Surrounded By Sharks Quotes

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Consider the subtleness of the sea; how its most dreaded creatures glide under water, unapparent for the most part, and treacherously hidden beneath the loveliest tints of azure. Consider also the devilish brilliance and beauty of many of its most remorseless tribes, as the dainty embellished shape of many species of sharks. Consider, once more, the universal cannibalism of the sea; all whose creatures prey upon each other, carrying on eternal war since the world began. Consider all this; and then turn to the green, gentle, and most docile earth; consider them both, the sea and the land; and do you not find a strange analogy to something in yourself? For as this appalling ocean surrounds the verdant land, so in the soul of man there lies one insular Tahiti, full of peace and joy, but encompassed by all the horrors of the half-known life. God keep thee! Push not off from that isle, thou canst never return!
Herman Melville (Moby Dick)
surrounding us is an ocean of mess and misunderstanding, full of pirates and sharks just waiting to see who slips in first
Sarah Ockler (Fixing Delilah)
The library is my safe harbor since I dare not go into the cafeteria alone, a whale surrounded by starving sharks.
Lisa Fipps (Starfish)
In addition to the little ecosystem developing around my raft, I am constantly surrounded by a display of natural wonders. The acrobatic dorados perform beneath ballets of fluffy white clouds. The clouds glide across the sky until they join at the horizon to form whirling, flaming sunsets that are slowly doused by nightfall. Then, as if the sun had suddenly crashed, thousands of glistening galaxies are flung out into deep black night. There is no bigger sky country than the sea. But I cannot enjoy the incredible beauty around me. It lies beyond my grasp, taunting me. Knowing it can be stolen from me at any time, by a Dorado or shark attack or by a deflating raft, I cannot relax and appreciate it. It is beauty surrounded by ugly fear. I write in my log that it is a view of heaven from a seat in hell.
Steven Callahan (Adrift: Seventy-Six Days Lost at Sea)
Along with the lives and memories of hundreds of marid. Rain spirits who danced in the clouds to shatter themselves upon the ground, seeping deep into the earth to join aquifers. Shy stream guardians, darting through quiet ponds and underground springs with webbed hands and turtlelike beaks. Merpeople with shimmering skin and seaweed hair, caught in the nets of humans, hunted and speared. For every lethal marid—ones like Sobek and others who commanded sharks, who lived on the blood of the drowned and warred with the daevas—there seemed twenty gentle ones, protectors not hunters, content with seeing to the tiny aquatic creatures who called their realms home and urging their life-giving waters to sate the surrounding lands and make them flourish.
S.A. Chakraborty (The Empire of Gold (The Daevabad Trilogy, #3))
The future of women is uncertain. We don’t breed in the womb any more, and if we aren’t wanted for sex … But there will always be men. Women haven’t gone for little boys. Women have a different approach. Surrounded by hunks, they look for ‘the ugly man inside’. Thugs and gangsters, rapists and wife-beaters are making a comeback. They may smile like beach-boys, but they are pure shark. So this is the future. F is for Future.
Jeanette Winterson (The Stone Gods)
Someone stop them!” I yell. No one does. I think about Porter surrounded by people that horrible day on the beach years ago, when no one would help him save his dad from the shark. If strangers won’t help when someone is dying, they’re definitely not going to stop two kids from running out of a museum. Pulse swishing in my temples, I race around the information booth, pumping my arms, and watch them split up again. Polo is heading for the easy way out: the main exit, where there’s (1) only a set of doors to go through, and (2) Hector, the laziest employee on staff. But Backpack is headed for the ticketing booth and the connecting turnstiles. Freddy should be there, but no one’s entering the museum, so he’s instead chatting it up with Hector. The turnstiles are unmanned. Like a pro hustler who’s never paid a subway fare, Backpack hurdles over the turnstiles in one leap. Impressive. Or it would have been, had his backpack not slipped off his shoulder and the strap not caught on one of the turnstile arms. While he struggles to free it, I take the easier route and make for the wheelchair access gate. I unhitch the latch. He frees the strap. I slip through the gate, and just as he’s turning to run, I lurch forward and— I jump on his back. We hit the ground together. The air whooshes out of my lungs and my knee slams into tile. He cries out. I don’t. I freaking got him.
Jenn Bennett (Alex, Approximately)
There had to be something new, some fresh angle. As the rain pattered down around him, Kapenda thought. What was the weirdest thing he'd seen since this all started? He'd been in the tiny town of Chew Stoke a few weeks earlier, filming the remains of a vehicle that had been washed into a culvert and whose driver had died. In Grovehill, no one had died yet but there were abandoned cars strewn along the streets and surrounding tracks, hulking shapes that the water broke around and flowed over in fractured, churning flurries. That was old. Every television station had those shots. He'd been there the year before when the police had excavated a mud-filled railway tunnel and uncovered the remains of two people who had been crushed in a landslide. What they needed was something like that here, something that showed how weak man's civilized veneer was when set against nature's uncaring ferocity. He needed something that contrasted human frailty and natural strength, something that Dali might have painted - a boat on a roof, or a shark swimming up the main street. He needed that bloody house to collapse. ("Into The Water")
Simon Kurt Unsworth (Best New Horror: Volume 25 (Mammoth Book of Best New Horror))
In fact, a dolphin's whistles, pulses, and clicks, made by air sacs just below its blowhole, are among the loudest noised made by marine animals. A scientist at Penn State's Center for Information and Communications Technology Research has been analyzing these underwater messages not for meaning but for hints on how to make our wireless signals more effective. As the Ask Nature database describes, Dr. Mohsen Kavehrad uses "multirate, ultrashort laser pulses, or wavelets, that mimic dolphin chirps, to make optical wireless signals that can better penetrate fog, clouds, and other adverse weather conditions." The multiburst quality of dolphin sounds "increases the chances that a signal will get past obstacles" in the surrounding water. In the same way, Dr. Kavehrad's simulated dolphin chirps increase the odds of getting around such tiny obstacles as droplets of fog or rain. This strategy could expand the capability of optical bandwidth to carry even greater amounts of information. Such an application technology could optimize communication between aircraft and military vehicles, hospital wards, school campus buildings, emergency response teams, and citywide networks.
Jay Harman (The Shark's Paintbrush: Biomimicry and How Nature is Inspiring Innovation)
This hybrid of two seemingly unrelated inventions—the concentrated, orderly light of lasers, and the hyper-clear glass fibers—came to be known as fiber optics. Using fiber-optic cables was vastly more efficient than sending electrical signals over copper cables, particularly for long distances: light allows much more bandwidth and is far less susceptible to noise and interference than is electrical energy. Today, the backbone of the global Internet is built out of fiber-optic cables. Roughly ten distinct cables traverse the Atlantic Ocean, carrying almost all the voice and data communications between the continents. Each of those cables contains a collection of separate fibers, surrounded by layers of steel and insulation to keep them watertight and protected from fishing trawlers, anchors, and even sharks.
Steven Johnson (How We Got to Now: Six Innovations That Made the Modern World)
And once you’ve met someone, how do you determine if you can trust someone? What signals do you pay attention to? If someone is talking a lot about how honest they are, they’re probably dishonest. That is just a little telltale indicator I’ve learned. When someone spends too much time talking about their own values or they’re talking themselves up, they’re covering for something. [4] Sharks eat well but live a life surrounded by sharks. I have great people in my life who are extremely successful, very desirable (like everybody wants to be their friend), very smart. Yet, I’ve seen them do one or two things slightly not great to other people. The first time, I’ll say, “Hey, I don’t think you should do this to that other person. Not because you won’t get away with it. You will get away with it, but because it will hurt you in the end.” Not in some cosmic, karma kind of way, but I believe deep down we all know who we are. You cannot hide anything from yourself. Your own failures are written within your psyche, and they are obvious to you. If you have too many of these moral shortcomings, you will not respect yourself. The worst outcome in this world is not having self-esteem. If you don’t love yourself, who will? I think you just have to be very careful about doing things you are fundamentally not going to be proud of, because they will damage you. The first time someone acts this way, I will warn them. By the way, nobody changes. Then I just distance myself from them. I cut them out of my life. I just have this saying inside my head: “The closer you want to get to me, the better your values have to be.” [4]
Eric Jorgenson (The Almanack of Naval Ravikant: A Guide to Wealth and Happiness)
The Bexleys are hard geometrics, the Gamins are soft scribbles. Bexleys move in shark packs, talking figures and constantly hogging the conference rooms for their ominous Planning Sessions. Plotting sessions, more like. Gamins huddle in their cubicles, gentle doves in clock towers, poring over manuscripts, searching for the next literary sensation. The air surrounding them is perfumed with jasmine tea and paper.
Sally Thorne (The Hating Game)
God, I hate this place. I mean, I love it. It's home. These are my people. But I hate it. It's like an island surrounded by sharks—except that sharks don't bother you unless you go in the water. But our land sharks are on their way in. It's just a matter of how long it takes for them to get hungry enough.
Octavia E. Butler (Parable of the Sower (Earthseed, #1))
was a stirring sight for us, who had been months on the ocean without seeing anything but two solitary sails; and over two years without seeing more than the three or four traders on an almost desolate coast. There were the little coasters, bound to and from the various towns along the south shore, down in the bight of the bay, and to the eastward; here and there a square-rigged vessel standing out to seaward; and, far in the distance, beyond Cape Ann, was the smoke of a steamer, stretching along in a narrow, black cloud upon the water. Every sight was full of beauty and interest. We were coming back to our homes; and the signs of civilization, and prosperity, and happiness, from which we had been so long banished, were multiplying about us. The high land of Cape Ann and the rocks and shore of Cohasset were full in sight, the lighthouses, standing like sentries in white before the harbors, and even the smoke from the chimney on the plains of Hingham was seen rising slowly in the morning air. One of our boys was the son of a bucket-maker; and his face lighted up as he saw the tops of the well-known hills which surround his native place. About ten o’clock a little boat came bobbing over the water, and put a pilot on board, and sheered off in pursuit of other vessels bound in. Being now within the scope of the telegraph stations, our signals were run up at the fore, and in half an hour afterwards, the owner on ‘change, or in his counting-room, knew that his ship was below; and the landlords, runners, and sharks in Ann street learned that there was a rich prize for them down in the bay: a ship from round the Horn, with a crew to be paid off with two years
Charles William Eliot (The Complete Harvard Classics - ALL 71 Volumes: The Five Foot Shelf & The Shelf of Fiction: The Famous Anthology of the Greatest Works of World Literature)
Wren did not see her mother as a sick woman living within a body she no longer knew or controlled. Instead, she saw a pathetic, powerless beast surrounded by murder, a mess of blood and guts. As rage bubbled up and spilled over, Wren sharpened a pernicious, worded arrow and lobbed it at the bull's-eye, her mother. "You are a monster."
Emily Habeck (Shark Heart)
Negative stereotypes and fear mongering surrounding these creatures felt eerily familiar to me as someone whose grown up black in a country where we were assumed to be threatening when we’re just minding our own business.
Jasmin Graham (Sharks Don't Sink: Adventures of a Rogue Shark Scientist)
comes the next lesson: “From now on, you will catch people.” The Greek words translate more literally as: “From now on, you will revive people, bring them back to life.”   He is telling us: From now on, you will go out into the deep, the dangerous, where people don’t believe anything, are lost, are in turmoil, are surrounded by sharks. Go out into the deep and go get them. That is the mission of the disciple. I will send you into all the depths, starting with next door. There are many fish out there who are hungry for God, who are lost without God. Perhaps more than ever before, we are a disintegrating society, a broken civilization. The words of Jesus tell us: Help them find God, help them find peace, help them find joy and sanity. The assumption is that we find sanity first so there is a sane place for them to come.
Theodore J. Nottingham (Parable Wisdom: Spiritual Awakening in the Teachings of Jesus)
No, the algae were making something that killed the corals via their own microbes. That something turned out to be dissolved organic carbon (DOC); essentially, sugars and carbohydrates in the water. When algae get too numerous on a reef they make huge amounts of DOC and create a banquet for coral microbes. These algal sugars would normally flow up the food chain to be locked away in the bodies of grazers and, ultimately, sharks; a single shark represents the stored energy of several tons of algae. But if all the sharks die, those sugars remain at the bottom of the food web where, instead of fuelling the flesh of fish, they build the cells of microbes. Nourished by this feast, the microbes bloom so explosively that they consume all the surrounding oxygen, choking the corals.
Ed Yong (I Contain Multitudes: The Microbes Within Us and a Grander View of Life)
The storm turned out to be much worse even than our captain had imagined. Winds that must have been near hurricane force whipped the seas into a frenzy. The couple busied themselves with trying to handle the boat and keep it afloat, and I’m glad they did. But that left Sandy and me to fend for ourselves. Of the two of us, Sandy is the bigger sissy (he’s always more afraid he’s going to break a nail than I am). He had no idea what to do. Soon it became clear to both of us what to do: hold on for dear life! Waves began washing over the rear deck, and I started to get really scared. It takes a lot for me to take my shoes off, but this is one time I decided I could forgo the five-inch heels. I took them off, and it wasn’t long before “my little slings,” as I always called them, got slung. They went overboard with a wave, and all I could do was watch them go. The next wave almost got me. A wall of water came crashing over the boat, slapping it around like a toy. I slid across the deck, completely out of control. I felt a rush of cold water surround me as the sea swept me in. I managed to grab a railing and stay with the boat, but my whole body was dangling overboard. I could think of nothing but the shark stories the captain had told us earlier. Just as I began to lose my grip, I became aware of Sandy making his way across the pitching deck, reaching his hand out for me He somehow got a hold of me and dragged me back onto the boat and into the little cabin. It felt good to be out of the water, but by all appearances, the sharks’ dinner had only been delayed. There seemed to be no way our little boat could ride out this storm. You never know how you’re going to respond to a situation like that until you’re actually in it. The way Sandy and I chose to deal with it is still a source of wonder to me. We held a brief high-level discussion and unanimously decided that we were doomed. Sandy’s gutsy “They can kill us, but they won’t eat us” didn’t apply to sharks. Then we simply and calmly lay down on the little bunk, held hands, and waited to die. I thought to myself, “If this don’t beat all.” Here I am, a country girl from East Tennessee, about to die somewhere off the coast of Australia, side by side with a gay man from New York.
Dolly Parton (Dolly: My Life and Other Unfinished Business)
I’m sorry I accidentally knocked my desk over on you and you thought I did it on purpose. This wouldn’t have happened if I hadn’t drawn a picture of you being eaten by sharks. Now that I’ve had some time to think about it, I think I would have rather drawn a picture of you buried up to your necks in sand, surrounded by deadly fire ants. What I have learned from this experience is that if I ever want to draw pictures of my classmates dying painful deaths, I should do it at home so I can pin the picture to the corkboard in my bedroom and admire it any time I want.
Rachel Elizabeth Cole (The Rabbit Ate My Homework)
I didn't like to be singled out or recognized individually. I didn't like to be the centre of anything, except perhaps an empty room filled with books, a valley surrounded by mountains, a small canoe in the middle of a vast lake. I was as introverted as they come. Yet, here I was, wanting to join an infantry regiment of fifteen hundred men. I might as well jump into shark-infested waters and ask them not to take much notice of me.
Sandra Perron (Out Standing in the Field)