn one way or the other about the especial wants and ultimate welfare of mosquitoes, rats, lice, dogs, men, horses, pterodactyls, trees, fungi, dodos, or other forms of biological energy.
H.P. Lovecraft
It isn't often that Aunt Dahlia lets her angry passions rise, but when she does, strong men climb trees and pull them up after them.
P.G. Wodehouse (Right Ho, Jeeves (Jeeves, #6))
The same substance composes us--the tree overhead, the stone beneath us, the bird, the beast, the star--we are all one, all moving to the same end.
P.L. Travers (Mary Poppins (Mary Poppins, #1))
Newrose, Oldrose, Quean Anne's lace. Water, river, stone and sun Wind over hill, under tree. Past the border none can see. Climbing into dark for you, Will you climb in stars for me? P.124
Ally Condie (Reached (Matched, #3))
If you want to find Cherry-Tree Lane all you have to do is ask the Policeman at the cross-roads.
P.L. Travers (Mary Poppins (Mary Poppins, #1))
December 27, 11:00 p.m. My Dear America, I’ve never written a love letter, so forgive me if I fail now. . . . The simple thing would be to say that I love you. But, in truth, it’s so much more than that. I want you, America. I need you. I’ve held back so much from you out of fear. I’m afraid that if I show you everything at once, it will overwhelm you, and you’ll run away. I’m afraid that somewhere in the back of your heart is a love for someone else that will never die. I’m afraid that I will make a mistake again, something so huge that you retreat into that silent world of yours. No scolding from a tutor, no lashing from my father, no isolation in my youth has ever hurt me so much as you separating yourself from me. I keep thinking that it’s there, waiting to come back and strike me. So I’ve held on to all my options, fearing that the moment I wipe them away, you will be standing there with your arms closed, happy to be my friend but unable to be my equal, my queen, my wife. And for you to be my wife is all I want in the world. I love you. I was afraid to admit it for a long time, but I know it now. I would never rejoice in the loss of your father, the sadness you’ve felt since he passed, or the emptiness I’ve experienced since you left. But I’m so grateful that you had to go. I’m not sure how long it would have taken for me to figure this out if I hadn’t had to start trying to imagine a life without you. I know now, with absolute certainty, that is nothing I want. I wish I was as true an artist as you so that I could find a way to tell you what you’ve become to me. America, my love, you are sunlight falling through trees. You are laughter that breaks through sadness. You are the breeze on a too-warm day. You are clarity in the midst of confusion. You are not the world, but you are everything that makes the world good. Without you, my life would still exist, but that’s all it would manage to do. You said that to get things right one of us would have to take a leap of faith. I think I’ve discovered the canyon that must be leaped, and I hope to find you waiting for me on the other side. I love you, America. Yours forever, Maxon
Kiera Cass (The One (The Selection, #3))
There are rich counsels in the trees.
Herbert Percy Horne
We do not tell old friends beneath our roof-tree that they are an offence to the eyesight.
P.G. Wodehouse (Right Ho Jeeves)
Say the planet is born at midnight and it runs for one day. First there is nothing. Two hours are lost to lava and meteors. Life doesn’t show up until three or four a.m. Even then, it’s just the barest self-copying bits and pieces. From dawn to late morning—a million million years of branching—nothing more exists than lean and simple cells. Then there is everything. Something wild happens, not long after noon. One kind of simple cell enslaves a couple of others. Nuclei get membranes. Cells evolve organelles. What was once a solo campsite grows into a town. The day is two-thirds done when animals and plants part ways. And still life is only single cells. Dusk falls before compound life takes hold. Every large living thing is a latecomer, showing up after dark. Nine p.m. brings jellyfish and worms. Later that hour comes the breakout—backbones, cartilage, an explosion of body forms. From one instant to the next, countless new stems and twigs in the spreading crown burst open and run. Plants make it up on land just before ten. Then insects, who instantly take to the air. Moments later, tetrapods crawl up from the tidal muck, carrying around on their skin and in their guts whole worlds of earlier creatures. By eleven, dinosaurs have shot their bolt, leaving the mammals and birds in charge for an hour. Somewhere in that last sixty minutes, high up in the phylogenetic canopy, life grows aware. Creatures start to speculate. Animals start teaching their children about the past and the future. Animals learn to hold rituals. Anatomically modern man shows up four seconds before midnight. The first cave paintings appear three seconds later. And in a thousandth of a click of the second hand, life solves the mystery of DNA and starts to map the tree of life itself. By midnight, most of the globe is converted to row crops for the care and feeding of one species. And that’s when the tree of life becomes something else again. That’s when the giant trunk starts to teeter.
Richard Powers (The Overstory)
We are all made of the same stuff, remember, we of the Jungle, you of the City. The same substance composes us—the tree overhead, the stone beneath us, the bird, the beast, the star—we are all one, all moving to the same end. Remember that when you no longer remember me, my child.
P.L. Travers (Mary Poppins)
From p. 40 of Signet Edition of Thomas Wolfe's _You Can't Go Home Again_ (1940): Some things will never change. Some things will always be the same. Lean down your ear upon the earth and listen. The voice of forest water in the night, a woman's laughter in the dark, the clean, hard rattle of raked gravel, the cricketing stitch of midday in hot meadows, the delicate web of children's voices in bright air--these things will never change. The glitter of sunlight on roughened water, the glory of the stars, the innocence of morning, the smell of the sea in harbors, the feathery blur and smoky buddings of young boughs, and something there that comes and goes and never can be captured, the thorn of spring, the sharp and tongueless cry--these things will always be the same. All things belonging to the earth will never change--the leaf, the blade, the flower, the wind that cries and sleeps and wakes again, the trees whose stiff arms clash and tremble in the dark, and the dust of lovers long since buried in the earth--all things proceeding from the earth to seasons, all things that lapse and change and come again upon the earth--these things will always be the same, for they come up from the earth that never changes, they go back into the earth that lasts forever. Only the earth endures, but it endures forever. The tarantula, the adder, and the asp will also never change. Pain and death will always be the same. But under the pavements trembling like a pulse, under the buildings trembling like a cry, under the waste of time, under the hoof of the beast above the broken bones of cities, there will be something growing like a flower, something bursting from the earth again, forever deathless, faithful, coming into life again like April.
Thomas Wolfe (You Can't Go Home Again)
You are just as connected to the Universe as a finger is to a hand, or as a branch is to a tree. The entire cosmos is expressing itself through your being.
Joseph P. Kauffman (The Answer Is YOU: A Guide to Mental, Emotional, and Spiritual Freedom)
Outside, across the putrid moat and under the dark mute trees, I would often lie and dream for hours about what I read in the books; and would longingly picture myself amidst gay crowds in the sunny world beyond the endless forests.
H.P. Lovecraft
Time has a different quality in a forest, a different kind of flow. Time moves in circles, and events are linked, even if it's not obvious that they are linked. Events in a forest occur with precision in the flow of tree time, like the motions of an endless dance. (p. 12)
Richard Preston (The Wild Trees: A Story of Passion and Daring)
Her eyes were of different colors, the left as brown as autumn, the right as gray as Atlantic wind. Both seemed alive with questions that would never be voiced, as if no words yet existed with which to frame them. She was nineteen years old, or thereabouts; her exact age was unknown. Her face was as fresh as an apple and as delicate as blossom, but a marked depression in the bones beneath her left eye gave her features a disturbing asymmetry. Her mouth never curved into a smile. God, it seemed, had withheld that possibility, as surely as from a blind man the power of sight. He had withheld much else. Amparo was touched—by genius, by madness, by the Devil, or by a conspiracy of all these and more. She took no sacraments and appeared incapable of prayer. She had a horror of clocks and mirrors. By her own account she spoke with Angels and could hear the thoughts of animals and trees. She was passionately kind to all living things. She was a beam of starlight trapped in flesh and awaiting only the moment when it would continue on its journey into forever.” (p.33)
Tim Willocks (The Religion (Tannhauser, #1))
See that tree?" It was a stubby cypress tree, all bent and twisted. "Yeah, I see it." "It's my favorite tree." "It's not that great a tree," I said. "That's it. That's exactly it. It's like me. The wind beat the holy crap out of it when it was just a sapling. Never could straighten itself out again." He sort of smiled at me. "But, Zach, it didn't die." He looked like maybe he wanted to cry. But he didn't. "It's alive." "Maybe it should have just given up." "That tree didn't know how to do that. It only knew how to live. Crooked. Bent. Taller trees dwarfing it even more. It just wanted to live. I named it, you know?" He was waiting for me to ask what he'd named it--but I decided I didn't want to ask. "Zach," he whispered. "The tree's name is Zach."[p. 135]
Benjamin Alire Sáenz (Last Night I Sang to the Monster)
An oak is a tree. A rose is a flower. A deer is an animal. A sparrow is a bird. Russia is our fatherland. Death is inevitable. P. Smirnovsky, A Textbook of Russian Grammar
Vladimir Nabokov (The Gift)
The most sacred part of the human body is the brain and spinal system, revered from all antiquity and symbolized again and again in all the religions of the world. While other parts of the body are of great interest to the student, the mysterious working of the spinal fires by means of which liberation is finally attained is so tremendous that many years must be spent in understanding even the fundamental principles. The spine is the rod which budded, the Yggdrasil Tree, the flaming sword, the staff of comfort, the wand of the Magi.
Manly P. Hall (Melchizedek and the Mystery of Fire)
Unhappy is he to whom the memories of childhood bring only fear and sadness. Wretched is he who looks back upon lone hours in vast and dismal chambers with brown hangings and maddening rows of antique books, or upon awed watches in twilight groves of grotesque, gigantic, and vine-encumbered trees that silently wave twisted branches far aloft. Such a lot the gods gave to me - to me, the dazed, the disappointed; the barren, the broken. And yet I am strangely content and cling desperately to those sere memories, when my mind momentarily threatens to reach beyond to the other.
H.P. Lovecraft (The Outsider)
Trees are made of air, primarily. When they are burned, they go back to air, and in the flaming heat is released the flaming heat of the Sun which was bound in to convert the air into tree. And in the ash is the small remnant of the part which did not come from air, that came from the solid earth, instead.
Richard P. Feynman
Nature will get rights as soon as it gets duties. The minute we see birds, trees, bugs, squirrels picking up litter, giving money to charity, and keeping an eye on our kids at the park, we'll let them vote.
P.J. O'Rourke (All the Trouble in the World)
It’s an urban November P.M.: very last leaves down, dry gray hairy grass, brittle bushes, gap-toothed trees. The rising moon looks like it doesn’t feel very well.
David Foster Wallace (Infinite Jest)
And yet amid that tense godless calm the high bare boughs of all the trees in the yard were moving. They were twitching morbidly and spasmodically, clawing in convulsive and epileptic madness at the moonlit clouds; scratching impotently in the noxious air as if jerked by some allied and bodiless line of linkage with subterrene horrors writhing and struggling below the black roots.
H.P. Lovecraft
Who was I kidding? I'm a farmer, and farmers are natural segregationists. We separate the wheat from the chaff. I'm not Rudolf Hess, P. W. Botha, Capitol Records, or present-day U.S. of A. Those motherfuckers segregate because they want to hold on to power. I'm a farmer: we segregate in an effort to give every tree, every plant, every poor Mexican, every poor nigger, a chance for equal access to sunlight and water; we make sure every living organism has room to breathe.
Paul Beatty (The Sellout)
Out here, the open night is my church, the trees are my congregation, the stars are my angels and the moon is the only god that I know.
A.P. Sweet (dead, but dreaming)
The sun is beautiful, long and low on the horizon like it’s stretching itself, like it’s shaking off a nap, and I know underneath this weak winter light is the promise of days that last until eight P.M. and pool parties and the smell of chlorine and burgers on the grill; and underneath that is the promise of trees lit up in red and orange like flames and spiced cider, and frost that melts away by noon – layers upon layers of life, always something more, new, deeper.
Lauren Oliver (Before I Fall)
His voice was low and rueful. It was as though before his mind’s eye he saw the sadness of autumn and the leaves falling from the trees. – W. Somerset Maugham, from “P. & O.” Collected Short Stories, Volume 4 (Penguin, 1963)
W. Somerset Maugham (Collected Short Stories: Volume 4)
Yet her physical beauty was as strong a part of her character ... Its first and lasting impression was one of vitality and endurance. That is to say, of power: a power as self-contained, as unoppressive as that of a splendid tree. [p. 10]
Shirley Hazzard (The Bay of Noon)
At night on land migrating monarchs slumber on certain trees, hung in festoons with wings folded together, thick on the trees and shaggy as bearskin. [p. 244]
Annie Dillard (Pilgrim at Tinker Creek)
Even I realized that money was to politicians what the eucalyptus tree is to koala bears: food, water, shelter, and something to crap on.
P.J. O'Rourke
Because of human pollution and overpopulation, the birth of a human being, like the death of a tree, is, to planet earth, a tragedy.
Mokokoma Mokhonoana (P for Pessimism: A Collection of Funny yet Profound Aphorisms)
I was a palm-wine drinkard since I was a boy of ten years of age. I had no other work more than to drink palm-wine in my life. - - - But when my father noticed that I could not do any work more than to drink, he engaged an expert palm-wine-tapster for me; he had no other work more than to tap palm-wine every day. So my father gave me a palm-tree farm which was nine miles square and it contained 560,000 palm-trees, and this palm-wine tapster was tapping one hundred and fifty kegs of palm-wine every morning, but before 2 o’clock p.m., I would have drunk it all; after that he would go and tap another 75 kegs.
Amos Tutuola (The Palm-Wine Drinkard)
But I had a good uncle, my late Uncle Alex. He was my father's kid brother, a childless graduate of Harvard who was an honest life-insurance salesman in Indianapolis. He was well- read and wise. And his principal complaint about other human beings was that they so seldom noticed it when they were happy. So when we were drinking lemonade under an apple tree in the summer, say, and talking lazily about this and that, almost buzzing like honeybees, Uncle Alex would suddenly interrupt the agreeable blather to exclaim, "If this isn't nice, I don't know what is." SO I do the same now, and so do my kids and grandkids. And I urge you to please notice when you are happy, and exclaim or murmur or think at some point, "if this isn't nice, I don't know what is." -Kurt Vonnegut "A man without a country" p. 132
Kurt Vonnegut Jr. (A Man Without a Country)
I remember you as the wind that breathes upon the forest The murmur of leaves rustling The rays of the sun. I remember you as the power of trees growing And the bud breaking into bloosom. You are in my thoughts whenever i praise All that is noble and true.
P.C. Cast
blue-gold sky, fresh cloud, emerald-black mountain, trees on rocky ledges, on the summit, the tiny pin of a telephone tower-all brilliantly clear, in shadow and out. and on and through everything everywhere the sun shines without reservation (p. 97)
Barbara Blatner (The Still Position: A Verse Memoir of My Mother's Death)
I wanted a settled life and a shocking one. Think of Van Gogh, cypress trees and church spires under a sky of writhing snakes. I was my father's daughter. I wanted to be loved by someone like my tough judicious mother and I wanted to run screaming through the headlights with a bottle in my hand. That was the family curse. We tended to nurse flocks of undisciplined wishes that collided and canceled each other out. The curse implied that if we didn't learn to train our desires in one direction or another we were likely to end up with nothing. Look at my father and mother today. I married in my early twenties. When that went to pieces I loved a woman. At both of those times and at other times, too, I believed I had focused my impulses and embarked on a long victory over my own confusion. Now, in my late thirties, I knew less than ever about what I wanted. In place of youth's belief in change I had begun to feel a nervous embarrassment that ticked inside me like a clock. I'd never meant to get this far in such an unfastened condition. (p.142)
Michael Cunningham (A Home at the End of the World)
She could smell it now as well, a scent like red wine, like powdered amber, subtle yet deeply powerful, as if these twisted trees somehow fed upon the stories of man throughout all the pages of time.
Bradley P. Beaulieu (Twelve Kings in Sharakhai (The Song of Shattered Sands, #1))
My wisdom tells me that this is probably so. We are all made of the same stuff, remember, we of the Jungle, you of the City. The same substance composes us—the tree overhead, the stone beneath us, the bird, the beast, the star—we are all one, all moving to the same end. Remember that when you no longer remember me, my child.” “But
P.L. Travers (Mary Poppins)
Examples of fractals are everywhere in nature. They can be found in the patterns of trees, branches, and ferns, in which each part appears to be a smaller image of the whole. They are found in the branch-like patterns of river systems, lightning, and blood vessels. They can be seen in snowflakes, seashells, crystals, and mountain ranges. We can even see the holographic and fractal-like nature of reality in the structure of the Universe itself, as the clusters of galaxies and dark matter resemble the neurons in our brain, the mycelium network of fungi, as well as the network of the man-made Internet.
Joseph P. Kauffman (The Answer Is YOU: A Guide to Mental, Emotional, and Spiritual Freedom)
I don’t suppose there’ll be a tree left standing, for ever so far around, by the time we’re finished.’” Tweedledum to tweedledee [They are fighting over a rattle]. Lewis Carroll, Alice’s Adventures in Wonderland, p. 156
Lewis Carroll
We fail to see the oneness of all things, and because of this, we unknowingly cause a lot of harm to ourselves. We pollute the Earth that we live on, cut down the trees that produce our oxygen, destroy the ecosystems of nature and the animals that maintain them, and we mistreat and harm each other, thinking that these destructive actions will not have a direct effect on us.
Joseph P. Kauffman (The Answer Is YOU: A Guide to Mental, Emotional, and Spiritual Freedom)
The Power that knows the way will take care of you. The One who makes the sun shine, the grass grow, the apples grow perfectly on apple trees. The food that sustains us, nourishes us, everything has been lovingly provided for us. Have faith. Trust the Power that knows the way. This is a first step. To have total faith and total trust in the Infinite, the One. You may call this God if you want to. Makes no difference what you call it. It is within you. It is without you. It is everywhere. (p. 195)
Robert Adams (Silence of the Heart: Dialogues with Robert Adams)
It’s hard to walk in the dress, it’s not easy I’m swinging over like a heavy loaded fruit tree
P.J. Harvey
Good things make choosing difficult. Bad things leave no choice. [p. 62]
Michelle Cohen Corasanti (The Almond Tree)
You cannot go back and make a new start, but you can start now and make a new ending. [p. 115]
Michelle Cohen Corasanti (The Almond Tree)
Inside yourself you’re strong. That’s the place where strength counts. Strength shows not only in how fast you can chop down trees.’ -p. 5
Irving Stone
I am not a tree grown in the concrete jungle to bring rain, I am a tree grown in the wild forest to bring fire
P.S. Jagadeesh Kumar
Who didn't use the shadow of a tree, God never told us what an apple shall be.
G. P. Moci (A LONG VERSE OF SORROW)
All around us are the miracles of God. A tiny seed grows into a peepul tree. A caterpillar becomes a butterfly!
Dada J.P. Vaswani
Adam and Eve had first-hand empirical evidence of God’s existence. He walked in the Garden with them. Their problem was that God told them they could not eat of a certain tree. – p. 113
Ray A. (Practice These Principles: Living the Spiritual Disciplines and Virtues in 12-Step Recovery to Achieve Spiritual Growth, Character Development, and Emotional Sobriety)
Well did I come to know the presiding dryads of those trees, and often have I watched their wild dances in the struggling beams of a waning moon—but of these things I must not now speak.
H.P. Lovecraft (The Complete Works of H.P. Lovecraft)
There's something about evening service in a country church that makes a fellow feel drowsy and peaceful. Sort of end-of-a-perfect-day feeling. Old Heppenstall was up in the pulpit, and he has a kind of regular, bleating delivery that assists thought. They had left the door open, and the air was full of a mixed scent of trees and honeysuckle and mildew and villagers' Sunday clothes. As far as the eye could reach, you could see farmers propped up in restful attitudes, breathing heavily; and the children in the congregation who had fidgeted during the earlier part of the proceedings were now lying back in a surfeited sort of coma. The last rays of the setting sun shone through the stained-glass windows, birds were twittering in the trees, the women's dresses crackled gently in the stillness. Peaceful. That's what I'm driving at. I felt peaceful. Everybody felt peaceful.
P.G. Wodehouse (The Inimitable Jeeves (Jeeves, #2))
We hear speech as a string of separate words, but unlike the tree falling in the forest with no one to hear it, a word boundary with no one to hear it has no sound. In the speech sound wave, one word runs into the next seamlessly; there are no little silences between spoken words the way there are white spaces between written words. We simply hallucinate word boundaries when we reach the edge of a stretch of sound that matches some entry in our mental dictionary. This becomes apparent when we listen to speech in a foreign language: it is impossible to tell where one word ends the next begins. The seamlessness of speech is also apparent in 'oro­nyms', strings of sound that can be carved into words in two different ways: The good can decay many ways / The good candy came anyways.
Steven Pinker (The Language Instinct: How the Mind Creates Language)
Young Bingo was too busy introducing the mob to take much notice. They were a very C3 collection. Comrade Butt looked like one of those things that come out of dead trees after the rain; moth-eaten was the word I should have used to described old Rowbotham; and as for Charlotte, she seemed to take me straight into another and a dreadful world.
P.G. Wodehouse (The Inimitable Jeeves (Jeeves, #2))
Ouma Nella’s quotes p 144 -146 “Man, if you don’t know where you going, any road will bring you there.” “It don’t matter how far a river run. It never forget where it come from. That is all that is important.” “No matter if it’s wet or dry,” she grunt. “As long as you keep a green branch in your heart, there will always be a bird that come to sing in it.” “It’s no use crying in the rain, my child, because no one will see your tears. “Don't think you can climb two trees at the same time just because you got two legs.” “Ouma Nella, where am I not?” “But you’re right here with me, Philida. So there’s many places where you’re not.” “Tell me where those places are. I got to know. So I can go and look for myself.
André P. Brink (Philida)
The pear trees were bare, their limbs spread open like the viscera of a parasol. Stretching into the darkness beyond, the single houses, double houses, and villas were lined up in cramped, neat rows which ran toward the tip of the peninsula. p94
Sue Monk Kidd (The Invention of Wings)
As for me, I am proud of my close kinship with other animals. I take a jealous pride in my Simian ancestry. I like to think that I was once a magnificent hairy fellow living in the trees and that my frame has come down through geological time via sea jelly and worms and Amphioxus, Fish, Dinosaurs, and Apes. Who would exchange these for the pallid couple in the Garden of Eden?
W.N.P. Barbellion (The Journal of a Disappointed Man)
Anyone who knows baseball knows Ted Williams. He played professionally from 1939 to 1960 and is one of the undisputed greatest hitters of all time, right up there with Babe Ruth. But whether you’re familiar with him or not, I have news for you: Ted Williams never played baseball. Nope, he never did. The problem there is the verb: Williams wasn’t playing. To him, hitting a baseball wasn’t a game. He always took it very, very seriously. In a 1988 interview he said as a child he literally wished on a falling star that he would become the greatest hitter to ever live. But he didn’t sit around and wait for the dream to come true. His obsessive, perfectionist work ethic would bring him more success than any descending celestial body would. Williams said, “I . . . insist that regardless of physical assets, I would never have gained a headline for hitting if I [had not] kept everlastingly at it and thought of nothing else the year round . . . I only lived for my next time at bat.” Ten thousand hours to achieve expertise? Williams probably did that a few times over. He was obsessed. After school, he’d go to a local field and practice hitting until nine P.M., only stopping because that’s when they turned the lights out. Then he’d go home and practice in the backyard until his parents made him go to bed. He’d get to school early so he could fit in more swings before classes started. He’d bring his bat to class. He picked courses that had less homework, not because he was lazy but so he’d have more time for hitting.
Eric Barker (Barking Up the Wrong Tree: The Surprising Science Behind Why Everything You Know About Success Is (Mostly) Wrong)
A few women had cried, remembering the way Henry smiled or how he would join them in singing or thinking that the death ofanyone, good or bad, master or not, cut down one more tree in the life forest that shielded them from their own death; but most said or did nothing.
Edward P. Jones (The Known World)
His oldest child from his second marriage, Matthew, stayed up all the night before he was buried, putting his father’s history on a wooden tombstone. He began with his father’s name on the first line, and on the next, he put the years ofhis father’s coming and going. Then all the things he knew his father had been. Husband. Father. Farmer. Grandfather. Patroller. Tobacco Man. Tree Maker. The letters ofthe words got smaller and smaller as the boy, not quite twelve, neared the bottom ofthe wood because he had never made a headstone for anyone before so he had not compensated for all that he would have to put on it. The boy filled up the whole piece ofwood and at the end of the last line he put a period. His father’s grave would remain, but the wooden marker would not last out the year. The boy knew better than to put a period at the end ofsuch a sentence. Something that was not even a true and proper sentence, with subject aplenty, but no verb to pull it all together. A sentence, Matthew’s teacher back in Virginia had tried to drum into his thick Kinsey head, could live without a subject, but it could not live without a verb.
Edward P. Jones (The Known World)
I say, Bertie," he said, after a pause of about an hour and a quarter. "Hallo!" "Do you like the name Mabel?" "No." "No?" "No." "You don't think there's a kind of music in the word, like the wind rustling gently through the tree-tops?" "No." He seemed disappointed for a moment; then cheered up. "Of course, you wouldn't. You always were a fat-headed worm without any soul, weren't you?" "Just as you say. Who is she? Tell me all.
P.G. Wodehouse
Unhappy is he to whom the memories of childhood bring only fear and sadness. Wretched is he who looks back upon lone hours in vast and dismal chambers with brown hangings and maddening rows of antique books, or upon awed watches in twilight groves of grotesque, gigantic, and vine-encumbered trees that silently wave twisted branches far aloft. Such a lot the gods gave to me—to me, the dazed, the disappointed; the barren, the broken.
H.P. Lovecraft (Complete Collection of H.P. Lovecraft - 150 eBooks with 100+ Audio Books Included (Complete Collection of Lovecraft's Fiction, Juvenilia, Poems, Essays and Collaborations))
Charles Lathrop Pack, president of the American Tree Association, told how Rogers gave him advice in handling an educational campaign in tree planting. 'Will Rogers told me,' said Pack, 'that I was on the wrong track in trying to educate people to the value of putting idle land to work growing trees. "Pack," he said, "you go down to Washington and get Congress to pass a law prohibiting tree planting and you'll have everybody doing it in a week.
P. J. O'Brien (Will Rogers: Ambassador of Good Will, Prince of Wit and Wisdom)
1. Total domination of the world by 1958. 2. Domination of the astral spheres quite soon too. 3. The finding of lovely ladies for Spotty Muldoon within the foreseeable future. 4. GETTING A NUCLEAR ARM to deter with. 5. The bodily removal from this planet of C. P. Snow and Alan Freeman and their replacement with fine TREES. 6. Stopping the GOVERNMENT from crawling up our pipes and listening to all we say. 7. Training BEES for uses against foreign powers, and so on. 8. Elimination of spindly insects and encouragement of lovely little newts who dance about and are happy. 9. E. L. Wisty for GOD.
Peter Cook (Tragically I Was an Only Twin: The Complete Peter Cook)
It was morning when I saw it, but shadow lurked always there. The trees grew too thickly, and their trunks were too big for any healthy New England wood. There was too much silence in the dim alleys between them, and the floor was too soft with the dank moss and mattings of infinite years of decay.
H.P. Lovecraft (The Cthulhu Mythos Megapack: 40 Modern and Classic Lovecraftian Stories)
From his beach bag the man took an old penknife with a red handle and began to etch the signs of the letters onto nice flat pebbles. At the same time, he spoke to Mondo about everything there was in the letters, about everything you could see in them when you looked and when you listened. He spoke about A, which is like a big fly with its wings pulled back; about B, which is funny, with its two tummies; or C and D, which are like the moon, a crescent moon or a half-full moon; and then there was O, which was the full moon in the black sky. H is high, a ladder to climb up trees or to reach the roofs of houses; E and F look like a rake and a shovel; and G is like a fat man sitting in an armchair. I dances on tiptoes, with a little head popping up each time it bounces, whereas J likes to swing. K is broken like an old man, R takes big strides like a soldier, and Y stands tall, its arms up in the air, and it shouts: help! L is a tree on the river's edge, M is a mountain, N is for names, and people waving their hands, P is asleep on one paw, and Q is sitting on its tail; S is always a snake, Z is always a bolt of lightning, T is beautiful, like the mast on a ship, U is like a vase, V and W are birds, birds in flight; and X is a cross to help you remember.
J.M.G. Le Clézio (Mondo et autres histoires)
(Ulrich, 100 year old Bulgarian man): in Solo, by Rana Dasgupta "Ulrich has sometimes wondered whether his life has been a failure. Once he would have looked at all this and said yes. But now he does not know what it means for a life to succeed or fail. How can a dog fail its life, or a tree? A life is just a quantity; and he can no more see failure in it than he can see failure in a pile of earth, or a bucket of water. Failure and success are foreign terms to such blind matter." (p. 160)
Rana Dasgupta
Often we are led to a wall, it is too high, we cannot get over it and we stand there and stare at it. Rationalism says, “There is no getting over it, just go away.” Yet natural development has led the patient up to an almost impossible situation to show him that this is the end of his rational solutions. It is meant that he should get there, and perhaps stay there, make roots and grow like a tree; in time overcome the obstacle, grow over the wall. There are things in our psychology that cannot be answered today. You may be up against a stone wall but you should stay there and grow, and in six weeks or a year you have grown over it. The I Ching expresses that beautifully. A similar situation which looks quite hopeless is depicted thus: “a goat butts against a hedge and gets its horns entangled.” But in the next line: “The hedge opens; there is no entanglement/ Power depends upon the axle of a big cart.” So if you could stop butting against the fence you would not get your horns entangles, and presently you would have the power of a cart with four wheels. There is another way in nature, the way of a tree…The tree stands still and grows and makes roots and eventually overcomes the obstacle. [The Seminars. Volume One, Dream Analysis: Notes of the seminar given in 1928-30. p.249]
C.G. Jung
December 25, 4:30 p.m. Dear America, It’s been seven hours since you left. Twice now I’ve started to go to your room to ask how you liked your presents and then remembered you weren’t here. I’ve gotten so used to you, it’s strange that you aren’t around, drifting down the halls. I’ve nearly called a few times, but I don’t want to seem possessive. I don’t want you to feel like I’m a cage to you. I remember how you said the palace was just that the first night you came here. I think, over time, you’ve felt freer, and I’d hate to ruin that freedom, I’m going to have to distract myself until you come back. I decided to sit and write to you, hoping maybe it would feel like I was talking to you. It sort of does, I can imagine you sitting here, smiling at my idea, maybe shaking your head at me as if to say I’m being silly. You do that sometimes, did you know? I like that expression on you. You’re the only person who wears it in a way that doesn’t come across like you think I’m completely hopeless. You smile at my idiosyncrasies, accept that they exist, and continue to be my friend. And, in seven short hours, I’ve started to miss that. I’ve wonder what you’ve done in that time. I’m betting by now you’ve flown across the country, made it to your home, and are safe. I hope you are safe. I can’t imagine what a comfort you must be to your family right now. The lovely daughter has finally returned! I keep trying to picture you home. I remember you telling me it was small, that you had a tree house, and that your garage was where you father and sister did all their work. Beyond that I’ve had to resort to my imagination. I imagine you curled up in a hug with you sister or kicking around a ball with your little brother. I remember that, you know? That you said he liked to play ball. I tried to imagine walking into your house with you. I would have liked that, to see you where you grew up. I would love to see you brother run around or be embraced by your mother. I think it would be comforting to sense the presence of people near you, floorboards creaking and doors shutting. I would have liked to sit in one part of the house and still probably be able to smell the kitchen. I’ve always imagined that real homes are full of the aromas of whatever’s being cooked. I wouldn’t do a scrap of work. Nothing having to do with armies or budgets or negotiations. I’d sit with you, maybe try to work on my photography while you played the piano. We’d be Fives together, like you said. I could join your family for dinner, talking over one another in a collection of conversations instead of whispering and waiting our turns. And maybe I’d sleep in a spare bed or on the couch. I’d sleep on the floor beside you if you’d let me. I think about that sometimes. Falling asleep next to you, I mean, like we did in the safe room. It was nice to hear your breaths as they came and went, something quiet and close keeping me from feeling so alone. This letter has gotten foolish, and I think you know how I detest looking like a fool. But still I do. For you. Maxon
Kiera Cass (The One (The Selection, #3))
it may be that to eat and be eaten are the same thing in the end. My wisdom tells me that this is probably so. We are all made of the same stuff, remember, we of the Jungle, you of the City. The same substance composes us—the tree overhead, the stone beneath us, the bird, the beast, the star—we are all one, all moving to the same end. Remember
P.L. Travers (Mary Poppins and Mary Poppins Comes Back)
The tree of technology management takes root only if there is the self-actualization of needs, renewal, interdependence, and natural flow. The growth patterns are characteristic of the evolution process, which means that things move in a combination of slow change and sudden transformation; each transformation causes either a leap into a new, more complex level or a devastating crash to some earlier level; dominant models reach a certain peak of success when they turn troublesome; and the rate of change always accelerates.
A.P.J. Abdul Kalam (Wings of Fire)
.... romance is so much bigger than just a love story. Romance has to do with making things lovely because of love. Romance means absorbing the beauty of life, conversation, atmosphere, places, and surroundings. It means increasing our awareness of the fragrance of pine trees, freshly ground coffee, and sheets drying on the line; hearing the music of waves, children's laughter, and he rain drumming on the roof: seeing the signature of God on His creation. It means drinking the gift of life to the dregs. All to be enjoyed, all to be taken in." p. 17
Dee Brestin (Falling In Love With Jesus Abandoning Yourself To The Greatest Romance Of Your Life)
[Theodore] Roosevelt had long ago discovered that the more provincial the supplicants, the less able were they to understand that their need was not unique: that he was not yearning to travel two thousand miles on bad trains to support the reelection campaign of a county sheriff, or to address the congregation of a new chapel in a landscape with no trees. His refusal, no matter how elaborately apologetic, was received more often in puzzlement than anger. Imaginatively challenged folks, for whom crossing a state line amounted to foreign travel, could not conceive that the gray-blue eyes inspecting them had, over the past year, similarly scrutinized Nandi warriors, Arab mullahs, Magyar landowners, French marshals, Prussian academics, or practically any monarch or minister of consequence in Europe -- not to mention the maquettes in Rodin’s studio, and whatever dark truths flickered in the gaze of dying lions. From COLONEL ROOSEVELT, p. 104.
Edmund Morris (Colonel Roosevelt (Theodore Roosevelt))
...the concept of marketing is almost as old as humanity itself...suffice it to say here that it took almost no time for a wily serpent to sell Adam and Eve on a shiny apple from the Tree of Knowledge, at which point they became not only the first humans but also the first marketing demographic, and God expelled them from the Garden of Eden for being total consumerist dupes. (p. 40)
BikeSnobNYC (The Enlightened Cyclist: Commuter Angst, Dangerous Drivers, and Other Obstacles on the Path to Two-Wheeled Trancendence)
funeral wreath for the queen.” He sat in the clear space between the bank and the first line of trees and bent a pine bough into a circle, tying it with a piece of wet string from the castle. And because it looked cold and green, he picked spring beauties from the forest floor and wove them among the needles. He put it down in front of him. A cardinal flew down to the bank, cocked its brilliant head, and seemed to stare at the wreath. P. T. let out a growl which sounded more like a purr. Jess put his hand on the dog to quiet him. The bird hopped about a moment more, then flew leisurely away. “It’s a sign from the Spirits,” Jess said quietly. “We made a worthy offering.” He walked slowly, as part of a great procession, though only the puppy could be seen, slowly forward carrying the queen’s wreath to the sacred grove.
Katherine Paterson (Bridge to Terabithia)
Abundance of the Heart. He describes an experience with nature and his father. An environment of trust can have to do with a special experience, a place, another person, or people. My first real discovery of nature in life came one morning in April 1916. My father put me on the back of his bike, where I had a little seat, and said, "Off we go." And then he turned in the wrong direction for I thought he was taking me down to Quakers' meeting--it was a Sunday. "No," he said, "we are going somewhere else today." And we rode for about eight miles, and we stopped at a wood. . . . We went into the wood; and there, suddenly, was a great pool of bluebells stretching for perhaps a hundred yards in the shade of the oak trees. And I could scarcely breathe because the impression was so great. The experience then was just the bluebells and the scent; now, when I recall it, it is also the love of my father who chose to do that that morning--to give me that experience. I am sure he had been there the day before, found it, and thought, "I'll take my son there." As we rode there and as we rode back, we heard the distant thud of the guns at the Battle of the Somme, where thousands were dying every day. That overwhelming experience of a natural phenomenon, a demonstration of beneficent creation, and at the same time hearing those guns on the Somme--that experience has remained with me almost more clearly than anything else in my life. [The Abundance of the Heart (Salt Lake City: Bookcraft, 1986), p. 88]
Arthur Henry King
When we look at a tree, we do not see the tree for what it really is. We see how it appears to us on the surface, and we dismiss it as being just another form in the Universe. We fail to realize that the tree is connected to the Universe on every level; that all of nature is expressing itself through that single form. There can be no tree without the earth that it grows from, the sun that gives it energy, the water that nourishes its growth, and the millions of fungi and bacteria fertilizing its soil. Looking deeply into anything in nature, we realize that it is connected to the whole. We see that nature is one seamless web, and the notion that things have an existence of their own is merely an illusion.
Joseph P. Kauffman (The Answer Is YOU: A Guide to Mental, Emotional, and Spiritual Freedom)
When Augustus Townsend died in Georgia near the Florida line, he rose up above the barn where he had died, up above the trees and the crumbling smokehouse and the little family house nearby, and he walked away quick-like, toward Virginia. He discovered that when people were above it all they walked faster, as much as a hundred times faster than when they were confined to the earth. And so he reached Virginia in little or no time. He came to the house he had built for his family, for Mildred his wife and Henry his son, and he opened and went through the door. He thought she might be at the kitchen table, unable to sleep and drinking something to ease her mind. But he did not find his wife there. Augustus went upstairs and found Mildred sleeping in their bed. He looked at her for a long time, certainly as long as it would have taken him, walking up above it all, to walk to Canada and beyond. Then he went to the bed, leaned over and kissed her left breast. The kiss went through the breast, through skin and bone, and came to the cage that protected the heart. Now the kiss, like so many kisses, had all manner ofkeys, but it, like so many kisses, was forgetful, and it could not find the right key to the cage. So in the end, frustrated, desperate, the kiss squeezed through the bars and kissed Mildred’s heart. She woke immediately and she knew her husband was gone forever. All breath went and she was seized with such a pain that she had to come to her feet. But the room and the house were not big enough to contain her pain and she stumbled out ofthe room, out and down the stairs, out through the door that Augustus, as usual, had left open. The dog watched her from the hearth. Only in the yard could she begin to breathe again. And breath brought tears. She fell to her knees, out in the open yard, in her nightclothes, something Augustus would not have approved of. Augustus died on Wednesday.
Edward P. Jones (The Known World)
It was a morning when all nature shouted "Fore!" The breeze, as it blew gently up from the valley, seemed to bring a message of hope and cheer, whispering of chip-shots holed and brassies landing squarely on the meat. The fairway, as yet unscarred by the irons of a hundred dubs, smiled greenly up at the azure sky; and the sun, peeping above the trees, looked like a giant golf-ball perfectly lofted by the mashie of some unseen god and about to drop dead by the pin of the eighteenth.
P.G. Wodehouse (The Heart of a Goof)
The sun is beautiful, long and low on the horizon like it’s stretching itself, like it’s shaking off a nap, and I know underneath this weak winter light is the promise of days that last until eight P.M. and pool parties and the smell of chlorine and burgers on the grill; and underneath that is the promise of trees lit up in red and orange like flames and spiced cider, and frost that melts away by noon—layers upon layers of life, always something more, new, deeper. It makes me feel like crying,
Lauren Oliver (Before I Fall)
The Bodhisattva is in no rush. For once we have tasted a single drop of the bliss of bringing others into that freedom, with the Spirit of Enlightenment of love and compassion, once we have loosened the grip of the solid, separated, alienated self that is the core of self-centeredness, then we are already happy in a certain way. The Bodhisattva is always joyful, even when suffering. Bodhisattvas are always happy and cheerful under pressure, because they have felt the essence of reality as freedom (p. 223)
Robert A.F. Thurman (The Jewel Tree of Tibet: The Enlightenment Engine of Tibetan Buddhism)
Wonderful is the wit and subtiltie that dumb creatures have & how they shift for themselves and annoy their enemies: which is the only difficultie that they have to arise and grow to so great an height and excessive bignesse. The dragon therefore espying the Elephant when he goeth to releese, assaileth him from an high tree and launceth himselfe upon him; but the Elephant knowing well enough well enough he is not able to withstand his windings and knittings about him, seeketh to come close to some trees or hard rockes, and so forth to crush and squise the dragon between him and them: the dragons ware hereof, entangle and snarle his feet and legges first with their taile: the Elephants on the other side, undoe those knots with their trunke as with a hand: but to prevent that againe, the dragons put in their heads into their snout, and so stop their breath, and withall, fret and gnaw the tenderest parts that they find there. (Translated by Philomel Holland, 1601. "The Book of Naturalists: An Anthology of the Best Natural History", 1944. p. 20)
Pliny the Elder (Naturalis Historiae)
She went through her memory for the time, for the day, she and and her husband told him all about what he should and should not do. No goin out into them woods without Papa or me knowin about it. No steppin foot out this house without them free papers, not even to go to the well or the privy. Say your prayers every night...Pick the blueberries close to the ground, son. Them the sweetest, I find. If a white man say the trees can talk, can dance, you just say yes right along, that you done seen em do it plenty of times. Don't look them people in the eye. You see a white woman riding toward you, get way off the road and go stand behind a tree. The uglier the white woman, the farther you go and the broader the tree. But where, in all she taught her son, was it about thou shall own no one, havin been owned once your own self. Don't go back to Egypt after God done took you outa there.
Edward P. Jones (The Known World)
Cynnie’s disappeared while I’ve shut up shop. So has Ty, without even giving me a hug. He’s getting a dozen noogies for that the next time I see him. I lock up, checking and double-checking my security. On the way back from checking the manual lock on the fire escape door, I find the dress Cynnie was wearing draped across the foot of the staircase up into the loft like a fallen flower petal. “Baby?” Her wild giggle answers me. Grinning, I scoop up the dress and carry it up the stairs. I expect her to be n*ked in the bed, but she’s not. There’s no sign of her. “Baby, where are you?” Another wild giggle. With the open plan of my apartment, the stairwell, and the screen of trees in the loft, the acoustics can be weird. I was sure the first giggle came from upstairs. Now, it sounds like her giggle is coming from downstairs. “Come out, come out, wherever you are, bumble baby,” I call. Insane giggles. I spin around in place on the landing, trying to locate the source of those irresistible giggles. “When I find you, I’m going to b*te my bumble very hard on her b*ttom,” I growl. “I sting you!” That was definitely from my bedroom. I tear through the doorway and look around. No naughty bumble in my bed. I yank open the closet doors. No naughty bumble in my closets. There aren’t many hiding places in my bedroom. There’s no way she could fit between the trees. Then I spot the black rectangle half-hidden in the rumpled bedding. A phone. She’s put it on speaker and dimmed the screen. That sneaky little bee. I grab the phone and growl into it. “I’m going to find you.” “I fly away!” “You’ll never get away from me, little girl. And when I catch you, I’m going to eat you up.” I grip the phone, so turned on my hand shakes, muscles bunching. I pant into the phone. “I’m going to find you, wherever you are, and rail you into the ground.” She squees. There’s a very faint echo, and I realize where she is. Game on.
E.J. Frost (Max's Bumble (Daddy P.I. Casefiles, #3))
The North Korean capital, Pyongyang, is a city consecrated to the worship of a father-son dynasty. (I came to think of them, with their nuclear-family implications, as 'Fat Man and Little Boy.') And a river runs through it. And on this river, the Taedong River, is moored the only American naval vessel in captivity. It was in January 1968 that the U.S.S. Pueblo strayed into North Korean waters, and was boarded and captured. One sailor was killed; the rest were held for nearly a year before being released. I looked over the spy ship, its radio antennae and surveillance equipment still intact, and found photographs of the captain and crew with their hands on their heads in gestures of abject surrender. Copies of their groveling 'confessions,' written in tremulous script, were also on show. So was a humiliating document from the United States government, admitting wrongdoing in the penetration of North Korean waters and petitioning the 'D.P.R.K.' (Democratic People's Republic of Korea) for 'lenience.' Kim Il Sung ('Fat Man') was eventually lenient about the men, but not about the ship. Madeleine Albright didn't ask to see the vessel on her visit last October, during which she described the gruesome, depopulated vistas of Pyongyang as 'beautiful.' As I got back onto the wharf, I noticed a refreshment cart, staffed by two women under a frayed umbrella. It didn't look like much—one of its three wheels was missing and a piece of brick was propping it up—but it was the only such cart I'd see. What toothsome local snacks might the ladies be offering? The choices turned out to be slices of dry bread and cups of warm water. Nor did Madeleine Albright visit the absurdly misnamed 'Demilitarized Zone,' one of the most heavily militarized strips of land on earth. Across the waist of the Korean peninsula lies a wasteland, roughly following the 38th parallel, and packed with a titanic concentration of potential violence. It is four kilometers wide (I have now looked apprehensively at it from both sides) and very near to the capital cities of both North and South. On the day I spent on the northern side, I met a group of aging Chinese veterans, all from Szechuan, touring the old battlefields and reliving a war they helped North Korea nearly win (China sacrificed perhaps a million soldiers in that campaign, including Mao Anying, son of Mao himself). Across the frontier are 37,000 United States soldiers. Their arsenal, which has included undeclared nuclear weapons, is the reason given by Washington for its refusal to sign the land-mines treaty. In August 1976, U.S. officers entered the neutral zone to trim a tree that was obscuring the view of an observation post. A posse of North Koreans came after them, and one, seizing the ax with which the trimming was to be done, hacked two U.S. servicemen to death with it. I visited the ax also; it's proudly displayed in a glass case on the North Korean side.
Christopher Hitchens (Love, Poverty, and War: Journeys and Essays)
In after-years he liked to think that he had been in Very Great Danger during the Terrible Flood, but the only danger he had really been in was in the last half-hour of his imprisonment, when Owl, who had just flown up, sat on a branch of his tree to comfort him, and told him a very long story about an aunt who had once laid a seagull’s egg by mistake, and the story went on and on, rather like this sentence, until Piglet who was listening out of his window without much hope, went to sleep quietly and naturally, slipping slowly out of the window towards the water until he was only hanging on by his toes, at which moment luckily, a sudden loud squawk from Owl, which was really part of the story, being what his aunt said, woke the Piglet up and just gave him time to jerk himself back into safety and say, “How interesting, and did she?” when—well, you can imagine his joy when at last he saw the good ship, The Brain of Pooh (Captain, C. Robin; 1st Mate, P. Bear) coming over the sea to rescue him.
A.A. Milne (Winnie the Pooh (Winnie-the-Pooh, #1))
She handed him the blankets and the ground sheet and he shook them out, then put them down under the trees. Angie got down on her knees and spread the ground sheet over the leaves, then the blankets. 'You never forget do you? I mean about seeing things first.' 'Hope I never.' He was oddly uncomfortable, hesitant. 'Good way to lose your hair, not noticing things.' He sat down and pulled off his boots. The cottonwoods whispered more softly. The squirrel gave one short inquiring chatter, then was silent. The lone coyote spoke to the sky and the stream rustled busily about the stones. A bit of mud fell into the stream with a faint plop. It was night and there was no sound. Or anyway, not very much." (p 154)
Louis L'Amour
From the pleasure podium of Ali Qapu, beyond the enhanced enclosure, the city spread itself towards the horizon. Ugly buildings are prohibited in Esfahan. They go to Tehran or stay in Mashhad. Planters vie with planners to outnumber buildings with trees. Attracting nightingales, blackbirds and orioles is considered as important as attracting people. Maples line the canals, reaching towards each other with branches linked. Beneath them, people meander, stroll and promenade. The Safavids' high standards generated a kind of architectural pole-vaulting competition in which beauty is the bar, and ever since the Persians have been imbuing the most mundane objects with design. Turquoise tiles ennoble even power stations. In the meadow in the middle of Naghshe Jahan, as lovers strolled or rode in horse-drawn traps, I lay on my back picking four-leafed clovers and looking at the sky. There was an intimacy about its grandeur, like having someone famous in your family. The life of centuries past was more alive here than anywhere else, its physical dimensions unchanged. Even the brutal mountains, folded in light and shadows beyond the square, stood back in awe of it. At three o'clock, the tiled domes soaked up the sunshine, transforming its invisible colours to their own hue, and the gushing fountains ventilated the breeze and passed it on to grateful Esfahanis. But above all was the soaring sky, captured by this snare of arches.(p378)
Christopher Kremmer (The Carpet Wars: From Kabul to Baghdad: A Ten-Year Journey Along Ancient Trade Routes)
and drew her strength directly from our magickal Oklahoma earth. “U-we-tsi-a-ge-ya, it seems I need help at the lavender booth. I simply cannot believe how busy we are.” Grandma had barely spoken when a nun hurried up. “Zoey, Sister Mary Angela could use your help filling out cat adoption forms.” “I’ll help you, Grandma Redbird,” Shaylin said. “I love the smell of lavender.” “Oh, honey, that would be so sweet of you. First, could you run to my car and get into the trunk. There is another box of lavender soaps and sachets tucked back there. Looks like I’m going to sell out completely,” Grandma said happily. “Sure thing.” Shaylin caught the keys Grandma tossed to her and hurried toward the main exit of the school grounds which led to the parking lot, as well as the tree-lined road that joined Utica Street. “And I’ll call my momma. She said just let her know if we get too busy over here. She and the PTA moms will be back here in a sec,” said Stevie Rae. “Grandma, do you mind if I give Street Cats a hand? I’ve been dying to check out their new litter of kittens.” “Go on, u-we-tsi-a-ge-ya. I think Sister Mary Angela has been missing your company.” “Thanks, Grandma.” I smiled at her. Then I turned to Stevie Rae. “Okay, if your mom’s group is coming back, I’m gonna go help the nuns.” “Yeah, no problem.” Stevie Rae, shielding her eyes and peering through the crowd, added, “I see her now, and she’s got Mrs. Rowland and Mrs. Wilson with her.” “Don’t worry. We can handle this,” Shaunee said. “’Kay,” I said, grinning at both of them. “I’ll be back as soon as I can.” I left the cookie booth and noticed Aphrodite, clutching her big purple Queenies cup, was right on my heels. “I thought you didn’t want a lecture from the nuns.” “Better than a lecture from PTA moms.” She shuddered. “Plus, I like cats more than people.” I shrugged. “Okay, whatever.” We’d only gotten partway to the Street Cats tent when Aphrodite slowed way down. “Seriously. Effing. Pathetic.” She was muttering around her straw, narrowing her eyes, and glaring. I followed her gaze and joined her frown. “Yeah, no matter how many times I see them together, I still don’t get it.” Aphrodite and I had stopped to watch Shaunee’s ex-Twin BFF, Erin, hang all over Dallas. “I really thought she was better than that.” “Apparently not,” Aphrodite said. “Eeew,” I said, looking away from their way too public display of locked lips. “I’m telling you, there’s not enough booze in Tulsa to make watching those two suck face okay.” She made a gagging sound, which changed to a snort and a laugh. “Check out the wimple, twelve o’clock.” Sure enough, there was a nun I vaguely recognized as Sister Emily (one of the more uptight of the nuns) descending on the too-busy-with-their-tongues-to-notice couple. “She looks serious,” I said. “You know, a nun may very well be the direct opposite of an aphrodisiac. This should be entertaining. Let’s watch.” “Zoey! Over here!” I looked from the train wreck about to happen to see Sister Mary Angela waving me over to her.
P.C. Cast (Revealed (House of Night #11))
She asked me if Christmas was a particularly tense time and whether my father had ever hit my mother while trimming the tree. I couldn't remember anything like that happening, and although it seemed possible, I was suspicious when she asked me if my father had ever thrust the silver star at my mother to deliberately pierce her hand. I said "no" and she said "the bastard" and we both looked a little confused. (p. 9)
Camilla Gibb (Mouthing the Words)
The​ ​Gospels​ ​are​ ​full​ ​of​ ​testimonies​ ​of​ ​God’s​ ​power​ ​from​ ​eyewitnesses​ ​who​ ​saw​ ​Jesus heal​ ​the​ ​sick​ ​and​ ​raise​ ​the​ ​dead.​ ​​ ​When​ ​the​ ​blind​ ​man​ ​received​ ​sight,​ ​he​ ​went​ ​and​ ​told​ ​others. When​ ​the​ ​Samaritan​ ​woman​ ​received​ ​living​ ​water​ ​from​ ​Jesus,​ ​she​ ​went​ ​back​ ​to​ ​tell​ ​what happened​ ​to​ ​her,​ ​and​ ​“many​ ​of​ ​the​ ​Samaritans​ ​from​ ​that​ ​town​ ​believed​ ​in​ ​Him​ ​because​ ​of​ ​the woman’s​ ​testimony”​ ​(John​ ​4:39).​ ​​ ​Revelation​ ​12:11​ ​says​ ​we​ ​overcome​ ​the​ ​evil​ ​one​ ​by​ ​the​ ​word of​ ​our​ ​testimony.​ ​​ ​When​ ​the​ ​orphans​ ​​tell​,​ ​they​ ​experience​ ​God’s​ ​power​ ​at​ ​work​ ​in​ ​them;​ ​when others​ ​​hear​,​ ​their​ ​faith​ ​is​ ​strengthened.​ ​​ ​When​ ​we​ ​gather​ ​to​ ​share​ ​our​ ​stories,​ ​I​ ​know​ ​the​ ​devil runs​ ​out​ ​the​ ​door​ ​when​ ​the​ ​smallest,​ ​weakest​ ​orphan​ ​stands​ ​up​ ​to​ ​attest​ ​to​ ​the​ ​goodness​ ​of God.​ ​(p178)
Eric Irivuzumugabe (My Father, Maker of the Trees: How I Survived the Rwandan Genocide)
You look…exactly the same.” Gulp. Is that a good thing or a bad thing? “I do?” I get up on my tiptoes. “I think I’ve grown at least an inch since eighth grade.” And my boobs are at least a little bigger. Not much. Not that I want John to notice--I’m just saying. “No, you look…just like how I remembered you.” John Ambrose reaches out, and I think he’s trying to hug me but he’s only trying to take my bag from me, and there’s a brief but strange dance that mortifies me but he doesn’t seem to notice. “So thanks for inviting me.” “Thanks for coming.” “Do you want me to take this stuff up for you?” “Sure,” I say. John takes the bag from me and looks inside. “Oh, wow. All of our old snacks! Why don’t you climb up first and I’ll pass it to you.” So that’s what I do: I scramble up the ladder and he climbs up behind me. I’m crouched, arms outstretched, waiting for him to pass me the bag. But when he gets halfway up the ladder, he stops and looks up at me and says, “You still wear your hair in fancy braids.” I touch my side braid. Of all the things to remember about me. Back then, Margot was the one who braided my hair. “You think it looks fancy?” “Yeah. Like…expensive bread.” I burst out laughing. “Bread!” “Yeah. Or…Rapunzel.” I get down on my stomach, wriggle over to the edge, and pretend like I’m letting down my hair for him to climb. He climbs up to the top of the ladder and passes me the bag, which I take, and then he grins at me and gives my braid a tug. I’m still lying down but feel an electric charge like he’s zapped me. I’m suddenly feeling very anxious about the worlds that will be colliding, the past and the present, a pen pal and a boyfriend, all in this little tree house. Probably I should have thought this through a bit better. But I was so focused on the time capsule, and the snacks, and the idea of it--old friends coming back together to do what we said we’d do. And now here we are, in it. “Everything okay?” John asks, offering me his hand as I rise to my feet. I don’t take his hand; I don’t want another zap. “Everything’s great,” I say cheerily. “Hey, you never sent back my letter,” he says. “You broke an unbreakable vow.” I laugh awkwardly. I’d kind of been hoping he wouldn’t bring that up. “It was too embarrassing. The things I wrote. I couldn’t bear the thought of another person seeing it.” “But I already saw it,” he reminds me.
Jenny Han (P.S. I Still Love You (To All the Boys I've Loved Before, #2))
I’m crossing our backyard to the Pearces’, trying to juggle the bag and the portable speakers and my phone, when I see John Ambrose McClaren standing in front of the tree house, staring up at it with his arms crossed. I’d know the back of his blond head anywhere. I freeze, suddenly nervous and unsure. I’d thought Peter or Chris would be here with me when he arrived, and that would smooth out any awkwardness. But no such luck. I put down all my stuff and move forward to tap him on the shoulder, but he turns around before I can. I take a step back. “Hi! Hey!” I say. “Hey!” He takes a long look at me. “Is it really you?” “It’s me.” “My pen pal the elusive Lara Jean Covey who shows up at Model UN and runs off without so much as a hello?” I bite the inside of my cheek. “I’m pretty sure I at least said hello.” Teasingly he says, “No, I’m pretty sure you didn’t.” He’s right: I didn’t. I was too flustered. Kind of like right now. It must be that distance between knowing someone when you were a kid and seeing them now that you’re both more grown-up, but still not all the way grown-up, and there are all these years and letters in between you, and you don’t know how to act. “Well--anyway. You look…taller.” He looks more than just taller. Now that I can take the time to really look at him, I notice more. With his fair hair and milky skin and rosy cheeks, he looks like he could be an English farmer’s son. But he’s slim, so maybe the sensitive farmer’s son who steals away to the barn to read. The thought makes me smile, and John gives me a curious look but doesn’t ask why. With a nod, he says, “You look…exactly the same.” Gulp. Is that a good thing or a bad thing? “I do?” I get up on my tiptoes. “I think I’ve grown at least an inch since eighth grade.” And my boobs are at least a little bigger. Not much. Not that I want John to notice--I’m just saying.
Jenny Han (P.S. I Still Love You (To All the Boys I've Loved Before, #2))
A President J.G., F.C. who said he wasn’t going to stand here and ask us to make some tough choices because he was standing here promising he was going to make them for us. Who asked us simply to sit back and enjoy the show. Who handled wild applause from camouflage-fatigue- and sandal-and-poncho-clad C.U.S.P.s with the unabashed grace of a real pro. Who had black hair and silver sideburns, just like his big-headed puppet, and the dusty brick-colored tan seen only among those without homes and those whose homes had a Dermalatix Hypospectral personal sterilization booth. Who declared that neither Tax & Spend nor Cut & Borrow comprised the ticket into a whole new millennial era (here more puzzlement among the Inaugural audience, which Mario represents by having the tiny finger-puppets turn rigidly toward each other and then away and then toward). Who alluded to ripe and available Novel Sources of Revenue just waiting out there, unexploited, not seen by his predecessors because of the trees (?). Who foresaw budgetary adipose trimmed with a really big knife. The Johnny Gentle who stressed above all—simultaneously pleaded for and promised—an end to atomized Americans’ fractious blaming of one another for our terrible 151 internal troubles. Here bobs and smiles from both wealthily green-masked puppets and homeless puppets in rags and mismatched shoes and with used surgical masks, all made by E.T.A.’s fourth- and fifth-grade crafts class, under the supervision of Ms. Heath, of match-sticks and Popsicle-stick shards and pool-table felt with sequins for eyes and painted fingernail-parings for smiles/frowns, under their masks. The Johnny Gentle, Chief Executive who pounds a rubber-gloved fist on the podium so hard it knocks the Seal askew and declares that Dammit there just must be some people besides each other of us to blame. To unite in opposition to. And he promises to eat light and sleep very little until he finds them—in the Ukraine, or the Teutons, or the wacko Latins. Or—pausing with that one arm up and head down in the climactic Vegas way—closer to right below our nose. He swears he’ll find us some cohesion-renewing Other. And then make some tough choices. Alludes to a whole new North America for a crazy post-millennial world.
David Foster Wallace (Infinite Jest)
David's Song of Thanks     8  f Oh give thanks to the LORD;  g call upon his name;          h make known his deeds among the peoples!     9 Sing to him, sing praises to him;         tell of all his wondrous works!     10 Glory in his holy name;         let the hearts of those who seek the LORD rejoice!     11  i Seek the LORD and his strength;         seek his presence continually!     12  j Remember the wondrous works that he has done,          k his miracles and the judgments he uttered,     13 O offspring of Israel his servant,         children of Jacob, his chosen ones!     14 He is the LORD our God;          l his judgments are in all the earth.     15 Remember his covenant forever,         the word that he commanded, for a thousand generations,     16 the covenant  m that he made with Abraham,         his sworn promise to Isaac,     17 which  n he confirmed to Jacob as a statute,         to Israel as an everlasting covenant,     18 saying,  o “To you I will give the land of Canaan,         as your portion for an inheritance.”     19 When you were  p few in number,         of little account, and  q sojourners in it,     20 wandering from nation to nation,         from one kingdom to another people,     21 he allowed no one to oppress them;         he  r rebuked kings on their account,     22 saying, “Touch not my anointed ones,         do my  s prophets no harm!”     23  t Sing to the LORD, all the earth!         Tell of his salvation from day to day.     24 Declare his glory among the nations,         his marvelous works among all the peoples!     25 For  u great is the LORD, and greatly to be praised,         and he is to be feared  v above all gods.     26 For all the gods of the peoples are worthless idols,          w but the LORD made the heavens.     27 Splendor and majesty are before him;         strength and joy are in his place.     28 Ascribe to the LORD, O families of the peoples,          x ascribe to the LORD glory and strength!     29 Ascribe to the LORD the glory due his name;         bring an offering and come before him!      y Worship the LORD in the splendor of holiness; [2]         30 tremble before him, all the earth;         yes, the world is established; it shall never be moved.     31  z Let the heavens be glad, and let the earth rejoice,         and let them say among the nations,  a “The LORD reigns!”     32  b Let the sea roar, and all that fills it;         let the field exult, and everything in it!     33 Then shall the trees of the forest sing for joy         before the LORD, for he comes to judge the earth.     34 Oh give thanks to the LORD, for he is good;         for his steadfast love endures forever! 35 c Say also:     “Save us, O God of our salvation,         and gather and deliver us from among the nations,     that we may give thanks to your holy name         and glory in your praise.     36  d Blessed be the LORD, the God of Israel,         from everlasting to everlasting!”  e Then all the people said, “Amen!” and praised the LORD.
Anonymous (Holy Bible: English Standard Version (ESV))
[Chang Yu relates the following anecdote of Kao Tsu, the first Han Emperor: “Wishing to crush the Hsiung-nu, he sent out spies to report on their condition. But the Hsiung-nu, forewarned, carefully concealed all their able-bodied men and well-fed horses, and only allowed infirm soldiers and emaciated cattle to be seen. The result was that spies one and all recommended the Emperor to deliver his attack. Lou Ching alone opposed them, saying: “When two countries go to war, they are naturally inclined to make an ostentatious display of their strength. Yet our spies have seen nothing but old age and infirmity. This is surely some ruse on the part of the enemy, and it would be unwise for us to attack.” The Emperor, however, disregarding this advice, fell into the trap and found himself surrounded at Po-teng.”] 19.  Thus one who is skillful at keeping the enemy on the move maintains deceitful appearances, according to which the enemy will act. [Ts’ao Kung’s note is “Make a display of weakness and want.” Tu Mu says: “If our force happens to be superior to the enemy’s, weakness may be simulated in order to lure him on; but if inferior, he must be led to believe that we are strong, in order that he may keep off. In fact, all the enemy’s movements should be determined by the signs that we choose to give him.” Note the following anecdote of Sun Pin, a descendent of Sun Wu: In 341 B.C., the Ch’i State being at war with Wei, sent T’ien Chi and Sun Pin against the general P’ang Chuan, who happened to be a deadly personal enemy of the later. Sun Pin said: “The Ch’i State has a reputation for cowardice, and therefore our adversary despises us. Let us turn this circumstance to account.” Accordingly, when the army had crossed the border into Wei territory, he gave orders to show 100,000 fires on the first night, 50,000 on the next, and the night after only 20,000. P’ang Chuan pursued them hotly, saying to himself: “I knew these men of Ch’i were cowards: their numbers have already fallen away by more than half.” In his retreat, Sun Pin came to a narrow defile, with he calculated that his pursuers would reach after dark. Here he had a tree stripped of its bark, and inscribed upon it the words: “Under this tree shall P’ang Chuan die.” Then, as night began to fall, he placed a strong body of archers in ambush near by, with orders to shoot directly they saw a light. Later on, P’ang Chuan arrived at the spot, and noticing the tree, struck a light in order to read what was written on it. His body was immediately riddled by a volley of arrows, and his whole army thrown into confusion. [The above is Tu Mu’s version of the story; the SHIH CHI, less dramatically but probably with more historical truth, makes P’ang Chuan cut his own throat with an exclamation of despair, after the rout of his army.] ] He sacrifices something, that the enemy may snatch at it. 20.  By holding out baits, he keeps him on the march; then with a body of picked men he lies in wait for him. [With an emendation suggested by Li Ching, this then reads, “He lies in wait with the main body of his troops.”] 21.  The clever combatant looks to the effect of combined energy, and does not require too much from individuals.
Sun Tzu (The Art of War)
I feel so far away from them, on the top of this hill. It seems as though I belong to another species. They come out of their offices after their day of work, they look at the houses and the squares with satisfaction, they think it is their city, a good, solid, bourgeois city. They aren’t afraid, they feel at home. All they have ever seen is trained water running from taps, light which fills bulbs when you turn on the switch, half-breed, bastard trees held up with crutches. They have proof, a hundred times a day, that everything happens mechanically, that the world obeys fixed, unchangeable laws. In a vacuum all bodies fall at the same rate of speed, the public park is closed at 4 p.m. in winter, at 6 p.m. in summer, lead melts at 335 degrees centigrade, the last streetcar leaves the Hotel de Ville at 11.05 p.m. They are peaceful, a little morose, they think about Tomorrow, that is to say, simply, a new today; cities have only one day at their disposal and every morning it comes back exactly the same. They scarcely doll it up a bit on Sundays. Idiots. It is repugnant to me to think that I am going to see their thick, self-satisfied faces. They make laws, they write popular novels, they get married, they are fools enough to have children. And all this time, great, vague nature has slipped into their city, it has infiltrated everywhere, in their house, in their office, in themselves. It doesn’t move, it stays quietly and they are full of it inside, they breathe it, and they don’t see it, they imagine it to be outside, twenty miles from the city. I see it, I see this nature . . . I know that its obedience is idleness, I know it has no laws: what they take for constancy is only habit and it can change tomorrow. What if something were to happen? What if something suddenly started throbbing? Then they would notice it was there and they’d think their hearts were going to burst. Then what good would their dykes, bulwarks, power houses, furnaces and pile drivers be to them? It can happen any time, perhaps right now: the omens are present.
Jean-Paul Sartre (Nausea)
Imagine the following. Three groups of ten individuals are in a park at lunchtime with a rainstorm threatening. In the first group, someone says: “Get up and follow me.” When he starts walking and only a few others join in, he yells to those still seated: “Up, I said, and now!” In the second group, someone says: “We’re going to have to move. Here’s the plan. Each of us stands up and marches in the direction of the apple tree. Please stay at least two feet away from other group members and do not run. Do not leave any personal belongings on the ground here and be sure to stop at the base of the tree. When we are all there . . .” In the third group, someone tells the others: “It’s going to rain in a few minutes. Why don’t we go over there and sit under that huge apple tree. We’ll stay dry, and we can have fresh apples for lunch.” I am sometimes amazed at how many people try to transform organizations using methods that look like the first two scenarios: authoritarian decree and micromanagement. Both approaches have been applied widely in enterprises over the last century, but mostly for maintaining existing systems, not transforming those systems into something better. When the goal is behavior change, unless the boss is extremely powerful, authoritarian decree often works poorly even in simple situations, like the apple tree case. Increasingly, in complex organizations, this approach doesn’t work at all. Without the power of kings and queens behind it, authoritarianism is unlikely to break through all the forces of resistance. People will ignore you or pretend to cooperate while doing everything possible to undermine your efforts. Micromanagement tries to get around this problem by specifying what employees should do in detail and then monitoring compliance. This tactic can break through some of the barriers to change, but in an increasingly unacceptable amount of time. Because the creation and communication of detailed plans is deadly slow, the change produced this way tends to be highly incremental. Only the approach used in the third scenario above has the potential to break through all the forces that support the status quo and to encourage the kind of dramatic shifts found in successful transformations. (See figure 5–1.) This approach is based on vision—a central component of all great leadership.
John P. Kotter (Leading Change)
The Unknown Soldier A tale to tell in bloody rhyme, A story to last ’til the dawn of end’s time. Of a loving boy who left dear home, To bear his countries burdens; her honor to sow. –A common boy, I say, who left kith and kin, To battle der Kaiser and all that was therein. The Arsenal of Democracy was his kind, –To make the world safe–was their call and chime. Trained he thus in the far army camps, Drilled he often in the march and stamp. Laughed he did with new found friends, Lived they together for the noble end. Greyish mottled images clipp’ed and hack´ed– Black and white broke drum Ʀ…ɧ..λ..t…ʮ..m..ȿ —marching armies off to ’ttack. Images scratched, chopped, theatrical exaggerate, Confetti parades, shouts of high praise To where hell would sup and partake with all bon hope as the transport do them take Faded icons board the ship– To steel them away collaged together –joined in spirit and hip. Timeworn humanity of once what was To broker peace in eagles and doves. Mortal clay in the earth but to grapple and smite As warbirds ironed soar in heaven’s light. All called all forward to divinities’ kept date, Heroes all–all aces and fates. Paris–Used to sing and play at some cards, A common Joe everybody knew from own heart. He could have been called ‘the kid’ by the ‘old man,’ But a common private now taking orders to stand. Receiving letters from his shy sweet one, Read them over and over until they faded to none. Trained like hell with his Commander-in-Arms, –To avoid the dangers of a most bloody harm. Aye, this boy was mortal, true enough said, He could be one of thousands alive but now surely dead. How he sang and cried and ate the gruel of rations, And grumbled as soldiers do at war’s great contagions. Out–out to the battle this young did go, To become a man; the world to show. (An ocean away his mother cried so– To return her boy safe as far as the heavens go). Lay he down in trenched hole, With balls bursting overhead upon the knoll. Listened hardnfast to the “Sarge” bearing the news, —“We’re going over soon—” was all he knew. The whistle blew; up and over they went, Charging the Hun, his life to be spent (“Avoid the gas boys that’ll blister yer arse!!”). Running through wires razored and deadened trees, Fell he into a gouge to find in shelter of need (They say he bayoneted one just as he–, face to face in War’s Dance of trialed humanity). A nameless sonnuvabitch shell then did untimely RiiiiiiiP the field asunder in burrrstzʑ–and he tripped. And on the field of battle’s blood did he die, Faceless in a puddle as blurrs of ghosting men shrieked as they were fleeing by–. Perished he alone in the no man’s land, Surrounded by an army of his brother’s teeming bands . . . And a world away a mother sighed, Listened to the rain and lay down and cried. . . . Today lays the grave somber and white, Guarded decades long in both the dark and the light. Silent sentinels watch o’er and with him do walk, Speak they neither; their duty talks. Lone, stark sentries perform the unsmiling task, –Guarding this one dead–at the nation’s bequest. Cared over day and night in both rain or sun, Present changing of the guard and their duty is done (The changing of the guard ’tis poetry motioned A Nation defining itself–telling of rifles twirl-clicking under the intensest of devotions). This poem–of The Unknown, taken thus, Is rend eternal by Divinity’s Iron Trust. How he, a common soldier, gained the estate Of bearing his countries glory unto his unknown fate. Here rests in honored glory a warrior known but to God, Now rests he in peace from the conflict path he trod. He is our friend, our family, brother, our mother’s son –belongs he to us all, For he has stood in our place–heeding God’s final call.
Douglas M. Laurent