Themes In 1984 With Quotes

the theme that runs powerfully through all of Orwell’s writings, from his early work on Burmese Days through the late 1930s and then through the great essays, and into Animal Farm and 1984, is the abuse of power in the modern world by both the left and the right.

Moreover, it is not entirely without significance that true love was, in Platonic philosophy -- but also, as you know, in a whole sector, a whole domain of Christian spirituality and mysticism -- the form par excellence of the true life. Since Platonism, true love and the true life have traditionally belonged together, and to a large extend Christian Platonism will take up this theme.

If you read no other work of what’s known as “cyberpunk” (which looks at the ever-thinner line between humans and machines), at least read the novel that began it all: William Gibson’s Neuromancer, which won every major science fiction award (the Nebula, the Hugo, and the Philip K. Dick award) in 1984, the year it was published. Gibson introduced words (including “cyberpunk” itself), themes, and a dystopic vision of the future that have been liberally reworked in the writings of many other authors.

The feminist philosophy that has shaped my thinking has been articulated most clearly by Marilyn Frye;67 Catharine MacKinnon68 has been influential in my understanding of the law’s role; Gerda Lerner helped me understand the relationship between gender and class; and Audre Lorde69 and Barbara Smith70 challenged many of my unconscious assumptions about gender and race. Important to the struggle to bring to feminist theory and politics a deeper analysis of the complexity of all these interactions among systems of power has been Patricia Hill Collins’ 1990 book on black feminist thought and “the matrix of domination.”71 Other sources of my early understanding of these themes were the work of bell hooks, especially her 1984 book72 and her ongoing critique of “white-supremacist capitalist patriarchy,” and the influential 1981 collection This Bridge Called My Back: Writing by Radical Women of Color.73 Today

sometimes in the far distance there were enormous explosions which no one could explain and about which there were wild rumours. The new tune which was to be the theme-song

The new tune which was to be the theme song of Hate Week (the 'Hate Song', it was called) had already been composed and was being endlessly plugged on the telescreens. It had a savage, barking rhythm which could not exactly be called music, but resembled the beating of a drum. Roared out by hundreds of voices to the tramp of marching feet, it was terrifying.