Summer Perennial Quotes

Wearing an antique bridal gown, the beautiful queen of the vampires sits all alone in her dark, high house under the eyes of the portraits of her demented and atrocious ancestors, each one of whom, through her, projects a baleful posthumous existence; she counts out the Tarot cards, ceaselessly construing a constellation of possibilities as if the random fall of the cards on the red plush tablecloth before her could precipitate her from her chill, shuttered room into a country of perpetual summer and obliterate the perennial sadness of a girl who is both death and the maiden.

And the women of New Bedford, they bloom like their own red roses. But roses only bloom in summer; whereas the fine carnations of their cheeks is perennial as sunlight in the seventh heavens.

Not a dandelion in sight here, the lawns are picked clean. I long for one, just one, rubbishy and insolently random and hard to get rid of and perennially yellow as the sun. Cheerful and plebeian, shining for all alike. Rings, we would make from them, and crowns and necklaces, stains from the bitter milk on our fingers. Or I'd hold one under her chin: Do you like butter? Smelling them, she'd get pollen on her nose. Or was that buttercups? Or gone to seed: I can see her, running across the lawn, that lawn there just in front of me, at two, three years old, waving one like a sparkler, a small wand of white fire, the air filling with tiny parachutes. Blow, and you tell the time. All that time, blowing away in the summer breeze. It was daisies for love though, and we did that too. ***

Love is the only thing that has a perennial root, and that death cannot touch. It is the spirit that constitutes the central influence of human sympathy, of love, of love untarnished, untouched: and when you arise in the other sphere you will find that your personal identity will be that identity which is framed round about the great, glowing, central, summer influence of Love.

Standing on the snow-covered plain, as if in a pasture amid the hills, I cut my way first through a foot of snow, and then a foot of ice, and open a window under my feet, where, kneeling to drink, I look down into the quiet parlor of the fishes, pervaded by a softened light as through a window of ground glass, with its bright sanded floor the same as in summer; there a perennial waveless serenity reigns as in the amber twilight sky, corresponding to the cool and even temperament of the inhabitants. Heaven is under our feet as well as over our heads.

What if I had made different choices from the start? What if I had stuck around to watch another year of seasons spin here in Oxford, staying to see the daffodils bloom or to wander beneath the privet tunnel hand in hand with Fisher? What if we had kept right on kissing until the naked ladies emerged near the Osage orange? What if I had lingered long enough to see cape jasmine arrive, her voluptuous white bundles an aromatic call for summer love? Or even longer, when the spider lilies burst open in the fall and the yellow autumn light fell low among missy roots? What if I had stayed through winter, forming snow angels with my lover beneath the icy cedar boughs? What if I had not let fear defeat me after Fisher knelt before me in my mother's backyard garden, ring in his hand and happy-ever-after in his heart?

He ambled towards the abyss again, Acquiescing to the adroit turns of his Abtenauer, his Altai horse, his Appaloosa, His Ardennais, and his Australian Brumby….. Agilely each equine adumbrates the aesthetics Of aestivating, much like aficionados of nature And much like ailurophiles, too…… Ambrosial aromas attract his attention to the Assemblage of amaranth foliage growing At the abyss’s edge. “Anglophile!” “Antediluvian!” “Aplomb!” “Apocryphal!” “Apophenia!” “Apothecary!” Each petal calls out to him as he captures their vision in his Aqueous humor. Now an arabesque they display, Then some archipelago formation, as they (those purple perennials) Give in to the Wind’s whimsy. “What’s in my arsenal?” He asks himself. “Do I have Authenticity, like Astrophysics and Astronomy?” “Am I at last in my Autumn, torn asunder by Avarice? Shall I now step toward Winter to wither and waste away, without rebirth?” The Summer’s azure skies call him back, reminding him of his herd. Homeward he must turn. The pony pushes him back to the plain. And, as he trudges away from the abyss, the warriors of darkness— His old battle buddies who left him behind as they raced toward Providence— Rattle in his mind with their Paleolithic war toys, on the war path, chanting: “The greatest battles we face are in the silent chambers of our own souls…..” -----from the poem 'Summer Battle' in the book HOT STUFF: CELEBRATING SUMMER'S SIMMER AND SIZZLE, by Mariecor Ruediger

The Reaper's Harvest by Stewart Stafford Vast underworld gates open on Samhain night, The grail Sun winters there, in paling sight. Unquiet spirits swarm forth in feral misprision, Trick-or-treat landlords knock in spectral vision. Autumn, perennially-early to Death's season, Winter's welcome overstayed in icy reason. Spring's distant wave thrills in emerging seed, Summer's blush in full alignment decreed. Snowflake to blossom, and greenery to withering; As effigy reminders of cyclical dithering, Seasonal standing stones sink to shifting sands, Saplings of the forest’s new strength, in nature’s hands. © 2024, Stewart Stafford. All rights reserved.

She watched the early-morning sun filter out from the trees still glistening from frost, and imagined the way here perennial beds would be thick and wild with beauty in just a few months. And her zinnias and sunflowers and trumpet vine would cover the fence and keep Patsy out. The messy look. That is just how Patsy described it last summer. After Elizabeth dug up the boxwoods and hollies with their geometric precision, their obedient square ugliness, she planted daisies, black-eyed Susans, coneflowers, and phlox. She planted zinnias and cosmos that she had grown from seed. The border had exploded in color and texture. The plants had flowered wild and strong and generous. Every morning, Elizabeth had fingered the velvety petals.

What if I had made different choices from the start? What if I had stuck around to watch another year of seasons spin here in Oxford, staying to see the daffodils bloom or to wander beneath the privet tunnel hand in hand with Fisher? What if we had kept right on kissing until the naked ladies emerged near the Osage orange? What if I had lingered long enough to see cape jasmine arrive, her voluptuous white bundles an aromatic call for summer love? Or even longer, when the spider lilies burst open in the fall and the yellow autumn light fell low among mossy roots? What if I had stayed through winter, forming snow angels with my lover beneath the icy cedar boughs? What if I had not let fear defeat me after Fisher knelt before me in my mother's backyard garden, ring in his hand and happy-ever-after in his heart?

Next, I add a layer of Queen Anne's lace, its white clusters representative of the bridal veil worn by Mother and Bitsy, never by me. I can hear Mother's voice, teaching me that the flower is considered a weed by many, but she added it to her wildflower garden intentionally. She claims it has "a rebel heart, its snowflake appearance proof it was never meant to be a summer bloom at all." With its dark-purple center, this renegade flower represents all things feminine: delicate lace, the symbolic purity of snow, the red stain of suffering, and the long, deep taproot that keeps her growing against all odds.

I've stayed here in Oxford as the seasons have changed, watching summer turn to autumn turn to winter turn to spring. And in the coming cycle, I will be here once more. Season after season, year after year, as crocuses make way for summer honeysuckle, as sun-loving lantana ease out for the quieter mums, as pansies blanket the wintry town and as spring beauties burst forth again behind the snow. I'll still be here with Fisher by my side. Because this spring the stars aligned, as Marian promised they would. I picked a mid-March spray of spirea, made myself a bridal bouquet, and gave my whole heart to the man whose heart was given whole to me.

They were clearing out spent annuals and cutting back perennials with care. Seeing summer being packed away after its days of glory always made her wistful.

There are halibut as big as doors in the ocean down below the town, flapskimming on the murky ocean floor with vast skates and rays and purple crabs and black cod large as logs, and sea lions slashing through the whip-forests of bull kelp and eelgrass and sugar wrack, and seals in the rockweed and giant perennial kelp and iridescent kelp and iridescent fish and luminous shrimp too small to see with the naked eye but billions of which feed the gray whales which slide hugely slowly by like rubbery zeppelins twice a year, north in spring and south in fall. Salmonberries, thimbleberries, black raspberries, gooseberries, bearberries, snowberries, salal berries, elderberries, blackberries along the road and by the seasonal salt marshes north and south. The ground squirrels burrow along the dirt banks of the back roads, their warren of mysterious holes, the thick scatter of fine brown soil before their doorsteps, the flash of silver-gray on their back fur as they rocket into the bushes; the bucks and does and fawns in the road in the morning, their springy step as they slip away from the gardens they have been eating; the bobcat seen once, at dusk, its haunches jacked up like a teenager's hot-rodding car; the rumor of cougar in the hills; the coyotes who use the old fire road in the hills; the tiny mice and bats one sometimes finds long dead and leathery like ancient brown paper; the little frenetic testy chittering skittering cheeky testy chickaree squirrels in the spruces and pines - Douglas squirrels, they are, their very name remembering that young gentleman botanist who wandered near these hills centuries ago. The herons in marshes and sinks and creeks and streams and on the beach sometimes at dusk; and the cormorants and pelicans and sea scoters and murres (poor things so often dead young on the beach after the late-spring fledging) and jays and crows and quorking haunted ravens (moaning Poe! Poe! at dusk) especially over the wooded hills, and the goldfinches mobbing thistles in the meadowed hills, and sometimes a falcon rocketing by like a gleeful murderous dream, and osprey of all sizes all along the Mink like an osprey police lineup, and the herring gulls and Caspian terns and arctic terns, and the varied thrushes in wet corners of thickets, and the ruffed grouse in the spruce by the road, and the quail sometimes, and red-tailed hawks floating floating floating; from below they look like kites soaring brownly against the piercing blue sky, which itself is a vast creature bluer by the month as summer deepens into crispy cold fall.

Endless Love! A beautiful, young, mountain girl who loved the sea, There she always longed to be, She dreamt of someday marrying a mariner, Then there would be just the sea and her sea smelling mariner, Years passed by and she grew prettier, And with every passing year her fondness for the sea grew deeper and deeper, On one sunny summer day, she found her mariner, She loved his smile, his curly hair, she loved him because he was just a mariner, They hugged, they kissed and they smiled, Life seemed perfect, as if exclusively for the two of them styled, They got married in the midst of summer flowers, she and the sea smelling mariner, Then both moved to live their lives together at the sea, the mountain girl and the mariner, In the evening the mariner’s return from work brought with him the sweet smelling sea, It was exactly the way the mountain girl always wanted it to be, The sea, the open skies, the ever moving waves and the lap of the mariner, Where she rested her head and smelled sea on the skin of the weary mariner, Who was never tired of the sea but only sometimes tired at the sea, For everyday it stared at him in million different ways and how he loved to see, The sunset, the sprightly fish and the winding shadows of the toiling mariner, Alas the mountain girl only fancied the sea and its traces in the mariner, And gradually she grew tired of the sea and its every memory, Of the mariner too, because he smelled of the sea and that left the mountain girl less merrier, The mountain girl only fancied what she ought to have loved- the sea and the mariner, For fascinations fade away, but the sea always stayed with the mariner, Now the girl loved to hate the sea, and how she despised it! And with it, the mariner too died at the sea, bit by bit. Everyday bit by bit, For the mariner loved the mountain girl just like the sea - the poor mariner, When he saw her love for the sea and him fading away it silently killed the mariner, The vast sea is still there and so is the majestic mountain, The girl has aged now and brimming with mariner’s love just like a perennial fountain, So every night when the tide is high, the sea silently welcomes the still young but long dead mariner, And his shadow gently descends upon the naked body of the time weary woman - the warm skin kissed by the cold shadow of the mariner, Now she smells just the mariner who infact was the sea and he always wanted to be her vast and beautiful sea, For this is who the mariner was and always wanted to be- the open and the endless sea, Sea of endless love and hope for the mountain girl, Where he would dive deep and retrieve only for her the rarest pearl, For he loved her true and endlessly under the vast sky, Alas the mountain girl took a while to realise that both the sea and the mountain shall always lie under the blue and sometimes dark sky, The dead mariner still loves to spread his shadow over her skin by and by, And silently whisper to her, “I love you more than the sea, the mountains and the never ending sky!

Endless Love Like the river never stops, I too shall never stop loving you, Like those shining stars, I too shall always shine for you, Like the wind that paces through the forest where I spent few moments with you, I too shall in that forest of memories always seek you, just you, Maybe it is my compulsive proneness that I only seek you, In my wakeful state and in my subconscious slumbers I only think of you, Maybe it is my memories that refuse to exist without you, And before this stubbornness of my mind and heart , I surrender and I allow myself to love you, just you, In the Summer garden where many roses bloom, I find none like you, Like the desperate butterflies seeking their flowers of choice, in the garden of life, I only seek you, just you, The roses have wilted, butterfly wings lie strewn on the grass blades, and they all remind me of you, But unlike the changing seasons, my heart always stays in the perennial state of loving you, Everything in this universe seems to be seeking something or someone, just like I endlessly seek you, In the summer joys, in the forest wind, in the gushing river, wherever I see, I just see a reflection of you, As the palpable world grows around me in these transient forms, I seek my world within you, In your beautiful eyes, in your smiles, in your scent and in every essence that reflects you, I transpose these beautiful reflections on this world, until everything looks like you, exactly like you, Maybe Irma, love is what I feel when I see you, when I touch you, when I just say nothing and simply sit beside you, And the palpable world transforms into your smile, and I resume loving you, In the forest of my endless memories of you, Where I often tread in the brightness of the day and the silence of the night, to be with you, just you, The river still flows, the stars still twinkle, the forest still grows, and with them your love in my heart grows too, I have entered a precarious state where there is only one certainty, that to keep on loving you, And wonder if you feel so too, I have every reason to believe you do too Irma, because the trails of life we tread together, still remind me of you, and there at discrete corners I hear the echoes of your longings too, And then my heart whispers, while my mind quietly lets it be its own master, “I love you!” And the river of my feelings gains a renewed momentum to rush endlessly and forever unto you, And as lovers, we fill our senses where you become me and I become you, And what a joy it is to love you, And say again and again, “my darling Irma. I love you!

THE ECONOMIC barometer at Harvard University had consistently pointed to bad weather. But even its precise readings could not have predicted such a swift deepening of the crisis. Wars and the elements had turned the earth into a waster of its own energies. Oil wells were running dry. Black, white, and brown coals were producing less and less power every year. An unprecedented drought had swaddled the sere earth in what felt like a dozen equators. Crops burned to their roots. Forests caught fire in the infernal heat. The selvas of South America and the jungles of India blazed with smoky flames. Agrarian countries were ravaged first. True, forests reduced to ashes had given place to ashy boles of factory smoke. But their days too were numbered. Fuellessness was threatening machines with motionlessness. Even glacier snowcaps melted by the perennial summer could not provide an adequate supply of waterpower; the beds of shrinking rivers lay exposed, and soon the turbine generators would stop. The earth had a fever. Flogged mercilessly by the sun’s yellow whips, it whirled around like a dervish dancing his last delirious dance.

With the beginning of summer I grow sad. One would think that the brilliance of summer hours, however harsh, would seem sweet to someone ignorant of his own identity. But that's not the case with me. There is too sharp a contrast between all that exuberant outer life and what I feel and think, without knowing how to feel or think - the perennially unburied corpse of my feelings. I have the impression that, in this formless homeland called the universe, I live beneath a political tyranny which, although it does not oppress me directly, still offends some hidden principle in my soul. And then slowly, secretly, there grows within me the anticipated nostalgia of an impossible exile.

Climbing Roses have so much use, as well as beauty, in a garden, that my advice is, wherever there is an excuse for having one,[132] plant it there. They do finely on the south side of a house, on arches, summer-houses and trellises. I have a trellis along one side of a grass walk three hundred and fifty feet long. At each post are planted two Roses, a Crimson Rambler and a Wichuraiana. The Wichuraiana blossoms when the Rambler is done. Imagine the beauty of this trellis when the Roses are in bloom! On the other side of this walk there is a border four feet wide, with shrubs at the back, filled, all of the three hundred and fifty feet, with many varieties of perennials, also with Lilies and annuals planted in wherever a foot of space can be found.