“
There you are,” I said, striving to paddle back to shore from the deep waters I felt I’d somehow wandered into. “Aren’t you going to waltz me? Listen, they’re starting.”
He opened his eyes at that. “I know,” he said. “I can hear. God, I can hear it. How do you humans bear it?”
The waltz had started slowly, and he thumped his hand against his chest in time. One-two-three, one-two-three.
“Bear what?” I said softly.
“The music,” he said. “A man in Austria wrote this—just a man, just a stinking, selfish, distractible human—scratched it out on tree pulp, and then it traveled across countries and through wars and arrived here, and though none of us speak his language and most don’t know his name, he speaks to us exactly as he intended to. He tells our bodies how to move to it almost without learning the steps. One-two-three, one-two-three.” A smile flitted across his lips. I was astonished to see that he had tears in his eyes. “God! How beautiful it is! And you all talk over it about what Lady-So-and-So said to the Honorable Whosit yesterday on the Steyne.
”
”