Tanned Man Quotes

We've searched our database for all the quotes and captions related to Tanned Man. Here they are! All 100 of them:

Magnus? Magnus Bane?” “That would be me.” The man blocking the doorway was as tall and thin as a rail, his hair a crown of dense back spikes. Clary guessed from the curse of his sleepy eyes and the gold tone of his evenly tanned skin that he was part Asian. He wore jeans and a black shirt covered with dozens of metal buckles. His eyes were crusted with a raccoon mask of charcoal glitter, his lips painted a dark shade of blue. He raked a ring-laden hand through his spiked hair and regarded them thoughtfully. “Children of the Nephilim,” he said. “Well, well. I don’t recall inviting you. I must have been drunk.
Cassandra Clare (City of Bones (The Mortal Instruments, #1))
Not everyone has to ride off into the sunset with a man. Some of us just want a tan.
Mandy Hale (The Single Woman–Life, Love, and a Dash of Sass: Embracing Singleness with Confidence)
From what I have observed, when the anesthesia of love wears off, there is always the pain of consequences. You don't have to be stupid to marry the wrong man.
Amy Tan (Saving Fish from Drowning)
The palest ink will endure beyond the memories of man
Tan Twan Eng (The Garden of Evening Mists)
The wish of death had been palpably hanging over this otherwise idyllic paradise for a good many years. All business and politics is personal in the Philippines. If it wasn't for the cheap beer and lovely girls one of us would spend an hour in this dump. They [Jehovah's Witnesses] get some kind of frequent flyer points for each person who signs on. I'm not lazy. I'm just motivationally challenged. I'm not fat. I just have lots of stored energy. You don't get it do you? What people think of you matters more than the reality. Marilyn. Despite standing firm at the final hurdle Marilyn was always ready to run the race. After answering the question the woman bent down behind the stand out of sight of all, and crossed herself. It is amazing what you can learn in prison. Merely through casual conversation Rick had acquired the fundamentals of embezzlement, fraud and armed hold up. He wondered at the price of honesty in a grey world whose half tones changed faster than the weather. The banality of truth somehow always surprises the news media before they tart it up. You've ridden jeepneys in peak hour. Where else can you feel up a fourteen-year-old schoolgirl without even trying? [Ralph Winton on the Philippines finer points] Life has no bottom. No matter how bad things are or how far one has sunk things can always get worse. You could call the Oval Office an information rain shadow. In the Philippines, a whole layer of criminals exists who consider that it is their right to rob you unhindered. If you thwart their wicked desires, to their way of thinking you have stolen from them and are evil. There's honest and dishonest corruption in this country. Don't enjoy it too much for it's what we love that usually kills us. The good guys don't always win wars but the winners always make sure that they go down in history as the good guys. The Philippines is like a woman. You love her and hate her at the same time. I never believed in all my born days that ideas of truth and justice were only pretty words to brighten a much darker and more ubiquitous reality. The girl was experiencing the first flushes of love while Rick was at least feeling the methadone equivalent. Although selfishness and greed are more ephemeral than the real values of life their effects on the world often outlive their origins. Miriam's a meteor job. Somewhere out there in space there must be a meteor with her name on it. Tsismis or rumours grow in this land like tropical weeds. Surprises are so common here that nothing is surprising. A crooked leader who can lead is better than a crooked one who can't. Although I always followed the politics of Hitler I emulate the drinking habits of Churchill. It [Australia] is the country that does the least with the most. Rereading the brief lines that told the story in the manner of Fox News reporting the death of a leftist Rick's dark imagination took hold. Didn't your mother ever tell you never to trust a man who doesn't drink? She must have been around twenty years old, was tall for a Filipina and possessed long black hair framing her smooth olive face. This specter of loveliness walked with the assurance of the knowingly beautiful. Her crisp and starched white uniform dazzled in the late-afternoon light and highlighted the natural tan of her skin. Everything about her was in perfect order. In short, she was dressed up like a pox doctor’s clerk. Suddenly, she stopped, turned her head to one side and spat comprehensively into the street. The tiny putrescent puddle contrasted strongly with the studied aplomb of its all-too-recent owner, suggesting all manner of disease and decay.
John Richard Spencer
Looking at you reminds me of the kind of man I should be with." "And what kind of man is that? Drunken, poor, pathetic?" "No. I´ve never met him, but I see him plain as day. He has crinkles around his eyes when he smiles and tanned skin from working outdoors. Honest labor has callused his hands. He and I will hunt together, cook and eat big family meals together. He´ll marry me and love my family, too." Voice gone soft, she said, "He´ll give me a baby boy and a girl.
Kresley Cole (Lothaire (Immortals After Dark, #11))
The flawlessness of his beautiful face will amaze me until the day I die— his lightly tanned skin, his almost girly long lashes, the faint crease across his brow. It would take me a lifetime to run through all his stunning features. My devastating man, in all of his challenging ways.
Jodi Ellen Malpas (This Man Confessed (This Man, #3))
Then she told me why a tiger is gold and black. It has two ways. The gold side leaps with its fierce heart. The black side stands still with cunning, hiding its gold between the trees, seeing and not being seen, waiting patiently for things to come. I did not learn to use my black side until after the bad man left me.
Amy Tan (The Joy Luck Club)
A pious man explained to his followers: 'It is evil to take lives and noble to save them. Each day I pledge to save a hundred lives. I drop my net in the lake and scoop out a hundred fishes. I place the fishes on the bank, where they flop and twirl. "Don't be scared," I tell those fishes. "I am saving you from drowning." Soon enough, the fishes grow calm and lie still. Yet, sad to say, I am always too late. The fishes expire. And because it is evil to waste anything, I take those dead fishes to market and I sell them for a good price. With the money I receive, I buy more nets so I can save more fishes.
Amy Tan (Saving Fish from Drowning)
The old man had been tanned by the light of too many beer signs, and it just goes to show that you can’t live on three packs of Chesterfields and a fifth of bourbon a day without starting to drift far too fuckin’ wide in the turns.
Daniel Woodrell (The Bayou Trilogy: Under the Bright Lights, Muscle for the Wing, and The Ones You Do)
¿Por qué resulta tan difícil comprender lo poderosa que es la capacidad de negación que tenemos todos? ¡Nunca queremos creer lo peor!
John Katzenbach (The Wrong Man)
When you touch a man's nostalgia, he is yours.
Amy Tan (Rules for Virgins)
Melanin is the black pigment which permits skins to appear other than white (black, brown, red and yellow). Melanin pigment coloration is the norm for the hue-man family. If there are non-white readers who disagree with this presentation of white rejection of the white-skinned self, may I refer you to the literature on the currently developing sun-tanning parlors.
Frances Cress Welsing (The Isis Papers: The Keys to the Colors)
He could almost have been an American, he was so tan and had such good teeth, but I could tell straight away that he wasn’t. He had what no American man I’ve ever met has had, and that’s intuition.
Sylvia Plath (The Bell Jar)
Zelda was very beautiful and was tanned a lovely gold colour and her hair was a beautiful dark gold and she was very friendly. Her hawk's eyes were clear and calm. I knew everything was all right and was going to turn out well in the end when she leaned forward and said to me, telling me her great secret, 'Ernest, don't you think Al Jolson is greater than Jesus?' Nobody thought anything of it at the time. It was only Zelda's secret that she shared with me, as a hawk might share something with a man. But hawks do not share. Scott did not write anything any more that was good until after he knew that she was insane.
Ernest Hemingway (A Moveable Feast)
I was in the fifth grade the first time I thought about turning thirty. My best friend Darcy and I came across a perpetual calendar in the back of the phone book, where you could look up any date in the future, and by using this little grid, determine what the day of the week would be. So we located our birthdays in the following year, mine in May and hers in September. I got Wednesday, a school night. She got a Friday. A small victory, but typical. Darcy was always the lucky one. Her skin tanned more quickly, her hair feathered more easily, and she didn't need braces. Her moonwalk was superior, as were her cart-wheels and her front handsprings (I couldn't handspring at all). She had a better sticker collection. More Michael Jackson pins. Forenze sweaters in turquoise, red, and peach (my mother allowed me none- said they were too trendy and expensive). And a pair of fifty-dollar Guess jeans with zippers at the ankles (ditto). Darcy had double-pierced ears and a sibling- even if it was just a brother, it was better than being an only child as I was. But at least I was a few months older and she would never quite catch up. That's when I decided to check out my thirtieth birthday- in a year so far away that it sounded like science fiction. It fell on a Sunday, which meant that my dashing husband and I would secure a responsible baby-sitter for our two (possibly three) children on that Saturday evening, dine at a fancy French restaurant with cloth napkins, and stay out past midnight, so technically we would be celebrating on my actual birthday. I would have just won a big case- somehow proven that an innocent man didn't do it. And my husband would toast me: "To Rachel, my beautiful wife, the mother of my chidren and the finest lawyer in Indy." I shared my fantasy with Darcy as we discovered that her thirtieth birthday fell on a Monday. Bummer for her. I watched her purse her lips as she processed this information. "You know, Rachel, who cares what day of the week we turn thirty?" she said, shrugging a smooth, olive shoulder. "We'll be old by then. Birthdays don't matter when you get that old." I thought of my parents, who were in their thirties, and their lackluster approach to their own birthdays. My dad had just given my mom a toaster for her birthday because ours broke the week before. The new one toasted four slices at a time instead of just two. It wasn't much of a gift. But my mom had seemed pleased enough with her new appliance; nowhere did I detect the disappointment that I felt when my Christmas stash didn't quite meet expectations. So Darcy was probably right. Fun stuff like birthdays wouldn't matter as much by the time we reached thirty. The next time I really thought about being thirty was our senior year in high school, when Darcy and I started watching ths show Thirty Something together. It wasn't our favorite- we preferred cheerful sit-coms like Who's the Boss? and Growing Pains- but we watched it anyway. My big problem with Thirty Something was the whiny characters and their depressing issues that they seemed to bring upon themselves. I remember thinking that they should grow up, suck it up. Stop pondering the meaning of life and start making grocery lists. That was back when I thought my teenage years were dragging and my twenties would surealy last forever. Then I reached my twenties. And the early twenties did seem to last forever. When I heard acquaintances a few years older lament the end of their youth, I felt smug, not yet in the danger zone myself. I had plenty of time..
Emily Giffin (Something Borrowed (Darcy & Rachel, #1))
I walked towards her. Jean-Claude grabbed my arm. "Do not harm her, Anita. She is under our protection." "I swear to you that I will not lay a finger on her tonight. I just want to tell her something." He released my arm, slowly, like he wasn't sure it was a good idea. I stepped next to Monica, until our bodies almost touched. I whispered into her face, "If anything happens to Catherine, I will see you dead." She smirked at me, confident in her protectors. "They will bring me back as one of them." I felt my head shake, a little to the right, a little to the left, a slow precise movement. "I will cut out your heart." I was still smiling, I couldn'tseem to stop. "Then I will burn it and scatter the ashes in the river. Do you understand me?" She swallowed audibly. Her health-club tan looked a little green. She nodded, staring at me like I was the bogey man. I think she believed I'd do it. Peachy keen. I hate to waste a really good threat
Laurell K. Hamilton (Guilty Pleasures (Anita Blake, Vampire Hunter, #1))
My opened shirt blew in the wind—The sun tanning my stomach—Feeling lean and alive and beautiful—Saying I am a man—Saying I love men.
Lou Sullivan
Was there ever a true great love? Anyone who became the object of my obsession and not simply my affections? I honestly don't think so. In part, this was my fault. It was my nature, I suppose. I could not let myself be that unmindful. Isn't that what love is-losing your mind? You don't care what people think. You don't see your beloved's fault, the slight stinginess, the bit of carelessness, the occasional streak of meanness. You don't mind that he's beneath you socially, educationally, financially, and morally-that's the worst I think, deficient morals. I always minded. I was always cautious of what could go wrong, what was already "not ideal". I paid attention to divorce rates. I ask you this: What's the chance of finding a lasting marriage? Twenty percent? Ten? Did I know any woman who escaped having her heart crushed like a recyclable can? Not a one. From what I have observed, when the anesthesia of love wears off, there is always the pain of consequences. You don't have to be stupid to marry the wrong man.
Amy Tan (Saving Fish from Drowning)
She would be quiet at first. Then she would say a word about something small, something she had noticed, and then another word, and another, each one flung out like a little piece of sand, one from this direction, another form behind, more and more, until his looks, his character, his soul would have eroded away . . . I was afraid that some unseen speck of truth would fly into my eye, blur what I was seeing and transform him from the divine man I thought he was into someone quite mundane, mortally wounded with tiresome habits and irritating imperfections.
Amy Tan (The Joy Luck Club)
I thought this man had long ago drained everything from my heart. But now something strong and bitter flowed and made me feel another emptiness in a place I didn't know was there. I cursed this man aloud so he could hear. You had dog eyes. You jumped and followed whoever called you. Now you chase your own tail.
Amy Tan (The Joy Luck Club)
Not that the man needed clothes. God meant for that piece of perfection to have nothing masking the luscious, tanned flesh stretched taut over beautiful muscles.
Rena Marks (City of Sin)
I looked at him, tipping down the coarse wine like a man who expects to put up with worse. I felt I was looking my last at the lad I still remembered. I was right. When I saw him again, it was five years later, and not in Athens. He was tanned like the thong of a javelin, and as tough as the shaft, a soldier who looked to have been cradled in a shield; but the oddest change, I think, was to see in one always so mindful of convention that careless outlandishness you find in irregular troops of great renown; men who seem to say, "Take it or leave it, you who never went where we have been. We are the only judges of one another.
Mary Renault (The Last of the Wine)
All night long I worried, not about myself but about Jimmy. I imagined him looking for me, running through the park, looking in the movie theatres. He was a good man, considerate and kind, but he was not strong. He had never been through any kind of bad hardship before. So I worried.
Amy Tan (The Kitchen God's Wife)
You could have mentioned that this kid never sleeps,” Tim calls from the living room. We go in to find him slumped in the easy chair next to the pulled-out sofa bed. Andy’s sprawled out on the bed, long tan legs in a V, George gathered in her arms. Duff, still in his clothes, lies across the bottom, Harry curled in a ball on the pillow under Andy’s outstretched leg. Safety, as much as could be found, must have lain in numbers.Patsy’s fingering Tim’s nose and pulling on his bottom lip, her eyes wide-blue open. “Sorry, man,” Jase says. “She’s usually good to go at bedtime.” “Do you have any idea how many times I’ve read If You Give a Mouse a Cookie to this kid? That is one fucked-up story. How is that a book for babies?” Jase laughs. “I thought it was about babysitting.” “Hell no, it’s addiction. That friggin’ mouse is never satisfied. You give him one thing, he wants something else, and then he asks for more and on and on and on. Fucked up. Patsy liked it, though. Fifty thousand times.” Tim yawns, and Patsy snuggles more comfortably onto his chest, grabbing a handful of shirt. “So what’s doin’?” We tell him what we know—nothing—then put the baby in her crib. She glowers, angry and bewildered for a moment, then grabs her five pacifiers, closes her eyes with a look of fierce concentration, and falls very deeply asleep.
Huntley Fitzpatrick (My Life Next Door)
Can I tell my daughter that I loved her father? This was the man who rubbed my feet at night. He praised the food that I cooked. He cried honestly when I brought out trinkets I had saved for the right day, the day he gave me my daughter, a tiger girl. How could I not love this man? But it was a love of a ghost. Arms that encircled but did not touch. A bowl full of rice but without my appetite to eat it. No hunger. No fullness. Now Saint is a ghost. He and I can now love equally. He knows the things I have been hiding all these years. Now I must tell my daughter everything. That she is a daughter of a ghost. She has no chi . This is my greatest shame. How can I leave this world without leaving her my spirit? So this is what I will do. I will gather together my past and look. I will see a thing that has already happened. The pain that cut my spirit loose. I will hold that pain in my hand until it becomes hard and shiny, more clear. And then my fierceness can come back, my golden side, my black side. I will use this sharp pain to penetrate my daughter's tough skin and cut her tiger spirit loose. She will fight me, because this is the nature of two tigers. But I will win and give her my spirit, because this is a way a mother loves her daughter. I hear my daughter speaking to her husband downstairs. They say words that mean nothing. They sit in a room with no life in it. I know a thing before it happens. She will hear the table and vase crashing on the floor. She will come upstairs and into my room. Her eyes will see nothing in the darkness, where I am waiting between the trees.
Amy Tan (The Joy Luck Club)
Involved. At least that was the right word, Alsana reflected, as she liftes her foot off the pedal, and let the wheel spin a few times alone before coming to a squeaky halt. Sometimes, here in England, especially at bus-stops and on the daytime soaps, you heard people say “We’re involved with each other,” as if this were a most wonderful state to be in, as if one chose it and enjoyed it. Alsana never thought of it that way. Involved happened over a long period of time, pulling you in like quicksand. Involved is what befell the moon-faced Alsana Begum and the handsome Samad Miah one week after they’d been pushed into a Delhi breakfast room together and informed they were to marry. Involved was the result when Clara Bowden met Archie Jones at the bottom of some stairs. Involved swallowed up a girl called Ambrosia and a boy called Charlie (yes, Clara had told her that sorry tale) the second they kissed in the larder of a guest house. Involved is neither good, nor bad. It is just a consequence of living, a consequence of occupation and immigration, of empires and expansion, of living in each other’s pockets… one becomes involved and it is a long trek back to being uninvolved. And the woman was right, one didn’t do it for one’s health. Nothing this late in the century was done with health in mind. Alsana was no dummy when it came to the Modern Condition. She watched the talk shows, all day long she watched the talk shows — My wife slept with my brother, My mother won’t stay out of my boyfriend’s life — and the microphone holder, whether it be Tanned Man with White Teeth or Scary Married Couple, always asked the same damn silly question: But why do you feel the need…? Wrong! Alsana had to explain it to them through the screen. You blockhead; they are not wanting this, they are not willing it — they are just involved, see? They walk IN and they get trapped between the revolving doors of those two v’s. Involved. Just a tired inevitable fact. Something in the way Joyce said it, involved — wearied, slightly acid — suggested to Alsana that the word meant the same thing to hear. An enormous web you spin to catch yourself.
Zadie Smith (White Teeth)
Even when I worked in that world, I still wanted love so strong that the man would have no interest in another woman. Maybe you will always be incapable of giving that kind of love. You tell me I want too much. And maybe I do. But like you and your imagination, I can't help but be that way.
Amy Tan (The Valley of Amazement)
Do you fear the force of the wind, The slash of the rain? Go face them and fight them, Be savage again. Go hungry and cold like the wolf, Go wade like the crane: The palms of your hands will thicken, The skin of your cheek will tan, You'll grow ragged and weary and swarthy, But you'll walk like a man!
Hamlin Garland
I don’t know how you’ve managed a tan,” Daydra said, “but you’ll have to keep it up, and talk like a pirate. If you want to work for Momma K, you’re going to be the Sethi pirate girl. You have a husband or a lover?” Kaldrosa hesitated. “Husband,” she admitted. “The last beating nearly killed him.” “If you do this, you’ll never get him back. A man can forgive a woman who leaves whoring for him, but he’ll never forgive one who goes whoring for him.” “It’s worth it,” Kaldrosa said. “To save his life, it’s worth it.
Brent Weeks (Shadow's Edge (Night Angel, #2))
What did Diane know about this? What was her connection? Could she be the mastermind behind the blond man and the man in the tan jacket holding a deerskin suitcase and maybe even Jackie's mother's strange behavior?
Joseph Fink (Welcome to Night Vale (Welcome to Night Vale, #1))
La dulce sonrisa de una mujer joven: no hay nada mejor en el mundo. Es más valiosa que la sal. Sin ella, algo enferma y muere dentro de nosotros. Estoy seguro. Una cosa tan simple. Qué raro. Qué maravilloso y qué raro.
Patrick Rothfuss (The Wise Man's Fear (The Kingkiller Chronicle, #2))
The man was of fine figure, swarthy, and stern in aspect; and he showed in profile a facial angle so slightly inclined as to be almost perpendicular. He wore a short jacket of brown corduroy, newer than the remainder of his suit, which was a fustian waistcoat with white horn buttons, breeches of the same, tanned leggings, and a straw hat overlaid with black glazed canvas. At his back he carried by a looped strap a rush basket, from which protruded at one end the crutch of a hay-knife, a wimble for hay-bonds being also visible in the aperture. His measured, springless walk was the walk of the skilled countryman as distinct from the desultory shamble of the general labourer; while in the turn and plant of each foot there was, further, a dogged and cynical indifference personal to himself, showing its presence even in the regularly interchanging fustian folds, now in the left leg, now in the right, as he paced along.
Thomas Hardy (The Mayor of Casterbridge)
I'm very much against the arrangement of procreation, at least for humans. If I could have designed it, it would be a toss-up who gets pregnant, the man or woman. Boy, that would end rape for one thing. And 'woman artist'? Disgusting.
Dorothea Tanning (Between Lives: An Artist and Her World)
Shards of glass. As Stan escorted me from Caravel, I decided that if I formed a band, I would call it Shards of Glass. And we’d only sing really, really angsty songs about my ex, Dan O’Malley. So many words rhymed with Dan. It was meant to be. Man. Plan. Fan. Ban. Tan. LAN. Uzbekistan. The songs would basically write themselves.
Penny Reid (Marriage of Inconvenience (Knitting in the City, #7))
One was definitely Irish….The second man was unmistakably American. It wasn’t so much his tan or dark hair that gave him away as how he held himself. He had an eager air, as though the world was full of possibility. Irish people never looked like that.
Rachael English (Going Back)
All I can say is speak up; ask questions. Explain your concerns. It's the first step in feeling empowered to push forward with your own agenda. There is no reason to stifle yourself! Because as a wise man once told me: the best moments are the ones where you're you.
Tan France (Naturally Tan)
When the First Man and First Woman were banished from their home, Time was also set loose upon the world.
Tan Twan Eng (The Garden of Evening Mists)
combination of fear, incomprehension and envy: his calm, severe, almost brutal expression intimidated her. He was a big, muscular man, with a ruddy complexion; beneath thick eyebrows, his pale eyes were sometimes unbearable to look at. His tanned, lined hands were the hands of a labourer and a soldier, thought Lucile: earth or blood, it was the same to him. Neither remorse nor sorrow troubled his sleep, of that she was sure; everything was simple to this man.
Irène Némirovsky (Suite Française)
El arte no es una forma de ganarse la vida. Es más bien una forma muy humana de hacer la vida más soportable. Practicar un arte, bien o mal, es una forma de hacer crecer el alma. Por el amor de Dios, canten en la ducha. Escriban un poema para un amigo o para una amiga, aunque sea pésimo. Háganlo tan bien como sepan y obtendrán una enorme recompensa. Habrán creado algo.
Kurt Vonnegut Jr. (A Man Without a Country)
In other news, a man in a tan jacket, holding a deerskin suitcase, was seen. I don't remember anything about him or why this was news, but it had seemed important a the time. I wrote it down: 'Say the important thing about the man in the tan jacket.' What was it? What was I supposed to say?
Joseph Fink (Welcome to Night Vale (Welcome to Night Vale, #1))
Fair,' Josie said. 'Then we'll talk about a man in a tan jacket holding a deerskin suitcase.' She clutched her left hand against her side like she had a pain there, but no pain registered on her face.
Joseph Fink (Welcome to Night Vale (Welcome to Night Vale, #1))
Me fijé en que Fela giraba la cabeza y miraba a Simmon como si le sorprendiera verlo allí sentado. O mejor dicho: fue como si hasta ese momento Simmon únicamente hubiera ocupado espacio alrededor de Fela, como un mueble. Pero esa vez, cuando ella lo miró, lo captó por entero. El cabello rubio rojizo, la línea de su mandíbula, la amplitud de los hombros bajo la camisa. Esa vez, cuándo lo miró, lo vio de verdad. Dejadme decir una cosa. Todas las horas que pasamos buscando en el Archivo, todo el fastidio y el cansancio valieron la pena solo para presenciar aquel momento. Valió la pena sangre y temer a la muerte por verla enamorarse de Sim. Solo un poco. Solo el primer hálito débil del amor, tan leve que seguramente ni siquiera ella lo percibió. No fue espectacular, como un rayo seguido del estruendo de un trueno. Fue más bien como cuando golpeas pedernal contra acero y salta una chispa que se desvanece tan deprisa que casi no la ves. Pero sabes que está allí, donde no puedes verla, prendiendo.
Patrick Rothfuss (The Wise Man's Fear (The Kingkiller Chronicle, #2))
I never rode on the back of an old Chopper down the highway Holdin' on tight just him and I Makin' our getaway I've always been the good girl Walked the straight and narrow path all my life, I like a man with a tan and a twisted chrome kickstand Leanin' on a big old bike The low rollin' sound that'll shake the ground Comin' out of long pipes I like a tattoo or two Or even more if they're cool On the big old arms of a long-haired dude Inside of me, there's an all I wanna be Biker chick
Jo Dee Messina
Si quieres lastimar a tus padres, y no tienes el valor de ser gay, lo menos que puedes hacer es convertirte en artista. No estoy bromeando. Las artes no son una manera de ganarse la vida. Son una forma muy humana de hacer la vida más soportable. Practicar un arte, no importa cuan bien o mal, es una forma de hacer crecer el alma. Cantar en la ducha. Bailar con la radio. Contar historias. Escribir un poema, aún un poema malo. Hazlo tan bien como puedas. Obtendrás una enorme recompensa. Habrás creado algo.
Kurt Vonnegut Jr. (A Man Without a Country)
The man in the tan jacket?' Josie's voice took on a new tone, one filled with interest and perhaps panic. Erika was back. Both of the Erikas. They sat on either side of Josie on the couch. Their faces were similar to the ones that a human uses to express fear. No, not fear. Concern. They looked concerned.
Joseph Fink (Welcome to Night Vale (Welcome to Night Vale, #1))
Ox Cart Man In October of the year, he counts potatoes dug from the brown field, counting the seed, counting the cellar's portion out, and bags the rest on the cart's floor. He packs wool sheared in April, honey in combs, linen, leather tanned from deerhide, and vinegar in a barrel hoped by hand at the forge's fire. He walks by his ox's head, ten days to Portsmouth Market, and sells potatoes, and the bag that carried potatoes, flaxseed, birch brooms, maple sugar, goose feathers, yarn. When the cart is empty he sells the cart. When the cart is sold he sells the ox, harness and yoke, and walks home, his pockets heavy with the year's coin for salt and taxes, and at home by fire's light in November cold stitches new harness for next year's ox in the barn, and carves the yoke, and saws planks building the cart again.
Donald Hall
I will find the man in the tan jacket, and I will make him take this piece of paper back," she announced. "If I could do that without having to learn anything about him or about what the paper means, that would be just ideal." The agents in the car, holding index fingers to earpieces, dutifully wrote this down.
Joseph Fink (Welcome to Night Vale (Welcome to Night Vale, #1))
It had been a mistake to accept what the man in the tan jacket had offered her. She didn't know what it was, or what it meant, or what information it was trying to convey and to whom. But she knew that it had changed something. The world was slipping into her life. And she had to push it out, starting with this slip of paper, and the man in the tan jacket.
Joseph Fink (Welcome to Night Vale (Welcome to Night Vale, #1))
Cualquiera puede amar algo por algún motivo. Eso es tan fácil como meterse un penique en el bolsillo. Pero amar algo a pesar de algo es otra cosa. Conocer los defectos y amarlos también. Eso es inusual, puro y perfecto.” El Temor De Un Hombre Sabio.
Patrick Rothfuss
He was still a kid inside. His body had grown, stretched, towered, tanned its skin, hardened its muscle, darkened its tawny shock of long hair, tightened its lines around jaw and eyes, thickened fingers and knuckles, but the brain didn't feel as if it had grown in sympathy with the rest. It was still green, full of tall, lush oaks and elms in summer; a creek ran through it, and the kids climbed around on its convolutions shouting, "This way, gang - we'll take a short-cut and head them off at Dead Man's Gulch!
Ray Bradbury
Daniel Mackenzie came behind her, towering over Katie and Beth, the lanky young man the most nervous of the three. “Should you be here?” Daniel hissed. “My dad would tan my hide if he knew I let you come near a game girl, and God knows what Uncle Ian will do.
Jennifer Ashley (The Madness of Lord Ian Mackenzie (Mackenzies & McBrides, #1))
He’d fly his chopper over the Berlin lakeside beaches, for example, throwing out leaflets that read, “The handsome young man flying this helicopter is Captain Dale Le Clerc. If you would like to meet him in person, ring him at…” with, of course, his phone number and the best time to call. These things would flutter, en masse, onto the tanned bellies of the West Berlin sunbathers, and the results were mind-boggling. Once I went back to his apartment with him, only to find a line of girls waiting patiently at his door, all of them ready to live the day
David H. Hackworth (About Face: The Odyssey of an American Warrior)
We're at a dinner party in an apartment on Rue Paul Valéry between Avenue Foch and Avenue Victor Hugo and it's all rather subdued since a small percentage of the invited guests were blown up in the Ritz yesterday. For comfort people went shopping, which is understandable even if they bought things a little too enthusiastically. Tonight it's just wildflowers and white lilies, just W's Paris bureau chief, Donna Karan, Aerin Lauder, Ines de la Fressange and Christian Louboutin, who thinks I snubbed him and maybe I did but maybe I'm past the point of caring. Just Annette Bening and Michael Stipe in a tomato-red wig. Just Tammy on heroin, serene and glassy-eyed, her lips swollen from collagen injections, beeswax balm spread over her mouth, gliding through the party, stopping to listen to Kate Winslet, to Jean Reno, to Polly Walker, to Jacques Grange. Just the smell of shit, floating, its fumes spreading everywhere. Just another conversation with a chic sadist obsessed with origami. Just another armless man waving a stump and whispering excitedly, "Natasha's coming!" Just people tan and back from the Ariel Sands Beach Club in Bermuda, some of them looking reskinned. Just me, making connections based on fear, experiencing vertigo, drinking a Woo-Woo.
Bret Easton Ellis
The man in the headdress nodded. “On that note, I’d like to quickly ask David if there’s been any headway in getting the air conditioning back online.” A slight murmur of discontent indicated the importance of this matter, directed at a blond young man with a tanning-bed complexion. “Well, Gary,” he sighed. “There isn’t much we can do without electricity, but my team has been researching alternatives. One of my engineers proposed a system of fans powered by dogs in giant hamster wheels, but the major issue there is our limited dog inventory. We’ll keep looking into it.
Yahtzee Croshaw (Jam)
The man in the tan jacket was running out to the desert. She could just barely see him at the edge of the parking lot's radius of light. His arms were swinging wildly, his suitcase swinging along. His legs were flailing, great puffs of sand kicked up behind him, his head thrown back, sweat running down his face visible even from where she sat. The kind of run that was from something and not toward. Then he left the faint edge of the light and was gone.
Joseph Fink (Welcome to Night Vale (Welcome to Night Vale, #1))
So many times, I think we do things because we don’t want to cause an issue. I wish I had spoken up earlier, instead of going along with something because I thought it was what was expected of me. All I can say is speak up; ask questions. Explain your concerns. It’s the first step in feeling empowered to push forward with your own agenda. There is no reason to stifle yourself! Because as a wise man once told me: the best moments are the ones where you’re you.
Tan France (Naturally Tan)
Actúa como si vivieras por segunda vez y la primera lo hubieras hecho tan desacertadamente como estás a punto de hacerlo ahora'. Pocas estrategias estimulan más el sentido de la responsabilidad que esta máxima que invita a imaginar, primero que el presente ya es pasado y, segundo, que ese pasado se puede corregir.
Viktor E. Frankl (Man’s Search for Meaning)
For years I feared the opening of every elevator, half-convinced that from the opened doors would come a bullet, for me, shot by a man in a tan trenchcoat. I have no idea why I feared this, expected it to happen. I even knew how I would react to this bullet coming from the elevator door, what word I would say. That word was: Finally.
Dave Eggers (Mistakes We Knew We Were Making)
It wasn't beautiful people like Celeste who were drawing Jane's eyes, but ordinary people and the beautiful ordinariness of their bodies. A tanned forearm with a tattoo of the sun reaching out across the counter at the service station. The back of an older's man neck in a queue at the supermarket. Calf muscles and collarbones. It was the strangest thing. She was reminder of her father, who years ago had an operation on his sinuses that returned the sense of smell he hadn't realized he'd lost. The simplest smells sent him into rhapsodies of delight. He kept sniffing Jane's mother's neck and saying dreamily, "I'd forgotten your mother's smell! I didn't know I'd forgotten it!
Liane Moriarty (Big Little Lies)
One day, I wish to find a man like in my books. He has to be just like in one of my books. And he has to love me, love me more than anything in the world. Most important of all, he has to think I’m beautiful.” “Lily, I need to tell you something.” Fazire was going to tell her about Becky’s wish and his mistake and let her look forward to something, let her look forward to the incomparable beauty she was going to be. Most of all, he had to stop her wish now. He didn’t want her wasting it on some fool idea. He wanted it to be special, perfect, to make her world better like she had made Becky and Will’s and, indeed, his. But again she didn’t hear him. Her eyes were bright and they were steady on his. “He has to be tall, very tall and dark and broad-shouldered and narrow-hipped.” Fazire stared. He didn’t even know what “narrow-hipped” meant. “And he has to be handsome, unbelievably handsome, impossibly handsome with a strong, square jaw and powerful cheekbones and tanned skin and beautiful eyes with lush, thick lashes. He has to be clever and very wealthy but hardworking. He has to be virile, fierce, ruthless and rugged.” Now she was getting over his head. He didn’t think there was such a thing as impossibly handsome. How cheekbones could be powerful, Fazire didn’t know. He was even thinking he might have to look up “virile” in the dictionary Sarah had given him. “And he has to be hard and cold and maybe a little bit forbidding, a little bit bad with a broken heart I have to mend or one encased in ice I have to melt or better yet… both!” Fazire thought this was getting a bit ridiculous. It was the most complicated wish he’d ever heard. But she wasn’t yet finished. “We have to go through some trials and tribulations. Something to test our love, make it strong and worthy. And… and… he has to be daring and very masculine. Powerful. People must respect him, maybe even fear him. Graceful too and lithe, like a… like a cat! Or a lion. Or something like that.” She was losing steam and Fazire had to admit he was grateful for it. “And he has to be a good lover.” Lily shocked Fazire by saying. “The best, so good, he could almost make love to me just by using his eyes.” Fazire felt himself blush. Perhaps he should have a look at these books she was reading and show them to Becky. Lily was a very sharp girl, sharp as a tack (another one of Sarah’s sayings, although Fazire couldn’t imagine a tack ever being as clever as Lily) but she was too young to be reading about any man making love to her with his eyes. Fazire had never made love, never would, genies just didn’t. But he was pretty certain fourteen year old girls shouldn’t be thinking about it. Though, he was wrong about that, or at least Becky would tell him that later. Then Fazire realised she’d stopped talking. “Is that it?” he asked. She thought for a bit, clearly not wanting to leave anything out. Then she nodded.
Kristen Ashley (Three Wishes)
—Hay dos cosas que debéis recordar. La primera es que nuestros nombres nos dan forma, y que nosotros damos forma a nuestros nombres. —Dejó de pasearse y nos miró—. La segunda es que hasta el nombre más sencillo es tan complejo que vuestra mente jamás podría tantear siquiera sus límites, y mucho menos entenderlo lo bastante bien para pronunciarlo.
Patrick Rothfuss (The Wise Man's Fear (The Kingkiller Chronicle, #2))
Jessup was a littlish man, skinny, smiling, well tanned, with a small gray mustache, a small and well-trimmed gray beard—in a community where to sport a beard was to confess one’s self a farmer, a Civil War veteran, or a Seventh Day Adventist. Doremus’s detractors said that he maintained the beard just to be “highbrow” and “different,” to try to appear “artistic.” Possibly they were right.
Sinclair Lewis (It Can't Happen Here)
Si uno quiere descubrir cualidades realmente excepcionales en el carácter de un ser humano, debe tener el tiempo o la oportunidad de observar su comportamiento durante varios años. Si este comportamiento no es egoísta, si está presidido por una generosidad sin límites, si es tan obvio que no hay afán de recompensa, y además ha dejado una huella visible en la tierra, entonces no cabe equivocación posible.
Jean Giono (The Man Who Planted Trees)
I Missed His Book, But I Read His Name" Though authors are a dreadful clan To be avoided if you can, I'd like to meet the Indian, M. Anantanarayanan. I picture him as short and tan. We'd meet, perhaps, in Hindustan. I'd say, with admirable elan , "Ah, Anantanarayanan -- I've heard of you. The Times once ran A notice on your novel, an Unusual tale of God and Man." And Anantanarayanan Would seat me on a lush divan And read his name -- that sumptuous span Of 'a's and 'n's more lovely than "In Xanadu did Kubla Khan" -- Aloud to me all day. I plan Henceforth to be an ardent fan of Anantanarayanan -- M. Anantanarayanan.
John Updike
We went too far when we put on the fur of lynxes, Of weasels trapped in winter when they’ve lost their tan; We went too far when we let the fox assist us To warm the hide that houses the soul of Man. The reek of the leopard and the stink of the inky cat Striped handsomely with white, are in the concert hall; We sleekly writhe from under them, and are above all that; But, the concert over, back into our pelts we crawl.
Edna St. Vincent Millay (Collected Poems)
I have my retirement all planned out. I can't wait to sit on my lanai in a wicker chair (by the way, I always picture my retirement fantasies in the house from The Golden Girls) and reflect on my life. I'll have a wonderful, leathery tan and a long, silver ponytail even if I'm balding on top. Yes, I'll be THAT guy. I'll also, for the record, insist on wearing only kimonos, turquoise jewelry, and slip-on orthopedic shoes at all times.
Ross Mathews (Man Up!)
How was your journey?" he asked. "You don't have to make small talk with me," she said. "I don't like it, and I'm not very good at it." They paused at the shade of portico, beside a sweet-scented bower of roses. Casually Lord St. Vincent leaned a shoulder against a cream-painted column. A lazy smile curved his lips as he looked down at her. "Didn't Lady Berwick teach you?" "She tried. But I hate trying to make conversation about weather. Who cares what the temperature is? I want to talk about things like... like..." "Yes?" he prompted as she hesitated. "Darwin. Women's suffrage. Workhouses, war, why we're alive, if you believe in séances or spirits, if music has ever made you cry, or what vegetable you hate most..." Pandora shrugged and glanced up at him, expecting the familiar frozen expression of a man who was about to run for his life. Instead she found herself caught by his arrested stare, while the silence seemed to wrap around them. After a moment, Lord St. Vincent said softly, "Carrots." Bemused, Pandora tried to gather her wits. "That's the vegetable you hate most? Do you mean cooked ones?" "Any kind of carrots." "Out of all vegetables?" At his nod, she persisted, "What about carrot cake?" "No." But it's cake." A smile flickered across his lips. "Still carrots." Pandora wanted to argue the superiority of carrots over some truly atrocious vegetable, such as Brussels sprouts, but heir conversation was interrupted by a silky masculine voice. "Ah, there you are. I've been sent out to fetch you." Pandora shrank back as she saw a tall msn approach in a graceful stride. She knew instantly that he must be Lord Sy. Vincent's father- the resemblance was striking. His complexion was tanned and lightly time-weathered, with laugh-lines at the outer corners of his blue eyes. He had a full head of tawny-golden hair, handsomely silvered at the sides and temples. Having heard of his reputation as a former libertine, Pandora had expected an aging roué with coarse features and a leer... not this rather gorgeous specimen who wore his formidable presence like an elegant suit of clothes. "My son, what can you be thinking, keeping this enchanting creature out in the heat of midday?
Lisa Kleypas (Devil in Spring (The Ravenels, #3))
Jesus must have had man hands. He was a carpenter, the Bible tells us. I know a few carpenters, and they have great hands, all muscled and worn, with nicks and callused pads from working wood together with hardware and sheer willpower. In my mind, Jesus isn't a slight man with fair hair and eyes who looks as if a strong breeze could knock him down, as he is sometimes depicted in art and film. I see him as sturdy, with a thick frame, powerful legs, and muscular arms. He has a shock of curly black hair and an untrimmed beard, his face tanned and lined from working in the sun. And his hands—hands that pounded nails, sawed lumber, drew in the dirt, and held the children he beckoned to him. Hands that washed his disciples' feet, broke bread for them, and poured their wine. Hands that hauled a heavy cross through the streets of Jerusalem and were later nailed to it. Those were some man hands.
Cathleen Falsani (Sin Boldly: A Field Guide for Grace)
She was dying to touch and be touched by her man. It never entered her mind that her man was not truly a man—in terms of being a human. But it no longer mattered to her. Bilal was pure and good and more human than many. She didn’t care that his slanted eyes contained orbs that were black or that his skin wasn’t just tan, brown or pale white, but shimmyed between blues, yellow, black and more. Love was blind and deaf…and many times more intelligent than hate.
Pepper Pace (Adaptation (Adaptation #2))
As Garrett looked up from the transfuser, she blinked at the sight of a shirtless West Ravenel hoisting himself easily onto the table. Despite his earlier crack about Ethan's athletic form, he was certainly no physical lightweight himself. He had the hard, rippling musculature of a man accustomed to lifting and carrying heavy weight. But what had surprised Garrett was the discovery that his torso was tanned the same shade of golden brown as his face. All over. What kind of gentleman went outside in the sun for that long with no shirt?" Ravenel's lips quirked as he saw her expression. A twinkle of arrogant amusement appeared in his eyes. "Farmwork," he said in a matter-of-fact tone. "And I do some quarrying." "Half naked?" Garrett asked tartly, setting the transfuser on an expanse of clean linen. "I've been loading rocks into horse carts," he said. "Which suits my intellectual capacity perfectly. But it's too hot for a shirt.
Lisa Kleypas (Hello Stranger (The Ravenels, #4))
I leaned against the SUV he was working on. “So….” “So?” he asked, looking back down at the tablet. “How rich are we?” He snorted. “Get back to work.” And I was going to do just that, except that Kelly Bennett decided to appear right at that moment. Wearing a deputy’s uniform. Tight green pants with a tan button-up shirt that pulled against his torso. He had a mic clipped near his shoulder and a black utility belt around his waist. He wasn’t carrying a gun, but I barely noticed because at that exact moment, I discovered my legs decided to quit working and I tripped and fell into the side of the SUV. Everyone stopped what they were doing to look at me. “Sorry,” I said quickly, using the SUV to pull myself back up. And immediately hit the top of my head on the open hood. “Son of a bitch.” “What are you doing?” Gordo asked slowly. I laughed wildly. “Nothing! It’s nothing. Just… don’t even worry about it.” He turned toward the front of the garage. “Oh no,” he said when he saw who was standing there. “Not this again.” He pointed the tablet at Kelly. “I swear to god, if I find an animal carcass brought here at any point, I will make both your lives a living hell. Do you understand me? I’m getting too old for this shit.” “I can’t believe we have to watch this all over again,” Chris said to Tanner. “It was bad enough the first time. Remember when Robbie figured out that he wanted to put himself all over Kelly?” “Yeah,” Tanner said. “How could I forget? We had to tell Ms. Martin that her side mirror was broken by accident instead of telling her the truth, that Robbie got a weird wolf boner and forgot his own strength.” “Maybe it’ll be like it was with Ox and Joe,” Rico said, tapping a socket wrench against his hand. “Mini muffins, you know? I ate, like, ten of them.” Chris looked scandalized. “You did what? That was one of their mystical moon magic presents! You don’t touch another man’s mystical moon magic present, Rico. They could have killed you, or worse, gotten confused and made you their mate.” He frowned. “Are there werewolf threesomes? That sounds complicated. Too many limbs. I don’t know anything about being a wolf.
T.J. Klune (Heartsong (Green Creek, #3))
Tally yanked her hand away and stuck it behind her back. "God. I am so sorry." She'd touched him. Felt the heat of his tanned skin, felt the crisp hairs at his groin...felt...oh, man. "Nice try, but no cigar. Want to go for two out of three?" Tally closed her eyes and blew out a breath. "Oh, this day just gets better and better." "It's certainly looking up for me." With an amused glance, the pirate hitched his shorts back over the sharp angle of his hipbones. There'd been so sign of a tan line.
Cherry Adair (In Too Deep (T-FLAC, #4; Wright Family, #3))
When I went in the military, they asked, 'What race are you?' I had no idea what they were talking about because in Hawaii we don't question a man's race. They said, 'Where are your parents from?' I said they were born in Hawaii. 'Your grandparents?' They were born in Hawaii. 'How about your great-grandparents?' I said they're from Europe. Some from Spain, some from Wales. They said, 'You're Caucasian.' I said, 'What's that?' They said, 'You're white.' I looked at my skin. I was pretty dark, tanned by the sun. I said, 'You're kidding.' They put me down as Caucasian and separated me from the rest of the Hawaiians. … Some of my new buddies asked me not to talk to three of the men. I asked why. They said, 'They're Jews.' I said, 'What's a Jew?' They said, 'Don't you know? They killed Jesus Christ.' I says, 'You mean them guys? They don't look old enough.' They said, 'You're tryin' to get smart?' I said, 'No. It's my understanding he was killed about nineteen hundred years ago.' pp. 19-20.
Studs Terkel (The Good War: An Oral History of World War II)
During all that time I didn't see Willie. I didn't see him again until he announced in the Democratic primary in 1930. But it wasn't a primary. It was hell among the yearlings and the Charge of the Light Brigade and Saturday night in the back room of Casey's saloon rolled into one, and when the dust cleared away not a picture still hung on the walls. And there wasn't any Democratic party. There was just Willie, with his hair in his eyes and his shirt sticking to his stomach with sweat. And he had a meat ax in his hand and was screaming for blood. In the background of the picture, under a purplish tumbled sky flecked with sinister white like driven foam, flanking Willie, one on each side, were two figures, Sadie Burke and a tallish, stooped, slow-spoken man with a sad, tanned face and what they call the eyes of a dreamer. The man was Hugh Miller, Harvard Law School, Lafayette Escadrille, Croix de Guerre, clean hands, pure heart, and no political past. He was a fellow who had sat still for years, and then somebody (Willie Stark) handed him a baseball bat and he felt his fingers close on the tape. He was a man and was Attorney General. And Sadie Burke was just Sadie Burke. Over the brow of the hill, there were, of course, some other people. There were, for instance, certain gentlemen who had been devoted to Joe Harrison, but who, when they discovered there wasn't going to be any more Joe Harrison politically speaking, had had to hunt up a new friend. The new friend happened to be Willie. He was the only place for them to go. They figured they would sign on with Willie and grow up with the country. Willie signed them on all right, and as a result got quite a few votes not of the wool-hat and cocklebur variety. After a while Willie even signed on Tiny Duffy, who became Highway Commissioner and, later, Lieutenant Governor in Willie's last term. I used to wonder why Willie kept him around. Sometimes I used to ask the Boss, "What do you keep that lunk-head for?" Sometimes he would just laugh and say nothing. Sometimes he would say, "Hell, somebody's got to be Lieutenant Governor, and they all look alike." But once he said: "I keep him because he reminds me of something." "What?" "Something I don't ever want to forget," he said. "What's that?" "That when they come to you sweet talking you better not listen to anything they say. I don't aim to forget that." So that was it. Tiny was the fellow who had come in a big automobile and had talked sweet to Willie back when Willie was a little country lawyer.
Robert Penn Warren (All the King's Men)
Their conversation ceased abruptly with the entry of an oddly-shaped man whose body resembled a certain vegetable. He was a thickset fellow with calloused and jaundiced skin and a patch of brown hair, a frizzy upheaval. We will call him Bell Pepper. Bell Pepper sidled up beside The Drippy Man and looked at the grilled cheese in his hand. The Drippy Man, a bit uncomfortable at the heaviness of the gaze, politely apologized and asked Bell Pepper if he would like one. “Why is one of your legs fatter than the other?” asked Bell Pepper. The Drippy Man realized Bell Pepper was not looking at his sandwich but towards the inconsistency of his leg sizes. “You always get your kicks pointing out defects?” retorted The Drippy Man. “Just curious. Never seen anything like it before.” “I was raised not to feel shame and hide my legs in baggy pants.” “So you flaunt your deformity by wearing short shorts?” “Like you flaunt your pockmarks by not wearing a mask?” Bell Pepper backed away, kicking wide the screen door, making an exit to a porch over hanging a dune of sand that curved into a jagged upward jab of rock. “He is quite sensitive,” commented The Dry Advisor. “Who is he?” “A fellow who once manipulated the money in your wallet but now curses the fellow who does.
Jeff Phillips (Turban Tan)
You stand there all tan and glowing and wonder why I use Voice on you?” he bellowed. “Where the hell do you get off? You’ve been with V’lane again. How many slaps in the face do you think I’m going to take, Ms. Lane?” He grabbed my fist and held it when I tried to punch him again. I swung at him with the other. He caught that, too. “I warned you not to play us against each other.” “I’m not playing you! I’m trying to survive. And I don’t slap you when I go off with V’lane!” I tried to yank my fists from his hands. “It doesn’t have anything to do with you. I’m trying to get answers, and since you won’t give me any, you can’t blame me for going somewhere else.” “So, the man who doesn’t get laid at home has the right to go off and cheat?” “Huh?” “Which word didn’t you understand?” he sneered. “You’re the one who’s crippled by illogic. This isn’t home, it never will be, and nobody’s getting laid!” I practically shouted. “You think I don’t know that?” He shifted his body beneath me, making me painfully aware of something. Two somethings, in fact, one of which was how far up my short skirt was. The other wasn’t my problem. I wriggled, to shimmy my hem down, but his expression perished the thought. When Barrons looks at me like that, it rattles me. Lust, in those ancient, obsidian eyes, offers no trace of humanity. Doesn’t even bother trying. Savage Mac wants to invite it to come out and play. I think she’s nuts. Nuts, I tell you. “Let go of my hands.” “Make me,” he taunted. “Voice me, Ms. Lane. Come on, little girl, show me some power.” Little girl, my ass.
Karen Marie Moning (Faefever (Fever, #3))
She didn't need a man, she was her own man. It intimidated the fuck out of me, but it also turned me on. Her ambition, her success, her determination made me want her in ways I never thought possible. I'd always dated girls who were more than willing to let me be the alpha in the relationship. I had a feeling Riggs would chew me up and spit me out if I told her what to do. My heart had a soft spot for her. I knew below those name brand clothes and flawless tan was someone totally different. I wanted to see that person. I craved to see inside her soul, a peek at what she was hiding behind her chocolate brown eyes.
Monty Jay (Ice Hearts (Fury, #2))
She is watching a man lying dead or asleep on a blanket nearby dressed in a crumpled tan suit with blood discolouring his sleeve, his hand clutching a plastic bag filled with bread rolls, alone black shoe on a foot. Another man she saw been carried into the emergency room was wearing just one sport shoe, so many shoes gone astray she thinks, so many shoes dislodged while their owners are carried by the arms and legs or dragged by the armpits into the backs of cars and vans and dragged again into emergency rooms without a gurney, the orphaned shoes kicked aside in the rush or left to die on the street or on footpaths like an unblinking eye awaiting the return of its owner
Paul Lynch (Prophet Song)
Matt’s housekeeper let him in with a grimace. “I’m harmless today,” Tate assured the woman as she led the way to where Matt Holden was standing just outside the study door. “Right. You and two odd species of cobra,” Matt murmured sarcastically, glaring at his son from a tanned face. “What do you want, a bruise to match the other one?” Tate held up both hands. “Don’t start,” he said. Matt moved out of the way with reluctance and closed the study door behind them. “Your mother’s gone shopping,” he said. “Good. I don’t want to talk to her just yet.” Matt’s eyebrows levered up. “Oh?” Tate dropped into the wing chair across from the senator’s bulky armchair. “I need some advice.” Matt felt his forehead. “I didn’t think a single malt whiskey was enough to make me hallucinate,” he said to himself. Tate glowered at him. “You’re not one of my favorite people, but you know Cecily a little better than I seem to lately.” “Cecily loves you,” Matt said shortly, dropping into his chair. “That’s not the problem,” Tate said. He leaned forward, his hands clasped loosely between his splayed knees. “Although I seem to have done everything in my power to make her stop.” The older man didn’t speak for a minute or two. “Love doesn’t die that easily,” he said. “Your mother and I are a case in point. We hadn’t seen each other for thirty-six years, but the instant we met again, the years fell away. We were young again, in love again.” “I can’t wait thirty-six years,” Tate stated. He stared at his hands, then he drew in a long breath. “Cecily’s pregnant.” The other man was quiet for so long that Tate lifted his eyes, only to be met with barely contained rage in the older man’s face. “Is it yours?” Matt asked curtly. Tate glowered at him. “What kind of woman do you think Cecily is? Of course it’s mine!” Matt chuckled. He leaned back in the easy chair and indulged the need to look at his son, to find all the differences and all the similarities in that younger version of his face. It pleased him to find so many familiar things. “We look alike,” Tate said, reading the intent scrutiny he was getting. “Funny that I never noticed that before.” Matt smiled. “We didn’t get along very well.” “Both too stubborn and inflexible,” Tate pointed out. “And arrogant.” Tate chuckled dryly. “Maybe.
Diana Palmer (Paper Rose (Hutton & Co. #2))
Hello, Miya.” His smooth tone speaking my name made a warm sensation tingle across the surface of my body. A hundred questions ran through my head, wanting to be spoken. How do they know who I am? Who are they? What do they want with me? I was a single, working-class associate professor with department store clothes. Surely they didn’t think they would get much of a ransom for me. The expression on the man’s face held me, and my demanding thoughts. “We aren’t going to harm you.” I smirked at him and glanced at my right arm, feeling its ache. My elbow might be badly bruised, but it wasn’t broken. His eyes followed mine and he sighed. “That was an accident.” His tan, sinewy hand touched my wrist then delicately ran down my bones to my elbow. I flinched, but didn’t feel any pain.
Derendrea (Sensitive)
«Querer a alguien es como mudarse a una casa —solía decir Sonja—. Al principio nos encanta la novedad, nos asombra a diario el hecho de que sea nuestro todo aquello, como si temiéramos que alguien pudiera entrar de pronto y avisarnos de que se ha cometido un grave error y que de ninguna manera podemos quedarnos a vivir en un sitio tan bonito. Pero a medida que pasan los años, se deteriora la fachada, la madera se resquebraja aquí y allá, y uno empieza a tenerle cariño a la casa no por su perfección, sino por todas las imperfecciones. Aprendemos a conocer sus ángulos y rincones. Cómo evitar que la llave se quede encajada en la cerradura cuando hace mucho frío. Qué listones del suelo son los que ceden bajo nuestro peso al pisarlos y el modo exacto en que hay que abrir las puertas del armario para que no crujan. Y son todos esos pequeños secretos los que la hacen tuya».
Fredrik Backman (A Man Called Ove)
But we’re already uncomfortable,” Dwight retorted. “And we are at risk! Don’t you realize where we are? We’re in the fucking jungle. We already had malaria. What’s next? Snakebite? Typhus? When do we factor us into the equation for what we do?” He had brought up their unspoken worries and a series of morally ugly questions. Whom do you save? Can you save both? Or do you save only yourself? Do you do nothing and risk nothing, or die from whatever happens to come along as you sit on a log waiting for whatever comes? They agitated over the questions in private thought, wishing to forget morals and just be out of this place. Who else had discarded morals and saved themselves? Could they live with themselves later? If they put away the concerns of the Lajamee, how soon would they push aside one another’s welfare? At what point do people resort to “every man for himself”?
Amy Tan (Saving Fish from Drowning)
Your butler informed me you were here. I thought-that is, I wondered how things were going.” “And since my butler didn’t know,” Ian concluded with amused irritation, “you decided to call on Elizabeth and see if you could discover for yourself?” “Something like that,” the vicar said calmly. “Elizabeth regards me as a friend, I think. And so I planned to call on her and, if you weren’t here, to put in a good word for you.” “Only one?” Ian said mildly. The vicar did not back down; he rarely did, particularly in matters of morality or justice. “Given your treatment of her, I was hard pressed to think of one. How did matters turn out with your grandfather?” “Well enough,” Ina said, his mind on meeting with Elizabeth. “He’s here in London.” “And?” “And,” Ian said sardonically, “you may now address me as ‘my lord.’” “I’ve come here,” Duncan persisted implacably, “to address you as ‘the bridegroom.’” A flash of annoyance crossed Ian’s tanned features. “You never stop pressing, do you? I’ve managed my own life for thirty years, Duncan. I think I can do it now.” Duncan had the grace to look slightly abashed. “You’re right, of course. Shall I leave?” Ian considered the benefits of Duncan’s soothing presence and reluctantly shook his head. “No. In fact, since you’re here,” he continued as they neared the top step, “you may as well be the one to announce us to the butler. I can’t get past him.” Duncan lifted the knocker while bestowing a mocking glance on Ian. “You can’t get past the butler, and you think you’re managing very well without me?” Declining to rise to that bait, Ian remained silent. The door opened a moment later, and the butler looked politely from Duncan, who began to give his name, to Ian. To Duncan’s startled disbelief, the door came crashing forward in his face. An instant before it banged into its frame Ian twisted, slamming his shoulder into it and sending the butler flying backward into the hall and ricocheting off the wall. In a low, savage voice he said, “Tell your mistress I’m here, or I’ll find her myself and tell her.” With a glance of furious outrage the older man considered Ian’s superior size and powerful frame, then turned and started reluctantly for a room ahead and to the left, where muted voices could be heard. Duncan eyed Ian with one gray eyebrow lifted and said sardonically, “Very clever of you to ingratiate yourself so well with Elizabeth’s servants.” The group in the drawing room reacted with diverse emotions to Bentner’s announcement that “Thornton is here and forced his way into the house.” The dowager duchess looked fascinated, Julius looked both relived and dismayed, Alexandra looked wary, and Elizabeth, who was still preoccupied with her uncle’s unstated purpose for his visit, looked nonplussed. Only Lucinda showed no expression at all, but she laid her needlework aside and lifted her face attentively toward the doorway.
Judith McNaught (Almost Heaven (Sequels, #3))
Speaking of makeovers, anyone notice Hort’s looking even juicier than he did at school?” chirped Dot, biting into the cocoa-pizza she’d swiped off the floor. “Saw him when we came in and he has this swarthy tan from working the moors and mud stains on his cheeks, like he’s Captain Lumberjack or something. But you know how I like woodsy types, with my crush on Robin Hood and all. Anyway, I sneak behind and give him a good sniff and notice he smells like a man now, nothing like that boy who used to wear frog pajamas and reek of baby powder, and all I could think was since there aren’t too many rooms in this place, I wonder if I can get Merlin to put me and him in the same—” “Over my dead body,” bellowed Hort, who stuck his head out from around the corner. Hester glared back, demon twitching. “That can be arranged.” Hort muttered something obscene and vanished behind the wall. Hester saw Dot goggling at her. “What now?” “Did you just defend me?” “Only because you look so stupid in that crown,” Hester grumped. All the girls laughed, even Dot.
Soman Chainani (The Last Ever After (The School for Good and Evil, #3))
At last they came to the lower slopes of the great mountains. Here she met a wild and bedraggled boy. He stumbled across her when she had stopped to rest and suckle the baby. The boy stared at the unlikely pair for a moment, then seated himself on the ground at a respectful distance, obviously preparing to converse. He was the strangest looking boy she had ever seen. Evidently a changeling like herself, for he was tall and straight with long slender limbs, but his hair was golden like the sun and his eyes a deep blue like the sky. He looked to be about fifteen years old, not quite a man, yet man enough to survive. She guessed he must have originated from the fabled district of Shor, in the far south, where it was rumoured that all the people were changelings, and all golden-haired. Astelle tensed, fully expecting Torking to deliver one of his pain bolts to the curious boy, but the child seemed unperturbed, and simply carried on suckling. This boy's attention was obviously not deemed as a threat. She relaxed and smiled at the youth. He returned the smile, white teeth startling against his tanned and dirty face. ‘Why are you travelling all alone?’ he asked. Encouraged by Torking's mindwhispers, Astelle managed to concoct a story very close to the truth. ‘As you can see, my child is rather unusual,’ she explained. ‘I could not bear to raise him among mortals who would constantly deride and insult him – and his father has left me, so I had no choice but to run from my tribe.’ Sympathy appeared in the deep blue eyes. ‘I understand that very well,’ he said. ‘I am an escaped slave. I was captured in infancy, and have no memory of my own people, but all my life I have been mocked and abused because I am different. My name is Bren. I would like to travel with you, if you don't mind. I could take care of you both.’ ‘Keep him,’ Torking mindwhispered. ‘He will be useful to fish and hunt for us. But do not tell him that I speak to you.’ Astelle smiled. ‘Thank you Bren,’ she said. ‘I will be glad of your company. I am called Astelle.’ ‘A Faen name...’ he said wonderingly. They began to climb the mountains of Clor.
Bernie Morris (The Fury of the Fae)
Elizabeth automatically started forward three steps, then halted, mesmerized. An acre of thick Aubusson carpet stretched across the book-lined room, and at the far end of it, seated behind a massive baronial desk with his shirtsleeves folded up on tanned forearms, was the man who had lied in the little cottage in Scotland and shot at a tree limb with her. Oblivious to the other three men in the room who were politely coming to their feet, Elizabeth watched Ian arise with that same natural grace that seemed so much a part of him. With a growing sense of unreality she heard him excuse himself to his visitors, saw him move away from behind his desk, and watched him start toward her with long, purposeful strides. He grew larger as he neared, his broad shoulders blocking her view of the room, his amber eyes searching her face, his smile one of amusement and uncertainty. “Elizabeth?” he said. Her eyes wide with embarrassed admiration, Elizabeth allowed him to lift her hand to his lips before she said softly, “I could kill you.” He grinned at the contrast between her words and her voice. “I know.” “You might have told me.” “I hoped to surprise you.” More correctly, he had hoped she didn’t know, and now he had his proof: Just as he had thought, Elizabeth had agreed to marry him without knowing anything of his personal wealth. That expression of dazed disbelief on her face had been real. He’d needed to see it for himself, which was why he’d instructed his butler to bring her to him as soon as she arrived. Ian had his proof, and with it came the knowledge that no matter how much she refused to admit it to him or to herself, she loved him. She could insist for now and all time that all she wanted from marriage was independence, and now Ian could endure it with equanimity. Because she loved him. Elizabeth watched the expressions play across his face. Thinking he was waiting for her to say more about his splendid house, she gave him a jaunty smile and teasingly said, “’Twill be a sacrifice, to be sure, but I shall contrive to endure the hardship of living in such a place as this. How many rooms are there?” she asked. His brows rose in mockery. “One hundred and eighty-two.” “A small place of modest proportions,” she countered lightly. “I suppose we’ll just have to make do.” Ian thought they were going to do very well.
Judith McNaught (Almost Heaven (Sequels, #3))
Recordó la vez que pescó a la hembra de una pareja de peces espada. El macho siempre deja que la hembra coma primero, y ella, al morder el anzuelo, se debatió en una batalla salvaje, desesperada y llena de pánico que pronto la agotó. Todo el tiempo el macho se quedó con ella, cruzando el sedal y haciendo círculos en torno de su pareja en la superficie. Se hallaba tan próximo que el viejo había tenido temor de que cortara la cuerda con la cola, que era afilada como guadaña y casi de esa forma y tamaño. El viejo le metió el garfio, le dio golpes, la prendió de la espada, de borde como lija y la aporreó en la punta de la cabeza hasta que su color se volvió casi como el del respaldo de un espejo, y entonces, con la ayuda del muchacho, la elevó para ponerla a bordo. El macho se quedó a un costado del bote. Después, cuando el viejo limpiaba los cordeles y preparaba el arpón, el macho saltó muy alto en el aire, junto al bote, para ver dónde había quedado su pareja, y finalmente se sumergió en lo más profundo, con las alas azul-rojizas, que eran sus aletas pectorales, desplegadas a lo ancho y con todas las franjas del mismo color a la vista. "Era hermoso-recordó el viejo- y se quedó hasta el final".
Ernest Hemingway (The Old Man and the Sea)
Two sailors hauled on ropes, hoisting the jolly boat up to the ship’s side, revealing two apocryphal figures standing in the center of the small craft. At first glance, Sophia only saw clearly the shorter of the two, a gruesome creature with long tangled hair and a painted face, wearing a tight-fitting burlap skirt and a makeshift corset fashioned from fishnet and mollusk shells. The Sea Queen, Sophia reckoned, a smile warming her cheeks as the crew erupted into raucous cheers. A bearded Sea Queen, no less, who bore a striking resemblance to the Aphrodite’s own grizzled steward. Stubb. Sophia craned her neck to spy Stubb’s consort, as the foremast blocked her view of Triton’s visage. She caught only a glimpse of a white toga draped over a bronzed, bare shoulder. She took a jostling step to the side, nearly tripping on a coil of rope. “Foolish mortals! Kneel before your king!” The assembled sailors knelt on cue, giving Sophia a direct view of the Sea King. And even if the blue paint smeared across his forehead or the strands of seaweed dangling from his belt might have disguised him, there was no mistaking that persuasive baritone. Mr. Grayson. There he stood, tall and proud, some twenty feet away from her. Bare-chested, save for a swath of white linen draped from hip to shoulder. Wet locks of hair slicked back from his tanned face, sunlight embossing every contour of his sculpted arms and chest. A pagan god come swaggering down to earth. He caught her eye, and his smile widened to a wolfish grin. Sophia could not for the life of her look away. He hadn’t looked at her like this since…since that night. He’d scarcely looked in her direction at all, and certainly never wearing a smile. The boldness of his gaze made her feel thoroughly unnerved, and virtually undressed. Until the very act of maintaining eye contact became an intimate, verging on indecent, experience. If she kept looking at him, she felt certain he knees would give out. If she looked away, she gave him the victory. There was only one suitable alternative, given the circumstances. With a cheeky wink to acknowledge the joke, Sophia dropped her eyes and curtsied to the King. Mr. Grayson laughed his approval. Her curtsy, the crew’s gesture of fealty-he accepted their obeisance as his due. And why should he not? There was a rightness about it somehow, an unspoken understanding. Here at last was their true leader: the man they would obey without question, the man to whom they’d pledge loyalty, even kneel. This was his ship. “Where’s the owner of this craft?” he called. “Oh, right. Someone told me he’s no fun anymore.” As the men laughed, the Sea King swung over the rail, hoisting what looked to be a mop handle with vague aspirations to become a trident. “Bring forth the virgin voyager!
Tessa Dare (Surrender of a Siren (The Wanton Dairymaid Trilogy, #2))
He toyed with her ear, catching the rim delicately between his teeth. “I’ll admit it wouldn’t be easy, being married to a Romany male. We’re possessive. Jealous. We prefer our wives never to touch another man. Nor would you have the right to refuse me your bed.” His lips covered hers in a molten kiss, his tongue exploring deeply. “But then,” he said, lifting his mouth, “you wouldn’t want to.” Another long, lazy kiss, and then Cam said against her mouth, “You’ll wear the look of a well-loved woman, monisha.” Amelia was forced to hold on to him for balance. “You would leave me, eventually.” “I swear to you, I wouldn’t. I’ve finally found my atchen tan.” “Your what?” “Stopping place.” “I didn’t know Romas had stopping places.” “Not all. Apparently I’m one of the few who do.” Shaking his head, Cam added in a disgruntled tone, “My back is sore after sleeping on the ground all night. My gadjo half has finally gotten the better of me.” Amelia ducked her head and pressed a shaky smile against the cool smoothness of his jerkin. “This is lunacy,” she muttered. Cam held her closer. “Marry me, Amelia. You’re what I want. You’re my fate.” One hand slid to the back of her head, gripping the braids and ribbons to keep her mouth upturned. “Say yes.” He nibbled at her lips, licked at them, opened them. He kissed her until she writhed in his arms, her pulse racing. “Say it, Amelia, and save me from ever having to spend a night with another woman. I’ll sleep indoors. I’ll get a haircut. God help me, I think I’d even carry a pocket watch if it pleased you.
Lisa Kleypas (Mine Till Midnight (The Hathaways, #1))
So, my dear…” She faced him with thudding heart, the crystal piece clutched desperately in her hand, but she was hardly aware that she even held it. “… You say I have let another man into my bed.” Erienne opened her mouth to speak. Her first impulse was to chatter some inanity that could magically take the edge from his callous half statement, half question. No great enlightenment dawned, however, and her dry, parched throat issued no sound of its own. She inspected the stopper closely, turning it slowly in her hand rather than meet the accusing stare. From behind the mask, Lord Saxton observed his wife closely, well aware that the next moments would form the basis for the rest of his life or leave it an empty husk. After this, there could be no turning back. “I think, my dear,” his words made her start, “that whatever the cost, ’tis time you met the beast of Saxton Hall.” Erienne swallowed hard and clasped the stopper with whitened knuckles, as if to draw some bit of courage from the crystal piece. As she watched, Lord Saxton doffed his coat, waistcoat, and stock, and she wondered if it was a trick of her imagination that he seemed somewhat lighter of frame. After their removal, he caught the heel of his right boot over the toe of the left and slowly drew the heavy, misshapen encumbrance from his foot. She frowned in open bemusement, unable to detect a flaw. He flexed the leg a moment before slipping off the other boot. His movements seemed pained as he shed the gloves, and Erienne’s eyes fastened on the long, tan, unscarred hands that rose to the mask and, with deliberate movements, flipped the lacings loose. She half turned, dropping the stopper and colliding with the desk as he reached to the other side of the leather helm and lifted it away with a single motion. She braved a quick glance and gasped in astonishment when she found translucent eyes calmly smiling at her. “Christopher! What…?” She could not form a question, though her mind raced in a frantic search for logic. He rose from the chair with an effort. “Christopher Stuart Saxton, lord of Saxton Hall.” His voice no longer bore a hint of a rasp. “Your servant, my lady.” “But… but where is…?” The truth was only just beginning to dawn on her, and the name she spoke sounded small and thin. “… Stuart?” “One and the same, madam.” He stepped near, and those translucent eyes commanded her attention. “Look at me, Erienne. Look very closely.” He towered over her, and his lean, hard face bore no hint of humor. “And tell me again if you think I would ever allow another man in your bed while I yet breathe.” -Christopher & Erienne
Kathleen E. Woodiwiss (A Rose in Winter)
I have brought the heather-mixture suit, as the climatic conditions are congenial. To-morrow, if not prevented, I will endeavour to add the brown lounge with the faint green twill.' 'It can't go on - this sort of thing - Jeeves.' 'We must hope for the best, sir.' 'Can't you think of anything to do?' 'I have been giving the matter considerable thought, sir, but so far without success. I am placing three silk shirts - the dove-coloured, the light blue, and the mauve - in the first long drawer, sir.' 'You don't mean to say you can't think of anything, Jeeves?' 'For the moment, sir, no. You will find a dozen handkerchiefs and the tan socks in the upper drawer on the left.' He strapped the suit-case and put it on a chair. 'A curious lady, Miss Rockmetteller, sir.' 'You understate it, Jeeves.' He gazed meditatively out of the window. 'In many ways, sir, Miss Rockmetteller reminds me of an aunt of mine who resides in the south-east portion of London. Their temperaments are much alike. My aunt has the same taste for the pleasures of the great city. It is a passion with her to ride in taxi-cabs, sir. Whenever the family take their eyes off her she escapes from the house and spends the day riding about in cabs. On several occasions she has broken into the children's savings bank to secure the means to enable her to gratify this desire.' 'I love to have these little chats with you about your female relatives, Jeeves,' I said coldly, for I felt that the man had let me down, and I was fed up with him. 'But I don't see what all this has got to do with my trouble.' 'I beg your pardon, sir. I am leaving a small assortment of our neckties on the mantelpiece, sir for you to select according to your preference. I should recommend the blue with the red domino pattern, sir.
P.G. Wodehouse
Graduation (Friends Forever)" And so we talked all night about the rest of our lives Where we're gonna be when we turn 25 I keep thinking times will never change Keep on thinking things will always be the same But when we leave this year we won't be coming back No more hanging out cause we're on a different track And if you got something that you need to say You better say it right now cause you don't have another day Cause we're moving on and we can't slow down These memories are playing like a film without sound And I keep thinking of that night in June I didn't know much of love But it came too soon And there was me and you And then we got real blue Stay at home talking on the telephone And we would get so excited and we'd get so scared Laughing at ourselves thinking life's not fair And this is how it feels As we go on We remember All the times we Had together And as our lives change Come whatever We will still be Friends Forever So if we get the big jobs And we make the big money When we look back now Will our jokes still be funny? Will we still remember everything we learned in school? Still be trying to break every single rule Will little brainy Bobby be the stockbroker man? Can Heather find a job that won't interfere with her tan? I keep, keep thinking that it's not goodbye Keep on thinking it's a time to fly And this is how it feels La, la, la, la: Yeah, yeah, yeah La, la, la, la: We will still be friends forever Will we think about tomorrow like we think about now? Can we survive it out there? Can we make it somehow? I guess I thought that this would never end And suddenly it's like we're women and men Will the past be a shadow that will follow us around? Will these memories fade when I leave this town I keep, keep thinking that it's not goodbye Keep on thinking it's a time to fly
Vitamin C
Westcliff paused at the bedside and glanced at the two women. “This is going to be rather unpleasant,” he said. “Therefore, if anyone has a weak stomach…” His gaze lingered meaningfully on Lillian, who grimaced. “I do, as you well know,” she admitted. “But I can overcome it if necessary.” A sudden smile appeared on the earl’s impassive face. “We’ll spare you for now, love. Would you like to go to another room?” “I’ll sit by the window,” Lillian said, and sped gratefully away from the bed. Westcliff glanced at Evie, a silent question in his eyes. “Where shall I stand?” she asked. “On my left. We’ll need a great many towels and rags, so if you would be willing to replace the soiled ones when necessary—” “Yes, of course.” She took her place beside him, while Cam stood on his right. As Evie looked up at Westcliff’s bold, purposeful profile, she suddenly found it hard to believe that this powerful man, whom she had always found so intimidating, was willing to go to this extent to help a friend who had betrayed him. A rush of gratitude came over her, and she could not stop herself from tugging lightly at his shirtsleeve. “My lord…before we begin, I must tell you…” Westcliff inclined his dark head. “Yes?” Since he wasn’t as tall as Sebastian, it was a relatively easy matter for Evie to stand on her toes and kiss his lean cheek. “Thank you for helping him,” she said, staring into his surprised black eyes. “You’re the most honorable man I’ve ever known.” Her words caused a flush to rise beneath the sun-bronzed tan of his face, and for the first time in their acquaintance the earl seemed at a loss for words. Lillian smiled as she watched them from across the room. “His motives are not completely heroic,” she said to Evie. “I’m sure he’s relishing the opportunity to literally pour salt on St. Vincent’s wounds.” Despite the facetious remark, Lillian went deadly pale and gripped the chair arms as Westcliff took a thin, gleaming lancet in hand and proceeded to gently open and drain the wound.
Lisa Kleypas (Devil in Winter (Wallflowers, #3))
What are you doing?” “Coming to pick you up in a little bit,” he said. I loved it when he took charge. It made my heart skip a beat, made me feel flushed and excited and thrilled. After four years with J, I was sick and tired of the surfer mentality. Laid-back, I’d discovered, was no longer something I wanted in a man. And when it came to his affection for me, Marlboro Man was anything but that. “I’ll be there at five.” Yes, sir. Anything you say, sir. I’ll be ready. With bells on. I started getting ready at three. I showered, shaved, powdered, perfumed, brushed, curled, and primped for two whole hours--throwing on a light pink shirt and my favorite jeans--all in an effort to appear as if I’d simply thrown myself together at the last minute. It worked. “Man,” Marlboro Man said when I opened the door. “You look great.” I couldn’t focus very long on his compliment, though--I was way too distracted by the way he looked. God, he was gorgeous. At a time of year when most people are still milky white, his long days of working cattle had afforded him a beautiful, golden, late-spring tan. And his typical denim button-down shirts had been replaced by a more fitted dark gray polo, the kind of shirt that perfectly emphasizes biceps born not from working out in a gym, but from tough, gritty, hands-on labor. And his prematurely gray hair, very short, was just the icing on the cake. I could eat this man with a spoon. “You do, too,” I replied, trying to will away my spiking hormones. He opened the door to his white diesel pickup, and I climbed right in. I didn’t even ask him where we were going; I didn’t even care. But when we turned west on the highway and headed out of town, I knew exactly where he was taking me: to his ranch…to his turf…to his home on the range. Though I didn’t expect or require a ride from him, I secretly loved that he drove over an hour to fetch me. It was a throwback to a different time, a burst of chivalry and courtship in this very modern world. As we drove we talked and talked--about our friends, about our families, about movies and books and horses and cattle.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
How long does it last?" Said the other customer, a man wearing a tan shirt with little straps that buttoned on top of the shoulders. He looked as if he were comparing all the pros and cons before shelling out $.99. You could see he thought he was pretty shrewd. "It lasts for as long as you live," the manager said slowly. There was a second of silence while we all thought about that. The man in the tan shirt drew his head back, tucking his chin into his neck. His mind was working like a house on fire "What about other people?" He asked. "The wife? The kids?" "They can use your membership as long as you're alive," the manager said, making the distinction clear. "Then what?" The man asked, louder. He was the type who said things like "you get what you pay for" and "there's one born every minute" and was considering every angle. He didn't want to get taken for a ride by his own death. "That's all," the manager said, waving his hands, palms down, like a football referee ruling an extra point no good. "Then they'd have to join for themselves or forfeit the privileges." "Well then, it makes sense," the man said, on top of the situation now, "for the youngest one to join. The one that's likely to live the longest." "I can't argue with that," said the manager. The man chewed his lip while he mentally reviewed his family. Who would go first. Who would survive the longest. He cast his eyes around to all the cassettes as if he'd see one that would answer his question. The woman had not gone away. She had brought along her signed agreement, the one that she paid $25 for. "What is this accident waiver clause?" She asked the manager. "Look," he said, now exhibiting his hands to show they were empty, nothing up his sleeve, "I live in the real world. I'm a small businessman, right? I have to protect my investment, don't I? What would happen if, and I'm not suggesting you'd do this, all right, but some people might, what would happen if you decided to watch one of my movies in the bathtub and a VCR you rented from me fell into the water?" The woman retreated a step. This thought had clearly not occurred to her before.
Michael Dorris (A Yellow Raft in Blue Water)
She broke off abruptly as she heard her name being called, and glanced over her shoulder, fearing that St. Vincent had discovered her escape. Her entire body stiffened in battle readiness. But there was no sign of St. Vincent, no betraying gleam of golden-amber hair. She heard the voice again, a deep sound that penetrated to her soul. “Lillian.” Her legs quivered beneath her as she saw a lean, dark-haired man coming from the front entryway. It can’t be, she thought, blinking hard to clear her vision, which must surely have been playing tricks on her. She stumbled a little as she turned to face him. “Westcliff,” she whispered, and took a few hesitant steps forward. The rest of the room seemed to vanish. Marcus’s face was pale beneath its tan, and he stared at her with searing intensity, as if he feared she might disappear. His stride quickened, and as he reached her, she was seized and caught in a biting grip. He wrapped his arms around her, pulling her hard against him. “My God,” he muttered, and buried his face in her hair. “You came,” Lillian gasped, trembling all over. “You found me.” She couldn’t conceive how it was possible. He smelled of horses and sweat, and his clothes were chilled from the outside air. Feeling her shiver, Marcus drew her tightly inside his coat, murmuring endearments against her hair. “Marcus,” Lillian said thickly. “Have I gone mad? Oh, please be real. Please don’t go away—” “I’m here.” His voice was low and shaken. “I’m here, and I’m not going anywhere.” He drew back slightly, his midnight gaze scouring her from head to toe, his hands searching urgently over her body. “My love, my own… have you been hurt?” As his fingers slid along her arm, he encountered the locked manacle. Lifting her wrist, he stared at the handcuffs blankly. He inhaled sharply, and his body began to shake with primitive fury. “G**damn it, I’ll send him to hell—” “I’m fine,” Lillian said hastily. “I haven’t been hurt.” Bringing her hand to his mouth, Marcus kissed it roughly, and kept her fingers against his cheek while his breath struck her wrist in swift repetitions. “Lillian, did he…” Reading the question in his haunted gaze, the words he couldn’t yet bring himself to voice, Lillian whispered scratchily, “No, nothing happened. There wasn’t time.” “I’m still going to kill him.” There was a deadly note in his voice that made the back of her neck crawl. Seeing the open bodice of her gown, Marcus released her long enough to pull off his coat and place it over her shoulders. He suddenly went still. “That smell… what is it?” Realizing that her skin and clothes still retained the noxious scent, Lillian hesitated before replying. “Ether,” she finally said, trying to form her trembling lips into a reassuring smile as she saw his eyes dilate into pools of black. “It wasn’t bad, actually. I’ve slept through most of the day. Other than a touch of queasiness, I’m—” An animal growl came from his throat, and he pulled her against him once more. “I’m sorry. I’m so sorry. Lillian, my sweet love… you’re safe now. I’ll never let anything happen to you again. I swear it on my life. You’re safe.” He took her head in his hands, and his mouth slid over hers in a kiss that was brief, soft, and yet so shockingly intense that she swayed dizzily. Closing her eyes, she let herself rest against him, still fearing that none of this was real, that she would awaken to find herself with St. Vincent once more. Marcus whispered comforting words against her parted lips and cheeks, and held her with a grip that seemed gentle but could not have been broken by the combined efforts of ten men.
Lisa Kleypas (It Happened One Autumn (Wallflowers, #2))
Rose barely poured herself a cup of hot, mouth-watering chocolate, when she saw Grey and Archer walking across the lawn. Archer was impeccable as always, but Grey was a mess. His clothes were the same he’d worn the night before, and obviously slept in. His shirt, open at the throat, revealed a glimpse of tanned flesh that made her heart twitch and her gingers itch to touch him. His hair was mussed, and stubble covered his cheeks and jaw, except where prohibited by his scar. In short, he looked absolutely beautiful-a fallen angel. The only thing that made him remotely human was that scar, and she could easily tell herself he got that from battling the archangel Gabriel before being thrown out of heaven. She squinted as she realize Grey held something against his chest-something that moved. Was that a puppy? She jumped to her feet, and skipped down the few steps that took her down to the lawn. Lifting the skirts of her yellow morning gown, she hurried to meet them. “Good morning!” she cried. “What have you there?” Archer smiled in greeting, but Rose barely noticed. Her gaze was riveted on the man looking at her with an expression so hopeful it neigh on broke her heart. “I brought you something,” he said, his voice low and strangely rough. “A gift.” And then he held out his arms and offered her the sweetest face she’d ever seen. “Oh!” What an idiot she must seem, her eyes welling with tears over a dog, but she didn’t care. She let the tears come and slip down her cheeks as she took the warm, silky animal into her own arms, burying her face against its fur. “Grey, thank you!” “He’s too young to be away from his mother yet, but he’s yours if you want hm.” “Of course I want him! He’s beautiful.” He ran a hand through the thick tangle of his hair. “I didn’t know that you’d never had a dog before.” Rose cast a glance at Archer, who shrugged. “Telling my secrets are you, Lord Archer?” What else had he revealed? Grey’s brother shot her a sincere glance. “Only that one, Lady Rose. I did not think you would mind.” “And I don’t.” Turning her attention back to the squirming puppy in her arms, Rose was rewarded with a lick to the chin. “He’ll need to go back to the stables in a few minutes,” Grey told her. “But you can see him whenever you like.” With her free hand, Rose reached out and took one of Grey’s. His fingers were so big and strong next to hers. She squeezed and then let go, letting him know with a touch just how much his gift meant to her. “I love him. Thank you so very much.” “What are you going to name him?” he asked. Rose tore her gaze away from the pleasure in his, lest she do something stupid like kiss him in front of his brother. Instead, she cast a small, secretive smile at Archer. “Heathcliff,” she replied. “His name is Heathcliff.
Kathryn Smith (When Seducing a Duke (Victorian Soap Opera, #1))
Sophia counted six clangs of the bell before Mr. Grayson jolted fully awake. He looked up at her, startled and flushed. As though he’d been caught doing something he shouldn’t. She smiled. Rubbing his eyes, he rose to his feet. “Will I shock you, Miss Turner, if I remove my coat?” Sophia felt a twinge of disappointment. When would he stop treating her with this forced politesse, maintaining this distance between them? How many tales of passionate encounters must she spin before he finally understood that she was no less wicked than he, only less experienced? Perhaps it was time to take more aggressive measures. “By all means, remove your coat.” She tilted her eyes to cast him a saucy look. “Mr. Grayson, I’m not an innocent schoolgirl. You will have to try harder than that to shock me.” His lips curved in a subtle smile. “I’ll take that under advisement.” She watched as he shook the heavy topcoat from his shoulders and peeled it down his arms. He draped the coat over the back of a chair before sitting back down. The damp lawn of his shirt clung to his shoulders and arms. A pleasant shiver rippled down to Sophia’s toes. “It doesn’t suit you anyway,” she said, loading her brush with paint. He gave her a bemused look as he unknotted his cravat and pulled it loose. She inwardly rejoiced. Now, if only she could convince him to do away with his waistcoat…” “The coat,” she explained, when his eyebrows remained raised. “It doesn’t suit you.” “Why not? Is the color wrong?” The sudden seriousness in his tone surprised her. “No, the color is perfectly fine. It’s the cut that’s unflattering. That style is tailored to gentlemen of leisure, lean and slender. But as you are so fond of telling me, Mr. Grayson, you are no gentleman. Your shoulders are too broad for fashion.” “Is that so?” He chuckled as he undid his cuffs. Sophia stared as he turned up his sleeves, baring one tanned muscled forearm, then the other. “What style of garments would best suit me, then?” “Other than a toga?” He rewarded her jest with an easy smile. Sophia dabbed at her canvas, pleased to be making progress at last. “I think you need something less restrictive. Something like a sailor’s garb. Or perhaps a captain’s.” “Truly?” His gaze became thoughtful, then searching. “And even dressed in plain seaman’s clothes, would you still find me handsome enough? In my own way?” “No.” She allowed his brow to crease a moment before continuing. “I should find you surpassingly handsome. In every way.” She mixed paint slowly on her palette and gave him a coy look. “And what of my attire? If you had your way, how would you dress me?” “If I had my way…I wouldn’t.” A thrill raced through Sophia’s body. Her cheeks burned, and her eyes dropped to her lap. She forced her gave back up to meet his. Now was not the moment to lose courage. Nothing held sway over a man’s intentions like jealousy. “Gervais once kept me naked for an entire day so he could paint me.” He blinked. “He painted a nude study of you?” “No. He painted me. I took off my clothes and stretched out on the bed while he dressed me in pigment. Gervais called me his perfect, blank canvas. He painted lavender orchids here”-she traced a small circle just above her breast-“and little vines twining down…” She slid her hand down and noted with delight how his eyes followed its path. “I feigned the grippe and refused to bathe for a week.” Desire and jealous rage warred in his countenance, yet he remained as immobile as one of Lord Elgin’s marble sculptures. What would it take to spur the man into action?
Tessa Dare (Surrender of a Siren (The Wanton Dairymaid Trilogy, #2))
Suddenly I realized I was standing on the hot wood of the dock, still touching elbows with Adam, staring at the skull-and-crossbones pendant. And when I looked up into his light blue eyes, I saw that he was staring at my neck. No. Down lower. “What’cha staring at?” I asked. He cleared his throat. “Tank top or what?” This was his seal of approval, as in, Last day of school or what? or, Dallas Cowboys Cheerleaders or what? Hooray! He wasn’t Sean, but he was built of the same material. This was a good sign. I pumped him for more info, to make sure. “What about my tank top?” “You’re wearing it.” He looked out across the lake, showing me his profile. His cheek had turned bright red under his tan. I had embarrassed the wrong boy. Damn, it was back to the football T-shirt for me. No it wasn’t, either. I couldn’t abandon my plan. I had a fish to catch. “Look,” I told Adam, as if he hadn’t already looked. “Sean’s leaving at the end of the summer. Yeah, yeah, he’ll be back next summer, but I’m afraid I won’t be able to compete once he’s had a taste of college life and sorority girls. It’s now or never, and desperate times call for desperate tank tops.” Adam opened his mouth to say something. I shut him up by raising my hand. Imitating his deep boy-voice, I said, “I don’t know why you want to hook up with that jerk.” We’d had this conversation whenever we saw each other lately. I said in my normal voice, “I just do, okay? Let me do it, and don’t get in my way. Stay out of my net, little dolphin.” I bumped his hip with my hip. Or tried to, but he was a lot taller than me. I actually hit somewhere around his mid-thigh. He folded his arms, stared me down, and pressed his lips together. He tried to look grim. I could tell he was struggling not to laugh. “Don’t call me that.” “Why not?” “Dolphins don’t live in the lake,” he said matter-of-factly, as if this were the real reason. The real reason was that the man-child within him did not want to be called “little” anything. Boys were like that. I shrugged. “Fine, little brim. Little bass.” He walked toward the stairs. “Little striper.” He turned. “What if Sean actually asked you out?” I didn’t want to be teased about this. It could happen! “You act like it’s the most remote poss-“ “He has to ride around with the sunroof open just so he can fit his big head in the truck. Where would you sit?” “In his lap?” A look of disgust flashed across Adam’s face before he jogged up the stairs, his weight making the weathered planks creaked with every step.
Jennifer Echols (Endless Summer (The Boys Next Door, #1-2))