The Girl Who Smiled Beads Quotes

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I've seen enough to know that you can be a human with a mountain of resources and you can be a human with nothing, and you can be a monster either way.
Clemantine Wamariya (The Girl Who Smiled Beads: A Story of War and What Comes After)
Nobody is who you think they are at first glance. We need to see beyond the projections we cast onto each other. Each of us is so much grander, more nuanced, and more extraordinary than anybody thinks, including ourselves.
Clemantine Wamariya (The Girl Who Smiled Beads: A Story of War and What Comes After)
I could no longer discern what was real and what was fake. Everything, including the present, seemed to be both too much and nothing at all.
Clemantine Wamariya (The Girl Who Smiled Beads: A Story of War and What Comes After)
When you don't belong to a country, the world decides that you don't deserve a thing.
Clemantine Wamariya (Girl Who Smiled Beads)
It's strange, how you go from being a person who is away from home to a person with no home at all. The place that is supposed to want you has pushed you out. No other place takes you in. You are unwanted, by everyone. You are a refugee.
Clemantine Wamariya (Girl Who Smiled Beads)
I want to make people understand that boxing ourselves into tiny cubbies based on class, race, ethnicity, religion—anything, really—comes from a poverty of mind, a poverty of imagination. The world is dull and cruel when we isolate ourselves.
Clemantine Wamariya (The Girl Who Smiled Beads: A Story of War and What Comes After)
The only road to equality—a sense of common humanity; peace—is sharing, my mother’s orange. When we share, you are not using your privilege to get me to line up behind you. When we share, you are not insisting on being my savior. Claire and I always looked for the sharers, the people who just said, “I have sugar, I have water. Let’s share
Clemantine Wamariya (The Girl Who Smiled Beads: A Story of War and What Comes After)
Two people in pain are magnets, repelling each other. We cannot or will not reach across the space to connect.
Clemantine Wamariya (The Girl Who Smiled Beads: A Story of War and What Comes After)
Survival, true survival of the body and soul, requires creativity, freedom of thought, collaboration. You might have time and I might have land. You might have ideas and I might have strength. You might have a tomato and I might have a knife. We need each other. We need to say: I honor the things that you respect and I value the things you cherish. I am not better than you. You are not better than me.
Clemantine Wamariya (The Girl Who Smiled Beads: A Story of War and What Comes After)
The word genocide is clinical, overly general, bloodless, and dehumanizing.
Clemantine Wamariya (The Girl Who Smiled Beads: A Story of War and What Comes After)
Taking care of loved ones in my world was not based on affection. It was based on the fear of losing them.
Clemantine Wamariya (The Girl Who Smiled Beads: A Story of War and What Comes After)
When we share, you are not using your privilege to get me to line up behind you.
Clemantine Wamariya (The Girl Who Smiled Beads: A Story of War and What Comes After)
In my version of the story, the girl walks the earth and she is always safe, undeniably strong and brave - a dream, a superstar, a goddess of sorts. I needed to believe those things were possible and that they might be true about me too.
Clemantine Wamariya (The Girl Who Smiled Beads: A Story of War and What Comes After)
All those countries that ended World War II by saying never again turned their backs.
Clemantine Wamariya (The Girl Who Smiled Beads: A Story of War and What Comes After)
The colonists, the aid workers, the NGOs -- they're all in a single progression: paternalistic foreigners, assuming they are better and brighter, offering shiny, destabilizing, dependence producing gifts. How can one accept anything from so-called rescuers when their predecessors helped your people destroy one another?
Clemantine Wamariya (The Girl Who Smiled Beads: A Story of War and What Comes After)
Maintaining my body had been so much work, so costly. Protecting it had been a never-ending battle. It was not a source of joy. I had been dragging it around for thirteen years, trying to keep it from harm. I felt like it stood in my way.
Clemantine Wamariya (The Girl Who Smiled Beads: A Story of War and What Comes After)
I did not even really know how to access that once-safe place with the outdoor kitchen, the red roof, the birds-of-paradise. Nostalgia was a destructive exercise, a jab at a still-tender wound, stitched up poorly.
Clemantine Wamariya (The Girl Who Smiled Beads: A Story of War and What Comes After)
You know those little pellets you drop in water that expand into huge sponges? My life was the opposite. Everything shrank.
Clemantine Wamariya (The Girl Who Smiled Beads: A Story of War and What Comes After)
Each of us is so much grander, more nuanced, and more extraordinary than anybody thinks, including ourselves.
Clemantine Wamariya (The Girl Who Smiled Beads: A Story of War and what comes After)
I found an essay in a book called Illuminations by Walter Benjamin, in which every time the men go off to war they lose all their language. When they return home they can’t describe to their families what they saw, so they go back to war to learn the words again.
Clemantine Wamariya (The Girl Who Smiled Beads: A Story of War and What Comes After)
I did not understand the point of the word genocide then. I resent and revile it now. The word is tidy and efficient. It holds no true emotion. It is impersonal when it needs to be intimate, cool and sterile when it needs to be gruesome. The word is hollow, true but disingenuous, a performance, the worst kind of lie. It cannot do justice--it is not meant to do justice--to the thing it describes.
Clemantine Wamariya (The Girl Who Smiled Beads: A Story of War and What Comes After)
I wanted to retain the right to disappear. Remaining in place, nesting -- it sets off fears that somebody would yank me away. To counter it, I had to flee. I had to reassure myself that I still knew how to escape.
Clemantine Wamariya (The Girl Who Smiled Beads: A Story of War and What Comes After)
When you're traumatized, your sense of self, your individuality, is beaten up. Your skin color, your background, your pain, your hope, your gender, your faith, it's all defiled. Those essential pieces of yourself are stolen. You, as a person, are emptied and flattened, and that violence, that theft, keeps you from embodying a life that feels like your own. To continue to exist, as a whole person, you need to re-create, for yourself, an identity untouched by everything that's been used against you. You need to imagine and build a self out of elements that are not tainted. You need to remake yourself on your own terms.
Clemantine Wamariya (The Girl Who Smiled Beads: A Story of War and What Comes After)
But people need to know, people need to say to themselves, ‘I cannot do this thing because this thing is unforgivable. I cannot decide my wife is a cockroach. I cannot decide my neighbor is a snake. I cannot kill my wife. I cannot kill my neighbor. I cannot make others less than human and then kill them. This is unforgivable. This will never be forgiven.
Clemantine Wamariya (The Girl Who Smiled Beads: A Story of War and What Comes After)
Everywhere you looked you saw people turned to stone. If you touched them, they'd crumble to dust. So they remained still and silent, trying not to shatter.
Clemantine Wamariya (The Girl Who Smiled Beads: A Story of War and What Comes After)
It’s strange, how you go from being a person who is away from home to a person with no home at all.
Clemantine Wamariya (The Girl Who Smiled Beads: A Story of War and What Comes After)
People there were so kind. There’s a lovely word in Swahili: nishauri. It means “advise me.
Clemantine Wamariya (The Girl Who Smiled Beads: A Story of War and What Comes After)
We need each other. We need to say: I honor the things that you respect and I value the things you cherish. I am not better than you. You are not better than me. Nobody is better than anybody else.
Clemantine Wamariya (The Girl Who Smiled Beads: A Story of War and What Comes After)
Often adults said to me, “You’re so strong, you’re so brave.” But I didn’t want to be strong, I didn’t want to be brave. I wanted a fresh, fluffy brain, one that was not tormented by wars and fear. I wanted to backtrack in time to a world of innocence, to regress into the landscape of The Boxcar Children. It was so nice there.
Clemantine Wamariya (The Girl Who Smiled Beads: A Story of War and What Comes After)
You had to try to hang on to your name, though nobody cared about your name. You had to try and stay a person. You had to try not to become invisible. If you let go and fell back into the chaos you were gone, just a number in a unit, which was also a number. If you died, no one knew. If you gave up and disintegrated inside, no one knew.
Clemantine Wamariya (The Girl Who Smiled Beads: A Story of War and What Comes After)
I want to make people understand that boxing ourselves into tiny cubbies based on class, race, ethnicity, religion—anything, really—comes from a poverty of mind, a poverty of imagination. The world is dull and cruel when we isolate ourselves. Survival, true survival of the body and soul, requires creativity, freedom of thought, collaboration.
Clemantine Wamariya (The Girl Who Smiled Beads: A Story of War and what comes After)
I have never been Claire. I have never been inviolable. Often, still, my own life story feels fragmented, like beads unstrung. Each time I scoop up my memories, the assortment is slightly different. I worry, at times, that I’ll always be lost inside. I worry that I’ll be forever confused.
Clemantine Wamariya (The Girl Who Smiled Beads: A Story of War and What Comes After)
I think back to this often I’m trying to make sense of the world - how there are people who have so much and people who have so little, and how I fit in with them both. Often I find myself trying to bridge the two worlds, to show people, either the people with so much or the people with so little, that everything is yours and everything is not yours. I want to make people understand that boxing ourselves into tiny cubbies based on class, race, ethnicity, religion - anything, really - comes from a poverty of mind, poverty of imagination. The works is dull and cruel when we isolate ourselves.
Clemantine Wamariya (The Girl Who Smiled Beads: A Story of War and What Comes After)
Before the Belgians arrived and colonized Rwanda, Hutus and Tutsis lived in peace. But colonization is built on the idea that we are not the same, that we don’t possess equal humanity. The Belgians imposed their cruel ideology: their belief that people with certain-sized skulls and certain-width noses were better and smarter than others, that they belonged to a superior race. This ideology leached into the Rwandan psyche and caused the country to self-destruct.
Clemantine Wamariya (The Girl Who Smiled Beads: A Story of War and What Comes After)
My katundu is my ballast, exogenous memory, my solace, my hope. Some part of me believes that if I can just find the right arrangement of the pieces—if I can string all the beads in the right order, situate them in the right light—I can create a narrative of my life that looks beautiful to me and makes sense.
Clemantine Wamariya (The Girl Who Smiled Beads: A Story of War and What Comes After)
People there were so kind. There’s a lovely word in Swahili: nishauri. It means “advise me. When someone was mad at you, they would come to your house and sit down and talk and say, This is very disrespectful and I think we should consult each other on how to move forward. Let’s make peace here and come to a conclusion that is beautiful.
Clemantine Wamariya (The Girl Who Smiled Beads: A Story of War and What Comes After)
My body is destroyed and my body is sacred. I will not live in that story of ruin and shame.
Clemantine Wamariya (The Girl Who Smiled Beads: A Story of War and What Comes After)
Now it felt like I did nothing. I had everything and I did nothing.
Clemantine Wamariya (The Girl Who Smiled Beads: A Story of War and What Comes After)
Our minds are malleable. Our minds can be possessed - possessed so gradually that we don’t even realize we’ve lost control.
Clemantine Wamariya (The Girl Who Smiled Beads: A Story of War and What Comes After)
we landed with nothing. The airline had lost our one suitcase.
Clemantine Wamariya (The Girl Who Smiled Beads: A Story of War and What Comes After)
Their jobs and self-worth depended on your continued abasement,
Clemantine Wamariya (The Girl Who Smiled Beads: A Story of War and What Comes After)
We all lived lives my parents never dreamed of us having.
Clemantine Wamariya (The Girl Who Smiled Beads: A Story of War and What Comes After)
You had to remember your unit number—not a given at age six. You had to try to hang on to your name, though nobody cared about your name. You had to try to stay a person. You had to try not to become invisible. If you let go and fell back into the chaos you were gone, just a number in a unit, which also was a number. If you died, no one knew. If you got lost, no one knew. If you gave up and disintegrated inside, no one knew. I started telling people, I’m Clemantine, I’m Clemantine, I’m Clemantine! I don’t want to be lost. I’m Clemantine!
Clemantine Wamariya (The Girl Who Smiled Beads: A Story of War and What Comes After)
So Captain Jack’s come a-courtin’.” Her hands stilled on the basket. “Who?” “The tall Shawnee who come by your cabin.” The tall one. Lael felt a small surge of triumph at learning his name. Captain Jack. Oddly, she felt no embarrassment. Lifting her shoulders in a slight shrug, she continued pulling the vines into a tight circle. “He come by, but I don’t know why.” “Best take a long look in the mirror, then.” Lael’s eyes roamed the dark walls. Ma Horn didn’t own one. “Beads and a blanket, was it?” She nodded and looked back down. “I still can’t figure out why some Shawnee would pay any mind to a white girl like me.” Ma Horn chuckled, her face alight in the dimness. “Why, Captain Jack’s as white as you are.” “What?” she blurted, eyes wide as a child’s. Ma Horn’s smile turned sober. “He’s no Indian, Shawnee or otherwise, so your pa says. He was took as a child from some-wheres in North Carolina. All he can remember of his past life is his white name—Jack.
Laura Frantz (The Frontiersman's Daughter)
I've seen enough to know that you can be a human with a mountain of resources and you can be a human with nothing, and you can be a monster either way. Everywhere, and especially at both extremes, you can find monsters. It's at the extremes that people are most scared...
Clemantine Wamariya (The Girl Who Smiled Beads: A Story of War and What Comes After)
That’s life in a refugee camp: You’re not moving toward anything. You’re just in a horrible groove. You learn skills that you wish you did not know: how to make a fire, how to cook maize, how to do laundry in the river and burn the lice on the rocks. You wait, hoping the trucks will bring something other than corn and beans. But nothing gets better. There is no path for improvement—no effort you can make, nothing you can do, and nothing anybody else can do for you either, short of the killers in your country laying down their arms and stopping their war so that you can move home.
Clemantine Wamariya (The Girl Who Smiled Beads: A Story of War and What Comes After)
My refugee skills were kicking in. I wanted to be who I needed to be and get what there was to get. There was a feedback loop that I could now see. If I performed well in my role as a student, people responded with happiness and pride and wanted to pour more resources into me. Fill me up again and again.
Clemantine Wamariya (The Girl Who Smiled Beads: A Story of War and What Comes After)
That’s all a person can do, really: Let others live their lives on their terms, and interrogate how you live your own. Insist on knowing the backstory to your gifts and your pain. Ask yourself how you came to have all the things you carry: your privilege, your philosophy, your nightmares, your faith, your sense of order and peace in the world.
Clemantine Wamariya (The Girl Who Smiled Beads: A Story of War and What Comes After)
The only road to equality—a sense of common humanity; peace—is sharing, my mother’s orange. When we share, you are not using your privilege to get me to line up behind you. When we share, you are not insisting on being my savior. Claire and I always looked for the sharers, the people who just said, “I have sugar, I have water. Let’s share water. Let’s not make charity about it.
Clemantine Wamariya (The Girl Who Smiled Beads: A Story of War and What Comes After)
The girl was undeniably beautiful. She was tall, with a spectacular figure. Her white dress, shimmering with crystal beads, was cut low enough to prove the authenticity of her remarkable cleavage. Her long hair was almost white in its blondeness. But it was her face that held Anne’s attention, a face so naturally beautiful that it came as a startling contrast to the theatrical beauty of her hair and figure. It was a perfect face with a fine square jaw, high cheekbones and intelligent brow. The eyes seemed warm and friendly, and the short, straight nose belonged to a beautiful child, as did the even white teeth and little-girl dimples. It was an innocent face, a face that looked at everything with breathless excitement and trusting enthusiasm, seemingly unaware of the commotion the body was causing. A face that glowed with genuine interest in each person who demanded attention, rewarding each with a warm smile. The body and its accouterments continued to pose and undulate for the staring crowd and flashing cameras, but the face ignored the furor and greeted people with the intimacy of meeting a few new friends at a gathering.
Jacqueline Susann (Valley of the Dolls)
When I'm dressed like this, people will say I don't look like a doctor." Garrett paused before continuing wryly. "On the other hand, they already say that, even when I'm wearing a surgeon's cap and gown." Carys, who was playing with the left-over glass beads on the vanity table, volunteered innocently, "You've always looked like a doctor to me." Helen smiled at her little sister. "Did you know, Carys, that Dr. Gibson is the only lady doctor in England?" Carys shook her head, regarding Garrett with round-eyed interest. "Why aren't there others?" Garrett smiled. "Many people believe women aren't suited to work in the medical profession." "But women can be nurses," Carys said with a child's clear-eyed logic. "Why can't they be doctors?" "There are many female doctors, as a matter of fact, in countries such as America and France. Unfortunately, women aren't allowed to earn a medical degree here. Yet." "But that's not fair." Garrett smiled down into the girl's upturned face. "There will always be people who say your dreams are impossible. But they can't stop you unless you agree with them.
Lisa Kleypas (Hello Stranger (The Ravenels, #4))
I want to make people understand that boxing ourselves into tiny cubbies based on class, race, ethnicity, religion—anything, really—comes from a poverty of mind, a poverty of imagination. The world is dull and cruel when we isolate ourselves. Survival, true survival of the body and soul, requires creativity, freedom of thought, collaboration. You might have time and I might have land. You might have ideas and I might have strength. You might have a tomato and I might have a knife. We need each other. We need to say: I honor the things that you respect and I value the things you cherish. I am not better than you. You are not better than me. Nobody is better than anybody else. Nobody is who you think they are at first glance. We need to see beyond the projections we cast onto each other. Each of us is so much grander, more nuanced, and more extraordinary than anybody thinks, including ourselves. I’ve flown on private planes, I’ve lounged on private beaches. I’ve fallen asleep at night with no shelter, no parents, no country, no food. I’ve been made to feel worthless and disposable by the world. I’ve seen enough to know that you can be a human with a mountain of resources and you can be a human with nothing, and you can be a monster either way. Everywhere, and especially at both extremes, you can find monsters. It’s at the extremes that people are most scared—
Clemantine Wamariya (The Girl Who Smiled Beads: A Story of War and What Comes After)
I think back to this so often in trying to make sense of the world - how there are people who have so much and people who have so little, and how I fit in with them both. Often I find myself trying to bridge the two worlds, to show people, either the people with so much or the people with so little, that everything is yours and everything is not yours. I want to make people understand that boxing ourselves into tiny cubbies based n class, race, ethnicity, religion—anything, really—comes from a poverty of mind, a poverty of imagination. The world is dull and cruel when we isolate ourselves. Survival, true survival of the body and soul, requires creativity, freedom of thought, collaboration. You might have time and I might have land. You might have ideas and I might have strength. You might have a tomato and I might have a knife. We need each other. We need to say: I honor the things that you respect and I value the things you cherish. I am not better than you. You are not better than me. Nobody is better than anyone else. Nobody is who you think they are at first glance. We need to see beyond the projections we cast onto each other. Each of us is so much grander, more nuanced, and more extraordinary than anybody thinks, including ourselves. […] I’ve seen enough to know that you can be a human with a mountain of resources and you can be a human with nothing, and you can be a monster either way. Everywhere, and especially at both extremes, you can find monsters. It’s at the extremes that people are most scared—scared of deprivation, one one end; and scared of their privilege, on the other. With privilege comes a nearly avoidable egoism and so much shame, and often the coping mechanism is to give. This is great and necessary, but giving, as a framework, creates problems. You give, I take; you take, I give—both scenarios establish hierarchy. Both instill entitlement. The only road to equality—a sense of common humanity; peace—is sharing, my mother’s orange. When we share, you are not using your privilege to get me to line up behind you. When we share, you are not insisting on being my savior. Claire and I always looked for the sharers, the people who just said, ‘I have sugar, I have water. Let’s share water. Let’s not make charity about it.
Clemantine Wamariya (The Girl Who Smiled Beads: A Story of War and What Comes After)
I was unruly, full of contempt. I told them to go ahead and teach their students who knew nothing but comfort and were headed to careers at Goldman Sachs. I would not go along. I had not picked bugs out of my feet and watched my beaten sister nurse her baby fleeing from one refugee camp to another to be lectured about human ethics by a man in corduroys.
Clemantine Wamariya (The Girl Who Smiled Beads: A Story of War and What Comes After)
You cannot bear witness with a single word.
Clemantine Wamariya (The Girl Who Smiled Beads: A Story of War and What Comes After)
I thought if I stated my name enough times, my identity would fall back into place. I wrote my name in the dirt. I wrote my name in the dust. But a name is a cover, a placeholder, not the whole story. A name is a basin with a leak that you need to constantly fill up. If you don’t, it drains and it’s just there, a husk, dry and empty.
Clemantine Wamariya (The Girl Who Smiled Beads: A Story of War and What Comes After)
Before dawn I heard Rob say that he thought we'd crossed the border into Mozambique. That made no sense to me, I had always assumed that a border was, if not a fence, at least a long ditch, a crack in the earth. I'd seen the lines on maps: black, unambiguous, imposing. I never considered those were made up.
Clemantine Wamariya (The Girl Who Smiled Beads: A Story of War and What Comes After)
But I pulled myself together. This was the most privileged hardship possible.
Clemantine Wamariya (The Girl Who Smiled Beads: A Story of War and What Comes After)
The human mind is an amazing, resilient, self-deceptive thing.
Clemantine Wamariya (The Girl Who Smiled Beads: A Story of War and What Comes After)
We need each other. We need to say: I honor the things that you respect and I value the things you cherish. I am not better than you. You are not better than me. Nobody is better than anybody else. Nobody is who you think they are at first glance. We need to see beyond the projections we cast onto each other. Each of us is so much grander, more nuanced, and more extraordinary than anybody thinks, including ourselves.
Clemantine Wamariya (The Girl Who Smiled Beads: A Story of War and What Comes After)
I knew I was supposed to feel relieved, but I felt despairing. I didn’t want to look out the window. Loss is loss is loss.
Clemantine Wamariya (The Girl Who Smiled Beads: A Story of War and What Comes After)
All those countries that ended World War II by saying ‘never again’ turned their backs. We Africans could kill each other if we wanted. We were not anybody else’s problem.
Clemantine Wamariya (The Girl Who Smiled Beads: A Story of War and What Comes After)
But clean, in that dress, holding Marietta and Freddy’s hands, I felt like somebody’s somebody.
Clemantine Wamariya (The Girl Who Smiled Beads: A Story of War and What Comes After)
Our minds are malleable. Our minds can be possessed— possessed so gradually that we don’t even realize we’ve lost control.
Clemantine Wamariya (The Girl Who Smiled Beads: A Story of War and What Comes After)
I thought if I stated my name enough times, my identity would fall back into place. I wrote my n name in the dirt. I wrote my name in the dust. But a name is a cover, a placeholder, not the whole story. A name is a basin with a leak that you need to constantly fill up. If you don’t, it drains and it’s just there, a husk, dry and empty.
Clemantine Wamariya (The Girl Who Smiled Beads: A Story of War and What Comes After)
The contours of pain are not fixed. Suffering expands and metastasizes. Our pain stays in our own hearts and fills our loved ones’ as well.
Clemantine Wamariya (The Girl Who Smiled Beads: A Story of War and What Comes After)
She wanted to tell a true story, a complete story. No ending ever felt right. History made it hard.
Clemantine Wamariya (The Girl Who Smiled Beads: A Story of War and What Comes After)
We need to say: I honor the things that you respect and I value the things you cherish. I am not better than you. You are not better than me. Nobody is better than anybody else. Nobody is who you think they are at first glance. We need to see beyond the projections we cast onto each other. Each of us is so much grander, more nuanced, and more extraordinary than anybody thinks, including ourselves
Clemantine Wamariya (The Girl Who Smiled Beads: A Story of War and What Comes After)
All those countries that ended World War II by saying never again turned their backs. We Africans could kill each other if we wanted. We were not anybody else’s problem.
Clemantine Wamariya (The Girl Who Smiled Beads: A Story of War and What Comes After)
My mind began toggling: This is my life but this is not my life. I deserve this now because I suffered. But then my mind ground to a halt. Had all the people who ate out of refrigerators like this suffered too?
Clemantine Wamariya (The Girl Who Smiled Beads: A Story of War and What Comes After)
Survival, true survival of the body and soul, requires creativity, freedom of thought, collaboration. You might have time and I might have land. You might have ideas and I might have strength. You might have a tomato and I might have a knife. We need each other. We need to say: I honor the things that you respect and I value the things you cherish. I am not better than you. You are not better than me. Nobody is better than anybody else. Nobody is who you think they are at first glance. We need to see beyond the projections we cast onto each other. Each of us is so much grander, more nuanced, and more extraordinary than anybody thinks, including ourselves.
Clemantine Wamariya (The Girl Who Smiled Beads: A Story of War and What Comes After)
Tell her what you want to tell her then, Cass.” Cass gave Siena a quick summary of what she and Falco had discovered at the graveyard. The maid’s eyes got bigger and bigger as Cass relayed finding the open crypt door and the body, and then receiving the note. “But Signorina Cass, you might be in danger!” “That’s why we’re going to figure out who’s responsible,” Cass said, with more confidence than she felt. “Speaking of which…” Falco nodded at the costume bag, which Cass had completely forgotten. A silky garment, trimmed with lace and beaded elaborately, had fallen out during the scuffle. Siena looked down, and even in the flickering light, Cass could see that her pale skin went bright pink. The lady’s maid knelt to retrieve the outfit, a low-cut satin chemise. She pressed the clothing into Cass’s hands without meeting her eyes. Cass felt her own face get red. “It’s--it’s just a costume. We’re going to try to locate some of the dead girl’s patrons.” “You mean you’re going to masquerade as a…” The shy maid couldn’t choke out the rest. “Hired woman,” Cass confirmed, wondering if it would have been easier just to let Siena believe that she and Falco had met up for a tryst. She wasn’t sure which would have been more scandalizing. “I know it’s dangerous, but it’s more dangerous to do nothing while a madman plots against me. And Falco will be by my side the whole time. Please don’t tell my aunt.” Siena didn’t say anything for a minute. She looked back and forth from Cass to Falco. Finally, she nodded. And then, to Cass’s amazement, her red face lit up with a huge smile. “You’ll need me to do your hair, Signorina.” “Hair?” Cass wasn’t sure she had heard correctly. “What are you talking about?” “Your hair and your makeup.” Siena reached out to stroke Cass’s thick hair. “Otherwise, no one will believe you are anything other than a noblewoman. I’ll put the sides in braids, and twist the back into a knot.” Falco nodded approvingly at Siena. “Excellent idea. We want to make sure everyone can see that beautiful face tonight.” Cass thought her skin might turn permanently red if she continued blushing.
Fiona Paul (Venom (Secrets of the Eternal Rose, #1))
We were refugees for a long time. A very long time. All over. We’re in America now.
Clemantine Wamariya (The Girl Who Smiled Beads: A Story of War and What Comes After)
We were never to think. This orange is mine. I am giving you what is mine. We were to think, This orange is ours. We're sharing what's ours.
Clemantine Wamariya (The Girl Who Smiled Beads: A Story of War and What Comes After)