“
Fear sucks. Because you never know when it will attack. Sometimes it sneaks up behind you, giggling like your best girlfriend from seventh grade. Then it whacks you on the back of the head, takes you straight to your knees before you realize what hit you. Other times you can see it coming, just a dot on the horizon, but you're like a canary in a cage. All you can do is hang in there and hope you don't get motion sickness and puke all over the newspapers.
”
”
Jennifer Rardin (Once Bitten, Twice Shy (Jaz Parks, #1))
“
Believing in things that aren’t real? Making something out of nothing? Connecting dots that don’t need or want to be connected? That’s what all the best writers do.
”
”
Katherine Center (The Rom-Commers)
“
Pain is only for the best when it ends.
”
”
Dot Hutchison (A Wounded Name)
“
one day my best friend said to me 'Jess, you rock a lot of polka dots' and that was the deal breaker, now we're mortal enemies
”
”
Zooey Deschanel
“
I feel the sheer unfathomable marvel that is this strange life we have, here on earth, the seven billion of us, clustered in our towns and cities on this pale blue dot of a planet, spending our allotted 30,000 days as best we can, in glorious insignificance.
”
”
Matt Haig (Reasons to Stay Alive)
“
There’s so much wonder in the world, but instead of giving a damn, and taking the time to come to the realization that we are all very, very, small in a very, very miniature place, we like to pretend we are the alphas of the whole universe. We like to make ourselves feel big. And we each like to make our way seem like the best way, and our hurts seem like the biggest hurts, when really, we are nothing more than a tiny burning dot that makes up a part of the giant sky. A tiny dot that no one would even notice was missing. A tiny dot, that will soon enough be replaced by another speck which thinks it’s more important than it actually is. I just wish people would sometimes stop fighting about stupid mundane things like race, sexual orientation, and reality television. I wish they would remember how small they are and take five minutes a day to look up to the sky and breathe.” “Logan?
”
”
Brittainy C. Cherry (The Fire Between High & Lo (Elements, #2))
“
Implicit in wonder is humility. To surrender to what is larger and unknown, to that vast, mysterious universe of which you are a tiny dot. I was not allowed to be a tiny part of anything. I had to be above, the best, on top.
”
”
V (formerly Eve Ensler) (The Apology)
“
Hindsight is a dish best served earlier, but it never is. It is inevitably served after the bill has been paid, when you are fucked and full and powerless and bloated and stumbling.
”
”
Madeleine Gray (Green Dot)
“
We could just chill if you want."
Emma raises a brow at Rachel. Rachel shrugs her innocence. "Nuh-uh. Don't look at me. I didn't teach him that."
"Picked it up all on my own," he says, retrieving his pencil from the floor.
"Figures," Emma sneers.
"Aww, don't hate on me, boo."
"Okay, I'm drawing the line at 'boo.' And don't call me 'shorty' either," Emma says.
He laughs. "That was next."
"No doubt. So, did anyone explain how you chill?"
Galen shrugs. "As far as I can tell, chillin' is the equivalent of being in a coma, only awake."
"That's about right."
"Yeah. Doesn't sound that appealing. Are all humans lazy?"
"Don't push it, Highness." But she's smirking.
"If I'm Highness, then you're 'boo.' Period."
Emma growls, but it doesn't sound as fierce as she intends. In fact, it's adorable. "Jeez! I won't call you Majesty either. And you Will. Not. Ever Call me 'boo' again."
His grin feels like it reaches all the way to his ears as he nods. "Did...did I just win an argument?"
She rolls her eyes. "Don't be stupid. We tied."
He laughs. "If you say I won, I'll let you open your present."
She glances at the gift bag and bites her lip-also adorable. She looks back at him. "Maybe I don't care about the present."
"Oh, you definitely care," he says, confident.
"No. I definitely do NOT," she says, crossing her arms.
He runs a hand through his hair. If she makes it any more difficult, he'll have to tell her where they're going. He gives his best nonchalant shrug. "That changes everything. I just figured since you like history...Anyway, just forget it. I won't bother you about it anymore." He stands and walks over to the bag, fingering the polka-dot tissue paper Rachel engorged it with.
"Even if I say you win, it's still a lie, you know." Emma huffs.
Galen won't take the bait. Not today. "Fine. It's a lie. I just want to hear you say it."
With an expression mixing surprise and suspicion in equal parts, she says it. And it sounds so sweet coming from those lips. "You won.
”
”
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
“
You really think broken children care about justice?” “Wouldn’t you?” “Never really did, no. Justice is a faulty thing at the best of times, and it doesn’t actually fix anything.” “Would you say that if you’d gotten justice as a child?” That not-quite-smile, bitter and gone too fast. “And what would I have needed justice for?” “My life’s work, and you think I won’t recognize a broken child when she sits in front of me?
”
”
Dot Hutchison (The Butterfly Garden (The Collector, #1))
“
Given the intervention of the gods and other magical and supernatural happenings, I have—as mentioned in the Introduction that you so wisely skipped—thought it best to tell the story of the war and its aftermath without attempting to dot every sequential iota or cross every chronological tau.
”
”
Stephen Fry (Troy: The Greek Myths Reimagined (Stephen Fry's Great Mythology #3))
“
[She] saw my thorns and never tried to tell me I shouldn't have them.
”
”
Dot Hutchison (The Summer Children (The Collector, #3))
“
I still have my little red hardcover notebook—spine now held in place by packing tape, pages dotted with cooking stains—filled with her loving instructions for mandelbrot, nut cake, and strudel.
”
”
Lori Pollan (The Pollan Family Table: The Best Recipes and Kitchen Wisdom for Delicious, Healthy Family Meals)
“
Your Creative Autobiography 1. What is the first creative moment you remember? 2. Was anyone there to witness or appreciate it? 3. What is the best idea you’ve ever had? 4. What made it great in your mind? 5. What is the dumbest idea? 6. What made it stupid? 7. Can you connect the dots that led you to this idea? 8. What is your creative ambition? 9. What are the obstacles to this ambition? 10. What are the vital steps to achieving this ambition? 11. How do you begin your day? 12. What are your habits? What patterns do you repeat? 13. Describe your first successful creative act. 14. Describe your second successful creative act. 15. Compare them. 16. What are your attitudes toward: money, power, praise, rivals, work, play? 17. Which artists do you admire most? 18. Why are they your role models? 19. What do you and your role models have in common? 20. Does anyone in your life regularly inspire you? 21. Who is your muse? 22. Define muse. 23. When confronted with superior intelligence or talent, how do you respond? 24. When faced with stupidity, hostility, intransigence, laziness, or indifference in others, how do you respond? 25. When faced with impending success or the threat of failure, how do you respond? 26. When you work, do you love the process or the result? 27. At what moments do you feel your reach exceeds your grasp? 28. What is your ideal creative activity? 29. What is your greatest fear? 30. What is the likelihood of either of the answers to the previous two questions happening? 31. Which of your answers would you most like to change? 32. What is your idea of mastery? 33. What is your greatest dream?
”
”
Twyla Tharp (The Creative Habit: Learn It and Use It for Life (Learn In and Use It for Life))
“
(through tears) have you ever seen anything so BEAUTIFUL? I don’t even care if this is made up, gottie is spinning us the best yarn since Ebony Dark’ness Dementia Raven Way made her FanFiction dot Net debut
”
”
Lauren James (An Unauthorized Fan Treatise (Gottie Writes, #0))
“
Now look: Droplets of oil were dotted across the front of her best dress, over the mound of her stomach. She was clumsy and fat-stomached and she didn't even have the sense to wear an apron while she was cooking. Also she had paid way too much for this dress, sixty-four dollars at Hecht's, which would scandalize Ira if he knew. How could she have been so greedy? She dabbed at her nose with the back of her hand. Took a deep breath. Well. Anyhow.
”
”
Anne Tyler (Breathing Lessons)
“
APART.
Such a simple concept. So concrete. So easy to represent on charts or diagrams with dots and pushpins either in or out. Yet real life is not dots. Some of us appear to be in, but we are out. And that is where we want to be. Not just want but need, the way tuna need the sea.
Simple: an orientation, not just a choice. A fact. To paraphrase that Boston song, more than a feeling. We are loners. Which means we are at our best, as Orsino says in Twelfth Night, when least in company.
”
”
Anneli Rufus (Party of One: The Loners' Manifesto)
“
Marlene Hanoverian’s raspberry trifle,” she says dreamily. “I’d marry her if she swung that way.” “And if she didn’t have fifty-plus years on you?” “Those fifty-plus years have taught her to make the best goddamn pistachio cannoli ever. I am all sorts of good with those extra decades.
”
”
Dot Hutchison (The Summer Children (The Collector, #3))
“
I say is someone in there?’ The voice is the young post-New formalist from
Pittsburgh who affects Continental and wears an ascot that won’t stay tight, with that
hesitant knocking of when you know perfectly well someone’s in there, the
bathroom door composed of thirty-six that’s three times a lengthwise twelve
recessed two-bevelled squares in a warped rectangle of steam-softened wood, not
quite white, the bottom outside corner right here raw wood and mangled from
hitting the cabinets’ bottom drawer’s wicked metal knob, through the door and
offset ‘Red’ and glowering actors and calendar and very crowded scene and pubic
spirals of pale blue smoke from the elephant-colored rubble of ash and little
blackened chunks in the foil funnel’s cone, the smoke’s baby-blanket blue that’s sent
her sliding down along the wall past knotted washcloth, towel rack, blood-flower
wallpaper and intricately grimed electrical outlet, the light sharp bitter tint of a heated
sky’s blue that’s left her uprightly fetal with chin on knees in yet another North
American bathroom, deveiled, too pretty for words, maybe the Prettiest Girl Of All
Time (Prettiest G.O.A.T.), knees to chest, slew-footed by the radiant chill of the
claw-footed tub’s porcelain, Molly’s had somebody lacquer the tub in blue, lacquer,
she’s holding the bottle, recalling vividly its slogan for the past generation was The
Choice of a Nude Generation, when she was of back-pocket height and prettier by
far than any of the peach-colored titans they’d gazed up at, his hand in her lap her
hand in the box and rooting down past candy for the Prize, more fun way too much
fun inside her veil on the counter above her, the stuff in the funnel exhausted though
it’s still smoking thinly, its graph reaching its highest spiked prick, peak, the arrow’s
best descent, so good she can’t stand it and reaches out for the cold tub’s rim’s cold
edge to pull herself up as the white- party-noise reaches, for her, the sort of
stereophonic precipice of volume to teeter on just before the speaker’s blow, people
barely twitching and conversations strettoing against a ghastly old pre-Carter thing
saying ‘We’ve Only Just Begun,’ Joelle’s limbs have been removed to a distance
where their acknowledgement of her commands seems like magic, both clogs simply
gone, nowhere in sight, and socks oddly wet, pulls her face up to face the unclean
medicine-cabinet mirror, twin roses of flame still hanging in the glass’s corner, hair
of the flame she’s eaten now trailing like the legs of wasps through the air of the
glass she uses to locate the de-faced veil and what’s inside it, loading up the cone
again, the ashes from the last load make the world's best filter: this is a fact. Breathes
in and out like a savvy diver…
–and is knelt vomiting over the lip of the cool blue tub, gouges on the tub’s
lip revealing sandy white gritty stuff below the lacquer and porcelain, vomiting
muddy juice and blue smoke and dots of mercuric red into the claw-footed trough,
and can hear again and seems to see, against the fire of her closed lids’ blood, bladed
vessels aloft in the night to monitor flow, searchlit helicopters, fat fingers of blue
light from one sky, searching.
”
”
David Foster Wallace (Infinite Jest)
“
It is conventional wisdom now that anything built by the government will be a disaster. But the two "Voyager" spacecraft were built by the government (in partnership with that other bugaboo, academia). They came in at cost, on time, and vastly exceeded their design specifications--as well as the fondest dreams of their makers. Seeking not to control, threaten, wound, or destroy, these elegant machines represented the exploratory part of our nature set free to roam the Solar System and beyond. This kind of technology, the treasures it uncovers freely available to all humans everywhere, has been, over the last few decades, one of the few activities of the United States admired as much by those who abhor many of its policies as by those who agree with it on every issue. "Voyager" cost each American less than a penny a year from launch to Neptune encounter. Missions to the planets are one of those things--and I mean this not just for the United States, but for the human species--that we do best.
”
”
Carl Sagan (Pale Blue Dot: A Vision of the Human Future in Space)
“
The absence of authority in the face of obscene criminality prompts delusions, peddled by propagandists and true believers alike, that noble actors are fighting the good fight but Must Keep Silent for Reasons You Will Understand in Time. In order for this delusion to hold, the sound of their silence must drown out the evidence heard with your own ears. They are dotting the I’s and crossing the T’s, the cult of the savior state bleats, they are playing 3-D chess, they are reeling in the big fish, they are aiming for the king so they best not miss, they can’t show their cards without ruining their hand, they’re getting all their ducks in a row, the dam is breaking, the storm is here, they’ve got this, be patient, be quiet, relax, trust the plan.
”
”
Sarah Kendzior (They Knew: How a Culture of Conspiracy Keeps America Complacent)
“
My observation (and experience, for that matter) indicates that humans have a propensity for choosing paths that do not lead in the direction they want to go. For much of our decision making, we lean hard into our intentions and pay very little attention to the direction of the path we’ve chosen. I see it all the time. Even with very smart people. It breaks my heart how many people I speak with who don’t connect the dots between the choices they make and the outcomes they experience. They’ve come to believe the popular notion that as long as their intentions are good, as long as their hearts are in the right place (whatever that means), as long as they do their best and try their hardest, it doesn’t really matter which path they take. They believe somehow they will end up in a good place. But life doesn’t work that way.
”
”
Andy Stanley (The Principle of the Path: How to Get from Where You Are to Where You Want to Be)
“
When considering the matter, it is important not to get taken in by the exchange of a possibility and a probability, or indeed a certainty. Apologists are quick to point out that there could possibly be an explanation for all of the suffering of the world and then conclude that there probably or definitely is one in God. Indeed, this is often the best line of defense that they have, and its goal is to obscure the reality that the probability of such explanations is abysmally low.
”
”
James Lindsay (Dot, Dot, Dot: Infinity Plus God Equals Folly)
“
The time came. We had just bought a new car, small and cheap—but brand-new. I was returning to the Milford Conference (which I loved) with a story I felt certain was good. Ten or twenty miles from Milford, Pennsylvania, I topped a hill and saw yellow dots in the road. They were goldfinches, and as my new car drew nearer they flew up, a golden shower rising from the earth. There are no words to describe how happy I was at that moment, when I felt that a whole new life was opening before me. It was perfectly true. One was.
”
”
Gene Wolfe (The Best of Gene Wolfe)
“
Oh, but it is!" said Dot. "You see, I've taken many, many writing workshops. You'd be surprised how many."
No I wouldn't, thought Amy, although she would be surprised if any of the other classes had actually encouraged critical reading. Dot was ideal prey for the sort of writing guru who praised everybody's use of metaphor whenever a metaphor, however exhausted, was actually used. No doubt Dot had been told more than once that her work was publishable, and Dot, hearing identical assurances given to others, had believed in her heart of hearts that she was the only one not being patronized. There was a local industry devoted to Dots: weekend writing conferences, during which the Dots could pay extra to have a real-live literary agent actually read one of their paragraphs; expensive weeklong retreats in Anza-Borrego or Julian or Ensenada, where the Dots could locate their inner voices; and at least three annual fiction-writing contests which the Dots could enter at will, for a hefty fee. Amy was willing to bet that in Dot's living room an entire wall was devoted to framed literary awards, including Third Runner-Up Best Unpublished Romance Manuscript.
”
”
Jincy Willett (The Writing Class)
“
OUR ANCESTORS UNDERSTOOD origins by extrapolating from their own experience. How else could they have done it? So the Universe was hatched from a cosmic egg, or conceived in the sexual congress of a mother god and a father god, or was a kind of product of the Creator’s workshop—perhaps the latest of many flawed attempts. And the Universe was not much bigger than we see, and not much older than our written or oral records, and nowhere very different from places that we know. We’ve tended in our cosmologies to make things familiar. Despite all our best efforts, we’ve not been very inventive.
”
”
Carl Sagan (Pale Blue Dot: A Vision of the Human Future in Space)
“
What advice would you give to a smart, driven college student about to enter the “real world”? What advice should they ignore? [My advice:] Pursue every project, idea, or industry that genuinely lights you up, regardless of how unrelated each idea is, or how unrealistic a long-term career in that field might now seem. You’ll connect the dots later. Work your fucking ass off and develop a reputation for going above and beyond in all situations. Do whatever it takes to earn enough money, so that you can go all in on experiences or learning opportunities that put you in close proximity to people you admire, because proximity is power. Show up in every moment like you’re meant to be there, because your energy precedes anything you could possibly say. Ignore the advice to specialize in one thing, unless you’re certain that’s how you want to roll. Ignore giving a shit about what other people think about your career choices or what you do for a living—especially if what you do for a living funds your career choices. Ignore the impulse to dial down your enthusiasm for fear it’ll be perceived as unprofessional. And especially for women, ignore societal and familial pressures to get married and have kids.
”
”
Timothy Ferriss (Tribe Of Mentors: Short Life Advice from the Best in the World)
“
The next year, Samuel F. B. Morse, a young man of many talents, best known as a painter, published a virulent treatise called Imminent Dangers to the Free Institutions of the United States through Foreign Immigration, urging the passage of a new immigration law banning all foreign-born Americans from voting.53 Morse then ran for mayor of New York (and lost). Meanwhile, he began devising a secret code of dots and dashes, to be used on the telegraph machine he was designing. He believed there existed a Catholic plot to take over the United States. He believed that, to defeat such a plot, the U.S. government needed a secret cipher. Eventually, he decided that a better use of his
”
”
Jill Lepore (These Truths: A History of the United States)
“
Sometimes kids at school called her mean. She wasn’t mean. She just saw reality clearly, and she shared it without dusting it in sugar and rainbows first. One day, when Anna was in first grade, she’d come home crying after her best friend had suddenly refused to sit with her at lunch. Her mother had tried to comfort her. “When someone asks you if you like their dress, say yes,” she said. Anna had sniffed, tears rolling down her face, and said, “But I didn’t like it! Why should I lie?” And her mother had sighed. “Because it’s what we do, to be nice.” Anna had decided, at that moment, that honest was more important than nice when it came to purple polka dots. She’d been fighting the world ever since.
”
”
Jude Watson (A Warp in Time (Horizon Book 3))
“
It was impossible not to stare at each of them, not only because my encounters with the courtly fae are so rare I could count them on one hand, but because they were more lovely and more disturbing than any faerie I had set eyes on before. The Ljosland Folk had seemed shaped from the harsh landscape of their home, a pattern that seemed to extend to the courtly fae of this realm.
The memory blurs, much as I try to pin it like a butterfly in a display case. The best I can do is record the impressions I've retained: a woman with her hair a cascade of wild roses; a man with tiny leaves dotting his face, like freckles. Several faeries with their skin faintly patterned with whorls, like tree rings, or in the variegated shades of bark. Another woman who flashed silver-blue in the sun, as if she were not made of flesh and blood but a collection of ripples.
”
”
Heather Fawcett (Emily Wilde’s Map of the Otherlands (Emily Wilde, #2))
“
There’s so much wonder in the world, but instead of giving a damn, and taking the time to come to the realization that we are all very, very, small in a very, very miniature place, we like to pretend we are the alphas of the whole universe. We like to make ourselves feel big. And we each like to make our way seem like the best way, and our hurts seem like the biggest hurts, when really, we are nothing more than a tiny burning dot that makes up a part of the giant sky. A tiny dot that no one would even notice was missing. A tiny dot, that will soon enough be replaced by another speck which thinks it’s more important than it actually is. I just wish people would sometimes stop fighting about stupid mundane things like race, sexual orientation, and reality television. I wish they would remember how small they are and take five minutes a day to look up to the sky and breathe.
”
”
Brittainy C. Cherry (The Fire Between High & Lo (Elements, #2))
“
madness is a passive as well as an active state: it is a paralysis, a refusal of the nerves to respond to the normal stimuli, as well as an unnatural stimulation. There are commonwealths, plainly to be distinguished here and there in history, which pass from prosperity to squalor, or from glory to insignificance, or from freedom to slavery, not only in silence, but with serenity. The face still smiles while the limbs, literally and loathsomely, are dropping from the body. These are peoples that have lost the power of astonishment at their own actions. When they give birth to a fantastic fashion or a foolish law, they do not start or stare at the monster they have brought forth. They have grown used to their own unreason; chaos is their cosmos; and the whirlwind is the breath of their nostrils. These nations are really in danger of going off their heads en masse; of becoming one vast vision of imbecility, with toppling cities and crazy countrysides, all dotted with industrious lunatics. One
”
”
G.K. Chesterton (In Defense of Sanity: The Best Essays of G.K. Chesterton)
“
On the bus, I pull out my book.
It's the best book I've ever read, even if I'm only halfway through. It's called Jane Eyre by Charlotte Brontë, with two dots over the e.
Jane Eyre lives in England in Queen Victoria's time. She's an orphan who's taken in by a horrid rich aunt who locks her in a haunted room to punish her for lying, even though she didn't lie.
Then Jane is sent to a charity school, where all she gets to eat is burnt porridge and brown stew for many years. But she grows up to be clever, slender, and wise anyway.
Then she finds work as a governess in a huge manor called Thornfield, because in England houses have names. At Thornfield, the stew is less brown and the people less simple.
That's as far as I've gotten...
Diving back into Jane Eyre...
Because she grew up to be clever, slender and wise, no one calls Jane Eyre a liar, a thief or an ugly duckling again. She tutors a young girl, Adèle, who loves her, even though all she has to her name are three plain dresses. Adèle thinks Jane Eyre's smart and always tells her so.
Even Mr. Rochester agrees. He's the master of the house, slightly older and mysterious with his feverish eyebrows. He's always asking Jane to come and talk to him in the evenings, by the fire. Because she grew up to be clever, slender, and wise, Jane Eyre isn't even all that taken aback to find out she isn't a monster after all...
Jane Eyre soon realizes that she's in love with Mr. Rochester, the master of Thornfield. To stop loving him so much, she first forces herself to draw a self-portrait, then a portrait of Miss Ingram, a haughty young woman with loads of money who has set her sights on marrying Mr. Rochester.
Miss Ingram's portrait is soft and pink and silky.
Jane draws herself: no beauty, no money, no relatives, no future. She show no mercy. All in brown.
Then, on purpose, she spends all night studying both portraits to burn the images into her brain for all time.
Everyone needs a strategy, even Jane Eyre...
Mr. Rochester loves Jane Eyre and asks her to marry him.
Strange and serious, brown dress and all, he loves her.
How wonderful, how impossible.
Any boy who'd love a sailboat-patterned, swimsuited sausage who tames rabid foxes would be wonderful. And impossible.
Just like in Jane Eyre, the story would end badly.
Just like in Jane Eyre, she'd learn the boy already has a wife as crazy as a kite, shut up in the manor tower, and that even if he loves the swimsuited sausage, he can't marry her.
Then the sausage would have to leave the manor in shame and travel to the ends of the earth, her heart in a thousand pieces...
Oh right, I forgot.
Jane Eyre returns to Thornfield one day and discovers the crazy-as-a-kite wife set the manor on fire and did Mr. Rochester some serious harm before dying herself.
When Jane shows up at the manor, she discovers Mr. Rochester in the dark, surrounded by the ruins of his castle.
He is maimed, blind, unkempt.
And she still loves him.
He can't believe it.
Neither can I.
Something like that would never happen in real life.
Would it?
... You'll see, the story ends well.
”
”
Fanny Britt (Jane, the Fox & Me)
“
In sum," Midlife said, giving the room his best you-the-jury baritone, "Our defense will be...?" He looked to Matt for the answer/
"Blame the other guy," Matt said.
"Which other guy?"
"Yes."
"Huh?"
"We blame whoever we can," Matt said. "The CFO, the COO, the C Choose-Your-Favorite-Two-Letter-Combination, the accounting firm, the banks, the board, the lower-level employees. We claim some of them are crooks. We claim some of them made honest mistakes that steamrolled."
"Isn't that contradictory?" Midlife asked, folding his hands and lowering his eyebrows. "Claiming both malice and mistakes?" He stopped, looked up, smiled, nodded. Malice and mistakes. Midlife liked the way that sounded.
"We're looking to confuse," Matt said. "You blame enough people, nothing sticks. The jury end up knowing something went wrong but you don't know where to place the blame. We throw facts and figures at them. We bring up every possible mistake, every uncrossed t and dotted i. We act like discrepancy is a huge deal, even if it's not. We are skeptical of EVERYONE.
”
”
Harlan Coben
“
Kee Li Tong was one of my favorite chocolatiers in New York. Years earlier, I had a fleeting addiction to her otherworldly crème brûlée truffle, a dainty yet dangerous homemade bonbon that you have to pop into your mouth whole, or suffer the consequences of squirting eggy custard all over your blouse. Now, I discovered, she was handcrafting macarons in wild and wonderful flavors like blood orange, sesame, and rose. How did she create her recipes? What inspired her expanded repertoire? And how did hers compare to Paris's best?
Emboldened as I was by my new French history lessons, I asked Kee in her Soho boutique: why macarons?
"Because they're so pretty!" Kee laughed. "They're so dainty. I think it's the colors." And, standing as we were above the glass display case, I had to agree. Her blueberry macarons were as bright as the September sky. The lotus flower was the kind of soft pink that's the perfect shade of blush. Kee's favorite flavor, passion fruit, was a snappy corn husk yellow. These were surrounded by greens (lulo and jasmine green tea) and purples (lavender, which was dotted with purple sugar crystals) and some neutral shades as well (white truffle oil and mint mocha).
”
”
Amy Thomas (Paris, My Sweet: A Year in the City of Light (and Dark Chocolate))
“
I want to convince you that intellectual property is important, that it is something that any informed citizen needs to know a little about, in the same way that any informed citizen needs to know at least something about the environment, or civil rights, or the way the economy works. I will try my best to be fair, to explain the issues and give both sides of the argument. Still, you should know that this is more than mere description. In the pages that follow, I try to show that current intellectual property policy is overwhelmingly and tragically bad in ways that everyone, and not just lawyers or economists, should care about. We are making bad decisions that will have a negative effect on our culture, our kids’ schools, and our communications networks; on free speech, medicine, and scientific research. We are wasting some of the promise of the Internet, running the risk of ruining an amazing system of scientific innovation, carving out an intellectual property exemption to the First Amendment. I do not write this as an enemy of intellectual property, a dot-communist ready to end all property rights; in fact, I am a fan. It is precisely because I am a fan that I am so alarmed about the direction we are taking.
”
”
Anonymous
“
It's called 'Hollywood Dunk.' An appetizer from the fifties."
Bronwyn dipped the chip into the white creamy spread speckled with green dots and popped it in her mouth. She chewed slowly, her face moving through a variety of expressions- none of them good.
"Yeah, I know." Alice laughed as she watched her best friend try to get the chip and dip down.
A giant swig of wine later, Bronwyn sputtered, "What's in that?"
"Deviled ham. Chives. Onion. Horseradish."
Bronwyn stared at her, mouthed, Deviled ham?
"It's chopped up deli ham mixed with mayonnaise, mustard, hot pepper sauce, and salt and pepper, and then you blend it a bit. Then you add the chives, onion, and horseradish. Oh, and the last thing is whipped cream. Can't forget that," Alice added.
"Why would you make this? To eat?" Bronwyn pressed a napkin to her lips and squeezed her eyes shut. "Whipped cream and ham should never mingle. Never ever, never."
Alice placed the still-full dip dish in the sink. "Agreed. That's why it wasn't out. I was curious, but it's disgusting."
"Thanks for the warning," Bronwyn murmured, now drinking wine directly from the bottle.
"You didn't give me a chance!" Alice replied.
"I was hungry. I've been on a stupid juice cleanse," Bronwyn retorted, and they both laughed.
"You're lucky I didn't serve the bananas wrapped in ham, baked with hollandaise sauce on top.
”
”
Karma Brown (Recipe for a Perfect Wife)
“
Dot didn’t answer. The Sheriff bared his teeth at her. “You ugly, disgusting pig.” He raised his hand to strike her— Hester’s demon slammed into him, bashing the Sheriff in the groin with its horns. Before it could gore him again, a scim ripped through the demon’s claw, pinning the demon to the ceiling. The Sheriff crumpled to the floor, wailing high-pitched noises. Hester gasped, buckling against the wall, as if the wind had been crushed out of her, her skin turning white. Overhead, her red-skinned demon bleated in pain. “H-H-Hester, you okay?” Agatha sputtered. But Hester wasn’t listening, her eyes bloodshot and still fixed on the Sheriff. “Too bad for you, your daughter has friends,” she said. “Lots of friends,” Anadil seethed. “And if you ever touch Dot, you ever speak to her like that again, those friends will tear out your throat,” said Hester. “We will kill her own father to protect her and we won’t feel an ounce of guilt. You don’t know us. You don’t know what we’re capable of.” “And you don’t know the truth about your daughter either,” said Anadil, red glare slashing through the Sheriff. “She isn’t an embarrassment or ugly or any of the other lies you dump on her. She’s a miracle. You know why? Because she came from stock like you and is still the best friend anyone could ask for.” Dot’s face flooded with tears, her whole body quivering. The Sheriff sobbed in pain behind the couch.
”
”
Soman Chainani (Quests for Glory (The School for Good and Evil: The Camelot Years #1))
“
In Amsterdam, I took a room in a small hotel located in the Jordann District and after lunch in a café went for a walk in the western parts of the city. In Flaubert’s Alexandria, the exotic had collected around camels, Arabs peacefully fishing and guttural cries. Modern Amsterdam provided different but analogous examples: buildings with elongated pale-pink bricks stuck together with curiously white mortar, long rows of narrow apartment blocks from the early twentieth century, with large ground-floor windows, bicycles parked outside every house, street furniture displaying a certain demographic scruffiness, an absence of ostentatious buildings, straight streets interspersed with small parks…..In one street lines with uniform apartment buildings, I stopped by a red front door and felt an intense longing to spend the rest of my life there. Above me, on the second floor, I could see an apartment with three large windows and no curtains. The walls were painted white and decorated with a single large painting covered with small blue and red dots. There was an oaken desk against a wall, a large bookshelf and an armchair. I wanted the life that this space implied. I wanted a bicycle; I wanted to put my key in that red front door every evening.
Why be seduced by something as small as a front door in another country? Why fall in love with a place because it has trams and its people seldom have curtains in their homes? However absurd the intense reactions provoked by such small (and mute) foreign elements my seem, the pattern is at least familiar from our personal lives.
My love for the apartment building was based on what I perceived to be its modesty. The building was comfortable but not grand. It suggested a society attracted to the financial mean. There was an honesty in its design. Whereas front doorways in London are prone to ape the look of classical temples, in Amsterdam they accept their status, avoiding pillars and plaster in favor of neat, undecorated brick. The building was modern in the best sense, speaking of order, cleanliness, and light.
In the more fugitive, trivial associations of the word exotic, the charm of a foreign place arises from the simple idea of novelty and change-from finding camels where at home there are horses, for example, or unadorned apartment buildings where at home there are pillared ones. But there may be a more profound pleasure as well: we may value foreign elements not only because they are new but because they seem to accord more faithfully with our identity and commitments than anything our homeland can provide.
And so it was with my enthusiasms in Amsterdam, which were connected to my dissatisfactions with my own country, including its lack of modernity and aesthetic simplicity, its resistance to urban life and its net-curtained mentality.
What we find exotic abroad may be what we hunger for in vain at home.
”
”
Alain de Botton (The Art of Travel)
“
I watch Ethan try to connect the dots in his head, And suddenly his face falls into a sad smile.
"Oh," he says. And that's all.
I walk over to him, my bare feet sinking into the sand as I trudge along. He's grinning at me now, but it's not the usual plastered-on smile he usually has. This one is somehow more authentic.
When I'm within a few feet of him, he holds his arms out.
"You're going to be such a good leader," he says. "I'm so proud of you, Five."
I embrace Ethan. His arms fold around me as he pats me on the back. He lets out a long, slow sigh and then starts to say something. I cut him off before he can get the words out. I can't stand to hear him say another thing.
"Ethan, I'm really sorry about this. But it's for the best."
I can feel his body clench as the blade slips out of my forearm sheath and into his back. It slides between his ribs-a lucky shot- then retracts back into my hoodie sleeve. It's over in an instant. I step away from him. He stands frozen, probably in shock. There's a deep spot of read blooming across the right side of his chest where the blade must have broken the skin. Blood drops down from the hidden wrist sheath, running over my right hand before falling from my fingertips to the sand.
"It's over," I murmur, more to myself than to Ethan. He's probably not paying much attention to what I have to say. Tears are welling in his good eye, but I don't know if they're for me or for himself.
He blinks once and then falls to the beach with a soft thud.
”
”
Pittacus Lore (Five's Betrayal (Lorien Legacies: The Lost Files, #9))
“
HlI watch Ethan try to connect the dots in his head, And suddenly his face falls into a sad smile.
"Oh," he says. And that's all.
I walk over to him, my bare feet sinking into the sand as I trudge along. He's grinning at me now, but it's not the usual plastered-on smile he usually has. This one is somehow more authentic.
When I'm within a few feet of him, he holds his arms out.
"You're going to be such a good leader," he says. "I'm so proud of you, Five."
I embrace Ethan. His arms fold around me as he pats me on the back. He lets out a long, slow sigh and then starts to say something. I cut him off before he can get the words out. I can't stand to hear him say another thing.
"Ethan, I'm really sorry about this. But it's for the best."
I can feel his body clench as the blade slips out of my forearm sheath and into his back. It slides between his ribs-a lucky shot- then retracts back into my hoodie sleeve. It's over in an instant. I step away from him. He stands frozen, probably in shock. There's a deep spot of read blooming across the right side of his chest where the blade must have broken the skin. Blood drops down from the hidden wrist sheath, running over my right hand before falling from my fingertips to the sand.
"It's over," I murmur, more to myself than to Ethan. He's probably not paying much attention to what I have to say. Tears are welling in his good eye, but I don't know if they're for me or for himself.
He blinks once and then falls to the beach with a soft thud.
”
”
Pittacus Lore
“
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Zepeto Hack Cheats Get Unlimited Coins And Tips Tricks For Zepeto Coins
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What is a friend? A friend is one of the nicest things you can have – and one of the best things you can be. – Douglas Pagels, from These Are the Gifts I’d Like to Give to You (published 1999)
Have steppingstones to look forward to, milestones to look back upon, and -- in between -- do everything it takes to have an abundance of connect-the-dot days that lead to happiness. – Douglas Pagels, from 30 Beautiful Things That Are True About You
May you remember that though the roads we take can sometimes be difficult, those are often the ones that lead to the most beautiful views. – Douglas Pagels, from A Special Christmas Blessing Just for You
Love of family and love of friends is where everything beautiful begins. – Douglas Pagels, from A Special Christmas Blessing Just for You
I want you to be reminded from time to time that you are a wonderful gift, and one of the nicest things in this entire world... is your presence in it. – Douglas Pagels, from A Special Christmas Blessing Just for You
Do your part for the planet. Do all those things you know you “should” do. Our grandchildren will either have words of praise for our efforts and our foresight, or words that condemn us for forgetting that they will live here long after we are gone. Don’t overlook the obvious: This is not a dress rehearsal. This is the real thing. Our presence has an impact, but our precautions do, too. – Douglas Pagels, from Words That Shine Like Stars
The wisest people on earth are those who have a hard time recalling their worries and an easy time remembering their blessings. – Douglas Pagels, from These Are the Gifts I’d Like to Give to You
Expressing your creativity is done more by the way you are living than by any other gesture. – Douglas Pagels, from These Are the Gifts I’d Like to Give to You
If your pursuit of wealth causes you to sacrifice any aspect of your health, your priorities are heading you in the wrong direction. Don’t hesitate to make a “you” turn. – Douglas Pagels, from These Are the Gifts I’d Like to Give to You
The more you’re bothered by something that’s wrong, the more you’re empowered to change things and make them right. The more we follow that philosophy as individuals, the easier it will be to brighten our horizons outward from there, taking in our communities, our cultures, our countries, and the common ground we stand on. The crucible of peace and goodwill is far too empty, and each of us must, in some way, help to fill it. – Douglas Pagels, from These Are the Gifts I’d Like to Give to You
We can always do more and be more than we think we can. Let’s think less and imagine more. – Douglas Pagels, from These Are the Gifts I’d Like to Give to You
”
”
Douglas Pagels
“
The Enchanted Broccoli Forest. Oh, what a pleasure that was! Mollie Katzen's handwritten and illustrated recipes that recalled some glorious time in upstate New York when a girl with an appetite could work at a funky vegetarian restaurant and jot down some tasty favorites between shifts. That one had the Pumpkin Tureen soup that Margo had made so many times when she first got the book. She loved the cheesy onion soup served from a pumpkin with a hot dash of horseradish and rye croutons. And the Cardamom Coffee Cake, full of butter, real vanilla, and rich brown sugar, said to be a favorite at the restaurant, where Margo loved to imagine the patrons picking up extras to take back to their green, grassy, shady farmhouses dotted along winding country roads.
Linda's Kitchen by Linda McCartney, Paul's first wife, the vegetarian cookbook that had initially spurred her yearlong attempt at vegetarianism (with cheese and eggs, thank you very much) right after college. Margo used to have to drag Calvin into such phases and had finally lured him in by saying that surely anything Paul would eat was good enough for them.
Because of Linda's Kitchen, Margo had dived into the world of textured vegetable protein instead of meat, and tons of soups, including a very good watercress, which she never would have tried without Linda's inspiration. It had also inspired her to get a gorgeous, long marble-topped island for prep work. Sometimes she only cooked for the aesthetic pleasure of the gleaming marble topped with rustic pottery containing bright fresh veggies, chopped to perfection.
Then Bistro Cooking by Patricia Wells caught her eye, and she took it down. Some pages were stuck together from previous cooking nights, but the one she turned to, the most splattered of all, was the one for Onion Soup au Gratin, the recipe that had taught her the importance of cheese quality. No mozzarella or broken string cheeses with- maybe- a little lacy Swiss thrown on. And definitely none of the "fat-free" cheese that she'd tried in order to give Calvin a rich dish without the cholesterol.
No, for this to be great, you needed a good, aged, nutty Gruyère from what you couldn't help but imagine as the green grassy Alps of Switzerland, where the cows grazed lazily under a cheerful children's-book blue sky with puffy white clouds.
Good Gruyère was blocked into rind-covered rounds and aged in caves before being shipped fresh to the USA with a whisper of fairy-tale clouds still lingering over it. There was a cheese shop downtown that sold the best she'd ever had. She'd tried it one afternoon when she was avoiding returning home. A spunky girl in a visor and an apron had perked up as she walked by the counter, saying, "Cheese can change your life!"
The charm of her youthful innocence would have been enough to be cheered by, but the sample she handed out really did it.
The taste was beyond delicious. It was good alone, but it cried out for ham or turkey or a rich beefy broth with deep caramelized onions for soup.
”
”
Beth Harbison (The Cookbook Club: A Novel of Food and Friendship)
“
He looks through the windscreen at nothing. They are returning to Cuba. The announcement came after the droids withdrew. An auto-animated voice. It did not proclaim their furlough a success or failure. Ibn al Mohammed does not know if the others will accept implantation. He believes they will not, as he will not. Temptation is legion, yet what does it mean? He is not of Satan’s world. What would implantation bring except ceaseless surveillance within a greater isolation? That, and the loss of his soul.
Sun-struck and empty, so immense it frightens, the desert is awesome in its indifference. Even as he stares at it, Ibn al Mohammed wonders why he does so. The life that clings to it is sparse, invisible, death-threatened. Perhaps they will cast him out just here, he and all others who do not cooperate. No matter: he has lived in such a place. Sonora is not the same as Arabia, or North Africa, or The Levant, yet its climate and scant life pose challenges that to him are not unfamiliar. Ibn al Mohammed believes he would survive, given a tent, a knife, a vessel in which to keep water, a piece of flint. Perhaps they will grant these necessities. A knife, they might yet withhold. As if, wandering in so complete a desolation, he might meet someone he would want to hurt.
As he watches, images cohere. Human figures made small by distance, yet he knows them. His mother, in a dark, loose-fitting, simple abaya. How does he recognize her, in the anonymous dress? Ibn al Mohammed has not seen his mother in a dozen years. He knows her postures, movements she was wont to make. He sees his sisters, also wearing abayas and khimars. What are they doing? Bending from the waist, they scrounge in the sand. Asna, the eldest, gentle Halima, Nasirah, who cared for him when he was young. They are gathering scraps and remants, camel chips for a fire. Where is their house? Why are they alone? It seems they have remained unmarried—yet what is he seeing? Is it a moment remembered, a vision of the past? Or are these ghosts, apparitions summoned by prophetic sight? Perhaps it is a mirage only. His sisters seem no older than when he left. Is it possible? His mother only appears to have aged. She is shrunken, her back crooked. Anah Kifah, who is patient and struggles.
He wonders how they do not see the ship, this great craft that flies across the sky. The ship is in the sky, their eyes are on the ground. That is why they do not see it. Or his windscreen view is magnified, and Halima and Nasirah and Asna and Anah Kifah are much farther away than they seem, and the ship is a vanishing dot on an unremarked horizon. If he called, they would not hear. Also, there is the glass. Still, he wishes to call to them.
What is best to say?
“Mother … Mother.” Anah Kifah does not lift her head. His words strike the windscreen and fall at his feet, are carried away by wind, melt into air.
“Nasirah? It is Ibn. Do you hear me? Halima? Halima, I can see you. I see all my sisters. I see my mother. Asna? How has it been with you? Do you hear me? It is Ibn. I am here—far away, yet here, and I shall come back. They cannot lock me always in a cage, God willing. In a month, in a year, I shall be free. Keep faith. Always know God is with you. God is great. God protects me. God gives me strength to endure their tortures. One day, God will speed my return.”
The women do not lift their heads. They prod the sand, seemingly indifferent to what they find.
Straining toward them, Ibn al Mohammed cries out, “Mother! Nasirah! I am alive! I am alive!”
[pp. 160-162]
”
”
John Lauricella
“
Mazel Amsel- I have the obsession of destroying Nevaeh, she is so perfect, I cannot stand it! My girls have to be on top, and I am never going to let her be anything, I will make sure of it! That is what I have been doing for years. Nevaeh that no good little pussy licker; even if she knows it is me, she will not be able to ‘Prove it.’ I am just that well-liked by everyone, I am so powerful that no one will ever defeat me. I am the master manipulator, Nevaeh- yes, she is the tower! She is about for a hundred pounds, unnatural blond hair, lime green glowing eyes, and a voice that bellows! To me, she looks like a bulldog in the face, yet evil wicked witch-like also, yet to everyone else she blends in, to the others she looks as they do, just a normal mom, with normal kids. Yet I think she is crumbling, I think some people are seeing through her veil, because of what happened recently.
Mazel- I have everyone wrapped around my little finger. Likewise, if they do not bow down to me, I will make their life a living hell. That is the way; I have to have it, all the time for Nevaeh! I have to know what she is doing at all times. I have to hack into her social networking and get her pears to think she is a ‘Creep’ and ‘Stocker’ to young girls. So, she has no friends at all. So, my girls can be the supreme of this area, so that they can do as they please, without anyone stopping them from being the best, no matter what, and from getting what they want, and what I want for them. Besides, foremost I wanted to make sure that she would never date anyone. So, I came up with the story of telling everyone that she was into girls and that she is just plain crazy. I should know my eyes are on her always. I did not want to see her go to proms; I did not want to see her succeed. I did not want her to be loved. I would like to see her die, and not walk away from it.
I have dreamed of ways to kill her repeatedly. Like this one, I would like to see her be impaled on a sharp wooden stick, starting through her butt hole, and then slowly have gravity have it go up into her delicious miniature body until it hits her brain, and she screams out my girl’s names, as we get what we need. I would love to see a Nevaeh- kabob! I would love to see her stoned out in the open with rocks! I would love to see my girls bite their nipples off with their teeth! I want to see my girl claw her up to head to toe. I hunger to see them scratch her sweet blue eyes that are so heavenly right out of her face!
I want to see her gush that cobalt blood like a waterfall from her naked sliced-up body. Yes, I want us to torture her any way we can until she says yes to us. We are going to get at anything of hers we can until she comes with us! As we would, all dance around her, as we would light her up, cheerfully for the last time. How I would love to bleach and fry that perfect hair with chemicals. I and we all in our family want to fuck her up and down anyways we can! Mwah Ha, ha! Yes, Beforehand, we all would kiss, touch, lick, and stick her, and do what we want to get the life from her by sucking away.
We would eat her soul away as it would come down from the heavens then through her body, and into ours, as we would drink it out, the way we do. Yes, yes, hell- yes, I can see it now! Yes, I want her soul! Besides, anything or everything I can get out of her to add to my shrine. We even have a voodoo doll of her with pins in it. I have a few things of hers like her hymen-damaged red blood tarnished pink polka-dotted gym underwear, and her indigo pantiliner she had on. That my girl ripped off of her in school, the more things we have the more we can control her mind, but I want more!
”
”
Marcel Ray Duriez
“
I got it for her—why not—and watched in amazement as she poured the entire bottle into small dishes and bowls in front of the dead cats and dogs lined up on a couch that would have been hideous under the best of circumstances. “Drink up, my beauties, being dead is no treat, you’ve earned it.
”
”
Dot Hutchison (The Butterfly Garden (The Collector, #1))
“
Martinis and Champagne were passed, along with a selection of Bobby's best hors d'oeuvres: potato pillows dotted with crème fraîche and caviar, crawfish spread served in toast cups, miniature crab cakes topped with rémoulade, tiny tuna burgers with fresh grated ginger, served on homemade brioche (Alice's recipe, which I discovered was virtually indistinguishable from what my father used to bake for our family). There were all sorts of desserts, too, mostly southern. But the hit of the evening was, as always, Bobby's banana pudding, made with pound cake instead of Nilla wafers. For the party Bobby fixed individual puddings, served in shot glasses, topped with whipped cream instead of meringue.
”
”
Susan Rebecca White (A Place at the Table)
“
A universal voucher program is but one potential policy recommendation. Let others come. Establishing the basic right to housing in America could be realized in any number of ways -- and probably should be. What works best in New York might fail in Los Angeles. The solution to housing problems in booming Houston or Atlanta or Seattle is not what is most needed in the deserted metropolises of the Rust Belt or Florida's impoverished suburbs or small towns dotting the landscape. One city must build; another must destroy. If our cities and towns are rich in diversity -- with unique textures and styles, gifts and problems -- so too must be our solutions.
”
”
Matthew Desmond (Evicted: Poverty and Profit in the American City)
“
You need tea and cake?"
"I'm not hungry," Cora says, following Etta upstairs.
"Oh, my dear." Etta laughs, the sound humming around her. "When is cake ever for hunger? It's for flavor and, in this case, comfort."
Behind her grandmother, Cora smiles.
They walk into the kitchen and Etta flicks on the kettle. On the counter sits a large chocolate cake, icing shining and dotted with cherries. The room is filled with the thick scent of chocolate.
"It's beautiful," Cora says. "You're the best grandma a girl could hope for."
"Hardly." Etta sets out two plates and begins cutting the cake. "Anyway, it's not that cherry pie you love so much, but it will have to do.
”
”
Menna Van Praag (The Dress Shop of Dreams)
“
On our return from the bush, we went straight back to work at the zoo. A huge tree behind the Irwin family home had been hit by lightning some years previously, and a tangle of dead limbs was in danger of crashing down on the house. Steve thought it would be best to take the dead tree down.
I tried to lend a hand. Steve’s mother could not watch as he scrambled up the tree. He had no harness, just his hat and a chainsaw. The tree was sixty feet tall. Steve looked like a little dot way up in the air, swinging through the tree limbs with an orangutan’s ease, working the chainsaw.
Then it was my turn. After he pruned off all the limbs, the last task was to fell the massive trunk. Steve climbed down, secured a rope two-thirds of the way up the tree, and tied the other end to the bull bar of his Ute.
My job was to drive the Ute. “You’re going to have to pull it down in just the right direction,” he said, chopping the air with his palm. He studied the angle of the tree and where it might fall.
Steve cut the base of the tree. As the chainsaw snarled, Steve yelled, “Now!” I put the truck in reverse, slipped the clutch, and went backward at a forty-five-degree angle as hard as I could. With a groan and a tremendous crash, the tree hit the ground.
We celebrated, whooping and hollering. Steve cut the downed timber into lengths and I stacked it. The whole project took us all day. By late in the afternoon, my back ached from stacking tree limbs and logs. As the long shadows crossed the yard, Steve said four words very uncharacteristic of him: “Let’s take a break.”
I wondered what was up. We sat under a big fig tree in the yard with a cool drink. We were both covered in little flecks of wood, leaves, and bark. Steve’s hair was unkempt, a couple of his shirt buttons were missing, and his shorts were torn. I thought he was the best-looking man I had ever seen in my life.
“I am not even going to walk for the next three days,” I said, laughing.
Steve turned to me. He was quiet for a moment. “So, do you want to get married?”
Casual, matter-of-fact. I nearly dropped the glass I was holding. I had twigs in my hair an dirt caked on the side of my face. I’d taken off my hat, and I could feel my hair sticking to the sides of my head.
My first thought was what a mess I must look. My second, third, and fourth thoughts were lists of every excuse in the world why I couldn’t marry Steve Irwin.
I could not possibly leave my job, my house, my wildlife work, my family, my friends, my pets--everything I had worked so hard for back in Oregon.
He never looked concerned. He simply held my gaze.
As all these things flashed through my mind, a little voice from somewhere above me spoke.
“Yes, I’d love to.”
With those four words my life changed forever.
”
”
Terri Irwin (Steve & Me)
“
she will be best of both you and me.
she will have your strength,
your thirst of knowledge
your love of sports
your giving nature
your loving heart
your tenderness
your ability to dream
your creativity
your values and mine too
She will be the best of both you and me
Tireless cycles of ovulation tracking month after month
the yogas and the chinese herbs
the quigong and the accupuncture
the IUIs and the IVFs
the hormones and the bloating
the mood swing and the heart break
when I see the read dot of my period
she would have had the best of both you and me the baby we never had
But I know in my heart She would have had the best of both you and me
”
”
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As Regina McGowan pulled her silver Volvo SUV into the driveway in front of the huge, farmhouse-style home, all Megan could see was boys. Boys everywhere. All seven of them plus their dad, running and laughing and shoving each other around on the front lawn, engaged in what appeared to be a full-contact, tackle version of ultimate Frisbee. They were playing shirts and skins. Shirts and mighty-fine-lookin’ skins.
Megan’s pulse pounded in her ears. Forget evil, laughing little monsters. These guys had been touched by the Abercrombie gods. They were a blur of toned, suntanned perfection.
For a few seconds, Megan had trouble focusing on any one of them, but then one of the skins scored a goal and jumped up, arms thrust in the air, whooping in triumph as he clutched the Frisbee in one hand. His six-pack abs were dotted with sweat and a couple of stray pieces of torn grass. His smile sent shivers right through Megan’s core. He had shaggy blond hair, a square chin, and the most perfect shoulder muscles Megan had ever seen. One of his brothers slapped him on the back and pointed toward the Volvo. He turned around and looked right at Megan.
The rest of the world ceased to exist.
“Well, here we are,” Regina said, killing the engine. “Megan?”
He smiled slowly--a perfect, open, happy smile.
“Megan?”
Something touched Megan’s arm.
“Oh! Uh…yeah?” Megan whipped her eyes away from Mr. Perfection and blushed.
Regina’s brown eyes twinkled with amusement and sympathy. “You can live in the car if you want to, but they’ll find a way to get to you anyway.”
“Oh…uh…” God, did she just catch me drooling all over one of her kids? Gross!
“Don’t worry. They promised me they would be on their best behavior,” Regina said, unbuckling her seat belt. She swung her long dark hair over her shoulder as she got out of the car and leaned down to look at Megan. “My advice? Just be yourself. I’m sure you’ll be fine.”
Megan managed to smile and Regina slammed the car door. Be myself. Yeah. Right. Because that’s gotten me so far in the past.
”
”
Kate Brian (Megan Meade's Guide to the McGowan Boys)
“
Good evening, all.” The warm room was empty. Only the crackling fire and waiting furniture greeted him. His perfect posture dropped half an inch. So much for a triumphal entry. He closed the door and removed his hat. “Did you all hear I was coming and decide to hide?” “Good evening, Nathaniel.” Kitty stepped into the parlor from the kitchen, removing her striped apron to reveal a yellow, rose-dotted dress that molded to her curves in a way Nathaniel hadn’t thought possible. Simple ringlets bobbed at her neck and an alluring grin threatened to topple his well-placed line of defense. “Good evening, lovely lady.” Extinguishing every spark of emotion with the skill of a perfect marksman, Nathaniel draped himself in his cloak of dramatic charm and bowed deeply. He closed his eyes and inhaled through his nose. “Aw, Kitty, you have done it again. All I must do is savor that aroma to know this evening’s meal will very likely be the best I’ve ever tasted.” If he stayed jocular he wouldn’t be at risk of succumbing to the emotions that toyed with him so carelessly. Kitty rolled her eyes and started toward the fire. “Oh, Nathaniel. You’re always full of exaggerated compliments, though I thank you just the same.” The grin behind her eyes toyed with his humor. “Are you calling me a liar, Miss Campbell?” He stepped forward. Her lips twitched as if she held back a smile that yearned for exposure. “Should I be?” Before
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”
Amber Lynn Perry (So True a Love (Daughters of His Kingdom #2))
“
In our highly disjointed world at VeraComm, where functions don’t communicate well and don’t significantly collaborate, we fail to improve as a whole. Everybody seeks opportunities for improvement, but because we’re separated from each other, the best we can do is improve our individual step in the process and no more. We fail to understand that problems at one step can be caused by fundamental issues at another. And with learning cycles as slow as ours–pretty much equal to the frequency of releasing, every eight or ten months–we just can’t learn. Cause and effect are so widely separated from each other on the timeline that we simply cannot connect the dots. •
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”
Alex Yakyma (The Rollout: A Novel about Leadership and Building a Lean-Agile Enterprise with SAFe®)
“
Finding commonality with another person can help you create an instant bond by transcending social differences and going straight to creating rapport. Finding common ground allows you to connect the dots in the big picture to discover what feels most comfortable, how to connect, and where you might fit in when meeting new people.
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Susan C. Young (The Art of Connection: 8 Ways to Enrich Rapport & Kinship for Positive Impact (The Art of First Impressions for Positive Impact, #6))
“
Juniper was dreaming about riding Sparkles the unicorn to the white waterfall in the southern part of Wildflower Kingdom. Her room was decorated in pink and yellow, with lots of hearts and polka dots. Everyone else in the castle was also asleep. The wizard who did magic, the castle’s chef, the shoemakers, the castle guard–all were asleep. Even the castle’s one cat, Henry the Eighth, was asleep. Then, suddenly– Crack! Princess Olivia’s eyes flew open. Boom! Juniper’s eyes flew open. Boom! Crack! Kapow! Olivia looked around her bedroom, wondering what had made the loud noises. However, seeing nothing, she ran out of her room to find Juniper. Juniper also ran out of her room, clutching her stuffed llama, so that she could find Olivia. Princess Olivia and Princess Juniper were the only two children in Wildflower Castle, and so they were best friends. Sometimes they quarreled, and sometimes they were cross with one another, but when there was trouble, they looked out for each other. The two girls collided in the dark hallway.
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A.M. Luzzader (The Princess and the Dragon: A Fairy Tale Chapter Book Series for Kids)
“
The dots of our lives connect in ways we can scarcely comprehend. Outcomes and possibilities often unfold in unimaginable ways. It’s better to do our best in the moment and release personal attachment to any particular outcome. Trust. Let mysterious forces take care of the details for us while we focus on the work at hand. This notion is not random flagrancy toward the future, nor is it a recipe for irresponsibility. Strive to do the best work possible and trust it will work itself out. Examine your past; you’ll see this element at play and know it to be true.
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Sasha Graham (Llewellyn's Complete Book of the Rider-Waite-Smith Tarot: A Journey Through the History, Meaning, and Use of the World's Most Famous Deck (Llewellyn's Complete Book Series 12))
“
Boardsi provides a web-based network which connects companies with the right executives to suit its needs. The process of creating a board becomes seamless and efficient instead of laborious. Boardsi’s CEO and Co-Founder, Martin Rowinski was listed among the 10 Best CEOs to Watch in 2021 by DotCom Magazine. The company prides itself on providing the largest curated collection of compensated board work in the world to its executive candidates.
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Boardsi
“
So I go into our dressing room and here’s this huge bouquet of roses with a card in it. So I open up the card and it reads ‘The best of my love, dot dot dot.
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Sean Egan (Fleetwood Mac on Fleetwood Mac: Interviews and Encounters (Musicians in Their Own Words Book 10))
“
So I go into our dressing room and here’s this huge bouquet of roses with a card in it. So I open up the card and it reads ‘The best of my love, dot dot dot. Tonight, question mark, Don.
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Sean Egan (Fleetwood Mac on Fleetwood Mac: Interviews and Encounters (Musicians in Their Own Words Book 10))
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Life is hard in the days, but in the decades, the creator surges ahead from connecting the dots. Three decades of research by Korn Ferry7 shows that learning agility is the single-best predictor of career success, not grades or college pedigrees.
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Karan Bajaj (The Freedom Manifesto: 7 Rules to Live a Life of Your Calling)
“
We had special moves like Pretty Poisons, Sleepy Eyes, Shark Attacks, and Biggie Fries; Bottle Caps, Bus Stops, Double Touches, and Bunny Hops; Death Rallies, Dot-to-dots, Best Friendsies, and Mystery Spots; Lumberjacks, Passbacks, Blackjacks, and Hackysacks. It sounds more like something out of a Dr. Seuss book rather than a sport.
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GLEN NESBITT (SUS: Short Unpredictable Stories)
“
sometimes the best thing you can do with a day is leave it behind and then start again tomorrow.
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Madeleine Gray (Green Dot)
“
Bodies,” Max stated, following my gaze. “Slavers?” “Yes. Every last one of the bastards.” I thought I might feel more. “And the slaves?” “We have more than one hundred and fifty people in that camp.” He pointed back towards the encampment — tents and campfires dotting the hillside. “Was that all of them?” I hated his ensuing silence. A lump rose in my throat. “All of them?” I pressed. “One was hit by falling stone when the building came down. Sammerin did his best, but he died.
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Carissa Broadbent (Daughter of No Worlds (The War of Lost Hearts, #1))
“
Information Security is always flashing their badges at people and
making urgent demands, regardless of the consequences to the rest of the organization, which is why we don’t invite them to many meetings. e best way to make sure something doesn’t get done is to have them in the room. ey’re always coming up with a million reasons why anything we
do will create a security hole that alien space-hackers will exploit to pil-lage our entire organization and steal all our code, intellectual property, credit card numbers, and pictures of our loved ones. ese are poten-tially valid risks, but I oen can’t connect the dots between their shrill, hysterical, and self-righteous demands and actually improving the de-
fensibility of our environment.
”
”
Gene Kim bestselling author of The Phoenix Project The Unicorn Project and Wiring (The Phoenix Project: A Novel About IT, DevOps, and Helping Your Business Win)
“
1. Sri Lanka’s Cultural and Historical Richness
"Sri Lanka is a place where history lives in harmony with the present. From ancient temples to colonial fortresses, every corner of this island tells a story."
Sri Lanka’s history stretches over 2,500 years, featuring incredible landmarks like the Sigiriya Rock Fortress and Anuradhapura's ancient ruins. The country is also home to the famous Temple of the Tooth in Kandy, an important religious site for Buddhists around the world. Each historic site tells a different story, making Sri Lanka a treasure trove of cultural and spiritual experiences. Find out more about planning a visit here.
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2. Nature’s Bounty and Biodiversity
"In Sri Lanka, nature isn't merely observed; it's experienced with all the senses — from the scent of spice plantations to the sight of vibrant tea terraces and the sound of waves on pristine beaches."
Sri Lanka’s national parks, like Yala and Udawalawe, are among the best places to see elephants, leopards, and a diverse range of bird species. The island’s ecosystems, from rainforests to coastal mangroves, create an incredible array of landscapes for nature lovers to explore. For those planning to visit these natural wonders, start your journey with a visa application.
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3. Sri Lankan Hospitality and Warmth
"The true beauty of Sri Lanka is found in its people — hospitable, welcoming, and ready to share a smile or story over a cup of tea."
The warmth of Sri Lankans is a common highlight for visitors, whether encountered in bustling cities or quiet villages. Tourists are frequently invited to join meals or participate in local festivities, making Sri Lanka a welcoming destination for international travelers. To experience this hospitality firsthand, ensure you have the right travel documents, accessible here.
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4. Beaches and Scenic Coastal Areas
"Sri Lanka’s coastline is a place where sun meets sand, and every wave brings with it a sense of peace."
With over 1,300 kilometers of beautiful coastline, Sri Lanka offers something for everyone. The south coast is famous for relaxing beaches like Unawatuna and Mirissa, while the east coast’s Arugam Bay draws surfing enthusiasts from around the globe. To enjoy these beaches, start by obtaining a Sri Lanka visa.
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5. Tea Plantations and the Hill Country
"The heart of Sri Lanka beats in the hill country, where misty mountains and lush tea plantations stretch as far as the eye can see."
The central highlands of Sri Lanka, with towns like Ella and Nuwara Eliya, are dotted with tea plantations that produce some of the world’s finest teas. Visiting a tea plantation offers a chance to see tea processing and sample fresh brews, with the cool climate adding to the serene experience. Secure your entry to the hill country with a visa application.
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6. Sri Lankan Cuisine: A Feast for the Senses
"In Sri Lanka, food is more than sustenance — it’s an art form, a burst of flavors that range from spicy curries to sweet desserts."
Sri Lankan cuisine is a rich blend of spices and textures. Popular dishes like rice and curry, hoppers, and kottu roti offer a true taste of the island. Food tours and local markets provide immersive culinary experiences, allowing visitors to discover the flavors of Sri Lanka. For a trip centered on food and culture, start your journey here.
”
”
parris khan
“
Epilogue From 1935’s desperate beginning, Roller Derby was invented. It grew, flourished and continues to this very day. The game and the players have evolved along with tremendous social change. Skaters from all around our amazing planet have found self-esteem through teamwork and athleticism on skates. Derby has been a trailblazer for women’s roles in our society, and has always embraced diversity of gender, color, culture and orientation. Today, thousands of leagues and teams are in operation. There are women’s, men’s, and coed teams and leagues dotting our world’s cities. Every skater, including myself, stands on the shoulders of the early risk-takers and innovators of this wonderful world of roller derby. The best is yet to come. Tim Patten
”
”
Tim Patten (ROLLER BABES: 1950s Women of Roller Derby)
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When an entire world had abandoned us, or at least while we felt like that, and even when nasty ogres killed my monk and Arnd's chevalier the brutal way, gathering to be a group of heroes & heroines gave us the recovery and idealism to live-on nonetheless.
I had hate, contempt, puzzled looks, and sometimes even understanding for those mainstreamers who knew nothing but sex about adulthood. As I have the roots of a European Barbarian who shared his tales at the campfire (old way of books) PLUS knowing that the intimicy of a mature relationship can be spoiled by sex, but it can never be built and maintained by sex alone...
Nah, much to contemplative and honest. Let's link-in some light-hearted fun:
Mikey Mason, over at youtube dot come has the songs 'Best Game Ever, and Summer of 83'...
”
”
Andrè M. Pietroschek
“
When an entire world had abandoned us, or at least while we felt like that, and even when nasty ogres killed my monk and Arnd's chevalier the brutal way, gathering to be a group of heroes & heroines gave us the recovery and idealism to live-on nonetheless.
I had hate, contempt, puzzled looks, and sometimes even understanding for those mainstreamers who knew nothing but sex about adulthood. As I have the roots of a European Barbarian who shared his tales at the campfire (old way of books) PLUS knowing that the intimacy of a mature relationship can be spoiled by sex, but it can never be built and maintained by sex alone...
Nah, much to contemplative and honest. Let's link-in some light-hearted fun:
Mikey Mason, over at youtube dot com has the songs 'Best Game Ever, and Summer of 83'...
”
”
Andrè M. Pietroschek (Attempted Poetry)
“
After twenty-one chapters in which I have, as best I could, tried to right the wrongs shown in his film, I would like to ask some questions of Hicks. Why did he feel it necessary, after referring to David as “a stray dog” in the film, to further defame people with whom he hasn’t even had the courtesy to speak, by telling a large gathering of journalists that David was “lying and dying on the floor” before he met Gillian? Why did he deny the existence of David’s first wife, Claire, who did so much for David? Why doesn’t his film pay tribute to the Reverend Robert Fairman, who has received parliamentary citations for his tireless work for the mentally ill and the excellent standards he has maintained at his lodges? Why did he not show David’s close friend of eight years, Dot, taking David to concerts, as she often did?
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Margaret Helfgott (Out of Tune: David Helfgott and the Myth of Shine)
“
Four A.M. “I love driving in the middle of the night! No traffic, the rhythm of the dotted fluorescent centerline, occasional diner with a guy alone in a corner booth, all the traffic lights set to flashing yellow, my heart charged with spiritual ecstasy from the approaching dawn! But the best part is the silence,
”
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Tim Dorsey (Nuclear Jellyfish (Serge Storms, #11))
“
A Typical Description of an NDE (Near Death Experience)
I asked Ring to describe for me a typical NDE. He told me:
The first thing is a tremendous feeling of peace, like nothing else you have experienced. Most people say like never before and never again. People say [that it is] the peace that passes all understanding. Then there is the sense of bodily separation and sometimes the sense of actually being out of the body. There are studies that show that people can sometimes report veridically what is in their physical environment, e.g., the lint on the light fixtures above themselves. They could see in a three-hundred-sixty-degree panoramic vision. They had extraordinary acuity. Often when they went further into the experience, they went to a dark place that is sometimes described as a tunnel, but not always. They usually feel that there is a sense of motion; that they are moving through something that is vast almost beyond imagination. And yet they feel they don't have the freedom to go anywhere. They feel as if they were being propelled.
The extreme sense of motion often seems to be one of acceleration. Some describe that they have felt as if they were moving a the speed of light or faster. One NDEr described this as superluminal-moving beyond the speed of light with tremendous accelerated motion through a kind of cylindrical vortex, and then, in the distance, the person describes a dot of light that suddenly grows larger, more brilliant, and all encompassing.
Ring continued:
At this stage of the experience there is an encounter with light. It seems to be a living light exuding pure love, complete acceptance, and total understanding. The individual feels that he is made of that light, that he has always been there, and that he has stepped out of time and stepped into eternity. This feeling is accompanied by a sense of absolute perfection.
Being out of time introduces another aspect of the experience: a sense of destiny. Ring explained:
Then there is a panoramic light review in which you see everything that has ever happened to you in your life. Not [only] just what you have done but the effects of your actions on others, the effects of your thoughts on others. The whole thing is laid out for you without being judged but with a complete understanding of why things were the way they were in your life. The best metaphor I can suggest for this is: as if you were the character in someone else's novel. There would be one moment outside of time where you would have the perspective of the author of that novel, and you have a sense of omniscience about that character. Why he did the things that he did, why he had affected others, and so on. It is a profound moment outside of time when this realization occurs. You see the whole raison d'etre of your life. You may also see scenes or fragments of scenes of your life if you choose to go back to your body. In other words, it is not only that you have flashbacks but you also seem to have flash-forwards of events that will occur almost at though there is a kind of blueprint for your life. And it is up to you at that moment. You have free choice because it is often left to you whether to go back to your life or to leave it behind. The people we talk with of course always make the choice to go back or sometimes are sent back.
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Fred Alan Wolf (The Dreaming Universe: A Mind-Expanding Journey into the Realm Where Psyche and Physics Meet)
“
Theoretically, people might form intentional communities (the current term for communes) and/or polyamorous clans of one hundred to one hundred fifty in Ecotopia (the term for a theoretical independent Pacific Northwest), living off the land, all local and sustainable-like. But these utopian societies won't be able to count on being left alone to live peacefully. The millions of partisans who follow Fox News, Rush Limbaugh, and right-wing televangelists happen to be the best-armed people around, and they despise just about everyone who doesn't think and pray like them. They will see collapse as affirmation of their beliefs that secular liberalism is destructive. They will also see it as an opportunity to create a new, ordered world atop the ashes. They will act to stop teenage sluts from getting abortions, teach niggers a lesson, and slaughter those spics, dots, and everyone else who doesn't fit into their vision of what and who is right. ¶ Anarchist may opt out of revolution, but counterrevolution will come to them.
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Ted Rall (The Anti-American Manifesto)
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The minute I dropped out I could stop taking the required classes that didn’t interest me, and begin dropping in on the ones that looked interesting. It wasn’t all romantic. I didn’t have a dorm room, so I slept on the floor in friends’ rooms, I returned coke bottles for the 5¢ deposits to buy food with, and I would walk the seven miles across town every Sunday night to get one good meal a week at the Hare Krishna temple. I loved it. And much of what I stumbled into by following my curiosity and intuition turned out to be priceless later on. Let me give you one example: Reed College at that time offered perhaps the best calligraphy instruction in the country. Throughout the campus every poster, every label on every drawer, was beautifully hand calligraphed. Because I had dropped out and didn’t have to take the normal classes, I decided to take a calligraphy class to learn how to do this. I learned about serif and san serif typefaces, about varying the amount of space between different letter combinations, about what makes great typography great. It was beautiful, historical, artistically subtle in a way that science can’t capture, and I found it fascinating. None of this had even a hope of any practical application in my life. But ten years later, when we were designing the first Macintosh computer, it all came back to me. And we designed it all into the Mac. It was the first computer with beautiful typography. If I had never dropped in on that single course in college, the Mac would have never had multiple typefaces or proportionally spaced fonts. And since Windows just copied the Mac, it’s likely that no personal computer would have them. If I had never dropped out, I would have never dropped in on this calligraphy class, and personal computers might not have the wonderful typography that they do. Of course it was impossible to connect the dots looking forward when I was in college. But it was very, very clear looking backwards ten years later. Again, you can’t connect the dots looking forward; you can only connect them looking backwards. So you have to trust that the dots will somehow connect in your future. You have to trust in something—your gut, destiny, life, karma, whatever. This approach has never let me down, and it has made all the difference in my life. The narrator of this story is Steve Jobs, the legendary CEO of Apple. The story was part of his famous Stanford commencement speech in 2005.[23] It’s a perfect illustration of how passion and purpose drive success, not the crossing of an imaginary finish line in the future. Forget the finish line. It doesn’t exist. Instead, look for passion and purpose directly in front of you. The dots will connect later, I promise—and so does Steve.
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Jesse Tevelow (The Connection Algorithm: Take Risks, Defy the Status Quo, and Live Your Passions)
“
Imagine it’s time for that big, end-of-engagement presentation. You and your team have been up until 2 a.m. putting together your blue books,* making sure that every i has been dotted and every t crossed. You’re all wearing your best suits and trying to look on the ball. The senior executives of your Fortune 50 client, anxious to hear McKinsey’s words of wisdom, are taking their places around the boardroom table on the top floor of the corporate skyscraper. The CEO strides into the room and says, “Sorry, folks. I can’t stay. We have a crisis and I have to go meet with our lawyers.” Then he turns to you and says, “Why don’t you ride down in the elevator with me and tell me what you’ve found out?” The ride will take about 30 seconds. In that time, can you tell the CEO your solution? Can you sell him your solution? That’s the elevator test.
”
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Ethan M. Rasiel (The McKinsey Way)
“
Our entire conception of logic has been built around the idea of how we attempt to make sense of the universe. Sure, we've extended that now into the purely abstract and rigidly formal, but all of our basic axioms (from which logical systems get their utility) ultimately have their grounding in our best guesses about reality itself.
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James Lindsay (Dot, Dot, Dot: Infinity Plus God Equals Folly)
“
sobered, nodded awkwardly, and acted like he wanted to speak, but didn’t. He turned to a laptop, gave it a command. The screens on the wall displayed what looked at first glance like a collage of images. At center was a photograph Acadia had recently taken of Alex Cross’s house from across Fifth Street. Dotted lines traveled from various windows in the house out to pictures of Dr. Alex, his wife, his grandmother, his daughter, and his younger son. Set off to one side was a framed picture of Damon, Alex Cross’s older son, seventeen and a student at a prep school in western Massachusetts. Digital lines went out from each portrait, linked to images of schools, police stations, churches, grocery stores, and various friends. There were also lines connecting each member of Cross’s family to calendar and clock icons. “He uses mind-mapping software and an Xbox 360 with Kinect to make it work,” Acadia explained. “It’s interactive, Marcus. Just stand in front of the camera and point to what you want.” Intrigued now, Sunday stepped in front of the screens and the Kinect camera. He pointed at the photograph of Cross. The screen instantly jumped to a virtual diary of the detective’s recent life, everything from photographs of Bree Stone, to his kids, to his white Chevy sedan and his best friend, John Sampson, and Sampson’s wife, Billie. Sunday pointed at the calendar, and the screens showed a chronological account of everything he had seen Cross do in the prior month.
”
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James Patterson (Cross My Heart (Alex Cross, #21))
“
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“
McClury folded back the rifle’s bipod and stood, disturbing the light covering of snow that lay across his body. His weapon was an Accuracy International L96, a bolt-action rifle made by the Brits. In McClury’s opinion one of the best all-round rifles in the world for this type of work. Precise and powerful but not too big or heavy. He’d used enough of them in the past to qualify his opinion. He wore white Gore-Tex pants, a jacket with a hood, and a white ski mask. The rifle’s furniture had been wrapped in strips of white electrical tape. McClury unbuttoned and unzipped the jacket and threw it off. It was camouflage and protection against the cold but impeded movement. Underneath he wore a black thermal shirt. He felt the chill immediately, but for now he could live with it. He left the white ski mask in place. His hide was a little under five hundred yards away, overlooking the target’s chalet. McClury had been set up just under the crest of a snowy outcrop dotted with trees to hide his silhouette and to make him virtually invisible.
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Tom Wood (The Hunter (Victor the Assassin, #1))
“
Except for the shapes of the windows, backlit by the streetlights that dotted the perimeter of the Moosetookalook town square, Liss could see very little in the darkness of the room she shared with her husband. The two front windows were raised as far as they would go, since Liss had been taught at an early age that fresh air was one of nature's best sleep aids. She had never had any reason to doubt that small bit of folk wisdom.
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Kaitlyn Dunnett (Kilt at the Highland Games (Liss MacCrimmon Mysteries #10))
“
The purpose was to insure that their regular pollinators - animals that would best serve the plant, not chance visitors that raided its pollen and nectar - would be most likely to revisit it. Flowers that are fertilized by bees, for instance, are hardly ever red since most bees have difficulty seeing this color. The motion of certain flowers in the wind apparently attracts some animal pollinators, while other flowers display patterns of color - dots or lines that converge at the entrance to the food supply to lead the insect to it.
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Richard M. Ketchum (The Secret Life of the Forest)
“
Dot always felt that picnics were best enjoyed inside a nice house with tables and chairs and a reliable stone flagged floor.
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Kerry Greenwood (Murder in the Dark (Phryne Fisher, #16))
“
Now, as for the people you work with: You like them, but they’re very different from you. Throughout life, you’ll find yourself in this position. Each new job will introduce a brand-new and vastly different culture to you. It’s unavoidable. I worked at an early dot-com, and the culture was pure Angry Nerds with Delusions of Grandeur. In some ways, I fit right in. But I also felt like a slow-moving herd animal among honey badgers. Pushing through that feeling was crucial; it was a dream job, and if I’d let my mournful lowing get in the way of what I actually created there, it would’ve been a damn shame. Likewise, when you become a parent? You are often forced to hang out with the parents of your kids’ friends. For a while, I was seriously avoidant about this, but once I finally gave in and threw myself into befriending other parents, I realized what I was missing. I love those friends! They’re great! If I turned my back on that crowd just because every last one of our interests and values weren’t in line, my life would be far less colorful and rewarding than it is.
The bigger point: Groups can’t fulfill your every need. Your spouse can’t single-handedly bring you happiness. Your best female friend can’t save you from being alone. Your group of college friends won’t feel perfectly right for you when you’re in a certain mood. There will always be discrepancies between you and your friends where priorities and lifestyle are concerned. So don’t let it prevent you from forging new connections.
”
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Heather Havrilesky (How to Be a Person in the World: Ask Polly's Guide Through the Paradoxes of Modern Life)
“
Soon enough, I began connecting the dots. The constant talk about money, about best friends (Johnny and Mark are best friends, but Mark also tells Peter he’s his best friend; Michelle and Lisa are best friends; Johnny’s other best friends all show up for his party–the whole script was like an advisory warning about the perils of having friends at all),
”
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Greg Sestero (The Disaster Artist: My Life Inside The Room, the Greatest Bad Movie Ever Made)
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WANT TO STAY UPDATED
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William Scott (Amazon Echo Dot 3rd Generation: Essential User Guide for Echo Dot and Alexa (2019 Edition) | Make the Best Use of the All-new Echo Dot (Amazon Echo Alexa Book 1))
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Now there’s a journey: from giving up smoking—giving up smoking because you want to protect your kids from loss for as long as possible—to arguing with their mother about the best way to tell them of your attempted suicide. They never said anything about that conversation in antenatal classes. It’s the distance that does it, of course. I got further and further away, and the girls got smaller and smaller until they were just tiny dots, and I could no longer see them, literally or metaphorically. You can’t make out their faces, can you, when they’re just tiny dots, so you don’t need to worry about whether they’re happy or sad. It’s why we can kill ants. And so after a while, suicide becomes imaginable, in a way that wouldn’t be possible if they looked into your eyes every day.
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Nick Hornby (A Long Way Down)
“
Here are a few recommendations: Brainstorm on a piece of paper everything that invigorates you and connect the dots. Think back to what you enjoyed doing as a child. Explore what you enjoy doing in your spare time or as a hobby. List all of your strengths and reflect on them. Ask others for help if you find it hard to list your strengths. Write your own personal mission statement, i.e. what would you like to specifically offer the world or actually have written on your gravestone? Ask your Soul for guidance in the form of a prayer. Ask yourself, “How can I best give my gift away to others?” Whatever answer makes you want to cry with joy is your meaning in life. Repeat these recommendations until something bursts into your awareness and takes your breath away.
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Aletheia Luna (Awakened Empath: The Ultimate Guide to Emotional, Psychological and Spiritual Healing)
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and remember that everything happens for a reason. The worst case will likely be the best case in the long run—you just can’t connect the dots as to why yet.
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Shaan Patel (Self-Made Success: 48 Secret Strategies To Live Happier, Healthier, And Wealthier)
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Justice is a faulty thing at the best of times, and it doesn’t actually fix anything.
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Dot Hutchison (The Butterfly Garden (The Collector, #1))
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But the Douglas, with his denser body, leaps and glides in hidden strength, seemingly as independent of common muscles as a mountain stream. He threads the tasseled branches of the pines, stirring their needles like a rustling breeze; now shooting across openings in arrowy lines; now launching in curves, glinting deftly from side to side in sudden zigzags, and swirling in giddy loops and spirals around the knotty trunks; getting into what seem to be the most impossible situations without sense of danger; now on his haunches, now on his head; yet ever graceful, and punctuating his most irrepressible outbursts of energy with little dots and dashes of perfect repose. He is, without exception, the wildest animal I ever saw,—a fiery, sputtering little bolt of life, luxuriating in quick oxygen and the woods’ best juices.
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John Muir (Nature Writings: The Story of My Boyhood and Youth / My First Summer in the Sierra / The Mountains of California / Stickeen / Essays)
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When your product leader assigns a new initiative to your product trio, ask your leader to share more of the business context with you. Explore these questions: Who is the target customer for this initiative? What business outcome are we trying to drive with this initiative? Why do we think this initiative will drive that outcome? (Be careful with Why? questions. They can put some leaders on the defensive. Use your best judgment, based on your knowledge of your specific leader.) Try to connect the dots between the business outcome and potential product outcomes. Can you clearly define how this new initiative will impact a product outcome? Is that outcome a leading indicator of the lagging indicator, business outcome?
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Teresa Torres (Continuous Discovery Habits: Discover Products that Create Customer Value and Business Value)
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He was making up for it now, even if only to himself, because he still felt impelled to put on a good face for the world, it seemed bad manners to do otherwise. 'If you can't say something nice.', his mother had tutored him, 'then don't say anything at all.'
The hair was real. Crystal had no idea who it had once belonged to. She'd worried it might have come from a corpse but her hairdresser said, 'Nah, from a temple in India. The women shave their heads for some kind of religious thing and the monks sell it.'
That's how Crystal referred to it - 'Got your head stuck in a book again, Harry?' It would be funny if his head did actually get stuck in a book.
Her heart wasn't shattered, just cracked, although cracked was bad enough.
"Are you Mrs Bragg?' Reggie asked.
"Maybe," the woman said. Well, you either are or you aren't. Reggie thought. You're not Schrodinger's cat.
What do you call a nest of lesbians? A dyke eyrie.
"Great,' she said, so he knew she wasn't listening. An increasing number of people, Jackson had noticed lately, were not listening to him.
Dogs, you know, stay by their master's side after they've died. Fido, Hachiko, Ruswrap, Old Shep, Squeak, Spot. There was a list on Wikipedia.
I am the repository of useless knowledge.
Jackson had never really seen the point of existential angst. if you didn't like something you changed it and if you couldn't change it you sucked it up and soldiered on, one foot after the other. ('Remind me not to come to you for therapy,' Julia said.)
This was better, Jackson thought, all he had to do was utilize the lyrics from country songs, they contained better advice than anything he could conjure up himself. Best to avoid Hank, though - 'I'm so lonesome I could cry. I'll never get out of this world alive. I don't care if tomorrow never comes. Poor old Hank, not good mental fodder of a man who had just tried to jump off a cliff.
'Diaeresis - the two little dots above the "e", its not an umlaut.
Reggie thought if a day would ever goes by when she is not disappointed in people.
"Jesus Christ, Crystal,' he said, dropping the baseball bat and pulling off his shoes, prepare to jump in and save Tommy. So he could kill him later.
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Kate Atkinson (Big Sky (Jackson Brodie, #5))
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You’re my wife. You’re my lover. You’re my best friend. My be-all and fucking end-all, Rose Lillian Black.” Kisses are dotted over every inch of my face. “But most importantly, you are the mother of my children.
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Jodi Ellen Malpas (The Rising (Unlawful Men, #4))
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After signing on the dotted line, I spent the next six months working out and doing my best not to get into trouble until I finally boarded a bus for the trip to the Military Entry Processing Station (MEPS) facility in southern Virginia. MEPS is the weigh station for all new military recruits. There, I found myself part of an interesting blend of Americana, one that included all shapes, sizes, colors, and temperaments of young men and women who were leaving the civilian world and getting their first taste of the United States military.
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Douglas Michael Day (Perfectly Wounded: A Memoir About What Happens After a Miracle)
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You may only be a small dot in the world, but you can always do your best to leave a mark.
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Charles F Glassman
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MINNESOTA PEACH COBBLER Preheat oven to 350 degrees F., rack in the middle position. Note: Don’t thaw your peaches before you make this—leave them frozen. Spray a 13-inch by 9-inch cake pan with Pam or other nonstick cooking spray. 10 cups frozen sliced peaches (approximately 2½ pounds, sliced) 1/8 cup lemon juice (2 Tablespoons) 1½ cups white sugar (granulated) ¼ teaspoon salt ¾ cup flour (no need to sift) ½ teaspoon cinnamon ½ cup melted butter (1 stick, ¼ pound) Measure the peaches and put them in a large mixing bowl. Let them sit on the counter and thaw for 10 minutes. Then sprinkle them with lemon juice and toss. In another smaller bowl combine white sugar, salt, flour, and cinnamon. Mix them together with a fork until they’re evenly combined. Pour the dry mixture over the peaches and toss them. (This works best if you use your impeccably clean hands.) Once most of the dry mixture is clinging to the peaches, dump them into the cake pan you’ve prepared. Sprinkle any dry mixture left in the bowl on top of the peaches in the pan. Melt the butter. Drizzle it over the peaches. Then cover the cake pan tightly with foil. Bake the peach mixture at 350 degrees F. for 40 minutes. Take it out of the oven and set it on a heat-proof surface, but DON’T TURN OFF THE OVEN! TOP CRUST: 1 cup flour (no need to sift) 1 cup white sugar (granulated) 1½ teaspoons baking powder ¼ teaspoon cinnamon ½ teaspoon salt ½ stick softened butter (¼ cup, 1/8 pound) 2 beaten eggs (just stir them up in a glass with a fork) Combine the flour, sugar, baking powder, cinnamon, and salt in the smaller bowl you used earlier. Cut in the softened butter with a couple of forks until the mixture looks like coarse cornmeal. Add the beaten eggs and mix them in with a fork. For those of you who remember your school library with fondness, the result will resemble library paste but it’ll smell a whole lot better! (If you have a food processor, you can also make the crust using the steel blade and chilled butter cut into 4 chunks.) Remove the foil cover from the peaches and drop on spoonfuls of the topping. Because the topping is thick, you’ll have to do this in little dibs and dabs scraped from the spoon with another spoon, a rubber spatula, or with your freshly washed finger. Dab on the topping until the whole pan is polka-dotted. (Don’t worry if some spots aren’t covered very well—the batter will spread out and fill in as it bakes and result in a crunchy crust.) Bake at 350 degrees F., uncovered, for an additional 50 minutes. Minnesota Peach Cobbler can be eaten hot, warm, room temperature, or chilled.
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Joanne Fluke (Peach Cobbler Murder (Hannah Swensen, #7))
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I speared a sausage with my knife, bit off the end. Juice and fat exploded: the pork melted. I tasted chestnuts, moss, the bulbs of wild lilies, the roots and shoots of an Umbrian forest floor. There was pepper, of course, salt and garlic. Nothing else. I opened my eyes. The Proctor was staring at me, and quickly looked away. I thought I saw a smile cross his lips before he opened them to admit another wagon-load of lentils.
I tried a spoonful myself. They were very small and brown- earthy-tasting, of course. That I had been expecting. But these were subtle: there was a hint of pine, which came partly from the rosemary that was obviously in the dish, but partly from the lentils themselves. I did feel as if I were eating soil, but a special kind: some sort of silky brown clay, perhaps; something that Maestro Donatello would have crossed oceans to sculpt with, or that my uncle Filippo would have used as a pigment to paint the eyes of a beautiful brown-eyed donna. Maybe this is what the earth under the finest hazelnut tree in Italy would taste like- but that, perhaps, was a question best put to a pig.
"Make sure you chew properly," I mumbled, piling my plate high.
The serving girl came back with a trencher of sliced pork meats: salami dotted with pink fat, ribbons of lardo, peppery bacon. The flavors were slippery, lush, like copper leaf or the robe of a cardinal. I coiled a strip of dark, translucent ham onto my tongue: it dissolved into a shockingly carnal mist, a swirl of truffles, cinnamon and bottarga.
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Philip Kazan (Appetite)