Ranch Cowboy Quotes

We've searched our database for all the quotes and captions related to Ranch Cowboy. Here they are! All 100 of them:

I loved you as a boy and fell in love with you as a man. You’re in here so deep that there is no you, no me. Only us.
Kelly Moran (Benediction (Cattenach Ranch, #2))
All I've ever wanted was a place to belong, and someone to belong to.
Donna Alward (Hired by the Cowboy (Windover Ranch, #1))
He needed a stiff drink. With a side of straightjacket.
Kelly Moran (Benediction (Cattenach Ranch, #2))
A partner to share the ups and downs with. Honor and strength, and knowing you're stronger together than apart
Donna Alward (Hired by the Cowboy (Windover Ranch, #1))
That dress was designed to be a kill switch for rational thought.
Kelly Moran (Benediction (Cattenach Ranch, #2))
Her sudden grin depleted some of his brain cells. She was evil like that.
Kelly Moran (Benediction (Cattenach Ranch, #2))
She needed to come with an instructional manual. And one not written in Spanish.
Kelly Moran (Benediction (Cattenach Ranch, #2))
Urges. Mercy, the urges.
Kelly Moran (Benediction (Cattenach Ranch, #2))
Considering she’d just blown his gray matter into the ether, he was screwed.
Kelly Moran (Benediction (Cattenach Ranch, #2))
He bit back a weary sigh and tried to remember strangling her would solve squat.
Kelly Moran (Benediction (Cattenach Ranch, #2))
Orgasms are a myth. Like good credit scores.
Kelly Moran (Benediction (Cattenach Ranch, #2))
He can take a few pain relievers when he gets back to the ranch. You're not dealing with your wussy city boys, Rowen." "That's right," I said, rolling my eyes even though he had his back to me. "I forgot you all are invincible gods." Garth looked over his shoulder, "Nope, we're even better than that." I could see his smile gleam. "We're cowboys.
Nicole Williams (Lost & Found (Lost & Found, #1))
He reclined on a delightfully cushioned lounge in the sprawling ranch Paris had rented. In Dallas, Texas, of all places. Promiscuity had decked himself out, too, wearing a Stetson (weird), no shirt (understandable), unfastened jeans (smart) and cowboy boots (weird again). Dude looked ready to rustle cattle or something.
Gena Showalter (The Darkest Secret (Lords of the Underworld, #7))
Matters of the heart were important, but people tended to put too much stock in the particular organ when, in retrospect, it was only tissue. It pumped blood and the body couldn’t live without it, sure, but it had no actual bearing on love. The soul was what made a person distinct—the part that lived on after death, how one being connected to another, and what bound essence.
Kelly Moran (Benediction (Cattenach Ranch, #2))
I grew up on a working ranch, and there was way too much to do.” “You what? A working ranch? Like…a cowboy?” Cam rolled his eyes. “I guess.” “You’re a cowboy and a fireman?” “Yes, Daniel,” Cam said dryly. “It’s almost as if I am half of the Village People, all rolled into one.
Z.A. Maxfield (The Book Of Daniel (St. Nacho's, #4))
The ups and downs, the dreams and struggles, had all been part of the journey, she realized—a journey that led to a cattle ranch near a town called King, where she had fallen in love with a cowboy named Luke.
Nicholas Sparks (The Longest Ride)
Manhandeling a lady was asking for trouble pretty much anywhere, but square in the middle of cowboy-central, it was close to suicidal.
Linda Lael Miller
Yeah, you’re just… Damn it, Charlotte you’re so fucking beautiful. How did I miss this? How did I not plaster myself at your side in kindergarten and stick to you like fucking Elmer’s glue every second until now?
Emerson Rose (The Cowboy's Virgin (Whiskey Hill Ranch, #2))
He had a good heart, he wanted to help with the cattle work, he thought he was Head of Ranch Security, but he wasn’t very smart and never understood why the cowboys were mad at him all the time.” (regarding the original Hank the Cowdog)
John R. Erickson
Again the ranch is on the market and they’ve shipped out the last of the horses, paid everybody off the day before, the owner saying, ‘Give them to the real estate shark, I’m out a here,” dropping the keys in Ennis’s hand. He might have to stay with his married daughter until he picks up another job, yet he is suffused with a sense of pleasure because Jack Twist was in his dream.
Annie Proulx (Brokeback Mountain)
He sauntered across the kitchen, six feet of male hotness and charm, heading in her direction like a drone missile locked on a target.
Melissa McClone (Home For Christmas (Bar V5 Dude Ranch #1; Copper Mountain Christmas #2))
We're not going to rush this baby, let me take my time.
Maddy C. James (Something In The Texas Sun (The Hennessey Ranch, #1))
God is the one thing, the only thing, I know is true.
Dana Mentink (Danger on the Ranch (Roughwater Ranch Cowboys, #1))
While she wasn't looking, he subtly adjusted the erection straining against his jeans. "How big is it?" She broke the momentary silence between them. Wes froze. Apparently, he hadn't been as discreet as he'd thought, but he hadn't expected such a blunt ques... "You do know the acreage of your own ranch, don't you?" she asked.
Kait Ballenger (Cowboy Wolf Trouble (Seven Range Shifters, #1))
Instead of the macho, trigger-happy man our culture has perversely wanted him to be, the cowboy is more apt to be convivial, quirky, and softhearted. To be "tough" on a ranch has nothing to do with conquests and displays of power. More often than not, circumstances - like the colt he's riding or an unexpected blizzard - are overpowering him. It's not toughness but "toughing it out" that counts. In other words, this macho, cultural artifact the cowboy has become is simply a man who possesses resilience, patience, and an instinct for survival. "Cowboys are just like a pile of rocks - everything happens to them. They get climbed on, kicked, rained and snowed on, scuffed up by wind. Their job is 'just to take it,' " one old-timer told me.
Gretel Ehrlich (The Solace of Open Spaces)
Suppose we were planning to impose a dictatorial regime upon the American people—the following preparations would be essential: 1. Concentrate the populace in megalopolitan masses so that they can be kept under close surveillance and where, in case of trouble, they can be bombed, burned, gassed or machine-gunned with a minimum of expense and waste. 2. Mechanize agriculture to the highest degree of refinement, thus forcing most of the scattered farm and ranching population into the cities. Such a policy is desirable because farmers, woodsmen, cowboys, Indians, fishermen and other relatively self-sufficient types are difficult to manage unless displaced from their natural environment. 3. Restrict the possession of firearms to the police and the regular military organizations. 4. Encourage or at least fail to discourage population growth. Large masses of people are more easily manipulated and dominated than scattered individuals. 5. Continue military conscription. Nothing excels military training for creating in young men an attitude of prompt, cheerful obedience to officially constituted authority. 6. Divert attention from deep conflicts within the society by engaging in foreign wars; make support of these wars a test of loyalty, thereby exposing and isolating potential opposition to the new order. 7. Overlay the nation with a finely reticulated network of communications, airlines and interstate autobahns. 8. Raze the wilderness. Dam the rivers, flood the canyons, drain the swamps, log the forests, strip-mine the hills, bulldoze the mountains, irrigate the deserts and improve the national parks into national parking lots. Idle speculations, feeble and hopeless protest. It was all foreseen nearly half a century ago by the most cold-eyed and clear-eyed of our national poets, on California’s shore, at the end of the open road. Shine, perishing republic.
Edward Abbey (Desert Solitaire)
right now...” He nuzzled her neck and she sighed, only to hear Maren’s spoon banging against her tray. Alex craned her head around and smiled at the baby. “You’re really pregnant?
Donna Alward (Hired by the Cowboy (Windover Ranch #1))
Ride your cowboy,darling.Make it good.
Vivian Arend (Rocky Mountain Rebel (Six Pack Ranch #5; Rocky Mountain House #5))
WESTON, COLORADO, was a small ranch town with dusty streets, too many cowboy hats, and a main drag that had been built to
Melissa Foster (Lovers At Heart)
I couldn't even see that woman because I have blinders on when you are around, and every single thought in my head is about you.
Carolyn Brown (Hot Cowboy Nights (Lucky Penny Ranch, #2))
If I had to choose between breathing and her, I would tell her I love her with my last breath.
Maddy C. James (Something In The Texas Sun (The Hennessey Ranch, #1))
He's what a man would look like if a roman god and rugged cowboy had a baby.
Maddy C. James (Something In The Texas Sun (The Hennessey Ranch, #1))
My cowboy.
Lyla Sage (Done and Dusted (Rebel Blue Ranch, #1))
When I love, I love with everything within me.” Seeing him with his child, this was obvious. Did he mean…yes, he meant exactly what he said, and it was like he wanted her to know it went much deeper than only with his child. That whatever he loved, he loved with everything inside of him. “I sense that about you, Tristan. Your actions and words are heartfelt.
Mary J. McCoy-Dressel (Cowboy Boss and his Destiny (Double Dutch Ranch: Love at First Sight, #1))
So you’re telling me that intoxicated cowboy is my best hope of getting to Paint River Ranch tonight?” The bartender gave a sympathetic shrug. “Yep. And you’d better catch him before he starts drinking again.
Elizabeth Otto (Tempting the Cowboy (Paint River Ranch, #1))
All I'm saying is that you shouldn't rule out the possibility that God has a hand in all our lives--yours, mine, your aunt's and Dub's. Have you considered that you might be here for a reason , and perhaps it has nothing to do Big Heart Ranch's donation?"~Lucy Maxwell
Tina Radcliffe (Claiming Her Cowboy (Big Heart Ranch, #1))
As a child, he’d been so terrible that Rosa Soria had sent him twice to be exorcised. He’d been so terrible that he’d chased a field of sheds out into the road one week and burned down a herd of cattle the next. He’d been so terrible that the cowboys at the neighboring ranch still used his name as a cuss word.
Maggie Stiefvater (All the Crooked Saints)
I am not a cowboy with a ranch and cattle, but I have this stable with some of the most beautiful horses in the world. I am not a farmer with a hundred-year-old farmhouse and acres of crops, but I have an island with acres of fertile land. I am not a mechanic with grease under my fingernails, but I know how to fix a flat tire. I am not your everyday average guy. I do not know if I can be one. But if you marry me, I will do my best to make your life as ordinary as you'd like.
Melissa McClone (Legenda Cincin (If The Ring Fits...))
As one descendant of a black cowboy explained, "We didn't write the books. We didn't produce the movies. So we were politely deleted." There is a conspicuous absence of the black cowboy recorded in the history of the American cattle-ranching industry. The role these men played in the settling of the Old West deserves scholarly attention. As
Tricia Martineau Wagner (Black Cowboys of the Old West: True, Sensational, and Little-Known Stories from History)
She had to laugh. "You're making me hungry." "Me, too." His gaze locked with hers, making it clear it wasn't just barbecue he was hungry for.
B.J. Daniels (Rescue at Cardwell Ranch (Cardwell Cousins Book 2))
What I want the most right damn now it to forget, for one day, that I’m your boss so I can make love to you with no regrets and no what-ifs.
Elizabeth Otto (Tempting the Cowboy (Paint River Ranch, #1))
Trust wisely and believe in yourself, in your vision.
Melissa McClone (Home For Christmas (Bar V5 Dude Ranch #1; Copper Mountain Christmas #2))
Darlin', old don't mean dead.
Carolyn Brown (Hot Cowboy Nights (Lucky Penny Ranch, #2))
Getting close to a woman, no matter if it's real or not, can backfire.
Carolyn Brown (Hot Cowboy Nights (Lucky Penny Ranch, #2))
Dating and getting to really know a woman is a different game. Kind of like the difference in Monopoly and Texas Hold 'Em.
Carolyn Brown (Hot Cowboy Nights (Lucky Penny Ranch, #2))
And where are you going tonight?" Katy asked. "Cinderella and I are going to the ball. If she loses a glass slipper, I will bring it by tomorrow." He smiled.
Carolyn Brown (Hot Cowboy Nights (Lucky Penny Ranch, #2))
You like legs?" she asked. "On you, yes. On a chicken, I prefer wings and breasts." She picked up both legs with her fingers. "Then we are going to get along just fine.
Carolyn Brown (Hot Cowboy Nights (Lucky Penny Ranch, #2))
His heart found something that it doesn't want to live without," he whispered.
Carolyn Brown (Hot Cowboy Nights (Lucky Penny Ranch, #2))
Oh, hush! You've already said you aren't the settling type. You can't have wings and roots both, cowboy.
Carolyn Brown (Hot Cowboy Nights (Lucky Penny Ranch, #2))
Will you go on a date with me Friday night? A real date, not a pretend one? I'll probably be so clumsy that you won't go out with me a second time, but please say yes.
Carolyn Brown (Hot Cowboy Nights (Lucky Penny Ranch, #2))
A match made in heaven?" He chuckled. "Probably not in heaven but right now you can take me there and we'll check it out." She smiled.
Carolyn Brown (Hot Cowboy Nights (Lucky Penny Ranch, #2))
Operation: Hansel & Gretel
Melissa McClone (Home For Christmas (Bar V5 Dude Ranch #1; Copper Mountain Christmas #2))
She wore a simple purple long-sleeved turtleneck, but streaks of white across her chest - flour perhaps? - distracted him, made him want to volunteer for cleanup duty.
Melissa McClone (Home For Christmas (Bar V5 Dude Ranch #1; Copper Mountain Christmas #2))
Mistletoe was her new favorite holiday decoration. She would have to hang some in the kitchen. All over the house. And keep the green stuff hanging until Easter. Or Thanksgiving.
Melissa McClone (Home For Christmas (Bar V5 Dude Ranch #1; Copper Mountain Christmas #2))
How did the date go?" "Bad. A text-a-holic...." "Not the good kind of trouble." "There's only one thing to say when this happens." "What's that?" "Next.
Melissa McClone (Home For Christmas (Bar V5 Dude Ranch #1; Copper Mountain Christmas #2))
She knew even before his lips brushed hers, that he was going to kiss her - and she was going to let him.
B.J. Daniels (Ambush Before Sunrise (Cardwell Ranch: Montana Legacy, Book 3))
I seem to have misplaced a good excuse for why I haven't given God the time of day.
Tina Radcliffe (Claiming Her Cowboy (Big Heart Ranch, #1))
he wasn’t a cowboy. He’d never even been on a horse.
Lyla Sage (Done and Dusted (Rebel Blue Ranch, #1))
I don’t want to feel like I’ve wasted all those years loving you, idolizing you. So, I’m going to leave while I still have memories that aren’t tarnished.
Edith Mackenzie (The Wounded Cowboy Billionaire (Billionaire Hearts Ranch, #1))
I’ve had a taste of your treasures and now I want it all—slow and easy, until we’re spent and satisfied.
Mary J. McCoy-Dressel (Cowboy Boss and his Destiny (Double Dutch Ranch: Love at First Sight, #1))
When you find the man who listens when you talk, you'll have found a keeper...page 81
Tina Radcliffe (Falling for the Cowgirl (Big Heart Ranch, 2))
You know, AJ, every trail has some puddles. That's part of life. But you never know what will be waiting for you if you're brave enough to face your fears. ~page 82
Tina Radcliffe (Falling for the Cowgirl (Big Heart Ranch, 2))
white tank top, currently covered by my beloved shearling-lined denim jacket, and a black satin skirt from Teddy’s closet. The slit went a little higher than I was used to—right above mid-thigh—but I loved the way it made me feel. Sultry. I was wearing black cowboy boots that should never be within a ten-foot radius of a horse, but they were perfect for a night at the bar.
Lyla Sage (Done and Dusted (Rebel Blue Ranch, #1))
You know what they say about angels?" she asked. "That they have wings and a halo?" "No, that they are just wild women who've had the hell screwed out of them," she said with another giggle.
Carolyn Brown (Hot Cowboy Nights (Lucky Penny Ranch, #2))
relic for the next few months, had pointed out that the path the truck was roaring down was the actual track followed by the stagecoaches in the 1800s. Amazing! To think, she was standing where pioneers had waited, watching their stagecoaches
Debra Clopton (Treasure Me, Cowboy (Turner Creek Ranch, #1))
Omelets now or later?" she panted. "Later than what?" he asked huskily. "How hungry are you?" "For what?" She started unbuttoning his shirt at the top, stopping to admire and touch the soft hair on his chest on the way to the bottom. When she reached the last one, she tugged the tail out from behind his belt, slipped her arms around his body, and laid her cheek against his chest. "Let's make love and only use words when necessary," she whispered. "Is that a pickup line" he asked hoarsely.
Carolyn Brown (Hot Cowboy Nights (Lucky Penny Ranch, #2))
You look good to me," he said, his eyes raking appreciatively over her. "I think ranch life must suit you." "Thanks. You look good to me too." He was dressed in his customary faded jeans and a worn denim jacket, but Keith would look good in a burlap sack.
Victoria Vane (Saddle Up (Hot Cowboy Nights #4))
She was so stupid. He was just another cowboy looking for someone to shine his buckle, and she’d fallen for it. What a fool. But, she wasn’t a fool anymore. She knew who and what she was, and that man was not coming back into her life. No matter how sexy he still was.
Tamara Hoffa (Roping Love (Circle R Ranch, #1))
Bevve un sorso di caffè e si sporse in avanti per ravvivare il fuoco, poi prese un libro dal tavolino e cercò di concentrarsi nella lettura. Tentativo patetico e inutile. Pensò allora a come sarebbe stato condividere il ranch con una donna, un pensiero che negli ultimi tempi ritornava spesso. Pensò a Renée che se ne era andata con Craig Haas. Pensò a Rosalyn, che gli riscaldava il corpo ma non il cuore. Poi pensò a Maggie. A come si era sciolta tra le sue braccia e a come si era sciolto lui quando l’aveva sentita fremere contro di sé.
Viviana Giorgi (Tutta colpa del vento (e di un cowboy dagli occhi verdi))
before I can do that, I have to figure out what the ranch will actually grow. Or raise. Or whatever.” Sage laughed, rubbing her growing pregnancy belly in slow circles. “Yeah you sound super ready to be a Gentlewoman Rancher, or is it a Ranchess?” “I kind of like Ranchess,
Piper Sullivan (Cowboy's Barmaid (Lucky Flats Ranchers, #2))
With cold hands he massaged her right foot, his fingertips digging into all the right places to make her groan. "Feel good?" he asked. "You can't imagine. You have until midnight to stop." He chuckled. "Why midnight?" "Because from then until daylight you can work on the other foot.
Carolyn Brown (Hot Cowboy Nights (Lucky Penny Ranch, #2))
So, where are you from originally?” I ask. Violet rolls her eyes. “A small town you’ve probably never heard of. Chestnut Springs. It’s just south of Calgary, Alberta.” “Sounds like a town in a cowboy movie.” “Looks like one too.” “Yeah? Hot cowboys and everything?” I waggle my eyebrows at her.
Elsie Silver (Off to the Races (Gold Rush Ranch, #1))
Still, it was discouraging to think that she would spend the rest of her life being ignored and neglected, unable to find a partner who truly cared about her, while basically being a single woman who did a man's laundry. If she was going to be single, she didn't want the extra laundry to do.
Jessie Gussman (Just a Cowboy's Best Friend (Flyboys of Sweet Briar Ranch North Dakota Western Sweet Romance Book 2) (Flyboys of Sweet Briar Ranch in North Dakota))
Bess frowned, bit her lip, and managed to get a noose twirling. Then plop—it dropped over the head of her own horse! Tex gave a piercing whistle. George and Nancy burst into laughter while the “steer” helped blushing Bess to dismount. “Never mind,” said Nancy. “You didn’t want to be a cowboy, anyway!
Carolyn Keene (The Secret of Shadow Ranch (Nancy Drew, #5))
You are speaking of something sacred, something holy. Love is patient and kind. It does not envy or boast. It casts out pride, selfishness and anger. It keeps no record of wrongs. Love does not delight in evil but rejoices with the truth. It always trusts, always hopes, always perseveres and never fails.
Carol Devine (A Man of the Land)
The mythic American character is made up of the virtues of fairness, self-reliance, toughness, and honesty. Those virtues are generally stuffed into a six-foot-tall, dark-haired, can-do kind of guy who is at once a family man, attractive to strange women, carefree, stable, realistic, and whimsical. in the lore of America, that man lives on the Great Plains. he's from Texas, Dodge City, Cheyenne, the Dakotas, or somewhere in Montana. In fact, the seedbed of this American character, from the days of de Tocqueville through Andrew Jackson, Wyattt Earp, Pony Express riders, pioneers, and cowboys to modern caricatures played by actors such as Tom Mix, Gary Cooper, and John Wayne has aways been the frontier. It's a place with plenty of room to roam, great sunsets, clear lines between right and wrong, and lots of horses. It's also a place that does not exist and never has. The truth is that there has never been much fairness out here.
Dan O'Brien (Buffalo for the Broken Heart: Restoring Life to a Black Hills Ranch)
He wanted to wrap his arms around her and kiss away her uncertainty. But if he did that she would bolt. So he brushed stray hairs that had fallen out of her ponytail off her face instead. Ignored how soft the strands felt against his fingers. Pretended his pulse wasn't stampeding like a herd of bison on the plain.
Melissa McClone (Home For Christmas (Bar V5 Dude Ranch #1; Copper Mountain Christmas #2))
Oh. My. God." he murmured as it all ended in a crescendo complete with beautiful sparks and all the bells and whistles of fantastic makeup sex. Five full minutes later he propped up on a an elbow and kissed the tip of her nose. "Can we fight again tomorrow?" She smiled up at him. "I was thinking of starting an argument right now.
Carolyn Brown (Hot Cowboy Nights (Lucky Penny Ranch, #2))
Cowboy Rodeo was a very simple man. He liked his life simple. He liked his ranch full of animals, he liked the breeze across the plains, and he liked when the sun rose and set. He liked strong, cold whiskey and the stars at night. Cowboy Rodeo realized at that moment he also really, really liked corsets and black pencil skirts that showed off the curve of the hip.
Shannon Noelle Long (Second Coming)
Don't suppose you'd want to stay long enough to scrub my back for me, would you?" Lizzy might have had a wonderful experience when she rose up from the bathwater, but it damn sure hadn't set her free enough to do what Toby asked. She shook her head and smiled. "This is not a real relationship, darlin'." "I'd be willin' to turn it into a real one for a good woman to give me a bath." His eyes glittered.
Carolyn Brown (Hot Cowboy Nights (Lucky Penny Ranch, #2))
I didn't mean to upset you, Ms. Hamilton," his gaze shifted back to her. "It's a beautiful sight and I thought you'd like to see it." She gasped in delight at the vista before her. Distant purple mountains framed lush green meadows speckled with brown dots of cattle. A silver river threaded through clumps of trees. In the middle of the valley, ranch buildings clustered around a large white house. Elizabeth inhaled crisp air into her lungs...
Debra Holland (Wild Montana Sky (Montana Sky, #1))
In the meantime, I tried my best to acclimate to my new life in the middle of nowhere. I had to get used to the fact that I lived twenty miles from the nearest grocery store. That I couldn’t just run next door when I ran out of eggs. That there was no such thing as sushi. Not that it would matter, anyway. No cowboy on the ranch would touch it. That’s bait, they’d say, laughing at any city person who would convince themselves that such a food was tasty.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
I stabbed him," Lizzy said bluntly. "That's how he got that scar." "Why? I'm sorry. That's personal. I shouldn't ask that." She blushed. "It's okay." Lizzy laid a hand on the woman's arm. "I was mad at a woman for flirting with him and he tried to take the knife away from me. It was an accident." "I'll be right back with your drinks and appetizer." She turned so fast that she ran into a bus boy with a tray of dirty glasses and he had to do some fancy footwork to keep it all from hitting the floor. "Lying on Sunday?" Toby chuckled. "The preacher will make you deliver the benediction next week as penance." -Lizzy, a waitress and Toby
Carolyn Brown (Hot Cowboy Nights (Lucky Penny Ranch, #2))
As Americans embraced Wild West mythology by ignoring inconvenient facts and exaggerating or inventing more palatable ones, they also altered the meaning of a traditionally negative term. In Wyatt’s real West, anyone referred to as a cowboy was most likely a criminal. But in movies the word was used first to describe hardworking ranch hands and then, generically, those who rode horses, toted six-guns, and, when necessary (and it always became necessary) fought to uphold justice at the risk of their own lives. Cowboys were heroes, and their enemies were outlaws. So far as his growing legion of fans was concerned, Wyatt Earp was a cowboy in the new, best sense of the word. B
Jeff Guinn (The Last Gunfight: The Real Story of the Shootout at the O.K. Corral—And How It Changed the American West)
Grinning to himself, Blue went out the door pulling out on his T-shirt. So sue him, he had changed his mind, but he sure wasn’t going to quite admit it. She’d laugh like a hyena, and he had some pride. He found his hat, made sure to clean up Roy’s kitchen, and went out to see to the horses. God, had he ever had so much fun in a relationship before? Most of them had been just about sex, and he and Jenna still hadn’t even done that. Maybe that was the secret. Liking someone first and then realizing you wanted to make love to them made a lot more sense. Blue put on his hat. And he would be making love with Jenna, he was damned sure about that. Sometimes even a Marine had to reassess his priorities. 44%
Kate Pearce (The Maverick Cowboy (Morgan Ranch, #2))
Oh the Beat generation was just a phrase I used in the 1951 written manuscript of On the Road to describe guys like Moriarty who run around the country in cars looking for odd jobs, girlfriends, kicks. It was thereafter picked up by West Coast Leftist groups and turned into a meaning like “Beat mutiny” and “Beat insurrection” and all that nonsense; they just wanted some youth movement to grab on to for their own political and social purposes. I had nothing to do with any of that. I was a football player, a scholarship college student, a merchant seaman, a railroad brakeman on road freights, a script synopsizer, a secretary … And Moriarty-Cassady was an actual cowboy on Dave Uhl’s ranch in New Raymer, Colorado … What kind of beatnik is that?”[22]
Semmelweis (Jack Kerouac and the Decline of the West)
The only thing I can’t figure out is why you still eat the food your captors fed you. Why don’t you hate it as much as you hate them?” Fila glanced down at her plate. It contained a strange mixture of Afghan and Mexican dishes. She held up a flatbread. “This isn’t Taliban food—it’s Afghan food. It’s my mother’s food. I grew up eating it before I was ever captured. To me it means love and tenderness, not hate and violence.” “Taliban, Afghan—it’s all the same.” She waved the bread. “No, it’s not. Not one bit. Afghan culture is over two thousand years old. And it’s a conservative culture—it’s had to be—but it’s not a culture of monsters. Afghans are people like you, Holt. They’re born, they grow up, they live and love and they die just like we do. I didn’t study much history before I was taken, but I know this much. America’s story is that of the frontier—of always having room to grow. Afghanistan’s story is that of occupation. By the Russians, the British, the Mongols—even the ancient Greeks. On and on for century after century. Imagine all those wars being fought in Montana. Foreign armies living among us, taking over your ranch, stealing everything you own, killing your wife and children, over and over and over again.” She paused to catch her breath. “Death is right around the corner for them—all the time. Is it any wonder that a movement that turns men into warriors and codes everything else into rigid rules might seem like the answer?” She still wasn’t sure if Holt was following her. What analogy would make sense to him? She wracked her brain. “If a bunch of Californians overran Chance Creek and forced everyone to eat tofu, would you refuse to ever eat steak again?” He made a face. “Of course not!” “Then imagine the Taliban are the Californians, forcing everyone to eat tofu. And everyone does it because they don’t know what else to do. They still love steak, but they will be severely punished if they eat it—so will their families. That’s what it’s like for many Afghans living under Taliban control. It’s not their choice. They still love their country. They still love their heritage. That doesn’t mean they love the group of extremists who have taken over.” “Even if those Taliban people went away, they still wouldn’t be anything like you and me.” Holt crossed his arms. Fila suppressed a smile at his inclusion of her. That was a step in the right direction even if the greater message was lost on him. “They’re more like you than you think. Defensive. Angry. Always on the lookout for trouble.” Holt straightened. “I have four sons. Of course I’m on the lookout for trouble.” “They have sons, too.” She waited to see if he understood. Holt shook his head. “We’re going to see different on this one. But I understand about the food. Everyone likes their mother’s cooking best.” He surveyed her plate. “You got any more of that bread?” She’d take that as a victory.
Cora Seton (The Cowboy Rescues a Bride (The Cowboys of Chance Creek, #7))
Maggie chiuse gli occhi e contò sino a dieci. Uno, due, tre… Se voleva arrivare a casa di sua sorella prima che facesse notte, non aveva altra scelta che chiedere al cowboy di accompagnarla. Certo, avrebbe sempre potuto optare per il motel e attraversare quelle duecento iarde pullulanti di lupi. Un altro ululato. No, non avrebbe potuto. «Lupi» disse Mitch, il braccio sinistro che sporgeva indolente dal finestrino, il mozzicone del sigaro stretto tra le dita. «Lupi» ripeté lei con un’alzata di spalle, come se si trattasse di barboncini addestrati. Poi mosse un paio di passi esitanti verso il pick-up. Quell’affare era così alto che dovette allungare il collo e sollevare la testa per parlare al cowboy. «Mi chiedevo…» mormorò vincendo ogni residua resistenza. Lui rimase immobile, se non per il sopracciglio sinistro che scattò verso l’alto. «… se per caso tu non potessi darmi uno strappo.» Lui finse di prendere in considerazione la cosa. Poi, con un altro sbuffo di fumo, disse: «Mi sembrava che avessi rifiutato la mia offerta, dieci minuti fa...». «Perché non intendevo esserti di disturbo» rispose lei come se si stesse rivolgendo alla duchessa di Kent. E di fatti lui scoppiò a ridere. «Essermi di disturbo? Dopo avermi assalito come un ninja? Ma sarò magnanimo. Dai, sali.» Maggie tirò un sospiro di sollievo. Era così stanca e infreddolita che anche quel pick-up scassato le parve per un istante una limousine. «Dove metto la valigia?» «Buttala dietro, nel cassone.» Buttare nel cassone la sua Samsonite rosa, costata una cifra improponibile? «Preferirei sistemarla in cabina, se non ti spiace.» «In cabina non c’è posto, qua dietro è pieno di roba. A meno che tu preferisca viaggiare nel cassone e la valigia sul sedile…» Lei rimase zitta, gli occhi sgranati, per nulla certa che quella fosse solo una battuta. «Ok, ci penso io» tagliò corto lui, aprendo la portiera e scivolando a terra con un balzo. Afferrò il trolley per la maniglia e, senza un’altra parola, lo fece volare nel cassone. Oh! Il botto risuonò nelle orecchie di Maggie come una granata. Risistemandosi lo Stetson sulla testa, il cowboy girò intorno al pick-up e con un sorriso esagerato aprì la portiera del passeggero. «Sali, sorella di Suzie, o vuoi che dia una mano anche a te?»
Viviana Giorgi (Tutta colpa del vento (e di un cowboy dagli occhi verdi))
Despite the rocky start, I wound up enjoying a beautiful day on the ranch with Marlboro Man and his parents. I didn’t ride a horse--my legs were still shaky from my near-murder of his mother earlier in the day--but I did get to watch Marlboro Man ride his loyal horse Blue as I rode alongside him in a feed truck with one of the cowboys, who gifted me right off the bat with an ice-cold Dr. Pepper. I felt welcome on the ranch that day, felt at home, and before long the memory of my collision with a gravel ditch became but a faint memory--that is, when Marlboro Man wasn’t romantically whispering sweet nothings like “Drive much?” softly into my ear. And when the day of work came to an end, I felt I knew Marlboro Man just a little better. As the four of us rode away from the pens together, we passed the sad sight of my Toyota Camry resting crookedly in the ditch where it had met its fate. “I’ll run you home, Ree,” Marlboro Man said. “No, no…just stop here,” I insisted, trying my darnedest to appear strong and independent. “I’ll bet I can get it going.” Everyone in the pickup burst into hysterical laughter. I wouldn’t be driving myself anywhere for a while.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
I brushed my teeth like a crazed lunatic as I examined myself in the mirror. Why couldn’t I look the women in commercials who wake up in a bed with ironed sheets and a dewy complexion with their hair perfectly tousled? I wasn’t fit for human eyes, let alone the piercing eyes of the sexy, magnetic Marlboro Man, who by now was walking up the stairs to my bedroom. I could hear the clomping of his boots. The boots were in my bedroom by now, and so was the gravelly voice attached to them. “Hey,” I heard him say. I patted an ice-cold washcloth on my face and said ten Hail Marys, incredulous that I would yet again find myself trapped in the prison of a bathroom with Marlboro Man, my cowboy love, on the other side of the door. What in the world was he doing there? Didn’t he have some cows to wrangle? Some fence to fix? It was broad daylight; didn’t he have a ranch to run? I needed to speak to him about his work ethic. “Oh, hello,” I responded through the door, ransacking the hamper in my bathroom for something, anything better than the sacrilege that adorned my body. Didn’t I have any respect for myself? I heard Marlboro Man laugh quietly. “What’re you doing in there?” I found my favorite pair of faded, soft jeans. “Hiding,” I replied, stepping into them and buttoning the waist. “Well, c’mere,” he said softly. My jeans were damp from sitting in the hamper next to a wet washcloth for two days, and the best top I could find was a cardinal and gold FIGHT ON! T-shirt from my ‘SC days. It wasn’t dingy, and it didn’t smell. That was the best I could do at the time. Oh, how far I’d fallen from the black heels and glitz of Los Angeles. Accepting defeat, I shrugged and swung open the door. He was standing there, smiling. His impish grin jumped out and grabbed me, as it always did. “Well, good morning!” he said, wrapping his arms around my waist. His lips settled on my neck. I was glad I’d spritzed myself with Giorgio. “Good morning,” I whispered back, a slight edge to my voice. Equal parts embarrassed at my puffy eyes and at the fact that I’d slept so late that day, I kept hugging him tightly, hoping against hope he’d never let go and never back up enough to get a good, long look at me. Maybe if we just stood there for fifty years or so, wrinkles would eventually shield my puffiness. “So,” Marlboro Man said. “What have you been doing all day?” I hesitated for a moment, then launched into a full-scale monologue. “Well, of course I had my usual twenty-mile run, then I went on a hike and then I read The Iliad. Twice. You don’t even want to know the rest. It’ll make you tired just hearing about it.” “Uh-huh,” he said, his blue-green eyes fixed on mine. I melted in his arms once again. It happened any time, every time, he held me. He kissed me, despite my gold FIGHT ON! T-shirt. My eyes were closed, and I was in a black hole, a vortex of romance, existing in something other than a human body. I floated on vapors. Marlboro Man whispered in my ear, “So…,” and his grip around my waist tightened. And then, in an instant, I plunged back to earth, back to my bedroom, and landed with a loud thud on the floor. “R-R-R-R-Ree?” A thundering voice entered the room. It was my brother Mike. And he was barreling toward Marlboro Man and me, his arms outstretched. “Hey!” Mike yelled. “W-w-w-what are you guys doin’?” And before either of us knew it, Mike’s arms were around us both, holding us in a great big bear hug. “Well, hi, Mike,” Marlboro Man said, clearly trying to reconcile the fact that my adult brother had his arms around him. It wasn’t awkward for me; it was just annoying. Mike had interrupted our moment. He was always doing that.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
He walked me to the door--the same one to which I’d been escorted many times before by pimply high school boys and a few miscellaneous suitors along the way. But this time was different. Bigger. I felt it. I wondered for a moment if he felt it, too. That’s when the spike heel of my boot caught itself on a small patch of crumbling mortar on my parents’ redbrick sidewalk. In an instant, I saw my life and any ounce of pride remaining in my soul pass before my eyes as my body lurched forward. I was going to bite it for sure--and right in front of the Marlboro Man. I was an idiot, I told myself, a dork, a klutz of the highest order. I wanted desperately to snap my fingers and magically wind up in Chicago, where I belonged, but my hands were too busy darting in front of my torso, hoping to brace my body from the fall. But someone caught me. Was it an angel? In a way. It was Marlboro Man, whose tough upbringing on a working cattle ranch had produced the quick reflexes necessary to save me, his uncoordinated date, from certain wipeout. Once the danger was over, I laughed from nervous embarrassment. Marlboro Man chuckled gently. He was still holding my arms, in the same strong cowboy grip he’d used to rescue me moments earlier. Where were my knees? They were no longer part of my anatomy. I looked at Marlboro Man. He wasn’t chuckling anymore. He was standing right in front of me…and he was still holding my arms.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
Marlboro Man’s call woke me up the next morning. It was almost eleven. “Hey,” he said. “What’s up?” I hopped out of bed, blinking and stumbling around my room. “Who me? Oh, nothing.” I felt like I’d been drugged. “Were you asleep?” he said. “Who, me?” I said again, trying to snap out of my stupor. I was stalling, trying my darnedest to get my bearings. “Yes. You,” he said, chuckling. “I can’t believe you were asleep!” “I wasn’t asleep! I was…I just…” I was a loser. A pathetic, late-sleeping loser. “You’re a real go-getter in the mornings, aren’t you?” I loved it when he played along with me. I rubbed my eyes and pinched my own cheek, trying to wake up. “Yep. Kinda,” I answered. Then, changing the subject: “So…what are you up to today?” “Oh, I had to run to the city early this morning,” he said. “Really?” I interrupted. The city was over two hours from his house. “You got an early start!” I would never understand these early mornings. When does anyone ever sleep out there? Marlboro Man continued, undaunted. “Oh, and by the way…I’m pulling into your driveway right now.” Huh? I ran to my bathroom mirror and looked at myself. I shuddered at the sight: puffy eyes, matted hair, pillow mark on my left cheek. Loose, faded pajamas. Bag lady material. Sleeping till eleven had not been good for my appearance. “No. No you’re not,” I begged. “Yep. I am,” he answered. “No you’re not,” I repeated. “Yes. I am,” he said. I slammed my bathroom door and hit the lock. Please, Lord, please, I prayed, grabbing my toothbrush. Please let him be joking. I brushed my teeth like a crazed lunatic as I examined myself in the mirror. Why couldn’t I look the women in commercials who wake up in a bed with ironed sheets and a dewy complexion with their hair perfectly tousled? I wasn’t fit for human eyes, let alone the piercing eyes of the sexy, magnetic Marlboro Man, who by now was walking up the stairs to my bedroom. I could hear the clomping of his boots. The boots were in my bedroom by now, and so was the gravelly voice attached to them. “Hey,” I heard him say. I patted an ice-cold washcloth on my face and said ten Hail Marys, incredulous that I would yet again find myself trapped in the prison of a bathroom with Marlboro Man, my cowboy love, on the other side of the door. What in the world was he doing there? Didn’t he have some cows to wrangle? Some fence to fix? It was broad daylight; didn’t he have a ranch to run? I needed to speak to him about his work ethic. “Oh, hello,” I responded through the door, ransacking the hamper in my bathroom for something, anything better than the sacrilege that adorned my body. Didn’t I have any respect for myself? I heard Marlboro Man laugh quietly. “What’re you doing in there?” I found my favorite pair of faded, soft jeans. “Hiding,” I replied, stepping into them and buttoning the waist. “Well, c’mere,” he said softly.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
As Zane drove toward the exit, Phoebe searched frantically for a topic of conversation. Nothing brilliant came to mind. She nibbled on her lower lip as she considered risking the truth. When nothing better occurred to her, she decided to dive right into the cowboy-infested water. “So this is really strange, huh?” Zane glanced at her but didn’t speak. She cleared her throat. “Me being here. I mean you don’t know me from a rock, and I’m going to be staying at the ranch for a couple of days. Maybe we should get to know each other, so the situation isn’t so awkward.” “If you don’t feel like you belong, why did you come?” She spent a good three seconds mentally swooning over the sound of his voice before processing his words. He wasn’t exactly welcoming. “Well, um, several reasons,” she said, stalling, then couldn’t think of any but one. She sighed. “Maya guilted me into it.” “What did she tell you? That I keep Chase locked in a tower and feed him bread and water?” Phoebe winced. “Not exactly.” “But close.” “Um, maybe.” Zane’s grip on the steering wheel tightened. “She’s always had a soft spot for Chase.” “He must be really smart. That must make you proud. I certainly couldn’t design a website and entice people to sign up for a cattle-drive vacation.” Zane’s ever-so-perfect mouth tightened. “He lied, stole and committed fraud. Pride doesn’t much enter into it for me.” Phoebe hunched down in her seat. “If you’re going to put it like that,” she mumbled and turned her attention to the scenery.
Susan Mallery (Kiss Me (Fool's Gold, #17))
One of our best dates was actually a weekend when we went to the wedding of a friend from the Teams. The couple married in Wimberley, Texas, a small town maybe forty miles south of Austin and a few hours’ drive from where we lived. We were having such a pleasant day, we didn’t want it to end. “It doesn’t have to end,” suggested Chris as we headed for the car. “The kids are at my parents’ for the weekend. Where do you want to go?” We googled for hotels and found a place in San Antonio, a little farther south. Located around the corner from the Alamo, the hotel seemed tailor-made for Chris. There was history in every floorboard. He loved the authentic Texan and Old West touches, from the lobby to the rooms. He read every framed article on the walls and admired each artifact. We walked through halls where famous lawmen-and maybe an outlaw or two-had trod a hundred years before. In the evening, we relaxed with coffee out on the balcony of our room-something we’d never managed to do when we actually owned one. It was one of those perfect days you dream of, completely unplanned. I have a great picture of Chris sitting out there in his cowboy boots, feet propped up, a big smile on his face. It’s still one of my favorites. People ask about Chris’s love of the Old West. It was something he was born with, really. It had to be in his genes. He grew up watching old westerns with his family, and for a time became a bronco-bustin’ cowboy and ranch hand. More than that, I think the clear sense of right and wrong, of frontier justice and strong values, appealed to him.
Taya Kyle (American Wife: Love, War, Faith, and Renewal)
I hung up the phone after saying good night to Marlboro Man, this isolated cowboy who hadn’t had the slightest probably picking up the phone to say “I miss you.” I shuddered at the thought of how long I’d gone without it. And judging from the electrical charges searing through every cell of my body, I realized just how fundamental a human need it really is. It was as fundamental a human need, I would learn, as having a sense of direction in the dark. I suddenly realized I was lost on the long dirt road, more lost than I’d ever been before. The more twists and turns I took in my attempt to find my bearings, the worse my situation became. It was almost midnight, and it was cold, and each intersection looked like the same one repeating over and over. I found myself struck with an illogical and indescribable panic--the kind that causes you to truly believe you’ll never, ever escape from where you are, even though you almost always will. As I drove, I remembered every horror movie I’d ever watched that had taken place in a rural setting. Children of the Corn. The children of the corn were lurking out there in the tall grass, I just knew it. Friday the 13th. Sure, it had taken place at a summer camp, but the same thing could happen on a cattle ranch. And The Texas Chain Saw Massacre? Oh no. I was dead. Leatherface was coming--or even worse, his freaky, emaciated, misanthropic brother. I kept driving for a while, then stopped on the side of the road. Shining my brights on the road in front of me, I watched out for Leatherface while dialing Marlboro Man on my car phone. My pulse was rapid out of sheer terror and embarrassment; my face was hot. Lost and helpless on a county road the same night I’d emotionally decompensated in his kitchen--this was not exactly the image I was dying to project to this new man in my life. But I had no other option, short of continuing to drive aimlessly down one generic road after another or parking on the side of the road and going to sleep, which really wasn’t an option at all, considering Norman Bates was likely wandering around the area. With Ted Bundy. And Charles Manson. And Grendel.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
One day Marlboro Man invited my sister, Betsy, and me to the ranch to work cattle. She was home from college and bored, and Marlboro Man wanted Tim to meet another member of my family. “Working cattle” is the term used to describe the process of pushing cattle, one by one, through a working chute, during which time they are branded, dehorned, ear tagged, and “doctored” (temperature taken, injections given). The idea is to get all the trauma and mess over with in one fell swoop so the animals can spend their days grazing peacefully in the pasture. When Betsy and I pulled up and parked, Tim greeted us at the chute and immediately assigned us our duties. He handed my sister a hot shot, which is used to gently zap the animal’s behind to get it to move through the chute. It’s considered the easy job. “You’ll be pushing ’em through,” Tim told Betsy. She dutifully took the hot shot, studying the oddly shaped object in her hands. Next, Tim handed me an eight-inch-long, thick-gauge probe with some kind of electronic device attached. “You’ll be taking their temperature,” Tim informed me. Easy enough, I thought. But how does this thing fit into its ear? Or does it slide under its arm somehow? Perhaps I insert it under the tongue? Will the cows be okay with this? Tim showed me to my location--at the hind end of the chute. “You just wait till the steer gets locked in the chute,” Tim directed. “Then you push the stick all the way in and wait till I tell you to take it out.” Come again? The bottom fell out of my stomach as my sister shot me a worried look, and I suddenly wished I’d eaten something before we came. I felt weak. I didn’t dare question the brother of the man who made my heart go pitter-pat, but…in the bottom? Up the bottom? Seriously? Before I knew it, the first animal had entered the chute. Various cowboys were at different positions around the animal and began carrying out their respective duties. Tim looked at me and yelled, “Stick it in!” With utter trepidation, I slid the wand deep into the steer’s rectum. This wasn’t natural. This wasn’t normal. At least it wasn’t for me. This was definitely against God’s plan.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
We needed to drive down the road a couple of miles to meet the rest of the cowboys and gather the cattle from there. “Mom, why don’t you and Ree go ahead in her car and we’ll be right behind you,” Marlboro Man directed. His mother and I walked outside, climbed in the car, and headed down the road. We exchanged pleasant small talk. She was poised and genuine, and I chattered away, relieved that she was so approachable. Then, about a mile into our journey, she casually mentioned, “You might watch that turn up ahead; it’s a little sharp.” “Oh, okay,” I replied, not really listening. Clearly she didn’t know I’d been an L.A. driver for years. Driving was not a problem for me. Almost immediately, I saw a ninety-degree turn right in front of my face, pointing its finger at me and laughing--cackling--at my predicament. I whipped the steering wheel to the left as quickly as I could, skidding on the gravel and stirring up dust. But it was no use--the turn got the better of me, and my car came to rest awkwardly in the ditch, the passenger side a good four feet lower than mine. Marlboro Man’s mother was fine. Lucky for her, there’s really nothing with which to collide on an isolated cattle ranch--no overpasses or concrete dividers or retaining walls or other vehicles. I was fine, too--physically, anyway. My hands were trembling violently. My armpits began to gush perspiration. My car was stuck, the right two tires wedged inextricably in a deep crevice of earth on the side of the road. On the list of the Top Ten Things I’d Want Not to Happen on the First Meeting Between My Boyfriend’s Mother and Me, this would rate about number four. “Oh my word,” I said. “I’m sorry about that.” “Oh, don’t worry about it,” she reassured, looking out the window. “I just hope your car’s okay.” Marlboro Man and his dad pulled up beside us, and they both hopped out of the pickup. Opening my door, Marlboro Man said, “You guys okay?” “We’re fine,” his mother said. “We just got a little busy talking.” I was Lucille Ball. Lucille Ball on steroids and speed and vodka. I was a joke, a caricature, a freak. This couldn’t possibly be happening to me. Not today. Not now. “Okay, I’ll just go home now,” I said, covering my face with my hands. I wanted to be someone else. A normal person, maybe. A good driver, perhaps. Marlboro Man examined my tires, which were completely torn up. “You’re not goin’ anywhere, actually. You guys hop in the pickup.” My car was down for the count.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
But then the cowboy standing in front of you smiles gently and says, “You sure?” Those two simple words opened up the Floodgates of Hell. I smiled and laughed, embarrassed, even as two big, thick tears rolled down both my cheeks. Then I laughed again and blew a nice, clear explosion of snot from my nose. Of all the things that had happened that day, that single moment might have been the worst. “Oh my gosh, I can’t believe I’m doing this,” I insisted as another pair of tears spilled out. I scrambled around the kitchen counter and found a paper towel, using it to dab the salty wetness on my face and the copious slime under my nose. “I am so, so sorry.” I inhaled deeply, my chest beginning to contract and convulse. This was an ugly cry. I was absolutely horrified. “Hey…what’s wrong?” Marlboro Man asked. Bless his heart, he had to have been as uncomfortable as I was. He’d grown up on a cattle ranch, after all, with two brothers, no sisters, and a mother who was likely as lacking in histrionics as I wished I was at that moment. He led a quiet life out here on the ranch, isolated from the drama of city life. Judging from what he’d told me so far, he hadn’t invited many women over to his house for dinner. And now he had one blubbering uncontrollably in his kitchen. I’d better hurry up and enjoy this evening, I told myself. He won’t be inviting me to any more dinners after this. I blew my nose on the paper towel. I wanted to go hide in the bathroom. Then he took my arm, in a much softer grip than the one he’d used on our first date when he’d kept me from biting the dust. “No, c’mon,” he said, pulling me closer to him and securing his arms around my waist. I died a thousand deaths as he whispered softly, “What’s wrong?” What could I possibly say? Oh, nothing, it’s just that I’ve been slowly breaking up with my boyfriend from California and I uninvited him to my brother’s wedding last week and I thought everything was fine and then he called last night after I got home from cooking you that Linguine and Clam Sauce you loved so much and he said he was flying here today and I told him not to because there really wasn’t anything else we could possibly talk about and I thought he understood and while I was driving out here just now he called me and it just so happens he’s at the airport right now but I decided not to go because I didn’t want to have a big emotional drama (you mean like the one you’re playing out in Marlboro Man’s kitchen right now?) and I’m finding myself vacillating between sadness over the end of our four-year relationship, regret over not going to see him in person, and confusion over how to feel about my upcoming move to Chicago. And where that will leave you and me, you big hunk of burning love.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
In the meantime, I tried my best to acclimate to my new life in the middle of nowhere. I had to get used to the fact that I lived twenty miles from the nearest grocery store. That I couldn’t just run next door when I ran out of eggs. That there was no such thing as sushi. Not that it would matter, anyway. No cowboy on the ranch would touch it. That’s bait, they’d say, laughing at any city person who would convince themselves that such a food was tasty. And the trash truck: there wasn’t one. In this strange new land, there was no infrastructure for dealing with trash. There were cows in my yard, and they pooped everywhere--on the porch, in the yard, even on my car if they happened to be walking near it when they dropped a load. There wasn’t a yard crew to clean it up. I wanted to hire people, but there were no people. The reality of my situation grew more crystal clear every day. One morning, after I choked down a bowl of cereal, I looked outside the window and saw a mountain lion siting on the hood of my car, licking his paws--likely, I imagined, after tearing a neighboring rancher’s wife from limb to limb and eating her for breakfast. I darted to the phone and called Marlboro Man, telling him there was a mountain lion sitting on my car. My heart beat inside my chest. I had no idea mountain lions were indigenous to the area. “It’s probably just a bobcat,” Marlboro Man reassured me. I didn’t believe him. “No way--it’s huge,” I cried. “It’s seriously got to be a mountain lion!” “I’ve gotta go,” he said. Cows mooed in the background. I hung up the phone, incredulous at Marlboro Man’s lack of concern, and banged on the window with the palm of my hand, hoping to scare the wild cat away. But it only looked up and stared at me through the window, imagining me on a plate with a side of pureed trout. My courtship with Marlboro Man, filled with fizzy romance, hadn’t prepared me for any of this; not the mice I heard scratching in the wall next to my bed, not the flat tires I got from driving my car up and down the jagged gravel roads. Before I got married, I didn’t know how to use a jack or a crowbar…and I didn’t want to have to learn now. I didn’t want to know that the smell in the laundry room was a dead rodent. I’d never smelled a dead rodent in my life: why, when I was supposed to be a young, euphoric newlywed, was I being forced to smell one now? During the day, I was cranky. At night, I was a mess. I hadn’t slept through the night once since we returned from our honeymoon. Besides the nausea, whose second evil wave typically hit right at bedtime, I was downright spooked. As I lay next to Marlboro Man, who slept like a baby every night, I thought of monsters and serial killers: Freddy Krueger and Michael Myers, Ted Bundy and Charles Manson. In the utter silence of the country, every tiny sound was amplified; I was certain if I let myself go to sleep, the murderer outside our window would get me.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
Evening,” Zane said. It was a pretty wordy opening for him. Phoebe debated inviting him in, then decided it would be too much like an offer to sleep with him. Instead of stepping back and pointing to the bed, which was really what she wanted to do, she moved down the hallway, shutting the door behind her, and did her best to look unimpressed. “Hi, Zane. How are the preparations coming?” He gave her one of his grunts, then shrugged. She took that to mean, “Great. And thanks so much for asking.” They weren’t standing all that close, but she was intensely aware of him. Despite the fact that he’d probably been up at dawn and that it was now close to ten, he still smelled good. He wasn’t wearing his cowboy hat, so she could see his dark hair. Stubble defined his jaw. She wanted to rub her hands over the roughness, then maybe hook her leg around his hip and slide against him like the sex-starved fool she was turning out to be. “Maya’ll be here tomorrow,” he said. “Elaine Mitchell is bringing her out to the ranch with all of the greenhorns in her tourist bus.” She had to clear her throat before speaking. “Maya called me about an hour ago to let me know she’d be getting here about three.” He folded his arms across his broad chest, then leaned sideways against the doorjamb beside her. So very close. Her attention fixed on the strong column of his neck, and a certain spot just behind his jaw that she had a sudden urge to kiss. Would it be warm? Would she feel his pulse against her lips? “She doesn’t need to know what happened,” Zane said. Phoebe couldn’t quite make sense of his words, and he must have read the confusion in her eyes. They were alone, it was night and the man seemed to be looming above her in the hallway. She’d never thought she would enjoy being loomed over, but it was actually very nice. She had the feeling that if she suddenly saw a mouse or something, she could shriek and jump, and he would catch her. Of course he would think she was an idiot, but that was beside the point. “Between us,” he explained. “Outside. She doesn’t need to know about the kiss.” A flood of warmth rushed to her face as she understood that he regretted kissing her. She instinctively stepped backward, only to bump her head against the closed bedroom door. Before she had time to be embarrassed about her lack of grace or sophistication, he groaned, reached for her hips and drew her toward him. “She doesn’t need to know about this one, either.” His lips took hers with a gentle but commanding confidence. Her hands settled on either side of the strong neck she’d been eyeing only seconds ago. His skin was as warm as she’d imagined it would be. The cords of his muscles moved against her fingers as he lifted his head to a better angle. His hands were still, except his thumbs, which brushed her hip bones, slow and steady. His fingers splayed over the narrowest part of her waist and nearly met at the small of her back. She wished she could feel his fingertips against her skin, but her thin cotton top got in the way. He kept her body at a frustrating distance from his. In fact, when she tried to move closer, he held her away even as he continued the kiss. Lips on lips. Hot and yielding. She waited for him to deepen the kiss, but he didn’t. And she couldn’t summon the courage to do it herself. Finally, he drew back and rested his forehead against hers for a long moment. “Do me a favor,” he said. “Try to be a little more resistible. I don’t think I can take a week of this.” Then he turned on his heel, walked to a door at the end of the long hallway, and went inside. She stood in place, her fingers pressed against her still-tingling lips. More than a minute passed before she realized she was smiling.
Susan Mallery (Kiss Me (Fool's Gold, #17))