The Nightly Manor Quotes

That's a sweet piece," said Jean, briefly forgetting to be aggravated. "You didn't snatch that off a street." "No," said Locke, before taking another deep draught of the warm water in the decanter. "I got it from the neck of the governor's mistress." "You can't be serious." "In the governor's manor." "Of all the -" "In the governor's bed." "Damned lunatic!" "With the governor sleeping next to her." The night quiet was broken by the high, distant trill of a whistle, the traditional swarming noise of city watches everywhere. Several other whistles joined in a few moments later. "It is possible," said Locke with a sheepish grin, "that I have been slightly too bold.

We hit the sweeping marble stairs to the front doors of the manor. And so Tamlin unwittingly led the High Lady of the Night Court into the heart of his territory.

On nights it was hard to be in the palace, I would stand outside the manor and watch the lights of your bedroom. The black rose bushes were always in my way. But over time, I began to feel a fondness for them. Seeing a black rose meant was near you, near the one person who understood me.

In my late thirties the dream of disappointment and exhaustion had been the dream of the exploding head: the dream of a noise in my head so loud and long that I felt with the brain that survived that the brain could not survive; that this was death. Now, in my early fifties, after my illness, after I had left the manor cottage and put an end to that section of my life, I began to be awakened by thoughts of death, the end of things; and sometimes not even by thoughts so specific, not even by fear rational or fantastic, but by a great melancholy. This melancholy penetrated my mind while I slept; and then, when I awakened in response to its prompting, I was so poisoned by it, made so much not a doer (as men must be, every day of their lives), that it took the best part of the day to shake it off. And that wasted or dark day added to the gloom preparing for the night.

That night Christine Hartmann went to bed with a book she had taken from among the many that lay strewn around the Manor. From an early age she had developed the art of being alone and generally preferred her own company to anyone else's. She read books at enormous speed and judged them entirely on their ability to remove her from her material surroundings. In almost all the unhappiest days of her life she had been able to escape from her own inner world by living temporarily in someone else's, and on the two or three occasions that she had been too upset to concentrate she had been desolate.

Daisy gave her a speaking glance, and her sister grinned. “Never fear,” Lillian continued, “eventually we will succeed in infiltrating London society, and then we’ll marry Lord Heavydebts and Lord Shallowpockets, and finally assume our places as ladies of the manor.

That night Christine Hartmann went to bed with a book she had taken from among the many that lay strewn around the Manor. From an early age she had developed the art of being alone and generally preferred her own company to anyone else’s. She read books at enormous speed and judged them entirely on their ability to remove her from her material surroundings. In almost all the unhappiest days of her life she had been able to escape from her own inner world by living temporarily in someone else’s, and on the two or three occasions that she had been too upset to concentrate she had been desolate.

The night seemed varnished with a golden sheen. Carriages rounded the manor's drive, their horses pounding gravel as if to applaud the parade. One by one, gentry clothed in satin and velvet emerged from their boxes. They bid adieu to their drivers and flocked to the main house, glittering like jewels in the torchlight.

Tamlin smiled at me one last time. “I love you,” he said, and stepped away. I should say it—I should say those words, but they got stuck in my throat, because … because of what he had to face, because he might not find me again despite his promise, because … because beneath it all, he was an immortal, and I would grow old and die. And maybe he meant it now, and perhaps last night had been as altering for him as it had been for me, but … I would not become a burden to him. I would not become another weight pressing upon his shoulders. So I said nothing as the carriage moved. And I did not look back as we passed through the manor gates and into the forest beyond.

One of the most popular legends was the tale of Lady Alexandra Greenwood, who was said to appear whenever something grave was about to happen. Her apparition was supposedly last witnessed weeping in the darkness of the cellar on the night before the death of Mrs Humphrey Devereux.

But at night, when the shadows rose to their full height and darkness came to lay claim over the manor and its vast grounds, that same beauty turned poisonous and and those gardens became a dark carnival of unseen dangers, a bottomless sea of unspeakable grotesqueries. It was at night, always at night, that the serpent came to Eden.

My name is Alem Kelo. I live with the Fitzgeralds, my foster family, at 202 Meanly Road, Manor Park, London. I have also lived in Ethiopia and Eritrea. I have spent a few nights in a hotel in Datchet, one night in a children’s home in Reading, and for a short while I stayed in a hotel in Forest Gate, which was a bit rough. I have stayed in all these places in the last year. To be really honest I would prefer to live in Africa with my mother and my father but they have both been killed and there is war in my country. Things are very hard for me. Look at me, look at all the things that I am capable of, and think of all the things you could call me – a student, a lover of literature, a budding architect,

Shadow? What is shadow when all is night? Nothing is shadow at all!

Three days a week she helped at the Manor Nursing Home, where people proved their keenness by reciting received analyses of current events. All the Manor residents watched television day and night, informed to the eyeballs like everyone else and rushed for time, toward what end no one asked. Their cupidity and self-love were no worse than anyone else's, but their many experiences' having taught them so little irked Lou. One hated tourists, another southerners; another despised immigrants. Even dying, they still held themselves in highest regard. Lou would have to watch herself. For this way of thinking began to look like human nature--as if each person of two or three billion would spend his last vital drop to sustain his self-importance.

Nora, biting her lip, pointed at the small end table on my right, where there was a black-and-white photograph in an antique silver frame. It was Olivia standing with her husband, Knightly, probably some twenty years ago. They had their arms around each other, posing beside an antique Bentley in front of a colossal country manor. They looked happy, but, of course, that didn't say much. Everyone smiles for a photograph.

Autumn Dancer flutters among the flowers, chasing the last rays of sunlight until her haven is swallowed up by the night. Her sisters are asleep now, hidden under the fronds, but she doesn't care. She dances alone in the twilight, embracing the warmth of the golden hour, her wings sweeping past silky petals of the late summer blooms. In the safe cocoon of her garden, she dares believe that no harm will ever enter the gates. This is her world of beauty and peace, of sweet nectar and life, completely unspoiled by the footsteps of danger or the silent mockery of time.

Vampires operate under a form of pyramid scheme,” Bones explained. “Each line is ranked by the strength of its head, or the Master, and every person the Master sires is under the Master’s rule. Feudalism would be another example of it. There you had the lord of the manor, and they were responsible for the welfare of all those on their lands, but in return, their people owed them loyalty and part of their income. Such is the way with vampires, with a few more variations.” This was news to me, and it sounded barbaric. “So. In other words, vampire society is like Amway and a cult rolled into one.

If a man in a smoking jacket in a coal-fire-heated library in his manor house in London can understand that life is solitary, poor, nasty, brutish, and short, then how can it be denied by a man pulling a sledge stacked with frozen meat and furs across an unnamed island, through the Arctic night under a sky gone mad, towards a frozen sea a thousand miles and more from any civilised hearth?

There was something wonderful about the atmosphere at Stony Cross Park. One could easily imagine it as some magical place set in some far-off land. The surrounding forest was so deep and thick as to be primeval in appearance, while the twelve-acre garden behind the manor seemed too perfect to be real. There were groves, glades, ponds, and fountains. It was a garden of many moods, alternating tranquility with colorful tumult. A disciplined garden, every blade of grass precisely clipped, the corners of the box hedges trimmed to knife blade crispness. Hatless, gloveless, and infused with a sudden sense of optimism, Annabelle breathed deeply of the country air. She skirted the edge of the terraced gardens at the back of the manor and followed a graveled path set between raised beds of poppies and geraniums. The atmosphere soon became thick with the perfume of flowers, as the path paralleled a drystone wall covered with tumbles of pink and cream roses. Wandering more slowly, Annabelle crossed through an orchard of ancient pear trees, sculpted by decades into fantastic shapes. Farther off, a canopy of silver birch led to woodland beds that appeared to melt seamlessly into the forest beyond.

Ryan allowed himself a moment to enjoy the sight of her legs, long and muscular and indicative of her previous life as a dancer. Off-limits nannies shouldn't be allowed to have legs like that. A man could only get through so many lonely nights before he started to dream of sleek limbs wrapping around him and never letting go. Thankfully for them both, she lifted those sleek limbs away from his grasp. Out of reach, out of mind. Or at least in theory, anyway.

I'll tell you this. I've labored all my life. I've baked and brewed. I've woven, spun, and dyed. I've kept my husband's house and raised his young. And many other things besides. So where was time for holiness? What strength was left for faith? Let monks and nuns and priests have care of that. The dead shall rise? The Lord himself will sit as justicer in manor court? It may be true for all I know. But in the meanwhile bread, beer, work, and rest at night, they're truth enough for me.

The drive to Livingston Manor was an hour and a half of snaking backcountry roads. It was already getting dark, the sky fading to a bruised blue. There were no street signs along Benton Hollow Road, no house numbers, no streetlights, not even any lines — just my car’s faded headlights, which didn’t so much push back the advancing dark as nervously rummage through it. To our left was a wall of solid shrubbery, barbed and impenetrable; to our right, vast black land stretched out, rumpled pastures and faded farmhouses, a lone porch light punctuating the night.

Here’s what you need to know: some clichés are true, and war is definitely hell. It’s being afraid all the time, and when you’re not afraid it’s because you’re so pumped full of adrenaline you could literally burst. It’s watching people who you love—really profoundly love—get blown to pieces right next to you. It’s seeing a leg lying in the ditch and picking it up to put it in a bag because no man—or part of a man, your friend—can be left behind. It’s the dark night of the soul, Michael. There’s no front line over there. The war is all around them, every day, everywhere they go.

A butterfly fluttered from flower to flower in the old garden, gracing the silvery-blue tips of the crocuses and what remained of the icy-white petals of the lady's prized tulips. The yellow strands on the butterfly's wings shimmered in the fading light, and Libby watched the creature in its journey, mesmerized by the graceful rise and fall of its dance. Her arms outstretched, Libby twirled around like she had as a girl, embracing the last rays of sunlight. Here in this garden, she was as free as the butterfly. Here she didn't have to hide. The butterfly climbed above the flowers and soared toward the lily pond. Beyond the pond were more flowers, hundreds of them, and then the trees. Soon the butterfly would curl up under a rock or leaf and rest for the night, hiding in the darkness, alone and vulnerable until the sun powered her wings again at dawn. Libby trailed the creature around the pond to see where it would land. If the night stayed warm, she might curl up beside the butterfly to rest, but not now. She no longer had to hide in these gardens. Soon the moonlight would glaze the paths with gold, and she would explore for hours, enveloped in the shadows and the light.

It was 12:08 a.m. I had just six minutes to get to the top of the lighthouse. I took off running up the rocks, trying to go as fast as I could while maintaining some sort of balance. When I got up to the lighthouse door, a loud explosion echoed through the sky behind me and I spun around. I shielded my eyes with my hand from the cold rain, which was now coming down harder than ever, as I looked at the interruption into the otherwise quiet Scottish night. Giant flames rose up into the air on the beach below the manor and two long lines of fire burst horizontally across the sky. The world was on fire.

Yet the very smell of food made her stomach oddly unsettled and she set down the bowl of porridge without taking a spoonful. That infuriated Dragon,still watching from the stable. As though the circumstances were not bad enough,a night without sleep had left him even more on edge. It was all he could do not to stomp out into the yard and demand she swallow every bite. After which he would take her in his arms, kiss her lingeringly, beseech her to tell him he could not possibly be wrong to trust her,and generally make a slobbering fool of himself to rival those great dolts Grani and Sleipnir. No,that he would not do. He would instead have a word with the men on the watchtowers, telling them to keep an eye on his wife and leaving them to make of that what they would while he went off to the river, there to immerse himself in blessedly cold water and cast off the shadows of sleeplessness. When he returned, freshly garbed but not having taken time to shave, he found the day unfolding much as usual. People were coming and going about their daily tasks,now that the barn was rebuilt, apparently determined to ignore the fact that the lady of their manor was tied to a punishment post. Not Magda,though. That stalwart passed him with as close to a glare as she would ever come and bustled out to ask Rycca advice about something or other. The sheer ludicrousness of that struck Dragon and he was chuckling when Magda passed by again,which earned him another stern frown. That was the height of levity for the day.Hours passed and nothing happened. Magda came and went,clucking over Rycca's failure to eat and glaring more at Dragon every time she saw him. Several of the other women began to do the same. He took that as an indication that those who had gotten to know Rycca best held her blameless. His venture into Byzantine intrigue of the previous day rankled all the more. He tried not to think about it. The day dragged on. With the stronghold as busy as ever, Dragon told himself no one would be so foolish as to approach Rycca with intent to do her harm. Yet he found excuse after excuse to be in the yard himself.

Tamlin's fingers brushed my mouth. The carriage jolted as the six white horses started into a walk. I bit my lip to keep it from wobbling. Tamlin smiled at me one last time. 'I love you,' he said, and stepped away. I should say it- I should say those words, but they got stuck in my throat, because... because of what he had to face, because he might not find me again despite his promise, because.... because beneath it all, he was an immortal, and I would grow old and die. And maybe he meant it now, and perhaps last night had been as altering for him as it had been for me, but... I would not become a burden to him. I would not become another weight pressing upon his shoulders. So I said nothing as the carriage moved. And I did not look back as we passed through the manor gates and into the forest beyond.

I am Nikolai Wroth.” Why did that name sound so familiar? She squinted up at him. “You are a friend of my aunts?” she said, her voice sounding faint. “With one. And it seems only one.” A short laugh with no humor. “Myst is my wife.” “Myst married?” Was that where she’d been? No, no way. “That’s funny.” “The jest’s on me, I’m afraid.” As they reached the manor, he bellowed, “Annika, call off the goddamn wraiths and let me in.” Emma stared up at the sky, seeing swirling red swaths of ragged cloth circling the house. Occasionally she spied a gaunt, skeletal face, but it would change to beauty if you met its eyes. The price for their protection was hair from each of the Valkyrie within. The wraiths wove each lock into a massive braid, and when it grew long enough, they bent all living Valkyrie to their will for a time. “Myst hasn’t returned yet,” someone called from the house. “But you know that, or else you’d both be naked and fornicating on the front lawn.” “The night’s young. Give us time.” To himself, he murmured, “And it was a field a mile away.” “Don’t you have an appointment to go to, vampire?” Emma stiffened. Vampire? But his eyes weren’t red. “Did you follow me?” “No, I was awaiting Myst’s return from shopping and sensed you trace into the woods.” A vampire waiting for Myst? He’d said she was his wife. She sucked in a breath. “You’re the general, aren’t you,” she whispered. “The one Myst had to be pried from.” She thought the corners of his lips quirked. “Is that what you heard?” At her solemn nod, he said, “It was mutual, I assure you.” He glanced away down the drive, as if willing Myst to return, and said almost to himself, “How much lingerie can one female need . . . ?” Suddenly Annika was shrieking, running for her, vowing to kill him ever so slowly. Amazingly, his body was still relaxed. “If you do not cease trying to take off my head, Annika, we will have words.” “What have you done to her?” she cried. “Obviously, I clawed her, bloodied her, and burned her, and now, oddly, I offer her up to you.

On the bus, I pull out my book. It's the best book I've ever read, even if I'm only halfway through. It's called Jane Eyre by Charlotte Brontë, with two dots over the e. Jane Eyre lives in England in Queen Victoria's time. She's an orphan who's taken in by a horrid rich aunt who locks her in a haunted room to punish her for lying, even though she didn't lie. Then Jane is sent to a charity school, where all she gets to eat is burnt porridge and brown stew for many years. But she grows up to be clever, slender, and wise anyway. Then she finds work as a governess in a huge manor called Thornfield, because in England houses have names. At Thornfield, the stew is less brown and the people less simple. That's as far as I've gotten... Diving back into Jane Eyre... Because she grew up to be clever, slender and wise, no one calls Jane Eyre a liar, a thief or an ugly duckling again. She tutors a young girl, Adèle, who loves her, even though all she has to her name are three plain dresses. Adèle thinks Jane Eyre's smart and always tells her so. Even Mr. Rochester agrees. He's the master of the house, slightly older and mysterious with his feverish eyebrows. He's always asking Jane to come and talk to him in the evenings, by the fire. Because she grew up to be clever, slender, and wise, Jane Eyre isn't even all that taken aback to find out she isn't a monster after all... Jane Eyre soon realizes that she's in love with Mr. Rochester, the master of Thornfield. To stop loving him so much, she first forces herself to draw a self-portrait, then a portrait of Miss Ingram, a haughty young woman with loads of money who has set her sights on marrying Mr. Rochester. Miss Ingram's portrait is soft and pink and silky. Jane draws herself: no beauty, no money, no relatives, no future. She show no mercy. All in brown. Then, on purpose, she spends all night studying both portraits to burn the images into her brain for all time. Everyone needs a strategy, even Jane Eyre... Mr. Rochester loves Jane Eyre and asks her to marry him. Strange and serious, brown dress and all, he loves her. How wonderful, how impossible. Any boy who'd love a sailboat-patterned, swimsuited sausage who tames rabid foxes would be wonderful. And impossible. Just like in Jane Eyre, the story would end badly. Just like in Jane Eyre, she'd learn the boy already has a wife as crazy as a kite, shut up in the manor tower, and that even if he loves the swimsuited sausage, he can't marry her. Then the sausage would have to leave the manor in shame and travel to the ends of the earth, her heart in a thousand pieces... Oh right, I forgot. Jane Eyre returns to Thornfield one day and discovers the crazy-as-a-kite wife set the manor on fire and did Mr. Rochester some serious harm before dying herself. When Jane shows up at the manor, she discovers Mr. Rochester in the dark, surrounded by the ruins of his castle. He is maimed, blind, unkempt. And she still loves him. He can't believe it. Neither can I. Something like that would never happen in real life. Would it? ... You'll see, the story ends well.

In short, the observer is choked with observations. Only to prevent us from being submerged by chaos, nature and society between them have arranged a system of classification which is simplicity itself; stalls, boxes, amphitheatre, gallery. The moulds are filled nightly. There is no need to distinguish details. But the difficulty remains—one has to choose. For though I have no wish to be Queen of England or only for a moment—I would willingly sit beside her; I would hear the Prime Minister's gossip; the countess whisper, and share her memories of halls and gardens; the massive fronts of the respectable conceal after all their secret code; or why so impermeable? And then, doffing one's own headpiece, how strange to assume for a moment some one's—any one's—to be a man of valour who has ruled the Empire; to refer while Brangaena sings to the fragments of Sophocles, or see in a flash, as the shepherd pipes his tune, bridges and aqueducts. But no—we must choose. Never was there a harsher necessity! or one which entails greater pain, more certain disaster; for wherever I seat myself, I die in exile: Whittaker in his lodging-house; Lady Charles at the Manor.

I lifted the book, firing two words down the bond between us before I blasted my shields up again. Conversation over. 'Like hell it is,' he snarled. A thrum of power caressed my fingers, and then the book sealed shut between my hands. My nails dug into the leather and paper- to no avail. Bastard. Arrogant, presuming bastard. Slowly, I lifted my eyes to him. And I felt... not hot temper- but icy, glittering rage. I could almost feel that ice at my fingertips, kissing my palms. And I swore there was frost coating the book before I hurled it at his head. He shielded fast enough that it bounced away and slid across the marble floor behind us. 'Good,' he said, his breathing a bit uneven. 'What else do you have, Feyre?' Ice melted to flame, and my fingers curled into fists. And the High Lord of the Night Court honestly looked relieved at the sight of it- of that wrath that made me want to rage and burn. A feeling, for once. Not like that hollow cold and silence. And the thought of returning to that manor with the sentries and the patrols and the secrets... I sank back into my chair. Frozen once more. 'Any time you need someone to play with,' Rhys said, pushing the plate toward me on a star-flecked wind, 'whether it's during our marvellous week together or otherwise, you let me know.' I couldn't muster up a response, exhausted from the bit of temper I'd shown. And I realised I was in a free fall with no end. I had been for a while. From the moment I'd stabbed that Fae youth in the heart.

Our story begins on a sweltering August night, in a sterile white room where a single fateful decision is made amid the mindless ravages of grief. But our story does not end there. It has not ended yet. Would I change the course of our lives if I could? Would I have spent my years plucking out tunes on a showboat, or turning the soil as a farmer’s wife, or waiting for a riverman to come home from work and settle in beside me at a cozy little fire? Would I trade the son I bore for a different son, for more children, for a daughter to comfort me in my old age? Would I give up the husbands I loved and buried, the music, the symphonies, the lights of Hollywood, the grandchildren and great-grandchildren who live far distant but have my eyes? I ponder this as I sit on the wooden bench, Judy’s hand in mine, the two of us quietly sharing yet another Sisters’ Day. Here in the gardens at Magnolia Manor, we’re able to have Sisters’ Day anytime we like. It is as easy as leaving my room, and walking to the next hall, and telling the attendant, “I believe I’ll take my dear friend Judy out for a little stroll. Oh yes, of course, I’ll be certain she’s delivered safely back to the Memory Care Unit. You know I always do.” Sometimes, my sister and I laugh over our clever ruse. “We’re really sisters, not friends,” I remind her. “But don’t tell them. It’s our secret.” “I won’t tell.” She smiles in her sweet way. “But sisters are friends as well. Sisters are special friends.” We recall our many Sisters’ Day adventures from years past, and she begs me to share what I remember of Queenie and Briny and our life on the river. I tell her of days and seasons with Camellia, and Lark, and Fern, and Gabion, and Silas, and Old Zede. I speak of quiet backwaters and rushing currents, the midsummer ballet of dragonflies and winter ice floes that allowed men to walk over water. Together, we travel the living river. We turn our faces to the sunlight and fly time and time again home to Kingdom Arcadia. Other days, my sister knows me not at all other than as a neighbor here in this old manor house. But the love of sisters needs no words. It does not depend on memories, or mementos, or proof. It runs as deep as a heartbeat. It is as ever present as a pulse. “Aren’t they so very sweet?

HER HUSBAND’S ALMOST HOME. He’ll catch her this time. There isn’t a scrap of curtain, not a blade of blind, in number 212—the rust-red townhome that once housed the newlywed Motts, until recently, until they un-wed. I never met either Mott, but occasionally I check in online: his LinkedIn profile, her Facebook page. Their wedding registry lives on at Macy’s. I could still buy them flatware. As I was saying: not even a window dressing. So number 212 gazes blankly across the street, ruddy and raw, and I gaze right back, watching the mistress of the manor lead her contractor into the guest bedroom. What is it about that house? It’s where love goes to die. She’s lovely, a genuine redhead, with grass-green eyes and an archipelago of tiny moles trailing across her back. Much prettier than her husband, a Dr. John Miller, psychotherapist—yes, he offers couples counseling—and one of 436,000 John Millers online. This particular specimen works near Gramercy Park and does not accept insurance. According to the deed of sale, he paid $3.6 million for his house. Business must be good. I know both more and less about the wife. Not much of a homemaker, clearly; the Millers moved in eight weeks ago, yet still those windows are bare, tsk-tsk. She practices yoga three times a week, tripping down the steps with her magic-carpet mat rolled beneath one arm, legs shrink-wrapped in Lululemon. And she must volunteer someplace—she leaves the house a little past eleven on Mondays and Fridays, around the time I get up, and returns between five and five thirty, just as I’m settling in for my nightly film. (This evening’s selection: The Man Who Knew Too Much, for the umpteenth time. I am the woman who viewed too much.) I’ve noticed she likes a drink in the afternoon, as do I. Does she also like a drink in the morning? As do I? But her age is a mystery, although she’s certainly younger than Dr. Miller, and younger than me (nimbler, too); her name I can only guess at. I think of her as Rita, because she looks like Hayworth in Gilda. “I’m not in the least interested”—love that line. I myself am very much interested. Not in her body—the pale ridge of her spine, her shoulder blades like stunted wings, the baby-blue bra clasping her breasts: whenever these loom within my lens, any of them, I look away—but in the life she leads. The lives. Two more than I’ve got.

I leaned into Tamlin, sighing. 'It feels- feels as if some of it was a dream, or a nightmare. But... But I remembered you. And when I saw you there today, I started clawing at it, fighting, because I knew it might be my only chance, and-' 'How did you break free of his control,' Lucien said flatly from behind us. Tamlin gave him a warning growl. I'd forgotten he was there. My sister's mate. The Mother, I decided, did have a sense of humour. 'I wanted it- I don't know how. I just wanted to break free of him, so I did.' We stared each other down, but Tamlin brushed a thumb over my shoulder. 'Are- are you hurt?' I tried not to bristle. I knew what he meant. That he thought Rhysand would do anything like that to anyone- 'I- I don't know,' I stammered. 'I don't... I don't remember those things.' Lucien's metal eye narrowed, as if he could sense the lie. But I looked up at Tamlin, and brushed my hand over his mouth. My bare, empty skin. 'You're real,' I said. 'You freed me.' It was an effort not to turn my hands into claws and rip out his eyes. Traitor- liar. Murderer. 'You freed yourself,' Tamlin breathed. He gestured to the house. 'Rest- and then we'll talk. I... need to find Ianthe. And make some things very, very clear.' 'I- I want to be a part of it this time,' I said, halting when he tried to herd me back into that beautiful prison. 'No more... No more shutting me out. No more guards. Please. I have so much to tell you about them- bits and pieces, but... I can help. We can get my sisters back. Let me help.' Help lead you in the wrong direction. Help bring you and your court to your knees, and take down Jurian and those conniving, traitorous queens. And then tear Ianthe into tiny, tiny pieces and bury them in a pit no one can find. Tamlin scanned my face, and finally nodded. 'We'll start over. Do things differently. When you were gone, I realised... I'd been wrong. So wrong, Feyre. And I'm sorry.' Too late. Too damned late. But I rested my head on his arm as he slipped it around me and led me toward the house. 'It doesn't matter. I'm home now.' 'Forever,' he promised. 'Forever,' I parroted, glancing behind- to where Lucien stood in the gravel drive. His gaze on me. Face hard. As if he'd seen through every lie. As if he knew of the second tattoo beneath my glove, and the glamour I now kept on it. As if he knew that they had let a fox into a chicken coop- and he could do nothing. Not unless he never wanted to see his mate- Elain- again. I gave Lucien a sweet, sleepy smile. So our game began. We hit the sweeping marble stairs to the front doors of the manor. And so Tamlin unwittingly led the High Lady of the Night Court into the heart of his territory.

Rhys smiled a bit, but the amusement died as he said, 'Tamlin was younger than me- born when the War started. But after the War, when he'd matured, we got to know each other at various court functions. He...' Rhys clenched his jaw. 'He seemed decent for a High Lord's son. Better than Beron's brood at the Autumn Court. Tamlin's brothers were equally as bad, though. Worse. And they knew Tamlin would take the title one day. And to a half-breed Illyrian who'd had to prove himself, defend his power, I saw what Tamlin went through... I befriended him. Sought him out whenever I was able to get away from the war camps or court. Maybe it was pity, but... I taught him some Illyrian techniques.' 'Did anyone know?' ... 'Cassian and Azriel knew,' Rhys went on. 'My family knew. And disapproved.' His eyes were chips of ice. 'But Tamlin's father was threatened by it. By me. And because he was weaker than both me and Tamlin, he wanted to prove to the world that he wasn't. My mother and sister were to travel to the Illyrian war-camp to see me. I was supposed to meet them halfway, but I was busy training a new unit and decided to stay.' My stomach turned over and over and over, and I wished I had something to lean against as Rhys said, 'Tamlin's father, brothers, and Tamlin himself set out into the Illyrian wilderness, having heard from Tamlin- from me- where my mother and sister would be, that I had plans to see them. I was supposed to be there. I wasn't. And they slaughtered my mother and sister anyway.' I began shaking my head, eyes burning. I didn't know what I was trying to deny, or erase, or condemn. 'It should have been me,' he said, and I understood- understood what he'd said that day I'd wept before Cassian in the training pit. 'They put their heads in boxes and sent them down the river- to the nearest camp. Tamlin's father kept their wings as trophies. I'm surprised you didn't see them pinned in the study.' I was going to vomit; I was going to fall to my knees and weep. ... Rhys merely continued. 'When I heard, when my father heard... I wasn't wholly truthful to you when I told you Under the Mountain that my father killed Tamlin's father and brothers, I went with him. Helped him. We winnowed to the edge of the Spring Court that night, then went the rest of the way on foot- to the manor. I slew Tamlin's brothers on sight. I held their minds, and rendered them helpless while I cut them into pieces, then melted their brains inside their skulls. And when I got to the High Lord's bedroom- he was dead. And my father... my father had killed Tamlin's mother as well.' I couldn't stop shaking my head. 'My father had promised not to touch her. That we weren't the kind of males who would do that. But he lied to me, and he did it, anyway. And then he went for Tamlin's room.' I couldn't breathe- couldn't breathe as Rhys said, 'I tried to stop him. He didn't listen. He was going to kill him, too. And I couldn't... After all the death, I was done. I didn't care that Tamlin had been there, had allowed them to kill my mother and sister, that he'd come to kill me because he didn't want to risk standing against them. I was done with death. So I stopped my father before the door. He tried to go through me. Tamlin opened the door, saw us- smelled the blood already leaking into the hallway. And I didn't even get to say a word before Tamlin killed my father in one blow.' 'I felt the power shift to me, even as I saw it shift to him. And we just looked at each other, as we were both suddenly crowned High Lord- and then I ran.' He'd murdered Rhysand's family. The High Lord I'd loved- he'd murdered his friend's family, and when I'd asked how his family died, he'd merely told me a rival court had done it. Rhysand had done it, and- 'He didn't tell you any of that.

It had been often commented upon that Vibe offspring tended to be crazy as bedbugs. ‘Fax’s brother Cragmont had run away with a trapeze girl, then brought her back to New York to get married, the wedding being actually performed on trapezes, groom and best man, dressed in tails and silk opera hats held on with elastic, swinging upside down by their knees in perfect synchrony across the perilous Æther to meet the bride and her father, a carnival “jointee” or concessionaire, in matched excursion from their own side of the ring, bridesmaids observed at every hand up twirling by their chins in billows of spangling, forty feet above the faces of the guests, feathers dyed a deep acid green sweeping and stirring the cigar smoke rising from the crowd. Cragmont Vibe was but thirteen that circus summer he became a husband and began what would become, even for the day, an enormous family. The third brother, Fleetwood, best man at this ceremony, had also got out of the house early, fast-talking his way onto an expedition heading for Africa. He kept as clear of political games as of any real scientific inquiry, preferring to take the title of “Explorer” literally, and do nothing but explore. It did not hurt Fleetwood’s chances that a hefty Vibe trust fund was there to pick up the bills for bespoke pith helmets and meat lozenges and so forth. Kit met him one spring weekend out at the Vibe manor on Long Island. “Say, but you’ve never seen our cottage,” ‘Fax said one day after classes. “What are you doing this weekend? Unless there’s another factory girl or pizza princess or something in the works.” “Do I use that tone of voice about the Seven Sisters material you specialize in?” “I’ve nothing against the newer races,” ‘Fax protested. “But you might like to meet Cousin Dittany anyway.” “The one at Smith.” “Mount Holyoke, actually.” “Can’t wait.” They arrived under a dourly overcast sky. Even in cheerier illumination, the Vibe mansion would have registered as a place best kept clear of—four stories tall, square, unadorned, dark stone facing looking much older than the known date of construction. Despite its aspect of abandonment, an uneasy tenancy was still pursued within, perhaps by some collateral branch of Vibes . . . it was unclear. There was the matter of the second floor. Only the servants were allowed there. It “belonged,” in some way nobody was eager to specify, to previous occupants. “Someone’s living there?” “Someone’s there.” . . . from time to time, a door swinging shut on a glimpse of back stairway, a muffled footfall . . . an ambiguous movement across a distant doorframe . . . a threat of somehow being obliged to perform a daily search through the forbidden level, just at dusk, so detailed that contact with the unseen occupants, in some form, at some unannounced moment, would be inevitable . . . all dustless and tidy, shadows in permanent possession, window-drapes and upholstery in deep hues of green, claret, and indigo, servants who did not speak, who would or could not meet one’s gaze . . . and in the next room, the next instant, waiting . . . “Real nice of you to have me here, folks,” chirped Kit at breakfast. “Fellow sleeps like a top. Well, except . . .” Pause in the orderly gobbling and scarfing. Interest from all around the table. “I mean, who came in the room in the middle of the night like that?” “You’re sure,” said Scarsdale, “it wasn’t just the wind, or the place settling.” “They were walking around, like they were looking for something.” Glances were exchanged, failed to be exchanged, were sent out but not returned. “Kit, you haven’t seen the stables yet,” Cousin Dittany offered at last. “Wouldn’t you like to go riding?

She returned to the floor, and a tray appeared beside her with a sandwich, glass of milk, and some cubes of cantaloupe. She didn't know who brought it in, but she picked up a piece of the cantaloupe and examined it. The color matched some of the roses in the lady's garden, exactly what she needed for the flowers she'd drawn behind her butterfly. Yellow, white, and a dab of red- she combined them on the plate until a soft peach colored her palette. Walter thought she should grow up, like the lady wanted Oliver to do, but grown-ups didn't spend their nights dancing in gardens. Or painting. "I will stay a girl forever," she whispered, changing the lyrics from 'Peter Pan.' "And be banished if I don't." She began to paint her butterfly. "I'll never grow up," she chanted as she worked. It wasn't until the first rays of dawn spilled across her paper that she began to feel sleepy. Her floor was covered with pictures and papers, but where others might see a mess, she saw a new world. There were flowers and trees and butterflies she'd brought to life with her hands. And her heart. A lot of people thought she wasn't good at anything, but it wasn't true. She was good at making things.

From outside: “You wanna fuck over my witch? Like playing your games? Then play catch!” Something whistled overhead; the house shook—they all ducked as plaster splattered down from the ceiling. “What the bloody hell was that?” Bowe yelled. “That was Regin,” Nix answered serenely. “She threw a car over us to land on the main Lykae lodge. Lucky thing the lodge is empty. Bowen, she thought the vehicle was yours. But it’s really . . . his.” She pointed delicately at Lachlain, who scowled before flashing a meaningful look at Emma. Bowe grated, “She’s throwing bloody cars?” “See? Not overstating.” Nix rose, smoothly slipped behind the curtains, then shouted out the window, “Bad form, Regin! Wrong car.” Immediately after, the house shook again. “Oh, much better!” Nix assured them. “That was Bowen’s!” Another violent shake of the manor. Nix peaked out from the curtains, wearing them like a nun’s habit. “Who drives a seventy-eight, Chevelle-looking—” “Nix!” Emma said.

As Bevis and Randal, touched by its stillness as though it were a great wing that brushed over them, walked slower, and stopped, out of the darkness of the river woods below them rose one clear, perfect note of birdsong, long drawn and insistent, repeated again and again, then breaking into a shining spray of notes, a cascade of runs and phrases that seemed to shimmer on the ear. It was a song that the two young men standing up there among the bramble domes had heard often enough before; but surely it had never sounded quite like this, so that it was one with the white flood of moonlight and the smell of the elder flowers. ‘Oh, listen!’ Randal whispered, stupidly, for the whole night was already holding its breath to listen. ‘Listen, Bevis, it’s the nightingale.’ Bevis stood as though he were rooted, like the brambles and the elder scrub, into the hill beneath his feet. His head was up, his gaze not turned down to the dark woods below from which came the song but going out up the curving length of the dearly familiar valley to the long, low huddle of the Hall that he had been born in, under the steep stride of Long Down, and the Manor Mill by the ford. His thin face was remote and far off, as Randal glanced aside at him, as though he were hearing something else, something that was beyond the singing. In a little, he shook his head. ‘It’s a song spun from the moonlight. But if it were me up here in the hollow hill, and I were to wake tonight, it would not be the nightingale but the speckle-breasted thrush or our Wealden blackbird I’d be listening for, to tell me I was home again.

Okay, okay, just listen. I think it all started the moment we met really. We have a connection, Tor. He gets me in ways that no one else ever has. And I trust him so implicitly that it’s like my soul knows I should. And we tried to fight what was happening between us because we know it’s not allowed. But then, that night when we all went to the party at the Acrux Manor, we just…gave in.” She shrugged helplessly. “And I know it’s crazy and insane and against the rules and that both of us could get into so much trouble because of it but…I can’t just turn off the way I feel about him. I can’t deny what my heart wants and what I need.

And then his arms were suddenly around her. For a split second, time stood still for Laurel, and what was more, she wished it to. She wanted to preserve that moment, the moment just before, when everything was still possible and perfect. When the night was bright with anticipation and the promise of a kiss hung in the air between them, filling the room with a hair-raising charge like the feeling just before a bolt of lightning strikes during a terrific thunderstorm. He stepped closer and she breathed in deeply. The scent of a clean masculine soap, the rich spice of an expensive cologne, and beneath it all, the duke himself, earthy, woodsy, and so very male. Laurel’s eyes closed as his body pressed against hers. It was very firm and hard, just as she had imagined it would be. The sensation was intriguing. She could feel his breath on her face. Smell the rich caramel notes of the whisky he had been drinking. He was very close now. Then the moment was over and a new one began, and things would never, ever be the same.

I had been planning on telling them about my late night adventure at Acrux Manor especially if I’d won a shiny new bike but I hadn’t gotten around to it yet with the madness of the Air Trial today.

Yes, of course," she said, the words rushing out. "You're defending your country." She opened her mouth again, then bit her lip. "Go on," he said. "Ask what you wanted to ask. I don't bite." "Well, I suppose I just wondered whether you had... whether you had actually ever killed anyone." He laughed. "You know, you do seem much younger than sixteen," he said. "But in answer to your question- yes, I have. More than one." He stopped. There was a new, dark look in his eyes when he continued. "You can't imagine what it's like. The Libyan heat sticking to you, day in, day out. Nothing but sand and rock for miles. Not a bit of green. All day, crawling in the dust, shooting and being shot at. Men dying around you. You realize, when you see a person die, that there's nothing special about humans. We're just flesh and blood and organs, no different to the pig that have us this bacon. "So, all day, dust, death, everywhere. I went to sleep each night with dust in my mouth and the smell of blood in my nose. Even here- I'm still finding dust on me. Under my nails, in my hair, caked into the soles of my shoes. And I can still smell the blood. All so that some English girl, sitting pretty in her father's manor house, can ask me if I ever killed anyone.

A Sunset I love the evenings, passionless and fair, I love the evens, Whether old manor-fronts their ray with golden fulgence leavens, In numerous leafage bosomed close; Whether the mist in reefs of fire extend its reaches sheer, Or a hundred sunbeams splinter in an azure atmosphere On cloudy archipelagos. Oh, gaze ye on the firmament! A hundred clouds in motion, Up-piled in the immense sublime beneath the winds' commotion, Their unimagined shapes accord: Under their waves at intervals flame a pale levin through, As if some giant of the air amid the vapors drew A sudden elemental sword. The sun at bay with splendid thrusts still keeps the sullen fold; And momently at distance sets, as a cupola of gold, The thatched roof of a cot a-glance; Or on the blurred horizon joins his battle with the haze; Or pools the blooming fields about with inter-isolate blaze, Great moveless meres of radiance. Then mark you how there hangs athwart the firmament's swept track, Yonder a mighty crocodile with vast irradiant back, A triple row of pointed teeth? Under its burnished belly slips a ray of eventide, The flickerings of a hundred glowing clouds in tenebrous side With scales of golden mail ensheathe. Then mounts a palace, then the air vibrates--the vision flees. Confounded to its base, the fearful cloudy edifice Ruins immense in mounded wrack; Afar the fragments strew the sky, and each envermeiled cone Hangeth, peak downward, overhead, like mountains overthrown When the earthquake heaves its hugy back. These vapors, with their leaden, golden, iron, bronz¨¨d glows, Where the hurricane, the waterspout, thunder, and hell repose, Muttering hoarse dreams of destined harms, 'Tis God who hangs their multitude amid the skiey deep, As a warrior that suspendeth from the roof-tree of his keep His dreadful and resounding arms! All vanishes! The Sun, from topmost heaven precipitated, Like a globe of iron which is tossed back fiery red Into the furnace stirred to fume, Shocking the cloudy surges, plashed from its impetuous ire, Even to the zenith spattereth in a flecking scud of fire The vaporous and inflam¨¨d spaume. O contemplate the heavens! Whenas the vein-drawn day dies pale, In every season, every place, gaze through their every veil? With love that has not speech for need! Beneath their solemn beauty is a mystery infinite: If winter hue them like a pall, or if the summer night Fantasy them starre brede.

If you want my opinion . . .” Brooke said, lifting a decanter of whiskey. “I don’t.” Brooke, of course, was undeterred. To the contrary, a keen anticipation lit his eyes. The man possessed a cutting wit, and used it to draw blood. Some gentlemen angled trout while on holiday; others shot game. Arthur Brooke made it a sport to disenchant— as though it were his personal mission to drive fancy and naiveté to extinction. He said smugly, “My dear Mrs. Yardley, you have assembled a lovely collection of words.” Portia eyed him with skepticism. “I don’t suppose that’s a compliment.” “No, it isn’t,” he answered. “Pretty words, all, but there are too many of them. With so many extravagant ornaments, one cannot make out the story beneath.” “I can make out the story quite clearly,” Cecily protested. “It’s nighttime, and there is a terrific storm.” “There you have it,” Denny said. “It was a dark and stormy night.” He made a generous motion toward Portia. “Feel free to use that. I won’t mind.” With a groan, Portia rose from her chair and swept to the window. “The difficulty is, this is not a dark and stormy night. It is clear, and well-lit by the moon, and unseasonably warm for autumn. Terrible. I was promised a gothic holiday to inspire my literary imagination, and Swinford Manor is hopeless. Mr. Denton, your house is entirely too cheerful and maintained.” “So sorry to disappoint,” Denny said. “Shall I instruct the housekeeper to neglect the cobwebs in your chambers?” “That wouldn’t be nearly enough. There’s still that sprightly toile wallpaper to contend with— all those gamboling lambs and frolicking dairymaids. Can you imagine, this morning I found myself humming! I expected this house to be decrepit, lugubrious . . .” “Lugubrious.” Brooke drawled the word into his whiskey. “Another pretty word, lugubrious. More than pretty. Positively voluptuous with vowels, lugubrious. And spoken with such . . . mellifluence.” Portia flicked him a bemused glance. He added, “One pretty word deserves another, don’t you think?

Luke felt no desire to chase after them. He’d had his fill of tramping through cold, moonlit forests—forests, and mountain ranges, and picked-clean orchards and endless fallow fields. He was weary of marching, and bone-tired of battle. Yet if he wanted Cecily, it seemed he must muster the strength to fight once more. Did he truly want to win? The answers were supposed to come to him here. Here at Swinford Manor, where they’d spent that idyllic summer, racing ponies and reading Tom Jones and rolling up the carpet to dance reels in the hall. When Denny had invited him back for this house party, Luke had eagerly accepted. He’d supposed he would greet Cecily, kiss her proffered hand and simply know what to do next. Things had always been easy between them, before. And the way he saw it, the pertinent questions were simple, and few: Did she still care for him? Did he still want her? Yes, and yes. God, yes. And yet nothing was easy between them, and Cecily had questions of her own. When you kissed me that night, did it mean anything to you? How could he give her an honest answer? When he’d kissed her that night, it had meant little. But there’d been moments in the years since—dark, harrowing, nightmarish moments—when that kiss had come to mean everything. Hope. Salvation. A reason to drag one mud-caked boot in front of the other and press on, while men around him fell.

Dearest Prudence, I have the robin’s feather in my pocket. How did you know I needed token to carry into battle? For the past two weeks I’ve been in a rifle pit, sniping back and forth with the Russians. It’s no longer a cavalry war, it’s all engineers and artillery. Albert stayed in the trench with me, only going out to carry messages up and down the line. During the lulls, I try to imagine being in some other place. I imagine you with your feet propped near the hearth, and your breath sweet with mint tea. I imagine walking through the Stony Cross forests with you. I would love to see some commonplace miracles, but I don’t think I could find them without you. I need your help, Pru. I think you might be my only chance of becoming part of the world again. I feel as if I have more memories of you than I actually do. I was with you on only a handful of occasions. A dance. A conversation. A kiss. I wish I could relive those moments. I would appreciate them more. I would appreciate everything more. Last night I dreamed of you again. I couldn’t see your face, but I felt you near me. You were whispering to me. The last time I held you, I didn’t know who you truly were. Or who I was, for that matter. We never looked beneath the surface. Perhaps it’s better we didn’t--I don’t think I could have left you, had I felt for you then what I do now. I’ll tell you what I’m fighting for. Not for England, nor her allies, nor any patriotic cause. It’s all come down to the hope of being with you. Dear Christopher, You’ve made me realize that words are the most important things in the world. And never so much as now. The moment Audrey gave me your last letter, my heart started beating faster, and I had to run to my secret house to read it in private. I haven’t yet told you…last spring on one of my rambles, I found the oddest structure in the forest, a lone tower of brick and stonework, all covered with ivy and moss. It was on a distant portion of the Stony Cross estate that belongs to Lord Westcliff. Later when I asked Lady Westcliff about it, she said that keeping a secret house was a local custom in medieval times. The lord of the manor might have used it as a place to keep his mistress. Once a Westcliff ancestor actually hid there from his own bloodthirsty retainers. Lady Westcliff said I could visit the secret house whenever I wanted, since it has long been abandoned. I go there often. It’s my hiding place, my sanctuary…and now that you know about it, it’s yours as well. I’ve just lit a candle and set it in a window. A very tiny lodestar, for you to follow home.

Elijah?” “Love?” She kissed him and peered at him with the sort of intensity Elijah suspected had to do with questions a newly engaged woman found difficult to keep to herself. How many children did he want? A special license or St. George’s or a wedding in the Morelands chapel? Would they reside with his family at Flint Hall, or live for a time at Bernward Manor? When would he speak to her father? She brushed his hair back from his forehead, a wifely caress if Elijah had ever felt one. “When I go to Paris, I will miss my family, but I will also miss… this.” She kissed him again, sweetly, gently. “I will miss you so very much.” Elijah’s hands stopped moving on her back; his lungs stopped drawing in air. When she went to Paris… When she went to Paris, exactly as planned, as if this night, as if he, meant nothing more than a passing whim. As if he’d completely misconstrued her words, her glances, her intentions, and seen them through a haze of lust and longing that had obliterated his judgment. But not his pride. Anger welled up, at her, at himself, at Paris, and following immediately after, like an undertow follows a wave, despair surged—for himself and for her. He did not want to go to Paris, much less in the company of a woman whose view of their dealings was radically different from his own. Jenny

But that did no harm, and a sad young mind found a way to match things up with an antagonist. Now, just stand a child up against your body. How tall is it? Possibly only up to your hip. Still, a man,—or an animal thinking that it is a man—will slap, whip, or viciously yank an arm of so frail, so soft a tiny body! That is what I call a coward!! By golly! almost a criminal! If a tot is what you call naughty, (and no child voluntarily is,) why not lift that young body up onto your lap, and talk—don’t shout—about what it just did? Shouting gains nothing with a tot. Man can shout at Man, at dogs, and at farm animals; but a man who shouts at a child is, at that instant, sinking in his own muck of bullyism; and bullyism is a sin, if anything in this world is. Ah Youth! You glorious dawn of Mankind! You bright, happy, glowing morning Sun; not at full brilliancy of noon, I know, but unavoidably on your way! Youth! How I do thrill at taking your warm, soft hand; walking with you; talking with you; but, most important of all, laughing with you! That is Man’s pathway to glory. A man who drops blossoms in passing, will carry joy to folks along his way; a man who drops crumbs will also do a kindly act; but a man who drops kind words to a sobbing child will find his joy continuing for many a day; for blossoms will dry up; crumbs may blow away; but a kind word to a child may start a blossom growing in that young mind, which will so far surpass what an unkindly man might drop, as an orchid will surpass a wisp of grass. Just stop a bit and look back at your footprints along your past pathway. Did you put many humps in that soil which a small child might trip on? Did you angrily slam a door, which might so jolt a high-strung tot as to bring on nights and nights of insomnia? Did you so constantly snarl at it that it don’t want you around? In fact, did you put anything in that back-path of yours which could bring sorrow to a child? Or start its distrust of you, as its rightful guardian? If so, go back right now, man, and fix up such spots by kindly acts from now on. Or, jump into a pond, and don’t crawl out again!! For nobody wants you around!

Rhi stood in the doorway and watched Henry. He was a fighter. Maybe that’s why she saved him. There was also a slim chance it was because he helped the Kings. “It’s a good thing you called me,” Usaeil, Queen of the Light, said as she came to stand beside Rhi. Rhi could’ve brought Henry to Usaeil’s manor on the west coast of Ireland, but then it would reveal to one and all power she’s managed to keep hidden from them. That was something she wanted to keep to herself. So she got Henry out of the prison and to the outskirts of Dublin. From there, it was simply a matter of asking Usaeil for help. Now all Rhi had to worry about was finding out how much Henry remembered. If he recalled seeing her teleport him out, then she would need to convince him to lie for her. Although Usaeil would want to know how Henry got out of his prison and how Rhi found him. Usaeil hadn’t begun those questions yet. But they were coming. “I’m glad you agreed to help,” Rhi said. Usaeil shoved her black hair over her shoulders and adjusted the coral sheath dress she wore. “He’s aiding the Kings. Why wouldn’t I help him?” Rhi wanted to roll her eyes, but she didn’t. “We might be Light, but we also use humans as the Dark do.” “We don’t kill them.” “No, we sleep with them once and ruin them for any other mortal. We don’t hurt them at all,” she said sarcastically, giving Usaeil a cutting look. Usaeil slid her silver eyes to Rhi. “I can easily toss Henry North out on his ass.” “Do it. What do I care?” “I think you care more than you’re ready to admit. Why else would you want to help him?” Usaeil sighed. “Rhi, we all know you went through hell at Balladyn’s hands. We know it’s going to take time for you to heal, but you will heal.” Rhi wasn’t so sure. She could feel the darkness within her, coiling and shifting. She had to fight to remember what she should do, instead of what the darkness wanted her to do. “Henry is healing nicely,” Rhi said, changing the subject. Usaeil nodded slowly. “His injuries were extensive. Had you not found him when you did, the internal bleeding would’ve killed him in a few hours. By the way, how did you find him again?” This was what Rhi had been waiting for. Everyone knew she couldn’t lie without feeling tremendous pain. She sank her nails into her palms, held Usaeil’s gaze and lied. “I found him in Dublin. As I said, I don’t know how he got there.” “So very odd.” The pain was gut wrenching. It twisted her insides and squeezed her lungs so that she couldn’t breath. Pain exploded inside her head. She began to shake. It was time for Rhi to change the subject again. “You should tell Con we have him.” The queen twisted her lips. “If I do, Con will want to come here and finish healing Henry himself, or want us to bring Henry to him. I’m not in the mood for either.” “Henry will be finished healing soon. What then? You want him to remain? In a place full of Light Fae?” Thankfully, the pain began to dull enough that Rhi could breath easier. “No,” Usaeil said with a frown. “Already his appearance has sparked interest. They’re trying to get in to see him. He’s a mortal, so he’ll succumb to any Fae he encounters.” Rhi took exception to that. “He’s stronger than that.” “He’s human, Rhi. Not a single one can resist us. It’s a fact. Henry is no different.” Rhi didn’t argue, but she knew she was right. Henry was different. She’d seen it the first time she met him in Con’s office months ago. He took in the fact his friends at Dreagan were actually dragon shifters with a nod, his solemn hazel eyes seeing things anew. She bit back a grin as she recalled how he’d become a little flustered when he saw her and learned who she was. Henry’s smile was charming, sweet . . . honest. He looked at her as if she were the only woman on the realm. Even though Rhi understood that it was the fact she was Fae that intrigued him, enthralled him, she took an instant liking to the human who never backed down.

She found a mossy hollow between the roots of a tree and, putting on her mackintosh, huddled down in her makeshift bed. She ate one sandwich and saved the others for the night, thinking that she was rather enjoying the progress of this adventure, thus far, and almost looking forward to her night in the open air. The hurry of the fast water rushing over the round pebbly rocks of the river bed was soothing: it made her feel less alone and she felt she had no need for her candle to keep the gathering darkness at bay - in fact she was rather relieved to be away from her colleagues and the instructors at Lyne Manor.

Pushing away a looming sense of worry, Alex looked back at his friends in the clearing, who were resting easy because he had promised to watch over them. That promise, he knew, went beyond that night. It was his duty now. His stoic gaze rested on each one with fondness, despite any former misgivings, though it rested a little bit longer on the curled-up figure of Ellabell. There was a dogged determination within him to make good on his promises and his responsibilities.

Denny turned to Cecily and laid a hand on her wrist. “If you say you encountered a werestag last night, I believe you. Implicitly.” “Thank you, Denny.” She gave him a warm smile. How sweet. Truly, it made Luke’s stomach churn. Ignoring Brooke’s grumbling objection, Luke swiped a roll from his neighbor’s plate and chewed it moodily. He ought to be rejoicing, he supposed, or at least feeling relieved. She should forget him, she should marry Denny, the two of them should be disgustingly happy. But Luke could not be so charitable. For four years, she’d held on to that memory of their first, innocent kiss—and he had too. And he liked believing that no matter what occurred in the future—even if she married Denny, even if an ocean divided them—his and Cecily’s thoughts would always wander back to the same place: that graying bench tucked beneath the arbor in Swinford Manor’s side garden. He didn’t want to believe that she could forget that night. But even now, as she buttered another point of toast, he could sense her mind straying . . . and she wasn’t kissing him on a garden bench. She was deep in the forest with a blasted white stag. Damn it, it wasn’t right. When she lay abed at night, she shouldn’t see charging boars and violent tussles. She should dream of the scent of night-blooming jasmine and the texture of organdy and the distant strains of an orchestra playing a stately sarabande. As he had, all those freezing, damp nights. As he would, in all the bitter years to come.

Cecy, this is hardly the time and place for—” “A tryst?” She laughed. “You think I mean to trap you in this secluded cottage and have my wicked way with you? You should be so lucky. No, remove your shirt. I want a look at your arm.” “My arm?” His eyes narrowed. “Which one?” “Which one do you think?” She crossed to him and began unknotting the cravat at his neck. “The one you injured while wrestling the boar last night.” Oh, the look on his face . . . Cecily wanted to kiss him. He was so adorably befuddled. At last, he’d let slip that hard mask of indifference he’d been wearing since his arrival at Swinford Manor. And in its place—there was Luke. Engaging green eyes, touchable dark brown hair, those lips so perfectly formed for roguish smiles and tender kisses alike. This was the man she’d fallen in love with. The man she still loved now. Yes, he’d changed, but she had too. She was older, wiser, stronger than the girl she’d been. This time, she wouldn’t let him go. “You knew?” She smiled. “I knew.” His breath hitched as she slipped the cravat from his neck. Attempting to ignore the wedge of bare chest it revealed, and the mad pounding of her blood that view inspired, Cecily set to work on his waistcoat buttons. “How?” he asked, obeying her silent urgings to shed the garment. “How did you know?” “It’s a fortunate thing you weren’t assigned to espionage. You’ve no talent for disguise whatsoever. If I hadn’t suspected already, I would have figured it out this afternoon. My stocking was found in this remote cottage, and you just happen to know the secrets of the door latch? Then there’s the fact that you’ve been favoring your arm since breakfast.” She undid the small closure of his shirtfront before turning her attention to his cuffs. “But I knew you last night. I’d know your voice anywhere, not to mention your touch.” She gave a shaky sigh, unable to meet his questioning gaze. “It’s like you said, Luke. You still make me tremble, even after all these years.” His voice was soft. “I don’t even know why I followed you. The way we’d parted so angrily . . . I just couldn’t let you go, not like that.” “And I’m glad of it. You saved my life.

and saw that the cat who had slipped through the door earlier was stretching now, shiny eyes turned on Leonard. ‘It is an old local folk tale, Mr Gilbert, about three fairy children who many years ago crossed between the worlds. They emerged from the woods one day into the fields where the local farmers were burning stubble and were taken in by an elderly couple. From the start, there was something uncanny about them. They spoke a strange language, they left no footprints behind them when they walked, and it is said that at times their skin appeared almost to glow. ‘They were tolerated at first, but as things began to go wrong in the village – a failed crop, the stillbirth of a baby, the drowning of the butcher’s son – people started to look to the three strange children in their midst. Eventually, when the well ran dry, the villagers demanded that the couple hand them over. They refused and were banished from the village. ‘The family set up instead in a small stone croft by the river, and for a time they lived in peace. But when an illness came to the village, a mob was formed and one night, with torches lit, they marched upon the croft. The couple and the children clung together, surrounded, their fates seemingly inevitable. But just as the villagers began to close in, there came the eerie sound of a horn on the wind and a woman appeared from nowhere, a magnificent woman with long, gleaming hair and luminous skin. ‘The Fairy Queen had come to claim her children. And when she did, she cast a protection spell upon the house and land of the old couple in gratitude to them for protecting the prince and princesses of fairyland. ‘The bend of the river upon which Birchwood Manor now stands has been recognised ever since amongst locals as a place of safety. It is even said that there are those who can still see the fairy enchantment – that it appears to a lucky few as a light, high up in the attic window of the house.’ Leonard wanted to ask whether Lucy, with all of her evident learning and scientific reason, really believed that it was true – whether she thought that Edward had seen a light in the attic that night and that the house had protected him – but no matter how he rearranged the words in his mind, the question seemed impolite and certainly impolitic. Thankfully, Lucy seemed to have anticipated his line of thinking. ‘I believe in science, Mr Gilbert. But one of my first loves was natural history. The earth is ancient and it is vast and there is much that we do not yet comprehend. I refuse to accept that science and magic are opposed; they are both valid attempts to understand the way that our world works. And I have seen things, Mr Gilbert; I have dug things up from the earth and held them in my hand and felt things that our science cannot yet explain. The story of the Eldritch Children is a

The Antebellum South was filled with romantic legends in which handsome young men left baronial halls and came to the New World to establish spacious manor houses of their own and to preserve the chivalry and gallantry of Sir Walter Scott’s fantastic novels. Coats of arms were duly supplied to bolster these outlandish claims, and they hang today on thousands of walls, attesting to the hereditary splendor of imaginary ancestors. But, alas, in contrast the Southern mountaineer is by his very name fenced off from such pretensions, for his cognomen has come down with him from his first outcast ancestors on these shores and marks him indelibly as the son of a penniless laborer whose forebears, in turn, had been, more often than not, simply serfs.

Mr. Jones, of the Manor Farm, had locked the hen-houses for the night, but was too drunk to remember to shut the pop-holes.

The servant woman was screaming. Screaming like a teakettle. There were still puddles just inside the shut windows—windows Celaena herself had sealed the night before when they’d been flapping in the swift and sudden storm. She had thought the bed was wet because of the rain. She’d climbed in because the storm had made her hear such horrible things, made her feel like there was something wrong, like there was someone standing in the corner of her room. It was not rain soaking the bed in that elegantly rugged chamber at the country manor. It was not rain that had dried on her, on her hands and skin and nightgown. And that smell—not just blood, but something else …“This is not real,” Celaena said aloud, backing away from the bed on which she was standing like a ghost. “This is not real.” But there were her parents, sprawled on the bed, their throats sliced ear to ear. There was her father, broad-shouldered and handsome, his skin already gray. There was her mother, her golden hair matted with blood, her face … her face … Slaughtered like animals. The

Reliving this dream made her heart race again. She had the feeling that she would not be getting any more sleep this night. She rose, throwing the duvet cover off. She breathed in slowly and tried to recollect herself. Tonight was one of the worst nights she'd had in months.

That I pissed off the Lady of the Lake. I thought everything ended in Manor, but it hasn't. Last night, I dreamt of her choking me. The other nivht, a huge shadow circled me and tried to enter me like it wanted to possess me. I can't stop thinking about it.

I can smell her from the road when I pass that ugly manor,” she said. “Moss and stone and cold winter nights.

Topsy-turvy is the only order of the day—or night, as it happens—on the Eve of the Epiphany. My brother is not far wrong in seeing Twelfth Night as a threat to decency. For women are expected to dress as men, and men, as women. Children hold court at the Children’s Ball, with their parents as toad-eating subjects. Servants are permitted to sauce their masters. Grooms may kiss the Lady of the Manor—provided they present a sprig of mistletoe.

I was in love with Feyre,' Rhys said quietly, 'long before she ever returned the feeling.' Lucien crossed his arms. 'How fortunate that you got what you wanted in the end.' I closed my eyes for a heartbeat. Cassian and Azriel stilled, waiting for the order. 'I will only say this once,' warned the High Lord of the Night Court. Even Lucien flinched. 'I suspected Feyre was my mate before I ever knew she was involved with Tamlin. And when I learned of it... If it made her happy, I was willing to step back.' 'You came to our house and stole her away on her wedding day.' 'I was going to call the wedding off,' I cut in, taking a step toward Lucien. 'You knew it.' Rhysand went on before Lucien could snap a reply. 'I was willing to lose my mate to another male. I as willing to let them marry, if it brought her joy. But what I was not willing to do was let her suffer. To let her fade away into a shadow. And the moment that piece of shit blew apart his study, the moment he locked her in that house...' His wings ripped from him, and Lucien started. Rhys bared his teeth. My limbs turned light, trembling at the dark power curling in the corners of the room. Not fear- never fear of him. But at the shattered control as Rhys snarled at Lucien. 'My mate may one day find it in herself to forgive him. Forgive you. But I will never forget how it felt to sense her terror in those moments.' My cheeks heated, especially as Cassian and Azriel stalked closer, those hazel eyes now filled with a mix of sympathy and wrath. I had never talked about it to them- what had gone on that day Tamlin had destroyed his study, or the day he'd sealed me inside the manor. I'd never asked Rhys if he'd informed them. From the fury rippling from Cassian, the cold rage seeping from Azriel... I didn't think so. Lucien, to his credit, didn't back away a step. From Rhys, or me, or the Illyrians. The Clever Fox Stares Down Winged Death. The painting flashed in my mind. 'So, again, I will say this only once,' Rhys went on, his expression smoothing into lethal calm, dragging me from the colours and light and shadows gathering in my mind. 'Feyre did not dishonour or betray Tamlin. I revealed the mating bond months later- and she gave me hell for it, don't worry. But now that you've found your mate in a similar situation, perhaps you will try to understand how it felt. And if you can't be bothered, then I hope you're wise enough to keep your mouth shut, because the next time you look at my mate with that disdain and disgust, I won't bother to explain it again, and I will rip out your fucking throat.' Rhys said is so mildly that the threat took a second to register. To settle in me like a stone plunked into a pool. Lucien only shifted on his feet. Wary. Considering. I counted the heartbeats, debating how much I'd interfere if he said something truly stupid, when he at last murmured, 'There is a longer story to be told, it seems.

When I heard, when my father heard … I wasn’t wholly truthful to you when I told you Under the Mountain that my father killed Tamlin’s father and brothers. I went with him. Helped him. We winnowed to the edge of the Spring Court that night, then went the rest of the way on foot—to the manor. I slew Tamlin’s brothers on sight. I held their minds, and rendered them helpless while I cut them into pieces, then melted their brains inside their skulls. And when I got to the High Lord’s bedroom—he was dead. And my father … my father had killed Tamlin’s mother as well.” I couldn’t stop shaking my head. “My father had promised not to touch her. That we weren’t the kind of males who would do that. But he lied to me, and he did it, anyway. And then he went for Tamlin’s room.” I couldn’t breathe—couldn’t breathe as Rhys said, “I tried to stop him. He didn’t listen. He was going to kill him, too. And I couldn’t … After all the death, I was done. I didn’t care that Tamlin had been there, had allowed them to kill my mother and sister, that he’d come to kill me because he didn’t want to risk standing against them. I was done with death. So I stopped my father before the door. He tried to go through me. Tamlin opened the door, saw us—smelled the blood already leaking into the hallway. And I didn’t even get to say a word before Tamlin killed my father in one blow. “I felt the power shift to me, even as I saw it shift to him. And we just looked at each other, as we were both suddenly crowned High Lord—and then I ran.

Beyond the possibility of disturbing the monks within the chapel, he said, “It’s a very simple idea. You recall the Bible, and the story of Gethsemane, where Our Lord waited out the hours before his trial and crucifixion, and his friends, who should have borne him company, all fell fast asleep?” “Oh,” I said, understanding all at once. “And he said ‘Can you not watch with me one hour?’ So that’s what you’re doing—watching with him for that hour—to make up for it.” I liked the idea, and the darkness of the chapel suddenly seemed inhabited and comforting. “Oui, madame,” he agreed. “Very simple. We take it in turns to watch, and the Blessed Sacrament on the altar here is never left alone.” “Isn’t it difficult, staying awake?” I asked curiously. “Or do you always watch at night?” He nodded, a light breeze lifting the silky brown hair. The patch of his tonsure needed shaving; short bristly hairs covered it like moss. “Each watcher chooses the time that suits him best. For me, that is two o’clock in the morning.” He glanced at me, hesitating, as though wondering how I would take what he was about to say. “For me, in that moment …” He paused. “It’s as though time has stopped. All the humors of the body, all the blood and bile and vapors that make a man; it’s as though just at once all of them are working in perfect harmony.” He smiled. His teeth were slightly crooked, the only defect in his otherwise perfect appearance. “Or as though they’ve stopped altogether. I often wonder whether that moment is the same as the moment of birth, or of death. I know that its timing is different for each man … or woman, I suppose,” he added, with a courteous nod to me. “But just then, for that fraction of time, it seems as though all things are possible. You can look across the limitations of your own life, and see that they are really nothing. In that moment when time stops, it is as though you know you could undertake any venture, complete it and come back to yourself, to find the world unchanged, and everything just as you left it a moment before. And it’s as though …” He hesitated for a moment, carefully choosing words. “As though, knowing that everything is possible, suddenly nothing is necessary.” “But … do you actually do anything?” I asked. “Er, pray, I mean?” “I? Well,” he said slowly, “I sit, and I look at Him.” A wide smile stretched the fine-drawn lips. “And He looks at me.

It’s a very simple idea. You recall the Bible, and the story of Gethsemane, where Our Lord waited out the hours before his trial and crucifixion, and his friends, who should have borne him company, all fell fast asleep?” “Oh,” I said, understanding all at once. “And he said ‘Can you not watch with me one hour?’ So that’s what you’re doing—watching with him for that hour—to make up for it.” I liked the idea, and the darkness of the chapel suddenly seemed inhabited and comforting. “Oui, madame,” he agreed. “Very simple. We take it in turns to watch, and the Blessed Sacrament on the altar here is never left alone.” “Isn’t it difficult, staying awake?” I asked curiously. “Or do you always watch at night?” He nodded, a light breeze lifting the silky brown hair. The patch of his tonsure needed shaving; short bristly hairs covered it like moss. “Each watcher chooses the time that suits him best. For me, that is two o’clock in the morning.” He glanced at me, hesitating, as though wondering how I would take what he was about to say. “For me, in that moment …” He paused. “It’s as though time has stopped. All the humors of the body, all the blood and bile and vapors that make a man; it’s as though just at once all of them are working in perfect harmony.” He smiled. His teeth were slightly crooked, the only defect in his otherwise perfect appearance. “Or as though they’ve stopped altogether. I often wonder whether that moment is the same as the moment of birth, or of death. I know that its timing is different for each man … or woman, I suppose,” he added, with a courteous nod to me. “But just then, for that fraction of time, it seems as though all things are possible. You can look across the limitations of your own life, and see that they are really nothing. In that moment when time stops, it is as though you know you could undertake any venture, complete it and come back to yourself, to find the world unchanged, and everything just as you left it a moment before. And it’s as though …” He hesitated for a moment, carefully choosing words. “As though, knowing that everything is possible, suddenly nothing is necessary.” “But … do you actually do anything?” I asked. “Er, pray, I mean?” “I? Well,” he said slowly, “I sit, and I look at Him.” A wide smile stretched the fine-drawn lips. “And He looks at me.

Wind and night and stars wheeled by as he winnowed us through the world, and the calluses of his hand scratched against my own fading ones before- Before sunlight, not starlight, greeted me. Squinting at the brightness, I found myself standing in what was unmistakably a foyer of someone's house. The ornate red carpet cushioned the one step I staggered away from him as I surveyed the warm, wood-panelled walls, the artwork, the straight, wide oak staircase ahead. Flanking us were two rooms: on my left, a sitting room with a black marble fireplace, lots of comfortable, elegant, but worn furniture, and bookshelves built into every wall. On my right; a dining room with a long, cherrywood table big enough for ten people- small, compared to the dining room at the manor. Down the slender hallway ahead were a few more doors, ending in one that I assumed would lead to a kitchen. A town house. ... This house... this house was a home that had been lived in and enjoyed and cherished.

Rhys smiled a bit, but the amusement died as he said, 'Tamlin was younger than me- born when the War started. But after the War, when he'd matured, we got to know each other at various court functions. He...' Rhys clenched his jaw. 'He seemed decent for a High Lord's son. Better than Beron's brood at the Autumn Court. Tamlin's brothers were equally as bad, though. Worse. And they knew Tamlin would take the title one day. And to a half-breed Illyrian who'd have to prove himself, defend his power, I saw what Tamlin went through... I befriended him. Sought him out whenever I was able to get away from the war camps or court. Maybe it was pity, but... I taught him some Illyrian techniques.' 'Did anyone know?' ... 'Cassian and Azriel knew,' Rhys went on. 'My family knew. And disapproved.' His eyes were chips of ice. 'But Tamlin's father was threatened by it. By me. And because he was weaker than both me and Tamlin, he wanted to prove to the world that he wasn't. My mother and sister were to travel to the Illyrian war-camp to see me. I was supposed to meet them halfway, but I was busy training a new unit and decided to stay.' My stomach turned over and over and over, and I wished I had something to lean against as Rhys said, 'Tamlin's father, brothers, and Tamlin himself set out into the Illyrian wilderness, having heard from Tamlin- from me- where my mother and sister would be, that I had plans to see them. I was supposed to be there. I wasn't. And they slaughtered my mother and sister anyway.' I began shaking my head, eyes burning. I didn't know what I was trying to deny, or erase, or condemn. 'It should have been me,' he said, and I understood- understood what he'd said that day I'd wept before Cassian in the training pit. 'They put their heads in boxes and sent them down the river- to the nearest camp. Tamlin's father kept their wings as trophies. I'm surprised you didn't see them pinned in the study.' I was going to vomit; I was going to fall to my knees and weep. ... Rhys merely continued. 'When I heard, when my father heard... I wasn't wholly truthful to you when I told you Under the Mountain that my father killed Tamlin's father and brothers, I went with him. Helped him. We winnowed to the edge of the Spring Court that night, then went the rest of the way on foot- tot he manor. I slew Tamlin's brothers on sight. I held their minds, and rendered them helpless while I cut them into pieces, then melted their brains inside their skulls. And when I got to the High Lord's bedroom- he was dead. And my father... my father had killed Tamlin's mother as well.' I couldn't stop shaking my head. 'My father had promised not to touch her. That we weren't the kind of males who would do that. But he lied to me, and he did it, anyway. And then he went for Tamlin's room.' I couldn't breathe- couldn't breathe as Rhys said, 'I tried to stop him. He didn't listen. He was going to kill him, too. And I couldn't... After all the death, I was done. I didn't care that Tamlin had been there, had allowed them to kill my mother and sister, that he'd come to kill me because he didn't want to risk standing against them. I was done with death. So I stopped my father before the door. He tried to go through me. Tamlin opened the door, saw us- smelled the blood already leaking into the hallway. And I didn't even get to say a word before Tamlin killed my father in one blow.' 'I felt the power shift to me, even as I saw it shift to him. And we just looked at each other, as we were both suddenly crowned High Lord- and then I ran.' He'd murdered Rhysand's family. The High Lord I'd loved- he'd murdered his friend's family, and when I'd asked how his family died, he'd merely told me a rival court had done it. Rhysand had done it, and- 'He didn't tell you any of that.

I leaned into Tamlin, sighing. 'It feels- feels as if some of it was a dream, or a nightmare. But... But I remembered you. And when I saw you there today, I started clawing at it, fighting, because I knew it might be my only chance, and-' 'How did you break free of his control,' Lucien said flatly from behind us. Tamlin gave him a warning growl. I'd forgotten he was there. My sister's mate. The Mother, I decided, did have a sense of humour. 'I wanted it- I don't know how. I just wanted to break free of him, so I did.' We stared each other down, but Tamlin brushed a thumb over my shoulder. 'Are- are you hurt?' I tried not to bristle. I knew what he meant. That he thought Rhysand would do anything like that to anyone- 'I- I don't know,' I stammered. 'I don't... I don't remember those things.' Lucien's metal eye narrowed, as if he could sense the lie. But I looked up at Tamlin, and brushed my hand over his mouth. My bare, empty skin. 'You're real,' I said. 'You freed me.' It was an effort not to turn my hands into claws and rip out his eyes. Traitor- liar. Murderer. 'You freed yourself,' Tamlin breathed. He gestured to the house. 'Rest- and then we'll talk. I... need to find Ianthe. And make some things very, very clear.' 'I- I want to be a part of it this time,' I said, halting when he tried to herd me back into that beautiful prison. 'No more... No more shutting me out. No more guards. Please. I have so much to tell you about them- bits and pieces, but... I can help. We can get my sisters back. Let me help.' Help lead you in the wrong direction. Help bring you and your court to your knees, and take down Jurian and those conniving, traitorous queens. And then tear Ianthe into tiny, tiny pieces and bury them in a pit no one can find. Tamlin scanned my face, and finally nodded. 'We'll start over. Do things differently. When you were gone, I realised... I'd been wrong. So wrong, Feyre. And I'm sorry.' Too late. Too damned late. But I rested my head on his arm as he slipped it around me and led me toward the house. 'It doesn't matter. I'm home now.' 'Forever,' he promised. 'Forever,' I parroted, glancing behind- to where Lucien stood in the gravel drive. His gaze on me. Face hard. As if he'd seen through every lie. As if he knew of the second tattoo beneath my glove, and the glamour I now kept on it. As if he knew that they had let a fox into a chicken coop- and he could do nothing. Not unless he never wanted to see his mate- Elain- again. I gave Lucien a sweet, sleepy smile. So our game began. We hit the sweeping marble stairs to the fornt doors of the manor. And so Tamlin unwittingly led the High Lady of the Night Court into the heart of his territory.

When Edward told me about the Night of the Following, the trees of Hampstead wore only the merest of buds. The branches were all but bare and the sky was low and grey; yet, once the tale was told, the summer of Birchwood Manor was already upon us.

I remember everything. Time no longer binds me; my experience of time is no longer bound. Past, present, and future are one. I can slow memories down. I can experience their events again in a flash. But the months of 1862 are different. They gather speed, no matter what I do to stop them, rolling like a coin let go at the top of a hill, picking up pace as they hurtle towards the end. When Edward told me about the Night of the Following, the trees of Hampstead wore only the merest of buds. The branches were all but bare and the sky was low and grey; yet, once the tale was told, the summer of Birchwood Manor was already upon us.

Stirling, Scotland, October 1619 "Kristina, wake up and ready yourself for a journey!" In her bedchamber, Kristina MacQueen jolted awake. Had she just heard her mother's voice? 'Twas impossible. Her mother had passed many years ago. The voice had been inside her dream. What had Ma meant about a journey? Kristina had not left the vicinity of her aunt and uncle's manor house in many months. Hearing the faint hoofbeats of many horses galloping in the distance, she sat up and listened. As each moment passed, the horses' hooves pounded closer and closer until they echoed off the cobblestones just outside the window. Her heart thumping and an eerie feeling prickling along her skin, she swung her feet toward the floor and sat on the edge of the bed. A fist battered violently at the home's entrance door below. "Saints. Who could that be?" she whispered. It had to be the middle of the night or the wee hours of the morn, for she heard no one moving about the house and her room was chilly. The visitor couldn't be the physician calling to treat Uncle Gilbert, who suffered from gout, rheumatism and various other ailments. Nay, he wouldn't bring that many horses with him on a house call. Maybe 'twas the creditors, come to expel them from their home. When her uncle's health had declined, so had his funds. Could it be news of her older sister? She had not heard from Anna in many months. Ready yourself for a journey, her mother had said in the dream. Good heavens! Had someone come for her, to take her to Anna? Heart hammering, Kristina leapt from the warm bed. Though she couldn't see, she knew the placement of the furniture in her room and could easily navigate the space without bumping into anything. After tiptoeing across the cold wooden floor in her stockings, she approached the door and turned the knob to open it a crack, then listened. The maids were in an uproar on the ground floor below. "What's the racket?" Aunt Matilda yelled as she tromped by Kristina's chamber and down the stairs. "Who is it?" she demanded near the front door. "Chief Blackburn MacCromar!" The snarled response was bellowed from outside, just below her window. A chill of terror and revulsion flashed through Kristina. "Saints, preserve us." She shut the door and barred it, her fingers trembling. She had not been near the malicious bastard in two years. He had finally come for her. Anxiety and nausea froze her to the spot. What would he do? Would he kill her for a certainty this time?

When she was a child, she'd often wondered about the old manor. Some said the place was haunted, but she thought it mysterious. Sometimes when she was a girl, she would wander through the wrought-iron gate along Ladenbrooke's stone wall. The fragrance from flowers on the other side captivated her along with the beauty of the gardens. The butterflies reminded her of the fairies she'd loved as a child and, when she was older, of the fairies dancing through the magical garden in 'A Midsummer Night's Dream.' Shakespeare was born forty miles from here. In Stratford-upon-Avon. Perhaps the gardens in the Cotswolds inspired him as they once inspired her.

The museum’s staff resiliently worked throughout the night to sweep away the damage, but it was clear that their specimens were imperiled. To protect them from Hitler’s bombers, the curators secreted Wallace’s and Darwin’s bird skins in unmarked lorries to manors and mansions throughout the English countryside. Among the safe houses was a private museum in the tiny town of Tring, built by one of the richest men in history as a twenty-first-birthday present for his son. Lionel Walter Rothschild would grow up to earn many distinctions: the Right Honorable Lord, Baron de Rothschild, member of Parliament, adulterer, blackmail victim, and one of the most tragically obsessive bird collectors ever to roam the earth.

She angled her chin haughtily. “I already know how to play. Litton taught me. What do I gain if I win?” “What would you like?” “For you to leave immediately.” He furrowed his brow. “The room?” “The manor, the estate, the shire.” She knew the challenge was now in her gaze, and she could see him considering it, perhaps wondering how truly skilled she was. “And if I win?” he asked, his voice thrumming with an undercurrent that should have frightened her off. “What do I receive?” “Our last night here there is to be another ball. A dance. Whichever one you want. I shall let you sign my card first.” He picked up her cue stick and studied it as though he were trying to determine how it had been made. “A kiss.” He shifted his gaze over to her and captured her as though he’d suddenly wrapped his arms around her. “As soon as I sink my last ball.” “That would be entirely inappropriate.” He gave her a devilish grin. “Which is why I want it.” “You always struck me as quite the gentleman.” A shadow crossed his features. “Not tonight. I’ve spent too much time contemplating past mistakes.

I underestimated you,' the Leszy remarks, 'when I met you on Kupała night. I expected you to be a harmless thing, staying away and doing as you were told. Imagine my surprise when you led my manor and my house-spirit into what I can only call a mutiny.

If my brother knew that his best friend died the same night he was arrested, while speeding to the manor to make sure Malachi was okay, it would be the final straw.

But, God, the manor was oppressively cavernous at night! In the dark, it was easy to imagine, as Este had said, that the house expanded infinitely. Were I to walk too far, or fail to pay strict attention, I might stray into some witchy no-man’s-land from which return might not be as simple as merely retracing my steps but cost me a debt in blood, or a piece of my soul. Really, there was a turret with no ingress, a door in Juniper’s office that didn’t open, concealed panels in the walls connecting wings; Cameron Manor was far from predictable.