Suspense Love Quotes

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There is no beginning, no middle, no end, no suspense, no moral, no causes, no effects. What we love in our books are the depths of many marvelous moments seen all at one time.
Kurt Vonnegut Jr. (Slaughterhouse-Five)
Rejection is an opportunity for your selection.
Bernard Branson
If there was one thing a former sniper could do well, it was wait. Patiently. Quietly. Without a sound. Barely a movement. Just him, a quiet mind and his breath.
J. Rose Black (Losing My Breath)
Have you ever met someone for the first time, but in your heart you feel as if you’ve met them before?
JoAnne Kenrick (When A Mullo Loves A Woman (Pearl Kizzy, #1))
The softness, warmth and weight of her breast filled his palm. “I’ve imagined this for weeks,” he murmured. Thinking of her out there on the battlefield. In his tent. What more could a woman want? Quite a lot, actually.
Yvonne Korshak (Pericles and Aspasia: A Story of Ancient Greece)
Fritz Kramer said, “I cannot see why my treatment of my Chinese workers as equals should cause any German, American or British person any concern.
Michael G. Kramer (His Forefathers and Mick)
If I were seducing you, I’d have you spread out like fine cuisine, working my way through the menu. From appetizer… to dessert.
Lotchie Burton (Gabriel's Fire (The Men of Thorne Enterprises #2))
I can’t do more than this. Don’t ask me. If you ask, I’ll try and I’ll fail. You’ll end up hating me. And I’d rather die . . . than have you hate me. Or disappoint you. My own darkness, it still chips away at me.
J. Rose Black (Losing My Breath)
She was a ray of sunshine, a warm summer rain, a bright fire on a cold winter’s day, and now she could be dead because she had tried to save the man she loved.
Grace Willows
One thing, though, was for sure – here I was, alive, healthy but as unquiet in my way as they were in theirs. Transcendent equality. You’ve got to love it.
Michael Wyndham Thomas (The Erkeley Shadows)
It doesn’t matter. I love you. That’s it. That’s all. I hope to hell it’s enough.
Maya Banks (No Place to Run (KGI, #2))
If "If freckles were lovely, and day was night, And measles were nice and a lie warn't a lie, Life would be delight,-- But things couldn't go right For in such a sad plight I wouldn't be I. If earth was heaven and now was hence, And past was present, and false was true, There might be some sense But I'd be in suspense For on such a pretense You wouldn't be you. If fear was plucky, and globes were square, And dirt was cleanly and tears were glee Things would seem fair,-- Yet they'd all despair, For if here was there We wouldn't be we.
E.E. Cummings
I have words for this patently pedantic policy and what the mildly misogynistic men who tried to run my life could do with it. And if it rhymed with "dove it up their mass," I'd never tell a soul.
J. Rose Black (Chasing Headlines)
Oh, he did look like a deity – the perfect balance of danger and charm, he was at the same time fascinating and inaccessible, distant because of his demonstrated flawlessness, and possessing such strength of character that he was dismaying and at the same time utterly attractive in an enticing and forbidden way.
Simona Panova (Nightmarish Sacrifice (Cardew))
2004 was a momentous year: a space craft landed on Mars, Mark Zuckerberg launched the Facebook, Michael Schumacher won his seventh world championship, and I met Elina.I couldn’t take my eyes off her and NASA must have been able to see her smile from Mars; it lit up the whole square. The town. My world. I had never felt so good
Brian J. Twiddy (Blessing)
They say that when you're about to die, your life flashes before your eyes. They never tell you that when you watch someone you once loved dying, hovering between this life and the next, it's twice as painful, because you're reliving two lives that traveled one road together.
Becca Fitzpatrick (Black Ice)
I love you, Katherine James. I love you with everything I am. You're the best thing that has ever happened to me. Remember that." Gabe Rossiter
Pamela Clare (Naked Edge (I-Team, #4))
She felt love, like the love that she had always known existed behind every fallen autumn leaf, behind the gurgling of springs, and behind the kisses of her parents.
Jack Borden (The Lost City: An Epic YA Fantasy Novel (The Tixie Chronicles Book 4))
I always am in a role, lovely – for you, for them – even for myself. Yeah... Even when I’m alone, I am still in a role – and I myself am the most exacting audience I have ever had.
Simona Panova (Nightmarish Sacrifice (Cardew))
Callan sucked in a breath. As a sniper, he’d been trained by the Marines to know and recognize moments.  Moments when all the training—his focused mind, muscle memory, weapon knowledge . . .  When all the preparation—target reconnaissance, angle of attack, position scouting . . .  When all the setup—hidden amid the terrain, barrel aimed, trajectory known . . .  When everything came together in one crucial moment—when the sniper squeezed the trigger and took his shot.
J. Rose Black (Losing My Breath)
You could just fall in love with me, then.” He leaned closer. “Problem solved.”  “You first.” I huffed and moved away, pain seared through my chest—stomping out the warmth that had been so alive a moment before.
J. Rose Black (Chasing Headlines)
Stop it!’ The girl jumped out of her chair, ‘Stop torturing me! Stop pretending you didn’t know each other, you planned all this, and then you waited for a wet day and then he was going to come in and then there is this story, and then he’d send the photos off, stop it! Leave me alone!’ She rushed to the door and tore it open and vanished down the hotel stairs.
Elizabeth Tebby Germaine (A MAN WHO SEEMED REAL: A story of love, lies, fear and kindness)
Desires are what can most easily ruin us, lovely.
Simona Panova (Nightmarish Sacrifice (Cardew))
Their lips met in a slow, languid kiss. Salt from her tears mixed with her natural sweetness. She wrapped her arms around his neck and pressed closer. Her softness, her scent, she filled and overran his senses. He mouthed another kiss against her lips. Heat flared inside his abdomen when she opened her mouth, and kissed him back with firmer lips.  He sank into her embrace, the heated connection she offered. A kinetic warmth surged through him, lighting, igniting dormant pieces inside—like someone returning home . . . A soft groan, hushed breaths. Their mouths parted and found each other again. He slid his hand behind her neck as he deepened the kiss.
J. Rose Black (Losing My Breath)
What do you intend to do when you wake up? Will you proclaim the truth or continue to hide behind your façade?
Steve Rush (Lethal Impulse)
Charlotte had been surrounded by men most of her adult life. Only one attracted her, only one had she fallen in love with – and he turned out to be cruel and broke her heart. But he was dead. She had killed him. He was a Nazi, an SS officer, dashing and charismatic … an evil person.
Hugo Woolley (The Wasp Trap (The Charlotte's War Trilogy Book 3))
The suspense: the fearful, acute suspense: of standing idly by while the life of one we dearly love, is trembling in the balance; the racking thoughts that crowd upon the mind, and make the heart beat violently, and the breath come thick, by the force of the images they conjure up before it; the desperate anxiety to be doing something to relieve the pain, or lessen the danger, which we have no power to alleviate; the sinking of soul and spirit, which the sad remembrance of our helplessness produces; what tortures can equal these; what reflections of endeavours can, in the full tide and fever of the time, allay them!
Charles Dickens (Oliver Twist)
I want you, Sage. I want to be inside you so badly," he whispered, as he ran his tongue over her ear. “I want to explore your entire body," he muttered.
Sharon Carter (Love Auction: Too Risky to Love Again)
The soft and mesmerizing opening riddled with sad undertones brilliantly foretold the violent clashes of familial conflict and heartache that was soon to come.
Rich DiSilvio (The Arnolfini Art Mysteries)
Why would he appear to be so freaking concerned about me to my fake boyfriend anyway? she thought. He needs to mind his own business and keep out of mine. Shallow, arrogant bastard!
Sharon Carter (Love Auction: Too Risky to Love Again)
Do you know where Jean de Tournet is?” Jason asked. “He is dead, Uncle,” Charlotte said flatly. “How do you know?” “I killed him in 1943. He was doing business with the Nazis. He tried to rape me” – she stopped and shivered – “but I killed him before he could.” Jason and Sophie both looked at Charlotte with horror. This was the first time Jason had showed any genuine emotion throughout the evening. It was fear.
Hugo Woolley (The Wasp Trap (The Charlotte's War Trilogy Book 3))
The coffee shop smell was strong enough to build a garage on.
Raymond Chandler (Farewell, My Lovely (Philip Marlowe, #2))
Sally could not dismiss the feeling that she and the strange man on the bus shared the same baggage, both losing their footing—both with fists clenched against the world.
JoDee Neathery (A Kind of Hush)
…You’re throwing us away because you’re afraid to let yourself fall in love. You’re searching for something that isn’t real. You’re not Eric Stone. He’s your protagonist. Eric Stone is make-believe and life isn’t an adventure novel.
Diane L. Kowalyshyn (Crossover (Cross your Heart and Die, #1))
Their attraction to each other is derailed by a missing person, acts of vandalism, a jealous woman, and an accident—or was it a murder?
Cricket Rohman (Colorado Takedown (The McAllister Brothers, #1))
It’s not so much where I want you,Sophie, as it is how. Nothing tastes quite like a woman, and no woman tastes like you. - Marc Hunter
Pamela Clare (Unlawful Contact (I-Team, #3))
Trace, a cattle rancher, and Hannah, a vegetarian, had nothing in common until the accident.
Cricket Rohman (Colorado Takedown (The McAllister Brothers, #1))
Always, I had been worried that, if given free rein, my love for him and, truth to tell, my need for him would overwhelm me.
Lo Monaco (Fallen in a Dark Uneven Way)
I wish i could really believe that---really believe that. I'm glad the two of you met as well.
Sharon Carter (Love Auction: Too Risky to Love Again)
I was never able to accept anyone else’s support but my own –
Simona Panova (Nightmarish Sacrifice (Cardew))
I want to take you under the moonlight.
Kassandra Cross (Carrie's First Time (Carrie #1))
And now Anderson stood looking at his father. His hands were trembling with eagerness, extending toward him, wanting his father to embrace him. He wanted to love it back to life for all those lost times, for all those times of hope. “Permission to sit, sir?
Behcet Kaya (Murder on the Naval Base)
Paranoia. The more you think of an imaginary problem, the more you feel as though it’s real –
Simona Panova (Nightmarish Sacrifice (Cardew))
Tempting as your offer is, I won’t go home with you. I can’t sleep with you, Justin. You say it doesn’t have to be that way, but you and I both know that’s the way it would be. You’re a risk I can’t afford to take.
Sarah Grimm (Not Without Risk)
Trace pulled on his jeans but didn’t bother zipping them. Nor did he bother with a shirt. The sheriff smirked, scrutinizing his lack of clothing. “I can almost see why Callie is so taken with you.
Cricket Rohman (Colorado Takedown (The McAllister Brothers, #1))
Oh honey, someday a real man is going to make you see stars and you won't even be looking at the sky." Excerpt from Grace Willow's Last Minute Bride
Grace Willows
I’m sure everyone’s sorry and said they’re sorry, and you’ve heard it a thousand times. We all mean well, by the way. We just don’t have words.” I rubbed a hand over my forehead. Maybe that was the end of it. A little different than the standard lines. She meant well. Good talk. “It’s fine. Most people just say ‘sorry.’ I don’t need a speech.” “I’m not, though.” Her hair swished against my arm as she shook her head. “It’s sad your mother died. It is. Because of all the things she’ll miss. It’s very sad. But, I’m glad she lived.”  
J. Rose Black (Chasing Headlines)
Even I don’t know myself... In fact, I don’t know if I really have a self at all, as I’m constantly playing different roles and pretending – not so much on stage as in real life...
Simona Panova (Nightmarish Sacrifice (Cardew))
We've made a beautiful mess of things lately, haven't we?" He flashed that sexy crooked smile at me, which made my heart flutter. "But it's our crazy story," "It's been ours, only ours. There's been a lot of romance, sometimes way too much drama..." "very memorable comedy, a few pulse-racing action scenes..." "We've also had our fair share of suspense and raw terror, and unfortunately gut-wrenching heartache too." "I think we've covered it all, everything except fo being captured by aliens!" "But through it all you've loved me unconditionally, and I know how fortunate I am to have your love. I don't want to live without you, not for one more minute, not for one more second. I want to spend the rest of my days living my story with you...only you." "It is here that I fell in love with you" "And as fate would have it, it is here that I humbly kneel before you and ask you to be my wife.
Tina Reber (Love Unscripted (Love, #1))
Emotions don’t interfere in my acting, nor in my life.
Simona Panova (Nightmarish Sacrifice (Cardew))
But this is my fucking life! My mom died and some reporter wanted a story.” I heaved for air. “And all I cared about was playing in some game. Like that was what mattered. She was dying, and I was mad. I’m still fucking pissed. Criminals survive every day. Murderers and rapists and lunatics. But not her.” “Life, in all the years I’ve been living it, son, doesn’t make a lick of sense where that’s concerned.
J. Rose Black (Chasing Headlines)
Whereas during those months of separation time had never gone quickly enough for their liking and they were wanting to speed its flight, now that they were in sight of the town they would have liked to slow it down and hold each moment in suspense, once the breaks went on and the train was entering the station. For the sensation, confused perhaps, but none the less poingant for that, of all those days and weeks and months of life lost to their love made them vaguely feel they were entitled to some compensation; this present hour of joy should run at half the speed of those long hours of waiting.
Albert Camus (The Plague)
Well, well, well, look who’s here riding solo.” Victor would make Al Pacino seem gigantic,” said Conner. You two can look eye to eye my friend.” God only lets things grow until they’re perfect—some of us didn’t take as long as others. The ladies call us fun-sized.
JoDee Neathery (A Kind of Hush)
Trenton got up and made for the bathroom. On the way he paused to put a record on the gramophone. He loved music first thing in the morning and his good friend Fred Astaire was a particular favourite. As he stepped into the bath, he began to sing along. ‘Da da da da da da…I’m putting’ on my top hat, tying up my white tie, brushing’ off my tails.
Mark Ellis (Death of an Officer)
There isn’t any particular relationship between the messages, except that the author has chosen them carefully, so that, when seen all at once, they produce an image of life that is beautiful and surprising and deep. There is no beginning, no middle, no end, no suspense, no moral, no causes, no effects. What we love in our books are the depths of many marvelous moments seen all at one time.
Kurt Vonnegut Jr. (Slaughterhouse-Five)
You will never put yourself or any of my men in danger again. You could have slipped, fallen, broken your pretty neck, or fucking died. And I bet you didn’t even think about a sniper taking you out from afar.
Becky Wilde (Bratva Connection: Maxim (Whimsical Words Publishing))
You kissed me once and now you feel as if you’ve got some special kind of licence to do it whenever you want?
Simona Panova (Nightmarish Sacrifice (Cardew))
I kissed her, a long hard kiss. Because baby didn't know it, but baby was dead, and in a way I couldn't have loved her more.
Jim Thompson (The Killer Inside Me)
He hugged her hard. "I love you. My life is so much better with you in it than out of it.
Cindy Gerard (To the Brink (The Bodyguards #3))
Will I see you again?” His grin had lost its wild flair. Instead, it was limp and very small. “Sure you will.” A pause. “In my next movie.” With one last look, he climbed in his car and drove away.
Willowy Whisper (Angel Gate)
I may seem happy, but I’m still hurting. A nasty, adulterous divorce will do that.
Cricket Rohman (Wanted: An Honest Man (Lindsey Lark #1))
Don't forget you are with him for sex only. Remove the cobwebs as Sarah suggested. Have fun like auntie said. You don't have to get to know him.
Sharon Carter (Love Auction: Too Risky to Love Again)
You can speak to me like you haven’t spoken even to yourself.
Simona Panova (Nightmarish Sacrifice (Cardew))
i love you Ivy. I'll never stop loving you." "I prayed for one more chance to reach you," he said, "to tell you how much I love you and to tell you to keep on loving. Someone else was meant for you,Ivy, and you were meant for someone else.
Elizabeth Chandler (Kissed by an Angel/The Power of Love/Soulmates (Kissed by an Angel, #1-3))
True forgiveness is letting go of something and moving forward with your life. I was stuck in the past, drowning in misery.
Sharon Carter (Love Auction: Too Risky to Love Again)
Stop opening yourself up to this womanizer.  He doesn't deserve to know a freaking thing about you," she chastised herself.
Sharon Carter (Love Auction: Too Risky to Love Again)
Writing is not always a writer's playtime. It's actually a work in progress. Few understand this and mistakenly believe we're wasting time. But it's never a waste of time when doing what you love.
David Lucero (Big Jim)
Then his beautiful lips touched hers. A fluttering of wings, a cry of angels, a single beat of two hearts.
Chris Lange (Enchained)
I guess love is the real suspension of disbelief.
Melissa Bank (The Girls' Guide to Hunting and Fishing)
A selfish man would never visit a comatose woman every day for two months. He wouldn’t have done what was best for everyone involved, or given an employee a proper burial. These are the acts of a loving man––a man who cared too much.” “What are you saying?” “Sara’s my biological mother.
Diane L. Kowalyshyn (Crossover (Cross your Heart and Die, #1))
You know what, your imagination works faster than your mind.
Simona Panova (Nightmarish Sacrifice (Cardew))
We do not remember days, Shemei, we remember moments, and the richness of life lies in memories we have forgotten.
Terri Herman-Poncé (In This Life)
True love has a habit of coming back.
Turcois Ominek
I didn't love him anymore, but at the same time, I didn't hate him, either.
Lo Monaco (Fallen in a Dark Uneven Way)
I think I am beginning to understand why grief feels like suspense. It comes from the frustration of so many impulses that had become habitual. Thought after thought feeling after feeling, action after action, had H. for their object. Now their target is gone. I keep on through habit fitting an harrow to the string, then I remember and have to lay the bow down. So many roads lead thought to H. I set out on one of them. But now there's an impassable frontierpost across it. So many roads once; now so many culs de sac.
C.S. Lewis (A Grief Observed)
Optimism is the madness of insisting that all is well when we are miserable.
Rebecca Rosenberg (Champagne Widows: First Woman of Champagne, Veuve Clicquot)
Drama does not just walk into our lives. Either we create it, invite it, or associate with it.
Brandi L. Bates (Remains To Be Seen)
His fall from grace is imminent and the vultures are circling. Waiting to pick his bones clean.
Lotchie Burton (Dante's Revenge (The Men of Thorne Enterprises Book 3))
You settle for less, you get less.
Brandi L. Bates (Remains To Be Seen)
She covered his hand with hers over her abdomen. His was so much bigger than hers and had probably fired guns, rifles, and god knew what else, but right here, right now, his tenderness broke down her will as sure as any grenade.
Lisa Kessler (Legend of Love (Muse Chronicles, #2))
Your silence exists as does my self gathering. But so does the almost absolute silence of the world's dawning. In such suspension, before every utterance on earth, there is a cloud, an almost immobile air. The plants already breathe, while we still ask ourselves how to speak to each other, without taking breath away from them.
Luce Irigaray (To Be Two)
He was a boy in love with another man’s woman and took on a job bigger than he was.
Donald Montano (Drink Deep from the Well of Good Intentions (The Return To Charleston Book 1))
This is what I love to see--different branches of law enforcement at each other's throats. It gives the bad guys the head start they need, which in turn gives us all job security.
Pamela Clare (Breaking Point (I-Team, #5))
I love you. We’re getting married, and that’s the way it is. Get used to it.
Julie Garwood (The Ideal Man (Buchanan-Renard, #9))
Yes, I’m sure the universe connected us and may do so again when it deems the time is right. Until then, in only a few short hours combined with a set of lovely messages, I have enjoyed something rarely found, a gemstone in the sands of time.
Charles Dyson (A Decade of Desire: Erotic Memoirs from The Office Diaries)
Now lend me your ears. Here is Creative Writing 101: 1. Use the time of a total stranger in such a way that he or she will not feel the time was wasted. 2. Give the reader at least one character he or she can root for. 3. Every character should want something, even if it is only a glass of water. 4. Every sentence must do one of two things—reveal character or advance the action. 5. Start as close to the end as possible. 6. Be a sadist. No matter sweet and innocent your leading characters, make awful things happen to them—in order that the reader may see what they are made of. 7. Write to please just one person. If you open a window and make love to the world, so to speak, your story will get pneumonia. 8. Give your readers as much information as possible as soon as possible. To heck with suspense. Readers should have such complete understanding of what is going on, where and why, that they could finish the story themselves, should cockroaches eat the last few pages. The greatest American short story writer of my generation was Flannery O'Connor (1925-1964). She broke practically every one of my rules but the first. Great writers tend to do that.
Kurt Vonnegut Jr.
There are two ways of spreading light to be candle,or the mirror that reflects it.
Chetan Bhagat (Revolution 2020: Love, Corruption, Ambition)
Come any closer, I’ll blow your little soldier to bits.
Nancy Mangano (Deadly Decisions)
And they...LIVED! Life isn't always ‘Happily Ever After’, rather, loving FOREVER, regardless.
Carmen DeSousa (She Belongs To Me (Southern Suspense, #1))
Love is pain. Real love – the one not spewed in poetry – is agony. It tears at your soul, strips you bare, drives you mad and demands the veracity of our existence. Love is madness.
Trisha Wolfe (Born, Madly (Darkly, Madly, #2))
Please,” I gasped out. He just brushed his lips against my jaw, my neck, my mouth. “Tamlin,” I begged. He palmed my breast, his thumb flicking over my nipple. I cried out, and he buried himself in me with a mighty stroke. For a moment, I was nothing, no one. Then we were fused, two hearts beating as one, and I promised myself it always would be that way as he pulled out a few inches, the muscles of his back flexing beneath my hands, and then slammed back into me. Again and again. I broke and broke against him as he moved, as he murmured my name and told me he loved me. And when that lightning once more filled my veins, my head, when I gasped out his name, his own release found him. I gripped him through each shuddering wave, savoring the weight of him, the feel of his skin, his strength. For a while, only the rasp of our breathing filled the room. I frowned as he withdrew at last—but he didn’t go far. He stretched out on his side, head propped on a fist, and traced idle circles on my stomach, along my breasts.
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
Marriage isn’t a prison,” Karlee said. “It’s not supposed to hold two people captive.” “It’s not a prison, it’s a fortress. Marry me. Because you love me. Because of the baby. Because you want to protect our love.” “And all this time I thought you were afraid of commitment.” “I am,” Cole said. “I’m terrified you won’t make one.
Diane L. Kowalyshyn (Crossover (Cross your Heart and Die, #1))
The things I want from you, darlin’, will give you nightmares, ones like you’ve never had before. A nightmare that will have you begging me not to wake you up.” --Lucca
Sarah Brianne (Lucca (Made Men, #4))
Love is the suspension of reality in favor of the sublime.
Jeffrey Fry
Well why don't you lean over this counter a little more and give me your best kiss, and then I'll tell you if I want you to take me out to dinner.
Zack Love (The Doorman)
The right relationship is the one that aligns with your soul’s highest good, whether it’s a Twin Flame or a Soulmate.
A.R. Merrydew (The Dumb Dumb's Handbook: To Twin Flame Relationships)
My hope is that it will offer some comfort to those who doubt their sanity, and ease the pain until the dust finally settles.
A.R. Merrydew (The Dumb Dumb's Handbook: To Twin Flame Relationships)
There isn’t going to be a ‘next lover,’” Grant said automatically, outraged by the idea. “I’m the only man she’s going to have.
Lisa Kleypas (Someone to Watch Over Me (Bow Street Runners, #1))
I didn’t love him as I had before, but I felt love toward him as I would toward a dear friend from my past.

Lo Monaco (Fallen in a Dark Uneven Way)
She smells like spring and flowers and rain, even though it’s winter. Sometimes, he thinks he loves her so much that his mind is unable to distinguish between love and obsession. Which is worse?
Christy A. Campbell (The Sharing Moon)
Starla and Conner ambled to his car, knowing each deliberate footstep meant the road to parting was nearer. He leaned his back against the door pulling her within inches of his face, their personal space evaporating like dew steeped in the warmth of the morning sun. She tilted her head sideways, searching his eyes with hers. Straightening the collar of his shirt she said, “If I’m too bold forgive me, but you fill a void in my life . . . you’re like finding that stray earring I’ve been trying to find for ages and now that I have, it scares me.
JoDee Neathery (A Kind of Hush)
The fiery tickle of outrage burned up her throat. “How the hell would you know that when you never gave me a chance?” Something dark and scorching flickered behind his eyes. “Because no other girl has ever made me want to forget all my own rules for them.
Airicka Phoenix (Games of Fire)
That made love—not grace—the magic ingredient. Then a new thought hit her. Perhaps love was grace. A shiver went up her spine. What did that make anger? The antithesis of grace?
Penelope Marzec (A Rush of Light)
Do you think,” she said, “instead of having sex, we could make love?” “I’d love that,” Ken whispered.
Suzanne Brockmann (Out of Control (Troubleshooters, #4))
I guess the answer would be yes." "Got to love that word." He kissed her so sweetly then, it brought tears to her eyes. "Got it in you to say it again?" And then he did the unthinkable. He went down on one knee.
Cindy Gerard (To the Brink (The Bodyguards #3))
No matterwhat he did to make Claire’s life better or show her he’d changed, these memories would always linger in the recesses of his mind. For the rest of his life, he’d know what he’d done. Tony hated himself for all of it—hell, he always had the end justifies the means argument, but even he didn’t believe that anymore. Not now. Not now that he knew Claire and loved Claire.
Aleatha Romig (Convicted (Consequences, #3))
Through the open drapes behind the nightstand, moonlight pouring through shadowy leaves fell haphazardly on the plastic bag full of shattered memories of his wife. He sat down on the bed, a dark silent gaze spreading over his face. Opening the bag released the flowery scent of licorice and violets—Summer’s signature perfume, Lolita Lempicka. He remembered she always said the aroma reminded her of childhood lullabies, fairies, and magic kingdoms. Matt buried his face in the tattered polo shirt she was wearing that day inhaling the faint trail of his lost love.
JoDee Neathery (A Kind of Hush)
I reach and have reached the timeless moment, the pure suspension within time, only through love.
May Sarton (Recovering: A Journal)
I haven't always been a patient man...but something tells me you'd be worth the wait.
Sam Langley
The insanity of love, and that’s why you’re trying to drive away with the park brake on.
Helene Young (Shattered Sky (Border Watch #2))
Damn, this op has been like a fucking Love Boat episode.
Suzanne Brockmann (Over the Edge (Troubleshooters, #3))
He put the lasagna on the ground, stripped down to his skivvies, tucked into the shadows at the rear of the house and let his dinner come to him.
Diane L. Kowalyshyn (Crossbones (Cross your Heart and Die, #3))
One feels even in the midst of the traffic, or waking at night, Clarissa was positive, a particular hush, or solemnity; an indescribable pause; a suspense before Big Ben strikes. There! Out it boomed. First a warning, musical; then the hour, irrevocable. The leaden circles dissolved in the air. Such fools we are, she thought, crossing Victoria Street. For Heaven only knows why one loves it so, how one sees it so, making it up, building it round one, tumbling it, creating it every moment afresh; but the veriest frumps, the most dejected of miseries sitting on doorsteps (drink their downfall) do the same; can't be dealt with, she felt positive, by Acts of Parliament for that very reason: they love life. In people's eyes, in the swing, tramp, and trudge; in the bellow and the uproar; the carriages, motor cars, omnibuses, vans, sandwich men shuffling and swinging; brass bands; barrel organs; in the triumph and the jingle and the strange high singing of some aeroplane overhead was what she loved; life; London; this moment in June.
Virginia Woolf (Mrs. Dalloway)
Fate had played a cruel trick and turned him into a monster.
Diane L. Kowalyshyn (Crossbones (Cross your Heart and Die, #3))
I don't suppose you have a rocket powered helicopter hidden in your bra?
Jackie Williams (Tinted Lenses)
The best part of falling in love is the mystery and excitement of not knowing. The worst part of falling in love is the mystery and agony of not knowing.
Gayle Hayes (Summer Solstice)
I think I love you, Bennett. Probably not relevant at the moment so no need to say thanks.
Helene Young (Shattered Sky (Border Watch #2))
I’ve never been accused of having good sense when it comes to being careful. I guess my attraction to the what-if possibilities far outweigh my fear of an oh-crap reality.
Lotchie Burton (Dante's Revenge (The Men of Thorne Enterprises Book 3))
Gray. The overcast skies had the colour of deadened stones, and seemed closer than usually, as though they were phlegmatically observing my every movement with their apathetic emptily blue-less eyes; each tiny drop of hazy rain drifting around resembled transparent molten steel, the pavement looked like it was about to burst into disconsolate tears, even the air itself was gray, so ultimate and ubiquitous that colour was everywhere around me. Gray...
Simona Panova (Nightmarish Sacrifice (Cardew))
I was recently living more comfortably surrounded by secrets... Like dozens of luxurious satiny pillows, they were embracing me from all directions into safe lulling warmth, thus isolating me from the sharp dead-cold edges of the truth hiding behind their endearingly smooth textures and tender soothing colours. Secrets could be so irresistibly beautiful...
Simona Panova (Nightmarish Sacrifice (Cardew))
Secrets and lies, Neil. Both result in trouble for the one who harbors them if relied upon to maintain sanity. People once confided in me until they heard what happened.” He rubbed his fingers along the scars on his cheek. “I never betrayed their confidence. That’s the way it must be. It’s the other kind of secrets that brings trouble. The ones you’d hate for anyone to know.
Steve Rush (Lethal Impulse)
He understood that she needed some time to get used to "them." He didn't. He knew exactly what was happening, and he didn't need another week, another month, another year, to get things in perspective. He loved her. It was that plain. That simple.
Cindy Gerard (To the Brink (The Bodyguards #3))
There are no telegraphs on Tralfamadore. But you're right: each clump of symbols is a brief, urgent message-- describing a situation, a scene. We Tralfamadorians read them all at once, not one after the other. There isn't any particular relationship between all the messages, except that the author has chosen them carefully, so that, when seen all at once, they produce an image of life that is beautiful and surprising and deep. There is no beginning, no middle, no end, no suspense, no moral, no causes, no effects. What we love in our books are the depths of many marvelous moments seen all at one time.
Kurt Vonnegut Jr. (Slaughterhouse-Five)
Love, romance, Ghost Suspense, murder, blackmail, hell, Violence, manipulation, dark creature, evil
Diane L. Kowalyshyn (Crossbones (Cross your Heart and Die, #3))
Love is an intangible thing.” “That’s where you’re wrong,” Arthur said. If I can prove I’m in love with your daughter, will you give us your blessing?
Diane L. Kowalyshyn (Crossbones (Cross your Heart and Die, #3))
His eyes were twin flakes of ember floating into the night from a roaring inferno. “I won’t let anything happen to you. No matter what I have to do, I will keep you safe.
Airicka Phoenix (Games of Fire)
The scent of blood in the wind drew him like a poultice.
Diane L. Kowalyshyn (Crossbones (Cross your Heart and Die, #3))
What we love in our books are the depths of many marvelous moments seen all at once.There is no beginning, no middle, no end, no suspense, no moral, no causes, no effects. When seen all at once, they produce an image of life that is beautiful and surprising and deep.
Kurt Vonnegut Jr. (Slaughterhouse-Five)
There is no wilderness so dreary but that His love can illuminate it, no desolation so desolate but that He can sweeten it. I know what I am saying. It is no delusion. I believe the highest, purest happiness is known only to those who have learned Christ in sickrooms, in poverty, in racking suspense and anxiety, amid hardships, and at the open grave.
Elizabeth Payson Prentiss (Stepping Heavenward)
People in Washington love to use the word ‘systemic.’ You know, ‘We’re going to attack the ‘systemic’ causes’ of this or that.’ That’s supposed to convince us they’re thinking many layers more deeply than us. But where it counts, they strike out.
John M. Vermillion (Awful Reckoning: A Cade Chase and Simon Pack Novel)
Come on, Wind Dancer, it’s time to go. It’ll be just you and me asking for the night’s companionship.
Marie Montine (Mourning Grey: Part One: The Guardians Of The Temple Saga)
Ryan’s passion towards Stephanie surged around the restaurant like lightning from the love-gods and re-ignited her own dormant feelings for Lharkin.
Marie Montine (Arising Son: Part One (The Guardians of the Temple Saga))
Out of the morass of darkness came a ray of hope. She lighted like a butterfly in a swarm of moths.
Diane L. Kowalyshyn (Crossbones (Cross your Heart and Die, #3))
You must give me leave to flatter myself, my dear cousin, that your refusal of my addresses is merely words of course. My reasons for believing it are briefly these: -- It does not appear to me that my hand is unworthy your acceptance, or that the establishment I can offer would be any other than highly desirable. My situation in life, my connections with the family of De Bourgh, and my relationship to your own, are circumstances highly in its favor; and you should take it into farther consideration that in spite of your manifold attractions, it is by no means certain that another offer of marriage may ever be made you. Your portion is unhappily so small that it will in all likelihood undo the effects of your loveliness and amiable qualifications. As I must therefore conclude that you are not serious in your rejection of me, I shall chuse to attribute it to your wish of increasing my love by suspense, according to the usual practice of elegant females. (Mr. Collins, after proposing to Elizabeth Bennet and being refused, in Pride and Prejudice.)
Jane Austen
You're unpredictable and dangerous and protect those you love fiercely. You should be proud. To me you're more than a knight in some stupid shiny armour. You're the monster who no one can tame but the woman he loves. - Tess Snow
Pepper Winters (Twisted Together (Monsters in the Dark, #3))
Being mindful of Aunt Kathy’s presence, I turned to reading the Bible while sitting in the living room. It was my way ofkeeping my aunt at bay. Yet, my facade didn’t sustain me for long. I got called to the dining table anyway. Next, I was told to follow Jerry’s instructions once we left the house. Then to my surprise, Aunt Kathy made breakfast for me anyway. Immediately, I was on high alert! “Oh hell, how do I get beyond this meal!” There I was staring at bread blackened on one side and too soggy to fall off the plate. The bacon was two inches thick and fried hard enough to be a shoe insert. The grits had settled to a pace. My eggs were a perfect substitute for popcorn. Even though I had no appetite, I had to gobble something down or risk being ridiculed by my aunt. Aunt Kathy made her own homemade peach preserves. It was extremely sweet and more concentrated than Playdough. I knew if she saw me using her sauce, she’d overlook the other items I left untouched. If lucky, thefermentation was potent enough to buzz me all day long. So, I made sure she’ll see me spreading that paste all over my charcoal toast. Of course, I made the yummy sound “yums” as I took bite after bite. Fortunately, Aunt Kathy fell hook, line, and sinker for my facade. “I seeyou love that jelly! But I’m not going to let you eat all my jam! People will pay lots of money for that good stuff!” “Yes Ma’am,” I said. Simply amazing! Being she had food she thought I liked, there was a limit.   But if I hated something then I had to be force-fed. As Aunt Kathy talked, I fumbled and moved my food around as she gave me directives for the day. “When school is over, make sure to wait on the steps for your brother.” “Yes Ma’am,” I said once again.
Author Harold Phifer (My Bully, My Aunt, & Her Final Gift)
Sin is the monster we love to deny. It can stalk us, bite a slice out of our lives, return again and again, and even as we bleed and hobble, we prefer to believe nothing has happened. In Jesus Christ we are forgiven and empowered to overcome sin...but toying with an animal that is actually toying with us is a sure way to lose part of ourselves.
Frank E. Peretti (The Oath)
I desire you so much that I believe I might lose my reason. My body yearns for yours, and I crumble every single time you touch me. I've tried to be stronger but the memory of you inside me burns me. No man has ever made me feel the way you did. Whether you believe me or not, I will cherish that unforgettable moment for the rest of my life.
Chris Lange (The Lord of the Clans)
I can love no other. But he cannot live forever.
Marie Montine (Mourning Grey: Part One: The Guardians Of The Temple Saga)
Do you see the river of truth, Lharkin? Do you understand that two are one?
Marie Montine (Mourning Grey: Part Two)
A beautiful body perishes, but a work of art dies not.” ~ Leonardo da Vinci
Leonardo da Vinci
she felt the same deep connection he did. It had always been there and it seemed that the time spent apart had done nothing to snuff it.
Nicole Douglas
The butterflies swirl again in Sera’s stomach. Perhaps they have brought along fireflies too, to light up her soul.
Christy A. Campbell (The Sharing Moon)
Confidence is highly erotic.
K.D. Harp (Blackmail (True Colors #1))
It was thanks to Alfred Hitchcock that I understood that murder scenes should be shot like love scenes and love scenes like murder scenes.
Grace Kelly
You now live in suspense, anticipating that next small remark or gesture that will reassure you. After living like this for a while, you start to do something interesting. You start to equate the anxiety, the preoccupation, the obsession, and those ever-so-short bursts of joy with love. What you’re really doing is equating an activated attachment system with passion.
Amir Levine (Attached: The New Science of Adult Attachment and How It Can Help You Find—and Keep—Love)
So, Kate, Russell and I drove to the station and there was Paul, sitting in a chair in the foyer, looking like he always did: no better, no worse. Except that he wasn’t sitting in the chair. He hovered above it. You could have easily slid a thick book under him.
Ernie Gammage (What Awaits?)
He held her forever. Ashy flickers swam in his eyes, shadows of temptation drawing her into infinite depths. A breath away from his tantalising mouth, she parted her lips. The thudding of her pulse hurt. The knocking of her heart brushed her soul. She sank into him.
Chris Lange (The Lord of the Clans)
I do not possess the ability to draw or paint. I can’t sing or dance. I can’t knit or sew. But I am an artist. I have the ability to put onto paper, words that tell an intriguing story. I am a writer. A writer is someone who, with just words, can paint a beautiful picture. A writer can open up a world of imagination you didn’t realize was possible. When you open up a book and become so consumed in the story, you feel like you’re a part of it… you’re standing next to that character and feeling the same way that character feels, That’s the art of a writer. I am an artist. My inspiration is the world around me. My paintbrush is my words. My easel is my computer. My canvas is the mind of my reader.
Bri Justine (Heinous Crimes, Immoral Minds)
But he knew better than anyone that the bruises ran deeper than the skin. They ran all the way to your soul and left permanent splinters in your heart.
Kathy Lockheart (Deadly Illusion (Secrets and the City, #1))
My ex-husband is a stalker, and I’m his obsession.
Mariette Dicko (I Never Allowed You To Leave Me: Stalker Thriller & Black Love Suspense Standalone)
And he was the kind of handsome that makes your toes curl under the sheets at night
Mariette Dicko (I Never Allowed You To Leave Me: Stalker Thriller & Black Love Suspense Standalone)
Don't get me wrong I felt it, the hint of danger, but I was attracted by it. I had the naive idea that dangerous was interesting.
Mariette Dicko (I Never Allowed You To Leave Me: Stalker Thriller & Black Love Suspense Standalone)
I have only known two men's souls in my life, one the devil, the other the the bird's wings which picked me up and carried me back to the freedom of being.
Wendy gibbins
The day you lose your ability to make me laugh, I’ll know that life isn’t worth living.
Paul Pilkington (The One You Love (Emma Holden Suspense Mystery, #1))
My lord, I’d rather be alone.” His smile vanished. Not a single muscle in his body bulged, but the color of his eyes turned to dark ashes. “And I’d rather not.
Chris Lange (The Lord of the Clans)
The calm serenity of the breeze as it blows across the ocean releases the tangled web within my mind.
J. Kahele (Blink: The Series - Breaking Branches)
Well, if you can accept that I’m a great big geeky fangirl, then I guess I can accept that you’re a skeptic and a realist.
J.M. Richards (Tall, Dark Streak of Lightning (Dark Lightning Trilogy, #1))
Insane love. Loving insanity. Insanity and love...
Simona Panova (Nightmarish Sacrifice (Cardew))
She was the kind of woman a person could die over or kill over.
Jacqueline Simon Gunn (What He Didn't See (Close Enough to Kill))
Paranormal suspense and romance together in one non-stop rollercoaster of passion and adventure. - Love Romance Passion
Terry Spear (Seduced by the Wolf (Heart of the Wolf, #5))
It had come with a cost, however, whose payment had led her into alleys of herself she scarcely knew; at the end of one she’d found Hayden.
Ernie Gammage (What Awaits?)
I avoid intellectuals. Self-righteous people, too. They bore me with their all is pink and rosy, let’s all love each other crap, and I don’t value their opinion.
Jordan Night (I, Wanted (Santina, #2))
I now wear the memory of nothingness a piece of white sail wrapped like second skin.
Helene Cardona (Life in Suspension: La Vie Suspendue)
Of them all, it was the true love. Of them all, it was the best. That other sumptuous love which made one drunk, which one longed for, envied, believed in, that was not life. It was what life was seeking; it was a suspension of life. But to be close to a child, for whom one spent everything, whose life was protected and nourished by one's own, to have that child beside one, at peace, was the real, the deepest, the only joy.
James Salter (Light Years)
You’re making me think of something else now, but it’s related. I love watching little kids play. No matter where you look in the world, you’ll observe that kids are programmed to play. They learn through play. I think if we’re lucky we never forget how to play. And, I tell you, Gwinlyn, that’s one of the things I find most attractive about you. You like to play, and you like to play with me. Unfortunately, too many women I’ve met prefer to be grown up all the time. They take themselves too seriously.
John M. Vermillion (Awful Reckoning: A Cade Chase and Simon Pack Novel)
A soft mist blew around them. Raindrops glistened in his hair, shimmering under the pale glow of the light post. His eyes were shadowed beneath wispy fringes, but the silver in them glinted like pools of liquid mercury. Her breath caught. It must have made a sound because his fingers tightened. His shaky exhale whispered across her face. “This,” he whispered so quietly she almost didn’t hear him. “Is why you are so bad for me.
Airicka Phoenix (Games of Fire)
The mirror sighed and spoke in a tone tinged with melancholy. Its language was old and not of any of the worlds known or unknown. What you dream, what you darkly desire, Find it by trial or by fire. Seek it high and seek it low, Search the skies or the realms below. Look everywhere but beware, The deepest magic, the strongest spell Will not change what the stars foretell.
Sukanya Venkatraghavan (Dark Things)
As the sun rules the day and the moon governs the night, so too, we are connected by: the air that we breathe, light that we see and the darkness that follows. Life is too short to waste it on disagreements. Surely, we can all agree to disagree. So let us find a common ground, form a union and spread joy, happiness and freedom around the world for the benefit of you, me and the future generations to come.
Raymond Beresford Hamilton (Identity Assumption)
I had turned to leave and he had called after me. “Miss Maria, I kin no other woman who could be wearing men’s trousers and be dripping such as ye are and look quite so lovely. It’s a right shame your mother is marrying you off to that great sot!” I had turned to call back to him, “I doubt very much we will have to worry about that after today!
Gwenn Wright (The BlueStocking Girl (The Von Strassenberg Saga, #2))
Fully revealed, the green eyes pierced her heart. In them, she sensed pain, loneliness and despair. Yet they weren't seeing her. Focused on the movement of the blade, the mesmerizing gaze seemed a world away. Stroke after stroke, the unmasked face appeared in the mirror.
Chris Lange (Enchained)
Love as education is one of the great powers of the world, but it hangs in a delicate suspension; it achieves its harmony as seldom as does love by the senses. Frustrated, it creates even greater havoc, for like all love it is a madness.
Thornton Wilder (The Ides of March)
There isn't any particular relationship between all the messages, except that the author has chosen them carefully, so that, when seen all at once, they produce an image of life that is beautiful and surprising and deep.  There is no beginning, no middle, no end, no suspense, no moral, no causes, no effects.  What we love in our books are the depths of many marvelous moments seen all at one time.
Kurt Vonnegut Jr. (Slaughterhouse-Five)
Arthur went down, and I know him too well to imagine he's coming back up unless I drag him behind me, a sullen Eurydice. I know the hard set of his jaw and the soft slide of his lips, I know the terrible guilt that drives him and the scars it left behind. I know he is the thing I have been chasing and craving, searching and waiting and hoping for my entire life: home.
Alix E. Harrow (Starling House)
At that moment there opened a golden room holding all that had been and ever would be, every scene in the multiverse, every outcome, all fixed as in amber and ever awaiting choice. Their corporal selves but pale remnants on the recliners, Karger and Myla stood in this room of gold, eyeing each other. Possibilities lay before them, unending. Karger reached out his hand.
Ernie Gammage (What Awaits?)
He saved me in so many ways. I didn't see it at first. He saved me from certain death. He's the scariest person I've ever met, but for some reason I felt safe with him. Now I'm just a fading star amongst all the bright ones...All I want is love and all I get is people trying to kill me and take away what peace I manage to find in between.
Michelle Horst (Predator (Men of Honor, #1))
Katherine stared intently at the cold, hard steel. She knew it would be loaded and that, if need be, there was extra ammunition in the back of the drawer. She would not be one of those girls, the ones who sit idly by and wait for the answers to come to them.
Gwenn Wright (Filter (The Von Strassenberg Saga, #1))
His thumb touched her lower lip, his eyes fixed on her. As if he couldn’t be stopped, the words flowed out of his mouth. “I want to take you in my arms, to kiss you long and hard, to touch you like you’ve never been touched, to give you the pleasure I feel running in your veins.
Chris Lange (A Touch Too Much)
He witnessed the love people throughout the industry had for their animals and for the sport itself. Someone once snapped a picture depicting his rictus of wonderment as he listened to a stable mate trace the lineage of a horse in a neighboring stall. Sires and dams, by name, for generations back. Wil could tell the lad wasn’t fabricating those names. We remember what we love.
John M. Vermillion (Awful Reckoning: A Cade Chase and Simon Pack Novel)
People snare when I tell them that I’m an emotional prostitute. But after my rebuttal, they begin to realize that they are one too. Like me, they have pimped their emotions for the affections of another. Like me, they’ve gone through life tormented by the idea of living a happily ever after, not realizing that the ever after isn’t so happy.
Beatrice McClearn (Diaries of an Emotional Prostitute)
Over the years I’ve dreamt occasionally about that day and evening at Teotihuacan. It’s always the same: Moctezuma and I sit close together, huddled on stone steps at the bottom of the Pyramid of the Sun. His magnificent iridescent headdress bobs in the twilight as we talk, as he gestures. All is well.
Ernie Gammage (What Awaits?)
Sounds to me you just haven’t found the right man, is all,” Sage proposed. “When the time comes, it will be when you least expect it. My late husband died three years ago, and Nick and Niki came into my life unexpectedly. My husband ran a background check on me before we met, which was understandable. He had been through a messy divorce. He tried to stay away from me but couldn’t. I’m blessed to have them, including this bundle of joy,” she shone with pleasure.
Sharon Carter (Love Auction II: Love Designs)
Sometimes a strikeout means that the slugger’s girlfriend just ran off with the UPS driver. Sometimes a muffed ground ball means that the shortstop’s baby daughter has a pain in her head that won’t go away. And handicapping is for amateur golfers, not ballplayers. Pitchers don’t ease off on the cleanup hitter because of the lumps just discovered in his wife’s breast. Baseball is not life. It is a fiction, a metaphor. And a ballplayer is a man who agrees to uphold that metaphor as though lives were at stake. Perhaps they are. I cherish a theory I once heard propounded by G.Q. Durham that professional baseball is inherently antiwar. The most overlooked cause of war, his theory runs, is that it’s so damned interesting. It takes hard effort, skill, love and a little luck to make times of peace consistently interesting. About all it takes to make war interesting is a life. The appeal of trying to kill others without being killed yourself, according to Gale, is that it brings suspense, terror, honor, disgrace, rage, tragedy, treachery and occasionally even heroism within range of guys who, in times of peace, might lead lives of unmitigated blandness. But baseball, he says, is one activity that is able to generate suspense and excitement on a national scale, just like war. And baseball can only be played in peace. Hence G.Q.’s thesis that pro ball-players—little as some of them may want to hear it—are basically just a bunch of unusually well-coordinated guys working hard and artfully to prevent wars, by making peace more interesting.
David James Duncan
I wished for you on every shooting star when I was little. Now, if I gathered all of the stars I wished for you on, none could ever shine brighter than you. You are my shooting star, Ren. You are here with me walking this beach. I may have fucked up, but I swear to you, to God, and every single star in this sky, I will never give you up!” Stefan
Mel Ballew (ShameLess (Less is More Collection Book 1))
...he said:"To love, we need passion, but also respect. Once, someone told me that all you needed to build lasting happiness was a woman who admired and respected her man. But now, I know that's wrong. Happiness is much more difficult to attain. It's like crossing a suspension bridge; it's fragile, shaky, and there's no guardrail. You have to find your own equilibrium. And for that to happen, it has to rest on two centers of gravity, on both partners.
Dương Thu Hương (Beyond Illusions)
Concert pianists get to be quite chummy with dead composers. They can't help it. Classical music isn't just music. It's a personal diary. An uncensored confession in the dead of night. A baring of the soul. Take a modern example. Florence and the Machine? In the song 'Cosmic Love,' she catalogs the way in which the world has gone dark, distorting her, when she, a rather intense young woman, was left bereft by a love affair. 'The stars, the moon, they have all been blown out.
Marisha Pessl (Night Film)
Good, Star, because you may have felt you were the one needing saving, but it was me all along. You saved me. You taught me to love again. The ones you love may do things that upset you. Hell, they may give you a hundred reasons to give up. Thank you for not giving up on me. I may not be good enough. I know I am not the best for you, but you make me want to be the best I can be. I pray that is good enough. Thank you for loving me enough to hold on.” - Stefan
Mel Ballew (ShameLess (Less is More Collection Book 1))
The Age Of Reason 1. ‘Well, it’s that same frankness you fuss about so much. You’re so absurdly scared of being your own dupe, my poor boy, that you would back out of the finest adventure in the world rather than risk telling yourself a lie.’ 2. “ I’m not so much interested in myself as all that’ he said simply. ‘I know’, said Marcelle. It isn’t an aim , it’s a means. It helps you to get rid of yourself; to contemplate and criticize yourself: that’s the attitude you prefer. When you look at yourself, you imagine you aren’t what you see, you imagine you are nothing. That is your ideal: you want to be nothing.’’ 3. ‘In vain he repeated the once inspiring phrase: ‘I must be free: I must be self-impelled, and able to say: ‘’I am because I will: I am my own beginning.’’ Empty, pompous words, the commonplaces of the intellectual.’ 4. ‘He had waited so long: his later years had been no more than a stand-to. Oppressed with countless daily cares, he had waited…But through all that, his sole care had been to hold himself in readiness. For an act. A free, considered act; that should pledge his whole life, and stand at the beginning of a new existence….He waited. And during all that time, gently, stealthily, the years had come, they had grasped him from behind….’ 5. ‘ ‘It was love. This time, it was love. And Mathiue thought:’ What have I done?’ Five minutes ago this love didn’t exist; there was between them a rare and precious feeling, without a name and not expressible in gestures.’ 6. ‘ The fact is, you are beyond my comprehension: you, so prompt with your indignation when you hear of an injustice, you keep this woman for years in a humiliating position, for the sole pleasure of telling yourself that you are respecting your principles. It wouldn’t be so bad if it were true, if you really did adapt your life to your ideas. But, I must tell you once more…you like that sort of life-placid, orderly, the typical life of an official.’ ‘’That freedom consisted in frankly confronting situations into which one had deliberately entered, and accepting all one’s responsibilities.’ ‘Well…perhaps I’m doing you an injustice. Perhaps you haven’t in fact reached the age of reason, it’s really a moral age…perhaps I’ve got there sooner than you have.’ 7. ‘ I have nothing to defend. I am not proud of my life and I’m penniless. My freedom? It’s a burden to me, for years past I have been free and to no purpose. I simply long to exchange it for a good sound of certainty….Besides, I agree with you that no one can be a man who has not discovered something for which he is prepared to die.’ 8. ‘‘I have led a toothless life’, he thought. ‘ A toothless life. I have never bitten into anything. I was waiting. I was reserving myself for later on-and I have just noticed that my teeth have gone. What’s to be done? Break the shell? That’s easily said. Besides, what would remain? A little viscous gum, oozing through the dust and leaving a glistering trail behind it.’ 9.’’ A life’, thought Mathieu, ‘is formed from the future just like the bodies are compounded from the void’. He bent his head: he thought of his own life. The future had made way into his heart, where everything was in process and suspense. The far-off days of childhood, the day when he has said:’I will be free’, the day when he had said: ’I will be famous’, appeared to him even now with their individual future, like a small, circled individual sky above them all, and the future was himself, himself just as he was at present, weary and a little over-ripe, they had claims upon him across the passage of time past, they maintained their insistencies, and he was often visited by attacks of devastating remorse, because his casual, cynical present was the original future of those past days.
Jean-Paul Sartre
He is blinded and nothing will open his eyes,nothing can,after having had truths so long before him in vain.--He will marry her and poor and miserable.God grant that her influence do not make him cease to be respectable!"---She looked over the letter again."So very fond of me!tis"nonsense all.She loves nobody but herself and her brother.Her friends leading her astray for years!She is quite as likely to have led them astray. They have all,perhaps, been corrupting one another;but if they are so much fonder of her than she is of them,she is the less likely to have been hurt except by their flattery.The only woman in the world,whom he could ever think of as a wife.....I firmly believe it.It is an attachment to govern his whole life. Accepted or refused,his heart is wedded to her for ever.The loss of Mary,I must consider as comprehending the loss of Crawford and Fanny.Edmund you do not know me.The families would never be connected,if you did not connected them. Oh!write,write.Finish it at once.Let there be an end of this suspense.Fix, commit,condemn yourself."-Fanny Price
Jane Austen (Mansfield Park)
His kiss was like no other! His kiss was enchanted and fairy-tale like. He applied pressure, but just enough to feel his tenderness and warmth. I could feel his heart beating wildly as he pressed his chest against my chest all the while his loving lips brushed up against mine with a care-filled affection. His tongue lightly licked the outer edges of my mouth, and then searched for my tongue. The pursuit allowed a marriage of both tongues to meet - inspiring a mingling tango of hot and heavy French kissing to manifest profusely. We kissed like two hot and horny teenagers, our mouths moving and craving each others lips, in animalistic desires!
Keira D. Skye
He firmly pulled her body against his and he brushed her lips with his. Staring into her eyes, he lightly slid his tongue across her bottom lip. She drew a deep, staggered breath in response to the wave of heat she felt flushing through her. Derrick smiled at her. Then, he softly kissed her. He lightly swept his tongue between her lips, pressing his warm, soft lips to hers. He slid his hands up her body and cradled her face with his hands. Then, he passionately kissed her, tickling her tongue with his. He sucked her lips, gently, as though he was sampling nectar on a delicate petal. Then, with an intense urgency, he dipped his tongue past her lips, caressing her tongue with his. She felt fluttering inside. Anne’s body craved him. A shallow hum escaped from within her in response to how he was making her feel. She could feel his body responding to her. He was breathing heavier which was waking Anne’s primal needs. The tidal wave of lust that had just churned within her was slowly calming as his kiss became more subtle and tender. He gently pressed his lips against hers. He pulled back a little and looked away, exhaling.
Laney Smith (Lock Creek: One Year's Time)
Eight rules for writing fiction: 1. Use the time of a total stranger in such a way that he or she will not feel the time was wasted. 2. Give the reader at least one character he or she can root for. 3. Every character should want something, even if it is only a glass of water. 4. Every sentence must do one of two things -- reveal character or advance the action. 5. Start as close to the end as possible. 6. Be a sadist. Now matter how sweet and innocent your leading characters, make awful things happen to them -- in order that the reader may see what they are made of. 7. Write to please just one person. If you open a window and make love to the world, so to speak, your story will get pneumonia. 8. Give your readers as much information as possible as soon as possible. To heck with suspense. Readers should have such complete understanding of what is going on, where and why, that they could finish the story themselves, should cockroaches eat the last few pages.
Kurt Vonnegut Jr. (Bagombo Snuff Box)
She died." I had to prompt him. "Soon after?" "In the early hours of February the nineteenth, 1916." I tried to see the expression on his face, but it was too dark. "There was a typhoid epidemic. She was working in a hospital." "Poor girl." "All past. All under the sea." "You make it seem present." "I do not wish to make you sad." "The scent of lilac." "Old man's sentiment. Forgive me." There was a silence between us. He was staring into the night. The bat flitted so low that I saw its silhouette for a brief moment against the Milky Way. "Is this why you never married?" "The dead live." The blackness of the trees. I listened for footsteps, but none came. A suspension. "How do they live?" And yet again he let the silence come, as if the silence would answer my questions better than he could himself; but just when I had decided he would not answer, he spoke. "By love.
John Fowles (The Magus)
It seems right now that all I’ve ever done in my life is making my way here to you.’ I could see that Rosie could not place the line from The Bridges of Madison County that had produced such a powerful emotional reaction on the plane. She looked confused. ‘Don, what are you…what have you done to yourself?’ ‘I’ve made some changes.’ ‘Big changes.’ ‘Whatever behavioural modifications you require from me are a trivial price to pay for having you as my partner.’ Rosie made a downwards movement with her hand, which I could not interpret. Then she looked around the room and I followed her eyes. Everyone was watching. Nick had stopped partway to our table. I realised that in my intensity I had raised my voice. I didn’t care. ‘You are the world’s most perfect woman. All other women are irrelevant. Permanently. No Botox or implants will be required. ‘I need a minute to think,’ she said. I automatically started the timer on my watch. Suddenly Rosie started laughing. I looked at her, understandably puzzled at this outburst in the middle of a critical life decision. ‘The watch,’ she said. ‘I say “I need a minute” and you start timing. Don is not dead. 'Don, you don’t feel love, do you?’ said Rosie. ‘You can’t really love me.’ ‘Gene diagnosed love.’ I knew now that he had been wrong. I had watched thirteen romantic movies and felt nothing. That was not strictly true. I had felt suspense, curiosity and amusement. But I had not for one moment felt engaged in the love between the protagonists. I had cried no tears for Meg Ryan or Meryl Streep or Deborah Kerr or Vivien Leigh or Julia Roberts. I could not lie about so important a matter. ‘According to your definition, no.’ Rosie looked extremely unhappy. The evening had turned into a disaster. 'I thought my behaviour would make you happy, and instead it’s made you sad.’ ‘I’m upset because you can’t love me. Okay?’ This was worse! She wanted me to love her. And I was incapable. Gene and Claudia offered me a lift home, but I did not want to continue the conversation. I started walking, then accelerated to a jog. It made sense to get home before it rained. It also made sense to exercise hard and put the restaurant behind me as quickly as possible. The new shoes were workable, but the coat and tie were uncomfortable even on a cold night. I pulled off the jacket, the item that had made me temporarily acceptable in a world to which I did not belong, and threw it in a rubbish bin. The tie followed. On an impulse I retrieved the Daphne from the jacket and carried it in my hand for the remainder of the journey. There was rain in the air and my face was wet as I reached the safety of my apartment.
Graeme Simsion (The Rosie Project (Don Tillman, #1))
It was the same book, every day. The pages of said book were rounded and soft where Young Sam had chewed them, but to one person in this nursery this was the book of books, the greatest story ever told. Vimes didn't need to read it any more. He knew it by heart. It was called Where's My Cow? The unidentified complainant had lost their cow. That was the story, really. Page one started promisingly: Where's my cow? Is that my cow? It goes, "Baa!" It is a sheep! That's not my cow! Then the author began to get to grips with their material: Where's my cow? Is that my cow? It goes, "Neigh!" It is a horse! That's not my cow! At this point the author had reached an agony of creation and was writing from the racked depths of their soul. Where's my cow? Is that my cow? It goes, "Hruuugh!" It is a hippopotamus! That's not my cow! This was a good evening. Young Sam was already grinning widely and crowing along with the plot. Eventually, the cow would be found. It was that much of a pageturner. Of course, some suspense was lent by the fact that all other animals were presented in some way that could have confused a kitten, who perhaps had been raised in a darkened room. The horse was standing in front of a hatstand, as they so often did, and the hippo was eating at a trough against which was an upturned pitchfork. Seen from the wrong direction, the tableau might look for just one second like a cow ... Young Sam loved it, anyway. It must have been the most cuddled book in the world. Nevertheless, it bothered Vimes, even though he'd got really good at the noises and would go up against any man in his rendition of the "Hruuugh!" But was this a book for a city kid? When would he ever hear these noises? In the city the only sound those animals would make was "sizzle" But the nursery was full of the conspiracy, with baa-lambs and teddy bears and fluffy ducklings everywhere he looked.
Terry Pratchett (Thud! (Discworld, #34; City Watch, #7))
and only much later, when Mascha wanted a child, did I realize that love is a deadly poison, a vice, a vice that one wants to see shared, & that if one of the two involved is smitten, the other is often no more than a passive participant, or vixxtim, or possessed. And Moravagine was possessed. Love is masochistic. These cries & complaints, these sweet alarms. this anguished state of lovers, this suspense, this latent pain that is just below the surface, almost unexpressed, these thousand & one anxieties over the loved one's absence, this feeling of time rushing by, this touchiness, these fits of temper, these long daydreams, this childish fickleness of behavior, this moral torture where vanity & self-esteem, or perhaps honor, upbringing & modesty are at stake, these highs & lows in the nervous tone, these leaps of imagination, this fetishism, this cruel precision of senses, whipping & probing, the collapse, the prostration, the abdication, the self-abasement, the perpetual loss & recovery of one's personality, these stammered words & phrases, these pet-names, this intimacy, these hesitations in physical contact, these epileptic tremors, these successive & even more frequent relapses, this more & more turbulent & stormy passion with its ravages progressing to the point of complete inhibition & annihilation of the soul, the debility of the senses, the exhaustion of the marrow, the erasure of the brain & even the desiccation of the heart, this yearning for ruin, for destruction, for mutilation, this need of effusiveness, of adoration, of mysticism, this insatiability which expresses itself in hyper-irritability of the of mucus membranes, in errant taste, in vasomotor or peripheral disorders, & which conjures up jealousy & vengeance, crimes, prevarications & treacheries, this idolatry, this incurable melancholy, this apathy, this profound moral misery, this definitive & harrowing doubt, this despair--are not all these stigmata the very symptoms of love in which we can first diagnose, then trace with a sure hand, the clinical curve of masochism?
Blaise Cendrars (Moravagine)
Those who live in retirement, whose lives have fallen amid the seclusion of schools or of other walled-in and guarded dwellings, are liable to be suddenly and for a long while dropped out of the memory of their friends, the denizens of a freer world. Unaccountably, perhaps, and close upon some space of unusually frequent intercourse—some congeries of rather exciting little circumstances, whose natural sequel would rather seem to be the quickening than the suspension of communication—there falls a stilly pause, a wordless silence, a long blank of oblivion. Unbroken always is this blank; alike entire and unexplained. The letter, the message once frequent, are cut off; the visit, formerly periodical, ceases to occur; the book, paper, or other token that indicated remembrance, comes no more. Always there are excellent reasons for these lapses, if the hermit but knew them. Though he is stagnant in his cell, his connections without are whirling in the very vortex of life. That void interval which passes for him so slowly that the very clocks seem at a stand, and the wingless hours plod by in the likeness of tired tramps prone to rest at milestones—that same interval, perhaps, teems with events, and pants with hurry for his friends. The hermit—if he be a sensible hermit—will swallow his own thoughts, and lock up his own emotions during these weeks of inward winter. He will know that Destiny designed him to imitate, on occasion, the dormouse, and he will be conformable: make a tidy ball of himself, creep into a hole of life's wall, and submit decently to the drift which blows in and soon blocks him up, preserving him in ice for the season. Let him say, "It is quite right: it ought to be so, since so it is." And, perhaps, one day his snow-sepulchre will open, spring's softness will return, the sun and south-wind will reach him; the budding of hedges, and carolling of birds and singing of liberated streams will call him to kindly resurrection. Perhaps this may be the case, perhaps not: the frost may get into his heart and never thaw more; when spring comes, a crow or a pie may pick out of the wall only his dormouse-bones. Well, even in that case, all will be right: it is to be supposed he knew from the first he was mortal, and must one day go the way of all flesh, As well soon as syne.
Charlotte Brontë
The thing that weighed on him most, however, was the irrationality of the world in which he now found himself. To some extent he was a prisoner of his own training. As a historian, he had come to view the world as the product of historical forces and the decisions of more or less rational people, and he expected the men around him to behave in a civil and coherent manner. But Hitler’s government was neither civil nor coherent, and the nation lurched from one inexplicable moment to another. Even the language used by Hitler and party officials was weirdly inverted. The term “fanatical” became a positive trait. Suddenly it connoted what philologist Victor Klemperer, a Jewish resident of Dresden, described as a “happy mix of courage and fervent devotion.” Nazi-controlled newspapers reported an endless succession of “fanatical vows” and “fanatical declarations” and “fanatical beliefs,” all good things. Göring was described as a “fanatical animal lover.” Fanatischer Tierfreund. Certain very old words were coming into darkly robust modern use, Klemperer found. Übermensch: superman. Untermensch: sub-human, meaning “Jew.” Wholly new words were emerging as well, among them Strafexpedition—“punitive expedition”—the term Storm Troopers applied to their forays into Jewish and communist neighborhoods. Klemperer detected a certain “hysteria of language” in the new flood of decrees, alarms, and intimidation—“This perpetual threatening with the death penalty!”—and in strange, inexplicable episodes of paranoid excess, like the recent nationwide search. In all this Klemperer saw a deliberate effort to generate a kind of daily suspense, “copied from American cinema and thrillers,” that helped keep people in line. He also gauged it to be a manifestation of insecurity among those in power. In late July 1933 Klemperer saw a newsreel in which Hitler, with fists clenched and face contorted, shrieked, “On 30 January they”—and here Klemperer presumed he meant the Jews—“laughed at me—that smile will be wiped off their faces!” Klemperer was struck by the fact that although Hitler was trying to convey omnipotence, he appeared to be in a wild, uncontrolled rage, which paradoxically had the effect of undermining his boasts that the new Reich would last a thousand years and that all his enemies would be annihilated. Klemperer wondered, Do you talk with such blind rage “if you are so sure of this endurance and this annihilation”?
Erik Larson (In the Garden of Beasts: Love, Terror, and an American Family in Hitler's Berlin)
When Elizabeth finally descended the stairs on her way to the dining room she was two hours late. Deliberately. “Good heavens, you’re tardy, my dear!” Sir Francis said, shoving back his chair and rushing to the doorway where Elizabeth had been standing, trying to gather her courage to do what needed to be done. “Come and meet my guests,” he said, drawing her forward after a swift, disappointed look at her drab attire and severe coiffure. “We did as you suggested in your note and went ahead with supper. What kept you abovestairs so long?” “I was at prayer,” Elizabeth said, managing to look him straight in the eye. Sir Francis recovered from his surprise in time to introduce her to the three other people at the table-two men who resembled him in age and features and two women of perhaps five and thirty who were both attired in the most shockingly revealing gowns Elizabeth had ever seen. Elizabeth accepted a helping of cold meat to silence her protesting stomach while both women studied her with unhidden scorn. “That is a most unusual ensemble you’re wearing, I must say,” remarked the woman named Eloise. “Is it the custom where you come from to dress so…simply?” Elizabeth took a dainty bite of meat. “Not really. I disapprove of too much personal adornment.” She turned to Sir Francis with an innocent stare. “Gowns are expensive. I consider them a great waste of money.” Sir Francis was suddenly inclined to agree, particularly since he intended to keep her naked as much as possible. “Quite right!” he beamed, eyeing the other ladies with pointed disapproval. “No sense in spending all that money on gowns. No point in spending money at all.” “My sentiments exactly,” Elizabeth said, nodding. “I prefer to give every shilling I can find to charity instead.” “Give it away?” he said in a muted roar, half rising out of his chair. Then he forced himself to sit back down and reconsider the wisdom of wedding her. She was lovely-her face more mature then he remembered it, but not even the black veil and scraped-back hair could detract from the beauty of her emerald-green eyes with their long, sooty lashes. Her eyes had dark circles beneath them-shadows he didn’t recall seeing there earlier in the day. He put the shadows down to her far-too-serious nature. Her dowry was creditable, and her body beneath that shapeless black gown…he wished he could see her shape. Perhaps it, too, had changed, and not for the better, in the past few years. “I had hoped, my dear,” Sir Francis said, covering her hand with his and squeezing it affectionately, “that you might wear something else down to supper, as I suggested you should.” Elizabeth gave him an innocent stare. “This is all I brought.” “All you brought?” he uttered. “B-But I definitely saw my footmen carrying several trunks upstairs.” “They belong to my aunt-only one of them is mine,” she fabricated hastily, already anticipating his next question and thinking madly for some satisfactory answer. “Really?” He continued to eye her gown with great dissatisfaction, and then he asked exactly the question she’d expected: “What, may I ask, does your one truck contain if not gowns?” Inspiration struck, and Elizabeth smiled radiantly. “Something of great value. Priceless value,” she confided. All faces at the table watched her with alert fascination-particularly the greedy Sir Francis. “Well, don’t keep us in suspense, love. What’s in it?” “The mortal remains of Saint Jacob.
Judith McNaught (Almost Heaven (Sequels, #3))
Certainty is an unrealistic and unattainable ideal. We need to have pastors who are schooled in apologetics and engaged intellectually with our culture so as to shepherd their flock amidst the wolves. People who simply ride the roller coaster of emotional experience are cheating themselves out of a deeper and richer Christian faith by neglecting the intellectual side of that faith. They know little of the riches of deep understanding of Christian truth, of the confidence inspired by the discovery that one’s faith is logical and fits the facts of experience, and of the stability brought to one’s life by the conviction that one’s faith is objectively true. God could not possibly have intended that reason should be the faculty to lead us to faith, for faith cannot hang indefinitely in suspense while reason cautiously weighs and reweighs arguments. The Scriptures teach, on the contrary, that the way to God is by means of the heart, not by means of the intellect. When a person refuses to come to Christ, it is never just because of lack of evidence or because of intellectual difficulties: at root, he refuses to come because he willingly ignores and rejects the drawing of God’s Spirit on his heart. unbelief is at root a spiritual, not an intellectual, problem. Sometimes an unbeliever will throw up an intellectual smoke screen so that he can avoid personal, existential involvement with the gospel. In such a case, further argumentation may be futile and counterproductive, and we need to be sensitive to moments when apologetics is and is not appropriate. A person who knows that Christianity is true on the basis of the witness of the Spirit may also have a sound apologetic which reinforces or confirms for him the Spirit’s witness, but it does not serve as the basis of his belief. As long as reason is a minister of the Christian faith, Christians should employ it. It should not surprise us if most people find our apologetic unconvincing. But that does not mean that our apologetic is ineffective; it may only mean that many people are closed-minded. Without a divine lawgiver, there can be no objective right and wrong, only our culturally and personally relative, subjective judgments. This means that it is impossible to condemn war, oppression, or crime as evil. Nor can one praise brotherhood, equality, and love as good. For in a universe without God, good and evil do not exist—there is only the bare valueless fact of existence, and there is no one to say that you are right and I am wrong. No atheist or agnostic really lives consistently with his worldview. In some way he affirms meaning, value, or purpose without an adequate basis. It is our job to discover those areas and lovingly show him where those beliefs are groundless. We are witnesses to a mighty struggle for the mind and soul of America in our day, and Christians cannot be indifferent to it. If moral values are gradually discovered, not invented, then our gradual and fallible apprehension of the moral realm no more undermines the objective reality of that realm than our gradual, fallible apprehension of the physical world undermines the objectivity of that realm. God has given evidence sufficiently clear for those with an open heart, but sufficiently vague so as not to compel those whose hearts are closed. Because of the need for instruction and personal devotion, these writings must have been copied many times, which increases the chances of preserving the original text. In fact, no other ancient work is available in so many copies and languages, and yet all these various versions agree in content. The text has also remained unmarred by heretical additions. The abundance of manuscripts over a wide geographical distribution demonstrates that the text has been transmitted with only trifling discrepancies.
William Lane Craig (Reasonable Faith: Christian Truth and Apologetics)