Alley Quotes

We've searched our database for all the quotes and captions related to Alley. Here they are! All 100 of them:

Perv." He pointed to himself. "Male and eighteen. What's your point?
Rachel Caine (Midnight Alley (The Morganville Vampires, #3))
The air was soft, the stars so fine, the promise of every cobbled alley so great, that I thought I was in a dream.
Jack Kerouac (On the Road: The Original Scroll)
It was November--the month of crimson sunsets, parting birds, deep, sad hymns of the sea, passionate wind-songs in the pines. Anne roamed through the pineland alleys in the park and, as she said, let that great sweeping wind blow the fogs out of her soul.
L.M. Montgomery (Anne of Green Gables (Anne of Green Gables, #1))
You shouldn't be afraid of me because I'm a vampire. You ought to be scared because you just trash-talked my girlfriend to her face.--Michael
Rachel Caine (Midnight Alley (The Morganville Vampires, #3))
When we come face-to-face with one down a dark alley, we're going to be having a shufti to see if it's solid, aren't we, we're not going to be asking, 'Excuse me, are you the imprint of a departed soul?
J.K. Rowling (Harry Potter and the Half-Blood Prince (Harry Potter, #6))
But that quickly faded, and he frowned. "You're bleeding," he said. "What happened?" Claire sighed and held up her wrist to show him the bandage. "Man, you would be so embarrassed if I said it was something else." Michael looked blank. "I'm a girl, Michael, it could have been all natural, you know. Tampons?
Rachel Caine (Midnight Alley (The Morganville Vampires, #3))
I can feel his presence here in every stone he has touched, every person he has lifted up, every street and alley and city that he has changed in the few years of his life, because he is the Republic, he is our light, and I love you, I love you, until the day we meet again I will hold you in my heart and protect you there, grieving what we never had, cherishing what we did. I wish you were here. I love you, always.
Marie Lu (Champion (Legend, #3))
In most cases, the best strategy for a job interview is to be fairly honest, because the worst thing that can happen is that you won't get the job and will spend the rest of your life foraging for food in the wilderness and seeking shelter underneath a tree or the awning of a bowling alley that has gone out of business.
Lemony Snicket (Horseradish: Bitter Truths You Can't Avoid)
[...] almost nothing important that ever happens to you happens because you engineer it. Destiny has no beeper; destiny always leans trenchcoated out of an alley with some sort of 'psst' that you usually can't even hear because you're in such a rush to or from something important you've tried to engineer.
David Foster Wallace (Infinite Jest)
Aelin took a step forward. One step, as if in a daze. She loosed a shuddering breath, and a small, whimpering noise came out of her - a sob. And then she was sprinting down the alley, flying as though the winds themselves pushed at her heels. She flung herself on the male, crashing into him hard enough that anyone else might have gone rocking back into the stone wall. But the male grabbed her to him, his massive arms wrapping around her tightly and lifting her up. Nesryn made to approach, but Aedion stopped her with a hand on her arm. Aelin was laughing as she cried, and the male was just holding her, his hooded head buried in her neck. As if he were breathing her in. "Who is that?" Nesryn asked. Aedion smiled. "Rowan.
Sarah J. Maas (Queen of Shadows (Throne of Glass, #4))
Eve: She told me last! Shane: Boyfriend! Michael: Landlord! Eve: Crap. Right. Next time you sell your soul to the devil, I get first contact!
Rachel Caine (Midnight Alley (The Morganville Vampires, #3))
Just like a murderer jumps out of nowhere in an alley, love jumped out in front of us and struck us both at once
Mikhail Bulgakov (The Master and Margarita)
Love leaped out in front of us like a murderer in an alley leaping out of nowhere, and struck us both at once. As lightning strikes, as a Finnish knife strikes! She, by the way, insisted afterwards that it wasn’t so, that we had, of course, loved each other for a long, long time, without knowing each other, never having seen each other…
Mikhail Bulgakov (The Master and Margarita)
But I always liked side-paths, little dark back-alleys behind the main road- there one finds adventures and surprises, and precious metal in the dirt.
Fyodor Dostoevsky (The Brothers Karamazov)
If you ask me if I'm okay again, I'm going to smack myself in the face just to punish you.
Rachel Caine (Midnight Alley (The Morganville Vampires, #3))
Oliver: You turned me down. So why, I wonder, did you decide Amelie would be a better choice? Claire: She smells better. And she made me cookies.
Rachel Caine (Midnight Alley (The Morganville Vampires, #3))
And after I dropped him off, I took the longest possible route home... I explored alleys and hidden roads I never knew existed. I discovered neighborhoods entirely new to me. And finally... I discovered I was sick of this town and everything in it.
Jay Asher (Thirteen Reasons Why)
Parents had some kind of sin radar, Claire thought. They always called when you were in the middle of something you just knew they'd consider wrong. Or at least risky.
Rachel Caine (Midnight Alley (The Morganville Vampires, #3))
Rorschach's Journal: October 12th, 1985 Dog carcass in alley this morning, tire tread on burst stomach. This city is afraid of me. I have seen its true face. The streets are extended gutters and the gutters are full of blood and when the drains finally scab over, all the vermin will drown. The accumulated filth of all their sex and murder will foam up about their waists and all the whores and politicians will look up and shout "Save us!"... and I'll look down and whisper "No.
Alan Moore (Watchmen)
A nation can survive its fools, and even the ambitious. But it cannot survive treason from within. An enemy at the gates is less formidable, for he is known and carries his banner openly. But the traitor moves amongst those within the gate freely, his sly whispers rustling through all the alleys, heard in the very halls of government itself. For the traitor appears not a traitor; he speaks in accents familiar to his victims, and he wears their face and their arguments, he appeals to the baseness that lies deep in the hearts of all men. He rots the soul of a nation, he works secretly and unknown in the night to undermine the pillars of the city, he infects the body politic so that it can no longer resist. A murderer is less to fear.
Taylor Caldwell (A Pillar of Iron)
You know what we call pedestrians in Morganville? Mobile bloodbanks.
Rachel Caine (Midnight Alley (The Morganville Vampires, #3))
Where's your sense of adventure?" "Off on a beach somewhere with your sanity?
Rachel Caine (Midnight Alley (The Morganville Vampires, #3))
The alley and the music all fell away, and there was nothing but her and the rain and Jace, his hands on her. . . He made a noise of surprise, low in his throat, and dug his fingers into the thin fabric of her tights. Not unexpectedly, they ripped, and his wet fingers were suddenly on the bare skin of her legs. Not to be outdone, Clary slid her hands under the hem of his soaked shirt, and let her fingers explore what was underneath: the tight, hot skin over his ribs, the ridges of his abdomen, the scars on his back. This was uncharted territory for her, but it seemed to be driving him crazy: he was moaning softly against her mouth, kissing her harder and harder, as if it would never be enough, not quite enough —
Cassandra Clare (City of Fallen Angels (The Mortal Instruments, #4))
What do you want to show me?" "Nothing, really. I just want to be alone with you for a minute." He pulled her to the back of the driveway, where they were almost completely hidden by a line of trees and the RV and the garage. "Seriously?" she said. "That was so lame." "I know," he said, turning to her. "Next time, I'll just say, 'Eleanor, follow me down this dark alley, I want to kiss you.'" She didn't roll her eyes. She took a breath, then closed her mouth. He was learning how to catch her off guard. She pushed her hands deeper in her pockets, so he put his hands on her elbows. "Next time," he said, "I'll just say, 'Eleanor, duck behind these bushes with me, I'm going to lose my mind if I don't kiss you.'" She didn't move, so he thought it was probably okay to touch her face. Her skin was as soft as it looked, white and smooth as freckled porcelain. "I'll just say, 'Eleanor, follow me down this rabbit hole...'" He laid his thumb on her lips to see if she'd pull away. She didn't. He leaned closer. He wanted to close his eyes, but he didn't trust her not to leave him standing there.
Rainbow Rowell (Eleanor & Park)
Where would you like to go, what would you really like to do with your life? See Istanbul, Port Said, Nairobi, Budapest. Write a book. Smoke too many cigarettes. Fall off a cliff but get caught in a tree halfway down. Get shot at a few times in a dark alley on a Morrocan midnight. Love a beautiful woman.
Ray Bradbury (Dandelion Wine)
Damnit.' Isabelle, standing in the mouth of the alley, her wet black hair like a cloak around her shoulders, kicked a trash can out of her way and glowered. 'Oh, for goodness's sake,' she said. 'I can't believe you two. Why? What's wrong with bedrooms? And pivacy?
Cassandra Clare (City of Fallen Angels (The Mortal Instruments, #4))
I wish I could close my eyes and be blown into dust and nothingness, feel all my thoughts disperse like dandelion fluff drifting off on the wind. But his hands keep pulling me back: into the alley, and Portland, and a world that has suddenly stopped making sense.
Lauren Oliver (Delirium (Delirium, #1))
I became what I am today at the age of twelve, on a frigid overcast day in the winter of 1975. I remember the precise moment, crouching behind a crumbling mud wall, peeking into the alley near the frozen creek. That was a long time ago, but it’s wrong what they say about the past, I’ve learned, about how you can bury it. Because the past claws its way out. Looking back now, I realize I have been peeking into that deserted alley for the last twenty-six years.
Khaled Hosseini (The Kite Runner)
Aw I don't wanta go to no such thing, I just wanta drink in alleys.'... But you'll miss all that, just for some old wine.' There's wisdom in wine, goddam it!' I yelled. 'Have a shot!
Jack Kerouac (The Dharma Bums)
He knew I'd seen everything in that alley, that I'd stood there and done nothing. He knew that I'd betrayed him and yet he was rescuing me once again, maybe for the last time.
Khaled Hosseini (The Kite Runner)
Both destiny's kisses and its dope-slaps illustrate an individual person's basic personal powerlessness over the really meaningful events in his life: i.e. almost nothing important that ever happens to you happens because you engineer it. Destiny has no beeper; destiny always leans trenchcoated out of an alley with some sort of Psst that you usually can't even hear because you're in such a rush to or from something important you've tried to engineer.
David Foster Wallace
Oh -- who's the Queen?" "Her, of course. The White Queen. You're just like Alice, you know. Down the rabbit hole with the Mad Hatter.
Rachel Caine (Midnight Alley (The Morganville Vampires, #3))
We won't be seeing you,' Fred told Professor Umbridge, swinging his leg over his broomstick. 'Yeah, don't bother to keep in touch,' said George, mounting his own. Fred looked around at the assembled students, and at the silent, watchful crowd. 'If anyone fancies buying a Portable Swamp, as demonstrated upstairs, come to number ninety-three, Diagon Alley — Weasleys' Wizard Wheezes,' he said in a loud voice, 'Our new premises!' 'Special discounts to Hogwarts students who swear they're going to use our products to get rid of this old bat,' added George, pointing at Professor Umbridge. 'STOP THEM!' shrieked Umbridge, but it was too late. As the Inquisitorial Squad closed in, Fred and George kicked off from the floor, shooting fifteen feet into the air, the iron peg swinging dangerously below. Fred looked across the hall at the poltergeist bobbing on his level above the crowd. 'Give her hell from us, Peeves.' And Peeves, who Harry had never seen take an order from a student before, swept his belled hat from his head and sprang to a salute as Fred and George wheeled about to tumultuous applause from the students below and sped out of the open front doors into the glorious sunset.
J.K. Rowling (Harry Potter and the Order of the Phoenix (Harry Potter, #5))
It is my belief, Watson, founded upon my experience, that the lowest and vilest alleys in London do not present a more dreadful record of sin than does the smiling and beautiful countryside.
Arthur Conan Doyle (Sherlock Holmes: The Complete Novels and Stories, Volume I)
A breeze blows through the alley, pushing me to one side, and I think of scaling the Ferris wheel with Tobias. He kept me steady then. There is no one left to keep me steady now.
Veronica Roth (Insurgent (Divergent, #2))
When we were in Diagon Alley,' Harry began, but Mr. Weasley forstalled him with a grimace. Am I about to discover where you, Ron, and Hermione disappeared to while you were supposed to be in the back room of Fred and George's shop?' How did you...?' Harry, please. You're talking to the man who raised Fred and George.
J.K. Rowling (Harry Potter and the Half-Blood Prince (Harry Potter, #6))
Where's Simon?"..."Is he okay? Why isn't he here?" She glared at Derek. "Where'd you leave him?" Passed out in an alley." Derek frowned in thought. "Not sure where, though...
Kelley Armstrong
You stand before a god! Speak your eloquence for all posterity. Be Profound!" "Profound ... huh." Temper was silent for a long moment, studying the cobbles of the alley mouth. And then he lifted his helmed head faced Shadowthrone, and said "Fuck off.
Steven Erikson (The Crippled God (Malazan Book of the Fallen, #10))
It's funny. No matter how hard you try, you can't close your heart forever. And the minute you open it up, you never know what's going to come in. But when it does, you just have to go for it! Because if you don't, there's not point in being here.
Kirstie Alley
As the carriage whipped forward, they passed the alley she had spent so many days staring at—it was there, and then gone as they careened around a corner, nearly knocking over a costermonger pushing a donkey cart piled high with new potatoes. Tessa screamed. Will reached past her and yanked the curtain shut. "It's better if you don't look," he told her pleasantly. "He's going to kill someone. Or get us killed." "No, he won't. Thomas is an excellent driver." Tessa glared at him. "Clearly the word excellent means something else on this side of the Atlantic.
Cassandra Clare (Clockwork Angel (The Infernal Devices, #1))
I have a 12:34 representational time dance. I do it at 3:33 every other Tuesday (twice a day). If you’d like to participate in my choreographed dance routine, bring a football helmet and a half empty can of tuna (keeps the stray cats away, because I perform in a gritty, grimy downtown alley).

Jarod Kintz (At even one penny, this book would be overpriced. In fact, free is too expensive, because you'd still waste time by reading it.)
I like the sound of that, crashing Monica's party," he glanced at Michael, then quickly away. "What about you? That break some kind of vampire rules or something?" "Blow me Shane." "Boys," Eve said primly. "Language. Minor at the table." "Well," Shane said, "I wasn't actually planning to do it." Claire rolled her eyes. "Not like it's the first time I've heard it. Or said it." "You shouldnt say it," Michael said, all seriousness. "No, I mean it. Girls should say 'eat me' not 'blow me'. Wouldn't recommend 'bite me' though. Not around here.
Rachel Caine (Midnight Alley (The Morganville Vampires, #3))
People are like cities: We all have alleys and gardens and secret rooftops and places where daisies sprout between the sidewalk cracks, but most of the time all we let each other see is is a postcard glimpse of a skyline or a polished square. Love lets you find those hidden places in another person, even the ones they didn't know were there, even the ones they wouldn't have thought to call beautiful themselves.
Hilary T. Smith (Wild Awake)
I think we are in rats’ alley Where the dead men lost their bones.
T.S. Eliot (The Waste Land)
A man who has blown all his options can’t afford the luxury of changing his ways. He has to capitalize on whatever he has left, and he can’t afford to admit — no matter how often he’s reminded of it — that every day of his life takes him farther and farther down a blind alley…
Hunter S. Thompson (Hell's Angels)
That cup of tea is definately not down your alley
Jean Ferris (Once Upon a Marigold (Upon a Marigold, #1))
Monica's eyes were fierce and fiery, but she didn't move, and after a second she turned and ran up the steps to the second floor, where her formally dressed friends were huddled like the cast of Survivor: Abercrombie & Fitch Island.
Rachel Caine (Midnight Alley (The Morganville Vampires, #3))
Just like an alley in New York -like every alley in the world, apparently- it smelled like cat pee.
Cassandra Clare (City of Glass (The Mortal Instruments, #3))
Life is every bit as devious as Death. It too can wear a hooded coat. It too can slip into town, lurk in an alley, or wait in the back of a tavern.
Amor Towles (A Gentleman in Moscow)
Reyna had always thought of Jason Grace as the all-American boy. Thalia looked more like the girl who robbed all-American boys at knifepoint in an alley.
Rick Riordan (The Blood of Olympus (The Heroes of Olympus, #5))
Some are condemned to remain mere “clock and smart phone watchers”, inasmuch as they are not able to read and interpret the lines of their life or don't even treasure the enchantment of daily captivating moments. If we are not prepared to give some personal time to social time, we walk like blind men through gloomy alleys of our existence. ( " Please. Just a bit of a chat " )
Erik Pevernagie
If people in power are artfully pulling a red herring to cover up the cataclysm of their commitments, keeping people on a short leash and driving them playfully into an alley of false promises, we would do well to rely on attentive and considerate observers who send out alarm signals in time to prevent social corrosion. (" High noon. ")
Erik Pevernagie
My definition of love is being robbed in an alley eight times in a row and hoping that there’s something about today that makes all of this different.
Rudy Francisco
When we feel devastated sometimes by the deafening noise of the daily commotion, the voices of the sea may help us to elope into a haven of new dimensions. Through our "third ear," we can hear inspirational sounds in the symphony of our expectations while discovering uncharted alleys in the chaos of our mind. ("Voices of the sea")
Erik Pevernagie
While we are curling down in our comfort zone, the perverted talents of connectivity-designers drive us surreptitiously into a blind alley of addiction. If, however, we succeed in impeding mobiles' unlimited rule, we may be able to relish the fragrance of the ‘moment’ but also sense the vital spark and spirit of “otherness”. ("Even if the world goes down, my mobile will save me")
Erik Pevernagie
I loved the idea of a girl going into a dark alley, and a monster comes, and then she just aces him. It’s like, you want to see the tiny person suddenly take control. God, my whole career is basically about that!
Joss Whedon
Wait, you already know where you are?” Puck demanded as we edged toward the mouth of the alley, stepping over trash and piles of debris. “How does that work, cat?” “Most cities are very much the same, Goodfellow.” Grimalkin reached the edge of the sidewalk and peered back, waving his tail. “Trods are everywhere, if you know where to look. Also, I am a cat.” And he trotted off down the street.
Julie Kagawa (The Iron Knight (The Iron Fey, #4))
Kizzy wanted to be a woman who would dive off the prow of a sailboat into the sea, who would fall back in a tangle of sheets, laughing, and who could dance a tango, lazily stroke a leopard with her bare foot, freeze an enemy's blood with her eyes, make promises she couldn't possibly keep, and then shift the world to keep them. She wanted to write memoirs and autograph them at a tiny bookshop in Rome, with a line of admirers snaking down a pink-lit alley. She wanted to make love on a balcony, ruin someone, trade in esoteric knowledge, watch strangers as coolly as a cat. She wanted to be inscrutable, have a drink named after her, a love song written for her, and a handsome adventurer's small airplane, champagne-christened Kizzy, which would vanish one day in a windstorm in Arabia so that she would have to mount a rescue operation involving camels, and wear an indigo veil against the stinging sand, just like the nomads. Kizzy wanted.
Laini Taylor (Lips Touch: Three Times)
Love isn't always magic. But if I offered my body to the magician, if I told him to cut me in half so after that I could come to you whole and ask for you back would you listen for this dark alley love song? For the winter we heated our home from the steam off our own bodies?
Andrea Gibson (The Madness Vase)
I reach out to touch one of the walls, imagining that I can feel his life and warmth through it, and I look around again, up toward the rooftops and then all the way to the night sky where a few faint stars can be seen, and there I think I really can see him. I can feel his presence here in every stone he has touched, every person he has lifted up, every street and alley and city that he has changed in the few years of his life, because he is the Republic, he is our light, and I love you, I love you, until the day we meet again I will hold you in my heart and protect you there, grieving what we never had, cherishing what we did. I wish you were here. I love you, always.
Marie Lu (Champion (Legend, #3))
He broke the kiss and leaned against her, breathing hard. "Good morning to you, too. Man, I just can't stay mad when you do that.
Rachel Caine (Midnight Alley (The Morganville Vampires, #3))
Let us not wait until the specter of solitude and isolation crawls into the alleys of our lives. Let us not the veiled threat of despair thrust us into oppression through our deficiency in interaction, and expand the frailty and the anxiety of our existence. Let us reach out and talk instead and use an authentic language in an unambiguous wording, and connect the dots, without fear. ("Words had disappeared”)
Erik Pevernagie
I do love this physical world. I love this physical life with you. And the air and the country. The backyard, the gravel in the back alley. The grass. The cool nights. Lying in bed talking with you in the dark.
Kent Haruf (Our Souls at Night)
A lover knows only humility, he has no choice. He steals into your alley at night, he has no choice. He longs to kiss every lock of your hair, don't fret, he has no choice. In his frenzied love for you, he longs to break the chains of his imprisonment, he has no choice.
Jalal ad-Din Muhammad ar-Rumi
Yeah. A feeling. Like the whole point of my life from the alleys in Bangkok to the yachts and private island to coming here like a crazy person trying to fly a helicopter like all of it from birth to here point A to point Z was all some big cosmic trick to get me to meet you. - Sanjit to Lana
Michael Grant (Plague (Gone, #4))
من الضرورى أن يوجد فى حياة الإنسان شئ تنعقد حوله آماله، شئ يقرر لحياته قيمة ولو وهمية أوسخيفة.
Naguib Mahfouz (Midaq Alley)
Life is no straight and easy corridor along which we travel free and unhampered, but a maze of passages, through which we must seek our way, lost and confused, now and again checked in a blind alley. But always, if we have faith, a door will open for us, not perhaps one that we ourselves would ever have thought of, but one that will ultimately prove good for us
A.J. Cronin
هذا هو الحب. هو كل ما لنا. فيه الكفاية وفوق الكفاية. هو فى القرب السرور. وفى البعد العزاء، وفى الحياة حياة فوق الحياة ..
Naguib Mahfouz (Midaq Alley)
Please don’t think so lightly of liking someone. It’s terribly important. It is a kind of loving, you know, and one that frequently lasts a lot longer than romance. You can fall out of love, as well in. Most of us do, especially if you don’t actually like the person as well. It doesn’t always grow into love by any means, but sometimes it does.
Anne Perry (Pentecost Alley (Charlotte & Thomas Pitt, #16))
I knew Dad was concerned about my past associations. I was from the Trash Alley. It was my community. I hung out with thugs from the Frog Bottom, the Burns Bottoms, the Red Line, the S-Curve, the Sandfield, the Morning Side, and a bunch of other places that shall remain nameless. I knew all of the “Legends of the Hood”: Sin Man, Swap, Boo Boo, Emp-Man, Cookie Man, Shank, Polar Bear, Bae Willy, Bae Bruh, Skullhead Ned, Pimp, Crunch, and Goat Turd (just to name a few). I thought maybe Dad had summoned me as a “show and tell” for the kids in his neighborhood—the hardliner to scare those wayward suburban brats back into reality.
Harold Phifer (Surviving Chaos: How I Found Peace at A Beach Bar)
On these occasions I read quickly, voraciously, almost skimming, trying to get as much into my head as possible before the next long starvation. If it were eating it would be gluttony of the famished; if it were sex it would be a swift furtive stand-up in an alley somewhere.
Margaret Atwood (The Handmaid’s Tale (The Handmaid's Tale, #1))
For all cats have this particularity, each and every one, from the meanest alley sneaker to the proudest, whitest she that ever graced a pontiff's pillow — we have our smiles, as it were, painted on. Those small, cool, quite Mona Lisa smiles that smile we must, no matter whether it's been fun or it's been not. So all cats have a politician's air; we smile and smile and so they think we're villains
Angela Carter (The Bloody Chamber and Other Stories)
I was standing outside myself trying to stop those hangings with ghost fingers... I am a ghost wanting what every ghost wants-a body-after the Long Time moving through odorless alleys of space where no life is, only the colorless no smell of death...Nobody can breath and smell it through pink convolutions of gristle laced with crystal snot, time shit and black blood filters of flesh.
William S. Burroughs (Naked Lunch)
And about Shane, I swear, if he doesn't snap out of it, I'm going to punch him in the face. Well, punch him in the face and then run like hell." - Eve Rosser
Rachel Caine (Midnight Alley (The Morganville Vampires, #3))
That moment - to this ... may be years in the way they measure, but it's only one sentence back in my mind - there are so many days when living stops and pulls up and sits and waits like a train on the rails. I pass the hotel at 8 and at 5; there are cats in the alleys and bottles and bums, and I look up at the window and think, I no longer know where you are, and I walk on and wonder where the living goes when it stops.
Charles Bukowski (The Roominghouse Madrigals: Early Selected Poems, 1946-1966)
This place is packed," Vee complained. "Where am I supposed to park?" She steered down an alley and slowed to a stop behind a bookstore. "This looks good. Lots of parking back here." "The sign says employee parking only." "How are they going to know that we aren't employees? The Neon blends right in. All these cars speak low class." "The sign says violators will be towed." "They just say that to scare people like you and me away. It's an empty threat. Nothing to worry about." ....... Vee came to a halt. "What is THAT?" We were standing in the parking lot behind the bookstore, a few feet from the Neon, and we were staring at a large piece of metal attached to the left rear tire. "I think it's a car boot," I said. "I can see that. What's it doing on my car?" "I guess when they say all violators will be towed, they mean it.
Becca Fitzpatrick (Crescendo (Hush, Hush, #2))
Go out and ask her into the alley.” Clay looked at Jeremy as if he’d just been told to dance the rumba on a public thoroughfare. I bit back a laugh. “Just walk over to her and point at the alley. Maybe say…I don’t know…something like ‘fifty bucks.’ ” I looked at Jeremy. “Does that sound right? Fifty?” His brows shot up. “Why are you asking me?” “I wasn’t—I just meant, as a general…” I threw up my hands. “How am I supposed to know how much a hooker costs?
Kelley Armstrong (Broken (Women of the Otherworld, #6))
Besides," Shane said "I want to see Monica's face when she catches sight of the two of you. Kodak moment.
Rachel Caine (Midnight Alley (The Morganville Vampires, #3))
Girl, it's an umbrella, not a Lamborghini,
Rachel Caine (Midnight Alley (The Morganville Vampires, #3))
Kelsier exhaled in exasperation. “Elend Venture? You risked your life—risked the plan, and our lives—for that fool of a boy?” Vin looked up, glaring at him. “Yes.” “What is wrong with you, girl?” Kelsier asked. “Elend Venture isn’t worth this.” She stood angrily, Sazed backing away, the cloak falling the floor. “He’s a good man!” “He’s a nobleman!” “So are you!” Vin snapped. She waved a frustrated arm toward the kitchen and the crew. “What do you think this is, Kelsier? The life of a skaa? What do any of you know about skaa? Aristocratic suits, stalking your enemies in the night, full meals and nightcaps around the table with your friends? That’s not the life of a skaa!” She took a step forward, glaring at Kelsier. He blinked in surprise at the outburst. “What do you know about them, Kelsier?” she asked. “When’s the last time you slept in an alley, shivering in the cold rain, listening to the beggar next to you cough with a sickness you knew would kill him? When’s the last time you had to lay awake at night, terrified that one of the men in your crew would try to rape you? Have you ever knelt, starving, wishing you had the courage to knife the crewmember beside you just so you could take his crust of bread? Have you ever cowered before your brother as he beat you, all the time feeling thankful because at least you had someone who paid attention to you?” She fell silent, puffing slightly, the crewmembers staring at her. “Don’t talk to me about noblemen,” Vin said. “And don’t say things about people you don’t know. You’re no skaa— you’re just noblemen without titles.” She turned, stalking from the room. Kelsier watched her go, shocked, hearing her footsteps on the stairs. He stood, dumbfounded, feeling a surprising flush of ashamed guilt. And, for once, found himself without anything to say.
Brandon Sanderson (The Final Empire (Mistborn, #1))
السعادة الحقة ترتد عنا على قدر ما نرتد عن إيماننا.
Naguib Mahfouz (Midaq Alley)
Every morning the maple leaves. Every morning another chapter where the hero shifts from one foot to the other. Every morning the same big and little words all spelling out desire, all spelling out You will be alone always and then you will die. So maybe I wanted to give you something more than a catalog of non-definitive acts, something other than the desperation. Dear So-and-So, I’m sorry I couldn’t come to your party. Dear So-and-So, I’m sorry I came to your party and seduced you and left you bruised and ruined, you poor sad thing. You want a better story. Who wouldn’t? A forest, then. Beautiful trees. And a lady singing. Love on the water, love underwater, love, love and so on. What a sweet lady. Sing lady, sing! Of course, she wakes the dragon. Love always wakes the dragon and suddenly flames everywhere. I can tell already you think I’m the dragon, that would be so like me, but I’m not. I’m not the dragon. I’m not the princess either. Who am I? I’m just a writer. I write things down. I walk through your dreams and invent the future. Sure, I sink the boat of love, but that comes later. And yes, I swallow glass, but that comes later. Let me do it right for once, for the record, let me make a thing of cream and stars that becomes, you know the story, simply heaven. Inside your head you hear a phone ringing and when you open your eyes only a clearing with deer in it. Hello deer. Inside your head the sound of glass, a car crash sound as the trucks roll over and explode in slow motion. Hello darling, sorry about that. Sorry about the bony elbows, sorry we lived here, sorry about the scene at the bottom of the stairwell and how I ruined everything by saying it out loud. Especially that, but I should have known. Inside your head you hear a phone ringing, and when you open your eyes you’re washing up in a stranger’s bathroom, standing by the window in a yellow towel, only twenty minutes away from the dirtiest thing you know. All the rooms of the castle except this one, says someone, and suddenly darkness, suddenly only darkness. In the living room, in the broken yard, in the back of the car as the lights go by. In the airport bathroom’s gurgle and flush, bathed in a pharmacy of unnatural light, my hands looking weird, my face weird, my feet too far away. I arrived in the city and you met me at the station, smiling in a way that made me frightened. Down the alley, around the arcade, up the stairs of the building to the little room with the broken faucets, your drawings, all your things, I looked out the window and said This doesn’t look that much different from home, because it didn’t, but then I noticed the black sky and all those lights. We were inside the train car when I started to cry. You were crying too, smiling and crying in a way that made me even more hysterical. You said I could have anything I wanted, but I just couldn’t say it out loud. Actually, you said Love, for you, is larger than the usual romantic love. It’s like a religion. It’s terrifying. No one will ever want to sleep with you. Okay, if you’re so great, you do it— here’s the pencil, make it work … If the window is on your right, you are in your own bed. If the window is over your heart, and it is painted shut, then we are breathing river water. Dear Forgiveness, you know that recently we have had our difficulties and there are many things I want to ask you. I tried that one time, high school, second lunch, and then again, years later, in the chlorinated pool. I am still talking to you about help. I still do not have these luxuries. I have told you where I’m coming from, so put it together. I want more applesauce. I want more seats reserved for heroes. Dear Forgiveness, I saved a plate for you. Quit milling around the yard and come inside.
Richard Siken
Standing there in-between two disgusting Dumpsters in some crappy alley with the whole world crumbling down around me, and hearing Alex say those words, all the fear I have carried with me since I learned to sit, stand, breathe— since I was told that at the very heart of me was something wrong, something rotten and diseased, something to be suppressed—since I was told that I was always just a heartbeat away from being damaged—all of it vanishes at once. That thing—the heart of hearts of me, the core of my core—stretches and unfurls even further, soaring like a flag: making me feel stronger than I ever have before.
Lauren Oliver (Delirium (Delirium, #1))
Miracles are like meatballs, because nobody can exactly agree on what they are made of, where they come from, or how often they should appear. Some people say that a sunrise is a miracle, because it is somewhat mysterious and often very beautiful, but other people say it is simply a fact of life, because it happens every day and far too early in the morning. Some people say that a telephone is a miracle, because it sometimes seems wondrous that you can talk with somebody who is thousands of miles away, and other people say it is merely a manufactured device fashioned out of metal parts, electronic circuitry, and wires that are very easily cut. And some people say that sneaking out of a hotel is a miracle, particularly if the lobby is swarming with policemen, and other people say it is simply a fact of life, because it happens every day and far too early in the morning. So you might think that there are so many miracles in the world that you can scarcely count them, or that there are so few that they are scarcely worth mentioning, depending on whether you spend your mornings gazing at a beautiful sunset or lowering yourself into a back alley with a rope made of matching towels.
Lemony Snicket (The Carnivorous Carnival (A Series of Unfortunate Events, #9))
What metro Boston AAs are trite but correct about is that both destiny's kisses and its dope-slaps illustrate an individual person's basic personal powerlessness over the really meaningful events in their life: i.e almost nothing important that ever happens to you happens because you engineer it. Destiny has no beeper; destiny always leans trenchcoated out of an alley with some sort of Psst that you usually can't even hear because you're in such a rush to or from something important you've tried to engineer.
David Foster Wallace (Infinite Jest)
Most of our platitudes notwithstanding, self-deception remains the most difficult deception. The tricks that work on others count for nothing in that very well-lit back alley where one keeps assignation with oneself: no winning smiles will do here, no prettily drawn lists of good intentions. One shuffles flashily but in vain through one's marked cards- the kindness done for the wrong reason, the apparent triumph which involved no real effort, the seemingly heroic act into which one had been shamed.
Joan Didion (Slouching Towards Bethlehem)
I sleep all day. Noises flit around the house- garbage truck in the alley, rain, tree rapping against the bedroom window. I sleep. I inhabit sleep firmly, willing it, wielding it, pushing away dreams, refusing, refusing. Sleep is my lover now, my forgetting, my opiate, my oblivion. [...] It is afternoon, it is night, it is morning. Everything is reduced to this bed, this endless slumber that makes the days into one day, makes time stop, stretches and compacts time until it is meaningless.
Audrey Niffenegger
His world closes in. The sky is endless no longer but pieced into squares of brick and bright cloths hanging down to dry. Underfoot, no longer stone but rubble, earth, the peelings and rotted scraps of the inedible. He smells the smoke of cooking fires, he hears men arguing and babies screaming like seagulls, he sees young women looking shyly down from high windows, exchanging glances. Now, he is no longer the watcher. Watched. Shouts echo in the dark between twisted walls and back alleys. A twisted smile in a doorway. A stranger’s voice. A stranger’s language.
Michael Tobert (Karna's Wheel)
We love men because they can never fake orgasms, even if they wanted to. Because they write poems, songs, and books in our honor. Because they never understand us, but they never give up. Because they can see beauty in women when women have long ceased to see any beauty in themselves. Because they come from little boys. Because they can churn out long, intricate, Machiavellian, or incredibly complex mathematics and physics equations, but they can be comparably clueless when it comes to women. Because they are incredible lovers and never rest until we’re happy. Because they elevate sports to religion. Because they’re never afraid of the dark. Because they don’t care how they look or if they age. Because they persevere in making and repairing things beyond their abilities, with the naïve self-assurance of the teenage boy who knew everything. Because they never wear or dream of wearing high heels. Because they’re always ready for sex. Because they’re like pomegranates: lots of inedible parts, but the juicy seeds are incredibly tasty and succulent and usually exceed your expectations. Because they’re afraid to go bald. Because you always know what they think and they always mean what they say. Because they love machines, tools, and implements with the same ferocity women love jewelry. Because they go to great lengths to hide, unsuccessfully, that they are frail and human. Because they either speak too much or not at all to that end. Because they always finish the food on their plate. Because they are brave in front of insects and mice. Because a well-spoken four-year old girl can reduce them to silence, and a beautiful 25-year old can reduce them to slobbering idiots. Because they want to be either omnivorous or ascetic, warriors or lovers, artists or generals, but nothing in-between. Because for them there’s no such thing as too much adrenaline. Because when all is said and done, they can’t live without us, no matter how hard they try. Because they’re truly as simple as they claim to be. Because they love extremes and when they go to extremes, we’re there to catch them. Because they are tender they when they cry, and how seldom they do it. Because what they lack in talk, they tend to make up for in action. Because they make excellent companions when driving through rough neighborhoods or walking past dark alleys. Because they really love their moms, and they remind us of our dads. Because they never care what their horoscope, their mother-in-law, nor the neighbors say. Because they don’t lie about their age, their weight, or their clothing size. Because they have an uncanny ability to look deeply into our eyes and connect with our heart, even when we don’t want them to. Because when we say “I love you” they ask for an explanation.
Paulo Coelho
Karṇa walks, his back is straight, he is lit up by his divine earings; yet his feet drag. He turns into an alley. His head droops and falls to his chest. He stops. Mist swirls around him, becomes motionless, parts. From between his ribs steps a young woman. Her eyes and face and tongue are brown like old blood and she is decked in old things and she wears upon her wrists two burnt black bracelets. She places the point of a knife under Karṇa’s chest plate and cuts, a gentle sawing motion, the blade moving beneath the skin, a slicing of the quick: nerves, blood vessels, sinews. I feel his pain; not a stab; it is insistent, enduring, but sharp nonetheless, as with any loss.
Michael Tobert (Karna's Wheel)
Texts between Dr. Stayner & Livie(with a little help from Kacey) Dr. Stayner: Tell me you did one out-of-character thing last night Livie: I drank enough Jell-O shots to fill a small pool, and then proceeded to break out every terrible dance move known to mankind. I am now the proud owner of a tattoo and if I didn’t have a video to prove otherwise, I’d believe I had it done in a back alley with hepatitis-laced needles. Satisfied? Dr. Stayner: That’s a good start. Did you talk to a guy? Kacey(answering for Livie): Not only did I talk to a guy but I’ve now seen two penises, including the one attached to the naked man in my room this morning when I woke up. I have pictures. Would you like to see one? Dr. Stayner: Glad you’re making friends. Talk to you on Saturday
K.A. Tucker (One Tiny Lie (Ten Tiny Breaths, #2))
I am a book. Sheaves pressed from the pulp of oaks and pines a natural sawdust made dingy from purses, dusty from shelves. Steamy and anxious, abused and misused, kissed and cried over, smeared, yellowed, and torn, loved, hated, scorned. I am a book. I am a book that remembers, days when I stood proud in good company When the children came, I leapt into their arms, when the women came, they cradled me against their soft breasts, when the men came, they held me like a lover, and I smelled the sweet smell of cigars and brandy as we sat together in leather chairs, next to pool tables, on porch swings, in rocking chairs, my words hanging in the air like bright gems, dangling, then forgotten, I crumbled, dust to dust. I am a tale of woe and secrets, a book brand-new, sprung from the loins of ancient fathers clothed in tweed, born of mothers in lands of heather and coal soot. A family too close to see the blood on its hands, too dear to suffering, to poison, to cold steel and revenge, deaf to the screams of mortal wounding, amused at decay and torment, a family bred in the dankest swamp of human desires. I am a tale of woe and secrets, I am a mystery. I am intrigue, anxiety, fear, I tangle in the night with madmen, spend my days cloaked in black, hiding from myself, from dark angels, from the evil that lurks within and the evil we cannot lurk without. I am words of adventure, of faraway places where no one knows my tongue, of curious cultures in small, back alleys, mean streets, the crumbling house in each of us. I am primordial fear, the great unknown, I am life everlasting. I touch you and you shiver, I blow in your ear and you follow me, down foggy lanes, into places you've never seen, to see things no one should see, to be someone you could only hope to be. I ride the winds of imagination on a black-and-white horse, to find the truth inside of me, to cure the ills inside of you, to take one passenger at a time over that tall mountain, across that lonely plain to a place you've never been where the world stops for just one minute and everything is right. I am a mystery. -Rides a Black and White Horse
Lise McClendon
Night, forever. But within it, a city, shadowy and only real in certain ways. The entity cowered in its alley, where the mist was rising. This could not have happened! Yet it had. The streets had filled with… things. Animals! Birds! Changing shape! Screaming and yelling! And, above it all, higher than the rooftops, a lamb rocking back and forth in great slow motions, thundering over the cobbles… And then bars had come down, slamming down, and the entity had been thrown back. But it had been so close! It had saved the creature, it was getting through, it was beginning to have control… and now this… In the darkness of the inner city, above the rustle of the never-ending rain, it heard the sound of boots approaching. A shape appeared in the mist. It drew nearer. Water cascaded off a metal helmet and an oiled leather cloak as the figure stopped and, entirely unconcerned, cupped its had in front of its face and lit a cigar. Then the match was dropped on the cobbles, where it hissed out, and the figure said: “What are you?” The entity stirred, like an old fish in a deep pool. It was too tired to flee. “I am the Summoning Dark.” It was not, in fact, a sound, but had it been, it would have been a hiss. “Who are you?” “I am the Watchman.” “They would have killed his family!” The darkness lunged, and met resistance. “Think of the deaths they have caused! Who are you to stop me?” “He created me. Quis custodiet ipsos custodes? Who watches the watchmen? Me. I watch him. Always. You will not force him to murder for you.” “What kind of human creates his own policeman?” “One who fears the dark.” “And so he should,” said the entity, with satisfaction. “Indeed. But I think you misunderstand. I am not here to keep the darkness out. I am here to keep it in.” There was a clink of metal as the shadowy watchman lifted a dark lantern and opened its little door. Orange light cut through the blackness. “Call me… the Guarding Dark. Imagine how strong I must be.” The Summoning Dark backed desperately into the alley, but the light followed it, burning it. “And now,” said the watchman, “get out of town.
Terry Pratchett (Thud! (Discworld, #34; City Watch, #7))
There's something I have to say," I said seriously, looking her in the eye. She smiled. "Oookay." She was mocking me-mocking my tone-but I didn't care. "Okay. Here it is. I love you," I said. "And I never, ever wanted to hurt you. It's like, the number one thing I never want to do, but somehow, I keep doing it. And I'm sorry, I just...that's all I wanted to say all this time. All I was trying to do...with that thing with your dad, not telling you...was not to hurt you. And I'm sorry that I did. Alley stared at me. "And I'm sorry that I did it again. With the Chloe thing. Which was stupid. Like, really, really, stupid. And I-" "Can you just stop, for a second?" Ally said, holding up a hand. "What?" I said. "Can you say the first part again?" she asked, rolling her fingers around for a rewind. I racked my brain. "Um...I love you?" I said. "That's the part, Cuz I love you, too.
Kieran Scott (He's So Not Worth It (He's So/She's So, #2))
I wrote too many poems in a language I did not yet know how to speak But I know now it doesn't matter how well I say grace if I am sitting at a table where I am offering no bread to eat So this is my wheat field you can have every acre, Love this is my garden song this is my fist fight with that bitter frost tonight I begged another stage light to become that back alley street lamp that we danced beneath the night your warm mouth fell on my timid cheek as i sang maybe i need you off key but in tune maybe i need you the way that big moon needs that open sea maybe i didn't even know i was here til i saw you holding me give me one room to come home to give me the palm of your hand every strand of my hair is a kite string and I have been blue in the face with your sky crying a flood over Iowa so you mother will wake to Venice Lover, I smashed my glass slipper to build a stained glass window for every wall inside my chest now my heart is a pressed flower and a tattered bible it is the one verse you can trust so I'm putting all of my words in the collection plate I am setting the table with bread and grace my knees are bent like the corner of a page I am saving your place
Andrea Gibson
I urge you to find a way to immerse yourself fully in the life that you’ve been given. To stop running from whatever you’re trying to escape, and instead to stop, and turn, and face whatever it is. Then I dare you to walk toward it. In this way, the world may reveal itself to you as something magical and awe-inspiring that does not require escape. Instead, the world may become something worth paying attention to. The rewards of finding and maintaining balance are neither immediate nor permanent. They require patience and maintenance. We must be willing to move forward despite being uncertain of what lies ahead. We must have faith that actions today that seem to have no impact in the present moment are in fact accumulating in a positive direction, which will be revealed to us only at some unknown time in the future. Healthy practices happen day by day. My patient Maria said to me, “Recovery is like that scene in Harry Potter when Dumbledore walks down a darkened alley lighting lampposts along the way. Only when he gets to the end of the alley and stops to look back does he see the whole alley illuminated, the light of his progress.
Anna Lembke (Dopamine Nation: Finding Balance in the Age of Indulgence)
She was right about something else too,ʺ Dimitri said after a long pause. My back was to him, but there was a strange quality to his voice that made me turn around. ʺWhatʹs that?ʺ I asked. ʺThat I do still love you.ʺ With that one sentence, everything in the universe changed. Time slowed to one heartbeat. The world became his eyes, his voice. This wasnʹt happening. It wasnʹt real. None of it could be real. It felt like a spirit dream. I resisted the urge to close my eyes and see if Iʹd wake up moments later. No. No matter how unbelievable it all seemed, this was no dream. This was real. This was life. This was flesh and blood. ʺSince . . . since when?ʺ I finally managed to ask. ʺSince . . . forever.ʺ His tone implied the answer was obvious. ʺI denied it when I was restored. I had no room for anything in my heart except guilt. I especially felt guilty about you—what Iʹd done—and I pushed you away. I put up a wall to keep you safe. It worked for a while—until my heart finally started accepting other emotions. And it all came back. Everything I felt for you. It had never left; it was just hidden from me until I was ready. And again . . . that alley was the turning point. I looked at you . . . saw your goodness, your hope, and your faith. Those are what make you beautiful. So, so beautiful.
Richelle Mead (Last Sacrifice (Vampire Academy, #6))
I bent down over my neighborhood, taking in the people there. At first, they'd just seemed arranged the same way they were everywhere else: in random formations, some in groups, some alone. Then, though, I saw the single figure at the back of my house, walking away from the back door. And another person, a girl, running through the side yard, where the hedge would have been, while someone else, with a badge and flashlight followed. There were three people under the basketball goal, one lying prone on the ground. I took a breath, then moved in closer. Two people were seated on the curb between Dave's and my houses: a few inches away two more walked up the narrow alley to Luna Blu's back door. A couple stood in the driveway, facing each other. And in that empty building, the old hotel, a tiny set of cellar doors had been added, flung open, a figure standing before them. Whether they were about to go down, or just coming up, was unclear, and the cellar itself was a dark square. But I knew what was down below. He'd put me everywhere. Every single place I'd been, with him or without, from the first time we'd met to the last conversation. It was all there, laid out as carefully, as real as the buildings and streets around it. I swallowed, hard, then reached forward, touching the girl running through the hedge. Not Liz Sweet. Not anyone, at that moment, not yet. But on her way to someone. To me.
Sarah Dessen (What Happened to Goodbye)
History is ending because the dominator culture has led the human species into a blind alley, and as the inevitable chaostrophie approaches, people look for metaphors and answers. Every time a culture gets into trouble it casts itself back into the past looking for the last sane moment it ever knew. And the last sane moment we ever knew was on the plains of Africa 15,000 years ago rocked in the cradle of the Great Horned Mushroom Goddess before history, before standing armies, before slavery and property, before warfare and phonetic alphabets and monotheism, before, before, before. And this is where the future is taking us because the secret faith of the twentieth century is not modernism, the secret faith of the twentieth century is nostalgia for the archaic, nostalgia for the paleolithic, and that gives us body piercing, abstract expressionism, surrealism, jazz, rock-n-roll and catastrophe theory. The 20th century mind is nostalgic for the paradise that once existed on the mushroom dotted plains of Africa where the plant-human symbiosis occurred that pulled us out of the animal body and into the tool-using, culture-making, imagination-exploring creature that we are. And why does this matter? It matters because it shows that the way out is back and that the future is a forward escape into the past. This is what the psychedelic experience means. Its a doorway out of history and into the wiring under the board in eternity. And I tell you this because if the community understands what it is that holds it together the community will be better able to streamline itself for flight into hyperspace because what we need is a new myth, what we need is a new true story that tells us where we're going in the universe and that true story is that the ego is a product of pathology, and when psilocybin is regularly part of the human experience the ego is supressed and the supression of the ego means the defeat of the dominators, the materialists, the product peddlers. Psychedelics return us to the inner worth of the self, to the importance of the feeling of immediate experience - and nobody can sell that to you and nobody can buy it from you, so the dominator culture is not interested in the felt presence of immediate experience, but that's what holds the community together. And as we break out of the silly myths of science, and the infantile obsessions of the marketplace what we discover through the psychedelic experience is that in the body, IN THE BODY, there are Niagaras of beauty, alien beauty, alien dimensions that are part of the self, the richest part of life. I think of going to the grave without having a psychedelic experience like going to the grave without ever having sex. It means that you never figured out what it is all about. The mystery is in the body and the way the body works itself into nature. What the Archaic Revival means is shamanism, ecstacy, orgiastic sexuality, and the defeat of the three enemies of the people. And the three enemies of the people are hegemony, monogamy and monotony! And if you get them on the run you have the dominators sweating folks, because that means your getting it all reconnected, and getting it all reconnected means putting aside the idea of separateness and self-definition through thing-fetish. Getting it all connected means tapping into the Gaian mind, and the Gaian mind is what we're calling the psychedelic experience. Its an experience of the living fact of the entelechy of the planet. And without that experience we wander in a desert of bogus ideologies. But with that experience the compass of the self can be set, and that's the idea; figuring out how to reset the compass of the self through community, through ecstatic dance, through psychedelics, sexuality, intelligence, INTELLIGENCE. This is what we have to have to make the forward escape into hyperspace.
Terence McKenna
With time to think, the full reality of what had happened hit Thomas like a falling boulder. Ever since Thomas had entered the Maze, Newt had been there for him. Thomas hadn’t realized just how much of a friend he’d become until now. His heart hurt. He tried to remind himself that Newt wasn’t dead. But in some ways this was worse. In most ways. He’d fallen down the slope of insanity, and he was surrounded by bloodthirsty Cranks. And the prospect of never seeing him again was almost unbearable. [...] He pulled the envelope out of his pocket and ripped it open, then took out the slip of paper. The soft lights that ringed the mirror lit up the message in a warm glow. It was two short sentences: Kill me. If you’ve ever been my friend, kill me. Thomas read it over and over, wishing the words would change. To think that his friend had been so scared that he’d had the foresight to write those words made him sick to his stomach. And he remembered how angry Newt had been at Thomas specifically when they’d found him in the bowling alley. He’d just wanted to avoid the inevitable fate of becoming a Crank. And Thomas had failed him. [...] “Newt suddenly twisted around and grabbed Thomas by the hand holding the gun. He yanked it toward himself, forcing it up until the end of the pistol was pressed against his own forehead. “Now make amends! Kill me before I become one of those cannibal monsters! Kill me! I trusted you with the note! No one else. Now do it!” Thomas tried to pull his hand away, but Newt was too strong. “I can’t, Newt, I can’t.” “Make amends! Repent for what you did!” The words tore out of him, his whole body trembling. Then his voice dropped to an urgent, harsh whisper. “Kill me, you shuck coward. Prove you can do the right thing. Put me out of my misery.” The words horrified Thomas. “Newt, maybe we can—” “Shut up! Just shut up! I trusted you! Now do it!” “I can’t.” “Do it!” “I can’t!” How could Newt ask him to do something like this? How could he possibly kill one of his best friends? “Kill me or I’ll kill you. Kill me! Do it!” “Newt …” “Do it before I become one of them!” “I …” “KILL ME!” And then Newt’s eyes cleared, as if he’d gained one last trembling gasp of sanity, and his voice softened. “Please, Tommy. Please.” With his heart falling into a black abyss, Thomas pulled the trigger.
James Dashner (The Death Cure (The Maze Runner, #3))