Vacant Mind Quotes

We've searched our database for all the quotes and captions related to Vacant Mind. Here they are! All 100 of them:

Power-lust is a weed that grows only in the vacant lots of an abandoned mind.
Ayn Rand (Atlas Shrugged)
A well-informed mind is the best security against the contagion of folly and vice. The vacant mind is ever on the watch for relief, and ready to plunge into error, to escape from the languor of idleness. Store it with ideas, teach it the pleasure of thinking; and the temptations of the world without, will be counteracted by the gratifications derived from the world within.
Ann Radcliffe (The Mysteries of Udolpho)
A Loud Laugh Bespeaks a Vacant Mind!
William Shakespeare
I walked to Scott, each step heavy, tears hot on my face, my hands hovering uselessly over his rapidly decaying body. I shut my eyes, forcing myself to recall his lopsided grin. Not his vacant eyes. In my mind, I played back his teasing laugh. Not the gurgling, gasping sounds he'd made right before dying. I remembered his warmth in accidental touches and playful jabs, knowing his body was rotting even as I clung to the memory. "Thank you," I choked out, telling myself that somewhere nearby, he could still hear my voice. "You saved my life. Good-bye, Scott. I'll never forget you, that's my oath to you. Never." I vowed.
Becca Fitzpatrick (Finale (Hush, Hush, #4))
A mind perpetually open, will be a mind perpetually vacant! العقل المنفتح على الدوام هو عقل فارغ على الدوام!
Bertrand Russell
During the whole of a dull, dark, and soundless day in the autumn of the year, when the clouds hung oppressively low in the heavens, I had been passing alone, on horseback, through a singularly dreary tract of country; and at length found myself, as the shades of the evening drew on, within view of the melancholy House of Usher. I know not how it was--but, with the first glimpse of the building, a sense of insufferable gloom pervaded my spirit. I say insufferable; for the feeling was unrelieved by any of that half-pleasureable, because poetic, sentiment, with which the mind usually receives even the sternest natural images of the desolate or terrible. I looked upon the scene before me--upon the mere house, and the simple landscape features of the domain--upon the bleak walls--upon the vacant eye-like windows--upon a few rank sedges--and upon a few white trunks of decayed trees--with an utter depression of soul which I can compare to no earthly sensation more properly than to the after-dream of the reveller upon opium--the bitter lapse into everyday life--the hideous dropping off of the veil. There was an iciness, a sinking, a sickening of the heart--an unredeemed dreariness of thought which no goading of the imagination could torture into aught of the sublime.
Edgar Allan Poe (The Fall of the House of Usher and Other Tales)
I was no longer a vacant mind, an abstracted gaze, but the turbulent fragrance of the waving grain, the intimate smell of the heather moors, the dense heat of noon or the shiver of twilight; I was heavy; yet I was as vapour in the blue airs of summer and knew no bounds.
Simone de Beauvoir (Memoirs of a Dutiful Daughter)
I must endure, fighting the temptation simply to become slack-jawed like most of my school 'peers' (they wish!), who will themselves into a collective, vacant, trancelike state for the duration of each class. (Although I sometimes secretly envy their ability to empty their minds completely for a full fifty minutes, reanimating only at the sound of a bell, like Pavlov's dogs...)
Beth Fantaskey (Jessica's Guide to Dating on the Dark Side (Jessica, #1))
The Western States nervous under the beginning change. Texas and Oklahoma, Kansas and Arkansas, New Mexico, Arizona, California. A single family moved from the land. Pa borrowed money from the bank, and now the bank wants the land. The land company--that's the bank when it has land --wants tractors, not families on the land. Is a tractor bad? Is the power that turns the long furrows wrong? If this tractor were ours it would be good--not mine, but ours. If our tractor turned the long furrows of our land, it would be good. Not my land, but ours. We could love that tractor then as we have loved this land when it was ours. But the tractor does two things--it turns the land and turns us off the land. There is little difference between this tractor and a tank. The people are driven, intimidated, hurt by both. We must think about this. One man, one family driven from the land; this rusty car creaking along the highway to the west. I lost my land, a single tractor took my land. I am alone and bewildered. And in the night one family camps in a ditch and another family pulls in and the tents come out. The two men squat on their hams and the women and children listen. Here is the node, you who hate change and fear revolution. Keep these two squatting men apart; make them hate, fear, suspect each other. Here is the anlarge of the thing you fear. This is the zygote. For here "I lost my land" is changed; a cell is split and from its splitting grows the thing you hate--"We lost our land." The danger is here, for two men are not as lonely and perplexed as one. And from this first "we" there grows a still more dangerous thing: "I have a little food" plus "I have none." If from this problem the sum is "We have a little food," the thing is on its way, the movement has direction. Only a little multiplication now, and this land, this tractor are ours. The two men squatting in a ditch, the little fire, the side- meat stewing in a single pot, the silent, stone-eyed women; behind, the children listening with their souls to words their minds do not understand. The night draws down. The baby has a cold. Here, take this blanket. It's wool. It was my mother's blanket--take it for the baby. This is the thing to bomb. This is the beginning--from "I" to "we." If you who own the things people must have could understand this, you might preserve yourself. If you could separate causes from results, if you could know Paine, Marx, Jefferson, Lenin, were results, not causes, you might survive. But that you cannot know. For the quality of owning freezes you forever into "I," and cuts you off forever from the "we." The Western States are nervous under the begining change. Need is the stimulus to concept, concept to action. A half-million people moving over the country; a million more restive, ready to move; ten million more feeling the first nervousness. And tractors turning the multiple furrows in the vacant land.
John Steinbeck (The Grapes of Wrath)
Having placed in my mouth sufficient bread for three minutes' chewing, I withdrew my powers of sensual perception and retired into the privacy of my mind, my eyes and face assuming a vacant and preoccupied expression. I reflected on the subject of my spare-time literary activities. One Beginning and one ending for a book was a thing I did not agree with. A good book may have three openings entirely dissimilar and inter-related only in the prescience of the author, or for that matter one hundred times as many endings.
Flann O'Brien
When your mind becomes vacant, endeavour to fill it with the awareness of God and His contemplation.
Anandamayi Ma
Verbal expression is the mirror of the mind. Clear thoughts become clear statements, whereas ambiguous ideas transform into vacant ramblings.
Rolf Dobelli (The Art of Thinking Clearly)
Growth is an unavoidable part of life. Whether we mean for it to happen or not, our bodies continually nourish and regenerate themselves, our minds continually learn and expand, and our lives continually evolve. We have the power to craft our growth the way a landscaper crafts a majestic garden, or we can leave it to chance, allowing it to unfold wild as the weeds that spread across a vacant lot.
Scott Edmund Miller
Presently a serpent sought them out privately, and came to them walking upright, which was the way of serpents in those days. The serpent said the forbidden fruit would store their vacant minds with knowledge. So they ate it, which was quite natural, for man is so made that he eagerly wants to know; whereas the priest, like God, whose imitator and representative he is, has made it his business from the beginning to keep him from knowing any useful thing.
Mark Twain (Letters from the Earth: Uncensored Writings)
A mind perpetually open, will be a mind perpetually vacant.
Bertrand Russell
The appetites will rule if the mind is vacant.
Mary Wollstonecraft
You’re as plain as the nose on your face,” said Mr. Pennyworth. “And your nose is remarkably obvious. As is the rest of your face, young man. As are you. For the sake of all that is holy, empty your mind. Now. You are an empty alleyway. You are a vacant doorway. You are nothing. Eyes will not see you. Minds will not hold you. Where you are is nothing and nobody.
Neil Gaiman (The Graveyard Book)
but lulled into such an opium-like listlessness of vacant, unconscious reverie is this absent-minded youth by the blending cadence of waves with thoughts, that at last he loses his identity;
Herman Melville (Moby-Dick)
How much of our minds are made of darkness? The gaps between knowledge and impulse. The blank, vacant spaces between neurons and cells. The empty feats of nothing that hang from each thought.
Ellen Taylor (Said the Crow)
I gasped as he tightened his embrace around me. “I’m afraid I’ll never have the opportunity to hold you like this again.” His voice was soft and vulnerable. “You don’t have to let me go . . . ever." David shook his head in denial. “My mind refuses your words, yet my vacant chest welcomes them,” he argued, his face buried in my neck.
Nely Cab (Creatura (Creatura, #1))
Few minds are spacious; few even have an empty place in them or can offer some vacant point. Almost all have narrow capacities and are filled by some knowledge that blocks them up. What a torture to talk to filled heads, that allow nothing from the outside to enter them! A good mind, in order to enjoy itself and allow itself to enjoy others, always keeps itself larger than its own thoughts. And in order to do this, these thoughts must be given a pliant form, must be easily folded and unfolded, so that they are capable, finally, of maintaining a natural flexibility. All those short-sighted minds see clearly within their little ideas and see nothing in those of others; they are like those bad eyes that see from close range what is obscure and cannot perceive what is clear from afar. Night minds, minds of darkness.
Joseph Joubert (The Notebooks of Joseph Joubert: A Selection)
What infinite heart's-ease Must kings neglect, that private men enjoy! And what have kings, that privates have not too, Save ceremony, save general ceremony? And what art thou, thou idle ceremony? What kind of god art thou, that suffer'st more Of mortal griefs than do thy worshippers? What are thy rents? what are thy comings in? O ceremony, show me but thy worth! What is thy soul of adoration? Art thou aught else but place, degree and form, Creating awe and fear in other men? Wherein thou art less happy being fear'd Than they in fearing. What drink'st thou oft, instead of homage sweet, But poison'd flattery? O, be sick, great greatness, And bid thy ceremony give thee cure! Think'st thou the fiery fever will go out With titles blown from adulation? Will it give place to flexure and low bending? Canst thou, when thou command'st the beggar's knee, Command the health of it? No, thou proud dream, That play'st so subtly with a king's repose; I am a king that find thee, and I know 'Tis not the balm, the sceptre and the ball, The sword, the mace, the crown imperial, The intertissued robe of gold and pearl, The farced title running 'fore the king, The throne he sits on, nor the tide of pomp That beats upon the high shore of this world, No, not all these, thrice-gorgeous ceremony, Not all these, laid in bed majestical, Can sleep so soundly as the wretched slave, Who with a body fill'd and vacant mind Gets him to rest, cramm'd with distressful bread; Never sees horrid night, the child of hell, But, like a lackey, from the rise to set Sweats in the eye of Phoebus and all night Sleeps in Elysium; next day after dawn, Doth rise and help Hyperion to his horse, And follows so the ever-running year, With profitable labour, to his grave: And, but for ceremony, such a wretch, Winding up days with toil and nights with sleep, Had the fore-hand and vantage of a king. The slave, a member of the country's peace, Enjoys it; but in gross brain little wots What watch the king keeps to maintain the peace, Whose hours the peasant best advantages.
William Shakespeare (Henry V)
A well-informed mind,' he would say, 'is the best security against the contagion of folly and of vice. The vacant mind is ever on the watch for relief, and ready to plunge into error, to escape from the languor of idleness. Store it with ideas, teach it the pleasure of thinking; and the temptations of the world without, will be counteracted by the gratifications derived from the world within.
Ann Radcliffe (The Mysteries of Udolpho)
Some departure from the norm Will occur as time grows more open about it. The consensus gradually changed; nobody Lies about it any more. Rust dark pouring Over the body, changing it without decay— People with too many things on their minds, but we live In the interstices, between a vacant stare and the ceiling, Our lives remind us. Finally this is consciousness And the other livers of it get off at the same stop. How careless. Yet in the end each of us Is seen to have traveled the same distance—it’s time That counts, and how deeply you have invested in it, Crossing the street of an event, as though coming out of it were The same as making it happen. You’re not sorry, Of course, especially if this was the way it had to happen, Yet would like an exacter share, something about time That only a clock can tell you: how it feels, not what it means. It is a long field, and we know only the far end of it, Not the part we presumably had to go through to get there. If it isn’t enough, take the idea Inherent in the day, armloads of wheat and flowers Lying around flat on handtrucks, if maybe it means more In pertaining to you, yet what is is what happens in the end As though you cared. The event combined with Beams leading up to it for the look of force adapted to the wiser Usages of age, but it’s both there And not there, like washing or sawdust in the sunlight, At the back of the mind, where we live now.
John Ashbery (Houseboat Days)
Oh stay awhile. sad, sagging flesh and bones gone brittle. Stay in place, aged face, teeth, don’t go. Inside and out the flaccid change of bodily parts, mechanics of action, mind’s collapsing habits, all echo here in mottled skin, blurred eye, reiterated mumble. Lift to the vacant air some sigh, some sign I’m still inside.
Robert Creeley (Windows)
My mind wandered to all those years of school portraits: the licked palms wrestling cowlicks under the pretense of a loving stroke; letting the boys watch a cartoon while sliding them into handsome, uncomfortable clothes; clumsy efforts to subliminally communicate the value of a “natural” smile. The pictures always came out the same: a forced grin with unparted lips, eyes vacantly gazing into the haze—something from the Diane Arbus scrap pile. But I loved them. I loved the truth they conveyed: that kids aren’t yet able to fake it. Or they aren’t yet able to conceal their disingenuousness. They’re wonderful smilers, the best; but they’re the very worst fake smilers. The inability to fake a smile defines childhood. When Sam thanked me for his room in my new house, he became a man.
Jonathan Safran Foer (Here I Am)
But in truth, neither the lonely meditations of the hermit nor the turmulos raptures of the reveller, are capable of satisfying man’s heart. From the one we gather unquiet speculation, from the other satiety. The mind flags beneath the weight of thought, and droops in thee heartless intercourse of those whose sole aim is amusement. There is no fruition in their vacant kindness, and sharp rocs lur beneath the smiling ripples of these shallow waters.
Mary Wollstonecraft Shelley
Let me make a clean breast of it here, and frankly admit that I kept but sorry guard. With the problem of the universe revolving in me, how could I- being left completely to myself at such a thought-engendering altitude- how could I but lightly hold my obligations to observe all whaleships' standing orders, "Keep your weather eye open, and sing out every time." And let me in this place movingly admonish you, ye ship-owners of Nantucket! Beware of enlisting in your vigilant fisheries any lad with lean brow and hollow eye; given to unseasonable meditativeness...: your whales must be seen before they can be killed; and this sunken-eyed young Platonist will tow you ten wakes round the world, and never make you one pint of sperm the richer. Nor are these monitions at all unneeded. For nowadays, the whale-fishery furnishes an asylum for many romantic, melancholy, and absent-minded young men, disgusted with the corking care of earth, and seeking sentiment in tar and blubber. Childe Harold not unfrequently perches himself upon the mast-head of some luckless disappointed whale-ship, and in moody phrase ejaculates:- "Roll on, thou deep and dark blue ocean, roll! Ten thousand blubber-hunters sweep over thee in vain. " ... "Why, thou monkey," said a harpooneer to one of these lads, "we've been cruising now hard upon three years, and thou hast not raised a whale yet. Whales are scarce as hen's teeth whenever thou art up here." Perhaps they were; or perhaps there might have been shoals of them in the far horizon; but lulled into such an opium-like listlessness of vacant, unconscious reverie is this absent-minded youth by the blending cadence of waves with thoughts, that at last he loses his identity; takes the mystic ocean at his feet for the visible image of that deep, blue, bottomless soul, pervading mankind and nature; and every strange, half-seen, gliding, beautiful thing that eludes him; every dimly-discovered, uprising fin of some undiscernible form, seems to him the embodiment of those elusive thoughts that only people the soul by continually flitting through it. In this enchanted mood, thy spirit ebbs away to whence it came; becomes diffused through time and space; like Crammer's sprinkled Pantheistic ashes, forming at last a part of every shore the round globe over. There is no life in thee, now, except that rocking life imparted by a gentle rolling ship; by her, borrowed from the sea; by the sea, from the inscrutable tides of God. But while this sleep, this dream is on ye, move your foot or hand an inch; slip your hold at all; and your identity comes back in horror. Over Descartian vortices you hover. And perhaps, at midday, in the fairest weather, with one half-throttled shriek you drop through that transparent air into the summer sea, no more to rise for ever. Heed it well, ye Pantheists!
Herman Melville (Moby Dick)
Then are seen the cases, so frequent in this age of the world as almost to form the majority, in which the creed remains as it were outside the mind, incrusting and petrifying it again all other influences addressed to the higher parts of our nature; manifesting its power by not suffering any fresh and living conviction to get in, but itself doing nothing for the mind or heart except standing sentinel over them to keep them vacant
John Stuart Mill (On Liberty)
As the days passed, it became noticeable, in a way that was, at first, imperceptible, that the word blank, as if it had suddenly become obscene or rude, was falling into disuse, that people would employ all kinds of evasions and periphrases to replace it. A blank piece of paper, for example, would be described instead as virgin, a blank on a form that had all its life been a blank became the space provided, blank looks all became vacant instead, students stopped saying that their minds had gone blank, and owned up to the fact that they simply knew nothing about the subject, but the most interesting case of all was the sudden disappearance of the riddle with which, for generations, parents, grandparents, aunts, uncles and neighbors had sought to stimulate the intelligence and deductive powers of children, You can fill me in, draw me and fire me, what am I, and people, reluctant to elicit the word blank from innocent children, justified this by saying that the riddle was far too difficult for those with limited experience of the world.
José Saramago
A state of scepticism and suspense may amuse a few inquisitive minds. But the practice of superstition is so congenial to the multitude, that if they are forcibly awakened, they still regret the loss of their pleasing vision. Their love of the marvellous and supernatural, their curiosity with regard to future events, and their strong propensity to extend their hopes and fears beyond the limits of the visible world, were the principal causes which favoroud the establishment of Polytheism. So urgent on the vulgar is the necessity of believing, that the fall of any system of mythology will most probably be succeeded by the introduction of some other mode of superstition. (...) an object much less deserving would have been sufficient to fill the vacant place in their hearts.
Edward Gibbon (The Christians and the Fall of Rome (Great Ideas))
Lulled into such an opium-like state of listlessness of vacant, unconscious reverie is this absent-minded youth by the blending cadence of the waves with thoughts, that at last he loses his identity; takes the mystic ocean at his feet for the visible image of that deep, blue, bottomless soul, pervading mankind and nature.
Herman Melville
Peter kept the same pace that I did, even though I knew that I helplessly dragged my feet. The image of a doctor guiding an invalid grudgingly entered my mind. Yet there was a companionable silence as we trudged onward. My mind was still half vacant, but I felt safe. And, although our hands did not touch, I felt as if they did.
Gina Marinello-Sweeney
All love is bittersweet. Love is inexplicable; it is part poetry and part masochism. Part of love is the loss of self-control because one must openly surrender their sense of an exclusive self to the manic powers of love. The personal act of surrender to a lover leaves one vulnerable to entanglement in a maze of emotions. When we fall in love, our lover’s happiness and well-being assumes the primary role in our mind, they become copilots of our souls. When we are in love for the first time, we feel what it means to become a complete person; we identify who we are by seeing our reflection in our lover’s eye; and we sense what we might become when infused with love. When our lover leaves us, we feel vexed and vacant because we recognize that they took up such a large part of what made us feel intoxicated with life. When our lover abandons us, we lose our sense of self; we temporarily cease to exist as a whole person, and we must reconstruct the shattered remnants of oneself in the wake of a love lost.
Kilroy J. Oldster (Dead Toad Scrolls)
To control the consciousness of others becomes his only passion; power-lust is a weed that grows only in the vacant lots of an abandoned mind.
Ayn Rand (Atlas Shrugged)
What unites us is our despair. Do other people wish to know that someone else walked this earth with a similar batch of questions and frustration? Am I alone trussed with a long suppressed scream lodged within my breast shouting out in the vacant darkness of night, “Who am I, where am I, and where shall I go with this dreaded case of hopelessness, self-doubt, and self-loathing that is weighing me down, making me crazy, and blindsiding any chance to discover personal happiness?” On many occasions, I felt like surrendering to life, no longer willing to endure the physical aches and devastating emotional blows that human life requires. Lost, exiled, and living in alienation from the entire world I searched for a reentry port to a meaningful life. I must work; honest toil is good for the body, mind, and spiritual health of human beings. I shall go to the grave utterly spent from living an authentic life of giving the better part of oneself to the world.
Kilroy J. Oldster (Dead Toad Scrolls)
I didn't know. All I know was that the sex was terrific. And that the hippie was cute. She loved sweet pickles. She liked the name Willie. She even liked Apocalypse Now. She was not a vegeterian. These were all on the plus side. But, once I introduced her to my friends, at the time, and they were all stuck-up asshole Lit majors and they made fun of her and she understoond what was going on and her eyes, usually blue, too blue, vacant, were sad. And I protected her. I took her away from them. ('Spell Pynchon,' they asked her, cracking up.) And she introduced me to her friends. And we ended up sitting on some Japanese pillows in her room and we all smoked some pot and this little hippie girl with a wreath on her head, looked at me as I held her and said, "The world blows my mind'. And you know what? I fucked her anyway.
Bret Easton Ellis (The Rules of Attraction)
FOR THE TIME OF NECESSARY DECISION The mind of time is hard to read. We can never predict what it will bring, Nor even from all that is already gone Can we say what form it finally takes; For time gathers its moments secretly. Often we only know it’s time to change When a force has built inside the heart That leaves us uneasy as we are. Perhaps the work we do has lost its soul Or the love where we once belonged Calls nothing alive in us anymore. We drift through this gray, increasing nowhere Until we stand before a threshold we know We have to cross to come alive once more. May we have the courage to take the step Into the unknown that beckons us; Trust that a richer life awaits us there, That we will lose nothing But what has already died; Feel the deeper knowing in us sure Of all that is about to be born beyond The pale frames where we stayed confined, Not realizing how such vacant endurance Was bleaching our soul’s desire.
John O'Donohue (To Bless the Space Between Us: A Book of Blessings)
Doc awakened very slowly and clumsily like a fat man getting out of a swimming pool. His mind broke the surface and fell back several times. There was red lipstick on his beard. He opened one eye, saw the brilliant colors of the quilt and closed his eye quickly. But after a while he looked again. His eye went past the quilt to the floor, to the broken plate in the corner, to the glasses standing on the table turned over on the floor, to the spilled wine and the books like heavy fallen butterflies. There were little bits of curled red paper all over the place and the sharp smell of firecrackers. He could see through the kitchen door to the steak plates stacked high and the skillets deep in grease. Hundreds of cigarette butts were stamped out on the floor. And under the firecracker smell was a fine combination of wine and whiskey perfume. His eye stopped for a moment on a little pile of hairpins in the middle of the floor. He rolled over slowly and supporting himself on one elbow he looked out the broken window. Cannery Row was quiet and sunny. The boiler was open. The door of the Palace Flophouse was closed. A man slept peacefully among the weeds in the vacant lot. The Bear Flag was shut up tight.
John Steinbeck
It looked as though the leaves of the autumn forest had taken flight, and were pouring down the valley like a waterfall, like a tidal wave, all the leaves of the hardwoods from here to Hudson’s Bay. It was as if the season’s colors were draining away like lifeblood, as if the year were molting and shedding. The year was rolling down, and a vital curve had been reached, the tilt that gives way to headlong rush. And when the monarch butterflies had passed and were gone, the skies were vacant, the air poised. The dark night into which the year was plunging was not a sleep but an awakening, a new and necessary austerity, the sparer climate for which I longed. The shed trees were brittle and still, the creek light and cold, and my spirit holding its breath.
Annie Dillard (Pilgrim at Tinker Creek)
In every room the recollection of my childhood is slight, and fireflies of memory disappear as soon as I turn my mind to them. I passed through my past, I didn't or couldn't savour the time, and now my history is huge and vacant, like a film I never finished watching.
Rebecca Whitney (The Liar's Chair)
Solitude is dangerous to reason, without being favourable to virtue: pleasures of some sort are necessary to the intellectual as to the corporeal health; and those who resist gaiety, will be likely for the most part to fall a sacrifice to appetite; for the solicitations of sense are always at hand, and a dram to a vacant and solitary person is a speedy and seducing relief. Remember that the solitary mind is certainly luxurious, probably superstitious, and possibly mad: the mind stagnates for want of employment, grows morbid, and is extinguished like a candle in foul air.
Samuel Johnson (Anecdotes of Samuel Johnson, Ll.D. During the Last Twenty Years of His Life)
No one will shake my conviction that those leaders of men, who are in the nature of carbuncles, of semi-conscious abscesses, who draw feverish crowds to them like noxious humours, have an innate knowledge of arrested time. They play with those vacant moments as though at a game of chequers. A fraction of suspended, frozen time, of inert time, jammed like a wedge into the most wonderfully oiled cogs of the most lucid of minds: and the whole mechanism is brought crashing to the ground, prepared to accept any authority, to endorse the most monstrous aberrations, especially collective ones.
Jacques Yonnet (Paris Noir: The Secret History of a City)
How sad to be lying now on a sick bed, and to be in danger of dying! This world is pleasant–it would be dreary to be called from it, and to have to go who knows where?" And then my mind made its first earnest effort to comprehend what had been infused into it concerning heaven and hell: and for the first time it recoiled, baffled; and for the first time glancing behind, on each side, and before it, it saw all around an unfathomed gulf: it felt the one point where it stood–the present; all the rest was formless cloud and vacant depth: and it shuddered at the thought of tottering , and plunging amid that chaos.
Charlotte Brontë (Jane Eyre)
And Quaid knew, meeting the clown's vacant stare through an air turned bloody, that there was worse in the world than dread. Worse than death itself. There was pain without hope of healing. There was life that refused to end, long after the mind had begged the body to cease. And worst, there were dreams come true.
Clive Barker (Dread [Graphic Novel])
DURING the whole of a dull, dark, and soundless day in the autumn of the year, when the clouds hung oppressively low in the heavens, I had been passing alone, on horseback, through a singularly dreary tract of country; and at length found myself, as the shades of the evening drew on, within view of the melancholy House of Usher. I know not how it was; but, with the first glimpse of the building, a sense of insufferable gloom pervaded my spirit. I say insufferable; for the feeling was unrelieved by any of that half-pleasurable, because poetic, sentiment, with which the mind usually receives even the sternest natural images of the desolate or terrible. I looked upon the scene before me—upon the mere house, and the simple landscape features of the domain—upon the bleak walls—upon the vacant eye-like windows—upon a few rank sedges—and upon a few white trunks of decayed trees—with an utter depression of soul which I can compare to no earthly sensation more properly than to the after-dream of the reveler upon opium—the bitter lapse into every-day life—the hideous dropping off of the veil. There was an iciness, a sinking, a sickening of the heart—an unredeemed dreariness of thought which no goading of the imagination could torture into aught of the sublime. What was it—I paused to think—what was it that so unnerved me in the contemplation of the House of Usher? It was a mystery all insoluble; nor could I grapple with the shadowy fancies that crowded upon me as I pondered. I was forced to fall back upon the unsatisfactory conclusion that while, beyond doubt, there are combinations of very simple natural objects which have the power of thus affecting us, still the analysis of this power lies among considerations beyond our depth. It was possible, I reflected, that a mere different arrangement of the particulars of the scene, of the details of the picture, would be sufficient to modify, or perhaps to annihilate its capacity for sorrowful impression; and, acting upon this idea, I reined my horse to the precipitous brink of a black and lurid tarn that lay in unruffled luster by the dwelling, and gazed down—but with a shudder even more thrilling than before—upon the remodeled and inverted images of the gray sedge, and the ghastly tree stems, and the vacant and eye-like windows.
Edgar Allan Poe (The Best Short Stories of Edgar Allan Poe)
Florence lives alone in the great dreary house, and day succeeded day, and still she lived alone; and the blank walls looked down upon her with a vacant stare, as if they had a Gorgon-like mind to stare her youth and beauty into stone. No magic dwelling-place in magic story, shut up in the heart of a thick wood, was ever more solitary and deserted to the fancy, than was her father's mansion in its grim reality, as it stood lowering on the street: always by night, when lightd were shining from neighbouring windows, a blot upon its scanty brightness; always by day, a frown upon its never-smiling face. There were not two dragon sentries keeping ward before the gate of this above, as in magic legend are usually found on duty over the wronged innocence imprisoned; but besides a glowering visage, with its thin lips parted wickedly, that surveyed all comers from above the archway of the door, there was a monstrous fantasy of rusty iron, curling and twisting like a petrification of an arbour over threshold, budding in spikes and corkscrew points, and bearing, one on either side, two ominous extinguishers, that seemed to say, 'Who enter here, leave light behind!
Charles Dickens (Dombey and Son)
Holmes. “Why, it might be a description of Watson!” “It’s true,” said the inspector, with amusement. “It might be a description of Watson.” “Well, I’m afraid I can’t help you, Lestrade,” said Holmes. “The fact is that I knew this fellow Milverton, that I considered him one of the most dangerous men in London, and that I think there are certain crimes which the law cannot touch, and which therefore, to some extent, justify private revenge. No, it’s no use arguing. I have made up my mind. My sympathies are with the criminals rather than with the victim, and I will not handle this case.” Holmes had not said one word to me about the tragedy which we had witnessed, but I observed all the morning that he was in his most thoughtful mood, and he gave me the impression, from his vacant eyes and his abstracted manner, of a man who
Arthur Conan Doyle (Sherlock Holmes: The Collection)
I said that sometimes it is an esteemed author who puts one on the track of a buried book. “What! He liked that book?” you say to yourself, and immediately the barriers fall away and the mind becomes not only open and receptive but positively aflame. Often it happens that it is not a friend of similar tastes who revives one’s interest in a dead book but a chance acquaintance. Sometimes this individual gives the impression of being a nitwit, and one wonders why he should retain the memory of a book which this person casually recommended, or perhaps did not recommend at all but merely mentioned in the course of conversation as being an “odd” book. In a vacant mood, at loose ends, as we say, suddenly the recollection of this conversation occurs, and we are ready to give the book a trial. Then comes a hock, the shock of discovery.
Henry Miller (The Books in My Life)
Why, thou monkey,” said a harpooneer to one of these lads, “we’ve been cruising now hard upon three years, and thou hast not raised a whale yet. Whales are scarce as hen’s teeth whenever thou art up here.” Perhaps they were; or perhaps there might have been shoals of them in the far horizon; but lulled into such an opium-like listlessness of vacant, unconscious reverie is this absent-minded youth by the blending cadence of waves with thoughts, that at last he loses his identity; takes the mystic ocean at his feet for the visible image of that deep, blue, bottomless soul, pervading mankind and nature; and every strange, half-seen, gliding, beautiful thing that eludes him; every dimly-discovered, uprising fin of some undiscernible form, seems to him the embodiment of those elusive thoughts that only people the soul by continually flitting through it.
Herman Melville (Moby Dick; Or, The Whale)
Why, thou monkey," said a harpooneer to one of these lads, "we've been cruising now hard upon three years, and thou hast not raised a whale yet. Whales are scarce as hen's teeth whenever thou art up here." Perhaps they were; or perhaps there might have been shoals of them in the far horizon; but lulled into such an opium-like listlessness of vacant, unconscious reverie is this absent-minded youth by the blending cadence of waves with thoughts, that at last he loses his identity; takes the mystic ocean at his feet for the visible image of that deep, blue, bottomless soul, pervading mankind and nature; and every strange, half-seen, gliding, beautiful thing that eludes him; every dimly-discovered, uprising fin of some undiscernible form, seems to him the embodiment of those elusive thoughts that only people the soul by continually flitting through it.
Herman Melville (Moby Dick: or, the White Whale)
What, in fact, do we know about the peak experience? Well, to begin with, we know one thing that puts us several steps ahead of the most penetrating thinkers of the 19th century: that P.E’.s are not a matter of pure good luck or grace. They don’t come and go as they please, leaving ‘this dim, vast vale of tears vacant and desolate’. Like rainbows, peak experiences are governed by definite laws. They are ‘intentional’. And that statement suddenly gains in significance when we remember Thorndike’s discovery that the effect of positive stimuli is far more powerful and far reaching than that of negative stimuli. His first statement of the law of effect was simply that situations that elicit positive reactions tend to produce continuance of positive reactions, while situations that elicit negative or avoidance reactions tend to produce continuance of these. It was later that he came to realise that positive reactions build-up stronger response patterns than negative ones. In other words, positive responses are more intentional than negative ones. Which is another way of saying that if you want a positive reaction (or a peak experience), your best chance of obtaining it is by putting yourself into an active, purposive frame of mind. The opposite of the peak experience—sudden depression, fatigue, even the ‘panic fear’ that swept William James to the edge of insanity—is the outcome of passivity. This cannot be overemphasised. Depression—or neurosis—need not have a positive cause (childhood traumas, etc.). It is the natural outcome of negative passivity. The peak experience is the outcome of an intentional attitude. ‘Feedback’ from my activities depends upon the degree of deliberately calculated purpose I put into them, not upon some occult law connected with the activity itself. . . . A healthy, perfectly adjusted human being would slide smoothly into gear, perform whatever has to be done with perfect economy of energy, then recover lost energy in a state of serene relaxation. Most human beings are not healthy or well adjusted. Their activity is full of strain and nervous tension, and their relaxation hovers on the edge of anxiety. They fail to put enough effort—enough seriousness—into their activity, and they fail to withdraw enough effort from their relaxation. Moods of serenity descend upon them—if at all—by chance; perhaps after some crisis, or in peaceful surroundings with pleasant associations. Their main trouble is that they have no idea of what can be achieved by a certain kind of mental effort. And this is perhaps the place to point out that although mystical contemplation is as old as religion, it is only in the past two centuries that it has played a major role in European culture. It was the group of writers we call the romantics who discovered that a man contemplating a waterfall or a mountain peak can suddenly feel ‘godlike’, as if the soul had expanded. The world is seen from a ‘bird’s eye view’ instead of a worm’s eye view: there is a sense of power, detachment, serenity. The romantics—Blake, Wordsworth, Byron, Goethe, Schiller—were the first to raise the question of whether there are ‘higher ceilings of human nature’. But, lacking the concepts for analysing the problem, they left it unsolved. And the romantics in general accepted that the ‘godlike moments’ cannot be sustained, and certainly cannot be re-created at will. This produced the climate of despair that has continued down to our own time. (The major writers of the 20th century—Proust, Eliot, Joyce, Musil—are direct descendants of the romantics, as Edmund Wilson pointed out in Axel’s Castle.) Thus it can be seen that Maslow’s importance extends far beyond the field of psychology. William James had asserted that ‘mystical’ experiences are not mystical at all, but are a perfectly normal potential of human consciousness; but there is no mention of such experiences in Principles of Psychology (or only in passing).
Colin Wilson (New Pathways in Psychology: Maslow & the Post-Freudian Revolution)
But in truth, neither the lonely meditations of the hermit, nor the tumultuous raptures of the reveller, are capable of satisfying man's heart. From the one we gather unquiet speculation, from the other satiety. The mind flags beneath the weight of thought, and droops in the heartless intercourse of those whose sole aim is amusement. There is no fruition in their vacant kindness, and sharp rocks lurk beneath the smiling ripples of these shallow waters.
Mary Wollstonecraft Shelley (The Last Man Annotated)
Why do we bury our dead?” His nose was dented in at the bridge like a sphinx; the cause of which I could only imagine had been a freak archaeological accident. I thought about my parents. They had requested in their will that they be buried side by side in a tiny cemetery a few miles from our house. “Because it’s respectful?” He shook his head. “That’s true, but that’s not the reason we do it.” But that was the reason we buried people, wasn’t it? After gazing at him in confusion, I raised my hand, determined to get the right answer. “Because leaving people out in the open is unsanitary.” Mr. B. shook his head and scratched the stubble on his neck. I glared at him, annoyed at his ignorance and certain that my responses were correct. “Because it’s the best way to dispose of a body?” Mr. B. laughed. “Oh, but that’s not true. Think of all the creative ways mass murderers have dealt with body disposal. Surely eating someone would be more practical than the coffin, the ceremony, the tombstone.” Eleanor grimaced at the morbid image, and the mention of mass murderers seemed to wake the rest of the class up. Still, no one had an answer. I’d heard Mr. B. was a quack, but this was just insulting. How dare he presume that I didn’t know what burials meant? I’d watched them bury my parents, hadn’t I? “Because that’s just what we do,” I blurted out. “We bury people when they die. Why does there have to be a reason for everything?” “Exactly!” Mr. B. grabbed the pencil from behind his ear and began gesticulating with it. “We’ve forgotten why we bury people. “Imagine you’re living in ancient times. Your father dies. Would you randomly decide to put him inside a six-sided wooden box, nail it shut, then bury it six feet below the earth? These decisions aren’t arbitrary, people. Why a six-sided box? And why six feet below the earth? And why a box in the first place? And why did every society throughout history create a specific, ritualistic way of disposing of their dead?” No one answered. But just as Mr. B. was about to continue, there was a knock on the door. Everyone turned to see Mrs. Lynch poke her head in. “Professor Bliss, the headmistress would like to see Brett Steyers in her office. As a matter of urgency.” Professor Bliss nodded, and Brett grabbed his bag and stood up, his chair scraping against the floor as he left. After the door closed, Mr. B. drew a terrible picture of a mummy on the board, which looked more like a hairy stick figure. “The Egyptians used to remove the brains of their dead before mummification. Now, why on earth would they do that?” There was a vacant silence. “Think, people! There must be a reason. Why the brain? What were they trying to preserve?” When no one answered, he answered his own question. “The mind!” he said, exasperated. “The soul!” As much as I had planned on paying attention and participating in class, I spent the majority of the period passing notes with Eleanor. For all of his enthusiasm, Professor Bliss was repetitive and obsessed with death and immortality. When he faced the board to draw the hieroglyphic symbol for Ra, I read the note Eleanor had written me. Who is cuter? A. Professor Bliss B. Brett Steyers C. Dante Berlin D. The mummy I laughed. My hand wavered between B and C for the briefest moment. I wasn’t sure if you could really call Dante cute. Devastatingly handsome and mysterious would be the more appropriate description. Instead I circled option D. Next to it I wrote Obviously! and tossed it onto her desk when no one was looking.
Yvonne Woon (Dead Beautiful (Dead Beautiful, #1))
lulled into such an opium-like listlessness of vacant, unconscious reverie is this absent-minded youth by the blending cadence of waves with thoughts, that at last he loses his identity; takes the mystic ocean at his feet for the visible image of that deep, blue, bottomless soul, pervading mankind and nature; and every strange, half-seen, gliding, beautiful thing that eludes him; every dimly-discovered, uprising fin of some undiscernible form, seems to him the embodiment of those elusive thoughts that only people the soul by continually flitting through it.
Herman Melville (Moby Dick)
A large and comfortable double-bedded room had been placed at our disposal, and I was quickly between the sheets, for I was weary after my night of adventure. Sherlock Holmes was a man, however, who when he had an unsolved problem upon his mind would go for days, and even for a week, without rest, turning it over, rearranging his facts, looking at it from every point of view, until he had either fathomed it, or convinced himself that his data were insufficient. It was soon evident to me that he was now preparing for an all-night sitting. He took off his coat and waistcoat, put on a large blue dressing-gown, and then wandered about the room collecting pillows from his bed, and cusions from the sofa and armchairs. With these he constructed a sort of Eastern divan, upon which he perched himself cross-legged, with an ounce of shag tobacco and a box of matches laid out in front of him. In the dim light of the lamp I saw him sitting there, an old brier pipe between his lips, his eyes fixed vacantly upon the corner of the ceiling, the blue smoke curling up from him, silent, motionless, with the light shining upon his strong-set aquiline features. So he sat as I dropped off to sleep, and so he sat when a sudden ejaculation caused me to wake up, and I found the summer sun shining into the apartment. The pipe was still between his lips, the smoke still curled upwards, and the room was full of a dense tobacco haze, but nothing remained of the heap of shag which I had seen upon the previous night. 'Awake, Watson?' he asked. 'Yes.' 'Game for a morning drive?' 'Certainly.' 'Then dress. No one is stirring yet, but I know where the stable-boy sleeps, and we shall soon have the trap out.
Arthur Conan Doyle (The Man with the Twisted Lip - a Sherlock Holmes Short Story (The Adventures of Sherlock Holmes, #6))
Nor was it mean delight To watch crude Nature work in untaught minds; To note the laws and progress of belief; Though obstinate on this way, yet on that How willingly we travel, and how far! To have, for instance, brought upon the scene The champion, Jack the Giant-killer: Lo! He dons his coat of darkness; on the stage Walks, and achieves his wonders, from the eye Of living Mortal covert, "as the moon Hid in her vacant interlunar cave." Delusion bold! and how can it be wrought? The garb he wears is black as death, the word "Invisible" flames forth upon his chest.
William Wordsworth (The Prelude)
Upon the King! Let us our lives, our souls, Our debts, our careful wives, Our children, and our sins, lay on the King! We must bear all. O hard condition, Twin-born with greatness, subject to the breath Of every fool, whose sense no more can feel But his own wringing! What infinite heart's ease Must kings neglect that private men enjoy! And what have kings that privates have not too, Save ceremony- save general ceremony? And what art thou, thou idol Ceremony? What kind of god art thou, that suffer'st more Of mortal griefs than do thy worshippers? What are thy rents? What are thy comings-in? O Ceremony, show me but thy worth! What is thy soul of adoration? Art thou aught else but place, degree, and form, Creating awe and fear in other men? Wherein thou art less happy being fear'd Than they in fearing. What drink'st thou oft, instead of homage sweet, But poison'd flattery? O, be sick, great greatness, And bid thy ceremony give thee cure! Thinks thou the fiery fever will go out With titles blown from adulation? Will it give place to flexure and low bending? Canst thou, when thou command'st the beggar's knee, Command the health of it? No, thou proud dream, That play'st so subtly with a king's repose. I am a king that find thee; and I know 'Tis not the balm, the sceptre, and the ball, The sword, the mace, the crown imperial, The intertissued robe of gold and pearl, The farced tide running fore the king, The throne he sits on, nor the tide of pomp That beats upon the high shore of this world- No, not all these, thrice gorgeous ceremony, Not all these, laid in bed majestical, Can sleep so soundly as the wretched slave Who, with a body fill'd and vacant mind, Gets him to rest, cramm'd with distressful bread; Never sees horrid night, the child of hell; But, like a lackey, from the rise to set Sweats in the eye of Pheebus, and all night Sleeps in Elysium; next day, after dawn, Doth rise and help Hyperion to his horse; And follows so the ever-running year With profitable labour, to his grave. And but for ceremony, such a wretch, Winding up days with toil and nights with sleep, Had the fore-hand and vantage of a king. The slave, a member of the country's peace, Enjoys it; but in gross brain little wots What watch the king keeps to maintain the peace Whose hours the peasant best advantages.
William Shakespeare (Henry V)
The flower-covered grave of the saint in the inner room could be seen dimly through the narrow doorway. In front of it was a wide vestibule where about two dozen people were seated in a circle. One of them was singing lustily some Persian verses, while others kept the time by clapping their hands; they joined in the refrain which was sung in chorus. Like rising tidal waves, the tempo of the singing was getting faster and faster, the clapping became more frantic and heads rolled from side to side, keeping time with the tempestuous melody. Eyes were closed and everyone was lost in the surging waves of emotion that seemed to flow out of the Sufistic poetry of the great Roomi. Then, to his amazement Anwar saw a man in the centre of the crowd open his eyes and stare vacantly. For a moment this man was silent, ominously silent and motionless in the midst of the emotional storm that raged around him. Then he was caught by a sudden frenzy, his whole body quivered and moved, beating time to the song which by now had reached a weird and frightening crescendo, faster and faster, louder and louder. The man's hands rose high in the air and as if clutching at an unseen rope, he raised himself and started to dance, wildly, ecstatically, tearing his clothes and pulling his hair, completely unselfconscious and unrestrained, oblivious of everything by some mysterious inner urge that demanded expression in this wild manner. And then the song died on the lips of the singer, the waves of emotion receded and in the ghostly silence that descended upon the assembly the standing figure of the man in the centre which looked inspired and hallowed a moment ago, suddenly appeared ridiculous and grotesque. For a few moments he stood as if poised for another outburst of frenzy. Then, deprived of the emotional support of the song, his knees sagged and he collapsed to the ground. For several minutes Anwar was speechless; so great had the effect of this spectacle been on him. His pulse beat faster, his mind was in a whirl and, as the song stopped, he felt a gnawing emptiness in his bowels. This then was Qawwali, the ecastatic ritual of the Persian Sufis.
Khwaja Ahmad Abbas (Inqilab)
He had a fresh change of clothes in a battered TWA flightbag; he had planned to change after making love tot he fancy cunt. No he hurled the bag across the shop. It bounced off the far wall and landed on top of a dresser. He walked across to it and batted it aside. He drop-kicked as it came down, and it hit the ceiling before falling on its side like a dead woodchuck. Then he simply stood, breathing hard, inhaling the heavy smells, staring vacantly at three chairs he had promised to cane by the end of the week. His thumbs were jammed into his belt. His fingers were curled into fists. His lower lip was pooched out. He looked like a kid sulking after a bawling-out. "CHEAP-SHIT!" he breathed, and went after the flightbag. He made as if to kick it again, then changed his mind and picked it up.
Stephen King (Cujo)
Why, thou monkey,’ said a harpooneer to one of these lads, ‘we ’ve been cruising now hard upon three years, and thou hast not raised a whale yet. Whales are scarce as hen’s teeth whenever thou art up here.’ Perhaps they were; or perhaps there might have been shoals of them in the far horizon; but lulled into such an opium-like listlessness of vacant, unconscious revery is this absent-minded youth by the blending cadence of waves with thoughts, that at last he loses his identity; takes the mystic ocean at his feet for the visible image of that deep, blue, bottomless soul, pervading mankind and nature; and every strange, half-seen, gliding, beautiful thing that eludes him; every dimly-discovered, uprising fin of some undiscernible form, seems to him the embodiment of those elusive thoughts that only people the soul by continually flitting through it. In this enchanted mood, thy spirit ebbs away to whence it came; becomes diffused through time and space; like Cranmer’s sprinkled Pantheistic ashes, forming at last a part of every shore the round globe over. 10 There is no life in thee, now, except that rocking life imparted by a gently rolling ship; by her, borrowed from the sea; by the sea, from the inscrutable tides of God. But while this sleep, this dream is on ye, move your foot or hand an inch; slip your hold at all; and your identity comes back in horror. Over Descartian vortices you hover. And perhaps, at mid-day, in the fairest weather, with one half-throttled shriek you drop through that transparent air into the summer sea, no more to rise forever. Heed it well, ye Pantheists!
Herman Melville
Perhaps they were; or perhaps there might have been shoals of them in the far horizon; but lulled into such an opium-like listlessness of vacant, unconscious reverie is the absent-minded youth by the blending cadence of waves with thoughts, that at last he loses his identity; takes the mystic ocean at his feet for the visible of that deep, blue, bottomless soul, pervading mankind and nature; and every strange, half seen, gliding, beautiful thing that eludes him; every dimly-discovered, uprising fin of some indiscernible form, seems to him the embodiment of those elusive thoughts that only people the soul by continually flitting through it. In this enchanted mood, thy spirit ebbs away to whence it came; becomes diffused through time and space; like Cranmer’s sprinkled Pantheistic ashes, forming at last a part of every shore the round globe over.
Herman Melville (Moby Dick)
Feeling like a displaced person Laura struggles with being defined by her status as a widow. “Distracted by the word widow, which had taken root, budded and bloomed in her mind like a weed in a vacant lot, Laura opened the dictionary on her desk. Flipping past thousands of words, she used in every-day communication with family, friends, and acquaintances – those little black letters, symbols to express thoughts for the ear to hear and the heart to feel – she wondered, What words gave expression to her pain? What words described the sense of something lurking inside her, or the dark shadows stalking her mind? Widow: a five-letter word, preceded by words like wide, and widget and followed by words like widow’s peak, widow’s weeds, and widower. This little word – widow- in small case, had no business masquerading as a noun: a person, place or thing. In contrast, - widget, a small mechanical object, not a feeling thing, just an object – seemed an honest noun. Widow is not an object, she thought. “It’s a word so thin as to be nothing but a wisp of breath passing through one’s vocal cords and disappearing almost imperceptibly between one’s lips. It has no life of its own. It’s a mere label, and it could just as well be a piece of paper saying, chocolate cookies or best before date.
Sharon J. Harrison (Picking Apples in the Sunshine)
they catch us, we’re going right back into the cell.” Roark went silent, and then dragged a chair out from the table. “Sit,” he ordered gently, moving away from it and taking the one on the opposite side. I sat down after a fraction of a second, and then looked at him expectantly. “It’s good that you’re thinking of us as a ‘we,’” he said, “because at this point we are, and we’re all in it together.” “Yes, but to what end? What purpose? What is your ultimate goal here?” I knew I came off as a bit angry, but the truth was I was frustrated. My patience was almost gone, and I was scared and tired—a dangerous combination that always led to emotional outbursts. For his part, Roark didn’t seem to mind my anger. In fact, his face looked almost vacant, lost in thought, and a bit sad. I leaned forward, concerned, but then his eyes flicked over to me and he began to speak. “Her name was Selka,” he said, and then paused. I bit back a sigh and leaned back. Why did everyone want to do this kind of storytelling with me, during which I had to participate and ask questions to coax the story forward? Why couldn’t anyone just be direct? “She was my wife,” he continued, just as I was about to ask the question, and I quickly closed my mouth, my frustration fading somewhat as I remembered Grey’s words. “She wasn’t
Bella Forrest (The Girl Who Dared to Think (The Girl Who Dared, #1))
Whales are scarce as hen's teeth whenever thou art up here. Perhaps they were; or perhaps there might have been shoals of them in the far horizon; but lulled into such an opium-like listlessness of vacant, unconscious reverie is this absent-minded youth by the blending cadence of waves with thoughts, that at last he loses his identity; takes the mysticocean at his feet for the visible image of that deep, blue, bottomless soul, pervading mankind and nature; and every strange, half-seen, gliding, beautiful thing that eludes him; every dimly-discovered, uprising fin of some undiscernible form, seems to him the embodiment of those elusive thoughts that only people the soul by continually flitting through it. In this enchanted mood, thy spirit ebbs away to whence it came; becomes diffused through time and space; like Wickliff's sprinkled Pantheistic ashes, forming at last a part of every shore the round globe over. There is no life in thee, now, except that rocking life imparted by a gently rolling ship; by her, borrowed from the sea; by the sea, from the inscrutable tides of God. But while this sleep, this dream is on ye, move your foot or hand an inch; slip your hold at all; and your identity comes back in horror. Over Descartian vortices you hover. And perhaps, at mid-day, in the fairest weather, with one half-throttled shriek you drop through that transparent air into the summer sea, no more to rise for ever. Heed it well, ye Pantheists!
Herman Melville (Moby-Dick or, The Whale)
But even with respect to the most insignificant things in life, none of us constitutes a material whole, identical for everyone, which a person has only to go look up as though we were a book of specifications or a last testament; our social personality is a creation of the minds of others. Even the very simple act that we call “seeing a person we know” is in part an intellectual one. We fill the physical appearance of the individual we see with all the notions we have about him, and of the total picture that we form for ourselves, these notions certainly occupy the greater part. In the end they swell his cheeks so perfectly, follow the line of his nose in an adherence so exact, they do so well at nuancing the sonority of his voice as though the latter were only a transparent envelope that each time we see this face and hear this voice, it is these notions that we encounter again, that we hear. No doubt, in the Swann they had formed for themselves, my family had failed out of ignorance to include a host of details from his life in the fashionable world that caused other people, when they were in his presence, to see refinements rule his face and stop at his aquiline nose as though at their natural frontier; but they had also been able to garner in this face disaffected of its prestige, vacant and spacious, in the depths of these depreciated eyes, the vague, sweet residue—half memory, half forgetfulness—of the idle hours spent together after our weekly dinners, around the card table or in the garden, during our life of good country neighborliness.
Marcel Proust (Swann's Way (In Search of Lost Time, #1))
Why, thou monkey,” said a harpooneer to one of these lads, “we’ve been cruising now hard upon three years, and thou hast not raised a whale yet. Whales are scarce as hen’s teeth whenever thou art up here.” Perhaps they were; or perhaps there might have been shoals of them in the far horizon; but lulled into such an opium-like listlessness of vacant, unconscious reverie is this absent-minded youth by the blending cadence of waves with thoughts, that at last he loses his identity; takes the mystic ocean at his feet for the visible image of that deep, blue, bottomless soul, pervading mankind and nature; and every strange, half-seen, gliding, beautiful thing that eludes him; every dimly-discovered, uprising fin of some undiscernible form, seems to him the embodiment of those elusive thoughts that only people the soul by continually flitting through it. In this enchanted mood, thy spirit ebbs away to whence it came; becomes diffused through time and space; like Crammer’s sprinkled Pantheistic ashes, forming at last a part of every shore the round globe over. There is no life in thee, now, except that rocking life imparted by a gently rolling ship; by her, borrowed from the sea; by the sea, from the inscrutable tides of God. But while this sleep, this dream is on ye, move your foot or hand an inch; slip your hold at all; and your identity comes back in horror. Over Descartian vortices you hover. And perhaps, at midday, in the fairest weather, with one half-throttled shriek you drop through that transparent air into the summer sea, no more to rise for ever. Heed it well, ye Pantheists!
Herman Melville (Moby Dick)
human kind to the danger of a painful and comfortless situation. A state of scepticism and suspense may amuse a few inquisitive minds. But the practice of superstition is so congenial to the multitude that, if they are forcibly awakened, they still regret the loss of their pleasing vision. Their love of the marvellous and supernatural, their curiosity with regard to future events, and their strong propensity to extend their hopes and fears beyond the limits of the visible world, were the principal causes which favoured the establishment of Polytheism. So urgent on the vulgar is the necessity of believing that the fall of any system of mythology will most probably be succeeded by the introduction of some other mode of superstition. Some deities of a more recent and fashionable cast might soon have occupied the deserted temples of Jupiter and Apollo, if, in the decisive moment, the wisdom of Providence had not interposed a genuine revelation, fitted to inspire the most rational esteem and conviction, whilst, at the same time, it was adorned with all that could attract the curiosity, the wonder, and the veneration of the people. In their actual disposition, as many were almost disengaged from their artificial prejudices, but equally susceptible and desirous of a devout attachment; an object much less deserving would have been sufficient to fill the vacant place in their hearts, and to gratify the uncertain eagerness of their passions. Those who are inclined to pursue this reflection, instead of viewing with astonishment the rapid progress of Christianity, will perhaps be surprised that its success was not still more rapid and still more universal.
Edward Gibbon (The Decline and Fall of the Roman Empire (The Modern Library Collection))
Here is the node, you who hate change and fear revolution. Keep these two squatting men apart; make them hate, fear, suspect each other. Here is the anlage of the thing you fear. This is the zygote. For here "I lost my land" is changed; a cell is split and from its splitting grows the thing you hate—"We lost our land." The danger is here, for two men are not as lonely and perplexed as one. And from this first "we" there grows a still more dangerous thing: "I have a little food" plus "I have none." If from this problem the sum is "We have a little food," the thing is on its way, the movement has direction. Only a little multiplication now, and this land, this tractor are ours. The two men squatting in a ditch, the little fire, the side-meat stewing in a single pot, the silent, stone-eyed women; behind, the children listening with their souls to words their minds do not understand. The night draws down. The baby has a cold. Here, take this blanket. It's wool. It was my mother's blanket—take it for the baby. This is the thing to bomb. This is the beginning—from "I" to "we." If you who own the things people must have could understand this, you might preserve yourself. If you could separate causes from results, if you could know that Paine, Marx, Jefferson, Lenin, were results, not causes, you might survive. But that you cannot know. For the quality of owning freezes you forever into "I," and cuts you off forever from the "we." The Western States are nervous under the beginning change. Need is the stimulus to concept, concept to action. A half-million people moving over the country; a million more, restive to move; ten million more feeling the first nervousness. And tractors turning the multiple furrows in the vacant land.
John Steinbeck (The Grapes of Wrath)
But even with respect to the most insignificant things in life, none of us constitutes a material whole, identical for everyone, which a person has only to go look up as though we were a book of specifications or a last testament; our social personality is a creation of the minds of others. Even the very simple act that we call “seeing a person we know” is in part an intellectual one. We fill the physical appearance of the individual we see with all the notions we have about him, and of the total picture that we form for ourselves, these notions certainly occupy the greater part. In the end they swell his cheeks so perfectly, follow the line of his nose in an adherence so exact, they do so well at nuancing the sonority of his voice as though the latter were only a transparent envelope that each time we see this face and hear this voice, it is these notions that we encounter again, that we hear. No doubt, in the Swann they had formed for themselves, my family had failed out of ignorance to include a host of details from his life in the fashionable world that caused other people, when they were in his presence, to see refinements rule his face and stop at his aquiline nose as though at their natural frontier; but they had also been able to garner in this face disaffected of its prestige, vacant and spacious, in the depths of these depreciated eyes, the vague, sweet residue—half memory, half forgetfulness—of the idle hours spent together after our weekly dinners, around the card table or in the garden, during our life of good country neighborliness. The corporeal envelope of our friend had been so well stuffed with all this, as well as with a few memories relating to his parents, that this particular Swann had become a complete and living being, and I have the impression of leaving one person to go to another distinct from him, when, in my memory, I pass from the Swann I knew later with accuracy to that first Swann—to that first Swann in whom I rediscover the charming mistakes of my youth and who in fact resembles less the other Swann than he resembles the other people I knew at the time, as though one’s life were like a museum in which all the portraits from one period have a family look about them, a single tonality—to that first Swann abounding in leisure, fragrant with the smell of the tall chestnut tree, the baskets of raspberries, and a sprig of tarragon.
Marcel Proust (Swann's Way (In Search of Lost Time, #1))
MY DEAR MISS BROOKE,—I have your guardian's permission to address you on a subject than which I have none more at heart. I am not, I trust, mistaken in the recognition of some deeper correspondence than that of date in the fact that a consciousness of need in my own life had arisen contemporaneously with the possibility of my becoming acquainted with you. For in the first hour of meeting you, I had an impression of your eminent and perhaps exclusive fitness to supply that need (connected, I may say, with such activity of the affections as even the preoccupations of a work too special to be abdicated could not uninterruptedly dissimulate); and each succeeding opportunity for observation has given the impression an added depth by convincing me more emphatically of that fitness which I had preconceived, and thus evoking more decisively those affections to which I have but now referred. Our conversations have, I think, made sufficiently clear to you the tenor of my life and purposes: a tenor unsuited, I am aware, to the commoner order of minds. But I have discerned in you an elevation of thought and a capability of devotedness, which I had hitherto not conceived to be compatible either with the early bloom of youth or with those graces of sex that may be said at once to win and to confer distinction when combined, as they notably are in you, with the mental qualities above indicated. It was, I confess, beyond my hope to meet with this rare combination of elements both solid and attractive, adapted to supply aid in graver labors and to cast a charm over vacant hours; and but for the event of my introduction to you (which, let me again say, I trust not to be superficially coincident with foreshadowing needs, but providentially related thereto as stages towards the completion of a life's plan), I should presumably have gone on to the last without any attempt to lighten my solitariness by a matrimonial union. Such, my dear Miss Brooke, is the accurate statement of my feelings; and I rely on your kind indulgence in venturing now to ask you how far your own are of a nature to confirm my happy presentiment. To be accepted by you as your husband and the earthly guardian of your welfare, I should regard as the highest of providential gifts. In return I can at least offer you an affection hitherto unwasted, and the faithful consecration of a life which, however short in the sequel, has no backward pages whereon, if you choose to turn them, you will find records such as might justly cause you either bitterness or shame. I await the expression of your sentiments with an anxiety which it would be the part of wisdom (were it possible) to divert by a more arduous labor than usual. But in this order of experience I am still young, and in looking forward to an unfavorable possibility I cannot but feel that resignation to solitude will be more difficult after the temporary illumination of hope. In any case, I shall remain,     Yours with sincere devotion,      EDWARD CASAUBON
George Eliot (Middlemarch)
As the bus headed into the night, I noticed that the bench seat in the back of the bus was vacant. So I took my blanket and pillow, made my way to the back and stretched out. Rumbling along I was vaguely aware of the stops we made, but the night passed quickly. Eventually it started getting light outside, but looking around I saw that most people were still sleeping, including a Negro woman wearing a Navy uniform. She was a WAVE and must have boarded the bus sometime during the night. I had no idea where we were, but it didn’t matter as long as we were heading west. Slowly the passengers woke up and looked around, including the young Negro lady. I never had a problem talking to people, so, striking up a conversation, I discovered that she was going home to Oklahoma City. I told her about being a cadet at Farragut and that I was now heading to California for the summer. Time always goes faster when there is someone to talk to and we had the entire back of the bus to ourselves. The first inkling that something was wrong came when we got off the bus for a rest stop in Little Rock, Arkansas. The driver told me that it wasn’t fitting to sit in the back of the bus with a Negro. I was dumbfounded, and coming from the North, I didn’t understand. I tried to explain that this woman was wearing the uniform of her country, but it didn’t make any difference. That’s just the way it was in the South! We ran into the same kind of bigotry in the diner at our next rest stop, but before I could make an issue out of it, she hushed me up and explained that she just wanted to go home and didn’t need any problems. The two of us sat in the section for “Negroes Only,” where they served her but not this white boy, which is what I was called, along with other derogatory remarks. Never mind, I shared her sandwich and I guess they were just glad to get rid of us when we boarded the bus again. Behind me, I heard someone say something about my being a “nigger lover”.... Big as life, I sat in the back again! This time no one said anything and everything seemed forgotten by the time she got off in Oklahoma City. Another driver came aboard and took over. Saying goodbye to my friend, I got up and moved back to the seat I had had originally -- the one over the big hump for the rear tires!
Hank Bracker
I am on a train passing through Baltimore, where I grew up. I can see vacant lots, charred remains of burned buildings surrounded by rubbish, billboards advertising churches, and other billboards for DNA testing of children’s paternity. Johns Hopkins Hospital looms out of the squalor. The hospital is on an isolated island situated slightly east of downtown. The downtown area is separated from the hospital complex by a sea of run-down homes, a freeway, and a massive prison complex. Eastern Europe and the Soviet bloc come to mind. Failed industry and failed housing schemes and forced relocation disguised as urban renewal.
David Byrne (Bicycle Diaries)
Nagging at the back of her mind was the story of sexual slavery the Spanish girl had told her. Saraya Gonzalez. The name was pretty, but that face, while delicate and attractive, had been so vacant. Taylor mentally plugged into that conversation, determined to figure out the link between the girl shot at the hospital and the obvious Snow White victims this afternoon. She had one thin, tenuous thread to go by. The massage parlors. Saraya Gonzalez had been trapped in a life of servitude at a massage parlor. The girls killed this afternoon worked in a massage parlor. Taylor had a hunch that if she could tie the two together, she might get a solution. Though the chasm was deep between the two cases, Taylor had been a cop long enough to know you never dismiss a coincidence. “What is his name?” Taylor had asked Saraya. “Oh, no. I no tell. I no want to get dead.” Poor girl’s eyes were dead already, it wouldn’t take much to finish her off. The bullets at the hospital had been overkill. “Taylor!” She jumped, looked up to see Sam and her husband, Simon, standing over her.
J.T. Ellison (14 (Taylor Jackson, #2))
Memories of love She is the flower that blooms in every season, For me she is the logic and my life’s every reason, To serenade her for her beautiful ways, During the cold Winter nights and during the warm Summer days, When I lie vacant in my mind, There is nothing to ponder on and nothing new to find, And no thoughts pass by and everything seems unopposable, I think of you, your beautiful face and your ways loveable, Then something within me dies, something deep inside, Maybe it is the sense of time, sense of existence that no more is willing to reside, In this trepidation which brings grief, To be a languid moment on the fringes of life with no relief, And as this dead part of me buries itself within me, Under the aegis of your sweet memories I now live and see, Whatever life has to offer in its cyclic inventions of fate, While I live, moving like the needles of the clock, and ah the endless wait, So I reside in the hegemony of chance, And in my memories we forever romance, Which rise from the my half that is still alive, Still hopeful, still in love, still romantic, and that is where you and your memories thrive, They are the reason and that subtle force that makes my heart beat, That alive part of my heart where every heart throb only your name does repeat, And as I slide into the corner of my room, I let your memories and smiles on the walls, on the floor, over the windows to bloom, And I stare at this permanent Summer bliss, And these beautiful sights grow over me like a permanent kiss, Where I breathe you and you breathe me, And in the flowers hanging on the walls, sprouting from the floor, growing on the windows, your wonder I see, Then I spread the blanket of your memories, And I sleep with your smiles, with your kisses, and my silent mind unto the land of love ferries, Time may have neutralised my mind, But it has failed to prevent me from my heart’s desire to find, You in everything, in the skies, in the stars in the light and in the dark, And ah its pain, for from memories it has failed to remove any mark, For time that is the unruly mercenary of fate, Killed a part of me and thought now it is my final and insensate state, And as it galloped to erase my memories too, My dying heart beat said, “Irma I love you!” And the horse of time stumbled and fell, How, why maybe nobody can tell, And thus I ceased my moment and ran away with your memories, And now the chariot of time me and you together carries, Ahead of the time that chases me still and maybe forever, But it's fall granted me a lead of few moments newer, And when I tread on the highway of time, You and I my love, are always ahead of the weary horse of Worldly time, So let me spread the blanket of memories and let me sleep now, For I have to be with you, in the land where it is always now, And for the weary moments of worldly time let the circle around the walls of my room, Never to know that lovers live in a zone where it is a permanent summer, in its everlasting beauty’s bloom! The horse of time is worn out but my memories are as fresh as today, And my love Irma, it shall be so everyday!
Javid Ahmad Tak
Memories of love She is the flower that blooms in every season, For me she is the logic and my life’s every reason, To serenade her for her beautiful ways, During the cold Winter nights and during the warm Summer days, When I lie vacant in my mind, There is nothing to ponder on and nothing new to find, And no thoughts pass by and everything seems unopposable, I think of you, your beautiful face and your ways loveable, Then something within me dies, something deep inside, Maybe it is the sense of time, sense of existence that no more is willing to reside, In this trepidation which brings grief, To be a languid moment cast on the fringes of life with no relief, And as this dead part of me buries itself within me, Under the aegis of your sweet memories I now live and see, Whatever life has to offer in its cyclic inventions of fate, While I live, moving like the needles of the clock, and ah the endless wait, So I reside in the hegemony of chance, Yet in my memories we forever romance, Which arise from my half that is still alive, Still hopeful, still in love, still romantic, and that is where you and your memories thrive, They are the reason and that subtle force that makes my heart beat, That alive part of my heart where every heart throb only your name does repeat, And as I slide into the corner of my room, I let your memories and smiles on the walls, on the floor, over the windows to bloom, And I stare at this permanent Summer bliss, And these beautiful sights grow over me like a permanent kiss, Where I breathe you and you breathe me, And in the flowers hanging on the walls, sprouting from the floor, growing on the windows, your true wonder I see, Then I spread the blanket of your memories, And I sleep with your smiles, your kisses, and my silent mind unto the land of love ferries, Time may have neutralised my mind, But it has failed to prevent me from my heart’s desire to find, You in everything, in the skies, in the stars in the light and in the dark, And ah its pain, for from memories it has failed to remove any mark, For time that is the unruly mercenary of fate, Killed a part of me and thought now it is my final and insensate state, And as it galloped to erase my memories too, My dying heart beat said, “Irma I love you!” And the horse of time stumbled and fell, How, why, maybe nobody can tell, But I ceased my moment and ran away with your memories, And now the chariot of time both of us carries, Ahead of the time that chases me still and maybe forever, But it's fall granted me a lead of few moments newer, And when I tread on the highway of time, You and I my love, are always ahead of the weary horse of Worldly time, So let me spread the blanket of memories and let me sleep now, For I have to be with you, in the land where it is always now, And for the weary moments of worldly time let them circle around the walls of my room, Never to know that lovers live in a zone where it is a permanent summer, in its everlasting beauty’s bloom! The horse of time is worn out but my memories are as fresh as today, And my love Irma, it shall be so everyday!
Javid Ahmad Tak
A mystic is a man who surrendered his mind at its first encounter with the minds of others. Somewhere in the distant reaches of his childhood, when his own understanding of reality clashed with the assertions of others, with their arbitrary orders and contradictory demands, he gave in to so craven a fear of independence that he renounced his rational faculty. At the crossroads of the choice between ‘I know’ and ‘They say,’ he chose the authority of others, he chose to submit rather than to understand, to believe rather than to think. Faith in the supernatural begins as faith in the superiority of others. His surrender took the form of the feeling that he must hide his lack of understanding, that others possess some mysterious knowledge of which he alone is deprived, that reality is whatever they want it to be, through some means forever denied to him. “From then on, afraid to think, he is left at the mercy of unidentified feelings. His feelings become his only guide, his only remnant of personal identity, he clings to them with ferocious possessiveness—and whatever thinking he does is devoted to the struggle of hiding from himself that the nature of his feelings is terror. “When a mystic declares that he feels the existence of a power superior to reason, he feels it all right, but that power is not an omniscient super-spirit of the universe, it is the consciousness of any passer-by to whom he has surrendered his own. A mystic is driven by the urge to impress, to cheat, to flatter, to deceive, to force that omnipotent consciousness of others. ‘They’ are his only key to reality, he feels that he cannot exist save by harnessing their mysterious power and extorting their unaccountable consent. ‘They’ are his only means of perception and, like a blind man who depends on the sight of a dog, he feels he must leash them in order to live. To control the consciousness of others becomes his only passion; power-lust is a weed that grows only in the vacant lots of an abandoned mind.
Ayn Rand (Atlas Shrugged)
A mystic is a man who surrendered his mind at its first encounter with the minds of others. Somewhere in the distant reaches of his childhood, when his own understanding of reality clashed with the assertions of others, with their arbitrary orders and contradictory demands, he gave in to so craven a fear of independence that he renounced his rational faculty. At the crossroads of the choice between ‘I know’ and ‘They say,’ he chose the authority of others, he chose to submit rather than to understand, to believe rather than to think. Faith in the supernatural begins as faith in the superiority of others. His surrender took the form of the feeling that he must hide his lack of understanding, that others possess some mysterious knowledge of which he alone is deprived, that reality is whatever they want it to be, through some means forever denied to him. “From then on, afraid to think, he is left at the mercy of unidentified feelings. His feelings become his only guide, his only remnant of personal identity, he clings to them with ferocious possessiveness—and whatever thinking he does is devoted to the struggle of hiding from himself that the nature of his feelings is terror. “When a mystic declares that he feels the existence of a power superior to reason, he feels it all right, but that power is not an omniscient super-spirit of the universe, it is the consciousness of any passer-by to whom he has surrendered his own. A mystic is driven by the urge to impress, to cheat, to flatter, to deceive, to force that omnipotent consciousness of others. ‘They’ are his only key to reality, he feels that he cannot exist save by harnessing their mysterious power and extorting their unaccountable consent. ‘They’ are his only means of perception and, like a blind man who depends on the sight of a dog, he feels he must leash them in order to live. To control the consciousness of others becomes his only passion; power-lust is a weed that grows only in the vacant lots of an abandoned mind. “Every dictator is a mystic, and every mystic is a potential dictator. A mystic craves obedience from men, not their agreement. He wants them to surrender their consciousness to his assertions, his edicts, his wishes, his whims—as his consciousness is surrendered to theirs. He wants to deal with men by means of faith and force—he finds no satisfaction in their consent if he must earn it by means of facts and reason. Reason is the enemy he dreads and, simultaneously, considers precarious: reason, to him, is a means of deception, he feels that men possess some power more potent than reason—and only their causeless belief or their forced obedience can give him a sense of security, a proof that he has gained control of the mystic endowment he lacked. His lust is to command, not to convince: conviction requires an act of independence and rests on the absolute of an objective reality.
Ayn Rand (Atlas Shrugged)
I’m not in my right mind, the headspace too vast, skies bleak, the distance fucking vacant.
Lily White (The Danger You Know)
This can’t be all. Once there was the profound mystery and essence of humanity, but he and they – the transformers – lost it all so completely and irrevocably in the IS3 transformation that now they can’t even make the imaginative leap to comprehend what they have lost. Yet they feel and they suspect, digesting hundreds of days in the mechanical repetition of work, as if they were really nothing but that which they are able to do, surrendering to energy cycles more rigidly immutable than the astronomical cycles of darkness and light, vacantly absorbing the after-images of artificial entertainment and winding these fictional lives around their minds. Standing for hours in a statue-like stupor, switched off like real robots, not doing anything, not living anything, no longer even bothering to perform the social rituals of the body or to carry out the pathetic charade of sexbot carnality. Their whole life is a robotic life: fix this, do that, build this. Their whole life is a hardware dream, and yet they feel, they really feel that THIS CANNOT BE ALL.
Jacek Dukaj (Starość aksolotla)
Two stages facing us had been erected in the bowl-shaped field for use by the performers, and bleachers had been built during the night on the north side of the hill. Other spectators sat on the ground, the slope itself providing a form of tiered seating. The laughs, jeers and applause that rang out from the audience on all sides felt like manna from heaven--only it fed my soul, not my stomach. My sister, father and Semari were almost bouncing up and down in an enthusiastic show of appreciation, while my mother, Alantonya and I less flamboyantly indicated our delight. Koranis and Temerson were quite vocal, tossing out taunts and cheers with the rest of the crowd. The only people we had invited who had not yet joined us were Cannan and Faramay. When I inquired after the captain, no one had information on his whereabouts, and I did my best to dismiss my concern. “Perhaps he’s ill,” I suggested. “The man hasn’t been ill in all the years I’ve known him.” My father chortled. “He’s never missed a day of service. And if he had taken sick, he would have made sure it was on a day when he was off-duty!” Other than Narian, who seemed lost inside his head, we all laughed at the joke, then went back to observing the festivities. Another hour passed, along with lunch, which was served to us within the royal box. I received a few odd glances from my father for conversing freely with Narian throughout the meal, but he didn’t address it, perhaps because of the looks my mother was sending his way. Once servants had removed our plates and dishes, Temerson stood and stretched. “I think I’ll step out, if you don’t mind, love,” he said to Miranna, who nodded, then he turned to my father and Koranis. “Would anyone care to join me?” They both agreed, and all were soon departing through the door behind us. I chuckled at their odd behavior, and Semari came to sit by Miranna, taking up Temerson’s seat. It was then that I noticed Alantonya had been left a bit stranded. She didn’t seem to mind, but I nonetheless pointed this out to Narian. Though he looked almost like he was swallowing medicine, he rose to his feet and walked to his mother, ignoring Semari’s stare. “Do you mind?” he asked Alantonya, gesturing to the vacant chair beside her. “No,” she said, surprised. “No, not at all.” With one final glance at me, to which I responded with an encouraging nod, he took a seat. “Are you enjoying the festivities?” he asked the Baroness, beginning some small talk, but their voices gradually dropped lower, their conversation more private. Though I could not hear their words, their postures relaxed. Then Alantonya reached out to place her hand over her son’s where it rested on the arm of his chair, and he smiled.
Cayla Kluver (Sacrifice (Legacy, #3))
The beast took the angry man into a large room and motioned for him to lie down on a table. The room and the table reminded me of a hospital emergency room. The man was given an anesthesia and wheeled beneath a vast machine. The beast attached wires to the man’s head and turned on the machine. On the top of the machine were the words, “This mind eraser belongs to the beast, 666.” When the man was removed from the table, his eyes had a vacant stare, and his movements reminded one of a zombie in a movie. I saw a large blank spot on the top of his head, and I knew his mind had been surgically altered so he could be controlled by the beast.
Mary K. Baxter (A Divine Revelation of Hell)
Oasis at Ground Zero Salvation Army representatives would certainly counsel you and pray with you if you wanted, and at Ground Zero the Salvationists in the shiny red “Chaplain” jackets were sought after for just that reason. Mainly, though, they were there to assist with more basic human needs: to wash out eyes stinging from smoke, and provide Blistex for parched lips and foot inserts for boots walking across hot metal. They operated hydration stations and snack canteens. They offered a place to rest, and freshly cooked chicken courtesy of Tyson’s. The day I arrived, they distributed 1500 phone cards for the workers to use in calling home. Every day they served 7500 meals. They offered an oasis of compassion in a wilderness of rubble. I had studied the maps in newspapers, but no two-dimensional representation could capture the scale of destruction. For about eight square blocks, buildings were deserted, their windows broken, jagged pieces of steel jutting out from floors high above the street. Thousands of offices equipped with faxes, phones, and computers, sat vacant, coated in debris. On September 11, people were sitting there punching keys, making phone calls, grabbing a cup of coffee to start the day, and suddenly it must have seemed like the world was coming to an end. I studied the faces of the workers, uniformly grim. I didn’t see a single smile at Ground Zero. How could you smile in such a place? It had nothing to offer but death and destruction, a monument to the worst that human beings can do to each other. I saw three booths set up in a vacant building across from the WTC site: Police Officers for Christ, Firemen for Christ, and Sanitation Workers for Christ. (That last one is a charity I’d like to support.) Salvation Army chaplains had told me that the police and fire had asked for two prayer services a day, conducted on the site. The Red Cross, a nonsectarian organization, had asked if the Salvationists would mind staffing it. “Are you kidding? That’s what we’re here for!” Finding God in Unexpected Places
Philip Yancey (Grace Notes: Daily Readings with Philip Yancey)
...you mustn’t pun, Brumm, puns are produced only in vacant minds. Keep high thoughts and visions of delightful things before you and you won’t pun.
John Davidson (A Full and True Account of the Wonderful Mission of Earl Lavender, which Lasted One Night and One Day; with a History of the Pursuit of Earl Lavender and Lord Brumm by Mrs. Scamler and Maud Emblem)
Many a man has known that startling instant in which Dan Cupid, that busy young rascal, took things in hand, and told him that his baby girl was not a baby girl now, and was about to fly away from him. It is both a happy and a sad thrill that shoots through a man at such an instant. Happy and joyous at his girl’s arrival at maturity; sad, as it brings to mind that awkward fact that his own youth is now but a myth; and that his scalp is showing vacant spots. His baby girl in a bridal gown! His baby girl a Matron! His baby girl proudly placing a grandchild in his lap!! It’s an impossibility!! But this big world is full of this kind of impossibility, and will stay so as long as Man lasts.
Ernest Vincent Wright (Gadsby)
It was another watershed event for a woman who had for so long believed herself worthless, with little to offer the world other than her sense of style. Her life in the royal family had been directly responsible for creating this confusion. As her friend James Gilbey says: “When she went to Pakistan last year she was amazed that five million people turned out just to see her. Diana has this extraordinary battle going on in her mind. ‘How can all these people want to see me?’ and then I get home in the evening and lead this mouse-like existence. Nobody says: ‘Well done.’ She has this incredible dichotomy in her mind. She has this adulation out there and this extraordinary vacant life at home. There is nobody and nothing there in the sense that nobody is saying nice things to her--apart of course from the children. She feels she is in an alien world.” Little things mean so much to Diana. She doesn’t seek praise but on public engagements if people thank her for helping, it turns a routine duty into a very special moment. Years ago she never believed the plaudits she received, now she is much more comfortable accepting a kind word and a friendly gesture. If she makes a difference, it makes her day. She has discussed with church leaders, including the Archbishop or Canterbury and several leading bishops, the blossoming of this deep seated need within herself to help those who are sick and dying. “Anywhere I see suffering, that is where I want to be, doing what I can,” she says. Visits to specialist hospitals like Stoke Mandeville or Great Ormond Street Hospital for Sick Children are not a chore but deeply satisfying. As America’s First Lady, Barbara Bush, discovered when she joined the Princess on a visit to an AIDS ward of the Middlesex Hospital in July 1991 there is nothing maudlin about Diana’s attitude towards the sick. When a bed-bound patient burst into tears as the Princess was chatting to him, Diana spontaneously put her arms around him and gave him an enormous hug. It was a touching moment which affected the First Lady and others who were present. While she has since spoken of the need to give AIDS sufferers a cuddle, for Diana this moment was a personal achievement. As she held him to her, she was giving in to her own self rather than conforming to her role as a princess.
Andrew Morton (Diana: Her True Story in Her Own Words)
I saw all this around me constantly, there were girls everywhere, the supply was infinite, a well, no, I was drifting in an ocean of women, I saw several hundred of them every day, all with their own individual ways of moving, standing, turning, walking, holding and twisting their heads, blinking, looking — take for example a feature such as their eyes, which expressed their utter uniqueness, everything that lived and breathed was here in this one person, was revealed, regardless of whether the gaze was meant for me or not. Oh, those sparkling eyes! Oh, those dark eyes! Oh, that glint of happiness! The alluring darkness! Or, for that matter, the unintelligent, the stupid eyes! For in them too there was an appeal, and no small appeal either: the stupid vacant eyes, the open mouth in that perfect beautiful body. All this was never far from my mind, and all of them were thirty seconds away from the only thing I wanted — but on the other side of a chasm.
Karl Ove Knausgård (Min kamp 4 (Min kamp, #4))
When they reached the top level, Susan turned to the left. The corridor had raised wallpaper in a classic floral design and nothing else. No small tables, no chairs, no pictures in frames, no Oriental runners. They passed by maybe a dozen rooms, only two with doors open. Myron noticed that the doors were extra wide and he remembered his visit to Babies and Children’s Hospital. Extra wide doors there too. For wheelchairs and stretchers and the like. When they reached the end of the corridor, Susan stopped, took a deep breath, looked back at Myron. “Are you ready?” He nodded. She opened the door and stepped inside. Myron followed. A four-poster antique bed, like something you’d see on a tour of Jefferson’s Monticello, overwhelmed the room. The walls were warm green with woodwork trim. There was a small crystal chandelier, a burgundy Victorian couch, a Persian rug with deep scarlets. A Mozart violin concerto was playing a bit too loudly on the stereo. A woman sat in the corner reading a book. She too started upright when she saw who it was. “It’s okay,” Susan Lex said. “Would you mind leaving us for a few moments?” “Yes, ma’am,” the woman said. “If you need anything—” “I’ll ring, thank you.” The woman did a semi-curtsy/semi-bow and hurried out. Myron looked at the man in the bed. The resemblance to the computer rendering was uncanny, almost perfect. Even, strangely enough, the dead eyes. Myron moved closer. Dennis Lex followed him with the dead eyes, unfocused, empty, like windows over a vacant lot.
Harlan Coben (Darkest Fear (Myron Bolitar, #7))
Something walloped me in the gut. A hit without substance—without pain. It sucked me from the here and now to a vacant place where a hollow wind brushed my ears. I waited.
L.L. Bartlett (Murder on the Mind (Jeff Resnick Mystery, #1))
Nature also rushes in to fill the vacant mind. With what? Usually with emotions. Why? Because emotions of worry, fear, hate, jealousy, and envy are driven by primeval vigor and the dynamic energy of the jungle. Such emotions are so violent that they tend to drive out of our minds all peaceful, happy thoughts and emotions.
Dale Carnegie (How to Stop Worrying and Start Living)
There were several different kinds of beasts that I found, as I teleported from valley to valley, hillside to hillside, as the sky lightened with the rising sun. White, clucking birds, fluffy sheep, spotted cows, pink pigs. I was able to understand them by using my Chi to perceive their thoughts, but their language was very basic and they mostly communicated with each other through grunts and noises. “What is your name?” I asked a particular chicken with my mind voice. “I am a chicken,” it thought back. “Bawk!” it said aloud. “What is your purpose?” “I am eating.” The bird scratched at the ground with its goofy yellow feet, pulling plant seeds out of the tall grass. As the morning went on, I noticed that some of the larger, more complicated creatures, the mobs, as I was taught they were called, burst into flames as the sun settled higher into the sky! Skeletons and zombies raced around, frantic and on fire, until they burned up and left behind nothing but piles of ash, bones, and charred meat. What an interesting world. As I teleported into the shadows of a tall, dark forest, I found a lone zombie hiding from the sun under a pine tree. He held a metal shovel in his hand—a Minecraftian tool. “Excuse me,” I said into his mind. “Who…? Who’s there?” the zombie asked in a dull, slow voice. The creature looked around with black eyes. I stepped out from the shadows to where it couldn’t help but notice me. It’s not like I was trying to hide before—I don’t know how it didn’t see me. The zombie’s face stretched in surprise. “Oh!” it cried. “You surprised me! So sneaky!” It settled down, paused, and stood vacant for a moment before speaking again. “What you want?” “I was wondering … why does the sun sets zombies on fire?” I said into its mind. The zombie was shocked. “The sun sets zombies on fire?!” It was suddenly very aware of the sunlight just outside of the shadow of the tree, and the poor undead creature clutched at the pine’s trunk to keep away from the light. “Elias,” I suddenly heard in my mind. The voice of another Enderman. “Behind you.
Skeleton Steve (Diary of an Enderman Ninja, Book 1 (Diary of an Enderman Ninja #1))
The brother in black puts a laugh in every vacant place in his mind. His laugh has a hundred meanings. It may mean amusement, anger, grief, bewilderment, chagrin, curiosity, simple pleasure, or any other of the known or undefined emotions.
Zora Neale Hurston (Mules and Men)
Sober she soon became tiresomely maudlin, wandering about the corridors in a vacant way as if she had lost the key to her own mind.
J.G. Ballard (High-Rise)
Take your hands off him.' She did. 'Unshackle him.' Lucien's skin drained of colour as Ianthe obeyed me, her face queerly vacant, pliant. The blue stone shackles thumped to the mossy ground. Lucien's shirt was askew, the top button on his pants already undone. The roaring that filled my mind was so loud I could barely hear myself as I said, 'Pick up that rock.' Lucien remained pressed against that tree. And he watched in silence as Ianthe stopped to pick up a grey, rough rock about the size of an apple. 'Put your right hand on that boulder.' She obeyed, though a tremor went down her spine. Her mind thrashed and struggled against me, like a fish snared on a line. I dug my mental talons in deeper, and some inner voice of hers began screaming. 'Smash your hand with the rock as hard as you can until I tell you to stop.' The hand she'd put on him, on so many others. Ianthe brought the stone up. The first impact was a muffled, wet thud. The second was an actual crack. The third drew blood. Her arm rose and fell, her body shuddering with the agony. And I said to her very clearly, 'You will never touch another person against their will. You will never convince yourself that they truly want your advances; that they're playing games. You will never know another's touch unless they initiate, unless it's desired by both sides.' Thwack; crack; thud. 'You will not remember what happened here. You will tell the others that you fell.' Her ring finger had shifted in the wrong direction. 'You are allowed to see a healer to set the bones. But not to erase the scarring. And every time you look at that hand, you are going to remember that touching people against their will has consequences, and if you do it again, everything you are will cease to exist. You will live with that terror every day, and never know where it originates. Only the fear of something chasing you, hunting you, waiting for you the instant you let your guard down.' Silent tears of pain flowed down her face. 'You can stop now.' The bloodied rock tumbled onto the grass. Her hand was little more than cracked bones wrapped in shredded skin. 'Kneel here until someone finds you.' Ianthe fell to her knees, her ruined hand leaking blood onto her pale robes. 'I debated slitting your throat this morning,' I told her. 'I debated it all last night while you slept beside me. I've debated it every single day since I learned you sold out my sisters to Hybern.' I smiled a bit. 'But I think this is a better punishment. And I hope you live a long, long life, Ianthe, and never know a moment's peace.' I stared down at her for a moment longer, tying off the tapestry of words and commands I'd woven into her mind, and turned to Lucien. He'd fixed his pants, his shirt. His wide eyes slid from her to me, then to the bloodied stone. 'The word you're looking for, Lucien,' crooned a deceptively light female voice, 'is daemati.
Sarah J. Maas (A Court of Wings and Ruin (A Court of Thorns and Roses, #3))
Narrow mind leads to vacant marrow, Without expansion life is hollow.
Abhijit Naskar (Visvavatan: 100 Demilitarization Sonnets (Sonnet Centuries))
Vacant yet hopeful The windows are closed, The room is lit with sunshine and many wishes proposed and unproposed, There in the vacant room where no one lives, You can feel something that mind denies and only the heart believes, Something unseen that sweeps across the walls, Walls from where the sunlight night’s shadows uninstalls, Shadows that do not leave the room and occupy dark corners of this vacant room, Almost like the dark irony of the shadow cast by the most beautiful flower in bloom, And as the sun is forced to retire by the advancing darkness, The shadows rise and hang on the walls with a defiant steadiness, Then they begin to crawl to and fro, here and there, until they are everywhere, And the vacant room is now occupied by its resident darkness that springs from somewhere, Maybe it is just an imagination, because nights are dark and days are either bright or sunny, There could be reasons many, and explanations as many, So, I decide to occupy the vacant room and challenge its shadows, There in the shadows, I found trapped moments of time, that the room from somewhere borrows, From past, from moments that long ago ceased to exist, So, I opened the windows and the shadows fell, and they no longer did about anything insist, Because the touch of sunlight had allowed the hope to enter, And now, the once dark room, the room of sorrows, is the hope’s main center, Where I often enter to think of her, and my past, And now instead of dark shadows, her beautiful reflection on all walls I have cast, So, if you happen to visit the room, and you see her staring at you from every wall, It is a fused reflection of our love, all our feelings; and an open display of our romantic ball.
Javid Ahmad Tak (They Loved in 2075!)
To define it exactly, one should call to mind the wise adage which says: Know thyself. “But this knowledge is rare. “Presumptuous persons readily imagine that they attract the eyes of every one, even if they be in the last rank. “Timid persons will hide themselves behind others and, notwithstanding, they are very much aggrieved not to be seen. “Ambitious persons push away the troublesome ones, in order that they themselves may get the first places. “Lazy persons just let them do it “Irresolute persons hesitate before sitting down in vacant places and are consumed with regrets from the time they perceive that others, better prepared, take possession of them; the more so as they no longer get back their own, for, during their hesitation, another has seated himself there. “Enthusiasts fight to reach the first rank, but are so fatigued by their violent struggles that they fall, tired out, before they have attained their object. “Obstinate people persist in coveting inaccessible places and spend strength without results, which they might have employed more judiciously.
Yoritomo-Tashi (Mental Efficiency Series: Ten Complete Self-Help Books - Opportunities; Perseverance; Timidity; Influence; Common Sense; Speech; Practicality; Character; Personality; Poise [Annotated])
Pool of memories Like a dry flower petal that flies in the air, Feeling it belongs to the sky, I find her memories floating in my mind everywhere, Whether I am thinking of her or in a vacant state of my mind I lie, The memory, her memory, drifts from one neuron to another, Until it settles where all her memories lie piled up, And then these fragments and bits of memories condole each other, And they all say together, “Hey you amorous soul, never give up!” And all these memories rise and spread across my mind, Hitched to every thought that arises from my cerebral thinking, Though they think of now and sometimes of the future, eventually with her imaginations they all bind, And in this pool of memories, now, time appears to be sinking, So it doesn't matter whether it was yesterday or it is today, Because I have been granted my wish, That to lie immersed in her thoughts everyday, In this pool of her memories the only fish, That swims across it, Feeds on it, and lives in this pool, And then begins the true wonder of it, The wonder of the romantic pool, Where she assumes the form of every drop of memory, And like a fish I swim and dive into her soul freely, In a love’s own nursery, Where I love her and romance her freely!
Javid Ahmad Tak (They Loved in 2075!)
Startled as I awoke in an unfamiliar room... nothing special, just advertisements and fancy looking brochures that contain just enough words to grab a simple minds attention. Empty chairs, existing for a purpose, stay vacant as punishment to the unseated who chose to stand when offered a conditional seat. The walls are covered with breath taking pictures in broken frames. The same decor of many abandoned rooms from generations before. The lights flicker as attemps are made to navigate around, never consistent enough to illuminate the dark. Just bright enough for the eyes to read the distinct exit sign. Laughter and love echo behind the closed singular door. No access with pushing or pulling. Unwelcome mat under my feet. I heard a voice yell "stop knocking" Adjusting to reality, the air becomes familiar, the same breath taken before. Back in the waiting room. Returning to the beginning for nothing.
Starr
Then are seen the cases, so frequent in this age of the world as almost to form the majority, in which the creed remains as it were outside the mind, encrusting and petrifying it against all other influences addressed to the higher parts of our nature; manifesting its power by not suffering any fresh and living conviction to get in, but itself doing nothing for the mind or heart, except standing sentinel over them to keep them vacant.
John Stuart Mill (On Liberty)