“
Mental illness turns people inwards. That's what I reckon. It keeps up forever trapped by the pain of our own minds, in the same way that the pain of a broken leg or a cut thumb will grab your attention, holding it so tightly that your good leg or your good thumb seem to cease to exist.
”
”
Nathan Filer (The Shock of the Fall)
“
What?" he demanded.
"Did you just...clean a dish?" Dee backed away slowly, blinking. She glanced at Daemon. "The world is going to end. And I’m still a vir—"
"No!" both the brothers yelled in unison.
Daemon looked like he was actually going to vomit. "Jesus, don’t ever finish that statement. Actually, don’t ever change that. Thank you."
Her mouth dropped open."You expect me to never have—"
"This isn’t a conversation I want to start my morning with." Dawson grabbed his book bag off the kitchen table. "I’m so leaving for school before this gets more detailed."
"And why aren’t you dressed yet?" Dee demanded, her full attention concentrated on Daemon. "You’re going to be late."
"I’m always late."
"Punctuality makes perfect.
”
”
Jennifer L. Armentrout (Shadows (Lux, #0.5))
“
Here's why I will be a good person. Because I listen. I cannot talk, so I listen very well. I never deflect the course of the conversation with a comment of my own. People, if you pay attention to them, change the direction of one another's conversations constantly. It's like being a passenger in your car who suddenly grabs the steering wheel and turns you down a side street. For instance, if we met at a party and I wanted to tell you a story about the time I needed to get a soccer ball in my neighbor's yard but his dog chased me and I had to jump into a swimming pool to escape, and I began telling the story, you, hearing the words "soccer" and "neighbor" in the same sentence, might interrupt and mention that your childhood neighbor was Pele, the famous soccer player, and I might be courteous and say, Didn't he play for the Cosmos of New York? Did you grow up in New York? And you might reply that, no, you grew up in Brazil on the streets of Tres Coracoes with Pele, and I might say, I thought you were from Tennessee, and you might say not originally, and then go on to outline your genealogy at length. So my initial conversational gambit - that I had a funny story about being chased by my neighbor's dog - would be totally lost, and only because you had to tell me all about Pele. Learn to listen! I beg of you. Pretend you are a dog like me and listen to other people rather than steal their stories.
”
”
Garth Stein (The Art of Racing in the Rain)
“
Self-harm is not a grab for attention. It doesn’t mean you are suicidal. It means you are struggling to get out of a very dangerous mess in your mind and heart and this is your coping mechanism. It means that you occupy a small space in the very real and very large canyon of people who suffer from depression or mental illness.
”
”
Kathleen Glasgow (Girl in Pieces)
“
Did you just grab my butt?” I whispered. “What?” “Curran!” “Yes?” I could hear controlled laughter in his voice. Unbelievable. I sped up. “We’re tracking ghouls and you’re grabbing my butt.” “I always make sure to pay attention to important things.
”
”
Ilona Andrews (Magic Shifts (Kate Daniels, #8))
“
What did she say?” asked Matthias.
Nina coughed and took his arm, leading him away. “She said you’re a very nice fellow, and a credit to the Fjerdan race. Ooh, look, blini! I haven’t had proper blini in forever.”
“That word she used: babink,” he said. “You’ve called me that before. What does it mean?”
Nina directed her attention to a stack of paper-thin buttered pancakes. “It means sweetie pie.”
“Nina—”
“Barbarian.”
“I was just asking, there’s no need to name-call.”
“No, babink means barbarian.” Matthias’ gaze snapped back to the old woman, his glower returning to full force. Nina grabbed his arm. It was like trying to hold on to a boulder. “She wasn’t insulting you! I swear!”
“Barbarian isn’t an insult?” he asked, voice rising.
“No. Well, yes. But not in this context. She wanted to know if you’d like to play Princess and Barbarian.”
“It’s a game?”
“Not exactly.”
“Then what is it?”
Nina couldn’t believe she was actually going to attempt to explain this. As they continued up the street, she said, “In Ravka, there’s a popular series of stories about, um, a brave Fjerdan warrior—”
“Really?” Matthias asked. “He’s the hero?”
“In a manner of speaking. He kidnaps a Ravkan princess—”
“That would never happen.”
“In the story it does, and”—she cleared her throat—“they spend a long time getting to know each other. In his cave.”
“He lives in a cave?”
“It’s a very nice cave. Furs. Jeweled cups. Mead.”
“Ah,” he said approvingly. “A treasure hoard like Ansgar the Mighty. They become allies, then?”
Nina picked up a pair of embroidered gloves from another stand. “Do you like these? Maybe we could get Kaz to wear something with flowers. Liven up his look.”
“How does the story end? Do they fight battles?”
Nina tossed the gloves back on the pile in defeat. “They get to know each other intimately.”
Matthias’ jaw dropped. “In the cave?”
“You see, he’s very brooding, very manly,” Nina hurried on. “But he falls in love with the Ravkan princess and that allows her to civilize him—”
“To civilize him?”
“Yes, but that’s not until the third book.”
“There are three?”
“Matthias, do you need to sit down?”
“This culture is disgusting. The idea that a Ravkan could civilize a Fjerdan—”
“Calm down, Matthias.”
“Perhaps I’ll write a story about insatiable Ravkans who like to get drunk and take their clothes off and make unseemly advances toward hapless Fjerdans.”
“Now that sounds like a party.” Matthias shook his head, but she could see a smile tugging at his lips. She decided to push the advantage. “We could play,” she murmured, quietly enough so that no one around them could hear.
“We most certainly could not.”
“At one point he bathes her.”
Matthias’ steps faltered. “Why would he—”
“She’s tied up, so he has to.”
“Be silent.”
“Already giving orders. That’s very barbarian of you. Or we could mix it up. I’ll be the barbarian and you can be the princess. But you’ll have to do a lot more sighing and trembling and biting your lip.”
“How about I bite your lip?”
“Now you’re getting the hang of it, Helvar.
”
”
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
“
believe that this way of living, this focus on the present, the daily, the tangible, this intense concentration not on the news headlines but on the flowers growing in your own garden, the children growing in your own home, this way of living has the potential to open up the heavens, to yield a glittering handful of diamonds where a second ago there was coal. This way of living and noticing and building and crafting can crack through the movie sets and soundtracks that keep us waiting for our own life stories to begin, and set us free to observe the lives we have been creating all along without ever realizing it.
I don’t want to wait anymore. I choose to believe that there is nothing more sacred or profound than this day. I choose to believe that there may be a thousand big moments embedded in this day, waiting to be discovered like tiny shards of gold. The big moments are the daily, tiny moments of courage and forgiveness and hope that we grab on to and extend to one another. That’s the drama of life, swirling all around us, and generally I don’t even see it, because I’m too busy waiting to become whatever it is I think I am about to become. The big moments are in every hour, every conversation, every meal, every meeting.
The Heisman Trophy winner knows this. He knows that his big moment was not when they gave him the trophy. It was the thousand times he went to practice instead of going back to bed. It was the miles run on rainy days, the healthy meals when a burger sounded like heaven. That big moment represented and rested on a foundation of moments that had come before it.
I believe that if we cultivate a true attention, a deep ability to see what has been there all along, we will find worlds within us and between us, dreams and stories and memories spilling over. The nuances and shades and secrets and intimations of love and friendship and marriage an parenting are action-packed and multicolored, if you know where to look.
Today is your big moment. Moments, really. The life you’ve been waiting for is happening all around you. The scene unfolding right outside your window is worth more than the most beautiful painting, and the crackers and peanut butter that you’re having for lunch on the coffee table are as profound, in their own way, as the Last Supper. This is it. This is life in all its glory, swirling and unfolding around us, disguised as pedantic, pedestrian non-events. But pull of the mask and you will find your life, waiting to be made, chosen, woven, crafted.
Your life, right now, today, is exploding with energy and power and detail and dimension, better than the best movie you have ever seen. You and your family and your friends and your house and your dinner table and your garage have all the makings of a life of epic proportions, a story for the ages. Because they all are. Every life is.
You have stories worth telling, memories worth remembering, dreams worth working toward, a body worth feeding, a soul worth tending, and beyond that, the God of the universe dwells within you, the true culmination of super and natural.
You are more than dust and bones.
You are spirit and power and image of God.
And you have been given Today.
”
”
Shauna Niequist (Cold Tangerines: Celebrating the Extraordinary Nature of Everyday Life)
“
Don’t!” Lillian yelled, and put up her arms when Shane pulled back the bat.
“Hell,” Shane spat in disgust. “I can’t hit a girl. Here, Claire. You hit her.” He tossed her the bat. Claire grabbed it and came to a clumsy batting stance, wishing she’d paid more attention in phys ed. Lillian screamed again and ran into the open doorway of Eve’s room. Eve, coming up the stairs, screamed, too, for different reasons.
“Hey! That’s my room, bitch!” And she flew in to grab Lillian by the hair, swing her around, and throw her out into the hall, then shoved her toward the stairs. “Michael! This one needs to go out!
”
”
Rachel Caine (Glass Houses (The Morganville Vampires, #1))
“
Movement from Brenda grabbed Thomas's attention. He looked to see her drop the knife away from Minho and step back, absently wiping the small trace of blood there on her pants. "I really would've killed you, ya know," she said in a slightly scratchy voice. Almost husky. "Charge Jorge again and I'll sever an artery."
Minho wiped at his small wound with his thumb, then looked at the bright red smear. "That's one sharp knife. Makes me like you more.
”
”
James Dashner (The Scorch Trials (The Maze Runner, #2))
“
There are few words in the English language that are capable of grabbing immediate and undivided attention. Fire is one. Bingo is pretty high on the list. I'm going to come is my personal favorite. But, much like the One Ring, my water broke rules them all.
”
”
Emma Chase (Appealed (The Legal Briefs, #3))
“
She paused, frowning at him. But his eyes drifted to the small wooden door just a few feet away. A broom closet. She followed his attention, and a slow smile spread across her face. She turned toward it, but he grabbed her hand, bringing his face close to hers. “You’re going to have to be very quiet.”
She reached the knob and opened the door, tugging him inside. “I have a feeling that I’m going to be telling you that in a few moments,” she purred, eyes gleaming with the challenge.
Chaol’s blood roared through him, and he followed her into the closet and wedged a broom beneath the handle.
”
”
Sarah J. Maas (Crown of Midnight (Throne of Glass, #2))
“
People, if you pay attention to them, change the direction of one another’s conversations constantly. It’s like having a passenger in your car who suddenly grabs the steering wheel and turns you down a side street.
”
”
Garth Stein (The Art of Racing in the Rain)
“
Why do I take a blade and slash my arms? Why do I drink myself into a stupor? Why do I swallow bottles of pills and end up in A&E having my stomach pumped? Am I seeking attention? Showing off? The pain of the cuts releases the mental pain of the memories, but the pain of healing lasts weeks. After every self-harming or overdosing incident I run the risk of being sectioned and returned to a psychiatric institution, a harrowing prospect I would not recommend to anyone.
So, why do I do it? I don't. If I had power over the alters, I'd stop them. I don't have that power. When they are out, they're out. I experience blank spells and lose time, consciousness, dignity. If I, Alice Jamieson, wanted attention, I would have completed my PhD and started to climb the academic career ladder. Flaunting the label 'doctor' is more attention-grabbing that lying drained of hope in hospital with steri-strips up your arms and the vile taste of liquid charcoal absorbing the chemicals in your stomach.
In most things we do, we anticipate some reward or payment. We study for status and to get better jobs; we work for money; our children are little mirrors of our social standing; the charity donation and trip to Oxfam make us feel good. Every kindness carries the potential gift of a responding kindness: you reap what you sow. There is no advantage in my harming myself; no reason for me to invent delusional memories of incest and ritual abuse. There is nothing to be gained in an A&E department.
”
”
Alice Jamieson (Today I'm Alice: Nine Personalities, One Tortured Mind)
“
Hell,” Shane spit in disgust. “I can’t hit a girl. Here, Claire. You hit her.” He tossed her the bat. Claire grabbed it and came to a clumsy batting stance, wishing she’d paid more attention in phys ed. Lillian screamed again and ran into the open doorway of Eve’s room. Eve, coming up the stairs, screamed, too, for different reasons.
“Hey! That’s my room, bitch!
”
”
Rachel Caine (Glass Houses (The Morganville Vampires, #1))
“
Jodie had taught her that the female firefly flickers the light under her tail to signal to the male that she's ready to mate. Each species of firefly has its own language of flashes. As Kya watched, some females signed dot, dot, dot, dash, flying a zigzag dance, while others flashed dash, dash, dot in a different dance pattern. The males, of course, knew the signals of their species and flew only to those females. Then, as Jodie had put it, they rubbed their bottoms together like most things did, so they could produce young.
Suddenly Kya sat up and paid attention: one of the females had changed her code. First she flashed the proper sequence of dashes and dots, attracting a male of her species, and they mated. Then she flickered a different signal, and a male of a different species flew to her. Reading her message, the second male was convinced he'd found a willing female of his own kind and hovered above her to mate. But suddenly the female firefly reached up, grabbed him with her mouth, and ate him, chewing all six legs and both wings.
Kya watched others. The females all got what they wanted – first a mate, then a meal – just by changing their signals.
Kya knew judgment had no place here. Evil was not in play, just life pulsing on, even at the expense of some of the players. Biology sees right and wrong as the same color in different light.
”
”
Delia Owens (Where the Crawdads Sing)
“
Here's why I will be a good person. Because I listen. I cannot speak so I listen very well. I never interrupt, I never deflect the course of the conversation with a comment of my own. People, if you pay attention to them, change the direction of one another's conversations constantly. it's like having a passenger in your car who suddenly grabs the steering wheel and turns you down a side street.
”
”
Garth Stein (The Art of Racing in the Rain)
“
I intercepted Chaol, and he informed me of your ‘condition.’ You’d think a man in his position wouldn’t be so squeamish, especially after examining all of those corpses.”
Calaena opened an eye and frowned as Dorian sat on her bed. “I’m in a state of absolute agony and I can’t be bothered.”
“It can’t be that bad,” he said, fishing a deck of cards from his jacket. “Want to play?”
“I already told you that I don’t feel well.”
“You look fine to me.” He skillfully shuffled the deck. “Just one game.”
“Don’t you pay people to entertain you?”
He glowered, breaking the deck. “You should be honored by my company.”
“I’d be honored if you would leave.”
“For someone who relies on my good graces, you’re very bold.”
“Bold? I’ve barely begun.” Lying on her side, she curled her knees to her chest.
He laughed, pocketing the deck of cards. “Your new canine companion is doing well, if you wish to know.”
She moaned into her pillow. “Go away. I feel like dying.”
“No fair maiden should die alone,” he said, putting a hand on hers. “Shall I read to you in your final moments? What story would you like?”
She snatched her hand back. “How about the story of the idiotic prince who won’t leave the assassin alone?”
“Oh! I love that story! It has such a happy ending, too—why, the assassin was really feigning her illness in order to get the prince’s attention! Who would have guessed it? Such a clever girl. And the bedroom scene is so lovely—it’s worth reading through all of their ceaseless banter!”
“Out! Out! Out! Leave me be and go womanize someone else!” She grabbed a book and chucked it at him.
”
”
Sarah J. Maas (Throne of Glass (Throne of Glass, #1))
“
I'm frustrated with him, but I'm also frustrated with myself. That I can't find the words to explain it to him. I'm totally sure he's not doing it on purpose, but Seth is a guy, and he can't ever know what it feels like to walk down a hallway and know that you're getting judged for the size of your ass or how big your boobs are. He'll never understand what it's like to second guess everything you wear and how you sit and walk and stand in case it doesn't attract the right kind of attention, or worse, attracts the wrong kind. He'll never get how scary and crazy-making it is to feel like you belong to some big Boy Monster that decides it can grab you and touch you and rank you whenever and however it wants.
”
”
Jennifer Mathieu (Moxie)
“
Sloane stepped out from under the showerhead and grabbed his shower gel, catching Dex’s eyes on him as Dex said, “Not staring, appreciating,” before turning his attention back to Ash, “and who doesn’t partake in a good gander every so often? If you’re gonna stand there and tell me you ain’t never sneaked a peek at another dude’s love truncheon, I’m calling bull-poopie.
”
”
Charlie Cochet (Hell & High Water (THIRDS, #1))
“
[Kevin and Molly's adorable banter]
"I'm not carrying anything until I see what's on your panties."
"It's Daphne, okay?"
"I'm supposed to believe you're wearing the same underpants you had on yesterday?"
"I have more than one pair"
"I think you're lying. I want to see for myself." He dragged her deeper into the pines. While Roo circled them barking, he reached for the snap on her shorts. "Quiet, Godzilla! There's some serious business going on here."
Roo obediently quieted.
She grabbed his wrists and pushed. "Get away."
"That's not what you were saying last night."
"Somebody'll see."
"I'll tell them a bee got you, and I'm taking out the stinger."
"Don't touch my stinger!" She grabbed for her shorts, but they were already heading for her knees. "Stop that!"
He peered down at her panties. "It's the badger. You lied to me."
"I wasn't paying attention when I got dressed."
"Hold still. I've just about found that stinger."
She heard herself sigh.
"Oh, yeah..." His body moved against hers. "There it is.
”
”
Susan Elizabeth Phillips (This Heart of Mine (Chicago Stars, #5))
“
If grief is the presence of love without a place to go, then being in love is the presence of mutually reciprocated love that is all encompassing and grabs the attention of every atom of your being. It captures all our senses, and everything comes to a screeching halt. The world slows down, and we are in a state of bliss. It hijacks our thoughts and impulses.
”
”
Keisha Blair (Holistic Wealth: 32 Life Lessons to Help You Find Purpose, Prosperity, and Happiness)
“
How To Tell If Somebody Loves You:
Somebody loves you if they pick an eyelash off of your face or wet a napkin and apply it to your dirty skin. You didn’t ask for these things, but this person went ahead and did it anyway. They don’t want to see you looking like a fool with eyelashes and crumbs on your face. They notice these things. They really look at you and are the first to notice if something is amiss with your beautiful visage!
Somebody loves you if they assume the role of caretaker when you’re sick. Unsure if someone really gives a shit about you? Fake a case of food poisoning and text them being like, “Oh, my God, so sick. Need water.” Depending on their response, you’ll know whether or not they REALLY love you. “That’s terrible. Feel better!” earns you a stay in friendship jail; “Do you need anything? I can come over and bring you get well remedies!” gets you a cozy friendship suite. It’s easy to care about someone when they don’t need you. It’s easy to love them when they’re healthy and don’t ask you for anything beyond change for the parking meter. Being sick is different. Being sick means asking someone to hold your hair back when you vomit. Either love me with vomit in my hair or don’t love me at all.
Somebody loves you if they call you out on your bullshit. They’re not passive, they don’t just let you get away with murder. They know you well enough and care about you enough to ask you to chill out, to bust your balls, to tell you to stop. They aren’t passive observers in your life, they are in the trenches. They have an opinion about your decisions and the things you say and do. They want to be a part of it; they want to be a part of you.
Somebody loves you if they don’t mind the quiet. They don’t mind running errands with you or cleaning your apartment while blasting some annoying music. There’s no pressure, no need to fill the silences. You know how with some of your friends there needs to be some sort of activity for you to hang out? You don’t feel comfortable just shooting the shit and watching bad reality TV with them. You need something that will keep the both of you busy to ensure there won’t be a void. That’s not love. That’s “Hey, babe! I like you okay. Do you wanna grab lunch? I think we have enough to talk about to fill two hours!" It’s a damn dream when you find someone you can do nothing with. Whether you’re skydiving together or sitting at home and doing different things, it’s always comfortable. That is fucking love.
Somebody loves you if they want you to be happy, even if that involves something that doesn’t benefit them. They realize the things you need to do in order to be content and come to terms with the fact that it might not include them. Never underestimate the gift of understanding. When there are so many people who are selfish and equate relationships as something that only must make them happy, having someone around who can take their needs out of any given situation if they need to.
Somebody loves you if they can order you food without having to be told what you want. Somebody loves you if they rub your back at any given moment. Somebody loves you if they give you oral sex without expecting anything back. Somebody loves you if they don’t care about your job or how much money you make. It’s a relationship where no one is selling something to the other. No one is the prostitute. Somebody loves you if they’ll watch a movie starring Kate Hudson because you really really want to see it. Somebody loves you if they’re able to create their own separate world with you, away from the internet and your job and family and friends. Just you and them.
Somebody will always love you. If you don’t think this is true, then you’re not paying close enough attention.
”
”
Ryan O'Connell
“
Winter’s head snapped around, away from Scarlet. Scarlet’s pace slowed, dread pulsing through her as she, too, heard the footsteps. Pounding footsteps, like someone was running at full speed toward them. She reached for the knife Jacin had given her. A man barrelled around the corner, heading straight for the princess. Winter tensed half a second before he reached her. Grabbing Winter’s elbow, he yanked back the red hood.
Scarlet gasped. Her knees weakened. The man stared at Winter with a mixture of confusion and disappointment and maybe even anger, all locked up in eyes so vividly green that Scarlet could see them glowing from here. She was the one hallucinating now.
She took a stumbling, uncertain step forward. Wanting to run toward him, but terrified it was a trick. Her hand tightened around the knife handle as Wolf, ignoring how Winter was trying to pull away, grabbed her arm and smelled the filthy red sleeve of Scarlet’s hoodie, streaked with dirt and blood. He growled, ready to tear the princess apart. “Where did you get this?” So desperate, so determined, so him. The knife slipped out of Scarlet’s hand. Wolf’s attention snapped to her. “Wolf?” she whispered.
His eyes brightened, wild and hopeful. Releasing Winter, he strode forward. His tumultuous eyes scooped over her. Devoured her.
When he was in arm’s reach, Scarlet almost collapsed into him, but at the last moment she had the presence of mind to step back. She planted a hand on his chest. Wolf froze, hurt flickering across his face.
“I’m sorry,” said Scarlet, her voice teetering with exhaustion. “It’s just…I smell so awful, I can hardly stand to be around myself right now, so I can’t even imagine what it’s like for you with your sense of sm-“
Batting her hand away, Wolf dug his fingers into Scarlet’s hair and crushed his mouth against hers. Her protests died with a muffled gasp. This time, she did collapse, her legs unable to hold her a second longer. Wolf fell with her, dropping his knees to break Scarlet’s fall and cradling her body against his. He was here. He was here.
”
”
Marissa Meyer (Winter (The Lunar Chronicles, #4))
“
The description of Huck’s father grabbed my full attention, and I glanced up at the book in my teacher’s hand as if to double check. My eyes bulged reflexively. Huck’s father was an abusive drunk just like mine. The boy was hopeful that a corpse found near the river was actually his dad, but it turned out not to be. It was spooky how high my hopes rose for the boy, and then sank so utterly low when the body was discovered to be a female in disguise. I should’ve mourned for the woman, but it was the boy I felt bad for.
”
”
Richelle E. Goodrich (Dandelions: The Disappearance of Annabelle Fancher)
“
When did you start here?” I ask her.
“Three days ago. Sir. Aspirant. Um—” She wrings her hands.
“Veturius is fine.”
She walks carefully, gingerly—the Commandant must have whipped her recently. And yet she doesn't hunch or shuffle like the others slaves. The straight-backed grace with which she moves tells her story better than words. She'd been a freewoman before this—I'd bet my scims on it. And she has no idea how pretty she is—or what kind of problems her beauty will cause for her at a place like Blackcliff. The wind pulls at her hair again, and I catch her scent—like fruit and sugar.
“Can I give you some advice?”
Her head flies up like a scared animal's. At least she's wary. “Right now you...” Will grab the attention of every male in a square mile. “Stand out,” I finish. “It's hot, but you should wear a hood or a cloak—something to help you blend in.”
She nods, but her eyes are suspicious. She wraps her arms around herself and drops back a little. I don't speak to her again.
”
”
Sabaa Tahir (An Ember in the Ashes (An Ember in the Ashes, #1))
“
Men often do that, spreading out their legs on the Tube as though they have an innate need to fill any space that isn't filled, walking down the middle of the narrow pavement and being almost surprised when they career into you, nudging too close in a coffee shop queue as though you'll give way. They don't even notice what they're doing. They are important, their needs are important. You are not as important. You are not important at all. Unless you're attractive to them. Then your space will be occupied in other ways. Men will stand in front of you and block your path to get your attention. They will slow their car down so that you feel uncomfortable as you walk down the street. They will hover over you in bars, touching your arm, grabbing your hand. If you're lucky, it'll just be your hand.
”
”
Bella Mackie (How to Kill Your Family)
“
Nicaise had picked up a gilt three-pronged fork, but had paused before sampling the dish in order to speak. The fear he'd shown of Damen at the ring seemed to still be there. His knuckles, clenched around the fork, were white.
'It's all right,' said Damen. He spoke to the boy as gently as he could. 'I'm not going to hurt you.'
Nicaise stared back at him. His huge blue eyes were fringed like a whore's, or like a doe's. Around them, the table was a coloured wall of voices and laughter, courtiers caught up in their own amusements, paying them no attention.
'Good,' said Nicaise, and stabbed the fork viciously into Damen's thigh under the table.
Even through a layer of cloth, it was enough to make Damen start, and instinctively grab the fork, as three drops of blood welled up.
'Excuse me a moment,' Laurent said smoothly, turning from Torveld to face Nicaise.
'I made your pet jump,' said Nicaise, smugly.
Not sounding at all displeased: 'Yes, you did.'
'Whatever you're planning, it's not going to work.'
'I think it will, though. Bet you your earring.'
'If I win, you wear it,' said Nicaise.
Laurent immediately lifted his cup and inclined it toward Nicaise in a little gesture sealing the bet. Damen tried to shake the bizarre impression that they were enjoying themselves.
Nicaise waved an attendant over and asked for a new fork.
”
”
C.S. Pacat (Captive Prince (Captive Prince, #1))
“
Losing a belief in free will has not made me a fatalist - in fact, it has increased my feelings of freedom. My hopes, fears, and neuroses seem less personal and indelible. There is no telling how much I might change in the future. Just as one wouldn't draw a lasting conclusion about oneself on the basis of a brief experience of indigestion, one needn't do so on a basis of how one has thought or behaved for vast stretches of time in the past. A creative change of inputs to the system - learning new skills, forming new relationships, adopting new habits of attention - may radically transform one's life. Becoming sensitive to the background causes of one's thoughts and feelings can -paradoxically- allow for greater creative control over one's life. This understanding reveals you to be a biochemical puppet, of course, but it also allows you to grab hold of one of your strings.
”
”
Sam Harris (Free Will)
“
The Single Perspective Instinct We find simple ideas very attractive. We enjoy that moment of insight, we enjoy feeling we really understand or know something. And it is easy to take off down a slippery slope, from one attention-grabbing simple idea to a feeling that this idea beautifully explains, or is the beautiful solution for, lots of other things. The world becomes simple. All problems have a single cause—something we must always be completely against. Or all problems have a single solution—something we must always be for. Everything is simple. There’s just one small issue. We completely misunderstand the world. I call this preference for single causes and single solutions the single perspective instinct. For example, the simple and beautiful idea of the free market can lead to the simplistic idea that all problems have a single cause—government interference—which we must always oppose; and that the solution to all problems is to liberate market forces by reducing taxes and removing regulations, which we must always support. Alternatively, the simple and beautiful idea of equality can lead to the simplistic idea that all problems are caused by inequality, which we should always oppose; and that the solution to all problems is redistribution of resources, which we should always support.
”
”
Hans Rosling (Factfulness: Ten Reasons We're Wrong About the World—and Why Things Are Better Than You Think)
“
Here's the plain truth, at least as it has been shown to me: We are never far from wonders. I remember when my son was about two, we were walking in the woods one November morning. We were along a ridge, looking down at a forest in the valley below, where a cold haze seemed to hug the forest floor. I kept trying to get my oblivious two-year-old to appreciate the landscape. At one point, I picked him up and pointed out toward the horizon and said, "Look at that, Henry, just look at it!" And he said, "Weaf!" I said, "What?" And again he said, "Weaf," and then reached out and grabbed a single brown oak leaf from the little tree next to us.
I wanted to explain to him that you can see a brown oak leaf anywhere in the eastern United States in November, that nothing in the forest was less interesting. But after watching him look at it, I began to look as well, and I soon realized it wasn't just a brown leaf. Its veins spidered out red and orange and yellow in a pattern too complex for my brain to synthesize, and the more I looked at that leaf with Henry, the more I was compelled into an aesthetic contemplation I neither understood nor desired, face-to-face with something commensurate to my capacity for wonder.
Marveling at the perfection of that leaf, I was reminded that aesthetic beauty is as much about how and whether you look as what you see. From the quark to the supernova, the wonders do not cease. It is our attentiveness that is in short supply, our ability and willingness to do the work that awe requires.
”
”
John Green (The Anthropocene Reviewed: Essays on a Human-Centered Planet)
“
This is my friend Veronica,” I told him. “And this is Kaidan.”
“Oh, I've heard all about you.” Veronica gave him a big smile.
His brow elevated, but he didn't take the bait. Instead, he stared at me funny. “Nice wart.” Leaning forward without touching me, he flicked the wart from the tip of my nose.
Veronica let out a loud cackle, proving she should be the one in my costume.
“I told you it was stupid!” She gloated.
With my pointer finger, I moved the paint around my nose to fill in the blank spot. When I finished, he was still watching me.
“Your hair's grown a lot,” I said to him.
“So has your bottom.”
My eyes rounded and blood rushed to my face. Veronica hooted with hilarity, bending at the waist. Even Jay let out a loud snicker, the traitor.
I wished Kaidan weren't so perceptive, but it was true. The feminine curves that had always eluded me were finally making an appearance. Stupid tight dress.
“Dude, you can get away with anything,” said the pirate to the straight-faced ape.
“I meant it as a compliment.”
“That was awesome.” Veronica grabbed Jay by the hand. “Come on. Let's go find me a drink.”
She winked at me as they ambled away. I gave my attention to the dry, trampled grass and scattered cans for a moment before working up the nerve to say something.
“My dad gave me a cell phone.” And a car. And a ton of money.
Kaidan set the ape head on the ground and pulled his phone from a fuzzy pocket, blowing off brown lint. Then he held his furry thumbs above the buttons and nodded at me. I started to give him my number, but his brow creased in frustration with the big, costumed hands.
“Here,” I said, taking his phone. Saving my number for him gave me a thrill.
”
”
Wendy Higgins (Sweet Evil (Sweet, #1))
“
Here's why I will be a good person. Because I listen. I cannot speak, so I listen very well. I never interrupt, I never deflect the course of the conversation with a comment of my own. People, if you pay attention to them, change the direction of one another's conversations constantly. It's like having a passenger in your car who suddenly grabs the steering wheel and turns you down a side street. For instance, if we met a party and I wanted to tell you a story about the time I needed to get a soccer ball in my neighbor's yard but his dog chased me and I had to jump into a swimming pool to escape, and I began telling the story , you, upon hearing the words 'soccer' and 'neighbor' in the same sentence, might interrupt and mention that your childhood neighbor was Pele, the famous soccer player, and I might be courteous and say, Didn't he play for the Cosmos of New York? Did you grow up in New York? And you might reply that no, you grew up in Brazil on the streets of Tres Coracoes with Pele and I might say, I thought you were from Tennessee, and you might say, not originally, and then go on to outline your genealogy at length. So my initial conversational gambit - that I had a funny story about being chased by my neighbor's dog - would be totally lost, and only because you had to tell me all about Pele. Learn to listen! I beg of you. Pretend you are a dog like me and listen to other people rather than steal their stories.
”
”
Garth Stein
“
Well. Um. The thing is…” I inhale, then continue with rapid-fire speed. “Imnotahockeyfan.”
A wrinkle appears in his forehead. “What?”
I repeat myself, slowly this time, with actual pauses between each word. “I’m not a hockey fan.”
Then I hold my breath and await his reaction.
He blinks. Blinks again. And again. His expression is a mixture of shock and horror. “You don’t like hockey?”
I regretfully shake my head.
“Not even a little bit?”
Now I shrug. “I don’t mind it as background noise—”
“Background noise?”
“—but I won’t pay attention to it if it’s on.” I bite my lip. I’m already in this deep—might as well deliver the final blow. “I come from a football family.”
“Football,” he says dully.
“Yeah, my dad and I are huge Pats fans. And my grandfather was an offensive lineman for the Bears back in the day.”
“Football.” He grabs his water and takes a deep swig, as if he needs to rehydrate after that bombshell.
I smother a laugh. “I think it’s awesome that you’re so good at it, though. And congrats on the Frozen Four win.”
Logan stares at me. “You couldn’t have told me this before I asked you out? What are we even doing here, Grace? I can never marry you now—it would be blasphemous.”
His twitching lips make it clear that he’s joking, and the laughter I’ve been fighting spills over. “Hey, don’t go canceling the wedding just yet. The success rate for inter-sport marriages is a lot higher than you think. We could be a Pats-Bruins family.” I pause. “But no Celtics. I hate basketball.”
“Well, at least we have that in common.” He shuffles closer and presses a kiss to my cheek. “It’s all right. We’ll work through this, gorgeous. Might need couples counseling at some point, but once I teach you to love hockey, it’ll be smooth sailing for us.”
“You won’t succeed,” I warn him. “Ramona spent years trying to force me to like it. Didn’t work.”
“She gave up too easily then. I, on the other hand, never give up
”
”
Elle Kennedy (The Mistake (Off-Campus, #2))
“
This time she is the one who leans forward. She is on her knees in front of him, grasping his shirt collar, pulling him close to her. He is clearly as startled by this as she herself is, but he allows himself to be drawn in. Their mouths meet, she moves even closer still until she is sitting on his lap takes his hands from her waist and puts them on her breasts, does everything but devour him, desperate to see if she can have something beyond her bondage with the razor.
Pictures of the accident start writhing beneath her closed lids, competing for attention with the image she holds of his face. A tidal wave of emotion threatens to engulf her. She is suddenly back in the basement with the bookcases. "I can't." Willow pushes him away. "I can't"
Willow claps her hands over her ears in a vain attempt to drown out the dreadful sounds of the accident. She jumps up, wheels away from him, fumbles in her pocket for the razor that she always keeps there. But just as she's preparing to slice, to save herself, to end the nightmare visions, Guy's hand clamps down on hers He pulls her down on the floor again roughly.
"No." He's shaking his head. "Not here. Not now. Not with me around."
"I have to." Willow is gasping. "Just let me do it!"
"All right then, you can cut yourself, but not like this, not like some concerned animal. You have to do it in front of me."
Willow doesn't flinch as she presses the blade into her flesh. She stares at Guy, aware that although she is fully clothed, she is completely bare before him. It hurts. It hurts badly, and within seconds the pain is swirling through her like an opiate, completely crowding out everything else.
"Oh my god. Oh my god!" Now Guy is the one who is clapping a hand over his mouth. "Stop it! I can't watch!" He grabs the razor and flings it around the room, grabs her arm and stares at the blood, grabs her and crushes her close.
Willow is so close that once again she's sitting in his lap. She's so close that they might as well be sharing the same breath.
"You won't let yourself feel anything but pain?" He holds her more tightly than she would have thought possible. She watches with half closed lids as he wipes the blood on her arm with his shirttail. Now that she's numbed herself, she'd like nothing more than to stay there with him, like this, forever. She just stays there like that, for as long as she possibly can.
”
”
Julia Hoban
“
You’re sure you want to do this,” Galen says, eyeing me like I’ve grown a tiara of snakes on my head.
“Absolutely.” I unstrap the four-hundred-dollar silver heels and spike them into the sand. When he starts unraveling his tie, I throw out my hand. “No! Leave it. Leave everything on.”
Galen frowns. “Rachel would kill us both. In our sleep. She would torture us first.”
“This is our prom night. Rachel would want us to enjoy ourselves.” I pull the thousand-or-so bobby pins from my hair and toss them in the sand. Really, both of us are right. She would want us to be happy. But she would also want us to stay in our designer clothes.
Leaning over, I shake my head like a wet dog, dispelling the magic of hairspray. Tossing my hair back, I look at Galen.
His crooked smile almost melts me where I stand. I’m just glad to see a smile on his face at all. The last six months have been rough. “Your mother will want pictures,” he tells me.
“And what will she do with pictures? There aren’t exactly picture frames in the Royal Caverns.” Mom’s decision to mate with Grom and live as his queen didn’t surprise me. After all, I am eighteen years old, an adult, and can take care of myself. Besides, she’s just a swim away.
“She keeps picture frames at her house though. She could still enjoy them while she and Grom come to shore to-“
“Okay, ew. Don’t say it. That’s where I draw the line.”
Galen laughs and takes off his shoes. I forget all about Mom and Grom. Galen, barefoot in the sand, wearing an Armani tux. What more could a girl ask for?
“Don’t look at me like that, angelfish,” he says, his voice husky. “Disappointing your grandfather is the last thing I want to do.”
My stomach cartwheels. Swallowing doesn’t help. “I can’t admire you, even from afar?” I can’t quite squeeze enough innocence in there to make it believable, to make it sound like I wasn’t thinking the same thing he was.
Clearing his throat, he nods. “Let’s get on with this.” He closes the distance between us, making foot-size potholes with his stride. Grabbing my hand, he pulls me to the water. At the edge of the wet sand, just out of reach of the most ambitious wave, we stop.
“You’re sure?” he says again.
“More than sure,” I tell him, giddiness swimming through my veins like a sneaking eel. Images of the conference center downtown spring up in my mind. Red and white balloons, streamers, a loud, cheesy DJ yelling over the starting chorus of the next song. Kids grinding against one another on the dance floor to lure the chaperones’ attention away from a punch bowl just waiting to be spiked. Dresses spilling over with skin, matching corsages, awkward gaits due to six-inch heels. The prom Chloe and I dreamed of.
But the memories I wanted to make at that prom died with Chloe. There could never be any joy in that prom without her. I couldn’t walk through those doors and not feel that something was missing. A big something.
No, this is where I belong now. No balloons, no loud music, no loaded punch bowl. Just the quiet and the beach and Galen. This is my new prom. And for some reason, I think Chloe would approve.
”
”
Anna Banks (Of Triton (The Syrena Legacy, #2))
“
In the course of your life you will be continually encountering fools. There are simply too many to avoid.
We can classify people as fools by the following rubric: when it comes to practical life, what should matter is getting long term results, and getting the work done in as efficient and creative a manner as possible.
That should be the supreme value that guides people’s action. But fools carry with them a different scale of values.
They place more importance on short-term matters – grabbing immediate money, getting attention from the public or media, and looking good. They are ruled by their ego and insecurities.
They tend to enjoy drama and political intrigue for their own sake. When they criticize, they always emphasize matters that are irrelevant to the overall picture or argument.
They are more interested in their career and position than in the truth. You can distinguish them by how little they get done, or by how hard they make it for others to get results.
They lack a certain common sense, getting worked up about things that are not really important while ignoring problems that will spell doom in the long term.
The natural tendency with fools is to lower yourself to their level.
They annoy you, get under your skin, and draw you into a battle.
In the process, you feel petty and confused. You lose a sense of what is really important.
You can’t win an argument or get them to see your side or change their behavior, because rationality and results don’t matter to them.
You simply waste valuable time and emotional energy.
In dealing with fools you must adopt the following philosophy: they are simply a part of life, like rocks or furniture.
All of us have foolish sides, moments in which we lose our heads and think more of our ego or short-term goals.
It is human nature. Seeing this foolishness within you, you can then accept it in others.
This will allow you to smile at their antics, to tolerate their presence as you would a silly child, and to avoid the madness of trying to change them.
It is all part of the human comedy, and it is nothing to get upset or lose sleep over.
”
”
Robert Greene (Mastery)
“
A few months ago on a school morning, as I attempted to etch a straight midline part on the back of my wiggling daughter's soon-to-be-ponytailed blond head, I reminded her that it was chilly outside and she needed to grab a sweater.
"No, mama."
"Excuse me?"
"No, I don't want to wear that sweater, it makes me look fat."
"What?!" My comb clattered to the bathroom floor. "Fat?! What do you know about fat? You're 5 years old! You are definitely not fat. God made you just right. Now get your sweater."
She scampered off, and I wearily leaned against the counter and let out a long, sad sigh. It has begun. I thought I had a few more years before my twin daughters picked up the modern day f-word. I have admittedly had my own seasons of unwarranted, psychotic Slim-Fasting and have looked erroneously to the scale to give me a measurement of myself. But these departures from my character were in my 20s, before the balancing hand of motherhood met the grounding grip of running. Once I learned what it meant to push myself, I lost all taste for depriving myself. I want to grow into more of a woman, not find ways to whittle myself down to less.
The way I see it, the only way to run counter to our toxic image-centric society is to literally run by example. I can't tell my daughters that beauty is an incidental side effect of living your passion rather than an adherence to socially prescribed standards. I can't tell my son how to recognize and appreciate this kind of beauty in a woman. I have to show them, over and over again, mile after mile, until they feel the power of their own legs beneath them and catch the rhythm of their own strides.
Which is why my parents wake my kids early on race-day mornings. It matters to me that my children see me out there, slogging through difficult miles. I want my girls to grow up recognizing the beauty of strength, the exuberance of endurance, and the core confidence residing in a well-tended body and spirit. I want them to be more interested in what they are doing than how they look doing it. I want them to enjoy food that is delicious, feed their bodies with wisdom and intent, and give themselves the freedom to indulge. I want them to compete in healthy ways that honor the cultivation of skill, the expenditure of effort, and the courage of the attempt.
Grace and Bella, will you have any idea how lovely you are when you try?
Recently we ran the Chuy's Hot to Trot Kids K together as a family in Austin, and I ran the 5-K immediately afterward. Post?race, my kids asked me where my medal was. I explained that not everyone gets a medal, so they must have run really well (all kids got a medal, shhh!). As I picked up Grace, she said, "You are so sweaty Mommy, all wet." Luke smiled and said, "Mommy's sweaty 'cause she's fast. And she looks pretty. All clean."
My PRs will never garner attention or generate awards. But when I run, I am 100 percent me--my strengths and weaknesses play out like a cracked-open diary, my emotions often as raw as the chafing from my jog bra. In my ultimate moments of vulnerability, I am twice the woman I was when I thought I was meant to look pretty on the sidelines. Sweaty and smiling, breathless and beautiful: Running helps us all shine. A lesson worth passing along.
”
”
Kristin Armstrong
“
Ren followed along behind me somewhere quietly. I couldn’t hear him, but I knew he was there. I was acutely aware of his presence. I had an intangible connection with him, the man. It was almost as if he were walking next to me. Almost as if he were touching me.
I must have started walking down the wrong path because he trotted ahead, pointedly moving in a different direction. I muttered, “Show-off. I’ll walk the wrong way if I want to.” But, I still followed after him.
After a while, I made out the Jeep parked on the hill and saw Mr. Kadam waving at us.
I walked up to his camp, and he grabbed me in a brief hug. “Miss Kelsey! You’re back. Tell me what happened.”
I sighed, set down my backpack, and sat on the back bumper of the Keep. “Well, I have to tell you, these past few days have been some of the worst of my life. There were monkeys, and Kappa, and rotted kissing corpses, and snakebites, and trees covered with needles, and-“
He held up a hand. “What do you mean a few days? You just left last night.”
Confused, I said, “No. We’ve been gone at least,” I counted on my fingers, “at least four or five days.”
“I’m sorry, Miss Kelsey, but you and Ren left me last night. In fact, I was going to say you should get some rest and then try again tomorrow night. You were really gone almost a week?”
“Well, I was asleep for two of the days. At least that’s what tiger boy over there told me.” I glared at Ren who stared back at me with an innocuous tiger expression while listening to our conversation.
Ren appeared to be sweet and attentive, as harmless as a little kitten. He was about as harmless as a Kappa. I, on the other hand, was like a porcupine. I was bristling. All of my quills were standing on end so I could defend my soft belly from being devoured by the predator who had taken an interest.
“Two days? My, my. Why don’t we return to the hotel and rest? We can try to get the fruit again tomorrow night.”
“But, Mr. Kadam,” I said an unzipped the backpack, “we don’t have to come back. We got Durga’s first gift, the Golden Fruit.” I pulled out my quilt and unfolded it, revealing the Golden Fruit nestled within.
He gently picked it up out of its cocoon. “Amazing!” he exclaimed.
“It’s a mango.” With a smirk, I added, “It only makes sense. After all, mangoes are very important to Indian culture and trade.”
Ren huffed at me and rolled onto his side in the grass.
”
”
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
“
FatherMichael has entered the room
Wildflower: Ah don’t tell me you’re through a divorce yourself Father?
SureOne: Don’t be silly Wildflower, have a bit of respect! He’s here for the ceremony.
Wildflower: I know that. I was just trying to lighten the atmosphere.
FatherMichael: So have the loving couple arrived yet?
SureOne: No but it’s customary for the bride to be late.
FatherMichael: Well is the groom here?
SingleSam has entered the room
Wildflower: Here he is now. Hello there SingleSam. I think this is the first time ever that both the bride and groom will have to change their names.
SingleSam: Hello all.
Buttercup: Where’s the bride?
LonelyLady: Probably fixing her makeup.
Wildflower: Oh don’t be silly. No one can even see her.
LonelyLady: SingleSam can see her.
SureOne: She’s not doing her makeup; she’s supposed to keep the groom waiting.
SingleSam: No she’s right here on the laptop beside me. She’s just having problems with her password logging in.
SureOne: Doomed from the start.
Divorced_1 has entered the room
Wildflower: Wahoo! Here comes the bride, all dressed in . . .
SingleSam: Black.
Wildflower: How charming.
Buttercup: She’s right to wear black.
Divorced_1: What’s wrong with misery guts today?
LonelyLady: She found a letter from Alex that was written 12 years ago proclaiming his love for her and she doesn’t know what to do.
Divorced_1: Here’s a word of advice. Get over it, he’s married. Now let’s focus the attention on me for a change.
SoOverHim has entered the room
FatherMichael: OK let’s begin. We are gathered here online today to witness the marriage of SingleSam (soon to be “Sam”) and Divorced_1 (soon to be “Married_1”).
SoOverHim: WHAT?? WHAT THE HELL IS GOING ON HERE?
THIS IS A MARRIAGE CEREMONY IN A DIVORCED PEOPLE CHAT ROOM??
Wildflower: Uh-oh, looks like we got ourselves a gate crasher here. Excuse me can we see your wedding invite please?
Divorced_1: Ha ha.
SoOverHim: YOU THINK THIS IS FUNNY? YOU PEOPLE MAKE ME SICK, COMING IN HERE AND TRYING TO
UPSET OTHERS WHO ARE GENUINELY TROUBLED.
Buttercup: Oh we are genuinely troubled alright. And could you please STOP SHOUTING.
LonelyLady: You see SoOverHim, this is where SingleSam and Divorced_1 met for the first time.
SoOverHim: OH I HAVE SEEN IT ALL NOW!
Buttercup: Sshh!
SoOverHim: Sorry. Mind if I stick around?
Divorced_1: Sure grab a pew; just don’t trip over my train.
Wildflower: Ha ha.
FatherMichael: OK we should get on with this; I don’t want to be late for my 2 o’clock. First I have to ask, is there anyone in here who thinks there is any reason why these two should not be married?
LonelyLady: Yes.
SureOne: I could give more than one reason.
Buttercup: Hell yes.
SoOverHim: DON’T DO IT!
FatherMichael: Well I’m afraid this has put me in a very tricky predicament.
Divorced_1: Father we are in a divorced chat room, of course they all object to marriage. Can we get on with it?
FatherMichael: Certainly. Do you Sam take Penelope to be your lawful wedded wife?
SingleSam: I do.
FatherMichael: Do you Penelope take Sam to be your lawful wedded husband?
Divorced_1: I do (yeah, yeah my name is Penelope).
FatherMichael: You have already e-mailed your vows to me so by the online power vested in me, I now pronounce you husband and wife. You may kiss the bride. Now if the witnesses could click on the icon to the right of the screen they will find a form to type their names, addresses, and phone numbers. Once that’s filled in just e-mail it off to me. I’ll be off now. Congratulations again.
FatherMichael has left the room
Wildflower: Congrats Sam and Penelope!
Divorced_1: Thanks girls for being here.
SoOverHim: Freaks.
SoOverHim has left the room
”
”
Cecelia Ahern (Love, Rosie)
“
Oh, you're right. I'm just a human with thick skin, purple eyes, and hard bones. Which means you can go home. Tell Galen I said hi."
Toraf opens and shuts his mouth twice. Both times it seems like he wants to say something, but his expression tells me his brain isn't cooperating. When his mouth snaps shut a third time, I splash water in his face. "Are you going to say something, or are you trying to catch wind and sail?
A grin the size of the horizon spreads across his face. "He likes that, you know. Your temper."
Yeahfreakingright. Galen's a classic type A personality-and type A's hate smartass-ism. Just ask my mom. "No offense, but you're not exactly an expert at judging people's emotions."
"I'm not sure what you mean by that."
"Sure you do."
"If you're talking about Rayna, then you're wrong. She loves me. She just won't admit it."
I roll my eyes. "Right. She's playing hard to get, is that it? Bashing your head with a rock, splitting your lip, calling you squid breath all the time."
"What does that mean? Hard to get?"
"It means she's trying to make you think she doesn't like you, so that you end up liking her more. So you work harder to get her attention."
He nods. "Exactly. That's exactly what she's doing."
Pinching the bridge of my nose, I say, "I don't think so. As we speak, she's getting your mating seal dissolved. That's not playing hard to get. That's playing impossible to get."
"Even if she does get it dissolved, it's not because she doesn't care about me. She just likes to play games."
The pain in Toraf's voice guts me like the catch of the day. She might like playing games, but his feelings are real. And can't I relate to that? "There's only one way to find out," I say softly.
"Find out?"
"If all she wants is games."
"How?"
"You play hard to get. You know how they say. 'If you love someone, set them free. If they return to you, it was meant to be?'"
"I've never heard that."
"Right. No, you wouldn't have." I sigh. "Basically, what I'm trying to say is, you need to stop giving Rayna attention. Push her away. Treat her like she treats you."
He shakes his head. "I don't think I can do that."
"You'll get your answer that way," I say, shrugging. "But it sounds like you don't really want to know."
"I do want to know. But what if the answer isn't good?" His face scrunches as if the words taste like lemon juice.
"You've got to be ready to deal with it, no matter what."
Toraf nods, his jaw tight. The choices he has to consider will make this night long enough for him. I decide not to intrude on his time anymore. "I'm pretty tired, so I'm heading back. I'll meet you at Galen's in the morning. Maybe I can break thirty minutes tomorrow, huh?" I nudge his shoulder with my fist, but a weak smile is all I get in return.
I'm surprised when he grabs my hand and starts pulling me through the water. At least it's better than dragging me by the ankle. I can't but think how Galen could have done the same thing. Why does he wrap his arms around me instead?
”
”
Anna Banks (Of Poseidon (The Syrena Legacy, #1))