“
It's the idea that people living close to nature tend to be noble. It's seeing all those sunsets that does it. You can't watch a sunset and then go off and set fire to your neighbor's tepee. Living close to nature is wonderful for your mental health.
”
”
Daniel Quinn (Ishmael: An Adventure of the Mind and Spirit (Ishmael, #1))
“
You’re awfully quiet, Princess,” Puck said as he arranged the firewood into
a tepee. His slanted green eyes shot me a knowing look. “In fact, you haven’t said a word since his royal iciness left. What’s wrong?”
“Oh.” I cast about for an excuse. No way was I telling Puck about my
feelings for Ash. He’d probably challenge him to a duel the moment he walked through the door. “I…um…I’m just weirded out, you know, with all those wiremen bodies around. It’s kinda creepy, like they might come to life and attack us while we’re sleeping.
”
”
Julie Kagawa (The Iron Daughter (The Iron Fey, #2))
“
- Neden bu kadar kötümsersin?
- Sen neden değilsin? Çevrene bakmıyor musun? En mutlu görünenlerine bile? Bütün bunlar üç oda, bir mutfak, iki çocuk ile başlıyor. Sonra? Haydi bayanlar, baylar! Bu fırsatı kaçırmayın. Siz de girin, siz de görün. Üç perdelik dram. Birinci kısım: Dağlar dümdüz. İkinci kısım: Ne çok tepe! Üçüncü kısım: Ova batak. Bugünlük bu kadar baylar. İyi geceler. Yarın gene bekleriz.
”
”
Yusuf Atılgan (Aylak Adam)
“
Eric followed Vlad Tepes’s stubby finger, identifying me as the future Happy Meal. Then he stared at Dracula, looking up from his kneeling position. I couldn’t read his face at all, and I felt a stirring of fear. What would Charlie Brown have done if the Great Pumpkin wanted to eat the little red-haired girl?
”
”
Charlaine Harris (A Touch of Dead)
“
No, the problem at Göbekli Tepe is the pristine, sudden appearance, like Athena springing full-grown and fully armed from the brow of Zeus, of what appears to be an already seasoned civilization so accomplished that it “invents” both agriculture and monumental architecture at the apparent moment of its birth.
”
”
Graham Hancock (Magicians of the Gods: The Forgotten Wisdom of Earth's Lost Civilization)
“
Dracula —” He paused. “Dracula—Vlad Tepes—is still alive.
”
”
Elizabeth Kostova (The Historian)
“
Me and the folks who buy my food are like the Indians -- we just want to opt out. That's all the Indians ever wanted -- to keep their tepees, to give their kids herbs instead of patent medicines and leeches. They didn't care if there was a Washington, D.C., or a Custer or a USDA; just leave us alone. But the Western mind can't bear an opt-out option. We're going to have to refight the Battle of the Little Big Horn to preserve the right to opt out, or your grandchildren and mine will have no choice but to eat amalgamated, irradiated, genetically prostituted, barcoded, adulterated fecal spam from the centralized processing conglomerate.
”
”
Michael Pollan (The Omnivore's Dilemma: A Natural History of Four Meals)
“
To put Göbekli Tepe in context, its megaliths predate Stonehenge by at least six thousand years. They predate the first literate civilizations of Egypt, Sumer, India, and Crete by even more. Unearthing this kind of Stone Age sophistication so deep in our past is like finding out your great-grandparents have been secretly coding apps and trading cryptocurrency behind everyone’s back.
”
”
Brian C. Muraresku (The Immortality Key: The Secret History of the Religion with No Name)
“
We have no idea what the builders of Göbekli Tepe actually called the place. With the appearance of writing, we are beginning to hear history through the ears of its protagonists. When Kushim’s neighbours called out to him, they might really have shouted ‘Kushim!’ It is telling that the first recorded name in history belongs to an accountant, rather than a prophet, a poet or a great conqueror.1
”
”
Yuval Noah Harari (Sapiens: A Brief History of Humankind)
“
I became an historian in order to preserve my own history forever- Dracula.
”
”
Elizabeth Kostova
“
Max walked back to Beeson, sidestepping a slalom path of dog turds leading into the kitchen. He’d narrowly missed standing in a tepee of turds that looked too deliberately arranged to be natural.
”
”
Nick Stone (Mr. Clarinet (Max Mingus #1))
“
I walked her to her door and said good night, while Romeo waited. "I'll see you in the morning," I said, 'when the barking dogs arouse the sleeping tepee village and the smell of roasting coyote is in the air."
"My sisters will prepare me," she said. "I shall come to your wickiup in my white doeskin dress and lose my innocence on your buffalo robe."
"I will give you little ornaments to put in your hair, black as the crow's wing. I will give you red flannel and a looking-glass so that you may groom yourself."
"I'd also like to have a little spending money and a charge account at Wormser's," she said.
"Good night, Maiden Who Walks Like a Duck."
"Good night, Warrior Who Chickens Out at the Least Sign of Trouble.
”
”
Richard Bradford (Red Sky at Morning)
“
No one noticed Witch Baby as she went back inside the cottage, into the room she and Cherokee shared.
Cherokee's side of the room was filled with feathers, crystals, butterfly wings, rocks, shells and dried flowers. there was a small tepee that Coyote had helped Cherokee make. The walls on Witch Baby's side of the room were covered with newspaper clippings - nuclear accidents, violence, poverty and disease. Every night, before she went to bed, Witch Baby cut out three articles or pictures with a pair of toenail scissors and taped them to the wall. they make Cherokee cry.
"Why do you want to have those up there?" Weetzie asked. "You'll both have nightmares.
”
”
Francesca Lia Block (Witch Baby (Weetzie Bat, #2))
“
At six thousand or more years older than the stone circles of Stonehenge, the megaliths of Göbekli Tepe, like the deeply buried megaliths of Gunung Padang, mean that the timeline of history taught in our schools and universities for the best part of the last hundred years can no longer stand. It is beginning to look as though civilization, as I argued in my controversial 1995 bestseller Fingerprints of the Gods, is indeed much older and much more mysterious than we thought.
”
”
Graham Hancock (Magicians of the Gods: The Forgotten Wisdom of Earth's Lost Civilization)
“
Even the highest branches cannot deny that they have roots in a common bond.
”
”
K.M. Tepe
“
As far as Popescu was concerned, meanwhile, Dracula was simply a Romanian patriot who had resisted the Turks, a deed for which every European nation should to some degree be grateful. History is cruel, said Popescu, cruel and paradoxical: the man who halts the conquering onslaught of the Turks is transformed, thanks to a second-rate English writer, into a monster, a libertine whose sole interest is human blood, when the truth is that the only blood Tepes cared to spill was Turkish.
”
”
Roberto Bolaño (2666)
“
Larissa's father was Vlad Dracul? Vlad Tepes? Vlad the fucking Impaler?"
Tepes translated meant "the Impaler," something Connor clearly knew.
"Yeah."
Surprising him, Connor let out a loud laugh. "Man I bet her family just loved that she mated with a shifter."
A weight on Aiden's chest lifted at his Alpha's reaction. "You have no idea.
”
”
Katie Reus (Hunter Reborn (Moon Shifter, #5))
“
Only by binding together as a single force will we become strong and unconquerable
”
”
tepee
“
discovering that hunter-gatherers had constructed Göbekli Tepe was like finding that someone had built a 747 in a basement with an X-Acto knife.
”
”
Leonard Mlodinow (The Upright Thinkers: The Human Journey from Living in Trees to Understanding the Cosmos)
Yuval Noah Harari (Sapiens: A Brief History of Humankind)
“
Vladimir Putin had once been known as Vlad Tepes, or Vlad the Impaler, the inspiration for Dracula. And that he had also, in fact, been Grigori Rasputin before the Russian Revolution of 1917.
”
”
Jeff Kirvin (Between Heaven and Hell)
“
-Neden bu kadar kötümsersin?
-Sen neden değilsin? Çevrene bakmıyor musun ?En mutlu görünenlerine bile? Bütün bunlar üç oda,bir mutfak,iki çocuk düşü ile başlıyor.Sonra ?Haydi bayanlar,baylar!Bu fırsatı kaçırmayın.Siz de girin,siz de görün.Üç perdelik dram.Birinci kısım:Dağlar dümdüz.İkinci kısım:Ne çok tepe! Üçüncü kısım:Ova batak.Bugünlük bu kadar baylar.İyi geceler.Yarın gene bekleriz.
”
”
Yusuf Atılgan (Aylak Adam)
“
Çiçektepede çiçekler açılınca , gün ışığında ilk önden minaresi tenekeden bir cami kuruldu. Caminin minaresini kurulduğu günün gecesinde rüzgar söküp uçurdu. Kulaktan kulağa yayılan minareyi bulup getirenin her tuttuğunun altın olacağı söylentisi yüzünden uykularından olanlar dere tepe gezenler çıktı. Tüm aramalara rağmen minare bulunamadı. Kayıp minare tartışması günlerce sürüp gitti. Çiçektepede bu tartışmaların sonucunda İslamın beş şartına Geceleri minare tutmak diye bir şart daha eklendi. Çocuklar sakatlar emzikli ve gebe kadınlar özürlü kabul edildi. Onlara minare tutmak günah sayıldı.
”
”
Latife Tekin (Berji Kristin: Tales from the Garbage Hills)
“
It may well be that foragers switched from gathering wild wheat to intense wheat cultivation, not to increase their normal food supply, but rather to support the building and running of a temple. In the conventional picture, pioneers first built a village, and when it prospered, they set up a temple in the middle. But Göbekli Tepe suggests that the temple may have been built first, and that a village later grew up around it.
”
”
Yuval Noah Harari (Sapiens: A Brief History of Humankind)
“
İnsan tabiattan bile bıkıyor. İnanmazsın bütün manzaraları gülünç bulurum. Bize vaktiyle öğretmişler ki, dağ, dere, tepe, deniz, mehtap güzel şeylerdir. Bu telkin altında, kendimize bunları güzel göstermeye çalışıyoruz. Bana, öyle geliyor ki, güzel hakkındaki telâkkilerimiz tekâmülü muhtaçtır. Artık basma kalıp manzalardan hoşlanmıyorum. İçimde herşeye, tabiata, sanata, kadına karşı bir tiksinme var. Galiba yaşamaktan pek yorulmuşum.
”
”
Peyami Safa (Cânân)
“
Early ethnographers have described North American Plains Indians so hypnotically involved in gambling with buffalo rib bones that losers would often leave the tepee without clothes in the dead of winter, having wagered away their weapons, horses, and wives as well.
”
”
Mihály Csíkszentmihályi (Flow: The Psychology of Optimal Experience)
“
Today, racism is regarded as a crime if practiced by a majority—but as an inalienable right if practiced by a minority. The notion that one’s culture is superior to all others solely because it represents the traditions of one’s ancestors, is regarded as chauvinism if claimed by a majority—but as 'ethnic' pride if claimed by a minority. Resistance to change and progress is regarded as reactionary if demonstrated by a majority—but retrogression to a Balkan village, to an Indian tepee or to the jungle is hailed if demonstrated by a minority.
”
”
Ayn Rand
“
As a child she was always reading: Even at meals she would sit and scan the back of the juice box. She must have read it a million times: aspartame and xanthan gum and red no. 9. It wasn't a conscious thing; she just seemed to feel uncomfortable when her eyes weren't fastened to a page.
”
”
Te-Ping Chen (Land of Big Numbers: Stories)
“
«Ascolta, so come ti senti: sei prevenuto, hai paura, ti senti insicuro, credi che la felicità per te sia irraggiungibile. Ti assicuro che non è così. Io non ti lascerò mai, sarò sempre al tuo fianco, malgrado i tuoi sbalzi d’umore e la tua stronzaggine. Ci sarò per te, ci sono sempre stata. E ti amo, Elijah, dovresti saperlo.»
Annuisce, ma l’espressione combattuta non va via dal suo viso. Non crede ancora di meritare la felicità.
Non può vivere così, deve lasciarsi il passato alle spalle, prendere coscienza del fatto che da ora in poi la nostra vita sarà insieme, amarmi con tutto se stesso e mettersi in gioco.
«Anche io ti amo e cercherò di dimostrartelo, di essere più ottimista. Mi fido di noi e so che il nostro amore è fortissimo, che siamo un’unica cosa e niente può separarci, nemmeno le mie insicurezze del cazzo.»
Mi alzo sulle punte e assaggio le sue labbra con frenesia
«Così ti voglio» mormoro.
Si morde il labbro, incastrandomi con uno sguardo malizioso.
«Io ti voglio in qualsiasi modo» esclama.
”
”
Debora C. Tepes (Sei tu il mio paradiso)
“
W ere you aware,’ began Lord Ruthven, ‘that there are people in these isles whose sole objection to the marriage of our dear Queen – Victoria Regina, Empress of India, et cetera – to Vlad Dracula – known as Tepes, quondam Prince of Wallachia – is that the happy bridegroom happened once to be, in a fashion I shan’t pretend to understand, a Roman Catholic?
”
”
Kim Newman (Anno Dracula (Anno Dracula, #1))
“
E' come stare a un passo dal paradiso e sentire nello stesso tempo le ultime fiamme dell'inferno.
”
”
Debora C. Tepes (Sei tu il mio paradiso)
“
He did not look like a man who could stomach life's indignities, whether it was a closed door or an uncomfortable, vertigo-inducing passage through a birth canal.
”
”
Te-Ping Chen (Land of Big Numbers: Stories)
“
for thousands of years, few people knew that the Hittites and Mitanni had ever existed.
”
”
Captivating History (Ancient Turkey: A Captivating Guide to Göbekli Tepe and the Ancient Civilizations of Anatolia and Eastern Thrace (Forgotten Civilizations))
“
It didn’t take long for the Assyrians to completely stamp out the Hittite culture.
”
”
Captivating History (Ancient Turkey: A Captivating Guide to Göbekli Tepe and the Ancient Civilizations of Anatolia and Eastern Thrace (Forgotten Civilizations))
“
One of the most popular and widely celebrated Anatolian mythological figures is Shahmaran,
”
”
Captivating History (Ancient Turkey: A Captivating Guide to Göbekli Tepe and the Ancient Civilizations of Anatolia and Eastern Thrace (Forgotten Civilizations))
“
She laughed a lot, and easily. It wasn't until we actually became friends that I realized she was often very sad. America is like that, I must say, free and easy until you know better.
”
”
Te-Ping Chen (Land of Big Numbers: Stories)
“
Liv sighed. “There’s plenty of oxygen going to all the logs. I used a classic tepee structure. Unless the laws of physics have changed, I don’t know why—”
“Do we have to do this the Mortal way?” Ethan looked at Lena.
She nodded. “More fun.”
John struck another match. “For who?”
Ridley held up her hand. “Hold on. That sounds like camping. Is this camping? Am I camping?
”
”
Dangerous Creatures Kami Garcia Margaret Stohl
“
Tepetaklak gidiyorsun diye söylendi kendi kendine ve güldü. Bunu söyler söylemez ırmağa ilişti gözü, ırmağın da tepetaklak yuvarlanıp gittiğini gördü, boyuna tepe üstü akıp gittiğini ve bi arada şarkılar söylediğini, neşesini elden bırakmadığını. Bu hoşuna gitti, dostça gülümsedi ırmağa. Sularında boğulmak isteği ırmak değil miydi bu, bir zamanlar, yüzyıl önce? Yoksa düşünde mi görmüştü bunu?
”
”
Hermann Hesse (Siddhartha)
“
Camped somewhere deep in an impenetrable crag of the immense Powder River Country during the late autumn of 1856, more than likely in the shadow of the sacred Black Hills, one imagines the thirty-five-year-old Red Cloud stepping from his tepee to listen to the bugle of a bull elk in its seasonal rut. Around him women haul water from a crystalline stream as cottonwood smoke rises from scores of cook fires and coils toward a sky the color of brushed aluminum. The wind sighs, and a smile creases his face as he observes a pack of mounted teenagers collect wagers in preparation for the Moccasin Game, or perhaps a rough round of Shinny. His gaze follows the grace and dexterity of one boy in particular, a slender sixteen-year-old with lupine eyes. The boy is Crazy Horse, and the war leader of the Bad Faces makes a mental not to keep tabs on this one.
”
”
Bob Drury (The Heart of Everything That Is: The Untold Story of Red Cloud, An American Legend)
“
There were some hours to spare before his ship sailed, and having deposited his luggage, including a locked leather despatch-case, on board, he lunched at the Cafe Tewfik near the quay. There was a garden in front of it with palm trees and trellises gaily clad in bougainvillias: a low wooden rail separated it from the street, and Morris had a table close to this. As he ate he watched the polychromatic pageant of Eastern life passing by: there were Egyptian officials in broad-cloth frock coats and red fezzes; barefooted splay-toed fellahin in blue gabardines; veiled women in white making stealthy eyes at passers-by; half-naked gutter-snipe, one with a sprig of scarlet hibiscus behind his ear; travellers from India with solar tepees and an air of aloof British Superiority; dishevelled sons of the Prophet in green turbans, a stately sheik in a white burnous; French painted ladies of a professional class with lace-rimmed parasols and provocative glances; a wild-eyed dervish in an accordion-pleated skirt, chewing betel-nut and slightly foaming at the mouth. A Greek boot-black with box adorned with brass plaques tapped his brushes on it to encourage customers, an Egyptian girl squatted in the gutter beside a gramophone, steamers passing into the Canal hooted on their syrens.
("Monkeys")
”
”
E.F. Benson (The Mummy Walks Among Us)
“
This is nothing, Walks the Fire. My anger came when you would not speak of your sadness.I thought you longed for the whites,that you cared nothing for us,that you feared telling me.To have many sons would be a wonderful thing. I cannot lie about that.But if having many sons means I must take another woman, then I would choose no sons and keep Walks the Fire in my tepee.Your heart cries out for children....my heart cries out only for you,best-beloved.
”
”
Stephanie Grace Whitson (Walks The Fire (Prairie Winds, #1))
“
We are used to things starting out small and simple and then progressing--evolving--to become ever more complex and sophisticated, so this is naturally what we expect to find on archaeological sites. It upsets our carefully structured ideas of how civilizations should behave, how they should mature and develop, when we are confronted by a case like Göbekli Tepe that starts out perfect at the beginning and then slowly devolves until it is just a pale shadow of its former self.
”
”
Graham Hancock (Magicians of the Gods: The Forgotten Wisdom of Earth's Lost Civilization)
“
Again, the uncertainty in the estimate pales into insignificance when we look at the overall trend. Over the 11,000 years separating Göbekli Tepe from the International Space Station, the scale of cooperation, when measured by the labor costs of the most impressive building project, went up by four orders of magnitude—from 300 to 3,000,000. This is a huge—indeed, an astronomic—increase. And, of course, it was paralleled by an equally enormous increase in the scale of human societies. ·•·
”
”
Peter Turchin (Ultrasociety: How 10,000 Years of War Made Humans the Greatest Cooperators on Earth)
“
E ora? Non mi ami più? Non senti il cuore battere come un cazzo di tamburo? Lo stomaco sottosopra e il cervello fuso? Non senti quel fuoco quando siamo così vicini, quella voglia di toccarmi, sbattermi contro un muro e baciarmi finché non abbiamo più fiato? Be’… io sì
”
”
Debora C. Tepes (Sono sempre stata tua)
“
Most of us have heard by now that the government is supposedly developing a new variety of the qiguo, superior in flavor, more stable in its effects. They say it will be sweeter, that its trees will bear fruit in all seasons. Especially as the winter sets in, we are impatient to try it.
”
”
Te-Ping Chen (Land of Big Numbers)
“
Rides the Wind stepped outside, and she heard him say, "You saw when Walks the Fire came to the village.I brought her on my pony as a warrior brings what he takes from his enemy. I brought her to care for the son of Dancing Waters.I brought her to teach me about the God who created all things.She has done this. She has saved Hears Not.She has earned a place among the people.Today I tell you she is no longer only the woman who tends the fire in the tepee. Mitawicu. I take this woman for wife."
There were murmurs of approval.
Rides the Wind continued, "I will hunt for many days.There will be a feast.
”
”
Stephanie Grace Whitson (Walks The Fire (Prairie Winds, #1))
“
As Prairie Flower faced the rising sun and braided her hair,White Eagle strolled by. He had glanced her way many times. Today he stopped. "Howling Wolf did not come to check on his ponies this morning."
"He sleeps."
White Eagle smirked. He reached up to touch one of her braids. "If I had such a beautiful woman in my tepee, I would not sleep while she braids her own hair." He walked on without a backward glance. But Prairie Flower thought of him often that day.Each time his face appeared in her mind, she tried to force it away,but Howling Wolf's insolent smile was often replaced by the handsome face of White Eagle.
”
”
Stephanie Grace Whitson (Walks The Fire (Prairie Winds, #1))
“
When Cherokee and Raphael got back to the canyon house, they set up the tepee on the grass and crept inside it. They lay on their backs, not touching, looking at the leaf shadows flickering on their canvas, and trying to identify the flowers they smelled in the warm air.
"Honeysuckle."
"Orange blossom."
"Rose."
"The Sea."
"The Sea! That doesn't count!"
"I smell it like it's growing in the yard."
They giggled the way they used to when they were very young. Then they were quiet. Raphael sat up and took Cherokee's feet in her hands.
"Do they still hurt?" he asked, stroking them tenderly. He moved his hands up over her whole body, as if he were painting her, bringing color into her white skin. As if he were playing her-his guitar. And all the hurt seemed to float out of her like music. They woke in the morning curled together.
"Remember how when we were really little we used to have the same dreams?" Cherokee whispered.
"It was like going on trips together."
"It stopped when we started making love."
"I know."
"But last night..."
"Orchards of hawks and apricots," Raphael said, remembering.
"Sheer pink-and-gold cliffs."
"The sky's wings."
"The night beasts run beside us, not afraid. Dream horses carry us..."
"To the sea," they said together...
”
”
Francesca Lia Block (Cherokee Bat and the Goat Guys (Weetzie Bat, #3))
“
Britain. Yet as they studied Göbekli Tepe, they discovered an amazing fact. Stonehenge dates to 2500 BC, and was built by a developed agricultural society. The structures at Göbekli Tepe are dated to about 9500 BC, and all available evidence indicates that they were built by hunter-gatherers. The archaeological community initially found it difficult to credit these findings, but one test after another confirmed both the early date of the structures and the pre-agricultural society of their builders. The capabilities of ancient foragers, and the complexity of their cultures, seem to be far more impressive than was previously suspected.
”
”
Yuval Noah Harari (Sapiens: A Brief History of Humankind)
“
too is the pyramid-look, because you don’t have to think about a ceiling. You want to have a roof over your head, so why not let your walls also be your ceiling, so you have one less thing to think about—one less surface to look at, one less surface to clean, one less surface to paint. The tepee-dwelling Indians had the right idea. A cone might be nice if circles didn’t exclude the edges and if you could find the right round sink, but I prefer an equilateral-triangular pyramidal-shaped enclosure even more than a square-based pyramid shape, because with a triangular base you have one less wall to think about, and one less corner to dust.
”
”
Andy Warhol (The Philosophy of Andy Warhol: From A to B and Back Again)
“
Privindu-l pe cronicar, mila îmi creştea în suflet din nou, rămuroasă, deasă şi înfiorată ca un tufiş fabulos, înfigându-şi rădăcinile prin străfundurile întunecate ale amintirilor mele, prin acele straturi uitate, de omeneşti datorii, până în mâlurile lunecoase ale neputinţei şi resemnării, vârstate cu fluturii şi şerpii de lumină ai îndurării şi ruşinii.
”
”
Georgina Viorica Rogoz (Drăculeștii)
“
to be clear that in signalling the decades around 2012 as the end of a great cycle, the Maya were not speaking of the end of the world, as such, but rather of the end of an age – ‘a time of great transformation and world rebirth’16 – that would be followed by the beginning of a new great cycle or world age. This, in the Mayan scheme of things, is the turbulent and dangerous time of transition we live in today. It is therefore strange, and indeed somewhat eerie, to find the solar and astronomical coordinates of the exact same 80-year window between 1960 and 2040 prophesied by the Maya to mark a turning point in human history, carved in high relief on a 12,000-year-old pillar in Göbekli Tepe in far-off Turkey.
”
”
Graham Hancock (Magicians of the Gods: Evidence for an Ancient Apocalypse)
“
Non c’è bisogno di parlare, lui mi ha detto ciò che volevo sapere, ha aperto il suo cuore, si è fidato di me. Adesso è Elijah, il mio primo e unico amore. Lo amo, il mio cuore è troppo piccolo per contenere questo sentimento che scalpita dentro di me. Mi sembra di rivivere ogni brevissimo istante di quell’estate, però ora è amplificato di dieci volte.
Ci amiamo, sembra così facile, in realtà è piuttosto difficile. Ma cosa importa? Se con lui mi sento così bene da star male, se mi scoppia il cuore quando mi guarda e nel mio futuro riesco a vedere solo lui, significa che ogni cosa viene dopo. Il buon senso, la razionalità, le opinioni degli altri, Aaron. Tutto passa in secondo piano al cospetto di questo folle e deleterio sentimento. Esistiamo semplicemente noi.
”
”
Debora C. Tepes (Sono sempre stata tua)
“
Archaeologists are familiar with such monumental structures from sites around the world – the best-known example is Stonehenge in Britain. Yet as they studied Göbekli Tepe, they discovered an amazing fact. Stonehenge dates to 2500 BC, and was built by a developed agricultural society. The structures at Göbekli Tepe are dated to about 9500 BC, and all available evidence indicates that they were built by hunter-gatherers. The archaeological community initially found it difficult to credit these findings, but one test after another confirmed both the early date of the structures and the pre-agricultural society of their builders. The capabilities of ancient foragers, and the complexity of their cultures, seem to be far more impressive than was previously suspected.
”
”
Yuval Noah Harari (Sapiens: A Brief History of Humankind)
“
What would have made [seeing Göbekli Tepe from Harran] easier, in antiquity, would have been a tall tower annexed to the temple that once stood here--a temple dedicated to Su-En (usually contracted to Sin), the Moon God of the Sabians. After telling us that there were "powerful images in this temple," the Greek Philosopher Libanius (AD 314-394), describes the tower, noting that "from its top one could overlook the entire plain of Harran."
[...]
A team from the Chicago Oriental Institute was about to start a major dig around the ruins of the Grand Mosque in 1986, but it seems that the Turkish authorities insisted on such restrictive practices that the project had to be abandoned. Current excavations by Harran University and the Sanliurfa Museum Directorate show little interest in recovery of substantive remains from the city's pre-Islamic period.
”
”
Graham Hancock (Magicians of the Gods: The Forgotten Wisdom of Earth's Lost Civilization)
“
Returning from that task and a visit to a nearby tepee,his eyes twinkled with pride as he offered a tiny rawhide pouch full of elk's teeth to Jesse. She caught her breath.Only two teeth were saved from each elk,and to be able to decorate an entire dress with teeth would put her in a position of envy in the tribe. "How long have you been saving these?" she asked.
"I am a skillful hunter...it is nothing," came the proud reply. "I only had to get them back from Running Bear. He has been keeping them for me."
Jesse worked all afternoon to add the elks' teeth to her new dress.She scolded herself for her pridefulness, but when she and Rides the Wind attended the celebration,she could not contain her happiness at the admiring glances that came her way.Rides the Wind could not have said what made him prouder-the wife he believed to be beautiful or the brave son who had earned the name Soaring Eagle.
”
”
Stephanie Grace Whitson (Walks The Fire (Prairie Winds, #1))
“
Fara indoiala, Vlad Dracul va fi purtat mereu in jurul gatului colanul de aur al ordinului cruciat de care facea parte. Dragonul de pe pieptul lui a impresionat negresit imaginatia contemporanilor, care i-au faurit supranumele ,,Draculea", intalnit intaia oara in corespondenta dusmanului sau, marele boier Albul. In orice caz, la origine, dragonului voievodului Vlad, tatal lui Tepes, nu a fost <>, cum s-a afirmat recent. Cuvantul slav ,,draku" se traduce de fapt prin : sarpe, balaur, zmeu, iar cel latin ,,draco" tot prin balaur. Era tocmai intruchiparea plastica de pe blazonul Ordinului Dragonului, asa cum o vedeau romanii. Forma romaneasca ,,Draculea" este echivalenta numai si numai in acest sens. [...] Numele ,,Dracula'' constituie aproape SINGURUL ELEMENT COMUN legendei din a doua jumatate a secolului XV si celei nascute la sfarsitul secolulu XIX, de sub pana scriitorului irlandez Bram Stoker. Acesta insa, cum se va vedea, a preferat sa-i accentueze valentele simbolice ale raului.
”
”
Stefan Andreescu (Vlad Țepeș (Dracula): între legendă și adevăr istoric)
“
Az sonra bir de baktık, Oakland yakınlarındaki bayırlardayız. Ardından, bir noktada, o doyumsuz güzellikteki beyaz şehir San Francisco gözlerimizin önüne serildi: masmavi Pasifik'in kenarında onbir gizemli tepe, etrafında yama yama patates tarlalarından bir sis duvarı, akşamüstü saatlerinin dumanı ve altın rengi. "Nefes alışını duyuyorum!" diye bağırdı Dean. "Vay be! Başardık! Hem de tam benzin biterken! Su verin bana! Buradan sonra kara yok! Daha ileri gidemeyiz çünkü kara buraya kadar! Marylou, tatlım, hadi siz hemen bir otele kapağı atın. Sabah görüşürüz. Benim Camille'le konuşup birtakım şeyleri ayarlamam lazım biliyorsun, ayrıca demiryolundaki iş için şu Fransız'ı da arayacağım. Siz de Sal'la gazete alıp iş ilanlarına bakarsınız." Oakland Bay Köprüsüne varmıştık bile. Şehir merkezindeki işyerlerinin ışıkları yanıyordu, Sam Spade'i hatırladım. O'Farrell Caddesinde sendür sundur arabadan indik ve havayı koklayıp gerindik. Uzun bir deniz yolculuğundan sonra karaya ayak basmış gibiydik. Cadde altımızda sallanıyordu. Çin mahallesinden gelen yemek kokuları sarmıştı ortalığı. Arabada ne kadar eşyamız varsa çıkarıp kaldırıma yığdık.
”
”
Jack Kerouac (On the Road)
“
But the hawk knew the landscape; there were vast areas of it he avoided due to a scarcity of prey. Land that was overhunted—that land was the Great Sioux Reservation, bordered by the rugged Black Hills on the west, the Missouri River on the east. There, even scrawny squirrels and half-dead rabbits were precious. The smudges there were tepees, made out of fading buffalo hide, clustered together in groups, the groups too close to those from other tribes, but forced, due to the government, to live together. Misery hung over this landscape like a cloud, even on the sunniest day. So he kept to the south, swooping closer to the ground, and finally the peaceful-seeming landscape gave up some secrets. A fence post here, a clump of bushes there, an upturned wagon, haystacks. As his eyes adjusted, however, other secrets were discovered. What seemed like a line of small haystacks were, upon closer inspection as the hawk zeroed in, cows. Unmoving cows, statues; some on their sides, others standing, all frozen where they were. The hawk turned, uninterested, to investigate more dark shapes emerging from the blinding white; horses, their legs collapsed under them, eyes closed forever.
”
”
Melanie Benjamin (The Children's Blizzard)
“
... sis daha da bastırdığı ve onun çevresini sardığı halde Fergudon o bulanıklık içinden yanıp sönen ve dur işareti anlamına gelen kırmızı trafik ışığını seçebildi, durdu ve bir arabanın geçmesini bekledi ve herkes ile hiç kimse hakkındaki düşüncelerine daldığı ve de Londra’da olduğunu, İngiliz şehirleriyle kasabalarında sola değil sağa bakılması gerektiğini unuttuğu içim ömrü boyunca karşıdan karşıya geçerken araba geliyor mu diye otomatik refleks haline gelmiş bir hareketle hep yaptığı gibi sola baktı, o yüzden de Blandford Caddesi’nin köşesini dönen kahverengi İngiliz Ford’unu göremedi, kaldırımdan indi, göremediği arabanın yolun sağından geldiğini anlayamadığı için karşıya geçmek üzere yürüdü, araba Ferguson’ın bedenine çarptığında öylesine şiddetle vurdu ki Ferguson uzaya gönderilmiş insan biçiminde bir füze gibi, aya ve ötesindeki yıldızlara yol alan genç bir adam gibi havaya fırladı, sonra yörüngesinin tepe noktasına ulaştı ve aşağı inmeye başladı, yere indiğinde başı kaldırımın kenarına çarptı, kafatası kırıldı ve o andna itibaren o kafatasının içinde doğmuş olan gelecekle ilgili her düşünce, her sözcük, her duygu silinip gitti.
Tanrılar dağlarından aşağı bakıp omuz silktiler.
”
”
Paul Auster (4 3 2 1)
“
Yaşamayı eskitmekten
Eskitmek için kullanmak gerektir bir şeyi, herhangi bir şeyi
Yaşamayı tüketmekten
Bu da öyle, tüketmek için başlamak gerekir
Yaşama sanki hiç gelmeyecek, erişmeyecek bir bayram gibi, bir
Belki, belki bu yoldan giderek
Bir bayram nasıl beklenirse
Belki bu yoldan giderek bir şeye varacak
Bir bayrama nasıl hazırlık yapılırsa, nasıl, yaşamanın bütün kaygıları, işleri, oruçları bayrama yönelirse, o kaygılar, o işler, o oruçlar nasıl o bayramda gerekliklerinin doğrulanışını bulursa
Ama bayram gelirse
Burada duruyor. Bayram, gelirse...
Ama bütün bir ömür bayram hazırlığıyla geçer de o bayram gelmezse...
”
”
Bilge Karasu (A Long Day's Evening)
“
He does not care for me. He brought me to the village to feed his child."
"He gave you Red Star."
Jesse denied its significance. "That was only so that I would not shame him."
"He brought many skins for a new tepee. He brought you elk skins for a new dress."
Jesse explained. "We needed those things because of the fire.All of the people needed new tepees, new clothing."
"He sits with you every evening outside the tepee."
"That is so I can read from the Book."
Prairie Flower grew impatient. "Walks the Fire! I tell you truth.Rides the Wind wishes you to be his wife.You know nothing of Lakota ways.I will tell you!"
Jesse started to protest, but Prairie Flower interrupted. "No! You listen! When a man wishes to show he wants a woman, he dresses in his finest clothing and comes to her outside her tepee.They sit and talk.He gives gifts to her parents. Not every custom is followed, because you are not a young Lakota woman. But I tell you, Rides the Wind cares for you.
After the fire, when Medicine Hawk came-when you were as one dying-you did not see him. I saw him. Rides the Wind did not eat. He did not sleep.He thought only of Walks the Fire.He hunted healing herbs.He hunted the elk for your dress.He took Two Mothers to Yellow Bird's tepee so that his cries would not disturb your rest.He trusted no one but Old One, and himself, and me to care for you.
”
”
Stephanie Grace Whitson (Walks The Fire (Prairie Winds, #1))
“
For many years,Rides the Wind cared only for Walks the Fire. Together they read this Book she speaks of.My daughter has told me of this.Walks the Fire would tel the words in the Book. Rides the Wind repeated them,then he would tell how the words would help him in the hunt or in the council.Walks the Fire listened as he spoke. She respected him.She did as he said."
As Talks a Lot spoke,the people remembered the years since Walks the Fire had come to them.Many among them recalled kindness beyond the saving of Hears Not.Many regretted the early days, when they had laughed at the white woman.They remembered Prairie Flower and Old One teaching her,and many could recall times when some new stew was shared with their family or a deerskin brought in by Rides the Wind found its way to their tepee.
Prairie Flower's voice was added to the men's. "Even when no more sons or daughters came to his tepee-even then, Rides the Wind wanted only Walks the Fire." She turned to look at Running Bear, another elder, "Even when you offered your own beautiful daugher, Rides the Wind wanted only Walks the Fire.This is true. My father told me. When he walked the earth,Rides the Wind wanted only Walks the Fire.Now that he lies upon the earth,you must know that he would say, 'Do this for her.'"
Jesse had continued to dig into the earth as she listened. When Prairie Flower told of the chief's having offered his daughter,she stopped for a moment.Her hand reached out to lovingly caress the dark head that lay so still under the clear sky.Rides the Wind had never told her of this.She had been afraid that he might take another wife when it became evident they would have no children.Now she knew that he had chosen her alone-even in the face of temptation.
From the women's group there was movement. Prairie Flower stepped forward, her digging tool in her hand. Defiantly she sputtered, "She is my friend..." and stalked across the short distance to the shallow grave. Dropping to her knees beside Jesse, she began attacking the earth.Ferociously she dug.Jesse followed her lead, as did Old One.They began again,three women working side by side.And then there were four women,and then five, and six, until a ring of many women dug together.
The men did nothing to stop them, and Running Bear decided what was to be done. "We will camp here and wait for Walks the Fire to do what she must. Tonight we will tell the life of Rides the Wind around the fire.Tomorrow, when this is done, we will move on."
And so it was.Hours later Rides the Wind, Lakota hunter, became the first of his village to be laid in a grave and mourned by a white woman. Before his body was lowered into the earth, Jesse impulsively took his hunting knife, intending to cut off the two thick, red braids that hung down her back. It seemed so long ago that Rides the Wind had braided the feathers and beads in, dusting the part.Had it really been only this morning? He had kissed her,too, grumbling about the white man's crazy ways.Jesse had laughed and returned his kiss.
”
”
Stephanie Grace Whitson (Walks The Fire (Prairie Winds, #1))
“
Every July, when Eli was growing up, his mother would close the cabin and move the family to the Sun Dance. Eli would help the other men set up the tepee, and then he and Norma and Camelot would run with the kids in the camp. They would ride horses and chase each other across the prairies, their freedom interrupted only by the ceremonies. Best of all, Eli liked the men’s dancing. The women would dance for four days, and then there would be a day of rest and the men would begin. Each afternoon, toward evening, the men would dance, and just before the sun set, one of the dancers would pick up a rifle and lead the other men to the edge of the camp, where the children waited. Eli and the rest of the children would stand in a pack and wave pieces of scrap paper at the dancers as the men attacked and fell back, surged forward and retreated, until finally, after several of these mock forays, the lead dancer would breach the fortress of children and fire the rifle, and all the children would fall down in a heap, laughing, full of fear and pleasure, the pieces of paper scattering across the land. Then the dancers would gather up the food that was piled around the flagpole—bread, macaroni, canned soup, sardines, coffee—and pass it out to the people. Later, after the camp settled in, Eli and Norma and Camelot would lie on their backs and watch the stars as they appeared among the tepee poles through the opening in the top of the tent. And each morning, because the sun returned and the people remembered, it would begin again.
”
”
Thomas King (Green Grass, Running Water)
“
Berossos compiled his History from the temple archives of Babylon (reputed to have contained "public records" that had been preserved for "over 150,000 years"). He has passed on to us a description of Oannes as a "monster," or a "creature." However, what Berossos has to say is surely more suggestive of a man wearing some sort of fish-costume--in short, some sort of disguise. The monster, Berossos tells us: "had the whole body of a fish, but underneath and attached to the head of the fish there was another head, human, and joined to the tail of the fish, feet like those of a man, and it had a human voice ... At the end of the day, this monster, Oannes, went back to the sea and spent the night. It was amphibious, able to live both on land and in the sea ... Later, other monsters similar to Oannes appeared."
Bearing in mind that the curious containers carried by Oannes and the Apkallu sages are also depicted on one of the megalithic pillars at Göbekli Tepe (and [...] as far afield as ancient Mexico as well), what are we to make of all this? The mystery deepends when we follow the Mesopotamian traditions further. In summary, Oannes and the brotherhood of Apkallu sages are depicted as tutoring mankind for many thousands of years. It is during this long passage of time that the five antediluvian cities arise, the centers of a great civilization, and that kingship is "lowered from heaven." Prior to the first appearance of Oannes, Berossos says, the people of Mesopotamia 'lived in a lawless manner, like the beasts of a field.
”
”
Graham Hancock (Magicians of the Gods: The Forgotten Wisdom of Earth's Lost Civilization)
“
She looked at him defiantly, "I know I am not beautiful.I laughed at myself for thinking such impossible things."
Rides the Wind was quiet for so long that she wondered if her rush of words had overreached his abilities in English. But just when she started to question him,he turned his own face to the horizon so that she could view only his profile.
"When Rides the Wind was young, he danced about the fire like no other brave.It was then that Dancing Waters came to be his woman.She would watch, and her eyes danced with the flames. But one day Rides the Wind went to hunt.His pony fell and crushed his leg. Marcus Whitman fixed the leg, but it would not grow straight.Rides the Wind could dance no more. The fire died in the eyes of Dancing Waters." He encircled her with his arms before continuing. "Walks the Fire sees Rides the Wind when he walks like the wounded buffalo.She sees, but the fire does not die in her eyes.Beautiful is in here," he placed his hand over her heart. "So do not laugh when you think you are beautiful.Rides the Wind sees the fire in your eyes.And to him,you are beautiful."
Jesse reached for his hand,and, holding it palm up,she kissed it.
He growled, "...and so you give me more of the white man's ways."
In a moment of uncharacteristic abandon, Jesse stood on tip-toe and placed a less-than-chaste kiss upon the mouth of her husband.She smiled in spite of the resulting blush on her cheek, reaching up to tug childishly on his flowing hair.
Then,to his delight and amazement she spoke the Lakota words: "Mihigna-my husband-Walks the Fire is an obedient wife.If he wishes her to stop this strange touch,he must tell her.Walks the Fire will obey."
Rides the Wind took her hand, and they started back to the tepee.As they climbed the hill together he replied, "Many of the white man's ways must be forgotten to live among my people...but not all.
”
”
Stephanie Grace Whitson (Walks The Fire (Prairie Winds, #1))
“
So what did you and Landon do this afternoon?” Minka asked, her soft voice dragging him back to the present.
Angelo looked up to see that Minka had already polished off two fajitas. Damn, the girl could eat. “Landon gave me a tour of the DCO complex. I did some target shooting and blew up a few things. He even let me play with the expensive surveillance toys. I swear, it felt more like a recruiting pitch to get me to work there than anything.”
Minka’s eyes flashed green, her full lips curving slightly. Damn, why the hell had he said it like that? Now she probably thought he was going to come work for the DCO. Even if he wanted to, he couldn’t, not after just reenlisting for another five years. The army wasn’t the kind of job where you could walk into the boss’s office and say, “I quit.”
Thinking it would be a good idea to steer the conversation back to safer ground, he reached for another fajita and asked Minka a question instead. “What do you think you’ll work on next with Ivy and Tanner? You going to practice with the claws for a while or move on to something else?”
Angelo felt a little crappy about changing the subject, but if Minka noticed, she didn’t seem to mind. And it wasn’t like he had to fake interest in what she was saying. Anything that involved Minka was important to him. Besides, he didn’t know much about shifters or hybrids, so the whole thing was pretty damn fascinating.
“What do you visualize when you see the beast in your mind?” he asked.
“Before today, I thought of it as a giant, blurry monster.
But after learning that the beast is a cat, that’s how I picture it now.” She smiled. “Not a little house cat, of course. They aren’t scary enough. More like a big cat that roams the mountains.”
“Makes sense,” he said.
Minka set the other half of her fourth fajita on her plate and gave him a curious look. “Would you mind if I ask you a personal question?”
His mouth twitched as he prepared another fajita. He wasn’t used to Minka being so reserved. She usually said whatever was on her mind, regardless of whether it was personal or not.
“Go ahead,” he said.
“The first time we met, I had claws, fangs, glowing red eyes, and I tried to kill you. Since then, I’ve spent most of the time telling you about an imaginary creature that lives inside my head and makes me act like a monster. How are you so calm about that? Most people would have run away already.”
Angelo chuckled. Not exactly the personal question he’d expected, but then again Minka rarely did the expected.
“Well, my mom was full-blooded Cherokee, and I grew up around all kinds of Indian folktales and legends.
My dad was in the army, and whenever he was deployed, Mom would take my sisters and me back to the reservation where she grew up in Oklahoma. I’d stay up half the night listening to the old men tell stories about shape-shifters, animal spirits, skin-walkers, and trickster spirits.” He grinned. “I’m not saying I necessarily believed in all that stuff back then, but after meeting Ivy, Tanner, and the other shifters at the DCO, it just didn’t faze me that much.”
Minka looked at him with wide eyes. “You’re a real American Indian? Like in the movies? With horses and everything?”
He laughed again. The expression of wonder on her face was adorable. “First, I’m only half-Indian. My dad is Mexican, so there’s that. And second, Native Americans are almost nothing like you see in the movies. We don’t all live in tepees and ride horses. In fact, I don’t even own a horse.”
Minka was a little disappointed about the no-horse thing, but she was fascinated with what it was like growing up on an Indian reservation and being surrounded by all those legends. She immediately asked him to tell her some Indian stories. It had been a long time since he’d thought about them, but to make her happy, he dug through his head and tried to remember every tale he’d heard as a kid.
”
”
Paige Tyler (Her Fierce Warrior (X-Ops, #4))
“
Hz. Yuşâ (A.S.) öğrenmek istedi:
"Seninle ilk tanıştığımız zaman, burasına bir yerden bahsetmiştin. Orası neresidir?"
Adam düşündü. Hz. Yuşâ (A.S.) sorduğuna pişman oldu. Teklif etti:
"Eğer yaranı, sıla hasretini deşeceksem, sus."
"Hayır. O yara kabuk bağladı artık. Sana nasıl anlatacağımı düşünüyordum."
"İyi öyleyse."
Adam şöyle başladı:
"Önümüzdeki vadi içinde akan Erden Nehridir değil mi?"
"Evet."
"Güneydeki Lût Denizine dökülür."
"Öyle."
"Nehir kuzeyde Taberiye gölünden su alır."
"Doğru."
"O halde Erden nehri, bu iki deniz arasında akan bir boğazdır."
"Belki."
"Ey Yuşâ! Yurdunun sınırı Toroslara dayanıyor. Diyelim ki onu aştın. Hep kuzeybatıya doğru git. Birçok dağlar ve ovalar, dereler, nehirler geç. Nihayet bir gün şu vadinin daha derin ve genişine ulaşacaksın. Kuzey ile güneyinde de Taberiye gölü ile Lût denizinden büyüğü var. Bunun doğusunda, kuzey denizine yakın tepe benim bir zaman yurdumdu. Orasına Dev Dağı derdim. Şurada oturduğumuz gibi oturur, engin güzellikleri seyrederdim. Hile, fesat, kötülük yoktu. İnsanlardan uzaktım. Mavi ile yeşil dostlarımdı sadece. Huzurumu bulmuştum. Ama olan oldu nihayet. İçimdeki sese uydum. Kaya gibi koptum dağımdan. Şükür ki küçük bir örneğiyle avunuyorum."
Adamın anlatttığı yer İstanbul Boğazı'ydı. Kuzeyde Karadeniz, güneyde Marmara vardı. Boğaz, Erden vadisi gibiydi. Karadeniz Lût denizi yerine geçerdi. Marmara da Taberiye gölü yerine. Adamın Dev Dağı dediği tepe, Boğazın Anadolu kıyısında Karadeniz yakınındaydı.
.
.
.
Hz. Yuşâ (A.S.) tekrar tenhaya çekildi. İlhamları gibi oldu. O yıl vefat etti. İsrailoğullarını onu nereye gömeceklerini pek düşündürmedi. Mademki Efrayim Dağlığı'nda Gaaş Dağı'nın Timatsarah Tepesi'ni pek seviyordu, oraya defnettiler. Bu olay üzerinden üç bin seneye yakın zaman geçti. İstanbul Boğazı'nın doğu kıyısında Karadeniz'e yakın bir tepe var. Adı Yuşâ Tepesi'dir. Karşısında da Telli Baba var. Nasıl ki bir zamanlar Anadolu Hisarı ile Rumeli Hisarı Boğaz'ın emniyetini madde bakımından sağlamış ve sağlıyorlarsa, bu iki tepede yatanların da Boğaz'ın emniyetini mânen sağladıkları, ebediyen Müslümanlara kalacağı anlatılır.
Telli baba kimdir. Onun Fatih Sultan Mehmet ordusunda bir asker olduğu, erdiği ve tel çekerken şehit düştüğü rivayeti yaygındır. Ya Yuşâ Tepesi'ndeki, acaba Hz. Yuşâ (A.S.) mıdır? Yoksa başka bu adda bir veli midir?
Çeşitli söylentiler anlatılır. Umumi fikir onun Hz. Yuşâ (A.S.) olduğu merkezindedir. Eskiden adı Dev Dağı olan o yerde savaşırken, gövdesi ikiye ayrıldığı halde, tepenin en üstüne çıkmış ve ruhunu teslim etmiştir. Ona onyedi metre boyunda, dört metre eninde bir mezar yapılmıştır. Baş ve ucunda iki küçük taş vardır. Elbet Hz. Yuşâ (A.S.) bu kadar büyük değildi. Mezarının geniş ve uzun tutulması, rütbesinin enginliğindendir. Yuşâ Tepesi'ni asırlık kavaklar süsler.
Doğrusunu şüphesiz ancak Hazreti Allah (C.C.) bilir.
”
”
Ahmet Cemil Akıncı (Kâbe'ye Doğru Büyük Kısas-ı Enbiya/ Peygamberler Tarihi 18, Hz. Yûşâ)
“
You are my friend, Prairie Flower. If I tell you what is in my heart, will you promise never to tell?"
Prairie Flower laid a hand on Jesse's shoulder, pulling it away quickly when her friend flinched in pain. "I will not betray my friend."
Taking a deep breath, Jesse lifted her head. "When Rides the Wing comes near to me, my heart sings.But I do not believe that he cares for me.I am clumsy in all of the things a Lakota woman must know.I cannot speak his language without many childish mistakes. And..." Jesse reached up to lay her hand on her short hair, "I am nothing to look at.I am not..."
Prairie Flower grew angry. "I have told you he cares for you.Can you not see it?"
Jesse shook her head.
Prairie Flower spoke the unspeakable. "Then,if you cannot see that he cares for you in what he does,you must see it in what he has not done. You have been in his tepee. Dancing Waters has been gone many moons."
"Stop!" Jesse demanded. "Stop it! I..just don't say any more!" She leaped up and ran out of the tepee-and into Rides the Wind, who was returning from the river where he had gone to draw water.
Jesse knocked the water skins from both of his hands. Water spilled out and she fumbled an apology then bent stiffly to pick up the skins, wincing with the effort.
"I will do it, Walks the Fire." His voice was tender as he bent and took the skins from her.
Jesse protested, "It is the wife's job." She blushed, realizing that she had used a wrong word-the word for wife, instead of the word for woman.
Rides the Wind interrupted before she could correct herself. "Walks the Fire is not the wife of Rides the Wind."
Jesse blushed and remained quiet. A hand reached for hers and Rides the Wind said, "Come, sit." He helped her sit down just outside the door of the tepee. The village women took note as he went inside and brought out a buffalo robe. Sitting by Jesse,he placed the robe on the ground and began to talk.
"I will tell you how it is with the Lakota. When a man wishes to take a wife..." he described Lakota courtship. As he talked, Jesse realiced that all that Prairie Flower had said seemed to be true.He had,indeed, done nearly everything involved in the courtship ritual.
Still, she told herself, there is a perfectly good explanation for everything he has done.
Rides the Wind continued describing the wedding feast. Jesse continued to reason with herself as he spoke. Then she realized the voice had stopped and he had repeated a question.
"How is it among the whites?How does a man gain a wife?"
Embarrassed,Jesse described the sparsest of courtships, the simplest wedding.Rides the Wind listened attentively. When she had finished, he said, "There is one thing the Lakota brave who wishes a wife does that I have not described." Pulling Jesse to her feet, he continued, "One evening, as he walks with his woman..." He reached out to pick up the buffalo robe.He was aware that the village women were watching carefully.
"He spreads out his arms..." Rides the Wind spread his arms,opening the buffalo robe to its full length, "and wraps it about his woman," Rides the Wind turned toward Jesse and reached around her, "so that they are both inside the buffalo robe." He looked down at Jesse, trying to read her expression.When he saw nothing in the gray eyes, he abruptly dropped his arms.
"But it is hot today and your wounds have not healed.I have said enough.You see how it is with the Lakota."
When Jesse still said nothing, he continued, "You spoke of a celebration with a min-is-ter.It is a word I do not know.What is this min-is-ter?"
"A man who belives in the Bible and teaches his people about God from the Bible."
"What if there is no minister and a man and a woman wish to be married?"
Jesse grew more uncomfortable. "I suppose they would wait until a minister came.
”
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Stephanie Grace Whitson (Walks The Fire (Prairie Winds, #1))
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Dedelerimizin, babalarımızın bugün bizim dediğimiz gibi, yarın da çocuklarımız, “Az gittik, uz gittik, dere tepe düz gittik, seksen kış, seksen yaz gittik. Bir de ardımıza baktık ki, arpa boyu yol gitmişiz. “ demesinler.
Çocuklarımız, çocuklarımız, evet, sayın üyeler, çocujlarımızın bizim için ne diyeceklerini düşününüz. Saygılarımla.
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Aziz Nesin
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the cultural centre of Göbekli Tepe was somehow connected to the initial domestication of wheat by humankind and of humankind by wheat. In order to feed the people who built and used the monumental structures, particularly large quantities of food were required. It may well be that foragers switched from gathering wild wheat to intense wheat cultivation, not to increase their normal food supply, but rather to support the building and running of a temple. In the conventional picture, pioneers first built a village, and when it prospered, they set up a temple in the middle. But Göbekli Tepe suggests that the temple may have been built first, and that a village later grew up around it.
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Yuval Noah Harari (Sapiens: A Brief History of Humankind)
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while still another promised to find out if it was true that she ate raw skinned squirrels for breakfast and slept outside in a tepee.
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Beverly Jenkins (Wild sweet love: Love wild)
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İki Avustralyalı gezgin 1912’de Çin’in Xi’an eyaletine yaptıkları bir gezide burada Mısır Piramitlerine benze büyük bir piramit keşfetmişlerdir. Daha sonra 1945 yılında, 2. Dünya Savaşı sırasında Çin’e yardım malzemesi götüren bir C-54 uçağından Çin’in Xi’an şehrinin 100 km güneybatısındaki bu büyük piramit fark edilmiş ve ilk kez fotoğrafı çekilmiştir. Bu esrarengiz piramide “Beyaz Piramit” adı verilmiştir. BEYAZ PİRAMİT’in bu ilk fotoğrafı 1957 yılında Life dergisinde yayınlanmıştır.
….
5000 yıllık Çin metinlerinde bu piramitten söz edilmektedir. Ön-Türk araştırmacısı Kazım Mirşan, bu piramitlerin MÖ 7000’lerde dikildiğini iddia etmektedir.
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Beyaz Pirramit konusunda çalışmalar yapan Ön-Türk araştırmacısı Haluk Tarcan, bu uygarlık harikası hakkında şu bilgileri vermektedir:
“… Bu piramidin yüksekliğinin 300 metre olmasını hayretle karşıladım ve New York’ta öğrencim Levent Alaybeyoğlu’ndan tamamlayıcı bilgi rica ettim. Piramit gerçekten 300 metre yüksekliğindedir. Yani Eyfel Kulesi yüksekliğine varan bir tepe halindedir. Hausdof’un verdiği bilgiye göre tarih MÖ 2500’ler olacaktır. Çin’de Ön-Türkler MÖ 3000’lerde devlet kurmuş olup Çin tarihi MÖ 1700’lerde başladığına göre bu piramidin ve etrafındakilerin Ön-Türklerce yapılmış olmaları gerekmektedir.”
…
Mısır’daki firavunlar dönemiyle neredeyse çağdaş sayılabilecek zamanlarda (MÖ2852-2206) arasında Çin’de yarı mitolojik “Beş Kral” hüküm sürmüştü. Çin bu dönemde altın ve yeşim zengini, gelişmiş bir uygarlıktı; ipek ve gıda bolluğu içindeydi. Bununla birlikte, İskenderiye’nin büyük kütüphanesinin kaderini takiben, İmparator Chin Shin Huang MÖ2012’de kadim Çin’le ilgili bütün kitapların ve edebi eserlerin yakılmasını emretmişti. Büyük kraliyet kütüphanesi de dâhil bütün kütüphaneler yok edilmiş ancak bazı metinler mağaralarda ve manastırlarda saklanmıştı.
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Peki, ama Çinli İmparator neden bütün tarihi eve edebi eserleri yok etme kararı almıştı? İmparatorun gelecek nesillerden saklamak istediği neydi?
….
Çinli yetkililer Xi’an’daki piramitleri dünyadan saklayabilmek için piramitlerin üzerlerine sürekli yeşil kalan ağaçlar dikmişlerdir. Böylece yıllar sonra üzeri ormanla kaplı tepeciklere dönüşecek olan bu uygarlık şaheserleri belki yüz yıl daha insanlığın bilgisinden uzak tutulacaktır.
Peki, ama neden? Neden Çin Xİ’an piramitlerini saklamaktadır. Neden Çin bu uygarlık şaheserlerini dünyaya tanıtmamaktadır. Eğer bu piramitler Çinlilere ait olsaydı, Çinliler kendi uygarlıklarının derinliğini dünyaya anlatabilmek ve bölgeye daha fazla turist çekebilmek için, bırakın üzerlerine ağaç dikmeyi, her piramidin her taşını tek tek parlatır, bu şaheserleri dünyanın beğenisine sunarlardı. Ama bugün bu bölgeler Çin’in yasak bölgeleridir.
Sayfa: 270-273
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Sinan Meydan (Köken: Atatürk ve Kayıp Kıta Mu 2)
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There were several methods by which the Indians obtained eagle feathers. Some tribes dug a pit in the ground in the areas known to have eagles. These pits were large enough to conceal a brave. The trap was baited with a live rabbit or pieces of buffalo meat, and the opening was covered with a buffalo hide or brush. A large enough opening was left so that the Indian crouching in the pit could grab the tail feathers of the bird alighting to take the bait. The bird would lose its feathers, but could escape unharmed to grow new tail feathers by its next moulting period. This method was very dangerous. Often bears, attracted by the bait, would discover and kill the Indian. Sometimes eagles were caught and killed for their feathers.
There also were tribes who captured young eagles while they were still in the nest. These birds were tethered by a leather thong around their leg and were kept solely for their feathers; they were plucked regularly. These birds seldom became tame and never lost their desire for freedom. They continually would fly into the air as far as the leather thong would allow, screaming their defiance at their captor.
Regardless of where or how an Indian brave accumulated feathers, he was not allowed, according to tribal law, to wear them until he won them by a brave deed. He had to appear before the council and tell or re-enact his exploit. Witnesses were examined and if in the eyes of the council the deed was thought to be worthy, the brave was authorized to wear the feather or feathers in his hair or war bonnet.
These honors were called “counting coup” (pronounced “coo”). Deeds of exceptional valor (such as to touch the enemy without killing him and escape) were called “grand coup” and were rated more than one feather. Sometimes a tuft of horsehair or down was added to the tip of a feather to designate additional honor. Some tribes designated special deeds by special marking on “coup” feathers, such as cutting notches or adding paint spots.
The coup feathers of the American Indian can be compared to the campaign ribbons and medals awarded to our modern soldier. An Indian would rather part with his horse, his tepee, or even his wife, than to lose his eagle feathers. To do so would be to be dishonored in the eyes of the tribe. Many old Indian chiefs, such as Many Coup of the Crow tribe, had won enough honors to wear a double-tailed bonnet that dragged on the ground and to carry a feathered lance to display the additional feathers.
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W. Ben Hunt (Indian Crafts & Lore)
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Originally the Indians made their tepees of buffalo hides, but since the destruction of the buffalo herds by the white man, domestic cow hides have been used, as well as canvas. New buffalo-hide tepee covers were made every spring. The size of the tepee depended somewhat on the number of horses the tribe or family had, because it required several horses to transport a large tepee. The poles were made of lodgepole pine, cedar, spruce, or any other straight tree. Flexible poles were not used. The poles averaged about 25 feet in length and tapered from 4 to 1 inch in diameter.
In warm weather the lower part of the tepee was raised up on the poles to allow the breeze to blow through. In cold weather the space around the bottom between the stakes and the ground was packed with sod to hold it down tightly and to keep out the snow and drafts.
When the tepee was new it was nearly white. But by spring, the smoke and the weather had darkened it at the top and the skins became quite transparent. At night the campfires made the tepees look like large Japanese lanterns.
On the Great Plains the wind is usually from the west and for that reason the tepees were set up with the smoke hole facing the east. The flaps, or smoke hole ears, as they are called, were used to control the drafts and to keep the wind from blowing down the smoke hole. In case of a storm they could be lapped over to close the smoke hole completely.
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W. Ben Hunt (Indian Crafts & Lore)
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İnce bir vızıltı var havada, çok uzakta. Ölen çocuğunun başında ağıtları art arda dizen, uzun bir ağıt zincirinin boğumlarını halkalayan, halkalarını boğumlayan bir kadının sesi gibi. Yel estikçe yükselen, sonra belirsizleşen bir ince vızıltı. Sazlardan, sazlığın dibindeki sivrisineklerden geliyor olsa gerek. Bu geniş bataklığın, bu at adımına göre tutulmuş ölçülerin doğurduğu, iki tepe arasında kalmaklığın emzirdiği bataklığın karşı kıyısında, örenin dibindeki kulübelerde yaşayanların sarı benizli, şiş karınlı çocuklarını düşünüyor. Ama bu ağıt, çocukların analarından değil, sivrisineklerden geliyor.
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Bilge Karasu (A Long Day's Evening)
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When a warrior had enough feathers to make a war bonnet, he invited a few of his friends to his tepee. After enjoying a meal and smoking the pipe, they ceremoniously laid out the feathers and sorted them according to size. As each feather was being prepared, the story of the deed performed by the warrior in earning it was retold. Then the feather was fastened in its place on the war bonnet.
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W. Ben Hunt (Indian Crafts & Lore)
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The only way to build Göbekli Tepe was for thousands of foragers belonging to different bands and tribes to cooperate over an extended period of time.
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Yuval Noah Harari (Sapiens: A Brief History of Humankind)
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They were fond of each other, and that was more than you could say about most marriages.
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Te-Ping Chen (Land of Big Numbers: Stories)
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A great wasteland of sorrow was opening up in him, unfolding dozens of tiny shacks, terrible squatters setting up residence, banging their miniature liquor bottles against his chest, a hundred feet trampling his organs.
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Te-Ping Chen (Land of Big Numbers: Stories)
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Before I met Lisette, America wasn't what I'd imagined; it's only natural, I expect. Everyone was friendly, but bafflingly so, as though each person had a series of invisible hedges around them that I didn't know how to penetrate.
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Te-Ping Chen (Land of Big Numbers: Stories)
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When working at the bottling plant, she'd felt herself turning into something nearly savage, fingers stiff, mind numb, chest a cage. There'd been cats in their village who'd hiss and spit at anyone who came near them, and Xiaolei thought she could understand why. Sometimes if she wanted to leave her room, she first found herself listening from inside for any hall noises and waiting until they subsided before exiting; the sound of another door rasping open would prompt her to pause. If she spotted people her age clustered in the courtyard--a few girls had made friendly overtures--she'd turn and make a hasty retreat, as if suddenly remembering something. It wasn't surprising, she told herself: all wild animals fear human contact.
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Te-Ping Chen (Land of Big Numbers: Stories)
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Today, Poverty Point is a National Park and Monument and UNESCO World Heritage Site. Despite these designations of international importance, its implications for world history have hardly begun to be explored. A hunter-gatherer metropolis the size of a Mesopotamian city-state, Poverty Point makes the Anatolian complex of Göbekli Tepe look like little more than a ‘potbelly hill’ (which is, in fact, what ‘Göbekli Tepe’ means in Turkish). Yet outside a small community of academic specialists, and of course local residents and visitors, very few people have heard of it.
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David Graeber (The Dawn of Everything: A New History of Humanity)
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Stone Age (c. 10,000–5500 BCE)
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Captivating History (Ancient Turkey: A Captivating Guide to Göbekli Tepe and the Ancient Civilizations of Anatolia and Eastern Thrace (Forgotten Civilizations))
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There are several time periods within the Stone Age, including the Paleolithic, Mesolithic, and Neolithic periods.
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Captivating History (Ancient Turkey: A Captivating Guide to Göbekli Tepe and the Ancient Civilizations of Anatolia and Eastern Thrace (Forgotten Civilizations))
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The Stone Age lasted until about 5500 BCE, when the Chalcolithic Age (or Copper Age) began.
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Captivating History (Ancient Turkey: A Captivating Guide to Göbekli Tepe and the Ancient Civilizations of Anatolia and Eastern Thrace (Forgotten Civilizations))
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A stone tool was found in the Gediz River that has been dated back to about a million years
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Captivating History (Ancient Turkey: A Captivating Guide to Göbekli Tepe and the Ancient Civilizations of Anatolia and Eastern Thrace (Forgotten Civilizations))
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Historians theorize that the rooms may have been used as sanctuaries,
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Captivating History (Ancient Turkey: A Captivating Guide to Göbekli Tepe and the Ancient Civilizations of Anatolia and Eastern Thrace (Forgotten Civilizations))
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Most of the rooms have tall pillars in the middle featuring carved animals and some human forms.
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Captivating History (Ancient Turkey: A Captivating Guide to Göbekli Tepe and the Ancient Civilizations of Anatolia and Eastern Thrace (Forgotten Civilizations))
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Historians discovered that these ancient people painted their walls and lived in an organized society.
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Captivating History (Ancient Turkey: A Captivating Guide to Göbekli Tepe and the Ancient Civilizations of Anatolia and Eastern Thrace (Forgotten Civilizations))
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After the Hittites came the Phrygians, who were led by King Midas.
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Captivating History (Ancient Turkey: A Captivating Guide to Göbekli Tepe and the Ancient Civilizations of Anatolia and Eastern Thrace (Forgotten Civilizations))
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Much of Anatolia’s prehistory is still unknown,
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Captivating History (Ancient Turkey: A Captivating Guide to Göbekli Tepe and the Ancient Civilizations of Anatolia and Eastern Thrace (Forgotten Civilizations))
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Beginning with the Stone Age and traversing through the murky Neolithic, Chalcolithic, and Bronze Ages,
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Captivating History (Ancient Turkey: A Captivating Guide to Göbekli Tepe and the Ancient Civilizations of Anatolia and Eastern Thrace (Forgotten Civilizations))
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the Chalcolithic era tells of a time when mankind began working with metal implements, namely copper.
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Captivating History (Ancient Turkey: A Captivating Guide to Göbekli Tepe and the Ancient Civilizations of Anatolia and Eastern Thrace (Forgotten Civilizations))
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it marks the transition from the Neolithic to the Bronze Age.
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Captivating History (Ancient Turkey: A Captivating Guide to Göbekli Tepe and the Ancient Civilizations of Anatolia and Eastern Thrace (Forgotten Civilizations))
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were easier to build and made better use of the available space.
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Captivating History (Ancient Turkey: A Captivating Guide to Göbekli Tepe and the Ancient Civilizations of Anatolia and Eastern Thrace (Forgotten Civilizations))
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Archaeologists also found totem-like poles buried at Göbekli,
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Captivating History (Ancient Turkey: A Captivating Guide to Göbekli Tepe and the Ancient Civilizations of Anatolia and Eastern Thrace (Forgotten Civilizations))
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Neolithic Age (c. 8000–5500 BCE)
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Captivating History (Ancient Turkey: A Captivating Guide to Göbekli Tepe and the Ancient Civilizations of Anatolia and Eastern Thrace (Forgotten Civilizations))
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accurate archaeological record of the transition from the Neolithic period to the Chalcolithic Age.
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Captivating History (Ancient Turkey: A Captivating Guide to Göbekli Tepe and the Ancient Civilizations of Anatolia and Eastern Thrace (Forgotten Civilizations))
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Two of the most important sites are Nevalı Çori, which was an early Neolithic settlement located near Göbekli Tepe,
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Captivating History (Ancient Turkey: A Captivating Guide to Göbekli Tepe and the Ancient Civilizations of Anatolia and Eastern Thrace (Forgotten Civilizations))