Styles P Quotes

Stridey-Man: " Want 2 vaca w/me?" William: "Romantic getaway for 2? UR not my type" Stridey-Man: "I'm everyone's type. So U in or out? 'Cause I'm thinking about hooking up w/P, wherever he is. U'd just B extra baggage." William: "In" Stridey: "Knew you couldn't resist me. B ready in 5." William: "Right on. Make it 10. I want 2 style my hair for U. U know, just how U like it." Stridey: "Now U only have 8 minutes 2 do UR hair.

Success requires persistence, the ability to not give up in the face of failure. I believe that optimistic explanatory style is the key to persistence.

Therefore, poets do not 'fit' into society, not because a place is denied them but because they do not take their 'places' seriously. They openly see its roles as theatrical, its styles as poses, its clothing costumes, its rules conventional, its crises arranged, its conflicts performed and its metaphysics ideological.

The Christian community, therefore, is that community that freely becomes oppressed, because they know that Jesus himself has defined humanity's liberation in the context of what happens to the little ones. Christians join the cause of the oppressed in the fight for justice not because of some philosophical principle of "the Good" or because of a religious feeling of sympathy for people in prison. Sympathy does not change the structures of injustice. The authentic identity of Christians with the poor is found in the claim which the Jesus-encounter lays upon their own life-style, a claim that connects the word "Christian" with the liberation of the poor. Christians fight not for humanity in general but for themselves and out of their love for concrete human beings.

Are you kidding me?' Shan asked, slightly drunk, slightly dramatic, and now sitting yoga style on the floor. 'You can't write an honest novel about race in this country. If you write about how people are really affected by race, it'll be too obvious. Black writers who do literary fiction in this country, all three of them, not the ten thousand who write those bullshit ghetto books with the bright covers, have two choices: they can do precious or they can do pretentious. When you do neither, nobody knows what to do with you. So if you're going to write about race, you have to make sure it's so lyrical and subtle that the reader who doesn't read between the lines won't even know it's about race...' p.335

I went into the kitchen ten minutes back. The cat was sitting on the mat." Beale's narrative style closely resembled that of a certain book I had read in my infancy. I wish I could remember its title. It was a well-written book.

(Golden Globe acceptance speech in the style of Jane Austen's letters): "Four A.M. Having just returned from an evening at the Golden Spheres, which despite the inconveniences of heat, noise and overcrowding, was not without its pleasures. Thankfully, there were no dogs and no children. The gowns were middling. There was a good deal of shouting and behavior verging on the profligate, however, people were very free with their compliments and I made several new acquaintances. Miss Lindsay Doran, of Mirage, wherever that might be, who is largely responsible for my presence here, an enchanting companion about whom too much good cannot be said. Mr. Ang Lee, of foreign extraction, who most unexpectedly apppeared to understand me better than I undersand myself. Mr. James Schamus, a copiously erudite gentleman, and Miss Kate Winslet, beautiful in both countenance and spirit. Mr. Pat Doyle, a composer and a Scot, who displayed the kind of wild behavior one has lernt to expect from that race. Mr. Mark Canton, an energetic person with a ready smile who, as I understand it, owes me a vast deal of money. Miss Lisa Henson -- a lovely girl, and Mr. Gareth Wigan -- a lovely boy. I attempted to converse with Mr. Sydney Pollack, but his charms and wisdom are so generally pleasing that it proved impossible to get within ten feet of him. The room was full of interesting activitiy until eleven P.M. when it emptied rather suddenly. The lateness of the hour is due therefore not to the dance, but to the waiting, in a long line for horseless vehicles of unconscionable size. The modern world has clearly done nothing for transport. P.S. Managed to avoid the hoyden Emily Tomkins who has purloined my creation and added things of her own. Nefarious creature." "With gratitude and apologies to Miss Austen, thank you.

Remember that fortune and misfortune should be left to heaven and natural law. They are not to be bough by prayer or any cunning device to be thought of by any man or self-styled saint. p848

It wavered in style between the formal and the chummy, beginning 'Dear Madam', and ending 'So you see what a spot I'm in, ducky,' but it did present the facts.

Why did you come here?” he asked at last. “Because you hit me on the head and dragged me here.” If I was going to die, I was going to go in true Rose style. Mead, Richelle (2009-08-07). Blood Promise: A Vampire Academy Novel (p. 291). Penguin Young Readers Group. Kindle Edition.

Pretty boys have never appealed to me. Ruggedly handsome is my preferred style. I’ve always had a private fetish for the working class hero. For guys who know how to use their hands and come home sweaty and a little bit grimy and say things like, “Let me wash up first.

I broke with the academic style because I decided that life is very short, very mysterious, and I didn't have the time to waste with academics. I would only say things in the most honesty manner. If people like it, fine. If not, I can't help that. Today I couldn't write academically even if I wanted to! (Rubem Alves, p. 188)

Einstein, twenty-six years old, only three years away from crude privation, still a patent examiner, published in the Annalen der Physik in 1905 five papers on entirely different subjects. Three of them were among the greatest in the history of physics. One, very simple, gave the quantum explanation of the photoelectric effect—it was this work for which, sixteen years later, he was awarded the Nobel prize. Another dealt with the phenomenon of Brownian motion, the apparently erratic movement of tiny particles suspended in a liquid: Einstein showed that these movements satisfied a clear statistical law. This was like a conjuring trick, easy when explained: before it, decent scientists could still doubt the concrete existence of atoms and molecules: this paper was as near to a direct proof of their concreteness as a theoretician could give. The third paper was the special theory of relativity, which quietly amalgamated space, time, and matter into one fundamental unity. This last paper contains no references and quotes to authority. All of them are written in a style unlike any other theoretical physicist's. They contain very little mathematics. There is a good deal of verbal commentary. The conclusions, the bizarre conclusions, emerge as though with the greatest of ease: the reasoning is unbreakable. It looks as though he had reached the conclusions by pure thought, unaided, without listening to the opinions of others. To a surprisingly large extent, that is precisely what he had done.

What about his style?" asked Dalgliesh who was beginning to think that his reading had been unnecessarily restricted. "Turgid but grammatical. And, in these days, when every illiterate debutante thinks she is a novelist, who am I to quarrel with that? Written with Fowler on his left hand and Roget on his right. Stale, flat and, alas, rapidly becoming unprofitable..." "What was he like as a person?" asked Dalgliesh. "Oh, difficult. Very difficult, poor fellow! I thought you knew him? A precise, self-opinionated, nervous little man perpetually fretting about his sales, his publicity or his book jackets. He overvalued his own talent and undervalued everyone else's, which didn't exactly make for popularity." "A typical writer, in fact?" suggested Dalgliesh mischievously.

If you don't listen to yourself, it’s unlikely that anyone else will. Listening to yourself means not only respecting your own feelings but also getting to know something about your style of communicating.

It is one of the talents of great stylists to make obsolete words cease from appearing obsolete through the way in which they introduce them in their writing. Obsolete words which under the pens of others would seem stilted or out of place, occur most naturally under theirs. This is owing to the tact & judgment of the writers who know when--& when only—the disused term can be introduced, when it is artistically agreeable or linguistically necessary; & of course then the obsolete word becomes obsolete only in name. It is recalled into existence by the natural requirements of a powerful or subtle style. It is not a corpse disinterred (as with less skillful writers) but a beautiful body awaked from a long & refreshing sleep.

To daughter Scotty Oct. 20, 1936 p. 313 Don't be a bit discouraged about your story not being tops. At the same time, I am not going to encourage you about it, because, after all, if you want to get into the big time, you have to have your own fences to jump and learn from experience. Nobody ever became a writer just by wanting to be one. If you have anything to say, anything you feel nobody has ever said before, you have got to feel it so desperately that you will find some way to say it that nobody has ever found before, so that the thing you have to say and the way of saying it blend as one matter - as indissolubly as if they were conceived together. Let me preach again for a moment: I mean that what you have felt and thought will by itself invent a new style, so that when people talk about style they are always a little astonished at the newness of it, because they think that it is only style that they are talking about, when what they are talking about is the attempt to express a new idea with such force that it will have the originality of the thought. It is an awfully lonesome business, and as you know, I never wanted you to go into it, but if you are going into it at all I want you to go into it knowing the sort of things that took me years to learn.

Chambers (1986) argues that contemporary metropolitan society produces a culture of the spectacle in which the realization of the "self" is not achieved in the depth of one's inner being, but on the surface, through style, through image, through "a series of theatrical gestures" (p.11).

The attribution of value to a traditional religion,” Ronald Dore noted, “is a claim to parity of respect asserted against ‘dominant other’ nations, and often, simultaneously and more proximately, against a local ruling class which has embraced the values and life-styles of those dominant other nations.

First of all, historically, markets simply did not emerge as some autonomous domain of freedom independent of, and opposed to, state authorities. Exactly the opposite is the case. Historically, markets are generally either a side effects of government operations, especially military operations, or were directly created by government policy. This has been true at least since the invention of coinage, which was first created and promulgated as a means of provisioning soldiers; for most of Eurasian history, ordinary people used informal credit arrangements and physical money, gold, silver, bronze, and the kind of impersonal markets they made possible remained mainly an adjunct to the mobilization of legions, sacking of cities, extraction of tribute, and disposing of loot. Modern central banking systems were likewise first created to finance wars. So there's one initial problem with the conventional history. There's another even more dramatic one. While the idea that the market is somehow opposed to and independent of government has been used at least since the nineteenth century to justify laissez faire economic policies designed to lessen the role of government, they never actually have that effect. English liberalism, for instance, did not lead to a reduction of state bureaucracy, but the exact opposite: an endlessly ballooning array of legal clerks, registrars, inspectors, notaries, and police officials who made the liberal dream of a world of free contract between autonomous individuals possible. It turned out that maintaining a free market economy required a thousand times more paperwork than a Louis XIV-style absolutist monarchy. (p. 8-9)

Mrs. Porter was from Virginia and had a smooth-as-cat-fur way of speaking. She taught me how to say, “Fiddle-Dee-Dee,” just like Scarlett O’Hara and she made her split-pea soup with bacon and even let me try on her lipstick sometimes as she teased up my hair in the same sixties style she wore, “Ala Pricilla Presley,” whoever that was.

But such conclusions as that Napoleon was the greatest of modern generals, or that the climate of California is delightful, however incontestable they may be, are not properly facts../p>

Popular authors do not and apparently cannot appreciate the fact that true art is obtainable only by rejecting normality and conventionality in toto, and approaching a theme purged utterly of any usual or preconceived point of view. Wild and “different” as they may consider their quasi-weird products, it remains a fact that the bizarrerie is on the surface alone; and that basically they reiterate the same old conventional values and motives and perspectives. Good and evil, teleological illusion, sugary sentiment, anthropocentric psychology—the usual superficial stock in trade, and all shot through with the eternal and inescapable commonplace…. Who ever wrote a story from the point of view that man is a blemish on the cosmos, who ought to be eradicated? As an example—a young man I know lately told me that he means to write a story about a scientist who wishes to dominate the earth, and who to accomplish his ends trains and overdevelops germs … and leads armies of them in the manner of the Egyptian plagues. I told him that although this theme has promise, it is made utterly commonplace by assigning the scientist a normal motive. There is nothing outré about wanting to conquer the earth; Alexander, Napoleon, and Wilhelm II wanted to do that. Instead, I told my friend, he should conceive a man with a morbid, frantic, shuddering hatred of the life-principle itself, who wishes to extirpate from the planet every trace of biological organism, animal and vegetable alike, including himself. That would be tolerably original. But after all, originality lies with the author. One can’t write a weird story of real power without perfect psychological detachment from the human scene, and a magic prism of imagination which suffuses theme and style alike with that grotesquerie and disquieting distortion characteristic of morbid vision. Only a cynic can create horror—for behind every masterpiece of the sort must reside a driving demonic force that despises the human race and its illusions, and longs to pull them to pieces and mock them.

For instance, the education system, instead of going by textbook teaching, will promote creative and interactive self-learning—both formal and informal—with a focus on values, merit and quality. Workers, instead of being skilled or semi-skilled, will be knowledgeable, self-empowered and flexibly skilled. Types of work, instead of being structured and hardware driven, will be more flexible and software driven. Management styles will be delegative rather than directive.

G Genuine Gorgeous O Original Optimistic O Organized Owning Your Power D Decisive Determined P Poised Positive O Outstanding Organized S Stylish Self-esteem T Tenacity Transform U Ultimate Useful R Radiant Resilient E Empowered Exceptional

When my avocation became my vocation I was set free. Writing, at first, was a hobby that I loved dearly. It turned into a serious endeavor several years ago when I started writing screenplays. Unfortunately selling one out of every ten was not very lucrative. Success comes in many forms and my poor returns from screenplays matured my writing style, ultimately affording me the ability to author hundreds of magazine articles that generated a decent paycheck. Fast forward to today and I have published my first novel “The Alchemist’s Notebook.” It is a whirlwind story in the style of H. P. Lovecraft’s Cthulhu mythos that takes the reader from Vietnam to Innsmouth then Arkham and eventually to Europe wherein chaos and screaming terror awaits all living creatures on our planet. I pledge to keep the reader on pins and needles hoping that sanity and normalcy will return. “The Alchemist’s Notebook” and all future novels along with my blogs will deal exclusively with that genre.

To be free is to escape restraint. Style becomes manner, introspection breeds narcissism, asserting the self leads to exhibition. Fame decays into celebrity, public presence into publicity, public judgement is a noise in the street. The individual as subject becomes an ego. Yet this egotism, liberated by its illegitimacy from the discipline of family and community, makes a display of what unrestrained talent can attain - inviting others, whatever their birth or position, to do the same. If individualism is a demonic power, it is also a force for democracy.

Total available Calories divided by Population equals Artistic-Technological Style. When the ratio Calories-to-Population is large—say, five thousand or more, five thousand daily calories for every living person—then the Artistic-Technological Style is big. People carve Mount Rushmore; they build great foundries; they manufacture enormous automobiles to carry one housewife half a mile for the purchase of one lipstick. Life is coarse and rich where C:P is large. At the other extreme, where C:P is too small, life does not exist at all. It has starved out. Experimentally, add little increments to C:P and it will be some time before the right-hand side of the equation becomes significant. But at last, in the 1,000 to 1,500 calorie range, Artistic-Technological Style firmly appears in self-perpetuating form. C:P in that range produces the small arts, the appreciations, the peaceful arrangements of necessities into subtle relationships of traditionally agreed-upon virtue. Think of Japan, locked into its Shogunate prison, with a hungry population scrabbling food out of mountainsides and beauty out of arrangements of lichens. The small, inexpensive sub-sub-arts are characteristic of the 1,000 to 1,500 calorie range.

I consider myself more of a story teller than a writer. My readers constantly say that reading one of my stories is like watching a movie. That response comes from my writing style. I opt not to describe every object in a room or every detail of every character. I purposely leave room for my readers to inject their imagination into the details. The result is that my readers and I are unraveling the story together. It is like “interactive reading”. When we were young we were taught that reading is fundamental. As adults I believe reading should be fun. I hope you enjoy my stories…and thanks for your help along the way!

Cinematographer.” Such an ornate term, yet still so vague. I often wonder if that’s to blame for how overlooked we are as a profession. Or even worse, that dry title, “Director of Photography.” But we are the true artists. A director may quite literally call the shots, but it is the cinematographer that makes them. We choose the angles, the lighting, pretty much everything that you see on the screen. The camera is a brush, and we are the hand, the arm, the eye. The director’s basically just the mouth, making pointless noise while the hand does the actual work. Almost every famous director that you know who has a distinctive visual style has simply managed to lock down a talented DoP.

explanatory style is the great modulator of learned helplessness. Optimists recover from their momentary helplessness immediately. Very soon after failing, they pick themselves up, shrug, and start trying again. For them, defeat is a challenge, a mere setback on the road to inevitable victory. They see defeat as temporary and specific, not pervasive. Pessimists wallow in defeat, which they see as permanent and pervasive. They become depressed and stay helpless for very long periods. A setback is a defeat. And a defeat in one battle is the loss of the war. They don’t begin to try again for weeks or months, and if they try, the slightest new setback throws them back into a helpless state.

In all matters of consequence, General P.P. Peckem was, as he always remarked when he was about to criticize the work of some close associate publicly, a realist. He was a handsome, pink-skinned man of fifty-three. His manner was always casual and relaxed, and his uniforms were custom-made. He had silver-gray hair, slightly myopic eyes and thin, overhanging, sensual lips. He was a perceptive, graceful, sophisticated man who was sensitive to everyone's weaknesses but his own and found everyone absurd but himself. General Peckem laid great fastidious stress on small matters of taste and style. He was always augmenting things. Approaching events were never coming, but always upcoming. It was not true that he wrote memorandums praising himself and recommending that his authority be enhanced to include all combat operations; he wrote memoranda. And the prose in the memoranda of other officers was always turgid, stilted, or ambiguous. The errors of others were inevitable deplorable. Regulations were stringent, and his data never was obtained from a reliable source, but always were obtained. General Peckem was frequently constrained. Things were often incumbent upon him, and he frequently acted with the greatest reluctance. It never escaped his memory that neither black nor white was a color, and he never used verbal when he meant oral. He could quote glibly from Plato, Nietzsche, Montaigne, Theodore Roosevelt, the Marquis de Sade and Warren G. Harding. A virgin audience like Colonel Scheisskopf [his new underling] was grist for General Peckem's mill, a stimulating opportunity to throw open his whole dazzling erudite treasure house of puns, wisecracks, slanders, homilies, anecdotes, proverbs, epigrams, apothegms, bon mots and other pungent sayings. He beamed urbanely as he began orienting Colonel Scheisskopf to his new surroundings.

On September 11th 2001, bin Laden, al Qaeda, and his co-conspirators attacked the United States. During these attacks, suicide bombers struck the famous Twin Towers of the World Trade Center and the Pentagon, killing nearly three thousand people on American soil.1 It was hailed as a second Pearl Harbor, except the kamikaze pilots came at the start of the war rather than the end. America would react much like it did after Pearl Harbor. War hysteria reared its ugly head as freedom vanilla replaced French vanilla in cafeterias in the style of Wilsonesque-nomenclature propaganda.2 Civil rights and natural rights would be openly assaulted by a government sworn to protect them in one of the longest wars in American history. Randolph Bourne’s decried jingoism would return to the sounds of trumpets blaring and the sight of flags waving. The familiar phrase “Remember the Lusitania,” which became “Remember Pearl Harbor,” became “Remember 9/11.” Anti-Muslim and anti-Arab sentiment filled the country as America waxed hysterical, crying for “us” to “get those towelheads.

Thank you for picking up a copy of my book. I spent many hours putting this book together, so I hope that you will enjoy reading it. As a Minecraft player, it brings me great joy to be able to share my stories with you. The game is fun and entertaining, and surprisingly, writing about it can be almost just as fun. Once you are done reading this book, if you enjoyed it, please take a moment to leave a review. It will help other people discover this book. If after reading it, you realize that you hate it with such passion, please feel free to leave me a review anyway. I enjoy reading what people think about my books and writing style. I hope that many people will like this book and encourage me to keep writing. Thanks in advance. Special thanks to readers of my previous books. Thank you for taking the time to leave a review. I appreciate it so much; your support means so much to me. I will continue to keep writing and will try to provide the highest quality of unofficial Minecraft books. Thank you for your support. If anyone needs to reach me, you can email me at steve.the.noob.diaries@gmail.com 1/6/2019 10:48 p.m. ​Hey, everyone! I don’t even know how to begin, so I’ll just write whatever that’s on my mind. First of all, I’m really sorry for the super-duper long delay of book 39. I started the outline for it and everything over two months ago and was ready to work on it. But then out of nowhere, I felt burnt out. I didn’t even know what burnt out meant until I told my friends how I was feeling, and they told me that I was burnt out. Basically, it’s a sucky feeling that’s like a combination of writer’s block and depression. At the time, I didn’t want

Hitler initially served in the List Regiment engaged in a violent four-day battle near Ypres, in Belgian Flanders, with elite British professional soldiers of the initial elements of the British Expeditionary Force. Hitler thereby served as a combat infantryman in one of the most intense engagements of the opening phase of World War I. The List Regiment was temporarily destroyed as an offensive force by suffering such severe casualty rates (killed, wounded, missing, and captured) that it lost approximately 70 percent of its initial strength of around 3,600 men. A bullet tore off Hitler’s right sleeve in the first day of combat, and in the “batch” of men with which he originally advanced, every one fell dead or wounded, leaving him to survive as if through a miracle. On November 9, 1914, about a week after the ending of the great battle, Hitler was reassigned as a dispatch runner to regimental headquarters. Shortly thereafter, he was awarded the Iron Cross Second Class. On about November 14, 1914, the new regimental commander, Lieutenant Colonel Philipp Engelhardt, accompanied by Hitler and another dispatch runner, moved forward into terrain of uncertain ownership. Engelhardt hoped to see for himself the regiment’s tactical situation. When Engelhardt came under aimed enemy smallarms fire, Hitler and the unnamed comrade placed their bodies between their commander and the enemy fire, determined to keep him alive. The two enlisted men, who were veterans of the earlier great four-day battle around Ypres, were doubtlessly affected by the death of the regiment’s first commander in that fight and were dedicated to keeping his replacement alive. Engelhardt was suitably impressed and proposed Hitler for the Iron Cross Second Class, which he was awarded on December 2. Hitler’s performance was exemplary, and he began to fit into the world around him and establish the image of a combat soldier tough enough to demand the respect of anyone in right wing, Freikorps-style politics after the war. -- Hitler: Beyond Evil and Tyranny, p. 88

With the motto “do what you will,” Rabelais gave himself permission to do anything he damn well pleased with the language and the form of the novel; as a result, every author of an innovative novel mixing literary forms and genres in an extravagant style is indebted to Rabelais, directly or indirectly. Out of his codpiece came Aneau’s Alector, Nashe’s Unfortunate Traveller, López de Úbeda’s Justina, Cervantes’ Don Quixote, Béroalde de Verville’s Fantastic Tales, Sorel’s Francion, Burton’s Anatomy, Swift’s Tale of a Tub and Gulliver’s Travels, Fielding’s Tom Jones, Amory’s John Buncle, Sterne’s Tristram Shandy, the novels of Diderot and maybe Voltaire (a late convert), Smollett’s Adventures of an Atom, Hoffmann’s Tomcat Murr, Hugo’s Hunchback of Notre-Dame, Southey’s Doctor, Melville’s Moby-Dick, Flaubert’s Temptation of Saint Anthony and Bouvard and Pecuchet, Twain’s Adventures of Huckleberry Finn, Frederick Rolfe’s ornate novels, Bely’s Petersburg, Joyce’s Ulysses, Witkiewicz’s Polish jokes, Flann O’Brien’s Irish farces, Philip Wylie’s Finnley Wren, Patchen’s tender novels, Burroughs’s and Kerouac’s mad ones, Nabokov’s later works, Schmidt’s fiction, the novels of Durrell, Burgess (especially A Clockwork Orange and Earthly Powers), Gaddis and Pynchon, Barth, Coover, Sorrentino, Reed’s Mumbo Jumbo, Brossard’s later works, the masterpieces of Latin American magic realism (Paradiso, The Autumn of the Patriarch, Three Trapped Tigers, I the Supreme, Avalovara, Terra Nostra, Palinuro of Mexico), the fabulous creations of those gay Cubans Severo Sarduy and Reinaldo Arenas, Markson’s Springer’s Progress, Mano’s Take Five, Ríos’s Larva and otros libros, the novels of Paul West, Tom Robbins, Stanley Elkin, Alexander Theroux, W. M. Spackman, Alasdair Gray, Gaétan Soucy, and Rikki Ducornet (“Lady Rabelais,” as one critic called her), Mark Leyner’s hyperbolic novels, the writings of Magiser Gass, Greer Gilman’s folkloric fictions and Roger Boylan’s Celtic comedies, Vollmann’s voluminous volumes, Wallace’s brainy fictions, Siegel’s Love in a Dead Language, Danielewski’s novels, Jackson’s Half Life, Field’s Ululu, De La Pava’s Naked Singularity, and James McCourt’s ongoing Mawrdew Czgowchwz saga. (p. 331)

How do you decide what video game to choose in the vast ocean of online gaming nonsense? There are 100s if not thousands of options permeating the internet. They range from honestly free, pay to win, and all the way up to an actual subscription based model. One of the first decisions you need to make is quite simply, what kind of game do I enjoy? Are you more of a first person shooter type person? If so you will most likely want to ignore role playing games or real time strategies. conversely if you are more of a role playing or real time strategy fan perhaps first person shooters are not for you. Once you have the type of game you are looking for nailed down games the next step: do you want to pay money? This is a big one and a tricky one. So many games out there present themselves as 'free'. I assure you, they are most certainly not free. Think a simple little game like Candy Crush is free? Next time you are in the Google Play or iTunes store Improve WoW PvP check on top grossing apps. You will very quickly change your mind on that. On a more relevant note some games are both free and pay, but maintain a respectful balance. By this I mean you do not HAVE to fork out hard earned cash in order to compete. League of Legends is an amazing example of this. A player cannot obtain any upgrade which will make their character better through monetary expenditures. What you can do; however, is purchase cosmetic items or other no stat gain frill. On the other end of the spectrum you have a game such as the behemoth World of Warcraft. World of Warcraft has managed to maintain a subscription based model for 10 years now. Multiple 'WoW Killers' have risen up since the inception of World of Warcraft using the subscription base as well. Damn near every one of them is now free to play. Rift and Star Wars are the two that really stick out. Leading up to their release forums Wow XP Off PvP Stream across the internet proclaimed them the almighty killer of World of Warcraft. Instead Warcraft kept on trucking and both of those games changed style to f2p not long after their release. These are just a few different games and styles of games for you to choose from. Remember, you get what you pay for in almost every case. (LoL being the exception that proves the rule)

I once saw a striking contrast in the use made of material in Florence. I saw first in the Boboli gardens the two wonderful figures of the barbarians-you remember perhaps those antique stone statues. They are made of stone, consist of stone, represent the spirit of stone: you feel that stone has had the word! Then I went to the tombs of the Medici and saw what Michelangelo did to stone; there the stone has been brought to a super-life. It makes gestures which stone never would make; it is hysterical and exaggerated. The difference was amazing. Or go further to a man like Houdon and you see that the stone becomes absolutely acrobatic. There is the same difference between the Norman and Gothic styles. In the Gothic frame of mind stone behaves like a plant, not like a normal stone, while the Norman style is completely suggested by the stone. The stone speaks. Also an antique Egyptian temple is a most marvelous example of what stone can say; the Greek temple already plays tricks with stone, but the Egyptian temple is made of stone. It grows out of stone — the temple of Abu Simbel, for example, is amazing in that respect. Then in those cave temples in India one sees again the thing man brings into stone. He takes it into his hands and makes it jump, fills it with an uncanny sort of life which destroys the peculiar spirit of the stone. And in my opinion it is always to the detriment of art when matter has no say in the game of the artist. The quality of the matter is exceedingly important — it is all-important. For instance, I think it makes a tremendous difference whether one paints with chemical colors or with so-called natural colors. All that fuss medieval painters made about the preparation of their backgrounds or the making and mixing of their colors had a great advantage. No modern artist has ever brought out anything like the colors which those old masters produced. If one studies an old picture, one feels directly that the color speaks, the color has its own life, but with a modern artist it is most questionable whether the color has a life of its own. It is all made by man, made in Germany or anywhere else, and one feels it. So the projection into matter is not only a very important but an indispensable quality of art. Jung, C. G.. Nietzsche's Zarathustra: Notes of the Seminar given in 1934-1939. Two Volumes: 1-2, unabridged (Jung Seminars) (p. 948-949)

efore the Alfred P. Sloan Foundation series of books began to appear in 1979, the scientific autobiography was a largely unfamiliar genre. One recalls Cajal's extraordinary Recollections of My Life, translated into English in 1937, and the little gem of autobiography written by Charles Darwin for his grandchildren in 1876. One supposes that this form of scientific writing is scarce because busy scientists would rather continue to work on scientific problems than to indulge in a retrospective exercise using a writing style

We shared a family-style bucket of chicken from the Busy Bee; I had three pieces and he had thirteen, along with all the coleslaw, baked beans, six biscuits, and four cans of iced tea." p. 151, 152

Wheeler was the kind of guy I’d be wary to have in my section. His arms were covered with tattoos, and he wore a sleeveless shirt to show them off. No smile touched his face behind the facial hair that surrounded his mouth but didn’t extend up to his ears in a full beard. His scruffy brown hair was styled shorter on the sides and fell all over the place on top. He had a morose expression as he leaned on the table and sipped his whiskey, sliding his bright eyes up to mine without saying a word. Dark, Dannika (2014-07-27). Five Weeks (Seven Series #3) (p. 63). . Kindle Edition.

Trevor seemed like a laid-back young man. I loved the way he styled his hair over his forehead. Not many men his age wore button-up shirts and nice watches. He had the kind of celebrity charisma that made girls bashful. Dark, Dannika (2014-07-27). Five Weeks (Seven Series #3) (p. 63). . Kindle Edition.

Being yourself is the meat and potatoes of mothering, and if you are forever copying someone else's way you are apt to lose touch with your own truth.

Sexual desires are usually not directly announced but concealed under a series of feints, gestures, styles of dress, and showy behavior. Seductions are staged, scripted, costumed. Certain responses are sought, plots are developed. In skillful seductions delays are employed, special circumstances and settings are arranged.

Sexuality is not a bounded phenomenon but a horizonal phenomenon for infinite players. One can never say, therefore, that an infinite player is homosexual, or heterosexual, or celibate, or adulterous, or faithful-because each of these definitions has to do with boundaries, with circumscribed areas and styles of play. Infinite players do not play within sexual boundaries, but with sexual boundaries. They are concerned not with power but with vision.

Machines do not, of course, make us into machines when we operate them; we make ourselves into machinery in order to operate them. Machinery does not steal our spontaneity from us; we set it aside ourselves, we deny our originality. There is no style in operating a machine. The more efficient the machine, the more it either limits or absorbs our uniqueness into its operation.

The Elements of Programming Style (with P. J. Plauger)

It was so Raven’s style.

Julius Caesar originally sought power in Rome because he loved to play the very dangerous style of politics common to the Republic; but he played the game so well that he destroyed all his opponents, making it impossible for him to find genuinely dangerous combat. He was unable to do the very thing for which he sought power. His word was no irresistible, and for that reason he could speak with no one, an his isolation was complete. "We might almost say this man was looking for an assasination" (Syme).

Positively Inspired Man of Purpose; my style is P.I.M.P.'ish.

Gardeners celebrate variety, unlikeness, spontaneity. They understand that an abundance of styles is in the interest of vitality. The more complex the organic content of the soil, for example-that is, the more numerous its sources of change-the more vigorous its liveliness. Growth promotes growth.

Based on theories he proposed as early as 1809, which were codified in the Metropolitan Police Bill of 1828, Sir Robert Peel developed a new style of policing. The so-called “Peelian Reforms” created a blueprint for addressing the approach to policing throughout England.

AMERICAN WHEAT OR RYE BEER Refreshing wheat or rye beers can display more hop character and less yeast character than their German cousins. This is a beginner-level style that can be brewed by extract or all-grain methods. Ferments at 65° F (18° C). OG FG IBU Color Alcohol 1.040-1.055 (10-13.6 °P) 1.008-1.013 (2.1-3.3 °P) 15-30 3-6 SRM 6-12 EBC 4-5.5% ABV 3.2-4.3% ABW Keys to Brewing American Wheat or Rye Beer: This easy-drinking beer style usually has a subtly grainy wheat character, slightly reminiscent of crackers. The hop flavor and aroma are more variable, with some versions having no hop character, while others have a fairly noticeable citrus or floral flair. Even when the hops are more prominent, they should not be overwhelming, and the hop bitterness should be balanced. The rye version of this style has a slight spicy, peppery note from the addition of rye in place of some or all of the wheat. The key mistake many brewers make is in assuming that American wheat beer should be similar to German hefeweizen. However, this style should not have the clove and banana character of a hefeweizen. This beer should not be as malty (bready) as a German hefeweizen, either, so all-grain brewers will want to use a less malty American two-row malt. To get the right fermentation profile, it is important to use a fairly neutral yeast strain, one that doesn’t produce a lot of esters like the German wheat yeasts do. While you can substitute yeast like White Labs WLP001 California Ale, Wyeast 1056 American Ale, or Fermentis Safale US-05, a better choice is one that provides some crispness, such as an altbier or Kölsch yeast, and fermentation at a cool temperature. RECIPE: KENT'S HOLLOW LEG It was the dead of winter and I was in Amarillo, Texas, on a business trip with Kent, my co-worker. That evening at dinner I watched as Kent drank a liter of soda, several glasses of water, and three or four liters of American wheat beer. I had a glass of water and one liter of beer, and I went to the bathroom twice. Kent never left the table. When I asked Kent about his superhuman bladder capacity, he thought it was due to years of working as a programmer glued to his computer and to the wonderful, easy-drinking wheat beer. This recipe is named in honor of Kent’s amazing bladder capacity. This recipe has a touch more hop character than many bottled, commercial examples on the market, but a lot less than some examples you might find. If you want less hop character, feel free to drop the late hop additions. If you really love hops and want to make a beer with lots of hop flavor and aroma, increase the late hop amounts as you see fit. However, going past the amounts listed below might knock it out of consideration in many competitions for being “too hoppy for style,” no matter how well it is brewed. OG: 1.052 (12.8 °P) FG: 1.012 (3.0 °P) ADF: 77% IBU: 20 Color: 5 SRM (10 EBC) Alcohol: 5.3% ABV (4.1% ABW) Boil: 60 minutes Pre-Boil Volume: 7 gallons (26.5L) Pre-Boil Gravity: 1.044 (11.0 °P) Extract Weight Percent Wheat LME (4 °L) 8.9 lbs. (4.03kg) 100 Hops   IBU Willamette 5.0% AA, 60 min. 1.0 oz. (28g) 20.3 Willamette 5.0% AA, 0 min. 0.3 oz. (9g) 0 Centennial 9.0% AA, 0 min. 0.3 oz. (9g) 0 Yeast White Labs WLP320 American Hefeweizen, Wyeast 1010 American Wheat, or Fermentis Safale US-05 Fermentation and Conditioning Use 10 grams of properly rehydrated dry yeast, 2 liquid yeast packages, or make a starter. Ferment at 65° F (18° C). When finished, carbonate the beer to approximately 2.5 volumes. All-Grain Option Replace the wheat extract with 6 lbs. (2.72kg) American two-row malt and 6 lbs. (2.72kg) wheat malt. Mash at 152° F (67° C). Rye Option This beer can also be made with a portion of malted rye. The rye gives the beer a slightly spicy note and adds a certain creamy mouthfeel. Replace the wheat extract with 6 lbs. (2.72kg) American two-row malt, 3.75 lbs. (1.70kg) rye malt, and 3 lbs. (1.36kg) wheat malt. Mash at 152° F (67° C).

These ideas returned in various guises in complexity theory, emphasizing the general theme of adaptation. Thus he introduced into strategic theory the concept of open complex adaptive systems struggling to survive in a contested, dynamic, non-linear world pregnant with uncertainty, constantly attempting to improve and update its schemata and repertoire of actions and its position in the ecology of the organization. Such an eclectic holistic approach became an argument in itself: he considered it a prerequisite for sound strategic thinking. He wanted to inculcate his audience not so much with a doctrine as with an understanding of the dynamics of war and strategy and a style of thinking about that dynamic that differed from the deterministic mindset that prevailed in the strategic discourse of the 1960s and 1970s. Applying his argument in practice – constantly showing the dynamic of move and countermove, stripping bare, analyzing, the essence of certain strategies, and then recombining them with new insights and hypotheses – allowed him to expand and go ‘deeper’ into the essence of strategy and war than previous strategists.

THE TWO NEW HOUSES BY CAROLYN WELLS Once on a Time, there were Two Men, each of whom decided to build for himself a Fine, New House. One Man, being of an Arrogant and Conceited Nature, took counsel of Nobody, but declared that he would build his House to suit himself. "For," said he, "since it is My House and I am to Live in It, why should I ask the Advice of my Neighbors as to its Construction?" While the House was Building, the Neighbors came often and Looked at it, and went away, Whispering and Wagging their Heads in Derision. But the Man paid no Heed, and continued to build his House as he Would. The Result was that, when completed, his House was lacking in Symmetry and Utility, and in a Hundred ways it was Unsatisfactory, and for each Defect there was a Neighbor who said, "Had you asked Me, I would have Warned you against that Error." The Other Man, who was of a Humble and Docile Mind, went to Each of his Neighbors in Turn, and asked Advice about the Building of his House. His Friends willingly and at Great Length gave him the Benefit of their Experiences and Opinions, and the Grateful Man undertook to Follow Out all their Directions. The Result was that his House, when finished, was a Hodge-Podge of Varying Styles and Contradictory Effects, and Exceedingly Uncomfortable and Inconvenient to Live In. MORALS:

physical sharing and exchange of computer tapes and disks on which the code was recorded. In current Internet days, rapid technological advances in computer hardware and software and networking technologies have made it much easier to create and sustain a communal development style on ever-larger scales. Also, implementing new projects is becoming progressively easier as effective project design becomes better understood, and as prepackaged infrastructural support for such projects becomes available on the Web. Today, an open source software development project is typically initiated by an individual or a small group seeking a solution to an individual's or a firm's need. Raymond (1999, p. 32) suggests that "every good work of software starts by scratching a developer's personal itch" and that "too often software developers spend their days grinding away for pay at programs they neither need nor love. But not in the (open source) world...." A project's initiators also generally become the project's "owners" or "maintainers" who take on responsibility for project management." Early on, this individual or group generally develops a first, rough version of the code that outlines the functionality envisioned. The source code for this initial version is then made freely available to all via downloading from an Internet website established by the project. The project founders also set up infrastructure for the project that those interested in using or further developing the code can use to seek help, provide information or provide new open source code for others to discuss and test. In the case of projects that are successful in attracting interest, others do download and use and "play with" the code-and some of these do go on to create new and modified code. Most then post what they have done on the project website for use and critique by any who are interested. New and modified code that is deemed to be of sufficient quality and of general interest by the project maintainers is then added to the authorized version of the code. In many projects the privilege of adding to the authorized code is restricted to only a few trusted developers. These few then serve as gatekeepers for code written by contributors who do not have such access (von Krogh and Spaeth 2002). Critical tools and infrastructure available to open source software project participants includes email lists for specialized purposes that are open to all. Thus, there is a list where code users can report software failures ("bugs") that they encounter during field use of the software. There is also a list where those developing the code can share ideas about what would be good next steps for the project, good features to add, etc. All of these lists are open to all and are also publicly archived,

Don’t worry,” Julie said. “I’ll go along and keep them out of trouble.” “Nobody invited you,” I told her. She gave me that cutesy look of hers that makes me want to vomit. “Not yet. But somebody might if I asked nicely.” “Why don’t you stick to your own business?” I said. Dad flipped on the TV and looked back at me. “What’s the matter? You think Julie’d cramp your style?” What could I say? “I’m going to run over and ask Jack right now,” Julie said. “I’d love to go to the boat show.” “Don’t feel bad about horning in where you’re not wanted,” I called out. She stopped in the doorway and looked back at me. “One question, Eddie. If Jack had his choice of somebody to take to San Francisco, which one of us do you think he’d take?” “You make me sick.” “You’d better be nice to me,” she said. “Otherwise we may not let you go along with us.” “Well,” I said to Mom once Julie was gone, “can I go?” “Let’s see what happens.” “You mean you’re waiting for Julie?” “You bet,” Dad said from the next room. “She’ll keep you in line.” “When did I ever get out of line?” Dad began to count on his fingers. “Let’s see. There was the time you sneaked out the ski boat to impress that girl. And the time you hitchhiked into Los Cedros without telling anybody. And the time—” “I’m sorry I asked,” I said. A few minutes later Julie came strolling back into the kitchen. “Guess what.” I borrowed a tactic from Ricky Batt and stuck out my tongue. “Jack says he’d be glad to have me come along.” “Rotten, rotten, rotten,” I said. Mom smiled. “I’m sure you’ll all have a good time.

May 19: At 2:00 p.m., Marilyn arrives at Madison Square Garden for a brief rehearsal. She departs to have her hair styled by Kenneth Battelle at a cost of $150. Then she returns to her New York apartment for a $125 makeup session with Marie Irvine. Finally, her maid, Hazel Washington, helps hook Marilyn into her Jean Louis gown, and she arrives at Madison Square Garden approximately three hours before she is to perform. Introduced to an audience of fifteen thousand as the “late Marilyn Monroe” after she delays her entrance (all part of the carefully rehearsed show), Marilyn performs flawlessly as the last of twenty-three entertainers and is clearly the highlight of the evening. Columnist Dorothy Kilgallen describes Marilyn as “making love to the president of the United States.” Marilyn also attends a party at the home of Arthur Krim, president of United Artists. She is photographed in a group of Kennedy supporters watching Diahann Carroll sing. To her right is Maria Callas and Arthur Miller’s father, Isidore. She is also photographed with both Robert and John Kennedy, as well as presidential advisor Arthur Schlesinger Jr. Schlesinger and Robert Kennedy playfully compete to dance with Marilyn. Contrary to sensationalistic reports, Marilyn spends the rest of the evening in her New York apartment with her friend Ralph Roberts and James Haspiel, one of her devoted fans.

K.Q. = Key quote. This note will later be typed up into a list of master quotes, which are then organized by theme, which I will reread once in a while. P = Plot. Crucial points in the plot. These come in particularly useful when I'm trying to remember the precise details of the plot. S = Style. Sentences and passages that are indicative of that writer's particular style.“ Timothy Kenny, the author of Accelerated Learning for Entrepreneurs, also shared his annotation code system: Michael

In the competitive world of money management, performance is measured not by absolute returns but the returns relative to some benchmark. For stocks these benchmarks include the S&P 500 Index, the Wilshire 5000, global stock indexes, or the latest “style” indexes popular on Wall Street. But there is a crucially important difference about investing compared with virtually any other competitive activity: Most of us have no chance of being as good as the group of individuals who practice for hours to hone their skills. But anyone can be as good as the average investor in the stock market with no practice at all. The

Some titles are inherited, though only when the bloodline or some other tangible connection with the original winner has been established, suggesting that the winners have continued to exist in their descendants. The heirs to titles are therefore obliged to display the appropriate emblems: a coat of arms or identifiable styles of speech, clothing, or behavior. It is a principal function of society to validate titles and to assure their perpetual recognition.

Traditionally, in the system that Augustus inherited from the Republic, the Roman command structure was class-based. As mentioned earlier, the officer class came from the narrow aristocracy of senators and equestrians. The great armies of the Republic were commanded by senators who had attained the rank of consul, the pinnacle of their society. Their training in military science came mainly from experience: until the later second century B.C., aspiring senators were required to serve in ten campaigns before they could hold political office 49 Intellectual education was brought to Rome by the Greeks and began to take hold in the Roman aristocracy sometime in the second century B.C.; thus it is the Greek Polybius who advocates a formal training for generals in tactics, astronomy, geometry, and history.50 And in fact some basic education in astronomy and geometry-which Polybius suggests would be useful for calculating, for example, the lengths of days and nights or the height of a city wall-was normal for a Roman aristocrat of the late Republic or the Principate. Aratus' verse composition on astronomy, several times translated into Latin, was especially popular.51 But by the late Republic the law requiring military service for office was long defunct; and Roman education as described by Seneca the Elder or Quintilian was designed mainly to produce orators. The emphasis was overwhelmingly on literature and rhetoric;52 one did not take courses, for example, on "modern Parthia" or military theory. Details of grammar and rhetorical style were considered appropriate subjects for the attention of the empire's most responsible individuals; this is attested in the letters of Pliny the Younger, the musings ofAulus Gellius, and the correspondence of Fronto with Lucius Verus and Marcus Aurelius.53

It is only by writing, not dreaming about it, that we develop our own style.

TCU Florist, Fort Worth is a local florist with same-day delivery services and creative floral design in Texas. We are open Monday-Friday from 8:00 a.m. to 3:00 p.m., and Saturdays from 9:00 a.m. to 12:00 p.m. With over 70 years in the floral industry, we are equipped to give you the most stunning arrangements for your every need. We recognize that flowers can reveal a thousand emotions when words fail. We feel there's no better way to convey a message than with nature's flowers and plants. That's why our team of floral artists dedicate all their talents and efforts towards putting together the most amazing bouquets for all your needs! We offer impressive floral products with a wide range of fresh flowers and exquisite styles! We carry all your best-loved blooms: roses, lilies, tulips, sunflowers, carnations, gerbera daisies, and many more. We specialize in high-style floral arrangements that show off the beauty of these blooms. Our team of floral artists can make the perfect bouquet of your dreams, whether it's traditional or modern, whether it's a luxurious arrangement or a charming gift basket. Want something more one-of-a-kind? We also have a wide collection of green plants, tropicals, dish gardens, and baskets of fresh goods. Let us help you find the most ideal flower bouquet that suits your style! Go to our website or stop by our flower shop to find your favorite designs. If you want something tailor-made, we're here to help! Talk to our friendly team of florists about your needs. They'll be more than happy to help you create the ideal bouquet that suits your style. At TCU Florist, we promise you'll get only the highest quality arrangements for each and every order! Timeless rose bouquet for your anniversary? Extravagant arrangement bursting with pink, white, and red colors for a special event? Heartfelt bouquet for your mother to express your love and appreciation? Thoughtful sympathy gift basket to send your thoughts and prayers? We make sure you'll get exactly what you need every single time. We offer local express and same-day delivery to churches, hospitals, funeral homes, and cemeteries. Our drivers are well equipped to deliver your flowers on schedule and without hassle. Ready to place your order? Need more information? Call us at (817) 924-2211 or email us at tcuflorist@yahoo.com.

Stay Hydrated Check this box if your urine never appeared darker than a pale yellow all day. Note that if you’re eating riboflavin-fortified foods (such as nutritional yeast), then base this instead on getting nine cups of unsweetened beverages a day for women (which would be taken care of by the green tea and water preloading recommendations) or thirteen cups a day for men. If you have heart or kidney issues, don’t increase fluid intake at all without first talking with your physician. Remember, diet soda may be calorie-free, but it’s not consequence-free, as we learned in the Low in Added Sugar section. Deflour Your Diet Check this box every day your whole grain servings are in the form of intact grains. The powdering of even 100 percent whole grains robs our microbiomes of the starch that would otherwise be ferried down to our colons encapsulated in unbroken cell walls. Front-Load Your Calories There are metabolic benefits to distributing more calories to earlier in the day, so make breakfast (ideally) or lunch your largest meal of the day in true king/prince/pauper style. Time-Restrict Your Eating Confine eating to a daily window of time of your choosing under twelve hours in length that you can stick to consistently, seven days a week. Given the circadian benefits of reducing evening food intake, the window should end before 7:00 p.m. Optimize Exercise Timing The Daily Dozen’s recommendation for optimum exercise duration for longevity is ninety minutes of moderately intense activity a day, which is also the optimum exercise duration for weight loss. Anytime is good, and the more the better, but there may be an advantage to exercising in a fasted state, at least six hours after your last meal. Typically, this would mean before breakfast, but if you timed it right, you could exercise midday before a late lunch or, if lunch is eaten early enough, before dinner. This is the timing for nondiabetics. Diabetics and prediabetics should instead start exercising thirty minutes after the start of a meal and ideally go for at least an hour to completely straddle the blood sugar peak. If you had to choose a single meal to exercise after, it would be dinner, due to the circadian rhythm of blood sugar control that wanes throughout the day. Ideally, though, breakfast would be the largest meal of the day, and you’d exercise after that—or, even better, after every meal. Weigh Yourself Twice a Day Regular self-weighing is considered crucial for long-term weight control, but there is insufficient evidence to support a specific frequency of weighing. My recommendation is based on the one study that found that twice daily—upon waking and right before bed—appeared superior to once a day (about six versus two pounds of weight loss over twelve weeks).

In those days, the pursuit of music was perceived in a pair of dichotomies. Listeners were divided into amateurs and connoisseurs, performers into dilettanti and virtuosi. As in C. P. E. Bach’s keyboard sonatas for Kenner und Liebhaber, composers generally wrote with those divisions in mind. In 1782, Mozart wrote his father about his new concertos, “[H]ere and there connoisseurs alone can derive satisfaction; the non-connoisseurs cannot fail to be pleased, though without knowing why.”35 That defined the essentially populist attitude of what came to be called the Classical style: composers should provide something for everybody, at the same time gearing each work for its setting, whether it was the more intimate and complex chamber music played by enthusiasts in private homes, or public pieces for theater and larger concerts, which were written in a more straightforward style.

The most obvious stylistic feature common to both Poe and Lovecraft is the use of adjectives. In Lovecraft’s case this has been derisively termed “adjectivitis,” as if there is some canonical number of adjectives per square inch that are permissible and that the slightest excess is cause for frenzied condemnation. But this sort of criticism is merely a holdover from an outmoded and superficial realism that vaunted the barebones style of a Hemingway or a Sherwood Anderson as the sole acceptable model for English prose.

In looking for poems and poets, don't dwell on the boundaries of style, or time, or even of countries and cultures. Think of yourself rather as one member of a single, recognizable tribe. Expect to understand poems of other eras and other cultures. Expect to feel intimate with the distant voice. The differences you will find between then and now are interesting. They are not profound. (p. 11)

A completely spiritual love, the devotee sees God, the innermost Self, as divinely beautiful and lovely, an Adonis or Aphrodite, to be loved with affections verging on the erotic. In this style of love, all conventions, reservations, hesitations and personal views are cast aside and an exclusive, potentially jealous, love cultivated. A gargantuan appetite, craving for the embrace of God, the experience of the Self, is evidenced, the need for spiritual experience replacing the need for physical gratification. Just as lovers locked in the throes of orgasm do not know inside or outside, or which body is which, the devotee in union with the Self sees no distinctions and experiences, only the sweetest bliss. (p. 91)

Ah, o estilo... Você não saberá o que é ter "butterflies in the stomach", novamente, até ter ciência deles.

Koch was not one for grand plans. He just made constant adjustments. He always used the word 'stewardship' to describe his leadership style. He'd inherited something great and he didn't screw it up. p259

Do not assume that a source agrees with a writer when the source summarizes that writer’s line of reasoning. Quote only what a source believes, not its account of someone else’s beliefs, unless that account is relevant. 2.  Record why sources agree, because why they agree can be as important as why they don’t. Two psychologists might agree that teenage drinking is caused by social influences, but one might cite family background, the other peer pressure. 3.  Record the context of a quotation. When you note an important conclusion, record the author’s line of reasoning: Not Bartolli (p. 123): The war was caused … by Z. But    Bartolli: The war was caused by Y and Z (p. 123), but the most important was Z (p. 123), for two reasons: First,… (pp. 124–26); Second,… (p. 126) Even if you care only about a conclusion, you’ll use it more accurately if you record how a writer reached it. 4.  Record the scope and confidence of each statement. Do not make a source seem more certain or expansive than it is. The second sentence below doesn’t report the first fairly or accurately. One study on the perception of risk (Wilson 1988) suggests a correlation between high-stakes gambling and single-parent families. Wilson (1988) says single-parent families cause high-stakes gambling. 5.  Record how a source uses a statement. Note whether it’s an important claim, a minor point, a qualification or concession, and so on. Such distinctions help you avoid mistakes like this: Original by Jones: We cannot conclude that one event causes another because the second follows the first. Nor can statistical correlation prove causation. But no one who has studied the data doubts that smoking is a causal factor in lung cancer. Misleading report: Jones claims “we cannot conclude that one event causes another because the second follows the first. Nor can statistical correlation prove causation.” Therefore, statistical evidence is not a reliable indicator that smoking causes lung cancer.

(...) just being nice is not a winning strategy. Nice sends a message that the woman is willing to sacrifice pay to be liked by others. This is why a woman needs to combine niceness with insistence, a style that Mary Sue Coleman, president of the University of Michigan, calls "relentlessly pleasant." (p.48)

Gothic style, and had always admired the old Fletcher house on Seventy-ninth Street and said, “If I ever build a house, I want the architect of that house to design it.” The architect of the Fletcher house was C. P. H. Gilbert and, when he had his property, Felix hired him. It was to be quite a house that Mr. Gilbert designed. The ground floor was to contain a large entrance hall with an adjoining “etching room,” to house Felix’s

Baron said that Bezos “didn’t try to reinvent the paper; he tried to capture what made it special.” But Bezos did try to reinvent the systems behind the paper, with a flood of Amazon-style rituals. The Pancake Group, which occasionally expanded to include finance and audience development execs, spoke to Bezos every other week on Wednesdays at 1 p.m. EST for an hour. Bezos asked Post managers to “bring me new things”; he wanted to see everything, including changes in pricing and how to expand the paper’s audience and revenue, in the form of six-page Amazon-style narratives, subject to Bezos’s careful reading and detailed questions.

IF YOUR MISTAKE BECOMES YOUR STYLE, YOU'RE A PERFECT LEARNER

... broken English is the international language of science. In international congresses the nations are distinguished not by styles of scientific research but by the emergence of different national styles in the delivery of scientific papers.

A PERSON’S HABIT IS MORE POWERFUL THAN HIS STYLES; A PERSON’S TALENT IS MORE POWERFUL THAN HIS HABITS; A PERSON’S CHARACTER IS MORE POWERFUL THAN HIS TALENTS; A PERSON’S THOUGHT IS MORE POWERFUL THAN HIS CHARACTER; A PERSON’S DREAM IS MORE POWERFUL THAN HIS THOUGHTS

Eco-friendly stores that are environmentally friendly are ones that have no negative impact on the environment. These are products made entirely of organic and natural materials. They're also packaged in materials that are compostable or biodegradable. Let's take a look at all of the sustainable products for home you can use right now to help save the environment. How many times a year do you go shopping for new clothes? Do you ever resist wearing new clothing because it is out of style? Clarkia Home, where you may buy trendy clothes, generates a lot of waste. Clarkia Home was one of the most well-known brands involved in the fight against fast fashion like recyclable and reused. This ethical clothing business offers long-lasting fashion at an affordable price that may be worn throughout the year. Every basic thing can be simply turned into a stunning fashion statement. In your kitchen products, you probably already reuse and recycle as much as possible. You've decided to start buying eco-friendly kitchen products in order to make your home more economically conscious. To be sure, this isn't always simple. However, with a little tweaks here and there, you can achieve it. Here are some eco-friendly home products to assist you achieve your goal of having a completely green kitchen. Eco Long Handle Reusable Cotton Bags drawstring: One of Clarkia home's best favorite Recyclable products is our trophy Reusable Produce Bags. Instead of tearing off and discarding plastic produce bags from the grocery store, anyone may use the Clarkia home reusable produce cotton bags and never tear off and discard a plastic produce bag again. They also let water and air pass through, allowing you to wash your fruits and vegetables once you reach home. Cotton Coffee Filters Cones - 3 Piece Size For your Clarkia home, the ideal reusable coffee filters Crafts are available in a range of materials and sizes to fit a variety of coffee-making machines. Here's a rundown of what's on offer. You'll be able to discover a filtration for any style of coffee maker . Just take in mind how much trouble it will be to clean up afterward, as well as how many your family will likely require at the same time. It's also a good idea to double-check that the filter you're buying is compatible with your coffee filter crafts. Contact Us: Eco-Friendly Home Products - Clarkia Home 214, Gautam Marg, Namdarpura, Urdupura, Ujjain, M. P. 456006 (+91) – 99989 – 39740 care@clarkiahome.com

But the main reason Trump won the nomination—and later the general election—was simpler than any of that: he fit the times. Trump had explored running for president twice before, and the voters had shown little interest. This time around, he turned half the country’s unease and confusion about what was happening to America into a powerful political response. In his own way, he articulated the anger that many middle- and working-class Americans felt over the excesses and condescension of the Democratic Party, the coastal elites, and especially the mainstream news media. Trump had diagnosed a decisive divide in the nation: the alienation of average Americans from the increasingly smug and isolated elites that had mismanaged the country and appeared content to preside over a declining America. They felt the old-boy system in Washington had sold them out and that it was time to disrupt the system. Many ordinary Americans were especially sick of the radical progressives’ shrill disparagement of America and scornful attacks on traditional values, and they were deeply frustrated by the wildly partisan role played by the media. In short, in 2016 many voters felt like the character Howard Beale in the 1976 film Network: “I’m as mad as hell, and I’m not going to take this anymore!” Trump’s pugnacious style worked. These frustrated Americans found in him a fighter willing to punch back, go toe-to-toe with the press, and mount a full-throated defense of America and middle-class values. They were tired of the cooing doublespeak of professional politicians and wanted someone who would tell it like it is—straight from the shoulder—and someone willing to follow through and actually do what other politicians said they would do but never did. Trump’s combativeness also enabled him to break through the distortions and smothering hostility of the partisan media and talk right past them, straight to the American people. For many, supporting Trump was an act of defiance—a protest. The more over the top he was, the more they savored the horrified reaction of the elites, especially the media. Arguments that Trump wasn’t presidential missed the point. Trump’s supporters already knew he didn’t conform to presidential norms. Their question was: Where had presidential norms gotten them? They wanted someone who didn’t conform. The Left was taking a wrecking ball to the country. Many fed up Americans wanted to strike back with their own wrecking ball.

Despite the severest deprivation in early childhood, these people are neither living a greedy, me-first style of life, nor are they seeking gain at the expense of others. None express the idea that the world owes them a living for all they have suffered. On the contrary, most of their lives are marked by a compassion for others” (p. 233).

I did! I’m saving up to get a 3D printer so I can start designing more pieces and sell them on Etsy.” She lit up, pleased that I’d noticed. “You have a nice style, too. Just . . . dark. Jewel tones would go well with your tan skin

EDITOR’S NOTES Poetry Diary of Tolstoy; Dutton, p. 84: “Where the boundary between prose and poetry lies, I shall never be able to understand. The question is raised in manuals of style, yet the answer to it lies beyond me. Poetry is verse: prose is not verse. Or else poetry is everything with the exception of business documents and school books.

Grant exhibited another serious defect in managing appointments. In the fast-moving world of warfare, it was a virtue to act decisively and make snap judgements based on intuition. In the White House, by contrast, he was too quick to hire people, then too quick to fire them. If this style served Grant well in the fog of war, where improvisation was vital, it led to some rough clashes and bruised feeling in the political sphere. Instead of seeming simple and direct, he could come across as brusque and even insensitive. When he should have deliberated and calculated, he sometimes rushed into headlong action, as if storming an enemy fort. p636

Our investment style has been given a name-focus investing-which implies ten holdings, not one hundred or four hundred. The idea that it is hard to find good investments. So concentrate in a few, seems to me to be an obviously good idea. But ninety-eight percent of the investment world doesn't think this way. It's been good for us-and you-that we've done this.What's funny is that most big investment organizations don't think like this. They hire lots of people, evaluate Merck vs. Pfizer and every stock in the S&P 500, and think they can beat the market. You can't do it.

Conservatives, Marxists, post-modernists and pre-modernists have queued up to take a kick at the bruised ideas of the eighteenth century. The most vicious of these boot-boys is John Gray, professor of European thought at the London School of Economics, who has published dozens of increasingly apocalyptic books and articles on the need to end the Enlightenment project forthwith. Whereas MacIntyre seeks sanctuary in twelfth-century monasteries, for Gray our only hope of salvation is to embrace Eastern mysticism ... Taoism seems to be his favoured creed but it is hard to interpret Gray's prescriptions with any certainty, partly because of his scattergun style but mostly because he changes his mind so often. A line on the dust-jacket of Enlightenment's Wake (1995), which says that the book 'stakes out the elements of John Gray's new position' could just as well be appended to everything he writes (Wheen, Francis (2004). How Mumbo-Jumbo Conquered the World. London: HarperCollinsFourth Estate. p. 187)

If I said my karaoke song was 'Adore You' by Harry Styles, what would that say about me?" I tilted my head. "I'm not familiar with that song, actually." He grinned. "Great. That means I'm up." A funky pop song started playing and Jae put his all into portraying a guy who didn't need his lover to say she loved him, he just wanted to show how passionate he was about her. Jae's musical talent mostly extended to playing instruments, but what his voice lacked in smoothness, he made up for with enthusiasm and sincerity and oh my gulay, he was looking me dead in the eyes as he sang as if there was no one else in the room and I was ready to melt under his heated gaze. Ready to do lots of things, honestly, none of which would be appropriate in front of a crowd, particularly one that included my aunt and grandmother.

We see the way in which beauty in particular interacts with the peculiar attributes borne by various Gods in the account Plato offers of erotic attraction. Humans who find themselves on the Earth together at a given moment have been, prior to their return into bodies, followers or attendants of various deities. Socrates explicitly remarks that he was a follower of Zeus, and presumes this of Phaedrus as well (Phaedr. 250b). This prenatal cultic affiliation, so to speak, manifests itself in our patterns of erotic attraction. Plato goes into quite a bit of detail. The God to whom we are affiliated affects not only the qualities we find attractive in another, but also our style as lovers and the qualities which, once we have found a partner, we seek to bring out simultaneously in them and in ourselves.

Women are twice as likely to suffer depression as men are, because on the average they think about problems in ways that amplify depression. Men tend to act rather than reflect, but women tend to contemplate their depression, mulling it over and over, trying to analyze it and determine its source. Psychologists call this process of obsessive analysis rumination, a word whose first meaning is “chewing the cud.” Ruminant animals, such as cattle, sheep, and goats, chew a cud composed of regurgitated, partially digested food—not a very appealing image of what people who ruminate do with their thoughts, but an exceedingly apt one. Rumination combined with pessimistic explanatory style is the recipe for severe depression. This ends the bad news. The good news is that both pessimistic explanatory style and rumination can be changed, and changed permanently. Cognitive therapy can create optimistic explanatory style and curtail rumination. It prevents new depressions by teaching the skills needed to bounce back from defeat. You will see how it works on others, and then you will learn how to use its techniques on yourself.

So where does the secure attachment come from? As more studies become available, there is increasing evidence that a secure attachment style doesn't originate from a single source. The equation of a caring and sensitive parent producing a secure-for-life child is too one-dimensional; instead it seems that an entire mosaic of factors comes together to create this attachment pattern: our early connection with our parents, our genes, and also something else- our romantic experiences as adults. On average, about 70 to 75 percent of adults remain consistently in the same attachment category at different points in their lives, while the remaining 25 to 30 percent of the population report a change in their attachment style. Researchers attribute this change to romantic relationships in adulthood that are so powerful that they actually revise our most basic beliefs and attitudes toward connectedness. And yes, that change can happen in both directions- secure people can become less secure and people who were originally insecure can become increasingly secure. If you are insecure, this piece of information is vital and could be your ticket to happiness in relationships. If you are secure, you should be aware of this finding because you have a lot to lose by becoming less secure. p140

However, an anxious-preoccupied attachment style develops when the caregiver responds poorly to his needs. These people develop low self-esteem issues and are unable to connect to others because of the constant worry of what others will think of them. They find themselves always comparing to others, and they have a very high opinion of everyone else but themselves. A dismissive

she was going straight into Hollywood Station. 9 Ballard kept all her work suits in her locker at the station and dressed for her shifts after arriving each night. She had four different suits that followed the same cut and style but differed in color and pattern. She dry-cleaned them two at a time so that she always had a suit and a backup available. After arriving nearly eight hours early for her shift, Ballard changed into the gray suit that was her favorite. She accompanied it with a white blouse. She kept four white blouses and one navy in her locker as well. It was Friday and that meant Ballard was scheduled to work solo. She and Jenkins had to cover seven shifts a week, so Ballard took Tuesday to Saturday and Jenkins covered Sunday to Thursday, giving them three overlap days. When they took vacation time, their slots usually went unfilled. If a detective in the division was needed during the early-morning hours, then someone had to be called in from home. Working solo suited Ballard because she didn’t have to run decisions by her partner. On this day, if he had known what Ballard’s plan was, Jenkins would have put the kibosh on it. But because it was Friday, they would not be working together again until the following Tuesday, and she was clear to make her own moves. After suiting up, Ballard checked herself in the mirror over the locker room sinks. She combed her sun-streaked hair with her fingers. That was all she usually had to do. Constant immersion in salt water and exposure to the sun over years had left her with broken, flyaway hair that she kept no longer than chin length out of necessity. It went well with her tan and gave off a slightly butch look that reduced advances from other officers. Olivas had been an exception. Ballard squeezed some Visine drops into her eyes, which were red from the salt water. After that she was good to go. She went into the break room to brew a double-shot espresso on the Keurig. She would be operating now and through the night on less than three hours of sleep. She needed to start stacking caffeine. She kept her eye on the wall clock because she wanted to time her arrival in the detective bureau at shortly before four p.m., when she knew the lead detective in the CAPs unit would also be watching the clock, getting ready to split for the weekend. She had at least fifteen minutes to kill, so she went upstairs to the offices of the buy-bust team next to the vice unit. Major Narcotics was located downtown but each division operated

The surprise here is that the social classes just below the top of the hierarchy actually use more of the prestigious (r)-1 variants in formal styles than the classes above them. This unexpected pattern, in which intermediate social classes ‘overreach’ their social superiors, is called hypercorrection in one of its two meanings (see Spotlight on p. 237), and Labov has suggested that it may be indicative of ongoing change from above, i.e. in the direction of an overtly prestigious norm. Such changes, he argues, are most likely to be led not by the highest social class but by the lower middle or upper working classes further down the hierarchy, i.e. precisely those who hypercorrect for the New York (r) variable above. Being acutely aware of their precarious position between the established middle and working classes, these groups are more sensitive to social variation than those in more secure or entrenched class positions.

So in reality there was just one functioning channel, which came on at around 5 p.m., shutting down at 11 p.m. At seven o’clock, there was a news program for twenty-five minutes, almost exclusively about Kim Jong-il. There was no live film, just old photographs of him visiting factories, and the newscaster would read, verbatim, whatever he had supposedly said on those occasions. Next there was a thirty-minute music program, in which the lyrics scrolled across the screen karaoke style. The songs had titles like “Defend the Headquarters of Revolution,” which described the North Korean people as “bombs and bullets.” Then there was a slot for a drama or film, followed by another news program on the more recent movements of Kim Jong-il. This was the news that my students had mentioned watching each night. There were, of course, no commercials, but the news was sometimes interrupted by Kim Jong-il quotations that filled the screen.

the decreasing demands in other areas were as important, and probably more so, for reducing the commitment of Catholics. As lannaccone (1994, p. 1204) has commented, the Catholic church "managed to arrive at a remarkable, 'worst of both worlds' position-discarding cherished distinctiveness in the areas of liturgy, theology, and life-style, while at the same time maintaining the very demands that its members and clergy are least willing to accept.

The work of Dr. Shelly Gable shows that when an individual responds actively and constructively (as opposed to passively and destructively) to someone sharing a positive experience, love and friendship increase. So we teach the four styles of responding: active constructive (authentic, enthusiastic support), passive constructive (understated support), passive destructive (ignoring the event), and active destructive (pointing out negative aspects of the event). We

But Rusk's style soon irritated him [Averell Harriman], and those who were around him detected a very subtle patronizing of the Secretary. (It showed at one staff meeting of high-level State officials: Rusk, Ball, Harriman, the Assistant Secretaries. Rusk addressed his team, saying that Harold Wilson was in town and that it looked as if he was going to win the election and become Prime Minister, and perhaps they had better do something for him. Did anyone know where he was staying? No one knew, so Rusk dispatched Ball to call the British embassy and find out. Ball left, came back white-faced a few minutes later, and whispered to Rusk, "He's Averell's house guest." Harriman, sitting there, never moved a muscle.)p197

In connection with what is styled "Divine worship" today, the great majority of professing Christians follow the dictates of their own wisdom, or inclinations of their fleshly lusts, rather than Holy Scripture. Others mechanically follow the traditions of their fathers, or the requirements of popular custom. The result is that the Holy Spirit is grieved and quenched by the worldly inventions of carnal men, and Christ is outside the whole thing. Far better not to worship God at all, than to mock Him with human "will worship" (Col. 2:23). Far better to worship Him Scripturally in seclusion of our homes, than fellowship with the abominable mockery that is now going on in almost all the so-called "churches."10

It was the same everywhere. Military men in civilian clothes always looked out of place. Even with different styles in clothing in different countries, they stood out like sore thumbs.

Not miscalculation, bad strategy is the active avoidance of the hard work of crafting a good strategy. One common reason for choosing avoidance is the pain or difficulty of choice. When leaders are unwilling or unable to make choices among competing values and parties, bad strategy is the consequence. A second pathway to bad strategy is the siren song of template-style strategy—filling in the blanks with vision, mission, values, and strategies. This path offers a one-size-fits-all substitute for the hard work of analysis and coordinated action. A third pathway to bad strategy is New Thought—the belief that all you need to succeed is a positive mental attitude. There are other pathways to bad strategy, but these three are the most common. Understanding how and why they are taken should help you guide your footsteps elsewhere. THE