Theses Quotes

We've searched our database for all the quotes and captions related to Theses. Here they are! All 100 of them:

Of all sad words of tongue or pen, the saddest are these, 'It might have been.
John Greenleaf Whittier
Go then, there are other worlds than these.
Stephen King (The Gunslinger (The Dark Tower, #1))
Let others praise ancient times; I am glad I was born in these.
Ovid
What are all these?" Clary asked. "Vials of holy water, blessed knives, steel and silver blades," Jace said, piling the weapons on the floor beside him, "electrum wire - not much use at the moment but it's always good to have spares - silver bullets, charms of protetion, crucifixes, stars of David-" "Jesus," said Clary "I doubt he'd fit." "Jace." Clary was appalled.
Cassandra Clare (City of Bones (The Mortal Instruments, #1))
The philosophers have only interpreted the world, in various ways. The point, however, is to change it. [These words are also inscribed upon his grave]
Karl Marx (Eleven Theses on Feuerbach)
Tell me how all this, and love too, will ruin us. These, our bodies, possessed by light. Tell me we'll never get used to it.
Richard Siken (Crush)
Monkey bar," Annabeth said. "I'm great at these." She leaped onto to the first rung and start swinging her way across. She was scared of tiny spiders, but not of plummeting to her death from a set of monkey bars. Go figure.
Rick Riordan (The Battle of the Labyrinth (Percy Jackson and the Olympians, #4))
And the air was full of Thoughts and Things to Say. But at times like these, only the Small Things are ever said. Big Things lurk unsaid inside.
Arundhati Roy (The God of Small Things)
Having eyes, but not seeing beauty; having ears, but not hearing music; having minds, but not perceiving truth…These are the things to fear…
Tetsuko Kuroyanagi
I said uselessly, "Sam, don't go." Sam cupped my face in his hands and looked me in the eyes. His eyes were yellow, sad, wolf, mine. "These stay the same. Remember that when you look at me. Remember it's me. Please.
Maggie Stiefvater (Shiver (The Wolves of Mercy Falls, #1))
Resolve to be tender with the young, compassionate with the aged, sympathetic with the striving, and tolerant of the weak and the wrong. Sometime in life you will have been all of these.
George Washington Carver
The stars incline us, they do not bind us.
Chloe Gong (These Violent Delights (These Violent Delights, #1))
Give me your tired, your poor, Your huddled masses yearning to breathe free, The wretched refuse of your teeming shore. Send these, the homeless, tempest-tossed, to me: I lift my lamp beside the golden door.
Emma Lazarus
Part of the problem with the word 'disabilities' is that it immediately suggests an inability to see or hear or walk or do other things that many of us take for granted. But what of people who can't feel? Or talk about their feelings? Or manage their feelings in constructive ways? What of people who aren't able to form close and strong relationships? And people who cannot find fulfillment in their lives, or those who have lost hope, who live in disappointment and bitterness and find in life no joy, no love? These, it seems to me, are the real disabilities.
Fred Rogers (The World According to Mister Rogers: Important Things to Remember)
I know that pain is the most important thing in the universes. Greater than survival, greater than love, greater even than the beauty it brings about. For without pain, there can be no pleasure. Without sadness, there can be no happiness. Without misery there can be no beauty. And without these, life is endless, hopeless, doomed and damned. Adult. You have become adult.
Harlan Ellison (Paingod and Other Delusions)
We aren’t the things we collect, acquire, read. We are, for as long as we are here, only love. The things we loved. The people we loved. And these, I think these really do live on
Gabrielle Zevin (The Storied Life of A.J. Fikry)
To have and to hold, where even death cannot part us,’ Juliette whispered. ‘In this life and the next,’ Roma returned, ‘for however long our souls remain, mine will always find yours.
Chloe Gong (Our Violent Ends (These Violent Delights, #2))
Want to play baseball?’” she asked. Shane’s eyes opened, and he stopped stroking her hair. “What?’” “First base,’” she said. “You’re already there.’” “I’m not running the bases.’” “Well, you could at least steal second.’” “Jeez, Claire. I used to distract myself with sports stats at times like these, but now you’ve gone and ruined it.
Rachel Caine (The Dead Girls' Dance (The Morganville Vampires, #2))
No, thank you," said Adrian. "These hands don't sully themselves with fighting.
Richelle Mead (Bloodlines (Bloodlines, #1))
These violent delights have violent ends, you have always known this.
Chloe Gong (Our Violent Ends (These Violent Delights, #2))
Memories were beastly little creatures, after all—they rose with the faintest whiff of nourishment.
Chloe Gong (These Violent Delights (These Violent Delights, #1))
Sooner or later we all discover that the important moments in life are not the advertised ones, not the birthdays, the graduations, the weddings, not the great goals achieved. The real milestones are less prepossessing. They come to the door of memory unannounced, stray dogs that amble in, sniff around a bit and simply never leave. Our lives are measured by these.
Susan B. Anthony
Imagine life is a game in which you are juggling five balls. The balls are called work, family, health, friends, and integrity. And you're keeping all of them in the air. But one day you finally come to understand that work is a rubber ball. If you drop it, it will bounce back. The other four balls...are made of glass. If you drop one of these, it will be irrevocably scuffed, nicked, perhaps even shattered.
James Patterson (Suzanne's Diary for Nicholas)
Poetry is not a turning loose of emotion, but an escape from emotion; it is not the expression of personality but an escape from personality. But, of course, only those who have personality and emotion know what it means to want to escape from these.
T.S. Eliot
As Estha stirred the thick jam he thought Two Thoughts and the Two Thoughts he thought were these: a) Anything can happen to anyone. and b) It is best to be prepared.
Arundhati Roy (The God of Small Things)
That was a memorable day to me, for it made great changes in me. But it is the same with any life. Imagine one selected day struck out of it, and think how different its course would have been. Pause you who read this, and think for a moment of the long chain of iron or gold, of thorns or flowers, that would never have bound you, but for the formation of the first link on one memorable day.
Charles Dickens (Great Expectations)
You destroy me and then you kiss me. You give me a reason to hat you and then you give me a reason to love you. Is this a lie or the truth? Is the a ploy or your heart reaching for me?
Chloe Gong (These Violent Delights (These Violent Delights, #1))
That seems like stealing, doesn't it?" Simon pulled a cup toward him. He drew the lid back. "Ooh. Mochaccino." He looked at Magnus. "Did you pay for these?" "Sure," said Magnus, while Jace and Alec snickered. "I make dollar bills magically appear in their cash register." "Really?" "No." Magnus popped the lid off his own coffee. "But you can pretend I did if it makes you feel better. So, first order of business is what?
Cassandra Clare (City of Ashes (The Mortal Instruments, #2))
O Me! O life!... of the questions of these recurring; Of the endless trains of the faithless—of cities fill’d with the foolish; Of myself forever reproaching myself, (for who more foolish than I, and who more faithless?) Of eyes that vainly crave the light—of the objects mean—of the struggle ever renew’d; Of the poor results of all—of the plodding and sordid crowds I see around me; Of the empty and useless years of the rest—with the rest me intertwined; The question, O me! so sad, recurring—What good amid these, O me, O life? Answer. That you are here—that life exists, and identity; That the powerful play goes on, and you will contribute a verse.
Walt Whitman (Leaves of Grass)
Remembering that I'll be dead soon is the most important tool I've ever encountered to help me make the big choices in life. Almost everything--all external expectations, all pride, all fear of embarrassment or failure--these things just fall away in the face of death, leaving only what is truly important. Remembering that you are going to die is the best way I know to avoid the trap of thinking you have something to lose. You are already naked. There is no reason not to follow your heart. No one wants to die. Even people who want to go to heaven don't want to die to get there. And yet, death is the destination we all share. No one has ever escaped it, and that is how it should be, because death is very likely the single best invention of life. It's life's change agent. It clears out the old to make way for the new.
Steve Jobs
Do you not listen to me when I speak?” he answered shakily, his lip quirking up. “I love you. I have always loved you.
Chloe Gong (These Violent Delights (These Violent Delights, #1))
We don't read and write poetry because it's cute. We read and write poetry because we are members of the human race. And the human race is filled with passion. And medicine, law, business, engineering, these are noble pursuits and necessary to sustain life. But poetry, beauty, romance, love, these are what we stay alive for. To quote from Whitman, "O me! O life!... of the questions of these recurring; of the endless trains of the faithless... of cities filled with the foolish; what good amid these, O me, O life?" Answer. That you are here - that life exists, and identity; that the powerful play goes on and you may contribute a verse. That the powerful play *goes on* and you may contribute a verse. What will your verse be?
N.H. Kleinbaum (Dead Poets Society)
They speak of Roma Montagov and Juliette Cai as the ones who dared to dream. And for that, in a city consumed by nightmares, they were cut down without mercy.
Chloe Gong (Our Violent Ends (These Violent Delights, #2))
Together or not at all, doragaya
Chloe Gong (Our Violent Ends (These Violent Delights, #2))
It's funny: I always imagined when I was a kid that adults had some kind of inner toolbox full of shiny tools: the saw of discernment, the hammer of wisdom, the sandpaper of patience. But then when I grew up I found that life handed you these rusty bent old tools - friendships, prayer, conscience, honesty - and said 'do the best you can with these, they will have to do'. And mostly, against all odds, they do.
Anne Lamott (Traveling Mercies: Some Thoughts on Faith)
These days Juliette,” he said, low and warily, “the most dangerous people are the powerful white men who feel as if they have been slighted.
Chloe Gong (These Violent Delights (These Violent Delights, #1))
Even the land of dreams needs to wake up sometimes.
Chloe Gong (These Violent Delights (These Violent Delights, #1))
Rilke wrote: 'These trees are magnificent, but even more magnificent is the sublime and moving space between them, as though with their growth it too increased.
Gaston Bachelard (The Poetics of Space)
In this life and the next, for however long our souls remain, mine will always find yours.
Chloe Gong (Our Violent Ends (These Violent Delights, #2))
The first two facts which a healthy boy or girl feels about sex are these: first that it is beautiful and then that it is dangerous.
G.K. Chesterton
She…hoped. And hope was dangerous. Hope was the most vicious evil of them all, the thing that had managed to thrive in Pandora’s box among misery, and disease, and sadness—and what could endure alongside others with such teeth if it didn’t have ghastly claws of its own?
Chloe Gong (These Violent Delights (These Violent Delights, #1))
You have no idea how hard I've looked for a gift to bring You. Nothing seemed right. What's the point of bringing gold to the gold mine, or water to the ocean. Everything I came up with was like taking spices to the Orient. It's no good giving my heart and my soul because you already have these. So I've brought you a mirror. Look at yourself and remember me.
Rumi (Jalal ad-Din Muhammad ar-Rumi)
America is the wealthiest nation on Earth, but its people are mainly poor, and poor Americans are urged to hate themselves. To quote the American humorist Kin Hubbard, 'It ain’t no disgrace to be poor, but it might as well be.' It is in fact a crime for an American to be poor, even though America is a nation of poor. Every other nation has folk traditions of men who were poor but extremely wise and virtuous, and therefore more estimable than anyone with power and gold. No such tales are told by the American poor. They mock themselves and glorify their betters. The meanest eating or drinking establishment, owned by a man who is himself poor, is very likely to have a sign on its wall asking this cruel question: 'if you’re so smart, why ain’t you rich?' There will also be an American flag no larger than a child’s hand – glued to a lollipop stick and flying from the cash register. Americans, like human beings everywhere, believe many things that are obviously untrue. Their most destructive untruth is that it is very easy for any American to make money. They will not acknowledge how in fact hard money is to come by, and, therefore, those who have no money blame and blame and blame themselves. This inward blame has been a treasure for the rich and powerful, who have had to do less for their poor, publicly and privately, than any other ruling class since, say Napoleonic times. Many novelties have come from America. The most startling of these, a thing without precedent, is a mass of undignified poor. They do not love one another because they do not love themselves.
Kurt Vonnegut Jr. (Slaughterhouse-Five)
Now, Kalamas, don’t go by reports, by legends, by traditions, by scripture, by logical conjecture, by inference, by analogies, by agreement through pondering views, by probability, or by the thought, ‘This contemplative is our teacher.’ When you know for yourselves that, ‘These qualities are skillful; these qualities are blameless; these qualities are praised by the wise; these qualities, when adopted & carried out, lead to welfare & to happiness’ — then you should enter & remain in them. [Kalama Sutta, AN 3.65]
Gautama Buddha (Die Reden Des Buddha Aus Dem Ang�ttaranikaya; Aus Dem Pali Zum Ersten Male �bers. Und Erl�utert Von Myanatiloka)
But who names a starship the Icarus? What kind of man possess that much hubris, that he dares it to fall?
Amie Kaufman (These Broken Stars (Starbound, #1))
You know me. Running around. Living life. Committing arson.
Chloe Gong (These Violent Delights (These Violent Delights, #1))
(What are your ghosts like?) (They are on the insides of the lids of my eyes.) (This is also where my ghosts reside.) (You have ghosts?) (Of course I have ghosts.) (But you are a child.) (I am not a child.) (But you have not known love.) (These are my ghosts, the spaces amid love.)
Jonathan Safran Foer (Everything Is Illuminated)
Reality, in fact, is usually something you could not have guessed. That is one of the reasons I believe Christianity. It is a religion you could not have guessed. If it offered us just the kind of universe we had always expected, I should feel we were making it up. But, in fact, it is not the sort of thing anyone would have made up. It has just that queer twist about it that real things have. So let us leave behind all these boys' philosophies--these over simple answers. The problem is not simple and the answer is not going to be simple either.
C.S. Lewis
The world is not respectable; it is mortal, tormented, confused, deluded forever; but it is shot through with beauty, with love, with glints of courage and laughter; and in these, the spirit blooms timidly, and struggles to the light amid the thorns.
George Santayana
Astra inclinant,” he would whisper into the wind, so heartachingly sincere even when quoting in Latin, “sed non obligant.
Chloe Gong (These Violent Delights (These Violent Delights, #1))
She led the way. Eyeless sockets of the dead seemed to stare at them as they passed. "These are cool," Dan decided. "Maybe I could-" "No, Dan," Amy said. "You can't collect human bones." "Awww.
Rick Riordan (The Maze of Bones (The 39 Clues, #1))
I gotta say"—Apollo broke the silence—"these kids did okay." He cleared his throat and began to recite: "Heroes win laurels—" Um, yes, first class," Hermes interrupted, like he was anxious to avoid Apollo's poetry.
Rick Riordan (The Titan’s Curse (Percy Jackson and the Olympians, #3))
Kisses open doors, I've noticed. That one gesture can unlock secrets, ease open feelings. It can't be prevented--these kisses just are. It's how they work. They break into basements you never knew you had.
Susan Fletcher (Eve Green)
Wait just a minute," Ares growled. He pointed at Thalia and me. "These two are dangerous. It'd be much safer, while we've got them here—" "Ares," Poseidon interrupted, "they are worthy heroes. We will not blast my son to bits." "Nor my daughter," Zeus grumbled. "She has done well.
Rick Riordan (The Titan’s Curse (Percy Jackson and the Olympians, #3))
Dreams, books, are each a world; and books, we know, Are a substantial world, both pure and good: Round these, with tendrils strong as flesh and blood, Our pastime and our happiness will grow.
William Wordsworth
Muggle women wear them, Archie, not the men, they wear these,' said the Ministry wizard, and he brandished the pinstriped trousers. 'I'm not putting them on,' said old Archie in indignation. 'I like a healthy breeze 'round my privates, thanks.
J.K. Rowling (Harry Potter and the Goblet of Fire (Harry Potter, #4))
So…these Pillars of Hercules. Are they dangerous?” Annabeth stayed focused on the cliffs. “For Greeks, the pillars marked the end of the known world. The Romans said the pillars were inscribed with a Latin warning—” “Non plus ultra,” Percy said. Annabeth looked stunned. “Yeah. Nothing Further Beyond. How did you know?” Percy pointed. “Because I’m looking at it.
Rick Riordan (The Mark of Athena (The Heroes of Olympus, #3))
I was raised in hatred, Roma. I could never be your lover, only your killer.
Chloe Gong (These Violent Delights (These Violent Delights, #1))
You’re not alone, and you’re not the one in charge,” Mother said gently. “Ask for help when you need it, and give help when you can. I think that is how we serve God—and each other and ourselves—in times as dark as these.
Kristin Hannah (The Nightingale)
I will fight this war to love you, Juliette Cai. I will fight this feud to have you, because it was this feud that gave you to me, twisted as it is, and now I will take you away from it.
Chloe Gong (Our Violent Ends (These Violent Delights, #2))
Frank stared at her. "But you throw Ding Dongs at monsters." Iris looked horrified. "Oh, they're not Ding Dongs." She rummaged under the counter and brought out a package of chocolate covered cakes that looked exactly like Ding Dongs. "These are gluten-free, no-sugar-added, vitamin-enriched, soy-free, goat-milk-and-seaweed-based cupcake simulations." "All natural!" Fleecy chimed in. "I stand corrected." Frank suddenly felt as queasy as Percy.
Rick Riordan (The Son of Neptune (The Heroes of Olympus, #2))
Team Foster-Keefe will always be cooler.
Shannon Messenger (Neverseen (Keeper of the Lost Cities, #4))
Don’t you dare,” Roma said. “Don’t you dare fall apart now, dorogaya.
Chloe Gong (These Violent Delights (These Violent Delights, #1))
HOW do you define a word without concrete meaning? To each his own, the saying goes, so WHY push to attain an ideal state of being that no two random people will agree is WHERE you want to be? Faultless. Finished. Incomparable. People can never be these, and anyway, WHEN did creating a flawless facade become a more vital goal than learning to love the person WHO lives inside your skin? The outside belongs to others. Only you should decide for you - WHAT is perfect.
Ellen Hopkins (Perfect (Impulse, #2))
He smiled at that, and then his gaze shifted to a spot over my shoulder and it faded. 'These doubts wouldn’t have anything to do with the company you’re keeping of late, would they?' I didn’t get a chance to answer before the shop door was thrown open and a furious war mage stomped in. Pritkin spotted me and his eyes narrowed. 'You shaved my legs?!' Mircea looked at me and folded his arms across his chest. I looked from one unhappy face to the other and suddenly remembered that I had somewhere else to be.
Karen Chance (Curse the Dawn (Cassandra Palmer, #4))
Tell me about the dream where we pull the bodies out of the lake                                                                                 and dress them in warm clothes again.           How it was late, and no one could sleep, the horses running until they forget that they are horses.                     It’s not like a tree where the roots have to end somewhere,           it’s more like a song on a policeman’s radio,                               how we rolled up the carpet so we could dance, and the days were bright red, and every time we kissed there was another apple                                                                                                                         to slice into pieces. Look at the light through the windowpane. That means it’s noon, that means           we're inconsolable.                                                             Tell me how all this, and love too, will ruin us. These, our bodies, possessed by light.                                                                                           Tell me we’ll never get used to it.
Richard Siken (Crush)
While Leo fussed over his helm controls, Hazel and Frank relayed the story of the fish-centaurs and their training camp. 'Incredible,' Jason said. 'These are really good brownies.' 'That's your only comment?' Piper demanded. He looked surprised. 'What? I heard the story. Fish-centaurs. Merpeople. Letter of intro to the Tiber River god. Got it. But these brownies--' 'I know,' Frank said, his mouth full. 'Try them with Ester's peach preserves.' 'That,' Hazel said, 'is incredibly disgusting.' 'Pass me the jar, man,' Jason said. Hazel and Piper exchanged a look of total exasperation. Boys.
Rick Riordan (The Mark of Athena (The Heroes of Olympus, #3))
A simple life is not seeing how little we can get by with—that’s poverty—but how efficiently we can put first things first. . . . When you’re clear about your purpose and your priorities, you can painlessly discard whatever does not support these, whether it’s clutter in your cabinets or commitments on your calendar. (148)
Victoria Moran (Lit From Within: Tending Your Soul For Lifelong Beauty)
Cherish your visions. Cherish your ideals. Cherish the music that stirs in your heart, the beauty that forms in your mind, the loveliness that drapes your purest thoughts. For out of them will grow all delightful conditions, all heavenly environment, of these, if you but remain true to them, your world will at last be built.
James Allen (As a Man Thinketh)
And he mourned for her. He didn’t wish to, but he did—he ached with the knowledge that the softness of their youth was gone forever, that the Juliette he remembered was long dead. He ached even more to think that though he was the one who had dealt the killing blow,
Chloe Gong (These Violent Delights (These Violent Delights, #1))
Because even if you hate me, Roma Montagov, I still love you.
Chloe Gong (Our Violent Ends (These Violent Delights, #2))
Happy," I muttered, trying to pin the word down. But it is one of those words, like Love, that I have never quite understood. Most people who deal in words don’t have much faith in them and I am no exception – especially the big ones like Happy and Love and Honest and Strong. They are too elusive and far to relative when you compare them to sharp, mean little words like Punk and Cheap and Phony. I feel at home with these, because they’re scrawny and easy to pin, but the big ones are tough and it takes either a priest or a fool to use them with any confidence.
Hunter S. Thompson (The Rum Diary)
Children of the Nephilim," Magnus said. "Well, well. I don't recall inviting you." Isabelle took out her invitation and waved it like a white flag. "I have an invitation. These"--she indicated the rest of the group with a grand wave of her arm--"are my friends." Magnus plucked the invitation out of her hand and looked at it with fastidious distaste. "I must have been drunk," he said. He threw the door open. "Come in. And try not to murder any of my guests." Jace looked at him, "Even if one of them spills something on my new shoes?" "Even then." - 219
Cassandra Clare (City of Bones (The Mortal Instruments, #1))
Their morals, their code; it's a bad joke. Dropped at the first sign of trouble. They're only as good as the world allows them to be. You'll see- I'll show you. When the chips are down these, uh, civilized people? They'll eat each other. See I'm not a monster, I'm just ahead of the curve.
The Joker - Heath Ledger
In the time of your life, live—so that in that good time there shall be no ugliness or death for yourself or for any life your life touches. Seek goodness everywhere, and when it is found, bring it out of its hiding place and let it be free and unashamed. Place in matter and in flesh the least of the values, for these are the things that hold death and must pass away. Discover in all things that which shines and is beyond corruption. Encourage virtue in whatever heart it may have been driven into secrecy and sorrow by the shame and terror of the world. Ignore the obvious, for it is unworthy of the clear eye and the kindly heart. Be the inferior of no man, or of any men be superior. Remember that every man is a variation of yourself. No man's guilt is not yours, nor is any man's innocence a thing apart. Despise evil and ungodliness, but not men of ungodliness or evil. These, understand. Have no shame in being kindly and gentle but if the time comes in the time of your life to kill, kill and have no regret. In the time of your life, live—so that in that wondrous time you shall not add to the misery and sorrow of the world, but shall smile to the infinite delight and mystery of it.
William Saroyan (The time of your life (RSC playtext))
These... things, householder, are welcome, agreeable, pleasant, & hard to obtain in the world: Long life is welcome, agreeable, pleasant, & hard to obtain in the world. Beauty is welcome, agreeable, pleasant, & hard to obtain in the world. Happiness is welcome, agreeable, pleasant, & hard to obtain in the world. Status is welcome, agreeable, pleasant, & hard to obtain in the world. ...Now, I tell you, these... things are not to be obtained by reason of prayers or wishes. If they were to be obtained by reason of prayers or wishes, who here would lack them? It's not fitting for the disciple of the noble ones who desires long life to pray for it or to delight in doing so. Instead, the disciple of the noble ones who desires long life should follow the path of practice leading to long life. In so doing, he will attain long life... [Ittha Sutta, AN 5.43]
Gautama Buddha
There is no greater power on this earth than story.” Will paced the length of the room. “People think boundaries and borders build nations. Nonsense—words do. Beliefs, declarations, constitutions—words. Stories. Myths. Lies. Promises. History.” Will grabbed the sheaf of newspaper clippings he kept in a stack on his desk. “This, and these”—he gestured to the library’s teeming shelves—“they’re a testament to the country’s rich supernatural history.
Libba Bray (The Diviners (The Diviners, #1))
With a truly tragic delusion,” Carl Jung noted, “these theologians fail to see that it is not a matter of proving the existence of the light, but of blind people who do not know that their eyes could see. It is high time we realized that it is pointless to praise the light and preach it if nobody can see it. It is much more needful to teach people the art of seeing.
C.G. Jung
A love story can never be about full possession. The happy marriage, the requited love, the desire that never dims--these are lucky eventualites but they aren't love stories. Love stories depend on disappointment, on unequal births and feuding families, on matrimonial boredom and at least one cold heart. Love stories, nearly without exception, give love a bad name. We value love not because it's stronger than death but because it's weaker. Say what you want about love: death will finish it. You will not go on loving in the grave, not in any physical way that will at all resemble love as we know it on earth. The perishable nature of love is what gives love its importance in our lives. If it were endless, if it were on tap, love wouldn't hit us the way it does. And we certainly wouldn't write about it.
Jeffrey Eugenides (My Mistress's Sparrow Is Dead: Great Love Stories from Chekhov to Munro)
You cannot say to the sun, 'More sun,' or to the rain, 'Less rain.' To a man, geisha can only be half a wife. We are the wives of nightfall. And yet, to learn kindness after so much unkindness, to understand that a little girl with more courage than she knew, would find her prayers were answered, can that not be called happiness? After all these are not the memoirs of an empress, nor of a queen. These are memoirs of another kind.
Arthur Golden (Memoirs of a Geisha)
Difference of opinion is advantageous in religion. The several sects perform the office of a Censor morum over each other. Is uniformity attainable? Millions of innocent men, women, and children, since the introduction of Christianity, have been burnt, tortured, fined, imprisoned; yet we have not advanced one inch towards uniformity. What has been the effect of coercion? To make one half the world fools, and the other half hypocrites. To support roguery and error all over the earth. Let us reflect that it is inhabited by a thousand millions of people. That these profess probably a thousand different systems of religion. That ours is but one of that thousand. That if there be but one right, and ours that one, we should wish to see the 999 wandering sects gathered into the fold of truth. But against such a majority we cannot effect this by force. Reason and persuasion are the only practicable instruments. To make way for these, free enquiry must be indulged; and how can we wish others to indulge it while we refuse it ourselves.
Thomas Jefferson (Notes on the State of Virginia (Published by the Omohundro Institute of Early American History and Culture and the University of North Carolina Press))
The ideas of the ruling class are in every epoch the ruling ideas, i.e. the class which is the ruling material force of society, is at the same time its ruling intellectual force. The class which has the means of material production at its disposal, has control at the same time over the means of mental production, so that thereby, generally speaking, the ideas of those who lack the means of mental production are subject to it. The ruling ideas are nothing more than the ideal expression of the dominant material relationships, the dominant material relationships grasped as ideas.
Karl Marx (The German Ideology / Theses on Feuerbach / Introduction to the Critique of Political Economy)
Don't talk like one of them. You're not! Even if you'd like to be. To them, you're just a freak, like me! They need you right now, but when they don't, they'll cast you out, like a leper! You see, their morals, their code, it's a bad joke. Dropped at the first sign of trouble. They're only as good as the world allows them to be. I'll show you. When the chips are down, these... these civilized people, they'll eat each other. See, I'm not a monster. I'm just ahead of the curve. -The Joker
Christoper Nolan
Don’t fall in love with a woman who reads, a woman who feels too much, a woman who writes... Don’t fall in love with an educated, magical, delusional, crazy woman. Don’t fall in love with a woman who thinks, who knows what she knows and also knows how to fly; a woman sure of herself. Don’t fall in love with a woman who laughs or cries making love, knows how to turn her spirit into flesh; let alone one that loves poetry (these are the most dangerous), or spends half an hour contemplating a painting and isn't able to live without music. Don’t fall in love with a woman who is interested in politics and is rebellious and feel a huge horror from injustice. One who does not like to watch television at all. Or a woman who is beautiful no matter the features of her face or her body. Don’t fall in love with a woman who is intense, entertaining, lucid and irreverent. Don’t wish to fall in love with a woman like that. Because when you fall in love with a woman like that, whether she stays with you or not, whether she loves you or not, from a woman like that, you never come back.
Martha Rivera-Garrido
I've been down by the stream collecting berries. Would you care for some?" I would, actually, but I don't want to relent too soon. I do walk over and look at them. I've never seen this type before. No, I have. But not in the arena. These aren't Rue's berries, although they resemble them. Nor do they match any I learned about in training. I lean down and scoop up a few, rolling them between my fingers. My father's voice comes back to me. "Not these, Katniss. Never these. They're nightlock. You'll be dead before they reach your stomach." Just then the cannon fires. I whip around, expecting Peeta to collapseto the ground, but he only raises his eyebrows. The hoovercraft appears a hundred metres or so away.What's left of Foxface's emaciated body is lifted into the air.
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
AUTUMNAL Pale amber sunlight falls across The reddening October trees, That hardly sway before a breeze As soft as summer: summer's loss Seems little, dear! on days like these. Let misty autumn be our part! The twilight of the year is sweet: Where shadow and the darkness meet Our love, a twilight of the heart Eludes a little time's deceit. Are we not better and at home In dreamful Autumn, we who deem No harvest joy is worth a dream? A little while and night shall come, A little while, then, let us dream. Beyond the pearled horizons lie Winter and night: awaiting these We garner this poor hour of ease, Until love turn from us and die Beneath the drear November trees.
Ernest Dowson (The Poems And Prose Of Ernest Dowson)
The suspense: the fearful, acute suspense: of standing idly by while the life of one we dearly love, is trembling in the balance; the racking thoughts that crowd upon the mind, and make the heart beat violently, and the breath come thick, by the force of the images they conjure up before it; the desperate anxiety to be doing something to relieve the pain, or lessen the danger, which we have no power to alleviate; the sinking of soul and spirit, which the sad remembrance of our helplessness produces; what tortures can equal these; what reflections of endeavours can, in the full tide and fever of the time, allay them!
Charles Dickens (Oliver Twist)
Do not worry about your life, what you will eat or drink; or about your body, what you will wear. Is not life more important than food, and the body more important than clothes? Look at the birds of the air; they do not sow or reap or store away in barns, and yet your heavenly Father feeds them. Are you not much more valuable than they? Who of you by worrying can add a single hour to his life? And why do you worry about clothes? See how the lilies of the field grow. They do not labour or spin. Yet I tell you that not even Solomon in all his splendor was dressed like one of these. If that is how God clothes the grass of the field, which is here today and tomorrow is thrown into the fire, will he not much more clothe you, O you of little faith? So do not worry, saying, ``What shall we eat?'' or ``What shall we drink?'' or ``What shall we wear?'' For the pagans run after all these things, and your heavenly Father knows that you need them. But seek first his kingdom and his righteousness, and all these things will be given to you as well. Therefore do not worry about tomorrow, for tomorrow will worry about itself. Each day has enough trouble of its own. - Matthew 6:25-34
Anonymous (The Holy Bible: King James Version)
I think most people are just trying to be happy, and that most of their actions, however misguided, are in line with that goal. Most people just want to feel they belong somewhere, want to be loved, and want to feel they're important to someone. If you really examine all the wrongheaded and messed-up things they do, they can most often be traced back to that basic desire. The abusers, the addicted, the cruel and unpleasant, the manipulators --these are just people who started this quest for happiness in the basement of their lives. Someone communicated to them through word or deed that they were undeserving, so they think they have to claw their way there over the backs of others, leaving scars and creating damage. Of course, they only create more misery for themselves and others.
Lisa Unger (Sliver of Truth (Ridley Jones, #2))
Since every country stands in numerous and various relations with the other countries of the world, and many, our own among the number, exercise actual authority over some of these, a knowledge of the established rules of international morality is essential to the duty of every nation, and therefore of every person in it who helps to make up the nation, and whose voice and feeling form a part of what is called public opinion. Let not any one pacify his conscience by the delusion that he can do no harm if he takes no part, and forms no opinion. Bad men need nothing more to compass their ends, than that good men should look on and do nothing. He is not a good man who, without a protest, allows wrong to be committed in his name, and with the means which he helps to supply, because he will not trouble himself to use his mind on the subject. It depends on the habit of attending to and looking into public transactions, and on the degree of information and solid judgment respecting them that exists in the community, whether the conduct of the nation as a nation, both within itself and towards others, shall be selfish, corrupt, and tyrannical, or rational and enlightened, just and noble.
John Stuart Mill (Inaugural Address Delivered to the University of St Andrews, 2/1/1867 (Collected Works))
For as soon as the distribution of labour comes into being, each man has a particular, exclusive sphere of activity, which is forced upon him and from which he cannot escape. He is a hunter, a fisherman, a herdsman, or a critical critic, and must remain so if he does not want to lose his means of livelihood; while in communist society, where nobody has one exclusive sphere of activity but each can become accomplished in any branch he wishes, society regulates the general production and thus makes it possible for me to do one thing today and another tomorrow, to hunt in the morning, fish in the afternoon, rear cattle in the evening, criticise after dinner, just as I have a mind, without ever becoming hunter, fisherman, herdsman or critic.
Karl Marx (The German Ideology / Theses on Feuerbach / Introduction to the Critique of Political Economy)
Simon whispered to me, “But is everything okay?” “No,” Tori said. “I kidnapped her and forced her to escape with me. I’ve been using her as a human shield against those guys with guns, and I was just about to strangle her and leave her body here to throw them off my trail. But then you showed up and foiled my evil plans. Lucky for you, though. You get to rescue poor little Chloe again and win her undying gratitude.” “Undying gratitude?” Simon looked at me. “Cool. Does that come with eternal servitude? If so, I like my eggs sunnyside up.” I smiled. “I’ll remember that.” *** “Oh, right. You must be starving.” Simon reached into his pockets. “I can offer one bruised apple and one brown banana. Convenience stores aren’t the place to buy fruit, as I keep telling someone.” “Better than these. For you, anyway, Simon.” Derek passed a bar to Tori. “Because you aren’t supposed to have those, are you?” I said. “Which reminds me…” I took out the insulin. “Derek said it’s your backup.” “So my dark secret is out.” “I didn’t know it was a secret.” “Not really. Just not something I advertise.” ... “Backup?” Tori said. “You mean he didn’t need that?” “Apparently not,” I murmured. Simon looked from her to me, confused, then understanding. “You guys thought…” “That if you didn’t get your medicine in the next twenty-four hours, you’d be dead?” I said. “Not exactly, but close. You know, the old ‘upping the ante with a fatal disease that needs medication’ twist. Apparently, it still works.” “Kind of a letdown, then, huh?” “No kidding. Here we were, expecting to find you minutes from death. Look at you, not even gasping.” “All right, then. Emergency medical situation, take two.” He leaped to his feet, staggered, keeled over, then lifted his head weakly. “Chloe? Is that you?” He coughed. “Do you have my insulin?” I placed it in his outstretched hand. “You saved my life,” he said. “How can I ever repay you?” “Undying servitude sounds good. I like my eggs scrambled.” He held up a piece of fruit. “Would you settle for a bruised apple?” I laughed.
Kelley Armstrong (The Awakening (Darkest Powers, #2))
Incredible,” Jason said. “These are really good brownies.” “That’s your only comment?” Piper demanded. He looked surprised. “What? I heard the story. Fish-centaurs. Merpeople. Letter of intro to the Tiber River god. Got it. But these brownies—” “I know,” Frank said, his mouth full. “Try them with Esther’s peach preserves.” “That,” Hazel said, “is incredibly disgusting.” “Pass me the jar, man,” Jason said. Hazel and Piper exchanged a look of total exasperation. Boys. Percy, for his part, wanted to hear every detail about the aquatic camp. He kept coming back to one point: “They didn’t want to meet me?” “It wasn’t that,” Hazel said. “Just…undersea politics, I guess. The merpeople are territorial. The good news is they’re taking care of that aquarium in Atlanta. And they’ll help protect the Argo II as we cross the Atlantic.” Percy nodded absently. “But they didn’t want to meet me?” Annabeth swatted his arm. “Come on, Seaweed Brain! We’ve got other things to worry about.
Rick Riordan (The Mark of Athena (The Heroes of Olympus, #3))
American humorist Kin Hubbard said , "It ain't no disgrace to be poor, but it might as well be". The meanest eating or drinking establishment, owned by a man who is himself poor, is very likely to have a sign on its wall asking this cruel question: "If you're so smart, why ain't you rich?" Americans, like human beings everywhere, believe many things that are obviously untrue... Their most destructive untruth is that it is very easy for any American to make money. They will not acknowledge how in fact hard money is to come by, and, therefore, those who have no money blame and blame and blame themselves. This inward blame has been a treasure for the rich and powerful, who have had to do less for their poor, publicly and privately, than any other ruling class since, say, Napoleonic times. Many novelties have come from America. The most startling of these, a thing without precedent is a mass of undignified poor. They do not love one another because they do not love themselves.
Kurt Vonnegut Jr. (Slaughterhouse-Five)
And because I had been a hustler, I knew better than all whites knew, and better than nearly all of the black 'leaders' knew, that actually the most dangerous black man in America was the ghetto hustler. Why do I say this? The hustler, out there in the ghetto jungles, has less respect for the white power structure than any other Negro in North America. The ghetto hustler is internally restrained by nothing. He has no religion, no concept of morality, no civic responsibility, no fear--nothing. To survive, he is out there constantly preying upon others, probing for any human weakness like a ferret. The ghetto hustler is forever frustrated, restless, and anxious for some 'action'. Whatever he undertakes, he commits himself to it fully, absolutely. What makes the ghetto hustler yet more dangerous is his 'glamour' image to the school-dropout youth in the ghetto.These ghetto teen-agers see the hell caught by their parents struggling to get somewhere, or see that they have given up struggling in the prejudiced, intolerant white man’s world. The ghetto teen-agers make up their own minds they would rather be like the hustlers whom they see dressed ‘sharp’ and flashing money and displaying no respect for anybody or anything. So the ghetto youth become attracted to the hustler worlds of dope, thievery, prostitution, and general crime and immorality.
Malcolm X (The Autobiography of Malcolm X)
What did she say?” asked Matthias. Nina coughed and took his arm, leading him away. “She said you’re a very nice fellow, and a credit to the Fjerdan race. Ooh, look, blini! I haven’t had proper blini in forever.” “That word she used: babink,” he said. “You’ve called me that before. What does it mean?” Nina directed her attention to a stack of paper-thin buttered pancakes. “It means sweetie pie.” “Nina—” “Barbarian.” “I was just asking, there’s no need to name-call.” “No, babink means barbarian.” Matthias’ gaze snapped back to the old woman, his glower returning to full force. Nina grabbed his arm. It was like trying to hold on to a boulder. “She wasn’t insulting you! I swear!” “Barbarian isn’t an insult?” he asked, voice rising. “No. Well, yes. But not in this context. She wanted to know if you’d like to play Princess and Barbarian.” “It’s a game?” “Not exactly.” “Then what is it?” Nina couldn’t believe she was actually going to attempt to explain this. As they continued up the street, she said, “In Ravka, there’s a popular series of stories about, um, a brave Fjerdan warrior—” “Really?” Matthias asked. “He’s the hero?” “In a manner of speaking. He kidnaps a Ravkan princess—” “That would never happen.” “In the story it does, and”—she cleared her throat—“they spend a long time getting to know each other. In his cave.” “He lives in a cave?” “It’s a very nice cave. Furs. Jeweled cups. Mead.” “Ah,” he said approvingly. “A treasure hoard like Ansgar the Mighty. They become allies, then?” Nina picked up a pair of embroidered gloves from another stand. “Do you like these? Maybe we could get Kaz to wear something with flowers. Liven up his look.” “How does the story end? Do they fight battles?” Nina tossed the gloves back on the pile in defeat. “They get to know each other intimately.” Matthias’ jaw dropped. “In the cave?” “You see, he’s very brooding, very manly,” Nina hurried on. “But he falls in love with the Ravkan princess and that allows her to civilize him—” “To civilize him?” “Yes, but that’s not until the third book.” “There are three?” “Matthias, do you need to sit down?” “This culture is disgusting. The idea that a Ravkan could civilize a Fjerdan—” “Calm down, Matthias.” “Perhaps I’ll write a story about insatiable Ravkans who like to get drunk and take their clothes off and make unseemly advances toward hapless Fjerdans.” “Now that sounds like a party.” Matthias shook his head, but she could see a smile tugging at his lips. She decided to push the advantage. “We could play,” she murmured, quietly enough so that no one around them could hear. “We most certainly could not.” “At one point he bathes her.” Matthias’ steps faltered. “Why would he—” “She’s tied up, so he has to.” “Be silent.” “Already giving orders. That’s very barbarian of you. Or we could mix it up. I’ll be the barbarian and you can be the princess. But you’ll have to do a lot more sighing and trembling and biting your lip.” “How about I bite your lip?” “Now you’re getting the hang of it, Helvar.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
In all your Amours you should prefer old Women to young ones. You call this a Paradox, and demand my Reasons. They are these: 1. Because as they have more Knowledge of the World and their Minds are better stor’d with Observations, their Conversation is more improving and more lastingly agreable. 2. Because when Women cease to be handsome, they study to be good. To maintain their Influence over Men, they supply the Diminution of Beauty by an Augmentation of Utility. They learn to do a 1000 Services small and great, and are the most tender and useful of all Friends when you are sick. Thus they continue amiable. And hence there is hardly such a thing to be found as an old Woman who is not a good Woman. 3. Because there is no hazard of Children, which irregularly produc’d may be attended with much Inconvenience. 4. Because thro’ more Experience, they are more prudent and discreet in conducting an Intrigue to prevent Suspicion. The Commerce with them is therefore safer with regard to your Reputation. And with regard to theirs, if the Affair should happen to be known, considerate People might be rather inclin’d to excuse an old Woman who would kindly take care of a young Man, form his Manners by her good Counsels, and prevent his ruining his Health and Fortune among mercenary Prostitutes. 5. Because in every Animal that walks upright, the Deficiency of the Fluids that fill the Muscles appears first in the highest Part: The Face first grows lank and wrinkled; then the Neck; then the Breast and Arms; the lower Parts continuing to the last as plump as ever: So that covering all above with a Basket, and regarding only what is below the Girdle, it is impossible of two Women to know an old from a young one. And as in the dark all Cats are grey, the Pleasure of corporal Enjoyment with an old Woman is at least equal, and frequently superior, every Knack being by Practice capable of Improvement. 6. Because the Sin is less. The debauching a Virgin may be her Ruin, and make her for Life unhappy. 7. Because the Compunction is less. The having made a young Girl miserable may give you frequent bitter Reflections; none of which can attend the making an old Woman happy. 8thly and Lastly They are so grateful!!
Benjamin Franklin
-We need more love, to supersede hatred, -We need more strength, to resist our weaknesses, -We need more inspiration, to lighten up our innermind. -We need more learning, to erase our ignorance, -We need more wisdom, to live longer and happier, -We need more truths, to suppress deceptions, -We need more health, to enjoy our wealth, -We need more peace, to stay in harmony with our brethren -We need more smiles, to brighten up our day, -We need more hero's, and not zero's, -We need more change of ourselves, to change the lives of others, -We need more understanding, to tackle our misunderstanding, -We need more sympathy, not apathy, -We need more forgiveness, not vengeance, -We need more humility to be lifted up, -We need more patience and not undue eagerness, -We need more focus, to avoid distraction, -We need more optimism, not pessimism -We need more justice, not injustice, -We need more facts, not fiction, -We need more education, to curb illiteracy, -We need more skills, not incompetence, -We need more challenges, to make attempts, -We need more talents, to create the extraordinary, -We need more helping hands, not stingy folks, -We need more efforts, not laziness, -We need more jokes, to forget our worries, -We need more spirituality, not mean religion, -We need more freedom, not enslavement, -We need more peacemakers, not revolutionaries...with these, we create an heaven on earth.
Michael Bassey Johnson
When I've thought about him dying - which admittedly isn't that much - I always thought of it like you said, that all strings inside him broke. But there are a thousand ways to look at it: maybe the strings break, or maybe our ships think, or maybe we're grass - our roots are so interdependent that no one is dead as long as soneone is still alive. We don't suffer from a shortage of metaphors, is what I mean. But you have to be careful which metaphor you choose, because it matters. If you choose the strings, then you're imagining a world in which you can become irreparably broken. If you choose grass, you're saying that we are all infinitely interconnected, that we can use these root systems not only to understand one another but to become one another. The metaphors have implications... I like the strings, I always have. Because that's how it feels. But the strings make pain seem more fatal than it is...We are not as frail as the strings would make us believe. And I like the grass, too. The grass got me to you, helped me imagine you as an actual person. But we're not different sprouts from the same plant. I can't be you. You can't be me. You can imagine another well- but not quite perfectly, you know? "Maybe, it's more like you said before, all of us being cracked open. Like each of us starts out as a watertight vessel. And these things happen-these people leave us, or don't love us, or don't get us, or we don't get them, and we lose and fail and hurt one another. And the vessel starts to crack open in places. And I mean, yeah, once the vessel cracks open, the end becomes inevitable...But there is all this time between when the cracks start to open up and when we finally fall apart. And it's only in that time that we can see each other, because we see out of ourselves through our cracks and into others through theirs. When did we see each other face-to-face? Not until you saw into my cracks and I saw into yours. Before that we were just looking at ideas of each other, like looking at your window shade but never looking inside. But once the vessel cracks, the like can get in. The like can get out.
John Green (Paper Towns)
...Whilst on board the Beagle I was quite orthodox, and I remember being heartily laughed at by several of the officers... for quoting the Bible as an unanswerable authority on some point of morality... But I had gradually come by this time, i.e., 1836 to 1839, to see that the Old Testament from its manifestly false history of the world, with the Tower of Babel, the rainbow at sign, &c., &c., and from its attributing to God the feelings of a revengeful tyrant, was no more to be trusted than the sacred books of the Hindoos, or the beliefs of any barbarian. ...By further reflecting that the clearest evidence would be requisite to make any sane man believe in the miracles by which Christianity is supported, (and that the more we know of the fixed laws of nature the more incredible do miracles become), that the men at that time were ignorant and credulous to a degree almost uncomprehensible by us, that the Gospels cannot be proved to have been written simultaneously with the events, that they differ in many important details, far too important, as it seemed to me, to be admitted as the usual inaccuracies of eyewitnesses; by such reflections as these, which I give not as having the least novelty or value, but as they influenced me, I gradually came to disbelieve in Christianity as a divine revelation. The fact that many false religions have spread over large portions of the earth like wild-fire had some weight with me. Beautiful as is the morality of the New Testament, it can be hardly denied that its perfection depends in part on the interpretation which we now put on metaphors and allegories. But I was very unwilling to give up my belief... Thus disbelief crept over me at a very slow rate, but was at last complete. The rate was so slow that I felt no distress, and have never since doubted even for a single second that my conclusion was correct. I can indeed hardly see how anyone ought to wish Christianity to be true; for if so the plain language of the text seems to show that the men who do not believe, and this would include my Father, Brother and almost all of my friends, will be everlastingly punished. And this is a damnable doctrine.
Charles Darwin (The Autobiography of Charles Darwin, 1809–82)