Suppress Back Quotes

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The challenge remains. On the other side are formidable forces: money, political power, the major media. On our side are the people of the world and a power greater than money or weapons: the truth. Truth has a power of its own. Art has a power of its own. That age-old lesson – that everything we do matters – is the meaning of the people’s struggle here in the United States and everywhere. A poem can inspire a movement. A pamphlet can spark a revolution. Civil disobedience can arouse people and provoke us to think, when we organize with one another, when we get involved, when we stand up and speak out together, we can create a power no government can suppress. We live in a beautiful country. But people who have no respect for human life, freedom, or justice have taken it over. It is now up to all of us to take it back.
Howard Zinn (A Power Governments Cannot Suppress)
You can’t selectively numb your anger, any more than you can turn off all lights in a room, and still expect to see the light.
Shannon L. Alder
I was naive and thought we could express our feelings to each other- not suppress them and keep holding them back. Well, it was what I felt, and why should I be untrue to myself? I came to believe the importance that if you feel something strong enough then you should say it.
George Harrison (I, Me, Mine)
Nora had always had a problem accepting herself. From as far back as she could remember, she'd had the sense that she wasn't enough. Her parents who both had their own insecurities, had encouraged that idea. She imagined, now, what it would be like to accept herself completely. Every mistake she had ever made. Every mark on her body. Every dream she had ever made. Every mark on her body. Every dream she hadn't reached or pain she had felt. Every lust or longing she had suppressed. She imagined accepting it all. The way she accepted nature. The way she accepted a glacier or a puffin or the breach of a whale. She imagined seeing herself as just another brilliant freak of nature. Just another sentient animal, trying her best. And in doing so, she imagined what it was like to be free.
Matt Haig (The Midnight Library)
The door opened. She looked in the mirror and suppressed a curse. Slipping in behind some tourists, that winged shadow was back again. Karou rose and made for the bathroom, where she took the note that Kishmish had come to deliver. Again it bore a single word. But this time the word was Please.
Laini Taylor (Daughter of Smoke & Bone (Daughter of Smoke & Bone, #1))
She stepped forward as if to pick up the fur she'd tossed over a chair. Smoothly, she turned to hand it to him. And with perfect timing, flung herself into his arms. The sable fell as he took her shoulders to shove her back. Eve stepped to the doorway to see Magdelana with her arms locked around Roarke's neck, his hands on her bare shoulders--one of the ivory straps sliding to her elbow. "Son of a bitch," she said. On cue, Magdelana spun around, her face full of passion and shock. "Oh, God. Oh...it's not what it looks like." "Bet." Eve strode in. Actually, Roarke thought, it was more of a swagger. He had a moment to admire it, before Eve rammed her fist in his face. "Fuck me." His head snapped back, and he tasted blood. Magdelana cried out, but even the deaf would have caught the suppressed laughter in the sound. "Roarke! Oh, my God, you're bleeding. Please, let me just--" "Don't look now," Eve said cheerfully. "But he's not the only one." She decked Magdelana with a straight-armed jab. "Bitch," Eve added as Magdelana's eyes rolled back and she fell, unconscious, to the floor. Roarke looked down. "Well, now, fuck us all.
J.D. Robb (Innocent in Death (In Death, #24))
I felt someone behind me. I stopped and looked back... There was Mom, crawling behind me, without saying anything... Her tears falling to the floor... All my suppressed emotions suddenly burst out and I started crying.
Aya Kito (1 Litre of Tears)
Humans are so innately hardwired for language that they can no more suppress their ability to learn and use language than they can suppress the instinct to pull a hand back from a hot surface.
Steven Pinker (The Language Instinct: How the Mind Creates Language)
Let’s go see who can eat the most dumplings in the shortest amount of time. And duck! You really ought to try pressed duck! It’s a great delicacy.” Jem looked at Will, suppressing a smile. His friend glared back, but at last neither of them could hold back their laughter. Will said, “There is nothing so sweet as feasting upon the bones of my enemies. Especially with you at my side.
Cassandra Clare (Learn About Loss (Ghosts of the Shadow Market, #4))
At a certain point, you say to the woods, to the sea, to the mountains, the world, Now I am ready. Now I will stop and be wholly attentive. You empty yourself and wait, listening. After a time you hear it: there is nothing there. There is nothing but those things only, those created objects, discrete, growing or holding, or swaying, being rained on or raining, held, flooding or ebbing, standing, or spread. You feel the world's word as a tension, a hum, a single chorused note everywhere the same. This is it: this hum is the silence. Nature does utter a peep - just this one. The birds and insects, the meadows and swamps and rivers and stones and mountains and clouds: they all do it; they all don't do it. There is a vibrancy to the silence, a suppression, as if someone were gagging the world. But you wait, you give your life's length to listening, and nothing happens. The ice rolls up, the ice rolls back, and still that single note obtains. The tension, or lack of it, is intolerable. The silence is not actually suppression: instead, it is all there is.
Annie Dillard (Teaching a Stone to Talk: Expeditions and Encounters)
the next morning, I am silly and light. Every time I push the smile from my face, it fights its way back. Eventually I stop suppressing it.
Veronica Roth
I remembered Nahadoth's lips on my throat and fought to suppress a shudder, only half succeeding. Death as a consequence of lying with a god wasn't something I had considered, but it did not surprise me. A mortal man's strength had its limits. He spent himself and slept. He could be a good lover, but even his best skills were only guesswork - for every caress that sent a woman's head into the clouds, he might try ten that brought her back to earth.
N.K. Jemisin (The Hundred Thousand Kingdoms (Inheritance, #1))
That doesn't sound fair," says Peter. "What if one person only has seven fears and someone else has twenty? That's not their fault." Four stares at him for a few seconds and then laughs. "Do you really want to talk to me about what's fair?" The crowd of initiates parts to make way for him as he walks toward Peter, folds his arms,and says,in a deadly voice, "I understand why you're worried, Peter.The events of last night certainly proved that you are a miserable coward." Peter stares back,expressionless. "So now we all know," says Four, quietly, "that you are afraid of a short, skinny girl from Abnegation." His mouth curls in a smile. Will puts his arm around me. Christina's shoulders shake with suppressed laughter. And somewhere within me,I find a smile too.
Veronica Roth (Divergent (Divergent, #1))
Odd words floated back to them over the hundreds of heads. "Nobility of spirit"..."intellectual contribution"..."greatness of heart"...It did not mean very much. It had little to do with Dumbledore as Harry had known him. He suddenly remembered Dumbledore's idea of a few words, "nitwit," "oddment," "blubber," and "tweak," and again had to suppress a grin...
J.K. Rowling (Harry Potter and the Half-Blood Prince (Harry Potter, #6))
It is bad to suppress laughter. It goes back down and spreads to your hips.
Fred Allen
The emptiness that we feel is the result of those rejected (and therefore suppressed) parts of ourselves. Your soul wants only one thing, and that is to make you whole again.
Teal Swan (The Completion Process: The Practice of Putting Yourself Back Together Again)
I found a secret place,” he whispers. His hand finds mine under the water, tugging on my wrist. “Come with me.” I’m unable to suppress a laugh. “Where are you taking me?” I say in a mock scolding voice. “I’ll beg your forgiveness later, Your Majesty,” he teases back, flashing me a grin as he pulls us toward the far end of the pool.
Marie Lu (The Midnight Star (The Young Elites, #3))
This is happening with snowballing regularity. Just when i think the odd feeling's gone and I'm complacent again, all feelings of dissatisfaction suppressed, the pendulum swings back at me.
Sarah Hogle (You Deserve Each Other)
But laugh?" He pressed the flat of his hand against my stomach. "Here lives laugh." He ran his finger straight up to my mouth and spread his fingers. "Push back laugh is not good. Not healthy." "Also cry?" I asked. I traced an imaginary tear down my cheek with one finger. "Also cry." He put his hand on his own belly. "Ha ha ha," he said, pressing his hand to show me the motion of his stomach. Then his expression changed to sad. "Huh huh huh," he heaved with exaggerated sobs, pressing his stomach again. "Same place. Not healthy to push down.
Patrick Rothfuss (The Wise Man’s Fear (The Kingkiller Chronicle, #2))
The reason to read Blake and Dickinson and Freud and Dickens is not to become more cultivated or more articulate... The best reason to read them is to see if they may know you better than you know yourself. You may find your own suppressed and rejected thoughts flowing back to you with an "alienated majesty
Mark Edmundson
But always in the back of your throat is this scream, barely suppressed.
Dennis Lehane (Darkness, Take My Hand (Kenzie & Gennaro #2))
Healing is not healed. Numbed is not healed. Healing takes time. Healing takes patience. Healing takes love. Healing sometimes triggers anger or sadness or sorrow or guilt or regret. Long suppressed. Long unaddressed So we make up that healing is wrong,useless and to be avoided And we head back to numbing And look for love and connection With the numbed and suppressed,unaddressed and repressed... Give space for the damage Give space for the healing Let the healing begin and begin and begin.........
Dave Rudbarg
Don't look now,” Jay leaned over to whisper, “but the dude at three o'clock is checking you out.” I immediately looked and Jay grunted. How funny-the guy really was looking at me. Albeit with bloodshot eyes. He gave me a nod and I had to suppress a ridiculously girly giggle as I turned back around. I busied myself playing with a strand of my dirty-blond hair. “You should talk to him,” Jay said. “No way.
Wendy Higgins (Sweet Evil (Sweet, #1))
Sophie, I have to tell your mother about what happened." I suppressed a groan. I'd known this was coming, but I was hoping we could put it off until after Dad got back. I had a lot going on, and the last thing I wanted was a worried mom on top of all of that. "Dad,she's just going to freak. And probably come here and get me, and then you guys will start yelling at each other, and I'll have to act out by wearing lots of eyeliner and doing drugs. Do you really want to deal with that?
Rachel Hawkins (Demonglass (Hex Hall, #2))
Yet he was doing a fine thing — proving on how little a soul can exist. Fed neither by Heaven nor by Earth he was going forward, a lamp that would have blown out, were materialism true. He hadn't a God, he hadn't a lover — the two usual incentives to virtue. But on he struggled with his back to ease, because dignity demanded it. There was no one to watch him, nor did he watch himself, but struggles like his are the supreme achievements of humanity, and suppress any legends about Heaven.
E.M. Forster (Maurice)
Drop something?" he asked, trying to suppress a smile but failing miserably at the act. I nodded and smiled back at him sheepishly, unable to find my voice to respond in any other way. "Interested in locks, I see," he commented. I nodded again. "Well, here you go," he said, and he handed the book to me. I nodded. Oh crap, why did I just nod? Take the book! I screamed inside my head. Take it! I took it slowly. He kept looking at me, smiling.
Markelle Grabo (The Elf Girl (Journey into the Realm, #1))
You were brave to do what you did," he said slowly. "And I know you did it out of live for our friends. But if you ever do something like this again, I can promise you that Ten Men and Executives are going to be the least of your worries- do you understand?" His espression was very severe, his jaw was set, and his words were clipped and terse as if spoken with much suppressed anger. Kate burst out laughing. "Milligan," she said, "I'll bet you scare the wits out of bad guys, but as a dad you don't scare anyone very much." "She's right." Constance said. "I can tell you aren't really angry." Milligan frowned and looked at Reynie, but Reynie averted his eyes to avoid disappointing him- for he, too, had been unfazed by Milligan's stern admonition. Only Sticky, furiously polishing his spectacles in the back seat, showed the effect Milligan had hoped for. But Sticky was easily unnerved and could hardly be used as a measure. "Well," Milligan said, his face relaxing. "At least I tried." "... Speaking of which, the boys weren't actually touching the breifcases in the trunk, I hope?" Wondering how Milligan knew, Kate stuck her head out the office door and gave Reynie and Sticky a warning look. They nodded and tried to close the trunk as quietly as possible. "They aren't now anyway." "Good," Milligan said, picking up his duffel bag. "I'd hate to have to speak sternly to them again. It embarasses me to be so ineffective.
Trenton Lee Stewart (The Mysterious Benedict Society and the Perilous Journey (The Mysterious Benedict Society, #2))
Physical symptoms such as muscle tension, back problems, stomach distress, constipation, diarrhea, headaches, obesity or maybe even hypertension can be caused by suppressing your emotions. Suppressed anger may also cause you to overreact to people and situations or to act inappropriately. Unexpressed anger can cause you to become irritable, irrational, and prone to emotional outbursts and episodes of depression.
Beverly Engel (The Nice Girl Syndrome: Stop Being Manipulated and Abused -- And Start Standing Up for Yourself)
Warner scratches the back of his head. “Do you never get exhausted being so wholly unbearable? You have as much charisma as the rotting innards of unidentified roadkill.” I hear an abrupt wheezing noise and turn toward the sound. Kenji has a hand pressed to his mouth, desperately trying to suppress a smile. He’s shaking his head, holding up a hand in apology. And then he breaks, laughing out loud, snorting as he tries to muffle the sound. “I’m sorry,” he says, pressing his lips together, shaking his head again. “This is not a funny moment. It’s not. I’m not laughing.” Adam looks like he might punch Kenji in the face.
Tahereh Mafi
The dust-wife turned back to Fenris and Marra. “You two will be better off making your own way. By which I mean that all this poorly suppressed longing is giving me hives.” Fenris coughed. Marra put her hands over her face. “Come see us,” said Agnes. “Please. I’ll want someone to talk to who isn’t grumpy.” “I’m not grumpy.” “You are an absolute grump and so is your chicken.” The two old women climbed onto the wagon and drove away, still bickering.
T. Kingfisher (Nettle & Bone)
It's not good, is it?" Galen's reply was convincingly nonchalant. "I've seen worse." "Yes-on a dead man." Galen averted his eyes for a moment before giving a reply. "Don't talk like that." "Sorry." "Don't apologize, either." Steldor gave a wry laugh. "Would you mind telling me what I am allowed to do?" Galen couldn't suppress a smirk, thought it was laced with sadness, as he recognized the beginning of one of their classic bickering contests. "Sure-you can shut your trap." Steldor was smirking, too, then he grimaced, arching his back as unexpected pain shot through him, and new drops of sweat materialized on his forehead. "Steldor-" Galen started, humor lost, reaching toward him with undetermined intent. Steldor smacked his hand away with as much vigor as he could muster. "No," he growled, gritting his teeth. "Ignore it.I don't want to think about it." Galen nodded, thought he looked uneasy. "Just tell me what to do," he said in a small voice. "Tell me to shut my trap again.
Cayla Kluver (Allegiance (Legacy, #2))
At the heart of the therapy is learning to notice and accept one’s cravings and to handle them healthfully. Instead of suppressing urges, ACT prescribes a method for stepping back, noticing, observing, and finally letting the desire disappear naturally.
Nir Eyal (Indistractable: How to Control Your Attention and Choose Your Life)
Mike suppressed an urge to shove Dylan. Unfortunately, Dylan had the impulse control of Bill Clinton in a room full of interns and couldn't hold back his nudge.
Julia Kent (Her Two Billionaires and a Baby (Her Billionaires, #4))
A blanket could be used to suppress yawns. Just curl up in the technological wonder that is a blanket, lay your head back, and let the miracle of science cure your yawns.

Jarod Kintz (Brick and Blanket)
When you try not to think of something, you do that by creating this verbal rule: “Don’t think of x.” That rule contains x, so it will tend to evoke x, just as the sounds “gub-gub” can evoke a picture of an imaginary animal. Thus, when we suppress our thoughts, we not only must think of something else, we have to hold ourselves back from thinking about why we are doing that. If we check to see whether our efforts are working, we will remember what we are trying not to think and we will think it. The worrisome thought thus tends to grow. If
Steven C. Hayes (Get Out of Your Mind and Into Your Life: The New Acceptance and Commitment Therapy)
It’s no accident that this systematic suppression of the feminine has been accompanied down the centuries not only by the devaluation of all that is wild and instinctual in our own natures, but by the purposeful destruction of natural ecosystems. We long ago turned our backs on the planet which gives us life.
Sharon Blackie (If Women Rose Rooted: A Journey to Authenticity and Belonging)
He touched the sword he had taken from the ambush. "Aside from this and the trio of juggling stones, I've nothing but the clothes on my back." Well then, tomorrow we'll go-" "No. Prince Ryne told me to make sure you stay in the manor." "It's just into town to buy you a few things. Surely there won't be any danger at the market." I sensed a softening. "And we'll take along Saul or Odd." No. We'll send one of the caregivers with a shopping list," Flea said. "Hey, that's..." He waited. I huffed. "A good idea. But don't be so smug. You're not going to win every argument." "Oh, yes, I am." "Oh, no, you're not." Flea straightened to his full height. When did he get so tall? He rested his hands on his hips. "I am. Prince Ryne trusted me with the task of keeping you safe. And I'm not going to disappoint him." I crossed my arms. "You sound like Kerrick." "Thank you." Uh-huh. You do know I disobeyed almost all of his orders. Right?" I suppressed a grin. "I do. But I'm smarter than Kerrick." "You are?" Oh, yes. I know the magic word." "And what would that be?" "Please.
Maria V. Snyder (Scent of Magic (Healer, #2))
Still the dream persists, suppressed but always there, that somehow by some miraculous effort of the heart what was done could be undone. What form would such atonement take that would turn back time and bring the dead to life? None. None possible, not in the real world. And yet in my imaginings I can clearly see this cleansed new creature steaming up out of myself like a proselyte rising drenched from the baptismal river amid glad cries.
John Banville
We see only that which we are. I like to think of it in terms of energy. Imagine having a hundred different electrical outlets on your chest. Each outlet represents a different quality. The qualities we acknowledge and embrace have cover plates over them. They are safe: no electricity runs through them. But the qualities that are not okay with us, which we have not yet owned, do have a charge. So when others come along who act out one of these qualities they plug right into us. For example, if we deny or are uncomfortable with our anger, we will attract angry people into our lives. We will suppress our own angry feelings and judge people whom we see as angry. Since we lie to ourselves about our own internal feelings, the only way we can find them is to see them in others. Other people mirror back our hidden emotions and feelings, which allows us to recognize and reclaim them.
Debbie Ford (The Dark Side of the Light Chasers: Reclaiming Your Power, Creativity, Brilliance, and Dreams)
Tell me, Addie. Do you think killing pedophiles is wrong?” he asks sharply, his one light eye shining bright in the darkness. “I think killing people is wrong,” I shout in his face, breathing heavily and allowing my body a moment’s rest. I’m scared, but my body is exhausted. “Why?” he volleys back. “Because society told you it was? Because humans fabricated morals so they can control and manipulate people into law and order? Do you think other mammals follow the same morals and rules? We’re all fucking animals, baby. The only difference is I don’t suppress mine.
H.D. Carlton (Haunting Adeline (Cat and Mouse, #1))
Present in body and absent in spirit, he lies back on the couch, shamed by his own… potentials in his soul that will not be subdued. He feels himself inwardly subversive, imagining in his passivity extremes of aggression and desire that must be suppressed. Solution: more work, more money, more drink, more weight, more things, more infotainment.
James Hillman (The Soul's Code: In Search of Character and Calling)
Bob,” she said, “offerings burned in the mortal world appear on this altar, right?” Bob frowned uncomfortably, like he wasn’t ready for a pop quiz. “Yes?” “So what happens if I burn something on the altar here?” “Uh…” “That’s all right,” Annabeth said. “You don’t know. Nobody knows, because it’s never been done.” There was a chance, she thought, just the slimmest chance that an offering burned on this altar might appear at Camp Half-Blood. Doubtful, but if it did work… “Annabeth?” Percy said again. “You’re planning something. You’ve got that I’m-planning-something look.” “I don’t have an I’m-planning-something look.” “Yeah, you totally do. Your eyebrows knit and your lips press together and—” “Do you have a pen?” she asked him. “You’re kidding, right?” He brought out Riptide. “Yes, but can you actually write with it?” “I—I don’t know,” he admitted. “Never tried.” He uncapped the pen. As usual, it sprang into a full-sized sword. Annabeth had watched him do this hundreds of times. Normally when he fought, Percy simply discarded the cap. It always appeared in his pocket later, as needed. When he touched the cap to the point of the sword, it would turn back into a ballpoint pen. “What if you touch the cap to the other end of the sword?” Annabeth said. “Like where you’d put the cap if you were actually going to write with the pen.” “Uh…” Percy looked doubtful, but he touched the cap to the hilt of the sword. Riptide shrank back into a ballpoint pen, but now the writing point was exposed. “May I?” Annabeth plucked it from his hand. She flattened the napkin against the altar and began to write. Riptide’s ink glowed Celestial bronze. “What are you doing?” Percy asked. “Sending a message,” Annabeth said. “I just hope Rachel gets it.” “Rachel?” Percy asked. “You mean our Rachel? Oracle of Delphi Rachel?” “That’s the one.” Annabeth suppressed a smile. Whenever she brought up Rachel’s name, Percy got nervous. At one point, Rachel had been interested in dating Percy. That was ancient history. Rachel and Annabeth were good friends now. But Annabeth didn’t mind making Percy a little uneasy. You had to keep your boyfriend on his toes. Annabeth finished her note and folded the napkin. On the outside, she wrote: Connor, Give this to Rachel. Not a prank. Don’t be a moron. Love, Annabeth She took a deep breath. She was asking Rachel Dare to do something ridiculously dangerous, but it was the only way she could think of to communicate with the Romans—the only way that might avoid bloodshed. “Now I just need to burn it,” she said. “Anybody got a match?” The point of Bob’s spear shot from his broom handle. It sparked against the altar and erupted in silvery fire. “Uh, thanks.” Annabeth lit the napkin and set it on the altar. She watched it crumble to ash and wondered if she was crazy. Could the smoke really make it out of Tartarus? “We should go now,” Bob advised. “Really, really go. Before we are killed.” Annabeth stared at the wall of blackness in front of them. Somewhere in there was a lady who dispensed a Death Mist that might hide them from monsters—a plan recommended by a Titan, one of their bitterest enemies. Another dose of weirdness to explode her brain. “Right,” she said. “I’m ready.” ANNABETH LITERALLY STUMBLED over the second Titan.
Rick Riordan (The House of Hades (Heroes of Olympus, #4))
Madness, not just physical abuse, was the punishment for too much talk if you were female. Yet even as this fear of madness haunted me, hanging over my writing like a monstrous shadow, I could not stop the words making thought, writing speech. For this terrible madness which I feared, which I was sure was the destiny of daring women born to intense speech (after all, the authorities emphasized this point daily), was not as threatening as imposed silence, as suppressed speech.
bell hooks (Talking Back: Thinking Feminist, Thinking Black)
Take sex away from people. Make it forbidden, evil, limit it to ritualistic breeding. Force it to back up into suppressed sadism. Then hand the people a scapegoat to hate. Let them kill a scapegoat occasionally for cathartic release. The mechanism is ages old. Tyrants used it centuries before the word ‘psychology’ was ever invented. It works, too. Look at yourself.
Robert A. Heinlein (Revolt in 2100)
Serenity barely heard the last of his words as he made his way out of the cabin. Instead, her attention was on the quick, clean strokes of Morgan’s writing. It amazed her that a pirate would be literate. Especially one sold so young to the sea. She broke the seal. I feel like a weed in the midst of Winter. ’Tis the sunshine of your smile that will bring back the Spring of my days. We arrive in four days. I hope you will grace me again with your presence. Yours, Morgan She traced the flowing letters with the tip of her finger and couldn’t suppress a smile. A poetic pirate no less. Who would have thought?
Kinley MacGregor (A Pirate of Her Own (Sea Wolves, #2))
It is easy to compress the passions by violence. Philosophy suppresses them with a stroke of the pen. Locks and the sword come to the aid of sweet morality, but nature appeals these judgments; she regains her rights in secret. Passion stifled at one point reappears at another like water held back by a dike; it is driven inward like the fluid of an ulcer closed to soon.
Charles Fourier
Yup, Uncle Logan said my dad finally got some so he doesn't have to be such a d-i-c-k, anymore. What'd he get, anyway, Uncle?" The question twisted Gage's brow into a knot as he tipped his head back to look up as his uncle who'd moved to stand behind him. Trent's brother was suppressing laughter as he pressed his lips to Gage's forehead. "Seems he got something really special.
A.L. Jackson (Give Me a Reason (Redemption Hills, #1))
People tend to assume that organic farming and sustainability go hand in hand. But that's not necessarily the case - and it hasn't been for most of history. While going organic has some big advantages, even today most organic farmers still rely on the plow - the chief culprit in the this story. Why? Because it provides cheap, reliable weed suppression." David Montgomery - Growing a Revolution
David R. Montgomery (Growing a Revolution: Bringing Our Soil Back to Life)
When he stepped into the shower, the hot water scalded him. He let it run over his face, burning his eyelids. He put up with the pain, his jaw clenched and his muscles taut, suppressing the urge to howl with loneliness in the suffocating steam. For four years, one month, and twelve days, Nikon always got into the shower with him after they made love and soaped his back slowly, interminably. And often she put her arms around him, like a little girl in the rain. One day I'll leave without ever really knowing you. You'll remember my big, dark eyes. The reproachful silences. The moans of anxiety as I slept. The nightmares you couldn't save me from. You'll remember all this when I'm gone.
Arturo Pérez-Reverte (The Club Dumas)
There is coming a day, when freedom will just be a essence of the mind, an inner dwelling that was once physically attainable. They will tell you where you can live, and what you can wear and drive, what and how much you can eat and drink, and how to purchase those. They will strip you of your religion, race, gender, national origin, age, color, creed, views and power, and have control of the population. They will set in a new world order, and put you in the back of the line, marked and branded. Everything before will be erased, and the new will be manipulated. And what you believe most, can only be kept secret, for all must fall in line of their govern. Anything outside will be abolished. Even death, will be sought, but restrained. They will execute complete and total control over everything, and be sole owners of your soul. The light, that once guided will go dim, and liberty will be like an unwilled bird, suppressed in the cage of your ribs; wings cut off.
Anthony Liccione
Remember that you cannot always please everyone and sometimes the very best thing you can do is to stand up, straighten your back, hold your head up high, and meet your own needs. This principle is all about standing up to the world to follow your heart, to be yourself, to “march to the beat of your own drum,” to be who and what you want to be, and to fully express who you are despite others’ potential attempt to suppress you.
Brent N. Hunter (The Rainbow Bridge: Bridge to Inner Peace and to World Peace)
The desert is a natural extension of the inner silence of the body. If humanity’s language, technology, and buildings are an extension of its constructive faculties, the desert alone is an extension of its capacity for absence, the ideal schema of humanity’s disappearance. When you come out of the Mojave, writes Banham, it is difficult to focus less than fifteen miles ahead of you. Your eye can no longer rest on objects that are near. It can nolonger properly settle on things, and all the human or natural constructions that intercept your gaze seem irksome obstacles which merely corrupt the perfect reach of your vision. When you emerge from the desert, your eyes go on trying to create emptiness all around; in every inhabited area, every landscape they see desert beneath, like a watermark. It takes a long time to get back to a normal vision of things and you never succeed completely. Take this substance from my sight! . . . But the desert is more than merely a space from which all substance has been removed. Just as silence is not what remains when all noise has been suppressed. There is no need to close your eyes to hear it. For it is also the silence of time.
Baudrillard, Jean
While Brambleclaw paused to taste the air, she crouched down beside one of the puddles and touched the ice with her tongue, grateful for the tingling freshness. “Come on,” the Clan deputy meowed. “This way.” Hollyleaf tried to jump up, only to stop with a strangled cry of dismay. Her tongue had frozen to the ice; a sharp pain shot through it as she tried to wrench herself free. “What’s the matter?” Lionblaze asked. “My tongue . . .” Hollyleaf could hardly get the words out. “It’th thtuck!” Lionblaze snorted as he suppressed a mrrow of laughter. Birchfall stooped down until he was nose to nose with Hollyleaf; irritation swelled inside her when she saw amusement dancing in his eyes. “It’th not funny!” she mumbled as clearly as she could with her tongue plastered to the ice. “Stand back.” Brackenfur’s calm voice came from behind Hollyleaf. “Let me have a look.” He leaned beside Birchfall, gently shouldering the younger cat out of the way. “Well, you’re certainly stuck,” he went on. Hollyleaf could tell that he was struggling not to laugh, too. “I suppose we could break off the ice. Then you’d have to carry it until it melts.” “Hey, you’ve discovered a new way to fetch water for the elders!” Hazeltail put in. Her pelt itching with frustration, Hollyleaf tried again to wrench her tongue free, only getting another stab of pain for her efforts. “It hurt-th! Do thomething!” She pictured herself crouched on the hard ground with her tongue stretched out, and suddenly she felt laughter bubbling up inside her. I guess I do look pretty funny. She couldn’t remember the last time she had found anything to laugh at.
Erin Hunter (Sunrise (Warriors: Power of Three #6))
(Danni) “I was kinda busy on the way back, too,” she admitted, her face reddening. Tommy frowned. “I thought you said Dillon was passed out?” “He was, but Derek wasn’t.” She grimaced. “I guess he got a little hot and bothered by the action in the back seat and wanted a little for himself.” “Chrissakes,” exploded Ray. “Did anyone not get blown on this trip?” Danni’s gaze came up then, her eyes glinting with tears and suppressed anger. “Yeah. Those of us without dicks.
Norah Wilson (Protecting Paige (Serve and Protect, #3))
They are always so quiet," he said, turning to Papa. "So quiet." "They are not like those loud children people are raising these days, with no home training and no fear of God," Papa said, and I was certain that it was pride that stretched Papa's lips and lightened his eyes. "Imagine what the Standard would be if we were all quiet." It was a joke. Ade Coker was laughing; so was his wife, Yewanda. But Papa did not laugh. Jaja and I turned and went back upstairs, silently.
Chimamanda Ngozi Adichie (Purple Hibiscus)
I don’t believe you,’ he says. He takes a step towards me, fluster-ing me with his nearness, with his smell, which shouldn’t be so damn familiar after so much time and which shouldn’t still affect me the way it does. ‘I think you still love me,’ he says, ‘even though you don’t want to.’I glare at him, fury battling my instincts. ‘Because that kind of love, Jessa,’ Kit continues, ‘doesn’t just disappear. It doesn’t just fade. I still love you. I’ll always love you. And I think you feel the same way about me. And hell, I know I don’t deserve it. I know all I deserve is your hatred. But if there’s a chance, a single chance that you might still love me, then I’m not going to throw it away. Because I’ve been through hell and you’re the only reason I’m still standing.’ He pauses. ‘So tell me the truth. Do you love him?’I don’t answer. ‘Does he know you like I do? Does he know exactly how you like your eggs in the morning – just a little bit runny?’ he asks. ‘Does he know that you’re allergic to roses? Does he know that when your nostrils flare like that it’s because you’re trying to stop from crying and that when you say “yeah, sure” it usually means “no”?’ He takes a step nearer. ‘Does he make you see stars?’ he asks in a low voice. ‘Does he call you his north star? Because that’s what you are to me. You’re the reason I made it home.’ I squeeze my eyes shut. ‘Does he know exactly where to kiss you?’ Kit mur-murs and startles me by brushing his hand just beneath my ear. ‘Just here?’ My eyes flash open as I suppress a shudder. ‘Does he know exactly how to touch you?’ he asks, his gaze falling to my mouth. ‘Does he tell you that you’re all he thinks about? Does he tell you that he lives for you? That he breathes for you? That he dreams of you every damn moment, awake and asleep? Does he tell you any of that?’ He pauses to look at me and I try to keep a blank face. ‘No, I didn’t think so,’ he says quietly
Mila Gray (Come Back to Me (Come Back to Me, #1))
There is something very interesting about bullies that make them special. You see, a bully is a coward; the bully is terribly afraid of the world around him, and he can’t stop himself from being in fear all the time. It is something organic that he can’t control. That is why the bully seems to have no discipline and never listen to authority or authoritarian commands. Now, another very interesting thing about the bully is that, as he is a coward, he needs to erase this feeling of panic of the world, by regaining control over reality. And the only way to do this is by picking the weakest link he can find, that is, the one that will not fight back, the safer victim around. This, however, does not mean that the victim is hopeless, weak or guilty of anything. The bully simply selects a target for his suppressed fear. If the victim reacts, the bully will have to start picking someone else to channel his endless frustrated sense of unworthiness. And although it is true that many people have the potential to be bullies, what makes the bully special is his lack of capacity to control himself, to stop himself or to feel ashamed of his own actions. Actually, the bully enjoys public performances of his cowardice the most, because that is how he feeds his very little ego and very weak personality. That is the only thing that makes his life worthy, for the bully has no sense of self-worth and often considers himself unworthy. As a matter of fact, the bullies that think they don’t deserve to be alive, are the ones telling others to kill themselves. Basically speaking, the weaker a soul, the more suppressive that soul will be towards others.
Robin Sacredfire
I wish I'd had the courage to live a life true to myself, not the life others expected of me--This was the most common regret of all. When people realize that their life is almost over and look back clearly on it, it is easy to see how many dreams have gone unfulfilled. Most people had not honored even half of their dreams and had to die knowing that it was due to choices they had made, or not made. Many people suppressed their feelings in order to keep peace with others. As a result, they settled for a mediocre existence and never became who they were truly capable of becoming. Many developed illnesses relating to the bitterness and resentment they carried as a result.
Neil Pasricha (The Happiness Equation: Want Nothing + Do Anything = Have Everything)
In the past you have suppressed and denied the ego system. The ego has not been raised to awareness, but once you start to raise it to awareness and the stuff starts getting flushed up, there is a strong tendency to want to project. Even though the ego is now being unveiled, you are seeing that the mind is still very strongly invested in it and that is where the guilt comes in. The transcendence will eventually come where we are able to detach in our mind from those false thoughts, from the attack thoughts; we will be able to just calmly see the false as false. But that is one of the stages that we go through. Once it starts to get flushed up there is a real tendency to project – to be what Jesus calls the unhealed healer. You want to go around and give healing without having healed yourselves and it is just to watch as we do this, and go through it.
David Hoffmeister (Unwind Your Mind Back to God: Experiencing A Course in Miracles)
Going somewhere?” Tamlin asked. His voice was not entirely of this world. I suppressed a shudder. “Midnight snack,” I said, and I was keenly aware of every movement, every breath I took as I neared him. His bare chest was painted with whorls of dark blue woad, and from the smudges in the paint, I knew exactly where he’d been touched. I tried not to notice that they descended past his muscled midriff. I was about to pass him when he grabbed me, so fast that I didn’t see anything until he had me pinned against the wall. The cookie dropped from my hand as he grasped my wrists. “I smelled you,” he breathed, his painted chest rising and falling so close to mine. “I searched for you, and you weren’t there.” He reeked of magic. When I looked into his eyes, remnants of power flickered there. No kindness, none of the wry humor and gentle reprimands. The Tamlin I knew was gone. “Let go,” I said as evenly as I could, but his claws punched out, imbedding in the wood above my hands. Still riding the magic, he was half-wild. “You drove me mad,” he growled, and the sound trembled down my neck, along my breasts until they ached. “I searched for you, and you weren’t there. When I didn’t find you,” he said, bringing his face closer to mine, until we shared breath, “it made me pick another.” I couldn’t escape. I wasn’t entirely sure that I wanted to. “She asked me not to be gentle with her, either,” he snarled, his teeth bright in the moonlight. He brought his lips to my ear. “I would have been gentle with you, though.” I shuddered as I closed my eyes. Every inch of my body went taut as his words echoed through me. “I would have had you moaning my name throughout it all. And I would have taken a very, very long time, Feyre.” He said my name like a caress, and his hot breath tickled my ear. My back arched slightly. He ripped his claws free from the wall, and my knees buckled as he let go. I grasped the wall to keep from sinking to the floor, to keep from grabbing him—to strike or caress, I didn’t know. I opened my eyes. He still smiled—smiled like an animal. “Why should I want someone’s leftovers?” I said, making to push him away. He grabbed my hands again and bit my neck. I cried out as his teeth clamped onto the tender spot where my neck met my shoulder. I couldn’t move—couldn’t think, and my world narrowed to the feeling of his lips and teeth against my skin. He didn’t pierce my flesh, but rather bit to keep me pinned. The push of his body against mine, the hard and the soft, made me see red—see lightning, made me grind my hips against his. I should hate him—hate him for his stupid ritual, for the female he’d been with tonight … His bite lightened, and his tongue caressed the places his teeth had been. He didn’t move—he just remained in that spot, kissing my neck. Intently, territorially, lazily. Heat pounded between my legs, and as he ground his body against me, against every aching spot, a moan slipped past my lips. He jerked away. The air was bitingly cold against my freed skin, and I panted as he stared at me. “Don’t ever disobey me again,” he said, his voice a deep purr that ricocheted through me, awakening everything and lulling it into complicity.
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
Suppose that we agree that the two atrocities can or may be mentioned in the same breath. Why should we do so? I wrote at the time (The Nation, October 5, 1998) that Osama bin Laden 'hopes to bring a "judgmental" monotheism of his own to bear on these United States.' Chomsky's recent version of this is 'considering the grievances expressed by people of the Middle East region.' In my version, then as now, one confronts an enemy who wishes ill to our society, and also to his own (if impermeable religious despotism is considered an 'ill'). In Chomsky's reading, one must learn to sift through the inevitable propaganda and emotion resulting from the September 11 attacks, and lend an ear to the suppressed and distorted cry for help that comes, not from the victims, but from the perpetrators. I have already said how distasteful I find this attitude. I wonder if even Chomsky would now like to have some of his own words back? Why else should he take such care to quote himself deploring the atrocity? Nobody accused him of not doing so. It's often a bad sign when people defend themselves against charges which haven't been made.
Christopher Hitchens (Christopher Hitchens and His Critics: Terror, Iraq, and the Left)
The way to overcome oligarchy is for the rest of us to join together and win America back. This will require a multiracial, multiethnic coalition of working-class, poor, and middle-class Americans fighting for democracy and against concentrated power and privilege, determined to rid politics of big money, end corporate welfare and crony capitalism, bust up monopolies, stop voter suppression, and strengthen the countervailing power of labor unions, employee-owned corporations, worker cooperatives, state and local banks, and grassroots politics. This agenda is neither right nor left. It is the bedrock for everything else America must do.
Robert B. Reich (The System: Who Rigged It, How We Fix It)
Under the same influence, those who come, or could come, nearer to a full humanity, actually draw back from it for fear of being undemocratic. I am credibly informed that young humans now sometimes suppress an incipient taste for classical music or good literature because it might prevent their Being like Folks; that people who would really wish to be—and are offered the Grace which would enable them to be—honest, chaste, or temperate, refuse it. To accept might make them Different, might offend again the Way of Life, take them out of Togetherness, impair their Integration with the Group. They might (horror of horrors!) become individuals.
C.S. Lewis (The Screwtape Letters)
There is a ton of literature now—including TED Talks and Michael Pollan’s book How to Change Your Mind—about psilocybin and MDMA being highly effective medications for PTSD. Anecdotal stories abound of suffering veterans emerging from one meaningful trip completely cured, with a new vigor for life. Shrooms in particular have proved to be a great salve for people with terminal illnesses. The oncoming specter of death can be terrifying, but after these suffering patients emerge from their hallucinogenic experiences, many are at peace with their lives and deaths, content to be absorbed back into the fabric of the universe. Shrooms have also been shown to suppress your DMN and dissolve your ego, allowing you to look at your life with a childlike, brand-new perspective. They can draw connections between disparate parts of the brain, building creative solutions to our life’s struggles and strengthening areas we don’t use frequently enough.
Stephanie Foo (What My Bones Know: A Memoir of Healing from Complex Trauma)
He was a jerk; he didn’t deserve to be the object of my lust. But he’d smelled so fucking good, like spice and musk and man. We don’t have control over what we fantasize about. The fact that he was mean and unattainable made him that much more likely to be an object of my forbidden thoughts. Just like I learned in psychology class back in college, thought suppression often leads to obsession. If you tell yourself not to think about something, then you’ll think about it even more.
Penelope Ward (Neighbor Dearest)
The rebel defies more than he denies. Originally, at least, he does not suppress God; he merely talks to Him as an equal. But it is not a polite dialogue. It is a polemic animated by the desire to conquer. The slave begins by demanding justice and ends by wanting to wear a crown. He must dominate in his turn. His insurrection against his condition becomes an unlimited campaign against the heavens for the purpose of bringing back a captive king who will first be dethroned and finally condemned to death. Human rebellion ends in metaphysical revolution. It progresses from appearances to acts, from the dandy to the revolutionary. When the throne of God is overturned, the rebel realizes that it is now his own responsibility to create the justice, order, and unity that he sought in vain within his own condition, and in this way to justify the fall of God. Then begins the desperate effort to create, at the price of crime and murder if necessary, the dominion of man.
Albert Camus (The Rebel)
Franny was among the first of the girls to get off the train, from a car at the far, northern end of the platform. Lane spotted her immediately, and despite whatever it was he was trying to do with his face, his arm that shot up into the air was the whole truth. Franny saw it, and him, and waved extravagantly back. She was wearing a sheared-raccoon coat, and Lane, walking to- ward her quickly but with a slow face, reasoned to himself, with suppressed excitement, that he was the only one on the platform who really knew Franny’s coat. He remembered that once, in a borrowed car, after kissing Franny for a half hour or so, he had kissed her coat lapel, as though it were a perfectly desirable, organic extension of the person herself.
J.D. Salinger (Franny and Zooey)
I feel my hand. I am these two beasts struggling at the end of my arms. My hand scratches one of its paws with the nail of the other paw; I feel its weight on the table which is not me. It's long, long, this impression of weight, it doesn't pass. There is no reason for it to pass. It becomes intolerable ... I draw back my hand and put it in my pocket; but immediately I feel the warmth of my thigh through the stuff. I pull my hand out of my pocket and let it hang against the back of the chair. Now I feel a weight at the end of my arm. It pulls a little, softly, insinuatingly it exists. I don't insist: no matter where I put it it will go on existing; I can't suppress it, nor can I suppress the rest of my body, the sweaty warmth, which soils my shirt, nor all this warm obesity which turns lazily, as if someone were stirring it with a spoon, nor all the sensations going on inside, going, coming, mounting from my side to my armpit or quietly vegetating from morning to night, in their usual corner.
Jean-Paul Sartre (Nausea)
Whenever thoughts arise, just observe them as thoughts and label them “thinking.” What usually happens when we have thoughts is that we absorb ourselves and cease to be aware that we are thinking at all. One should try not to suppress thoughts in meditation, but just try to see their transitory nature, their translucent nature. We do not become involved in them or reject them, but simply acknowledge them and then come back to the awareness of breathing. There should be no deliberate effort to control and no attempt to be peaceful. Our thoughts simply cease to be the VIPS in our lives. On the other hand, there is no implication that by sitting and meditating, coming back to the breath, we have found a way to avoid problems, an escape from one point to another. Meditation is not a quick cure or cover-up for the complicated or embarrassing aspects of ourselves. It is a way of life. It is extremely important to persist in our practice without second-guessing ourselves through disappointments, elations, or whatever. We might actually begin to see the world we carry with us in a more open, refreshing way. Meditation is very much a matter of exercise, a working practice. It is not a matter of going into some imaginary depth, but of widening and expanding outward.
Chögyam Trungpa (The Truth of Suffering and the Path of Liberation)
Borges's world is as grounded in the changing nature of existence, that common predicament of the human species, as any literary world that has lasted. How could it be otherwise? No work of fiction that turns its back on life or that is incapable of illuminating life has ever attained durability. What is singular about Borges is that in his world the existential, the historical, sex, psychology, feelings, instincts, and so forth, have been dissolved and reduced to an exclusively intellectual dimension; and life, that boiling, chaotic turmoil, reaches the reader sublimated and conceptualized, transformed into literary myth through the filter of Borges, a filter of such perfect logic that it sometimes appears not to distill life to its essence but to suppress it altogether.
Mario Vargas Llosa
Under the influence of this incantation those who are in any or every way inferior can labour more wholeheartedly and successfully than ever before to pull down everyone else to their own level. But that is not all. Under the same influence, those who come, or could come, nearer to a full humanity, actually draw back from it for fear of being undemocratic. I am credibly informed that young humans now sometimes suppress an incipient taste for classical music or good literature because it might prevent their Being like Folks; that people who would really wish to be—and are offered the Grace which would enable them to be—honest, chaste, or temperate, refuse it. To accept might make them Different, might offend again the Way of Life, take them out of Togetherness, impair their Integration with the Group. They might (horror of horrors!) become individuals.
C.S. Lewis (The Screwtape Letters)
Dear New Orleans, What a big, beautiful mess you are. A giant flashing yellow light—proceed with caution, but proceed. Not overly ambitious, you have a strong identity, and don’t look outside yourself for intrigue, evolution, or monikers of progress. Proud of who you are, you know your flavor, it’s your very own, and if people want to come taste it, you welcome them without solicitation. Your hours trickle by, Tuesdays and Saturdays more similar than anywhere else. Your seasons slide into one another. You’re the Big Easy…home of the shortest hangover on the planet, where a libation greets you on a Monday morning with the same smile as it did on Saturday night. Home of the front porch, not the back. This engineering feat provides so much of your sense of community and fellowship as you relax facing the street and your neighbors across it. Rather than retreating into the seclusion of the backyard, you engage with the goings-on of the world around you, on your front porch. Private properties hospitably trespass on each other and lend across borders where a 9:00 A.M. alarm clock is church bells, sirens, and a slow-moving eight-buck-an-hour carpenter nailing a windowpane two doors down. You don’t sweat details or misdemeanors, and since everybody’s getting away with something anyway, the rest just wanna be on the winning side. And if you can swing the swindle, good for you, because you love to gamble and rules are made to be broken, so don’t preach about them, abide. Peddlin worship and litigation, where else do the dead rest eye to eye with the livin? You’re a right-brain city. Don’t show up wearing your morals on your sleeve ’less you wanna get your arm burned. The humidity suppresses most reason so if you’re crossing a one-way street, it’s best to look both ways. Mother Nature rules, the natural law capital “Q” Queen reigns supreme, a science to the animals, an overbearing and inconsiderate bitch to us bipeds. But you forgive her, and quickly, cus you know any disdain with her wrath will reap more: bad luck, voodoo, karma. So you roll with it, meander rather, slowly forward, takin it all in stride, never sweating the details. Your art is in your overgrowth. Mother Nature wears the crown around here, her royalty rules, and unlike in England, she has both influence and power. You don’t use vacuum cleaners, no, you use brooms and rakes to manicure. Where it falls is where it lays, the swerve around the pothole, the duck beneath the branch, the poverty and the murder rate, all of it, just how it is and how it turned out. Like a gumbo, your medley’s in the mix. —June 7, 2013, New Orleans, La.
Matthew McConaughey (Greenlights)
Before I ended up in this dungeon of the world, I was with you all the time. How I wish I’d never fallen into this earthly trap. I kept telling you over and over again: “I’m perfectly happy here. I don’t want to go anywhere. To travel from this exaltation down to earth is just too difficult a journey." You sent me anyway: “Go, don’t be scared. No harm will come to you. I will always be with you." You persuaded me by saying: 
“If you go, you’ll gain new experiences. You’ll progress on your path. You’ll be far more mature when you come back home." I replied: “O Essence of Knowledge, What good is all this learning and information
without you? Who could leave you for knowledge, unless he has no knowledge of you?" When I drink wine from your hand, 
I haven’t a care in the world. I become drunk and happy. 
I couldn’t care less about gain or loss, or people’s good or bad features.
Jalal ad-Din Muhammad ar-Rumi (The Forbidden Rumi: The Suppressed Poems of Rumi on Love, Heresy, and Intoxication)
So Mo Ran endured it, and forced himself to pick up the pieces. He told himself, It doesn’t hurt, it doesn’t hurt. This wasn’t the first time he’d lived through Chu Wanning’s death. It doesn’t hurt. It doesn’t hurt… But how could it not hurt? Over three thousand steps Chu Wanning had crawled, carrying him on his back—how could it not hurt… He’d drained his very last reserves of spiritual energy, he’d given it all to Mo Ran, how could it not hurt… He had suffered an identical injury, but so as not to burden his disciple, he had adopted a heartless expression and left on his own. How could it not hurt… And in the past life, Chu Wanning had also suffered the same injury as Shi Mei. It was just that he hadn’t said anything about it. He hadn’t said, and Mo Ran hadn’t asked. He’d roared angrily at Chu Wanning, vented endless hatred on him, flung to the ground those wontons Chu Wanning, who had yet to recover from his own injuries, had worked so hard to make for him. Before his eyes, Chu Wanning had bent down, lowered his head, and then, one by one, had picked up each wonton and thrown them away. How could it not hurt… How could it not have hurt?! He had dug out Chu Wanning’s heart! How could it have not hurt?! How could it… Mo Ran couldn’t take a step further. He stood in place for a long spell, trying to suppress these feelings, trying to rescue his calm. His entire body trembled. It hurt. He buried his face in his hands, bit down on his lip, and swallowed his sobs with the blood.
Rou Bao Bu Chi Rou (The Husky and His White Cat Shizun: Erha He Ta De Bai Mao Shizun (Novel) Vol. 3)
Kenji goes suddenly still. At the creak of the door Kenji’s eyebrows shoot up; a soft click and his eyes widen; a muted rustle of movement and suddenly the barrel of a gun is pressed against the back of his head. Kenji stares at me, his lips making no sound as he mouths the word psychopath over and over again. The psychopath in question winks at me from where he’s standing, smiling like he couldn’t possibly be holding a gun to the head of our mutual friend. I manage to suppress a laugh. “Go on,” Warner says, still smiling. “Please tell me exactly how she’s failed you as a leader.” “Hey—“ Kenji’s arms fly up in mock surrender. “I never said she failed at anything, okay? And you are clearly over-react—“ Warner knocks Kenji on the side of the head with the weapon. “Idiot.” Kenji spins around. Yanks the gun out of Warner’s hand. “What the hell is wrong with you, man? I thought we were cool.” “We were,” Warner says icily. “Until you touched my hair.” “You asked me to give you a haircut—“ “I said nothing of the sort! I asked you to trim the edges!” “And that’s what I did.” “This,” Warner says, spinning around so I might inspect the damage, “is not trimming the edges, you incompetent moron—“ I gasp. The back of Warner’s head is a jagged mess of uneven hair; entire chunks have been buzzed off. Kenji cringes as he looks over his handiwork. Clears his throat. “Well,” he says, shoving his hand in his pockets. “I mean—whatever, man, beauty is subjective—“ Warner aims another gun at him. “Hey!” Kenji shouts. “I am not here for this abusive relationship, okay?” He points to Warner. “I did not sign up for this shit!” Warner glares at him and Kenji retreats, backing out of the room before Warner has another chance to react; and then, just as I let out a sign of relief, Kenji pops his head back into the doorway and says “I think the cut looks cute, actually” and Warner slams the door in his face.
Tahereh Mafi (Restore Me (Shatter Me, #4))
But now, under the pitying eyes of these Americans, we perceive how much in vain it has all been. The sight of their interminable, well-equipped columns reveals to us against what hopeless odds in man power and material we made our stand. We bite our lips and look at each other. Bethke withdraws his shoulder from under the American’s hand; Kosole stares ahead into vacancy; Ludwig Breyer draws himself up—we grip our rifles more firmly; we brace our knees, our eyes become harder and our gaze does not falter. We look back once more over the country whence we have come; our faces become tight with suppressed emotion and once again the searing memory passes through us: all we have done, all we have suffered, and all that we have left behind. We do not know what is the matter with us; but if a bitter word were now loosed against us, it would sting us to fury, and whether we wanted to or not we would burst forward, wild and breathless, mad and lost, to fight—in spite of everything, to fight again.
Erich Maria Remarque (The Road Back)
Quincy laughed. "If I were Elizabeth I shouldn't thank either of you for that comforting diagnosis. Would it do any good to open Aunt Sarai's grave and drive a stake through her? If you believe in as much sorcery as that, you must regret the days of witch-burners, Carew." Carew said quietly, "No. Witch-burners were barbarous blunderers. If I wanted to suppress a dangerous letter, could I do it by burning the envelope and leaving the letter loose? The witch would come back unchanged; I should merely have postponed the danger until another time and place. And have further handicapped myself to meet it, by depriving the witch, by violent death, of the years allotted her, or him, for evolution." Joseph said with dry humor, "She might not have used them for that, Carew. At least not for your idea of it." Carew shrugged. "That would be her responsibility, not mine. And, in any case, she would be that many years nearer the time of her inevitable change." This time Joseph did not answer, only smiled.
Evangeline Walton (Witch House)
Every generation of children instinctively nests itself in nature, no matter matter how tiny a scrap of it they can grasp. In a tale of one city child, the poet Audre Lord remembers picking tufts of grass which crept up through the paving stones in New York City and giving them as bouquets to her mother. It is a tale of two necessities. The grass must grow, no matter the concrete suppressing it. The child must find her way to the green, no matter the edifice which would crush it. "The Maori word for placenta is the same word for land, so at birth the placenta is buried, put back in the mothering earth. A Hindu baby may receive the sun-showing rite surya-darsana when, with conch shells ringing to the skies, the child is introduced to the sun. A newborn child of the Tonga people 'meets' the moon, dipped in the ocean of Kosi Bay in KwaZulu-Natal. Among some of the tribes of India, the qualities of different aspects of nature are invoked to bless the child, so he or she may have the characteristics of earth, sky and wind, of birds and animals, right down to the earthworm. Nothing is unbelonging to the child. "'My oldest memories have the flavor of earth,' wrote Frederico García Lorca. In the traditions of the Australian deserts, even from its time in the womb, the baby is catscradled in kinship with the world. Born into a sandy hollow, it is cleaned with sand and 'smoked' by fire, and everything -- insects, birds, plants, and animals -- is named to the child, who is told not only what everything is called but also the relationship between the child and each creature. Story and song weave the child into the subtle world of the Dreaming, the nested knowledge of how the child belongs. "The threads which tie the child to the land include its conception site and the significant places of the Dreaming inherited through its parents. Introduced to creatures and land features as to relations, the child is folded into the land, wrapped into country, and the stories press on the child's mind like the making of felt -- soft and often -- storytelling until the feeling of the story of the country is impressed into the landscape of the child's mind. "That the juggernaut of ants belongs to a child, belligerently following its own trail. That the twitch of an animal's tail is part of a child's own tale or storyline, once and now again. That on the papery bark of a tree may be written the songline of a child's name. That the prickles of a thornbush may have dynamic relevance to conscience. That a damp hollow by the riverbank is not an occasional place to visit but a permanent part of who you are. This is the beginning of belonging, the beginning of love. "In the art and myth of Indigenous Australia, the Ancestors seeded the country with its children, so the shimmering, pouring, circling, wheeling, spinning land is lit up with them, cartwheeling into life.... "The human heart's love for nature cannot ultimately be concreted over. Like Audre Lord's tufts of grass, will crack apart paving stones to grasp the sun. Children know they are made of the same stuff as the grass, as Walt Whitman describes nature creating the child who becomes what he sees: There was a child went forth every day And the first object he look'd upon, that object he became... The early lilacs became part of this child... And the song of the phoebe-bird... In Australia, people may talk of the child's conception site as the origin of their selfhood and their picture of themselves. As Whitman wrote of the child becoming aspects of the land, so in Northern Queensland a Kunjen elder describes the conception site as 'the home place for your image.' Land can make someone who they are, giving them fragments of themselves.
Jay Griffiths (A Country Called Childhood: Children and the Exuberant World)
He gave the briefest of glances at Lissie, barely acknowledging her presence as he gently eased Violet onto the seat. For good measure, and Violet was sure it was premeditated, he gave her a long, sweet kiss before closing her door. Violet was surprised at how quickly she responded to his touch, even when she knew it was more for Lissie’s benefit than for hers. But she had to suppress a triumphant smile when she stole a quick look at the other girl’s disgusted expression before Jay put the car in drive and left Lissie standing there, gawking after them. “Sorry about that,” he said apologetically as he concentrated on maneuvering through the busy parking lot. “I’ve been so worried about strange men following you around that I forgot how dangerous Homecoming Queens can be.” Violet smiled at him. “That’s okay. That kiss was a nice touch, by the way. Sheer genius.” “Yeah, that one just came to me,” he chuckled. “Maybe you can show it to me again . . . later,” she said playfully. He reached over and gave her leg a squeeze, his eyes never leaving the road. “I like the way you think, my friend.” “Is that how it is now, we’re back to just friends?” Violet asked, raising her eyebrows at him challengingly. “I’ll remember to keep that in mind next time we’re ‘doing homework.’” He was suddenly serious, his tone determined. “We’ll never be just friends again, not if I have anything to do with it.” And then with conviction he added, “I love you too much to go back now, Vi.” It was still strange to hear him saying things like that. The words sounded so foreign to her ears, but her heart responded, as if it had been waiting a lifetime to hear them, by beating erratically.
Kimberly Derting (The Body Finder (The Body Finder, #1))
The mind is at every stage a theater of simultaneous possibilities. Consciousness consists in the comparison of these with each other, the selection of some, and the suppression of the rest by the reinforcing and inhibiting agency of attention. The highest and most elaborated mental products are filtered from the data chosen by the faculty next beneath, out of the mass offered by the faculty below that, which mass in turn was sifted from a still larger amount of yet simpler material, and so on. The mind, in short, works on the data it receives very much as a sculptor works on his block of stone. In a sense the statue stood there from eternity. But there were a thousand different ones beside it, and the sculptor alone is to thank for having extricated this one from the rest. Just so the world of each of us, how so ever different our several views of it may be, all lay embedded in the primordial chaos of sensations, which gave the mere matter to the thought of all of us indifferently. We may, if we like, by our reasonings unwind things back to that black and jointless continuity of space and moving clouds of swarming atoms which science calls the only real world. But all the while the world we feel and live in will be that which our ancestors and we, by slowly cumulative strokes of choice, have extricated out of this, like sculptors, by simply removing portions of the given stuff. Other sculptors, other statues from the same stone! Other minds, other worlds from the same monotonous and inexpressive chaos! Your world is but one in a million alike embedded, alike real to those who may abstract them. How different must be the worlds in the consciousness of ant, cuttlefish, or crab!
William James (The Principles of Psychology)
When he got out, I rolled my window down. “You look like you’re going to throw up.” He grimaced, pressing a hand to his stomach. “I don’t know if it’s from this, or if I actually am sick. I think Avery got sick from the weekend. She was puking this morning when I left.” “Avery, huh? At your place?” He rolled his eyes. “Don’t even start.” “But you see, I have to. I have to start. Avery’s my friend. I’m hanging out with your brother. You and I are classmates. I think we can develop our friendship to the stage where I give you shit. We should even start sitting next to each other in class.” “Don’t press your luck.” I kept going, “It’s a natural progression. Don’t fight it, Marcus. It’s like evolution. Don’t fight evolution. You’ll never win. Mother nature is a bitch. She’s always going to win.” “What the fuck are you talking about?” “How I get to give you shit. It’s an amazing experience in life, like giving birth. It’s painful for one person, but breathtaking for another. I’m the baby here. I get to feel air for the first time on my skin. Let me breathe, Marcus. Let me put my baby lungs to work and scream.” “I swear you’re making me even sicker.” “If you gotta puke, don’t suppress. It’s a natural body process.” He eyed me a moment. “Did you rhyme that on purpose?” “Maybe. Or I might be crazy?” I winked. “Or just a classy lady?” “Stop. I’m really going to puke now.” He groaned, pressing his arm against his forehead. “I was going to tease you back about Caden, but forget it. I don’t think I have the energy to deal with your rhyming.” “I’ve been told I’m amazing like that.” “Who told you that?” “Who hasn’t is the real question.” “You’re not making sense.” “I do that too. That’s very true.” I wondered if I should find him a bag, in case he actually was going to upchuck.
Tijan (Anti-Stepbrother)
A night breeze ruffled a curtain. Arin’s bedroom--she realized with soft surprise--had come to feel like her own. He was lazily tracing circles on her belly. It hypnotized her into a rare, pure unthinking. He settled back on the bed, propped on one elbow. “It occurs to me that there is something we have never done.” Her thoughts rushed back. She arched one brow. He moved to whisper in her ear. “Yes,” she laughed. “Let’s.” “Now?” “Now.” So they reached for dressing robes and the bedside lamp, and padded barefoot through his suite, rushing slightly, and then through the silent house, suppressing giddy breaths. They couldn’t look each other in the face; a wild, loud joyousness threatened to break free if they did. They wound down the staircase and into the parlor. They shut the door behind them, but still… “We are going to wake the whole house,” Kestrel said. “How should we do this?” She led him to her piano. “Easy.” He placed a palm on the instrument as if already feeling it vibrate with music. He cleared his throat. “Now that I think about it, I’m a little nervous.” “You’ve sung for me before.” “Not the same.” “Arin. I’ve wanted to do this for a long time.” Her words silenced him, steadied him. Anticipation lifted within her like the fragrance of a garden under the rain. She sat at the piano, touching the keys. “Ready?” He smiled. “Play.
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
In peace, what had been suppressed by anxiety and fear began to reawaken. Ye found that the real pain had just begun. Nightmarish memories, like embers coming back to life, burned more and more fiercely, searing her heart. For most people, perhaps time would have gradually healed these wounds. After all, during the Cultural Revolution, many people suffered fates similar to hers, and compared to many of them, Ye was relatively fortunate. But Ye had the mental habits of a scientist, and she refused to forget. Rather, she looked with a rational gaze on the madness and hatred that had harmed her. Ye’s rational consideration of humanity’s evil side began the day she read Silent Spring. As she grew closer to Yang Weining, he was able to get her many classics of foreign-language philosophy and history under the guise of gathering technical research materials. The bloody history of humanity shocked her, and the extraordinary insights of the philosophers also led her to understand the most fundamental and secret aspects of human nature. Indeed,
Liu Cixin (The Three-Body Problem (Remembrance of Earth’s Past, #1))
I have seen countless people say they want to transform themselves and their lives and tune into the new vibration. But when the challenges have come, which are necessary to make that happen, they want out immediately and go back to life as before. Yet these challenges set us free. The reason we face personal and emotional mayhem when we start this journey is because of the need to clean out our emotional cesspit of suppressed and unprocessed emotional debris that we have pushed deep into our subconscious because we don’t want to deal with it. If we don’t clear the emotional gunge of this and other physical lifetimes, we can’t reconnect with our multidimensional self. We can’t be free of the reptilian manipulation and control from the lower fourth dimension. So when we say we intend to transform, that intent draws to us the people and experiences necessary to bring that suppressed emotion to the surface where we can see it and deal with it. The same is happening collectively as the information presented in this book comes into the light of public attention, so we can see it, address it and heal it. Much of the New Age is in denial of this collective cesspit because it doesn’t want to face its own personal cesspit. It would rather sit around a candle and kid itself it is enlightened while, in fact, it is an emotional wreck with a crystal in its hand. The information in this book is part of the healing of Planet Earth and the human consciousness as the veil lifts on all that has remained hidden and denied. Hey, this is a wonderful time we’re living through here. We are tuning to the cosmic dance, the wind of change, the rhythm of reconnection with all that is, has been, or ever will be. You have come to make a difference, for yourself and for the world. You have the opportunity to do that now, now, now. Grasp it and let’s end this nonsense. A few can only control billions because the billions let it happen. We don’t have to. And we can change it just by being ourselves, allowing other people to be themselves, and enjoying the gift of life. This is not a time to fear and it’s not a time to hide. It is a time to sing and a time to dance.
David Icke (The Biggest Secret: The book that will change the World)
French said: “It’s like this with us, baby. We’re coppers and everybody hates our guts. And as if we didn’t have enough trouble, we have to have you. As if we didn’t get pushed around enough by the guys in the corner offices, the City Hall gang, the day chief, the night chief, the Chamber of Commerce, His Honor the Mayor in his paneled office four times as big as the three lousy rooms the whole homicide staff has to work out of. As if we didn’t have to handle one hundred and fourteen homicides last year out of three rooms that don’t have enough chairs for the whole duty squad to sit down in at once. We spend our lives turning over dirty underwear and sniffing rotten teeth. We go up dark stairways to get a gun punk with a skinful of hop and sometimes we don’t get all the way up, and our wives wait dinner that night and all the other nights. We don’t come home any more. And nights we do come home, we come home so goddam tired we can’t eat or sleep or even read the lies the papers print about us. So we lie awake in the dark in a cheap house on a cheap street and listen to the drunks down the block having fun. And just about the time we drop off the phone rings and we get up and start all over again. Nothing we do is right, not ever. Not once. If we get a confession, we beat it out of the guy, they say, and some shyster calls us Gestapo in court and sneers at us when we muddle our grammar. If we make a mistake they put us back in uniform on Skid Row and we spend the nice cool summer evenings picking drunks out of the gutter and being yelled at by whores and taking knives away from greaseballs in zoot suits. But all that ain’t enough to make us entirely happy. We got to have you.” He stopped and drew in his breath. His face glistened a little as if with sweat. He leaned forward from his hips. “We got to have you,” he repeated. “We got to have sharpers with private licenses hiding information and dodging around corners and stirring up dust for us to breathe in. We got to have you suppressing evidence and framing set-ups that wouldn’t fool a sick baby. You wouldn’t mind me calling you a goddam cheap double-crossing keyhole peeper, would you, baby?” “You want me to mind?” I asked him. He straightened up. “I’d love it,” he said. “In spades redoubled.
Raymond Chandler (The Little Sister (Philip Marlowe #5))
Degan struck the wall with the back of his head, bounced off, and fell to his knees. Hadrian felt the pain in his knuckles and only then realized he had hit him. Gaunt glared up, his eyes watering, his hands cupping his face. “Crazy fool! Are you mad?” “What’s going on?” Arista called back down the line. “This idiot just punched me in the face! My nose is bleeding!” “Hadrian did?” the princess said, stunned. “It was… an accident,” Hadrian replied, knowing it sounded feeble, but not knowing how else to describe his actions. He had not meant to hit Gaunt; it had just happened. “You accidentally punched him?” Wyatt asked, suppressing a chuckle. “I’m not sure you have a full understanding of the whole bodyguard thing.” “Hadrian!” Royce called. “What?” he shouted back, irritated that even Royce was going to join in this embarrassing moment. “Come up here. I need you to look at something.” Degan was still on his knees in a pool of water. “Um—sorry ’bout that.” “Get away from me!” Hadrian moved up the line as Wyatt, Elden, and Myron pressed themselves against the walls to let him pass, each one looking at him curiously. “What did he do?” Arista whispered as he reached her. “Nothing, really.” Her eyebrows rose. “You punched him for no reason?” “Well, no, but—it’s complicated. I’m not even sure I understand it. It was sort of like a reflex, I guess.” “A… reflex?” she said. “I told him I was sorry.” “Anytime today would be nice,” Royce said. Arista stepped aside, looking at him suspiciously as he passed. “What was all that about?” Alric asked as he approached. “I, ah—I punched Gaunt in the face.” “Good for you,” Alric told him. “About time someone did,” Mauvin said. “I’m just sorry you beat me to it.
Michael J. Sullivan (Heir of Novron (The Riyria Revelations, #5-6))
Do me a favor, Ro,” Day said calmly. “What’s that?” Ronowski peeked around Johnson again. “Johnson won’t be with you all the time. Remind me to kick your ass later,” Day said. Ronowski came to stand in front of Day, looked at his watch and smirked. “Sure, what time works for you?” Day looked at his watch too. “Uhhh, let’s see. How’s five thirty, is that good?” “I just remembered I’m busy at five thirty.” “So what time can you be there?” “I can do five thirty-five.” “Damn, that’s cutting it close. I might be a little late, but wait on my ass whippin’.” “Will you dumb asses shut up? Lord help us…they’ve bonded.” The captain tried to suppress his laugh. “God, how the hell do you put up with Day’s mouth?” “I got something that’ll make him shut him up,” God said in a deep voice. Everyone groaned and scrunched their faces up in disgust. “We don’t want to hear that shit, God. Ugh,” the captain said while pouring his cup of coffee. God looked at Day and saw he wasn’t the slightest bit fazed and if he knew his lover—which he most certainly did—Day would not let him get the last word. “It’s all a mind game that I play with God. He thinks he’s shutting me up…but when he’s finished with my mouth…I start talking again.” Day winked. “I’m leaving. I should write your asses up for inappropriate conduct in front of a superior.” The captain hauled ass out of the room. Johnson and Ronowski were shaking their heads too and telling Day “he sure knew how to clear a room.” “I got to get back across town,” Johnson said and bent down and whispered something in Ronowski’s ear that made the man turn red. God tried to pull Day away but he refused to budge. When Johnson said good-bye to them and left out the room, Day mock whispered to Ronowski. “I told you. One good pounding is all you—” “For fucks sake, Leo,” Ronowski groaned, grabbing his soda hightailing it out of there before Day could finish his sentence.
A.E. Via
Now where's this artist?" His eyes darted around the room, landed on Gennie and clung. She thought she saw surprise, quickly veiled, then amusement as quickly suppressed, tug at the corners of his mouth. "Daniel MacGregor," Grant said with wry formality. "Genvieve Grandeau." A flicker of recognition ran across Daniel's face before he rose to his rather amazing height and held out his hand. "Welcome." Gennie's hand was clasped, then enveloped. She had simultaneous impressions of strength, compassion, and stubbornness. "You have a magnificent home, Mr. MacGregor," she said, studying him candidly. "It suits you." He gave a great bellow of a laugh that might have shook the windows. "Aye.And three if your paintings hang in the west wing." His eyes slid briefly to Grant's before they came back to hers. "You carry your age well, lass." She gave him a puzzled look as Grant choked over his Scotch. "Thank you." "Get the artist a drink," he ordered, then gestured for her to sit in the chair next to his. "Now, tell me why you're wasting your time with a Campbell." "Gennie happens to be a cousin of mine," Justin said mildly as he sat on the sofa beside his son. "On the aristocratic French side." "A cousin." Daniel's eys sharpened, then an expression that could only be described as cunning pleasure spread over his face. "Aye,we like to keep things in the family. Grandeau-a good strong name.You've the look of a queen, with a bit of sorceress thrown in." "That was meant as a compliment," Serena told her as she handed Gennie a vermouth in crystal. "So I've been told." Gennie sent Grant an easy look over the rim of her glass. "One of my ancestors had an-encounter with a gypsy resulting in twins." "Gennie has a pirate in her family tree as well," Justin put in. Daniel nooded in approval. "Strong blood. The Campbells need all the help they can get." "Watch it,MacGregor," Shelby warned as Grant gave him a brief, fulminating look.
Nora Roberts (The MacGregors: Alan & Grant (The MacGregors, #3-4))
His booted feet pounded out an insane, frantic rhythm underneath him as he raced into the cavern across from Baba Yaga’s den at a dead sprint. Pieces of dragon dung flew off him and hit the ground behind him in miniature chunks. He didn’t dare look behind him to see if the dragon had risen from the ground yet, but the deafening hiss that assaulted his ears meant she’d woken up. Icy claws of fear squeezed his heart with every breath as he ran, relying on the night vision goggles, the glimpse he’d gotten of the map, and his own instincts to figure out where to go. Jack raced around one corner too sharply and slipped on a piece of dung, crashing hard on his right side. He gasped as it knocked the wind out of him and gritted his teeth, his mind screaming at him to get up and run, run, run. He pushed onto his knees, nursing what felt like bruised ribs and a sprained wrist, and then paled as an unmistakable sensation traveled up the arm he’d used to push himself up. Impact tremors. Boom. Boom. Boom, boom, boom. Baba Yaga was coming. Baba Yaga was hunting him. Jack forced himself up onto his feet again, stumbling backwards and fumbling for the tracker. He got it switched on to see an ominous blob approaching from the right. He’d gotten a good lead on her—maybe a few hundred yards—but he had no way of knowing if he’d eventually run into a dead end. He couldn’t hide down here forever. He needed to get topside to join the others so they could take her down. Jack blocked out the rising crescendo of Baba Yaga’s hissing and pictured the map again. A mile up to the right had a man-made exit that spilled back up to the forest. The only problem was that it was a long passage. If Baba Yaga followed, there was a good chance she could catch up and roast him like a marshmallow. He could try to lose her in the twists and turns of the cave system, but there was a good chance he’d get lost, and Baba Yaga’s superior senses meant it would only be a matter of time before she found him. It came back to the most basic survival tactics: run or hide. Jack switched off the tracker and stuck it in his pocket, his voice ragged and shaking, but solid. “You aren’t about to die in this forest, Jackson. Move your ass.” He barreled forward into the passageway to the right in the wake of Baba Yaga’s ominous, bubbling warning, barely suppressing a groan as a spike of pain lanced through his chest from his bruised ribs. The adrenaline would only hold for so long. He could make it about halfway there before it ran out. Cold sweat plastered the mask to his face and ran down into his eyes. The tunnel stretched onward forever before him. No sunlight in sight. Had he been wrong? Jack ripped off the hood and cold air slapped his face, making his eyes water. He held his hands out to make sure he wouldn’t bounce off one of the cavern walls and squinted up ahead as he turned the corner into the straightaway. There, faintly, he could see the pale glow of the exit. Gasping for air, he collapsed against one wall and tried to catch his breath before the final marathon. He had to have put some amount of distance between himself and the dragon by now. “Who knows?” Jack panted. “Maybe she got annoyed and turned around.” An earth-shattering roar rocked the very walls of the cavern. Jack paled. Boom, boom, boom, boom! Boom, boom, boom, boomboomboomboom— Mother of God. The dragon had broken into a run. Jack shoved himself away from the wall, lowered his head, and ran as fast as his legs would carry him.
Kyoko M. (Of Blood & Ashes (Of Cinder & Bone, #2))
Swift came to the table and bowed politely. “My lady,” he said to Lillian, “what a pleasure it is to see you again. May I offer my renewed congratulations on your marriage to Lord Westcliff, and…” He hesitated, for although Lillian was obviously pregnant, it would be impolite to refer to her condition. “…you are looking quite well,” he finished. “I’m the size of a barn,” Lillian said flatly, puncturing his attempt at diplomacy. Swift’s mouth firmed as if he was fighting to suppress a grin. “Not at all,” he said mildly, and glanced at Annabelle and Evie. They all waited for Lillian to make the introductions. Lillian complied grudgingly. “This is Mr. Swift,” she muttered, waving her hand in his direction. “Mrs. Simon Hunt and Lady St. Vincent.” Swift bent deftly over Annabelle’s hand. He would have done the same for Evie except she was holding the baby. Isabelle’s grunts and whimpers were escalating and would soon become a full-out wail unless something was done about it. “That is my daughter Isabelle,” Annabelle said apologetically. “She’s teething.” That should get rid of him quickly, Daisy thought. Men were terrified of crying babies. “Ah.” Swift reached into his coat and rummaged through a rattling collection of articles. What on earth did he have in there? She watched as he pulled out his pen-knife, a bit of fishing line and a clean white handkerchief. “Mr. Swift, what are you doing?” Evie asked with a quizzical smile. “Improvising something.” He spooned some crushed ice into the center of the handkerchief, gathered the fabric tightly around it, and tied it off with fishing line. After replacing the knife in his pocket, he reached for the baby without one trace of self-consciusness. Wide-eyed, Evie surrendered the infant. The four women watched in astonishment as Swift took Isabelle against his shoulder with practiced ease. He gave the baby the ice-filled handkerchief, which she proceeded to gnaw madly even as she continued to cry. Seeming oblivious to the fascinated stares of everyone in the room, Swift wandered to the window and murmured softly to the baby. It appeared he was telling her a story of some kind. After a minute or two the child quieted. When Swift returned to the table Isabelle was half-drowsing and sighing, her mouth clamped firmly on the makeshift ice pouch. “Oh, Mr. Swift,” Annabelle said gratefully, taking the baby back in her arms, “how clever of you! Thank you.” “What were you saying to her?” Lillian demanded. He glanced at her and replied blandly, “I thought I would distract her long enough for the ice to numb her gums. So I gave her a detailed explanation of the Buttonwood agreement of 1792.” Daisy spoke to him for the first time. “What was that?” Swift glanced at her then, his face smooth and polite, and for a second Daisy half-believed that she had dreamed the events of that morning. But her skin and nerves still retained the sensation of him, the hard imprint of his body. “The Buttonwood agreement led to the formation of the New York Stock and Exchange Board,” Swift said. “I thought I was quite informative, but it seemed Miss Isabelle lost interest when I started on the fee-structuring compromise.” “I see,” Daisy said. “You bored the poor baby to sleep.” “You should hear my account of the imbalance of market forces leading to the crash of ’37,” Swift said. “I’ve been told it’s better than laudanum.
Lisa Kleypas (Scandal in Spring (Wallflowers, #4))
Violet didn't bother responding, and Jay bounded from the car to help her inside. He gave the briefest of glances at Lissie, barely acknowledging her presence as he gently eased Violet onto the seat. For good measure, and Violet was sure it was premeditated, he gave her a long, sweet kiss before closing her door. Violet was surprised at how quickly she responded to his touch, even when she knew it was more for Lissie's benefit than for hers. But she had to suppress a triumphant smile when she stole a quick look at the other girl's disgusted expression before Jay put the car in drive and left Lissie standing there, gawking after them. "Sorry about that," he said apologetically as he concentrated on maneuvering through the busy parking lot. "I've been so worried about strange men following you around that I forgot how dangerous Homecoming Queens can be." Violet smiled at him. "That's okay. That kiss was a nice touch, by the way. Sheer genius." "Yeah, that one just came to me," he chuckled. "Maybe you can show it to me again...later," she said playfully. He reached over and gave her leg a squeeze, his eyes never leaving the road. "I like the way you think, my friend." "Is that how it is now, we're back to just friends?" Violet asked, raising her eyebrows at him challengingly. "I'll remember to keep that in mind next time we're 'doing homework.'" He was suddenly serious, his tone determined. "We'll never be just friends again, not if I have anything to do with it." And then with conviction he added, "I love you too much to go back now, Vi." It was still strange to hear him saying things like that. The words sounded so foreign to her ears, but her heart responded, as if it had been waiting a lifetime to hear them, by beating erratically.
Kimberly Derting (The Body Finder (The Body Finder, #1))
Pointsman is the only one here maintaining his calm. He appears unruffled and strong. His lab coats have even begun lately to take on a Savile Row serenity, suppressed waist, flaring vents, finer material, rather rakishly notched lapels. In this parched and fallow time, he gushes affluence. After the baying has quieted down at last, he speaks, soothing: “There’s no danger.” “No danger?” screams Aaron Throwster, and the lot of them are off again muttering and growling. “Slothrop’s knocked out Dodson-Truck and the girl in one day!” “The whole thing’s falling apart, Pointsman!” “Since Sir Stephen came back, Fitzmaurice House has dropped out of our scheme, and there’ve been embarrassing inquires down from Duncan Sandys—“ “That’s the P.M.’s son-in-law, Pointsman, not good, not good!” “We’ve already begun to run into a deficit—“ “Funding,” IF you can keep your head, “is available, and will be coming in before long… certainly before we run into any serious trouble. Sir Stephen, far from being ‘knocked out,’ is quite happily at work at Fitzmaurice House, and is At Home there should any of you wish to confirm. Miss Borgesius is still active in the program, and Mr. Duncan Sandys is having all his questions answered. But best of all, we are budgeted well into fiscal ’46 before anything like a deficit begins to rear its head.” “Your Interested Parties again?” sez Rollo Groast. “Ah, I noticed Clive Mossmoon from Imperial Chemicals closeted with you day before yesterday,” Edwin Treacle mentions now. “Clive Mossmoon and I took an organic chemistry course or two together back at Manchester. Is ICI one of our, ah, sponsors, Pointsman?” “No,” smoothly, “Mossmoon, actually, is working out of Malet Street these days. I’m afraid we were up to nothing more sinister than a bit of routine coordination over the Schwarzkommando business.” “The hell you were. I happen to know Clive’s at ICI, managing some sort of polymer research.” They stare at each other. One is lying, or bluffing, or both are, or all of the above. But whatever it is Pointsman has a slight advantage. By facing squarely the extinction of his program, he has gained a great of bit of Wisdom: that if there is a life force operating in Nature, still there is nothing so analogous in a bureaucracy. Nothing so mystical. It all comes down, as it must, to the desires of men. Oh, and women too of course, bless their empty little heads. But survival depends on having strong enough desires—on knowing the System better than the other chap, and how to use it. It’s work, that’s all it is, and there’s no room for any extrahuman anxieties—they only weaken, effeminize the will: a man either indulges them, or fights to win, und so weiter. “I do wish ICI would finance part of this,” Pointsman smiles. “Lame, lame,” mutters the younger Dr. Groast. “What’s it matter?” cries Aaron Throwster. “If the old man gets moody at the wrong time this whole show can prang.” “Brigadier Pudding will not go back on any of his commitments,” Pointsman very steady, calm, “we have made arrangements with him. The details aren’t important.” They never are, in these meetings of his.
Thomas Pynchon (Gravity’s Rainbow)
History is storytelling,’” Yaw repeated. He walked down the aisles between the rows of seats, making sure to look each boy in the eye. Once he finished walking and stood in the back of the room, where the boys would have to crane their necks in order to see him, he asked, “Who would like to tell the story of how I got my scar?” The students began to squirm, their limbs growing limp and wobbly. They looked at each other, coughed, looked away. “Don’t be shy,” Yaw said, smiling now, nodding encouragingly. “Peter?” he asked. The boy who only seconds before had been so happy to speak began to plead with his eyes. The first day with a new class was always Yaw’s favorite. “Mr. Agyekum, sah?” Peter said. “What story have you heard? About my scar?” Yaw asked, smiling still, hoping, now to ease some of the child’s growing fear. Peter cleared his throat and looked at the ground. “They say you were born of fire,” he started. “That this is why you are so smart. Because you were lit by fire.” “Anyone else?” Timidly, a boy named Edem raised his hand. “They say your mother was fighting evil spirits from Asamando.” Then William: “I heard your father was so sad by the Asante loss that he cursed the gods, and the gods took vengeance.” Another, named Thomas: “I heard you did it to yourself, so that you would have something to talk about on the first day of class.” All the boys laughed, and Yaw had to stifle his own amusement. Word of his lesson had gotten around, he knew. The older boys told some of the younger ones what to expect from him. Still, he continued, making his way back to the front of the room to look at his students, the bright boys from the uncertain Gold Coast, learning the white book from a scarred man. “Whose story is correct?” Yaw asked them. They looked around at the boys who had spoken, as though trying to establish their allegiance by holding a gaze, casting a vote by sending a glance. Finally, once the murmuring subsided, Peter raised his hand. “Mr. Agyekum, we cannot know which story is correct.” He looked at the rest of the class, slowly understanding. “We cannot know which story is correct because we were not there.” Yaw nodded. He sat in his chair at the front of the room and looked at all the young men. “This is the problem of history. We cannot know that which we were not there to see and hear and experience for ourselves. We must rely upon the words of others. Those who were there in the olden days, they told stories to the children so that the children would know, so that the children could tell stories to their children. And so on, and so on. But now we come upon the problem of conflicting stories. Kojo Nyarko says that when the warriors came to his village their coats were red, but Kwame Adu says that they were blue. Whose story do we believe, then?” The boys were silent. They stared at him, waiting. “We believe the one who has the power. He is the one who gets to write the story. So when you study history, you must always ask yourself, Whose story am I missing? Whose voice was suppressed so that this voice could come forth? Once you have figured that out, you must find that story too. From there, you begin to get a clearer, yet still imperfect, picture.
Yaa Gyasi (Homegoing)
I’m willing to bargain with you,” he said gently, “for the same reason anyone tries to bargain-you have something I want.” Desperately trying to prove to her she wasn’t powerless or empty-handed, he added, “I want it badly, Elizabeth.” “What is it?” she asked warily, but much of the resentment in her lovely face was already being replaced by surprise. “This,” he whispered huskily. His hands tightened on her shoulders, pulling her close as he bent his head and took her soft mouth in a slow, compelling kiss, sensually molding and shaping her lips to his. Although she stubbornly refused to respond, he felt the rigidity leaving her; and as soon as it did, Ian showed her just how badly he wanted it. His arms went around her, crushing her to him, his mouth moving against hers with hungry urgency, his hands shifting possessively over her spine and hips, fitting her to his hardened length. Dragging his mouth from hers, he drew an unsteady breath. “Very badly,” he whispered. Lifting his head, he gazed down at her, noting the telltale flush on her cheeks, the soft confusion in her searching green gaze, and the delicate hand she’d forgotten was resting against his chest. Keeping his own hand splayed against her lower back, he held her pressed to his rigid erection, torturing himself as he slid his knuckles against her cheek and quietly said, “For that privilege, and the others that follow it, I’m willing to agree to any reasonable terms you state. And I’ll even forewarn you,” he said with a tender smile at her upturned face, “I’m not a miserly man, nor a poor one.” Elizabeth swallowed, trying to keep her voice from shaking in reaction to his kiss. “What other privileges that follow kissing?” she asked suspiciously. The question left him nonplussed. “Those that involve the creation of children,” he said, studying her face curiously. “I want several of them-with your complete cooperation, of course,” he added, suppressing a smile. “Of course,” she conceded without a second’s hesitation. “I like children, too, very much.” Ian stopped while he was ahead, deciding it was wiser not to question his good fortune. Evidently Elizabeth had a very frank attitude toward marital sex-rather an unusual thing for a sheltered, well-bred English girl.
Judith McNaught (Almost Heaven (Sequels, #3))
At eight-thirty that night Ian stood on the steps outside Elizabeth’s uncle’s town house suppressing an almost overwhelming desire to murder Elizabeth’s butler, who seemed to be inexplicably fighting down the impulse to do bodily injury to Ian. “I will ask you again, in case you misunderstood me the last time,” Ian enunciated in a silky, ominous tone that made ordinary men blanch. “Where is your mistress?” Bentner didn’t change color by so much as a shade. “Out!” he informed the man who’d ruined his young mistress’s life and had now appeared on her doorstep, unexpected and uninvited, no doubt to try to ruin it again, when she was at this very moment attending her first ball in years and trying bravely to live down the gossip he had caused. “She is out, but you do not know where she is?” “I did not say so, did I?” “Then where is she?” “That is for me to know and you to ponder.” In the last several days Ian had been forced to do a great many unpleasant things, including riding across half of England, dealing with Christina’s irate father, and finally dealing with Elizabeth’s repugnant uncle, who had driven a bargain that still infuriated him. Ian had magnanimously declined her dowry as soon as the discussion began. Her uncle, however, had the finely honed bargaining instincts of a camel trader, and he immediately sensed Ian’s determination to do whatever was necessary to get Julius’s name on a betrothal contract. As a result, Ian was the first man to his knowledge who had ever been put in the position of purchasing his future wife for a ransom of $150,000. Once he’d finished that repugnant ordeal he’d ridden off to Montmayne, where he’d sopped only long enough to switch his horse for a coach and get his valet out of bed. Then he’d charged off to London, stopped at his town house to bathe and change, and gone straight to the address Julius Cameron had given him. Now, after all that, Ian was not only confronted by Elizabeth’s absence, he was confronted by the most insolent servant he’d ever had the misfortune to encounter. In angry silence he turned and walked down the steps. Behind him the door slammed shut with a thundering crash, and Ian paused a moment to turn back and contemplate the pleasure he was going to have when he sacked the butler tomorrow.
Judith McNaught (Almost Heaven (Sequels, #3))
I think that's quite true. and in fact the people who understand this the best are those who are carrying out the control and domination in the more free societies. like the U.S. and England, where popular struggles have have won a lot of freedoms over the years and the state has limited capacity to coerce. It is very striking that it's precisely in those societies that elite groups—the business world, state managers and so on—recognized early on that they are going to have to develop massive methods of control of attitude and opinion, because you cannot control people by force anymore and therefore you have to modify their consciousness so that they don't perceive that they are living under conditions of alienation, oppression, subordination and so on. In fact, that's what probably a couple trillion dollars are spent on each year in the U.S., very self-consciously, from the framing of television advertisements for two-year olds to what you are taught in graduate school economics programs. It's designed to create a consciousness of subordination and it's also intended specifically and pretty consciously to suppress normal human emotions. Normal human emotions are sympathy and solidarity, not just for people but for stranded dolphins. It's just a normal reaction for people. If you go back to the classical political economists, people like Adam Smith, this was just taken for granted as the core of human nature and society. One of the main concentrations of advertising and education is to drive that out of your mind. And it's very conscious. In fact, it's conscious in social policy right in front of our eyes today. Take the effort to destroy Social Security. Well, what's the point of that? There's a lot of scam about financial problems, which is all total nonsense. And, of course, they want Wall Street to make a killing. Underlying it all is something much deeper. Social Security is based on a human emotion and it's a natural human emotion which has to be driven out of people minds, namely the emotion that you care about other people. You care. It's a social and community responsibility to care whether a disabled widow across town has enough food to eat, or whether a kid across the street can go to school. You have to get that out of people's heads. You have to make them say, "Look, you are a personal, rational wealth maximizer. If that disabled widow didn't prepare for her own future, it's her problem not your problem. It's not your fault she doesn't have enough to eat so why should you care?
Noam Chomsky (Chomsky On Anarchism)
When I’m under stress,” he emphasized, sliding the magnificent emerald onto her finger, “I buy everything in sight. It took my last ounce of control not to buy one of those in every color.” Her eyes lifted from his smiling lips, dropped to the enormous jewel on her finger, and then widened in shock. “Oh, but-“ she exclaimed, staring at it and straightening in his arms. “It’s glorious. I do mean that, but I couldn’t let you-really, I couldn’t. Ian,” she burst out anxiously, sending a tremor through him when she called him by name, “I can’t let you do this. You’ve been extravagantly generous already.” She touched the huge stone almost reverently, then gave her head a practical shake. “I don’t need jewels, really I don’t. You’re doing this because of that stupid remark I made about someone offering me jewels as large as my palm, and now you’ve bought one nearly that large!” “Not quite,” he chuckled. “Why, a stone like this would pay for irrigating Havenhurst and all the servants’ wages for years and years and years, and food to-“ She reached to slide it off her finger. “Don’t!” he warned on a choked laugh, linking his hands behind her back. “I-“ he thought madly for some way to stop her objections-“I cannot possibly return it,” he said. “It’s part of a matched set.” “You don’t mean there’s more!” “I’m afraid so, though I meant to surprise you with them tonight. There’s a necklace and bracelet and earrings.” “Oh, I see,” she said, making a visible effort not to stare at her ring. “Well, I suppose…if it was a purchase of several pieces, the ring alone probably didn’t cost as much as it would have…Do not tell me,” she said severely, when his shoulders began to shake with suppressed mirth, “you actually paid full price for all of the pieces!” Laughing, Ian put his forehead against hers, and he nodded. “It’s very fortunate,” she said, protectively putting her fingers against the magnificent ring, “that I’ve agreed to marry you.” “If you hadn’t,” he laughed, “God knows what I would have bought.” “Or how much you would have paid for it,” she chuckled, cuddling in his arms-for the first time of her own volition. “Do you really do that?” she asked a moment later. “Do what?” he gasped, tears of mirth blurring his vision. “Spend money heedlessly when you’re disturbed about something?” “Yes,” he lied in a suffocated, laughing voice. “You’ll have to stop doing it.” “I’m going to try.” “I could help you.” “Please do.” “You may place yourself entirely in my hands.” “I’m very much looking forward to that.” It was the first time Ian had ever kissed a woman while he was laughing.
Judith McNaught (Almost Heaven (Sequels, #3))
He opened his eyes then, white fire flaring hotly within them. “Send me home, Legna,” he commanded her, his voice hoarse with suppressed emotion. She moved her head in affirmation even as she leaned toward him to catch his mouth once more in a brief, territorial kiss, her teeth scoring his bottom lip as she broke away. It was an incidental wound, one he could heal in the blink of an eye. But he wouldn’t erase her mark on him, and they both knew it. Finally, she stepped back, closed her eyes, and concentrated on picturing his home in her thoughts. She had been in his parlor dozens of times as a guest, always accompanied by Noah. His library, his kitchen, even the grounds of the isolated estate were well known to her. She could have sent him to any of those locations. But as she began to focus, her mind’s eye was filled with the image of a dark, elegant room she had never seen before. Hand-carved ebony-paneled walls soared up into a vast ceiling, enormous windows of intricate stained glass spilled colored light over the entire room as if a multitude of rainbows had taken up residence. It all centered around an enormous bed, the coverlet’s color indistinguishable under the blanket of colorful dawn sunlight that streamed into the room. She could feel the sun’s warmth, ready and waiting to cocoon any weary occupant who thrived on sleeping in the heat of the muted daylight sun. It was a beautiful room, and she knew without a doubt that it was Gideon’s bedroom and that he had shared the image of it with her. If she sent him there, it would be the first time she had ever teleported someone to a place she had not first seen for herself. The ability to take images of places from others’ minds for teleporting purposes was an advanced Elder ability. “You can do it,” he encouraged her softly, all of his thoughts and his will completely full of his belief in that statement. Legna kept his gaze for one last long moment, and with a flick of a wrist sent him from the room with a soft pop of moving air. She exhaled in wonder, everything inside of her knowing without a doubt that he had appeared in his bedroom, safe and sound, that very next second. Legna turned to look at her own bed and wondered how she would ever be able to sleep. Nelissuna . . . go to bed. I will help you sleep. Gideon’s voice washed through her, warming her, comforting her in a way she hadn’t thought possible. This was the connection that Jacob and Isabella shared. For the rest of the time both of them lived, each would be privy to the other’s innermost thoughts. She realized that because he was the more powerful, it was quite possible he would be able to master parts of himself, probably even hide things from her awareness and keep them private—at least, until she learned how to work her new ability with better skill. After all, she was a Demon of the Mind. It was part of her innate state of being to figure the workings of their complex minds. She removed her slippers and pushed the sleeves of her dress from her shoulders so that it sheeted off her in one smooth whisper of fabric. She closed her eyes, avoiding looking in the mirror or at herself, very aware of Gideon’s eyes behind her own. His masculine laughter vibrated through her, setting her skin to tingle. So, you are both shy and bold . . . he said with amusement as she quickly slid beneath her covers. You are a source of contradictions and surprises, Legna. My world has begun anew. As if living for over a millennium is not long enough? she asked him. On the contrary. Without you, it was far, far too long. Go to sleep, Nelissuna. And a moment after she received the thought, her eyes slid closed with a weight she could not have contradicted even if she had wanted to. Her last thought, as she drifted off, was that she had to make a point of telling Isabella that she might have been wrong about what it meant to have another to share one’s mind with.
Jacquelyn Frank (Gideon (Nightwalkers, #2))
Why did you cry off?” She stiffened in surprise; then, trying to match his light, mocking tone, she said, “Viscount Mondevale proved to be a trifle high in the instep about things like his fiancé cavorting about in cottages and greenhouses with you.” She fired and missed. “How many contenders are there this Season?” he asked conversationally as he turned to the target, pausing to wipe the gun. She knew he meant contenders for her hand, and pride absolutely would not allow her to say there were none, nor had there been for a long time. “Well…” she said, suppressing a grimace as she thought of her stout suitor with a houseful of cherubs. Counting on the fact that he didn’t move in the inner circles of the ton, she assumed he wouldn’t know much about either suitor. He raised the gun as she said, “There’s Sir Francis Belhaven, for one.” Instead of firing immediately as he had before, he seemed to require a long moment to adjust his aim. “Belhaven’s an old man,” he said. The gun exploded, and the twig snapped off. When he looked at her his eyes had chilled, almost as if he thought less of her. Elizabeth told herself she was imagining that and determined to maintain their mood of light conviviality. Since it was her turn, she picked up a gun and lifted it. “Who’s the other one?” Relieved that he couldn’t possibly find fault with the age of her reclusive sportsman, she gave him a mildly haughty smile. “Lord John Marchman,” she said, and she fired. Ian’s shout of laughter almost drowned out the report from the gun. “Marchman!” he said when she scowled at him and thrust the butt of the gun in his stomach. “You must be joking!” “You spoiled my shot,” she countered. “Take it again,” he said, looking at her with a mixture of derision, disbelief, and amusement. “No, I can’t shoot with you laughing. And I’ll thank you to wipe that smirk off your face. Lord Marchman is a very nice man.” “He is indeed,” said Ian with an irritating grin. “And it’s a damned good thing you like to shoot, because he sleeps with his guns and fishing poles. You’ll spend the rest of your life slogging through streams and trudging through the woods.” “I happen to like to fish,” she informed him, striving unsuccessfully not to lose her composure. “And Sir Francis may be a trifle older than I, but an elderly husband might be more kind and tolerant than a younger one.” “He’ll have to be tolerant,” Ian said a little shortly, turning his attention back to the guns, “or else a damned good shot.” It angered Elizabeth that he was suddenly attacking her when she had just worked it out in her mind that they were supposed to be dealing with what had happened in a light, sophisticated fashion. “I must say, you aren’t being very mature or very consistent!
Judith McNaught (Almost Heaven (Sequels, #3))
They stood on tiptoe, strained their eyes. “Let me look.” “Well, look then.” “What you see?” That was the question. No one saw anything. Then, simultaneously, three distinct groups of marchers came into view. One came up 125th Street from the east, on the north side of the street, marching west towards the Block. It was led by a vehicle the likes of which many had never seen, and as muddy as though it had come out of East River. A bare-legged black youth hugged the steering-wheel. They could see plainly that he was bare-legged for the vehicle didn’t have any door. He, in turn, was being hugged by a bare-legged white youth sitting at his side. It was a brotherly hug, but coming from a white youth it looked suggestive. Whereas the black had looked plain bare-legged, the bare-legged white youth looked stark naked. Such is the way those two colors affect the eyes of the citizens of Harlem. In the South it’s just the opposite. Behind these brotherly youths sat a very handsome young man of sepia color with the strained expression of a man moving his bowels. With him sat a middle-aged white woman in a teen-age dress who looked similarly engaged, with the exception that she had constipation. They held a large banner upright between them which read: BROTHERHOOD! Brotherly Love Is The Greatest! Following in the wake of the vehicle were twelve rows of bare-limbed marchers, four in each row, two white and two black, in orderly procession, each row with its own banner identical to the one in the vehicle. Somehow the black youths looked unbelievably black and the white youths unnecessarily white. These were followed by a laughing, dancing, hugging, kissing horde of blacks and whites of all ages and sexes, most of whom had been strangers to each other a half-hour previous. They looked like a segregationist nightmare. Strangely enough, the black citizens of Harlem were scandalized. “It’s an orgy!” someone cried. Not to be outdone, another joker shouted, “Mama don’t ’low that stuff in here.” A dignified colored lady sniffed. “White trash.” Her equally dignified mate suppressed a grin. “What else, with all them black dustpans?” But no one showed any animosity. Nor was anyone surprised. It was a holiday. Everyone was ready for anything. But when attention was diverted to the marchers from the south, many eyes seemed to pop out in black faces. The marchers from the south were coming north on the east side of Seventh Avenue, passing in front of the Scheherazade bar restaurant and the interdenominational church with the coming text posted on the notice-board outside: SINNERS ARE SUCKERS! DON’T BE A SQUARE! What caused the eyes of these dazed citizens to goggle was the sight of the apparition out front. Propped erect on the front bumper of a gold-trimmed lavender-colored Cadillac convertible driven by a fat black man with a harelip, dressed in a metallic-blue suit, was the statue of the Black Jesus, dripping black blood from its outstretched hands, a white rope dangling from its broken neck, its teeth bared in a look of such rage and horror as to curdle even blood mixed with as much alcohol as was theirs. Its crossed black feet were nailed to a banner which read: THEY LYNCHED ME! While two men standing in the back of the convertible held aloft another banner reading: BE NOT AFRAID!
Chester Himes (Blind Man with a Pistol (Harlem Cycle, #8))