“
And as you walk yr road, as you live yr life, RELISH THE ROAD. And relish the fact that the road of yr life will probably be a windy road.
”
”
Suzan-Lori Parks
“
Feelings come and go like clouds in a windy sky. Conscious breathing is my anchor.
”
”
Thich Nhat Hanh (Stepping into Freedom: An Introduction to Buddhist Monastic Training)
“
Shit is the tofu of cursing and can be molded to whichever condition the speaker desires. Hot as shit. Windy as shit. I myself was confounded as shit...
”
”
David Sedaris
“
It is so rare in this world to meet a trustworthy person who truly wants to help you, and finding such a person can make you feel warm and safe, even if you are in the middle of a windy valley high up in the mountains.
”
”
Lemony Snicket (Horseradish: Bitter Truths You Can't Avoid)
“
She walked quickly through the darkness with the frank stride of someone who was at least certain that the forest, on this damp and windy night, contained strange and terrible things and she was it.
”
”
Terry Pratchett (Wyrd Sisters (Discworld, #6; Witches, #2))
“
Gilbert, I'm afraid I'm scandalously in love with you.
”
”
L.M. Montgomery (Anne of Windy Poplars (Anne of Green Gables, #4))
“
No one but Night, with tears on her dark face, watches beside me in this windy place.
”
”
Edna St. Vincent Millay
“
You were never poor as long as you had something to love.
”
”
L.M. Montgomery (Anne of Windy Poplars (Anne of Green Gables, #4))
“
But I believe I rather like superstitious people. They lend color to life. Wouldn't it be a rather drab world if everybody was wise and sensible . . . and good? What would we find to talk about?
”
”
L.M. Montgomery (Anne of Windy Poplars (Anne of Green Gables, #4))
“
Close your eyes and turn your face into the wind.
Feel it sweep along your skin in an invisible ocean of exultation.
Suddenly, you know you are alive.
”
”
Vera Nazarian (The Perpetual Calendar of Inspiration)
“
Then take me disappearin' through the smoke rings of my mind,
Down the foggy ruins of time, far past the frozen leaves,
The haunted, frightened trees, out to the windy beach,
Far from the twisted reach of crazy sorrow.
Yes, to dance beneath the diamond sky with one hand waving free,
Silhouetted by the sea, circled by the circus sands,
With all memory and fate driven deep beneath the waves,
Let me forget about today until tomorrow.
”
”
Bob Dylan
“
If you ever decide to stop running and make a home…” His eyes are begging, pleading. “Make it with me.
”
”
Liz Tomforde (Caught Up (Windy City, #3))
“
Sometimes the quietest love is the loudest.
”
”
Liz Tomforde (The Right Move (Windy City, #2))
“
You don’t have to love your body every single day. That’s unrealistic to expect, but I’ll be here loving it for the days you can’t.
”
”
Liz Tomforde (Mile High (Windy City, #1))
“
How else would you get to live a thousand lives in the span of only one? The beauty of fiction is that it makes you feel things on a visceral level. You can cry with those characters, laugh with them. It teaches you to look at another’s perspective, to have empathy. In nonfiction, you simply learn about something instead of feeling it.
”
”
Liz Tomforde (The Right Move (Windy City, #2))
“
I hate to lend a book I love…it never seems quite the same when it comes back to me…
”
”
L.M. Montgomery (Anne of Windy Poplars (Anne of Green Gables, #4))
“
it would be lovely to sleep in a wild cherry-tree all white with bloom in the moonshine
”
”
L.M. Montgomery (Anne of Windy Poplars (Anne of Green Gables, #4))
“
Gilbert darling, don't let's ever be afraid of things. It's such dreadful slavery. Let's be daring and adventurous and expectant. Let's dance to meet life and all it can bring to us, even if it brings scads of trouble and typhoid and twins!
”
”
L.M. Montgomery (Anne of Windy Poplars (Anne of Green Gables, #4))
“
Stevie,” Zanders says. “You following me?
”
”
Liz Tomforde (Mile High (Windy City, #1))
“
I love that you read romance novels to feel something. I love that you love flowers and plants because nurturing and allowing something to grow is second nature to you. I love that you experience every emotion so hard it takes over your entire body. But baby, I want to be the one to make you feel how your favorite books do.
”
”
Liz Tomforde (The Right Move (Windy City, #2))
“
Sea-fever
I must down to the seas again, to the lonely sea and the sky,
And all I ask is a tall ship and a star to steer her by,
And the wheel's kick and the wind's song and the white sail's shaking,
And a grey mist on the sea's face, and a grey dawn breaking.
I must down to the seas again, for the call of the running tide
Is a wild call and a clear call that may not be denied;
And all I ask is a windy day with the white clouds flying,
And the flung spray and the blown spume, and the sea-gulls crying.
I must down to the seas again, to the vagrant gypsy life,
To the gull's way and the whale's way where the wind's like a whetted knife;
And all I ask is a merry yarn from a laughing fellow-rover
And quiet sleep and a sweet dream when the long trick's over.
”
”
John Masefield (Sea Fever: Selected Poems)
“
There was nothing between the ranch and the nearest town except a windy, two-lane mountain road edged with pine trees, meadows, cliffs and boulders. No Dairy Queen, no Circle K, nothing.
”
”
Cricket Rohman (Colorado Takedown (The McAllister Brothers, #1))
“
Isn't it queer that the things we writhe over at night are seldom wicked things? Just humiliating ones.
”
”
L.M. Montgomery (Anne of Windy Poplars (Anne of Green Gables, #4))
“
Touch her and I’ll kill you. Say something that makes her upset and I’ll ruin your life. Look at her inappropriately and I will beat the living shit out of you.
”
”
Liz Tomforde (The Right Move (Windy City, #2))
“
Then hate me when thou wilt; if ever, now;
Now, while the world is bent my deeds to cross,
Join with the spite of fortune, make me bow,
And do not drop in for an after-loss:
Ah! do not, when my heart hath ‘scaped this sorrow,
Come in the rearward of a conquered woe;
Give not a windy night a rainy morrow,
To linger out a purposed overthrow.
If thou wilt leave me, do not leave me last,
When other petty griefs have done their spite,
But in the onset come: so shall I taste
At first the very worst of fortune’s might;
And other strains of woe, which now seem woe,
Compared with loss of thee, will not seem so.
”
”
William Shakespeare
“
But there is always a November space after the leaves have fallen when she felt it was almost indecent to intrude on the woods…for their glory terrestrial had departed and their glory celestial of spirit and purity and whiteness had not yet come upon them.
”
”
L.M. Montgomery (Anne of Windy Poplars (Anne of Green Gables, #4))
“
There's nothing like stories on a windy night when folks have found a warm place in a cold world.
”
”
Stephen King (The Wind Through the Keyhole (The Dark Tower, #4.5))
“
If shit-talking is a love language, then it’s ours, and I thoroughly plan on bantering with my wild girl for the rest of my life.
”
”
Liz Tomforde (Mile High (Windy City, #1))
“
I will love you with no regard to the actions of our enemies or the jealousies of actors. I will love you with no regard to the outrage of certain parents or the boredom of certain friends. I will love you no matter what is served in the world’s cafeterias or what game is played at each and every recess. I will love you no matter how many fire drills we are all forced to endure, and no matter what is drawn upon the blackboard in blurry, boring chalk. I will love you no matter how many mistakes I make when trying to reduce fractions, and no matter how difficult it is to memorize the periodic table.
I will love you no matter what your locker combination was, or how you decided to spend your time during study hall. I will love you no matter how your soccer team performed in the tournament or how many stains I received on my cheerleading uniform. I will love you if I never see you again, and I will love you if I see you every Tuesday. I will love you if you cut your hair and I will love you if you cut the hair of others. I will love you if you abandon your baticeering, and I will love you if you if you retire from the theater to take up some other, less dangerous occupation. I will love you if you drop your raincoat on the floor instead of hanging it up and I will love you if you betray your father. I will love you even if you announce that the poetry of Edgar Guest is the best in the world and even if you announce that the work of Zilpha Keatley Snyder is unbearably tedious. I will love you if you abandon the theremin and take up the harmonica and I will love you if you donate your marmosets to the zoo and your tree frogs to M. I will love you as a starfish loves a coral reef and as a kudzu loves trees, even if the oceans turn to sawdust and the trees fall in the forest without anyone around to hear them. I will love you as the pesto loves the fettuccini and as the horseradish loves the miyagi, as the tempura loves the ikura and the pepperoni loves the pizza.
I will love you as the manatee loves the head of lettuce and as the dark spot loves the leopard, as the leech loves the ankle of a wader and as a corpse loves the beak of the vulture. I will love you as the doctor loves his sickest patient and a lake loves its thirstiest swimmer. I will love you as the beard loves the chin, and the crumbs love the beard, and the damp napkin loves the crumbs, and the precious document loves the dampness in the napkin, and the squinting eye of the reader loves the smudged print of the document, and the tears of sadness love the squinting eye as it misreads what is written. I will love you as the iceberg loves the ship, and the passengers love the lifeboat, and the lifeboat loves the teeth of the sperm whale, and the sperm whale loves the flavor of naval uniforms. i will love you as a child loves to overhear the conversations of its parents, and the parents love the sound of their own arguing voices, and as the pen loves to write down the words these voices utter in a notebook for safekeeping. I will love you as a shingle loves falling off a house on a windy day and striking a grumpy person across the chin, and as an oven loves malfunctioning in the middle of roasting a turkey.
I will love you as an airplane loves to fall from a clear blue sky and as an escalator loves to entangle expensive scarves in its mechanisms. I will love you as a wet paper towel loves to be crumpled into a ball and thrown at a bathroom ceiling and as an eraser loves to leave dust in the hairdos of people who talk too much. I will love you as a cufflink loves to drop from its shirt and explore the party for itself and as a pair of white gloves loves to slip delicately into the punchbowl. I will love you as the taxi loves the muddy splash of a puddle and as a library loves the patient tick of a clock.
”
”
Lemony Snicket
“
If the mind's not strong, the body acts weak, even if it's not. If the mind says it's too cold or too rainy or too windy to run, the body will be more than happy to agree. If the mind says it would be better to rest or recover or cut practice, the body will be glad to oblige.
”
”
Wendelin Van Draanen (The Running Dream)
“
I think part of me will always want to hide away, but I want to hide here, with you.
”
”
Liz Tomforde (The Right Move (Windy City, #2))
“
I know I don’t have your history, but I want your future.
”
”
Liz Tomforde (The Right Move (Windy City, #2))
“
But the truth is, I do want to be loved, and that’s scary to admit. It’s a lot easier to say you don’t want to be loved when no one loves you.
”
”
Liz Tomforde (Mile High (Windy City, #1))
“
Good night, belovedest. Your sleep will be sweet if there is any influences in the wishes of your own.
”
”
L.M. Montgomery (Anne of Windy Poplars (Anne of Green Gables, #4))
“
When did I say that? I’m a romance reader. I have a thing for assholes.
”
”
Liz Tomforde (The Right Move (Windy City, #2))
“
I love you as the plant that never blooms
but carries in itself the light of hidden flowers;
thanks to your love a certain solid fragrence
risen from the earth, lives darkly in my body.
and:
No one can stop the river of your hands,
your eyes and their sleepiness, my dearest.
You are the trembling of time, which passes
between the vertical light and the darkening sky.
and:
From the stormy archipelagoes I brought
my windy accordian, waves of crazy rain,
the habitual slowness of natural things:
they made up my wild heart.
”
”
Pablo Neruda
“
On more than one occasion I have been ready to abandon my whole life for love. To alter everything that makes sense to me and to move into a different world where the only known will be the beloved. Such a sacrifice must be the result of love... or is it that the life itself was already worn out? I had finished with that life, perhaps, and could not admit it, being stubborn or afraid, or perhaps did not known it, habit being a great binder. I think it is often so that those most in need of change choose to fall in love and then throw up their hands and blame it all on fate. But it is not fate, at least, not if fate is something outside of us; it is a choice made in secret after nights of longing.
... I may be cynical when I say that very rarely is the beloved more than a shaping spirit for the lover's dreams... To be a muse may be enough. The pain is when the dreams change, as they do, as they must. Suddenly the enchanted city fades and you are left alone again in the windy desert. As for your beloved, she didn't understand you.
The truth is, you never understood yourself.
”
”
Jeanette Winterson (Sexing the Cherry)
“
I learned not to fear infinity,
The far field, the windy cliffs of forever,
The dying of time in the white light of tomorrow,
The wheel turning away from itself,
The sprawl of the wave,
The on-coming water.
”
”
Theodore Roethke
“
Grief seems like a privilege, in a way,” she says. “To have loved someone so much that you can’t imagine life without them.
”
”
Liz Tomforde (Play Along (Windy City #4))
“
You know that jersey you’ve got with my last name on it? When you see it hanging there in your closet, let it serve as a reminder to you, that soon enough, it’ll be her last name too.
”
”
Liz Tomforde (The Right Move (Windy City, #2))
“
The Woman had told her that Tomorrow never comes, but Elizabeth knows better. It will come sometime. Some beautiful morning she will just wake up and find it is Tomorrow. Not Today but Tomorrow. And then things will happen…wonderful things.
”
”
L.M. Montgomery (Anne of Windy Poplars (Anne of Green Gables, #4))
“
It hurts a whole lot less to be hated when you’re not being yourself than it does not to be loved for who you are,
”
”
Liz Tomforde (Mile High (Windy City, #1))
“
Life owes me something more than it has paid me and I’m going out to collect it…
”
”
L.M. Montgomery (Anne of Windy Poplars (Anne of Green Gables, #4))
“
At some point, I should probably tell her that my love language is whichever one she wants it to be so she can stop guessing. I’ll make sure that girl feels loved however she needs.
”
”
Liz Tomforde (The Right Move (Windy City, #2))
“
I'm not telling you what you should or shouldn't do with your life. I just don't want you to be so afraid to fail at something new that it keeps you from finding your happiness when you're the reason I found mine.
”
”
Liz Tomforde (Caught Up (Windy City, #3))
“
Do you love her?”
“I do. Very much so.”
“She might break your heart.”
“I’ll love her anyway.
”
”
Liz Tomforde (Caught Up (Windy City, #3))
“
It was not a windy day, my hair always looks like that.
”
”
Mary Ann Shaffer (The Guernsey Literary and Potato Peel Pie Society)
“
You are the only person who loves me in the world," said Elizabeth. "When you talk to me I smell violets.
”
”
L.M. Montgomery (Anne of Windy Poplars (Anne of Green Gables, #4))
“
Nothing worth while is every easy come by.
”
”
L.M. Montgomery (Anne of Windy Poplars (Anne of Green Gables, #4))
“
I'm happiest when most away
I can bear my soul from its home of clay
On a windy night when the moon is bright
And the eye can wander through worlds of light—
When I am not and none beside—
Nor earth nor sea nor cloudless sky—
But only spirit wandering wide
Through infinite immensity.
”
”
Emily Brontë
“
This is practically a how-to manual on how to please a woman. How are more men not reading these?
”
”
Liz Tomforde (The Right Move (Windy City, #2))
“
You’re my first choice, Vee. My only choice.
”
”
Liz Tomforde (Mile High (Windy City, #1))
“
Seems," madam? Nay, it is; I know not "seems."
'Tis not alone my inky cloak, good mother,
Nor customary suits of solemn black,
Nor windy suspiration of forced breath,
No, nor the fruitful river in the eye,
Nor the dejected 'havior of the visage,
Together with all forms, moods, shapes of grief,
That can denote me truly: these indeed seem,
For they are actions that a man might play:
But I have that within which passeth show;
These but the trappings and the suits of woe.
”
”
William Shakespeare (Hamlet)
“
In daylight I belong to the world . . . in the night to sleep and eternity. But in the dusk I'm free from both and belong only to myself . . . and you
”
”
L.M. Montgomery
“
His quiet love. It’s always the loudest.
”
”
Liz Tomforde (The Right Move (Windy City, #2))
“
Nobody is ever too old to dream. And dreams never grow old.
”
”
L.M. Montgomery
“
All I can think about is seeing you smile and trying to be the reason you are.
”
”
Liz Tomforde (The Right Move (Windy City, #2))
“
You can’t stop being who you are because someone else thinks it’s too much, Ind. He can go find less.
”
”
Liz Tomforde (The Right Move (Windy City, #2))
“
It was really dreadful to be so different from other people…and yet rather wonderful, too, as if you were a being strayed from another star.
”
”
L.M. Montgomery (Anne of Windy Poplars (Anne of Green Gables, #4))
“
Hey, Isaiah?” “Yeah?” “I live, laugh, love you too.
”
”
Liz Tomforde (Play Along (Windy City, #4))
“
Wrapping an arm over her shoulders, I kiss her head. “You are the most jealous woman I’ve ever met. You know that?” Her head jerks back. “You’ve met other women?
”
”
Liz Tomforde (Caught Up (Windy City, #3))
“
I pepper kisses on the side of her head as I watch a smile pull at her lips through the mirror. And though I love every single curve on her body, that one right there is my favorite.
”
”
Liz Tomforde (Mile High (Windy City, #1))
“
Read poetry every day of your life. Poetry is good because it flexes muscles you don’t use often enough. Poetry expands the senses and keeps them in prime condition. It keeps you aware of your nose, your eye, your ear, your tongue, your hand.
And, above all, poetry is compacted metaphor or simile. Such metaphors, like Japanese paper flowers, may expand outward into gigantic shapes. Ideas lie everywhere through the poetry books, yet how rarely have I heard short story teachers recommending them for browsing.
What poetry? Any poetry that makes your hair stand up along your arms. Don’t force yourself too hard. Take it easy. Over the years you may catch up to, move even with, and pass T. S. Eliot on your way to other pastures. You say you don’t understand Dylan Thomas? Yes, but your ganglion does, and your secret wits, and all your unborn children. Read him, as you can read a horse with your eyes, set free and charging over an endless green meadow on a windy day.
”
”
Ray Bradbury (Zen in the Art of Writing: Releasing the Creative Genius Within You)
“
But now she loved winter. Winter was beautiful "up back" - almost intolerably beautiful. Days of clear brilliance. Evenings that were like cups of glamour - the purest vintage of winter's wine. Nights with their fire of stars. Cold, exquisite winter sunrises. Lovely ferns of ice all over the windows of the Blue Castle. Moonlight on birches in a silver thaw. Ragged shadows on windy evenings - torn, twisted, fantastic shadows. Great silences, austere and searching. Jewelled, barbaric hills. The sun suddenly breaking through grey clouds over long, white Mistawis. Ice-grey twilights, broken by snow-squalls, when their cosy living-room, with its goblins of firelight and inscrutable cats, seemed cosier than ever. Every hour brought a new revalation and wonder.
”
”
L.M. Montgomery (The Blue Castle)
“
Stevie girl, I’ll follow you anywhere.
”
”
Liz Tomforde (Mile High (Windy City, #1))
“
Can I read some of your book?” “Really?” He nods excitedly.
”
”
Liz Tomforde (The Right Move (Windy City, #2))
“
Sure, I’m dramatic and sloppily semi-cynical and semi-sentimental. But, in leisure years I could grow and choose my way. Now I am living on the edge. We all are on the brink, and it takes a lot of nerve, a lot of energy, to teeter on the edge, looking over, looking down into the windy blackness and not being quite able to make out, through the yellow, stinking mist, just what lies below in the slime, in the oozing, vomit-streaked slime; and so I could go on, my thoughts, writing much, trying to find the core, the meaning for myself.
”
”
Sylvia Plath (The Unabridged Journals of Sylvia Plath)
“
One can always find something lovely to look at or listen to,' said Anne.
”
”
L.M. Montgomery (Anne of Windy Poplars (Anne of Green Gables, #4))
“
My sweet little whorish Nora I did as you told me, you dirty little girl, and pulled myself off twice when I read your letter. I am delighted to see that you do like being fucked arseways. Yes, now I can remember that night when I fucked you for so long backwards. It was the dirtiest fucking I ever gave you, darling. My prick was stuck in you for hours, fucking in and out under your upturned rump. I felt your fat sweaty buttocks under my belly and saw your flushed face and mad eyes. At every fuck I gave you your shameless tongue came bursting out through your lips and if a gave you a bigger stronger fuck than usual, fat dirty farts came spluttering out of your backside. You had an arse full of farts that night, darling, and I fucked them out of you, big fat fellows, long windy ones, quick little merry cracks and a lot of tiny little naughty farties ending in a long gush from your hole. It is wonderful to fuck a farting woman when every fuck drives one out of her. I think I would know Nora’s fart anywhere. I think I could pick hers out in a roomful of farting women. It is a rather girlish noise not like the wet windy fart which I imagine fat wives have. It is sudden and dry and dirty like what a bold girl would let off in fun in a school dormitory at night. I hope Nora will let off no end of her farts in my face so that I may know their smell also.
You say when I go back you will suck me off and you want me to lick your cunt, you little depraved blackguard. I hope you will surprise me some time when I am asleep dressed, steal over to me with a whore’s glow in your slumberous eyes, gently undo button after button in the fly of my trousers and gently take out your lover’s fat mickey, lap it up in your moist mouth and suck away at it till it gets fatter and stiffer and comes off in your mouth. Sometimes too I shall surprise you asleep, lift up your skirts and open your drawers gently, then lie down gently by you and begin to lick lazily round your bush. You will begin to stir uneasily then I will lick the lips of my darling’s cunt. You will begin to groan and grunt and sigh and fart with lust in your sleep. Then I will lick up faster and faster like a ravenous dog until your cunt is a mass of slime and your body wriggling wildly.
Goodnight, my little farting Nora, my dirty little fuckbird! There is one lovely word, darling, you have underlined to make me pull myself off better. Write me more about that and yourself, sweetly, dirtier, dirtier.
”
”
James Joyce (Selected Letters of James Joyce)
“
Has anyone ever told you that you’re a little possessive, Shay?” His chest rumbles against my back in a silent laugh. “Never. But then again, no one else has ever made me feel quite as greedy as you do.
”
”
Liz Tomforde (The Right Move (Windy City, #2))
“
So, ‘Vee’, huh?” “It’s a family nickname.” “My family nickname is Zee. Vee and Zee. Aren’t we fucking adorable?
”
”
Liz Tomforde (Mile High (Windy City, #1))
“
Sometimes history really means nothing when the right people walk into your life.
”
”
Liz Tomforde (The Right Move (Windy City, #2))
“
Today has been a day dropped out of June into April.
”
”
L.M. Montgomery (Anne of Windy Poplars (Anne of Green Gables, #4))
“
Monty exhales a contented sigh. “Just know that I loved her first.” I nod. “And I’ll love her always.
”
”
Liz Tomforde (Caught Up (Windy City, #3))
“
I would’ve followed you anywhere, but you never asked.
”
”
Liz Tomforde (Mile High (Windy City, #1))
“
You’re chaotic as fuck, Blue, but you bring me more peace than anyone else.
”
”
Liz Tomforde (The Right Move (Windy City, #2))
“
I’m not easily distracted, but if I could manifest my perfect distraction, it’d look a lot like her.
”
”
Liz Tomforde (The Right Move (Windy City, #2))
“
Have you ever noticed how many silences there are Gilbert? The silence of the woods....of the shore....of the meadows....of the night....of the summer afternoon. All different because the undertones that thread them are different.
”
”
L.M. Montgomery (Anne of Windy Poplars (Anne of Green Gables, #4))
“
Tapi yang menyenangkan dalam sebuah perjalanan adalah menemukan diri kita sendiri; sebuah rumah yang sesungguhnya. Yang membuat kita tak akan merasa asing meski berada di tempat asing sekalipun…
…because travelers never think that they are foreigners.
”
”
Windy Ariestanty (Life Traveler)
“
He’ll be on his hands and knees most of the time.” “As all men should be.
”
”
Liz Tomforde (Caught Up (Windy City, #3))
“
I haven’t seen black and white since the second you walked into my apartment. Now it’s pink-painted toes, purple clothes, green plants, and those goddamn yellow curtains.” He shakes his head. “And so much fucking Blue. All I see is Blue.” Translation: All I see is you.
”
”
Liz Tomforde (The Right Move (Windy City, #2))
“
You’ve never gotten a say in your own life, and the last thing I’m going to do is take that away from you again. Every option is yours, Kenny. Whatever you want to do, I will be your biggest supporter. But I couldn’t live with myself if I didn’t allow you the space to fulfill your goals, to live up to everything you’ve worked so hard for.
”
”
Liz Tomforde (Play Along (Windy City, #4))
“
No. That’s not how this is going to go. When you’re with me, I want you exactly as you are. That includes letting people know just how fucking smart you are. You’re not going to cater to anyone’s toxic masculinity bullshit. You’re not going to be quiet and appeasing when you’re with me. If Ron, or anyone else for that matter, has an issue with you being smarter than him, then we’re going to have a far bigger problem than him thinking I’m not a good leader.
”
”
Liz Tomforde (The Right Move (Windy City, #2))
“
Home is a place where you can find your love.
”
”
Windy Ariestanty (Life Traveler)
“
Time wastes too fast : every letter I trace tells me with what rapidity Life follows my pen ; the days and hours of it, more precious, my dear Jenny! than the rubies about thy neck, are flying over our heads like light clouds of a windy day, never to return more -- every thing presses on -- whilst thou are twisting that lock, -- see! it grows grey ; and every time I kiss thy hand to bid adieu, and every absence which follows it, are preludes to that eternal separation which we are shortly to make!
”
”
Laurence Sterne
“
She died on a windy gray day in March when the sky was full of darting crows and the world lay prostrate and defeated after winter. Peter Lake was at her side and it ruined him forever. It broke him as he had not ever imagined he could have been broken. He would never again be young, or able to remember what it was like to be young. What he had once taken to be pleasures would appear to him in his defeat as hideous and deserved punishments for reckless vanity.
”
”
Mark Helprin (Winter's Tale)
“
He looked at a world of incredible loveliness. Old distaff Celt's blood in some back chamber of his brain moved him to discourse with the birches, with the oaks. A cool green fire kept breaking in the woods and he could hear the footsteps of the dead. Everything had fallen from him. He scarce could tell where his being ended or the world began nor did he care. He lay on his back in the gravel, the earth's core sucking his bones, a moment's giddy vertigo with this illusion of falling outward through blue and windy space, over the offside of the planet, hurtling through the high thin cirrus.
”
”
Cormac McCarthy (Suttree)
“
Find your passion, Miller. Find what makes you excited to get up every morning and if it's not this, walk away."
Well, fuck me, am I that obvious?
"This is what I'm good at."
"Oh, you're fucking brilliant at it. But you know what's better than being the best at something you don't love? Being mediocre at something you do.
”
”
Liz Tomforde (Caught Up (Windy City, #3))
“
Hope has no feathers
Hope takes flight
tethered with twine
like a tattered kite,
slave to the wind's
capricious drift
eager to soar
but needing lift
Hope waits stubbornly
watching the sky
for turmoil, feeding on
things that fly:
crows, ashes, newspapers,
dry leaves in flight
all suggest wind
that could lift a kite
Hope sails and plunges
firmly caught
at the end of her string -
fallen slack, pulling taught,
ragged and featherless.
Hope never flies
but doggedly watches
for windy skies.
”
”
Elizabeth Wein (Rose Under Fire)
“
Elven Hymn to Elbereth
Snow-white! Snow-white! O Lady clear!
O Queen beyond the Western Seas!
O Light to us that wander here
Amid the world of woven trees!
Gilthoniel! O Elbereth!
Clear are thy eyes and bright thy breath!
Snow-white! Snow-white! We sing to thee
In a far land beyond the Sea.
O stars that in the Sunless Year
With shining hand by her were sown,
In windy fields now bright and clear
We see your silver blossom blown!
O Elbereth! Gilthoniel!
We still remember, we who dwell
In this far land beneath the trees,
Thy starlight on the Western Seas.
A Elbereth Gilthoniel,
silivren penna míriel
o menel aglar elenath!
Na-chaered palan-díriel
o galadhremmin ennorath,
Fanuilos, le linnathon
nef aear, si nef aearon!
A Elbereth Gilthoniel!
o menel palan-díriel
le nallon sí di'nguruthos!
A tiro nin, Fanuilos!
A! Elbereth Gilthoniel!
silivren penna míriel
o menel aglar elenath!
We still remember, we who dwell
In this far land beneath the trees,
Thy starlight on the Western Seas.
”
”
J.R.R. Tolkien (The Lord of the Rings)
“
Robin’s mind was spinning with claret, or else he wouldn’t have managed what he said next. ‘Why won’t you dance with Letty?’ ‘I’m not looking to start a row.’ ‘No, really.’ ‘Please, Birdie.’ Ramy sighed. ‘You know how it is.’ ‘She wants you,’ Robin said. He’d only just realized this, and now that he said it out loud, it seemed so obvious that he felt stupid for not seeing it earlier. ‘Very badly. So why—’ ‘Don’t you know why?’ Their eyes met. Robin felt a prickle at the back of his neck. The space between them felt very charged, like the moment between lightning and thunder, and Robin had no idea what was going on or what would happen next, only that it all felt very strange and terrifying, like teetering over the edge of a windy, roaring cliff.
”
”
R.F. Kuang (Babel)
“
Winter came in days that were gray and still. They were the kind of days in which people locked in their animals and themselves and nothing seemed to stir but the smoke curling upwards from clay chimneys and an occasional red-winged blackbird which refused to be grounded. And it was cold. Not the windy cold like Uncle Hammer said swept the northern winter, but a frosty, idle cold that seeped across a hot land ever lookung toward the days of green and ripening fields, a cold thay lay uneasy during during its short stay as it crept through the cracks of poorly constucted houses and forced the people inside huddled around ever-burning fires to wish it gone.
”
”
Mildred D. Taylor (Let the Circle Be Unbroken (Logans, #5))
“
Silence is a mirror. So faithful, and yet so unexpected, is the relection it can throw back at men that they will go to almost any length to avoid seeing themselves in it, and if ever its duplicating surface is temporarily wiped clean of modern life's ubiquitous hubbub, they will hasten to fog it over with such desperate personal noise devices as polite conversation, hummin, whistling, imaginary dialogue, schizophrenic babble, or, should it come to that, the clandestine cannonry of their own farting. Only in sleep is silence tolerated, and even there, most dreams have soundtracks. Since meditation is a deliberate descent into deep internal hush, a mute stare into the ultimate looking glass, it is regarded with suspicion by the nattering masses; with hostility by buisness interests (people sitting in silent serenity are seldom consuming goods); and with spite by a clergy whose windy authority it is seen to undermine and whose bombastic livelihood it is perceived to threaten.
”
”
Tom Robbins (Fierce Invalids Home from Hot Climates)
“
November again. It’s more winter than autumn. That’s not mist. It’s fog. The sycamore seeds hit the glass in the wind like – no, not like anything else, like sycamore seeds hitting window glass. There’ve been a couple of windy nights. The leaves are stuck to the ground with the wet. The ones on the paving are yellow and rotting, wanwood, leafmeal. One is so stuck that when it eventually peels away, its leafshape left behind, shadow of a leaf, will last on the pavement till next spring. The furniture in the garden is rusting. They’ve forgotten to put it away for the winter. The trees are revealing their structures. There’s the catch of fire in the air. All the souls are out marauding. But there are roses, there are still roses. In the damp and the cold, on a bush that looks done, there’s a wide-open rose, still. Look at the colour of it.
”
”
Ali Smith (Autumn (Seasonal, #1))
“
Numberless are the world's wonders, but none
More wonderful than man; the storm gray sea
Yields to his prows, the huge crests bear him high;
Earth, holy and inexhaustible, is graven
With shining furrows where his plows have gone
Year after year, the timeless labor of stallions.
The light-boned birds and beasts that cling to cover,
The lithe fish lighting their reaches of dim water,
All are taken, tamed in the net of his mind;
The lion on the hill, the wild horse windy-maned,
Resign to him; and his blunt yoke has broken
The sultry shoulders of the mountain bull.
Words also, and thought as rapid as air,
He fashions to his good use; statecraft is his
And his the skill that deflects the arrows of snow,
The spears of winter rain: from every wind
He has made himself secure--from all but one:
In the late wind of death he cannot stand.
O clear intelligence, force beyond all measure!
O fate of man, working both good and evil!
When the laws are kept, how proudly his city stands!
When the laws are broken, what of his city then?
Never may the anarchic man find rest at my hearth,
Never be it said that my thoughts are his thoughts.
”
”
Sophocles (Antigone (The Theban Plays, #3))
“
Once I learned this truth, I began to see examples of it everywhere. A picture hung on the wall of our parlor. In it, a woman was taking a shirt from a clothesline. She had clothespins in her teeth and it was windy and a boy was tugging at her dress. The woman looked like she was in a hurry and the whole scene gave me the idea that, just outside the frame, full, dark clouds were gathering. But that was not what it was. It was paint. So I decided right then and there to see the picture as it really was. I stared at the thing long and hard, trying to only see the paint. But it was no use. All my eyes would allow me to see was the lie. In fact, the longer I gazed at the paint, the more false detail I began to imagine. The boy was crying, as if afraid, and the woman was weaker than I had first believed. I finally gave up. I understood then that it takes a powerful imagination to see a thing for what it really is.
”
”
Norm Macdonald (Based on a True Story)
“
It is lucky that it is not windy today. Strange, how in some way one always has the impression of being fortunate, how some chance happening, perhaps infinitesimal, stops us crossing the threshold of despair and allows us to live. It is raining, but it is not windy. Or else, it is raining and it is also windy: but you know that this evening it is your turn for the supplement of soup, so that even today you find the strength to reach the evening. Or it is raining, windy and you have the usual hunger, and then you think that if you really had to, if you really felt nothing in your heart but suffering and tedium - as sometimes happens, when you really seem to lie on the bottom - well, even in that case, at any moment you want you could always go and touch the electric wire-fence, or throw yourself under the shunting trains, and then it would stop raining.
”
”
Primo Levi (If This Is a Man • The Truce)
“
Comedy and tragedy are so mixed up in life, Gilbert. The only thing that haunts me is that tale of the two who lived together fifty years and hated each other all that time. I can't believe they really did. Somebody has said that 'hate is only love that has missed its way.' I feel sure that under the hatred they really loved each other . . . just as I really loved you all those years I thought I hated you . . . and I think death would show it to them. I'm glad I found out in life.
”
”
L.M. Montgomery (Anne of Windy Poplars (Anne of Green Gables, #4))
“
I will love you with no regard to the actions of our enemies or the jealousies of actors. I will love you with no regard to the outrage of certain parents or the boredom of certain friends. I will love you no matter what is served in the world’s cafeterias or what game is played at each and every recess. I will love you no matter how many fire drills we are all forced to endure, and no matter what is drawn upon the blackboard in a blurring, boring chalk. I will love you no matter how many mistakes I make when trying to reduce fractions, and no matter how difficult it is to memorize the periodic table. I will love you no matter what your locker combination was, or how you decided to spend your time during study hall. I will love you no matter how your soccer team performed in the tournament or how many stains I received on my cheerleading uniform. I will love you if I never see you again, and I will love you if I see you every Tuesday. I will love you if you cut your hair and I will love you if you cut the hair of others. I will love you if you abandon your baticeering, and I will love you if you retire from the theater to take up some other, less dangerous occupation. I will love you if you drop your raincoat on the floor instead of hanging it up and I will love you if you betray your father. I will love you even if you announce that the poetry of Edgar Guest is the best in the world and even if you announce that the work of Zilpha Keatley Snyder is unbearably tedious. I will love you if you abandon the theremin and take up the harmonica and I will love you if you donate your marmosets to the zoo and your tree frogs to M. I will love you as the starfish loves a coral reef and as kudzu loves trees, even if the oceans turn to sawdust and the trees fall in the forest without anyone around to hear them. I will love you as the pesto loves the fetuccini and as the horseradish loves the miyagi, as the tempura loves the ikura and the pepperoni loves the pizza. I will love you as the manatee loves the head of lettuce and as the dark spot loves the leopard, as the leech loves the ankle of a wader and as a corpse loves the beak of the vulture. I will love you as the doctor loves his sickest patient and a lake loves its thirstiest swimmer. I will love you as the beard loves the chin, and the crumbs love the beard, and the damp napkin loves the crumbs, and the precious document loves the dampness in the napkin, and the squinting eye of the reader loves the smudged print of the document, and the tears of sadness love the squinting eye as it misreads what is written. I will love you as the iceberg loves the ship, and the passengers love the lifeboat, and the lifeboat loves the teeth of the sperm whale, and the sperm whale loves the flavor of naval uniforms. I will love you as a child loves to overhear the conversations of its parents, and the parents love the sound of their own arguing voices, and as the pen loves to write down the words these voices utter in a notebook for safekeeping. I will love you as a shingle loves falling off a house on a windy day and striking a grumpy person across the chin, and as an oven loves malfunctioning in the middle of roasting a turkey. I will love you as an airplane loves to fall from a clear blue sky and as an escalator loves to entangle expensive scarves in its mechanisms. I will love you as a wet paper towel loves to be crumpled into a ball and thrown at a bathroom ceiling and an eraser loves to leave dust in the hairdos of the people who talk too much. I will love you as a taxi loves the muddy splash of a puddle and as a library loves the patient tick of a clock. I will love you as a thief loves a gallery and as a crow loves a murder, as a cloud loves bats and as a range loves braes. I will love you as misfortune loves orphans, as fire loves innocence and as justice loves to sit and watch while everything goes wrong.
”
”
Lemony Snicket (The Beatrice Letters)
“
The value of Greek prose composition, he said, was not that it gave one any particular facility in the language that could not be gained as easily by other methods but that if done properly, off the top of one's head, it taught one to think in Greek. One's thought patterns become different, he said, when forced into the confines of a rigid and unfamiliar tongue. Certain common ideas become inexpressible; other, previously undreamt-of ones spring to life, finding miraculous new articulation. By necessity, I suppose, it is difficult for me to explain in English exactly what I mean. I can only say that an incendium is in its nature entirely different from the feu with which a Frenchman lights his cigarette, and both are very different from the stark, inhuman pur that the Greeks knew, the pur that roared from the towers of Ilion or leapt and screamed on that desolate, windy beach, from the funeral pyre of Patroklos.
Pur: that one word contains for me the secret, the bright, terrible clarity of ancient Greek. How can I make you see it, this strange harsh light which pervades Homer's landscapes and illumines the dialogues of Plato, an alien light, inarticulable in our common tongue? Our shared language is a language of the intricate, the peculiar, the home of pumpkins and ragamuffins and bodkins and beer, the tongue of Ahab and Falstaff and Mrs. Gamp; and while I find it entirely suitable for reflections such as these, it fails me utterly when I attempt to describe in it what I love about Greek, that language innocent of all quirks and cranks; a language obsessed with action, and with the joy of seeing action multiply from action, action marching relentlessly ahead and with yet more actions filing in from either side to fall into neat step at the rear, in a long straight rank of cause and effect toward what will be inevitable, the only possible end.
In a certain sense, this was why I felt so close to the other in the Greek class. They, too, knew this beautiful and harrowing landscape, centuries dead; they'd had the same experience of looking up from their books with fifth-century eyes and finding the world disconcertingly sluggish and alien, as if it were not their home. It was why I admired Julian, and Henry in particular. Their reason, their very eyes and ears were fixed irrevocably in the confines of those stern and ancient rhythms – the world, in fact, was not their home, at least the world as I knew it – and far from being occasional visitors to this land which I myself knew only as an admiring tourist, they were pretty much its permanent residents, as permanent as I suppose it was possible for them to be. Ancient Greek is a difficult language, a very difficult language indeed, and it is eminently possible to study it all one's life and never be able to speak a word; but it makes me smile, even today, to think of Henry's calculated, formal English, the English of a well-educated foreigner, as compared with the marvelous fluency and self-assurance of his Greek – quick, eloquent, remarkably witty. It was always a wonder to me when I happened to hear him and Julian conversing in Greek, arguing and joking, as I never once heard either of them do in English; many times, I've seen Henry pick up the telephone with an irritable, cautious 'Hello,' and may I never forget the harsh and irresistible delight of his 'Khairei!' when Julian happened to be at the other end.
”
”
Donna Tartt (The Secret History)