Debut Taylor Quotes

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The football monologue catapulted Andy into a career in radio and on Broadway. In 1957, he got his shot at film stardom, debuting in Elia Kazan’s astonishing A Face in the Crowd, written by Budd Schulberg. The movie, a dark, prescient take on American politics and mass media, is more appreciated now than it was at the time of its release. But even then, critics were mesmerized by Andy’s fiery performance as Lonesome Rhodes, a small-time radio host who, as his popularity snowballs, transforms into a lusty, egomaniacal demagogue. Many years later, when I was a young adult, Andy told me that playing Lonesome Rhodes had been a harrowing experience for him. Kazan was a brilliant director, he said, but he had manipulated and provoked Andy to summon his darkest, ugliest thoughts and impulses, and the process about wrecked him. “I don’t ever want to do that again,” Andy said. “I like to laugh when I’m working.” Andy had his pick of dramatic roles after A Face in the Crowd, but he chose not to go down that path—the psychological toll had been too high. To some degree, Andy said, Mayberry and the benevolent Sheriff Andy Taylor were a conscious response to Lonesome Rhodes, embodiments of rural America at its best.
Ron Howard (The Boys: A Memoir of Hollywood and Family)
The hand squeezing the throat, and the throat itself too.
Sharma Taylor (What A Mother's Love Don't Teach You: 'An outstanding debut' Cherie Jones)
To be African American is to be African without any memory and American without any privilege.
Sharma Taylor (What A Mother's Love Don't Teach You: 'An outstanding debut' Cherie Jones)
appreciate good things but because life had proved you shouldn’t express too much excitement, in case the goodness got taken away.
Sharma Taylor (What A Mother's Love Don't Teach You: 'An outstanding debut' Cherie Jones)
Debut Album ‘Taylor Swift’, 2006 By
Nicole Moore (Taylor Swift: A Biography)
The game of football evolved and here was one cause of its evolution, a new kind of athlete doing a new kind of thing. All by himself, Lawrence Taylor altered the environment and forced opposing coaches and players to adapt. After Taylor joined the team, the Giants went from the second worst defense in the NFL to the third best. The year before his debut they gave up 425 points; his first year they gave up 257 points. They had been one of the weakest teams in the NFL and were now, overnight, a contender. Of course, Taylor wasn’t the only change in the New York Giants between 1980 and 1981. There was one other important newcomer, Bill Parcells, hired first to coach the Giants’ defense and then the entire team.
Michael Lewis (The Blind Side)
Hand at bowl, knife at throat
Sharma Taylor (What A Mother's Love Don't Teach You: 'An outstanding debut' Cherie Jones)
Hand at bowl, knife at throat” but Mama teach mi dat. Not everybody who offer yuh something is genuine. Dem give yuh a bowl of food wid one hand and draw knife at yuh neck wid the other.
Sharma Taylor (What A Mother's Love Don't Teach You: 'An outstanding debut' Cherie Jones)
Tim McGraw" is inarguably one of the best debut singles of all time. Released when Swift was just 16 years old, the melancholy country song combines wistful acoustic guitars with keening fiddle, banjo and dobro. Her vocals are both innocent and self-assured, with a prominent twang that suits the nostalgic vibe.
Annie Zaleski (Taylor Swift - The Stories Behind the Songs: Every single track, explored and explained)