The Secret Garden Quotes

We've searched our database for all the quotes and captions related to The Secret Garden. Here they are! All 100 of them:

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If you look the right way, you can see that the whole world is a garden.
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Frances Hodgson Burnett (The Secret Garden)
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Is the spring coming?" he said. "What is it like?"... "It is the sun shining on the rain and the rain falling on the sunshine...
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Frances Hodgson Burnett (The Secret Garden)
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Her heart was a secret garden and the walls were very high.
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William Goldman (The Princess Bride)
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And the secret garden bloomed and bloomed and every morning revealed new miracles.
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Frances Hodgson Burnett (The Secret Garden)
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She made herself stronger by fighting with the wind.
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Frances Hodgson Burnett (The Secret Garden)
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At first people refuse to believe that a strange new thing can be done, then they begin to hope it can be done, then they see it can be done--then it is done and all the world wonders why it was not done centuries ago.
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Frances Hodgson Burnett (The Secret Garden)
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Where you tend a rose my lad, a thistle cannot grow.
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Frances Hodgson Burnett (The Secret Garden by Frances Hodgson Burnett, Juvenile Fiction, Classics, Family)
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It made her think that it was curious how much nicer a person looked when he smiled. She had not thought of it before.
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Frances Hodgson Burnett (Secret Garden (Dover Children's Evergreen Classics))
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I am sure there is Magic in everything, only we have not sense enough to get hold of it and make it do things for us
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Frances Hodgson Burnett (The Secret Garden)
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Two worst things as can happen to a child is never to have his own way - or always to have it.
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Frances Hodgson Burnett (The Secret Garden)
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Of course there must be lots of Magic in the world," he said wisely one day, "but people don't know what it is like or how to make it. Perhaps the beginning is just to say nice things are going to happen until you make them happen. I am going to try and experiment.
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Frances Hodgson Burnett (The Secret Garden)
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Muggles have garden gnomes, too, you know," Harry told Ron as they crossed the lawn. "Yeah, I've seen those things they think are gnomes," said Ron, bent double with his head in a peony bush, "like fat little Santa Clauses with fishing rods...
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J.K. Rowling (Harry Potter and the Chamber of Secrets (Harry Potter, #2))
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Reading can be a road to freedom or a key to a secret garden, which, if tended, will transform all of life.
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Katherine Paterson
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However many years she lived, Mary always felt that 'she should never forget that first morning when her garden began to grow'.
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Frances Hodgson Burnett (The Secret Garden)
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Girls can wear jeans and cut their hair short and wear shirts and boots because it's okay to be a boy; for girls it's like promotion. But for a boy to look like a girl is degrading, according to you, because secretly you believe that being a girl is degrading.
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Ian McEwan (The Cement Garden)
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That, my dear, is what makes a character interesting, their secrets.
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Kate Morton (The Forgotten Garden)
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Much more surprising things can happen to anyone who, when a disagreeable or discouraged thought comes into his mind, just has the sense to remember in time and push it out by putting in an agreeable, determinedly courageous one. Two things cannot be in one place.
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Frances Hodgson Burnett (The Secret Garden)
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Γ”, Wanderess, Wanderess When did you feel your most euphoric kiss? Was I the source of your greatest bliss?
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Roman Payne
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Might I," quavered Mary, "might I have a bit of earth?
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Frances Hodgson Burnett (The Secret Garden)
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There's naught as nice as th' smell o' good clean earth, except th' smell o' fresh growin' things when th' rain falls on 'em.
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Frances Hodgson Burnett (The Secret Garden)
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Nothing in the world is quite as adorably lovely as a robin when he shows off and they are nearly always doing it.
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Frances Hodgson Burnett (The Secret Garden)
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One of the strange things about living in the world is that it is only now and then one is quite sure one is going to live forever and ever and ever. One knows it sometimes when one gets up at the tender solemn dawn-time and goes out and stands out and throws one's head far back and looks up and up and watches the pale sky slowly changing and flushing and marvelous unknown things happening until the East almost makes one cry out and one's heart stands still at the strange unchanging majesty of the rising of the sun--which has been happening every morning for thousands and thousands and thousands of years. One knows it then for a moment or so. And one knows it sometimes when one stands by oneself in a wood at sunset and the mysterious deep gold stillness slanting through and under the branches seems to be saying slowly again and again something one cannot quite hear, however much one tries. Then sometimes the immense quiet of the dark blue at night with the millions of stars waiting and watching makes one sure; and sometimes a sound of far-off music makes it true; and sometimes a look in someone's eyes.
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Frances Hodgson Burnett (Secret Garden (Dover Children's Evergreen Classics))
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Sometimes since I've been in the garden I've looked up through the trees at the sky and I have had a strange feeling of being happy as if something was pushing and drawing in my chest and making me breathe fast. Magic is always pushing and drawing and making things out of nothing. Everything is made out of magic, leaves and trees, flowers and birds, badgers and foxes and squirrels and people. So it must be all around us. In this garden - in all the places.
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Frances Hodgson Burnett (The Secret Garden)
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My mother always says people should be able to take care of themselves, even if they're rich and important.
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Frances Hodgson Burnett (The Secret Garden)
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I shall live forever and ever and ever ' he cried grandly. 'I shall find out thousands and thousands of things. I shall find out about people and creatures and everything that grows - like Dickon - and I shall never stop making Magic. I'm well I'm well
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Frances Hodgson Burnett (The Secret Garden)
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People never like me and I never like people
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Frances Hodgson Burnett (The Secret Garden)
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So long as I know what's expected of me, I can manage.
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Frances Hodgson Burnett (The Secret Garden)
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His words had tossed the book that was her life into the air and the pages had been blown into disarray, could never be put back together to tell the same story.
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Kate Morton (The Forgotten Garden)
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People never like me and I never like people," she thought. "And I never can talk as the Crawford children could. They were always talking and laughing and making noises.
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Frances Hodgson Burnett (Secret Garden (Dover Children's Evergreen Classics))
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To speak robin to a robin is like speaking French to a Frenchman
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Frances Hodgson Burnett (The Secret Garden)
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Our lips were for each other and our eyes were full of dreams. We knew nothing of travel and we knew nothing of loss. Ours was a world of eternal spring, until the summer came.
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Roman Payne (Hope and Despair)
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One of the new things people began to find out in the last century was that thoughtsβ€”just mere thoughtsβ€”are as powerful as electric batteriesβ€”as good for one as sunlight is, or as bad for one as poison. To let a sad thought or a bad one get into your mind is as dangerous as letting a scarlet fever germ get into your body. If you let it stay there after it has got in you may never get over it as long as you live... surprising things can happen to any one who, when a disagreeable or discouraged thought comes into his mind, just has the sense to remember in time and push it out by putting in an agreeable determinedly courageous one. Two things cannot be in one place. "Where you tend a rose, my lad, A thistle cannot grow.
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Frances Hodgson Burnett (The Secret Garden)
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People are like cities: We all have alleys and gardens and secret rooftops and places where daisies sprout between the sidewalk cracks, but most of the time all we let each other see is is a postcard glimpse of a skyline or a polished square. Love lets you find those hidden places in another person, even the ones they didn't know were there, even the ones they wouldn't have thought to call beautiful themselves.
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Hilary T. Smith (Wild Awake)
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The robin flew from his swinging spray of ivy on to the top of the wall and he opened his beak and sang a loud, lovely trill, merely to show off. Nothing in the world is quite as adorably lovely as a robin when he shows off - and they are nearly always doing it.
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Frances Hodgson Burnett (The Secret Garden)
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Oh, how she did love that queer, common boy!
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Frances Hodgson Burnett (The Secret Garden)
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Never thee stop believin' in th' Big Good Thing an' knowin' th' world's full of it - and call it what tha' likes. Tha' wert singin' to it when I come into t' garden.
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Frances Hodgson Burnett (The Secret Garden)
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It was like the Secret Garden. Of dead people.
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Chelsea Fine (Awry (The Archers of Avalon, #2))
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The Secret Garden was what Mary called it when she was thinking of it. She liked the name, and she liked still more the feeling that when its beautiful old walls shut her in no one knew where she was. It seemed almost like being shut out of the world in some fairy place. The few books she had read and liked had been fairy-story books, and she had read of secret gardens in some of the stories. Sometimes people went to sleep in them for a hundred years, which she had thought must be rather stupid. She had no intention of going to sleep, and, in fact, she was becoming wider awake every day which passed at Misselthwaite.
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Frances Hodgson Burnett (The Secret Garden)
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When the invisible wall between two secret gardens crumbles down, it may provoke an irreparable emotional earth slide or it may be an unexpected opportunity of building a newfangled bridge between clandestine desires and furtive impulses. .( "No handkerchief, when you need it")
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Erik Pevernagie
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Everyone should cultivate a secret garden.
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Esther Perel (Mating in Captivity: Reconciling the Erotic and the Domestic)
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Of course there must be lots of Magic in the world, but people don't know what it is like or how to make it.
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Frances Hodgson Burnett (The Secret Garden)
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Everything is made out of Magic, leaves and trees, flowers and birds, badgers and foxes and squirrels and people. So it must be all around us.
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Frances Hodgson Burnett (The Secret Garden)
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As she came closer to him she noticed that there was a clean fresh scent of heather and grass and leaves about him, almost as if he were made of them. She liked it very much and when she looked into his funny face with the red cheeks and round blue eyes she forgot that she had felt shy.
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Frances Hodgson Burnett (The Secret Garden)
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My secrets are old friends; I would feel like a poor friend if I abandoned them now.
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Dot Hutchison (The Butterfly Garden (The Collector, #1))
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He had made himself believe that he was going to get well, which was really more than half the battle.
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Frances Hodgson Burnett (The Secret Garden)
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You can lose a friend in springtime easier than any other season if you're too curious.
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Frances Hodgson Burnett (The Secret Garden)
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To me she represents nothing less than the very secrets of the world.
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Makoto Shinkai (The Garden of Words)
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That is the Magic. Being alive is the Magicβ€”being strong is the Magic. The Magic is in meβ€”the Magic is in me.
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Frances Hodgson Burnett (The Secret Garden)
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I think my love for books sprang from my need to escape the world I was born into, to slide into another where words were straightforward and honest, where there was clearly delineated good and evil, where I found girls who were strong and smart and creative and foolish enough to fight dragons, to run away from home to live in museums, to become child spies, to make new friends and build secret gardens.
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Jesmyn Ward (Men We Reaped: A Memoir)
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I know I can do it," Todd Downey said, helping himself to another ear of corn from the steaming bowl. "I'm sure that in time her death will be a mystery, even to me.
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Stephen King (Two Past Midnight: Secret Window, Secret Garden)
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The hidden strength is too deep a secret. But in the end...in the end it is our only ally.
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Joanne Greenberg (I Never Promised You a Rose Garden)
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People call me a philosopher or a scientist or an anthropologist. I am none of those things. I am an anamnesiologist. I study what has been forgotten. I divine what has disappeared utterly. I work with absences, with silences, with curious gaps between things. I am really more of a magician than anything else.’ Laurence Arne-Sayles, interview in The Secret Garden, May 1976
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Susanna Clarke (Piranesi)
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One marvel of a day he had walked so far that when he returned the moon was high and full and all the world was purple shadow and silver.
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Frances Hodgson Burnett (The Secret Garden)
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How does tha' like thysel'?
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Frances Hodgson Burnett (The Secret Garden)
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No man can be really free in bed with a woman who is not.
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Nancy Friday (My Secret Garden: Women's Sexual Fantasies)
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Mistress Mary, quite contrary, How does your garden grow? With Silver Bells, and Cockle Shells, And marigolds all in a row.
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Frances Hodgson Burnett (The Secret Garden)
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Mistress Mary Quite Contrary
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Frances Hodgson Burnett (The Secret Garden)
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In secret places we can think and imagine, we can feel angry or sad in peace. There is something to be said for just being, without worrying about offending anyone.
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Sophie Dahl (The Secret Garden)
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WESLEY AYERS is the stranger in the halls of the Coronado. He is the Keeper in the garden who shares my secret. He is the boy who reads me books. He is the one who teaches me how to touch.
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Victoria E. Schwab (The Unbound (The Archived, #2))
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She was a sweet, pretty thing and he'd have walked the world over to get her a blade o' grass she wanted.
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Frances Hodgson Burnett (The Secret Garden)
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My heart was now a secret garden and the walls were very high.
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William Goldman (The Princess Bride)
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One of the strange things about living in the world is that it is only now and then one is quite sure one is going to live forever and ever and ever.
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Frances Hodgson Burnett (The Secret Garden)
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And they both began to laugh over nothing as children will when they are happy together. And they laughed so that in the end they were making as much noise as if they had been two ordinary healthy natural ten-year-old creaturesβ€”instead of a hard, little, unloving girl and a sickly boy who believed that he was going to die.
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Frances Hodgson Burnett (The Secret Garden)
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Oh, Grey, no one really likes keeping secrets. The only thing that makes a secret fun is knowing that you weren't supposed to tell it.
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Kate Morton (The Forgotten Garden)
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At first people refuse to believe that a strange new thing can be done. Then they begin to hope it can be done. Then they see it can be done. Then it is done and all the world wonders why it was not done centuries ago.
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Frances Hodgson Burnett (The Secret Garden)
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believe that this way of living, this focus on the present, the daily, the tangible, this intense concentration not on the news headlines but on the flowers growing in your own garden, the children growing in your own home, this way of living has the potential to open up the heavens, to yield a glittering handful of diamonds where a second ago there was coal. This way of living and noticing and building and crafting can crack through the movie sets and soundtracks that keep us waiting for our own life stories to begin, and set us free to observe the lives we have been creating all along without ever realizing it. I don’t want to wait anymore. I choose to believe that there is nothing more sacred or profound than this day. I choose to believe that there may be a thousand big moments embedded in this day, waiting to be discovered like tiny shards of gold. The big moments are the daily, tiny moments of courage and forgiveness and hope that we grab on to and extend to one another. That’s the drama of life, swirling all around us, and generally I don’t even see it, because I’m too busy waiting to become whatever it is I think I am about to become. The big moments are in every hour, every conversation, every meal, every meeting. The Heisman Trophy winner knows this. He knows that his big moment was not when they gave him the trophy. It was the thousand times he went to practice instead of going back to bed. It was the miles run on rainy days, the healthy meals when a burger sounded like heaven. That big moment represented and rested on a foundation of moments that had come before it. I believe that if we cultivate a true attention, a deep ability to see what has been there all along, we will find worlds within us and between us, dreams and stories and memories spilling over. The nuances and shades and secrets and intimations of love and friendship and marriage an parenting are action-packed and multicolored, if you know where to look. Today is your big moment. Moments, really. The life you’ve been waiting for is happening all around you. The scene unfolding right outside your window is worth more than the most beautiful painting, and the crackers and peanut butter that you’re having for lunch on the coffee table are as profound, in their own way, as the Last Supper. This is it. This is life in all its glory, swirling and unfolding around us, disguised as pedantic, pedestrian non-events. But pull of the mask and you will find your life, waiting to be made, chosen, woven, crafted. Your life, right now, today, is exploding with energy and power and detail and dimension, better than the best movie you have ever seen. You and your family and your friends and your house and your dinner table and your garage have all the makings of a life of epic proportions, a story for the ages. Because they all are. Every life is. You have stories worth telling, memories worth remembering, dreams worth working toward, a body worth feeding, a soul worth tending, and beyond that, the God of the universe dwells within you, the true culmination of super and natural. You are more than dust and bones. You are spirit and power and image of God. And you have been given Today.
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Shauna Niequist (Cold Tangerines: Celebrating the Extraordinary Nature of Everyday Life)
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That afternoon the whole world seemed to devote itself to being perfect and radiantly beautiful and kind to one boy.
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Frances Hodgson Burnett (The Secret Garden)
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She had begun to wonder why she had never seemed to belong to anyone
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Frances Hodgson Burnett (The Secret Garden)
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But the calm had brought a sort of courage and hope with it. Instead of giving way to thoughts of the worst, he actually found he was trying to believe in better things.
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Frances Hodgson Burnett (The Secret Garden)
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Love is ease, love is comfort, love is support and respect. Love is not punishing or controlling. Love lets you grow and breathe. Love's passion is only good passion -- swirling-leaves-on-a-fall-day passion, a-sky-full-of-magnificent-stars passion -- not angst and anxiety. Love is not hurt and harm. Love is never unsafe. Love is sleeping like puzzle pieces. It's your own garden you protect; it's a field of wildflowers you move about in both freely and together.
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Deb Caletti (The Secret Life of Prince Charming)
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Raindrops the size of bullets thundered on the castle windows for days on end; the lake rose, the flower beds turned into muddy streams, and Hagrid’s pumpkins swelled to the size of garden sheds.
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J.K. Rowling (Harry Potter and the Chamber of Secrets (Harry Potter, #2))
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I am sure there is Magic in everything, only we have not sence enough to get hold of it and make it do things for us - like electricity and horses and steam.
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Frances Hodgson Burnett (The Secret Garden)
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Magic is in her just as it is in Dickon," said Colin. "It makes her think of ways to do things - nice things.
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Frances Hodgson Burnett (The Secret Garden)
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She stopped and listened to him and somehow his cheerful, friendly little whistle gave her a pleased feeling--even a disagreeable little girl may be lonely, and the big closed house and big bare moor and big bare gardens had made this one feel as if there was no one left in the world but herself. If she had been an affectionate child, who had been used to being loved, she would have broken her heart, but even though she was "Mistress Mary Quite Contrary" she was desolate, and the bright-breasted little bird brought a look into her sour little face which was almost a smile. She listened to him until he flew away. He was not like an Indian bird and she liked him and wondered if she should ever see him again. Perhaps he lived in the mysterious garden and knew all about it.
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Frances Hodgson Burnett (Secret Garden (Dover Children's Evergreen Classics))
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Many of us who aren't farmers or gardeners still have some element of farm nostalgia in our family past, real or imagined: a secret longing for some connection to a life where a rooster crows in the yard.
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Barbara Kingsolver (Animal, Vegetable, Miracle: A Year of Food Life)
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Much more surprising things can happen to any one who, when a disagreeable or discouraged thought comes into his mind, just has the sense to remember in time and push it out by putting in an agreeable determinedly courageous one. Two things cannot be in one place. "Where, you tend a rose, my lad, A thistle cannot grow.
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Frances Hodgson Burnett (The Secret Garden)
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On rainy afternoons, embroidering with a group of friends on the begonia porch, she would lose the thread of the conversation and a tear of nostalgia would salt her palate when she saw the strips of damp earth and the piles of mud that the earthworms had pushed up in the garden. Those secret tastes, defeated in the past by oranges and rhubarb, broke out into an irrepressible urge when she began to weep. She went back to eating earth. The first time she did it almost out of curiosity, sure that the bad taste would be the best cure for the temptation. And, in fact, she could not bear the earth in her mouth. But she persevered, overcome by the growing anxiety, and little by little she was getting back her ancestral appetite, the taste of primary minerals, the unbridled satisfaction of what was the original food. She would put handfuls of earth in her pockets, and ate them in small bits without being seen, with a confused feeling of pleasure and rage, as she instructed her girl friends in the most difficult needlepoint and spoke about other men, who did not deserve the sacrifice of having one eat the whitewash on the walls because of them. The handfuls of earth made the only man who deserved that show of degradation less remote and more certain, as if the ground that he walked on with his fine patent leather boots in another part of the world were transmitting to her the weight and the temperature of his blood in a mineral savor that left a harsh aftertaste in her mouth and a sediment of peace in her heart.
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Gabriel GarcΓ­a MΓ‘rquez (One Hundred Years of Solitude)
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Remember me as the girl who married you, the woman who had your babies, who kept your house, weeded your garden, your soul mate and best friend. I was the woman who could make you laugh and cry. I could calm you when you were upset but yet infuriate you also like no other. For the passion and the love we shared, I thank-you. I could read your mind and finish your sentences. I knew everything you loved and hated and we had no secrets from one another. I knew what to say when you were upset to make things alright again. I felt your pain and I shared your joy. I embraced your strengths and celebrated your differences. I love you and everything about you and the physical limitations of worlds will not change that”.
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Annette J. Dunlea
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You learn things by saying them over and over and thinking about them until they stay in your mind forever and I think it will be the same with Magic. If you keep calling it to come to you and help you it will get to be part of you and it will stay and do things.
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Frances Hodgson Burnett (The Secret Garden)
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Results and Roses The man who wants a garden fair, or small or very big, With flowers growing here and there, Must bend his back and dig. The things are mighty few on earth That wishes can attain. Whate'er we want of any worth We've got to work to gain. It matters not what goal you seek, It's secret here reposes: You've got to dig from week to week To get Results or Roses.
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Edgar A. Guest
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One of the new things people began to find out in the last century was that thoughts--just mere thoughts--are as powerful as electric batteries--as good for one as sunlight is, or as bad for one as poison. To let a sad thought or a bad one get into your mind is as dangerous as letting a scarlet fever germ get into your body. If you let it stay there after it has got in you may never get over it as long as you live.
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Frances Hodgson Burnett (The Secret Garden)
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Her heart felt as if it were breaking in her breast, bleeding and bleeding, young and fierce. From grief over the warm and ardent love which she had lost and still secretly mourned; from anguished joy over the pale, luminous love which drew her to the farthest boundaries of life on this earth. Through the great darkness that would come, she saw the gleam of another, gentler sun, and she sensed the fragrance of the herbs in the garden at world's end.
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Sigrid Undset (The Wife (Kristin Lavransdatter, #2))
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At that moment a very good thing was happening to her. Four good things had happened to her, in fact, since she came to Misselthwaite Manor. She had felt as if she had understood a robin and that he had understood her; she had run in the wind until her blood had grown warm; she had been healthily hungry for the first time in her life; and she had found out what it was to be sorry for someone.
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Frances Hodgson Burnett (The Secret Garden)
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Apricot stones contain cyanide,’ he replies drily. β€˜The death cap mushroom has a fifty per cent fatality rate. Natural does not equal safe. There’s a plant in my garden where if you simply sat under it for ten minutes then you’d be dead.’ Job done: she bins the tablets. I ask him about that plant over a colonoscopy later. β€˜Water lily.
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Adam Kay (This is Going to Hurt: Secret Diaries of a Junior Doctor)
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In the garden there was nothing which was not quite like themselves - nothing which did not understand the wonderfulness of what was happening to them - the immense, tender, terrible, heart-breaking beauty and solemnity of Eggs. If there had been one person in that garden who had not known through all his or her innermost being that if an Egg were taken away or hurt the whole world would whirl round and crash through space and come to an end... there could have been no happiness even in that golden springtime air.
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Frances Hodgson Burnett (The Secret Garden)
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Obviously a garden is not the wilderness but an assembly of shapes, most of them living, that owes some share of its composition, it’s appearance, to human design and effort, human conventions and convenience, and the human pursuit of that elusive, indefinable harmony that we call beauty. It has a life of its own, an intricate, willful, secret life, as any gardener knows. It is only the humans in it who think of it as a garden. But a garden is a relationship, which is one of the countless reasons why it is never finished.
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W.S. Merwin
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In each century since the beginning of the world wonderful things have been discovered. In the last century more amazing things were found out than in any other century before. In this new century hundreds of things still more astounding will be brought to light. At first people refuse to believe that a strange new thing can be done, then they see it can be done- then it is done and all the world wonders why it was not done centuries ago. One of these things people began to find out in the last century was that thoughts- just mere thoughts- are as powerful as electric batteries- as good for one as sunlight is, or as bad for one as poison. To let a sad thought or a bad one get into your mind is as dangerous as letting a scarlet fever germ get into your body. If you let it stay there after it has got in you may never get over it as long as you live." The Secret Garden Frances Hodgson Burnett 1911
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Frances Hodgson Burnett (The Secret Garden)
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Listen to th' wind wutherin' round the house," she said. "You could bare stand up on the moor if you was out on it tonight." Mary did not know what "wutherin'" meant until she listened, and then she understood. It must mean that hollow shuddering sort of roar which rushed round and round the house, as if the giant no one could see were buffeting it and beating at the walls and windows to try to break in. But one knew he could not get in, and somehow it made one feel very safe and warm inside a room with a red coal fire.
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Frances Hodgson Burnett (The Secret Garden)
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The rest of us, not chosen for enlightenment, left on the outside of Earth, at the mercy of a Gravity we have only begun to learn how to detect and measure, must go on blundering inside our front-brain faith in Kute Korrespondences, hoping that for each psi-synthetic taken from Earth's soul there is a molecule, secular, more or less ordinary and named, over here - kicking endlessly among the plastic trivia, finding in each Deeper Significance and trying to string them all together like terms of a power series hoping to zero in on the tremendous and secret Function whose name, like the permuted names of God, cannot be spoken... plastic saxophone reed sounds of unnatural timbre, shampoo bottle ego-image, Cracker Jack prize one-shot amusement, home appliance casing fairing for winds of cognition, baby bottles tranquilization, meat packages disguise of slaughter, dry-cleaning bags infant strangulation, garden hoses feeding endlessly the desert... but to bring them together, in their slick persistence and our preterition... to make sense out of, to find the meanest sharp sliver of truth in so much replication, so much waste... [Gravity's Rainbow, p. 590]
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Thomas Pynchon
β€œ
Whoo-eeee!” From the corner of her eye, she caught a glimpse of Peter. He was on the road to the side, probably waiting to ensure she’d managed to negotiate the first part of the track. She didn’t stop, her adrenaline pumping. He’d catch up. β€œCome get me!” she yelled, making a slight counter-direction turn in the air to help her blow into the berm on the other side of the road. The trail crossed a short flat, a marked rock garden, a beam over a bog, another rock drop and berm, a zigzag around massive trees, roots and rocks that kicked the bike’s tyres this way and that and tested her balance, more air over another drop – this one caused by a massive log – enough air for her to do a back flip from a kicker over another part of the forestry trail, steep to the left. The first wall appeared. She took it fast, skidded around to slam into the side of a berm and round off on to another gully crossing. β€œWhoo-eeee!
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Miriam Verbeek (The Forest: An idylic Australian setting harbouring a criminal secret (Addictive slow-burn mystery international crime thrillers))
β€œ
I shall have to go. But-" and here Frodo looked hard at Sam- "if you really care about me, you will have to keep that DEAD secret. See? If you don't, if you even breathe a word of what you've heard here, then I hope Gandalf will turn you into a spotted toad and fill the garden full of grass snakes." Sam fell on his knees, trembling. "Get up, Sam!" Said Gandalf. "I have thought of something better than that. Something to keep you quiet, and punish you properly for listening. You shall go away with Mr. Frodo!" "Me, sir!" cried Sam, springing up like a dog invited for a walk. "Me go and see Elves and all! Hooray!" he shouted, and then burst into tears.
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J.R.R. Tolkien (The Fellowship of the Ring (The Lord of the Rings, #1))
β€œ
Life is an island in an ocean of solitude and seclusion. Life is an island, rocks are its desires, trees its dreams, and flowers its loneliness, and it is in the middle of an ocean of solitude and seclusion. Your life, my friend, is an island separated from all other islands and continents. Regardless of how many boats you send to other shores, you yourself are an island separated by its own pains,secluded its happiness and far away in its compassion and hidden in its secrets and mysteries. I saw you, my friend, sitting upon a mound of gold, happy in your wealth and great in your riches and believing that a handful of gold is the secret chain that links the thoughts of the people with your own thoughts and links their feeling with your own. I saw you as a great conqueror leading a conquering army toward the fortress, then destroying and capturing it. On second glance I found beyond the wall of your treasures a heart trembling in its solitude and seclusion like the trembling of a thirsty man within a cage of gold and jewels, but without water. I saw you, my friend, sitting on a throne of glory surrounded by people extolling your charity, enumerating your gifts, gazing upon you as if they were in the presence of a prophet lifting their souls up into the planets and stars. I saw you looking at them, contentment and strength upon your face, as if you were to them as the soul is to the body. On the second look I saw your secluded self standing beside your throne, suffering in its seclusion and quaking in its loneliness. I saw that self stretching its hands as if begging from unseen ghosts. I saw it looking above the shoulders of the people to a far horizon, empty of everything except its solitude and seclusion. I saw you, my friend, passionately in love with a beautiful woman, filling her palms with your kisses as she looked at you with sympathy and affection in her eyes and sweetness of motherhood on her lips; I said, secretly, that love has erased his solitude and removed his seclusion and he is now within the eternal soul which draws toward itself, with love, those who were separated by solitude and seclusion. On the second look I saw behind your soul another lonely soul, like a fog, trying in vain to become a drop of tears in the palm of that woman. Your life, my friend, is a residence far away from any other residence and neighbors. Your inner soul is a home far away from other homes named after you. If this residence is dark, you cannot light it with your neighbor's lamp; if it is empty you cannot fill it with the riches of your neighbor; were it in the middle of a desert, you could not move it to a garden planted by someone else. Your inner soul, my friend, is surrounded with solitude and seclusion. Were it not for this solitude and this seclusion you would not be you and I would not be I. If it were not for that solitude and seclusion, I would, if I heard your voice, think myself to be speaking; yet, if I saw your face, i would imagine that I were looking into a mirror.
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Kahlil Gibran (Mirrors of the Soul)
β€œ
Might I,” quavered Mary, β€œmight I have a bit of earth?” In her eagerness she did not realize how queer the words would sound and that they were not the ones she had meant to say. Mr. Craven looked quite startled. β€œEarth!” he repeated. β€œWhat do you mean?” β€œTo plant seeds inβ€”to make things growβ€”to see them come alive,” Mary faltered. He gazed at her a moment and then passed his hand quickly over his eyes. β€œDo youβ€”care about gardens so much,” he said slowly. β€œI didn’t know about them in India,” said Mary. β€œI was always ill and tired and it was too hot. I sometimes made little beds in the sand and stuck flowers in them. But here it is different.” Mr. Craven got up and began to walk slowly across the room. β€œA bit of earth,” he said to himself, and Mary thought that somehow she must have reminded him of something. When he stopped and spoke to her his dark eyes looked almost soft and kind. β€œYou can have as much earth as you want,” he said. β€œYou remind me of some one else who loved the earth and things that grow. When you see a bit of earth you want,” with something like a smile, β€œtake it, child, and make it come alive.
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Frances Hodgson Burnett (The Secret Garden)
β€œ
When love beckons to you, follow him, Though his ways are hard and steep. And when his wings enfold you yield to him, Though the sword hidden among his pinions may wound you. And when he speaks to you believe in him, Though his voice may shatter your dreams as the north wind lays waste the garden. For even as love crowns you so shall he crucify you. Even as he is for your growth so is he for your pruning. Even as he ascends to your height and caresses your tenderest branches that quiver in the sun, So shall he descend to your roots and shake them in their clinging to the earth. Like sheaves of corn he gathers you unto himself. He threshes you to make you naked. He sifts you to free you from your husks. He grinds you to whiteness. He kneads you until you are pliant; And then he assigns you to his sacred fire, that you may become sacred bread for God's sacred feast. All these things shall love do unto you that you may know the secrets of your heart, and in that knowledge become a fragment of Life's heart. But if in your fear you would seek only love's peace and love's pleasure, Then it is better for you that you cover your nakedness and pass out of love's threshing-floor, Into the seasonless world where you shall laugh, but not all of your laughter, and weep, but not all of your tears. Love gives naught but itself and takes naught but from itself. Love possesses not nor would it be possessed; For love is sufficient unto love. When you love you should not say, "God is in my heart," but rather, "I am in the heart of God." And think not you can direct the course of love, for love, if it finds you worthy, directs your course. Love has no other desire but to fulfill itself. But if you love and must needs have desires, let these be your desires: To melt and be like a running brook that sings its melody to the night. To know the pain of too much tenderness. To be wounded by your own understanding of love; And to bleed willingly and joyfully. To wake at dawn with a winged heart and give thanks for another day of loving; To rest at the noon hour and meditate love's ecstasy; To return home at eventide with gratitude; And then to sleep with a prayer for the beloved in your heart and a song of praise upon your lips.
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Kahlil Gibran (The Prophet)
β€œ
If I walked down by different streets to the Jardin du Luxembourg in the afternoon I could walk through the gardens and then go to the MusΓ©e du Luxembourg where the great paintings were that have now mostly been transferred to the Louvre and the Jeu de Paume. I went there nearly every day for the CΓ©zannes and to see the Manets and the Monets and the other Impressionists that I had first come to know about in the Art Institute at Chicago. I was learning something from the painting of CΓ©zanne that made writing simple true sentences far from enough to make the stories have the dimensions that I was trying to put in them. I was learning very much from him but I was not articulate enough to explain it to anyone. Besides it was a secret. But if the light was gone in the Luxembourg I would walk up through the gardens and stop in at the studio apartment where Gertrude Stein lived at 27 rue de Fleurus.
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Ernest Hemingway (A Moveable Feast: The Restored Edition)
β€œ
If you're anything like me, You bite your nails, And laugh when you're nervous. You promise people the world, because that's what they want from you. You like giving them what they want... But darling, you need to stop, If you're anything like me, You knock on wood every time you make plans. You cross your fingers, hold your breath, Wish on lucky numbers and eyelashes Your superstitions were the lone survivors of the shipwreck. Rest In Peace, to your naive bravado... If life gets too good now, Darling, it scares you. If you're anything like me, You never wanted to lock your door, Your secret garden gate or your diary drawer Didn't want to face the you you don't know anymore For fear she was much better before... But Darling, now you have to. If you're anything like me, There's a justice system in your head For names you'll never speak again, And you make your ruthless rulings. Each new enemy turns to steel They become the bars that confine you, In your own little golden prison cell... But Darling, there is where you meet yourself. If you're anything like me You've grown to hate your pride To love your thighs And no amount of friends at 25 Will fill the empty seats At the lunch tables of your past The teams that picked you last... But Darling, you keep trying. If you're anything like me, You couldn't recognize the face of your love Until they stripped you of your shiny paint Threw your victory flag away And you saw the ones who wanted you anyway... Darling, later on you will thank your stars for that frightful day. If you're anything like me, I'm sorry. But Darling, it's going to be okay.
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Taylor Swift
β€œ
Dear Madam Vorsoisson, I am sorry. This is the eleventh draft of this letter. They’ve all started with those three words, even the horrible version in rhyme, so I guess they stay. You once asked me never to lie to you. All right, so. I’ll tell you the truth now even if it isn’t the best or cleverest thing, and not abject enough either. I tried to be the thief of you, to ambush and take prisoner what I thought I could never earn or be given. You were not a ship to be hijacked, but I couldn’t think of any other plan but subterfuge and surprise. Though not as much of a surprise as what happened at dinner. The revolution started prematurely because the idiot conspirator blew up his secret ammo dump and lit the sky with his intentions. Sometimes these accidents end in new nations, but more often they end badly, in hangings and beheadings. And people running into the night. I can’t be sorry that I asked you to marry me, because that was the one true part in all the smoke and rubble, but I’m sick as hell that I asked you so badly. Even though I’d kept my counsel from you, I should have at least had the courtesy to keep it from others as well, till you’d had the year of grace and rest you’d asked for. But I became terrified that you’d choose another first. So I used the garden as a ploy to get near you. I deliberately and consciously shaped your heart’s desire into a trap. For this I am more than sorry, I am ashamed. You’d earned every chance to grow. I’d like to pretend I didn’t see it would be a conflict of interest for me to be the one to give you some of those chances, but that would be another lie. But it made me crazy to watch you constrained to tiny steps, when you could be outrunning time. There is only a brief moment of apogee to do that, in most lives. I love you. But I lust after and covet so much more than your body. I wanted to possess the power of your eyes, the way they see form and beauty that isn’t even there yet and draw it up out of nothing into the solid world. I wanted to own the honor of your heart, unbowed in the vilest horrors of Komarr. I wanted your courage and your will, your caution and your serenity. I wanted, I suppose, your soul, and that was too much to want. I wanted to give you a victory. But by their essential nature triumphs can’t be given. They must be taken, and the worse the odds and the fiercer the resistance, the greater the honor. Victories can’t be gifts. But gifts can be victories, can’t they. It’s what you said. The garden could have been your gift, a dowry of talent, skill, and vision. I know it’s too late now, but I just wanted to say, it would have been a victory most worthy of our House. Yours to command, Miles Vorkosigan
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Lois McMaster Bujold (A Civil Campaign (Vorkosigan Saga, #12))
β€œ
She heard a chirp and a twitter, and when she looked at the bare flower-bed at her left side there he was hopping about and pretending to peck things out of the earth to persuade her that he had not followed her. But she knew he had followed her and the surprise so filled her with delight that she almost trembled a little. "You do remember me!" she cried out. "You do! You are prettier than anything else in the world!" She chirped, and talked, and coaxed and he hopped, and flirted his tail and twittered. It was as if he were talking. His red waistcoat was like satin and he puffed his tiny breast out and was so fine and so grand and so pretty that it was really as if he were showing her how important and like a human person a robin could be. Mistress Mary forgot that she had ever been contrary in her life when he allowed her to draw closer and closer to him, and bend down and talk and try to make something like robin sounds. Oh! to think that he should actually let her come as near to him as that! He knew nothing in the world would make her put out her hand toward him or startle him in the least tiniest way. He knew it because he was a real personβ€”only nicer than any other person in the world. She was so happy that she scarcely dared to breathe.
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Frances Hodgson Burnett (The Secret Garden)
β€œ
I thought. I thought of the slow yellow autumn in the swamp and the high honey sun of spring and the eternal silence of the marshes, and the shivering light on them, and the whisper of the spartina and sweet grass in the wind and the little liquid splashes of who-knew-what secret creatures entering that strange old place of blood-warm half earth, half water. I thought of the song of all the birds that I knew, and the soft singsong of the coffee-skinned women who sold their coiled sweet-grass baskets in the market and on Meeting Street. I thought of the glittering sun on the morning harbor and the spicy, somehow oriental smells from the dark old shops, and the rioting flowers everywhere, heavy tropical and exotic. I thought of the clop of horses' feet on cobblestones and the soft, sulking, wallowing surf of Sullivan's Island in August, and the countless small vistas of grace and charm wherever the eye fell; a garden door, a peeling old wall, an entire symmetrical world caught in a windowpane. Charlestone simply could not manage to offend the eye. I thought of the candy colors of the old houses in the sunset, and the dark secret churchyards with their tumbled stones, and the puresweet bells of Saint Michael's in the Sunday morning stillness. I thought of my tottering piles of books in the study at Belleau and the nights before the fire when my father told me of stars and butterflies and voyages, and the silver music of mathematics. I thought of hot, milky sweet coffee in the mornings, and the old kitchen around me, and Aurelia's gold smile and quick hands and eyes rich with love for me.
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Anne Rivers Siddons (Colony)
β€œ
He was rowed down from the north in a leather skiff manned by a crew of trolls. His fur cape was caked with candle wax, his brow stained blue by wine - though the latter was seldom noticed due to the fox mask he wore at-all times. A quill in his teeth, a solitary teardrop a-squirm in his palm, he was the young poet prince of Montreal, handsome, immaculate, searching for sturdier doors to nail his poignant verses on. In Manhattan, grit drifted into his ink bottle. In Vienna, his spice box exploded. On the Greek island of Hydra, Orpheus came to him at dawn astride a transparent donkey and restrung his cheap guitar. From that moment on, he shamelessly and willingly exposed himself to the contagion of music. To the secretly religious curiosity of the traveler was added the openly foolhardy dignity of the troubadour. By the time he returned to America, songs were working in him like bees in an attic. Connoisseurs developed cravings for his nocturnal honey, despite the fact that hearts were occasionally stung. Now, thirty years later, as society staggers towards the millennium - nailing and screeching at the while, like an orangutan with a steak knife in its side - Leonard Cohen, his vision, his gift, his perseverance, are finally getting their due. It may be because he speaks to this wounded zeitgeist with particular eloquence and accuracy, it may be merely cultural time-lag, another example of the slow-to-catch-on many opening their ears belatedly to what the few have been hearing all along. In any case, the sparkle curtain has shredded, the boogie-woogie gate has rocked loose from its hinges, and here sits L. Cohen at an altar in the garden, solemnly enjoying new-found popularity and expanded respect. From the beginning, his musical peers have recognized CohenΒ΄s ability to establish succinct analogies among lifeΒ΄s realities, his talent for creating intimate relationships between the interior world of longing and language and the exterior world of trains and violins. Even those performers who have neither "covered" his compositions nor been overtly influenced by them have professed to admire their artfulness: the darkly delicious melodies - aural bouquets of gardenia and thistle - that bring to mind an electrified, de-Germanized Kurt Weill; the playfully (and therefore dangerously) mournful lyrics that can peel the apple of love and the peach of lust with a knife that cuts all the way to the mystery, a layer Cole Porter just could`t expose. It is their desire to honor L. Cohen, songwriter, that has prompted a delegation of our brightest artists to climb, one by one, joss sticks smoldering, the steep and salty staircase in the Tower of Song.
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Tom Robbins