Punk Quotes

We've searched our database for all the quotes and captions related to Punk. Here they are! All 100 of them:

Well my gun fires seven different shades of shit, so what's your favorite color, punk?
Gerard Way
Nick - Psycho-ass? You're bringing psycho-ass back? Zarek - That's Mister Psycho-ass to you, punk.
Sherrilyn Kenyon (Dream Warrior (Dream-Hunter, #4; Dark-Hunter, #17))
We’re all ugly, Ryen. The only difference is, some hide it and some wear it.
Penelope Douglas (Punk 57)
I know you think you're a punk," Declan said. "But you aren't nearly as bad ass as you think you are." "Oh, go to hell," Ronan snapped, just as the alter boys broached the rear doors. "Guys," Matthew pleaded. "Be holy.
Maggie Stiefvater (The Dream Thieves (The Raven Cycle, #2))
She can be a nightmare, but this still feels better than any dream.
Penelope Douglas (Punk 57)
Why should I care what other people think of me? I am who I am. And who I wanna be.
Avril Lavigne
What a waste my life would be without all the beautiful mistakes I've made.
Alice Bag (Violence Girl: East L.A. Rage to Hollywood Stage, a Chicana Punk Story)
She still felt like a punked-out, faux-leather-wearing, free-thinking Bratz doll in a sea of Pretty Princess of Preppyland Barbies.
Sara Shepard (Perfect (Pretty Little Liars, #3))
This is real, this is me,' I said. She blinked. 'Did you just quote Camp Rock at me? That's not very pop punk." 'I've gotta go my own way.' 'Okay, firstly, that's High School Musical...
Alice Oseman (Radio Silence)
Alone, Empty, Fraud, Shame, Fear, Close your eyes.There is nothing to see out here.
Penelope Douglas (Punk 57)
I’m in a band. I don’t go to church every Sunday. I love punk rock music. Sometimes I use swear words a lot. I respect and admire gay men and women. I’m obsessed with horror films. I know what shame feels like. And guess what old man? Jesus is still my Savior.
Hayley Williams
It gets better, you are important, and you can't be replaced. Hang on. You'll fing youre tribe.
Penelope Douglas (Punk 57)
A guy walks up to me and asks, "What's Punk?". So I kick over a garbage can and say. "That's punk!". So he kicks over the garbage can and says, "That's Punk?", and I say, "No that's trendy!
Billie Joe Armstrong
Happy," I muttered, trying to pin the word down. But it is one of those words, like Love, that I have never quite understood. Most people who deal in words don’t have much faith in them and I am no exception – especially the big ones like Happy and Love and Honest and Strong. They are too elusive and far to relative when you compare them to sharp, mean little words like Punk and Cheap and Phony. I feel at home with these, because they’re scrawny and easy to pin, but the big ones are tough and it takes either a priest or a fool to use them with any confidence.
Hunter S. Thompson (The Rum Diary)
I don’t believe in guilty pleasures. If you fucking like something, like it. That’s what’s wrong with our generation: that residual punk rock guilt, like, “You’re not supposed to like that. That’s not fucking cool.” Don’t fucking think it’s not cool to like Britney Spears’ “Toxic.” It is cool to like Britney Spears’ “Toxic”! Why the fuck not? Fuck you! That’s who I am, goddamn it! That whole guilty pleasure thing is full of fucking shit.
Dave Grohl
Listen, street punk. You're a guy, and you're a couple inches taller, and maybe forty pounds heavier, and ooh, you're in a gang. But I've survived ten years of Catholic school, and I will cut you off at your knees without a blink. Do you understand?
James Patterson (Angel (Maximum Ride, #7))
You kissed my hair while sticking me in the heart. But your house will break before I fall apart. -Punk
Penelope Douglas (Punk 57)
I'm going to hell. I'm pretty sure she'd going to drag me there herself.
Penelope Douglas (Punk 57)
Punk is musical freedom. It’s saying, doing and playing what you want. In Webster’s terms, ‘nirvana’ means freedom from pain, suffering and the external world, and that’s pretty close to my definition of Punk Rock.
Kurt Cobain
You loved me. We were besties. I lend you my eye shadow. But someday all you'll be is someone I used to know. - Punk
Penelope Douglas (Punk 57)
The ultimate act of heroism shouldn’t be death. You’re always saying you want to give Baz the stories he deserves... So you’re going to kill him off? Isn’t the best revenge supposed to be a life well-lived? The punk-rock way to end it would be to let them live happily ever after.
Rainbow Rowell (Fangirl)
Punk rock should mean freedom, liking and excepting anything that you like. Playing whatever you want. As sloppy as you want. As long as it's good and it has passion.
Kurt Cobain
You don’t have to be afraid or embarrassed. No one does you better than you. You can’t be replaced. Not everyone will see that, but only you need to.” He
Penelope Douglas (Punk 57)
Of course.. some people, me included, believe that punk is just the most recent manifestation of this, this spirit, this feeling, you know, that things aren't right and that in fact things are so wrong that the only thing we can do is to say Fuck It, over and over again, really loud, until someone stops us.
Audrey Niffenegger (The Time Traveler's Wife)
Life is fifty wrong turns down a bumpy road. All you can hope is that you end up somewhere nice.” “I
Penelope Douglas (Punk 57)
Do ya' feel lucky, punk?
Clint Eastwood
Art is sacred. Punk rock is freedom. Expression and right to express is vital. Anyone can be artistic.
Kurt Cobain (Journals)
We were perfect for each other. Until we met
Penelope Douglas (Punk 57)
I have no life there if you're not in it. You're part of everything good I've ever done, Ryen. Please.
Penelope Douglas (Punk 57)
So are you gonna cry about it like a punk, or are you gonna do something?
Jenny Han (We'll Always Have Summer (Summer #3))
Claire - "Go ahead. And thanks. Oh, and be careful?" Eve - "Please. I am the queen of careful. Also, princess of punk fabulousness.
Rachel Caine (Ghost Town (The Morganville Vampires, #9))
The Guards in front of the dais turned and froze. Then they scattered like roaches. Apollo moved up the aisle. “Yeah, that’s what I thought.” “I will find you! We’re connected. We are one!” Seth was still screaming. His gaze fell to the god. He sneered. “You want to fight me now, in your true form?” “I will fight you in any form, you little punk-ass brat.” Seth laughed. “You can’t kill me.” “But I can beat the living snot out of you.
Jennifer L. Armentrout (Deity (Covenant, #3))
Usually when you ask somebody in college why they are there, they'll tell you it's to get an education. The truth of it is, they are there to get the degree so that they can get ahead in the rat race. Too many college radicals are two-timing punks. The only reason you should be in college is to destroy it.
Abbie Hoffman (Steal This Book)
Please. I am the queen of careful. Also, princess of punk fabulousness.
Rachel Caine
That’s why I have Jericho, Jared, and Zarek. (Acheron) Psycho-ass? You’re bringing Psycho-ass back? (Nick) That’s Mister Psycho-ass to you, punk. (Zarek)
Sherrilyn Kenyon (Dream Warrior (Dream-Hunter, #4; Dark-Hunter, #17))
Work It Harder Make It Better Do It Faster, Makes Us stronger More Than Ever Hour After Our Work Is Never Over -Harder, Better, Faster, Stronger, lyrics and music by Daft Punk
Daft Punk
Stray thought for the day: Putting boundaries on how punk should sound/look is the least punk rock thing one can do. Be yourself=Very punk.
Patrick Stump
Beasts bounding through time. Van Gogh writing his brother for paints Hemingway testing his shotgun Celine going broke as a doctor of medicine the impossibility of being human Villon expelled from Paris for being a thief Faulkner drunk in the gutters of his town the impossibility of being human Burroughs killing his wife with a gun Mailer stabbing his the impossibility of being human Maupassant going mad in a rowboat Dostoevsky lined up against a wall to be shot Crane off the back of a boat into the propeller the impossibility Sylvia with her head in the oven like a baked potato Harry Crosby leaping into that Black Sun Lorca murdered in the road by the Spanish troops the impossibility Artaud sitting on a madhouse bench Chatterton drinking rat poison Shakespeare a plagiarist Beethoven with a horn stuck into his head against deafness the impossibility the impossibility Nietzsche gone totally mad the impossibility of being human all too human this breathing in and out out and in these punks these cowards these champions these mad dogs of glory moving this little bit of light toward us impossibly
Charles Bukowski (You Get So Alone at Times That it Just Makes Sense)
Where’s a friggin’ rocket when you need it? Ah, crap, Jaden, stop with the pollen. I hate that. Yeah, taste honey, you punk! (Acheron)
Sherrilyn Kenyon (Acheron (Dark-Hunter, #14))
I know what you're thinking," Grandma said into the silence. "Do I have anymore bullets in this here gun? Well, with all the confusion, what with being locked up in a refrigerator, I plumb forgot what was in here to start with. But being that this is a 45 magnum, the most powerful handgun in existence, and it could blow your head clean off, you just got to ask yourself one question. Do you feel lucky today? Well, do you, punk?" Christ," Spiro whispered. "She thinks she's f**king Clint Eastwood.
Janet Evanovich (Two for the Dough (Stephanie Plum, #2))
I created Punk for this day and age. Do you see Britney walking around wearing ties and singing punk? Hell no. That's what I do. I'm like a Sid Vicious for a new generation.
Avril Lavigne
You would give John Travolta a run for his money. (Tory) Yeah, and I’m sorry about my clothes. I tried, but I just couldn’t bring myself to wear that. Hell, I couldn’t do the disco look even when it was popular. I swear I’m allergic to polyester. Thank God for the punk movement. Otherwise I’d have been naked for a decade. (Acheron)
Sherrilyn Kenyon (Acheron (Dark-Hunter, #14))
If you are deaf, dumb, and blind to what’s happening in the world, you’re under no obligation to do anything. But if you know what’s happening and you don’t do anything but sit on your ass, then you’re nothing but a punk.
Assata Shakur (Assata: An Autobiography)
I had choosen the path of the black sheep rather than that of the unicorns and puppies.
Magenta Periwinkle (Cutting Class)
Don't hate the media; become the media.
Jello Biafra (Become the Media)
Can’t clean up after you anymore, baby brother, so don’t punk out. Make it count.
Rachel Vincent (Reaper (Soul Screamers, #3.5))
Alex fainted—" "I didn't faint," I grumbled, feeling my cheeks flush. Aiden's lip curved up on one side. "Okay. She was suddenly not walking or talking anymore. During that time, she saw Seth. Apparently he used Hermes to pull her in." "Hermes?" Apollo hissed—actually hissed like an angry lion. "That little, punk-ass bitch." My brows rose.
Jennifer L. Armentrout (Apollyon (Covenant, #4))
My eyes burn with tears, and I'm so tired. So tired of holding back everything I feel and want to say. So tired of being someone I'm not and making mistakes that I didn't have any fun making.
Penelope Douglas (Punk 57)
Then he turned to Seth. "And don't think you and me are okay. It's great you're no longer Ares' little bitch-boy, but you're still a punk-ass. Aiden snickered. "And I hope your jaw really hurts," Apollo added.
Jennifer L. Armentrout (Sentinel (Covenant, #5))
Misha, my best friend who got me into bed and fucked me with a lie.
Penelope Douglas (Punk 57)
I adore the way fan fiction writers engage with and critique source texts, by manipulating them and breaking their rules. Some of it is straight-up homage, but a lot of [fan fiction] is really aggressive towards the source text. One tends to think of it as written by total fanboys and fangirls as a kind of worshipful act, but a lot of times you’ll read these stories and it’ll be like ‘What if Star Trek had an openly gay character on the bridge?’ And of course the point is that they don’t, and they wouldn’t, because they don’t have the balls, or they are beholden to their advertisers, or whatever. There’s a powerful critique, almost punk-like anger, being expressed there—which I find fascinating and interesting and cool.
Lev Grossman
I've always been spiritual but I've never had a proper context, and it took me a while to find the proper context. It's hard to realize you can have any kind of relationship with God you want... and so I now have a punk rock relationship with God
Billy Corgan
I took Punk to be the detonation of some slow-fused projectile buried deep in society's flank a decade earlier, and I took it to be, somehow, a sign.
William Gibson
Speak your mind, and you give others permission to do the same.
Penelope Douglas (Punk 57)
No kid wants to be different. They want to belong, they desire the approval of others, and they, most often, aren’t yet mentally strong enough to be able to stand alone. As we get older, though, most of us develop that capability. We learn that nothing feels better than truly loving yourself, even if it means those around you do not. We joyously find that we just don’t give a damn anymore. And
Penelope Douglas (Punk 57)
We're all ugly, Ryen. The only difference is, some hide it and some wear it.
Penelope Douglas (Punk 57)
just remember: it gets better, you are important, and you can’t be replaced. Hang on. You’ll find your tribe.   Penelope
Penelope Douglas (Punk 57)
So if the punks come here, they’re going to dance with the devil and get the short end of the horn. (Zarek) No one better than my Zarek to rip someone’s head off. You two should get along famously. (Astrid)
Sherrilyn Kenyon (Dream Warrior (Dream-Hunter, #4; Dark-Hunter, #17))
Dont test me, Second guess me, Protest me, You will DISAPEAR! (East Jesus of Nowhere)
Billie Joe Armstrong
She smashes her knuckles into winter As autumn's wind fades into black She is the saint of all the sinners, the one whose fallen through the cracks... (iViva la Gloria!)
Billie Joe Armstrong
So now we're here and we are not dead, and Mom, what's more punk rock than living despite all that which has tried to make you not?
Neil Hilborn
I am Opposite of weak Opposite of slack Synonym of heat Synonym of crack Closest to the peak Far from a punk Y'all ought to stop talking And start trying to catch up
Mike Shinoda
She laughed. 'It won't last. Nothing lasts. But I'm happy now.' 'Happy,' I muttered, trying to pin the word down. But it is one of those words, like Love, that I have never quite understood. Most people who deal in words don't have much faith in them and I am no exception--especially the big ones like Happy and Love and Honest and Strong. They are too elusive and far too relative when you compare them to sharp, mean little words like Punk and Cheap and Phony. I feel at home with these, because they're scrawny and easy to pin, but the big ones are tough and it takes either a priest or a fool to use them with any confidence.
Hunter S. Thompson (The Rum Diary)
Haters are my favorite. I´ve built an empire with the bricks they´ve thrown at me. Keep on hating...
C.M. Punk
Now I know I am an intellectual. I saw Malcolm Muggeridge on the television last night, and I understood nearly every word. It all adds up. A bad home, poor diet, not liking punk. I think I will join the library and see what happens.
Sue Townsend
Why are you worried about him? Des is a punk. (Urian) Desiderius is dead. Kyrian killed him. (Tabitha) Yeah, and I'm the Easter Bunny- see my fluffy tail? You don't just kill a Spathi, little girl. All you do is take him out of commission for a while. (Urian)
Sherrilyn Kenyon (Seize the Night (Dark-Hunter #6))
So...have you ever thought about dyeing your hair punk-rocker-chick black? As I'm sure you've heard, I have a thing for brunettes and always avoid blondes." "I've heard. And no." "Too bad. Because you're making me rethink my stance about doing my friends' exes." I snorted, not even trying to hide my...incredulity? Surely I wasn't amused. "Your making me rethink my stance on cold-blooded homicide
Gena Showalter (Through the Zombie Glass (White Rabbit Chronicles, #2))
If this were a movie, I would bust a secret move so fierce the entire place would be razed to the ground. I'd finish with something snappy like "And don't forget my soda, punk" while I strolled off into the night.
Libba Bray (Going Bovine)
Anger, intelligence, and wit are ultimately more seductive than zero percent body fat.
Maria Raha (Cinderella's Big Score: Women of the Punk and Indie Underground)
I know what you're thinking. Did he fire six shots or only five? Well, to tell you the truth, in all this excitement, I've kinda lost track myself. But being as this is a .44 magnum, the most powerful handgun in the world, and would blow your head clean off, you've got to ask yourself one question: "Do I feel lucky?" Well, do ya, punk?
Clint Eastwood
If a tree falls in the forest and it hits a mime, would he make a noise?
Brad Warner (Sit Down and Shut Up: Punk Rock Commentaries on Buddha, God, Truth, Sex, Death, and Dogen's Treasury of the Right Dharma Eye)
Reality's all you've got. But here's the real secret, the real miracle: it's enough.
Brad Warner (Hardcore Zen: Punk Rock, Monster Movies and the Truth about Reality)
You want to be loved without risking consequence, so you reach out to get the attention you need while enjoying the luxury of taking no responsibility for those words.” I
Penelope Douglas (Punk 57)
You turn me on.” He cups my face, brushing my hair away from my eyes and a tear off my cheek.” “God, you turn me on. You're driving me crazy. I want you to need my hands on you. Do you?
Penelope Douglas (Punk 57)
Blue jeans, white shirt Walked into the room you know you made my eyes burn It was like, James Dean, for sure You're so fresh to death and sick as ca-cancer You were sorta punk rock, I grew up on hip hop But you fit me better than my favourite sweater, and I know That love is mean, and love hurts But I still remember that day we met in december, oh baby! I will love you 'til the end of time I would wait a million years Promise you'll remember that you're mine Baby can you see through the tears Love you more Than those bitches before Say you'll remember, oh baby, say you'll remember I will love you 'til the end of time Big dreams, gangster Said you had to leave to start your life over I was like, “No please, stay here, We don't need no money we can make it all work,” But he headed out on sunday, said he'd come home monday I stayed up waitin', anticipatin', and pacin' But he was chasing paper "Caught up in the game" ‒ that was the last I heard I will love you 'til the end of time I would wait a million years Promise you'll remember that you're mine Baby can you see through the tears Love you more Than those bitches before Say you'll remember, oh baby, say you'll remember I will love you 'til the end of time You went out every night And baby that's alright I told you that no matter what you did I'd be by your side Cause Imma ride or die Whether you fail or fly Well shit at least you tried. But when you walked out that door, a piece of me died I told you I wanted more-but that's not what I had in mind I just want it like before We were dancing all night Then they took you away-stole you out of my life You just need to remember.... I will love you 'til the end of time I would wait a million years Promise you'll remember that you're mine Baby can you see through the tears Love you more Than those bitches before Say you'll remember, oh baby, say you'll remember I will love you 'til the end of time
Lana Del Rey
there are none so deaf as those that will not hear.
Michael Punke (The Revenant)
He's a reminder of what I want to feel everyday, whether it's with him or on my own. He's taught me that who I am when I'm with him feels too good to sacrifice for the approval of everyone else. The way I dress, the guys I talk to, the games I play... it's all plastic, and when I'm with him, I'm gold.
Penelope Douglas (Punk 57)
I bite my bottom lip, trying not to cry. I never cry in front of them.
Penelope Douglas (Punk 57)
Anything to not need you, Anything to not fall for you, Anything to look at a girl who’s not you, But baby, there’s nothing but you.
Penelope Douglas (Punk 57)
I'm going to hell. I'm pretty sure she's going to drag me there herself.
Penelope Douglas (Punk 57)
It's the ballads I like best, and I'm not talking about the clichéd ones where a diva hits her highest note or a rock band tones it down a couple of notches for the ladies. I mean a true ballad. Dictionary definition: a song that tells a story in short stanzas and simple words, with repetition, refrain, etc. My definition: the punk rocker or the country crooner telling the story of his life in three minutes, reminding us of the numerous ways to screw up.
Stephanie Kuehnert (Ballads of Suburbia)
You punk asshole. What was this? A game for you? This is my life’s work you just annihilated and for what? Shits and giggles? Or was this nothing more than a fraternity prank? Please tell me that you didn’t just ruin my integrity to get some kind of drinking points. This is something I’ve been working for since before you were born. How dare you make a mockery of me. I hope to God that one day someone degrades you like this so that you’ll know, just once in your spoiled pompous life, what humiliation feels like! (Tory)
Sherrilyn Kenyon (Acheron (Dark-Hunter, #14))
An incomplete list: No more diving into pools of chlorinated water lit green from below. No more ball games played out under floodlights. No more porch lights with moths fluttering on summer nights. No more trains running under the surface of cities on the dazzling power of the electric third rail. No more cities. No more films, except rarely, except with a generator drowning out half the dialogue, and only then for the first little while until the fuel for the generators ran out, because automobile gas goes stale after two or three years. Aviation gas lasts longer, but it was difficult to come by. No more screens shining in the half-light as people raise their phones above the crowd to take pictures of concert states. No more concert stages lit by candy-colored halogens, no more electronica, punk, electric guitars. No more pharmaceuticals. No more certainty of surviving a scratch on one's hand, a cut on a finger while chopping vegetables for dinner, a dog bite. No more flight. No more towns glimpsed from the sky through airplane windows, points of glimmering light; no more looking down from thirty thousand feet and imagining the lives lit up by those lights at that moment. No more airplanes, no more requests to put your tray table in its upright and locked position – but no, this wasn't true, there were still airplanes here and there. They stood dormant on runways and in hangars. They collected snow on their wings. In the cold months, they were ideal for food storage. In summer the ones near orchards were filled with trays of fruit that dehydrated in the heat. Teenagers snuck into them to have sex. Rust blossomed and streaked. No more countries, all borders unmanned. No more fire departments, no more police. No more road maintenance or garbage pickup. No more spacecraft rising up from Cape Canaveral, from the Baikonur Cosmodrome, from Vandenburg, Plesetsk, Tanegashima, burning paths through the atmosphere into space. No more Internet. No more social media, no more scrolling through litanies of dreams and nervous hopes and photographs of lunches, cries for help and expressions of contentment and relationship-status updates with heart icons whole or broken, plans to meet up later, pleas, complaints, desires, pictures of babies dressed as bears or peppers for Halloween. No more reading and commenting on the lives of others, and in so doing, feeling slightly less alone in the room. No more avatars.
Emily St. John Mandel (Station Eleven)
The ideological blackmail that has been in place since the original Live Aid concerts in 1985 has insisted that ‘caring individuals’ could end famine directly, without the need for any kind of political solution or systemic reorganization. It is necessary to act straight away, we were told; politics has to be suspended in the name of ethical immediacy. Bono’s Product Red brand wanted to dispense even with the philanthropic intermediary. ‘Philanthropy is like hippy music, holding hands’, Bono proclaimed. ‘Red is more like punk rock, hip hop, this should feel like hard commerce’. The point was not to offer an alternative to capitalism - on the contrary, Product Red’s ‘punk rock’ or ‘hip hop’ character consisted in its ‘realistic’ acceptance that capitalism is the only game in town. No, the aim was only to ensure that some of the proceeds of particular transactions went to good causes. The fantasy being that western consumerism, far from being intrinsically implicated in systemic global inequalities, could itself solve them. All we have to do is buy the right products.
Mark Fisher (Capitalist Realism: Is There No Alternative?)
It feels like shit to be alone. To be in a place full of people and feel like they don't want you there. To feel like you're at a party you weren't invited to. No one even knows your name. No one wants to. No one cares. Are they laughing at you? Talking about you? Are they sneering at you like their perfect world would be so much better if you weren't there, messing up their view? Are they just wishing you'd get the hint already and leave? I feel like that a lot. I know it's pathetic to want a place among other people, and I know you'll say it's better to stand in a crowd and be wrong, but... I still feel that need all the time. Do you ever feel it? I wonder if the cheerleader feels it. When the music stops and everyone goes home? When the day is gone and she doesn't have anyone to entertain herself with? When she removes her makeup, taking off her brave face for the day, do the demons she keeps buried start playing with her when there's no one else to play with? I guess not. Narcissists don't have insecurities, right? Must be nice.
Penelope Douglas (Punk 57)
The world isn’t always what’s right in front of you, you know? It’s below, it’s above, it’s out there somewhere. Every burn of every light inside every house I see when I look down from the rooftop has a story. Sometimes we just need to change our perspective. And when I look down at everything, I remember that there’s more out there than just what’s going on in my house—the bullshit with my dad, school, my future. I look at all those full houses, and I remember, I’m just one of many. It’s not to say we’re not special or important, but it’s comforting, I guess. You don’t feel so alone.
Penelope Douglas (Punk 57)
You're a punk?' 'What?' 'What do they call people from the eighties?' I asked. 'Oh,' she laughed. It was a beautiful laugh. 'I'm my mother, actually. I mean, these are her clothes from High School. I guess I should tell people I'm Cyndi Lauper though, or something, because dressing up as your mother is pretty lame.' 'I almost dressed up as my mother,' I said, 'but I was worried what my therapist would say.' She laughed again, and I realized that she thought I was joking. It was probably for the best, since telling her the second half of my mom costume - a giant fake butcher knife through the head - would probably freak her out.
Dan Wells (I Am Not a Serial Killer (John Cleaver, #1))
Gemma Davidson,” she answered, her voice as groggy as I felt. “Where are you?” I asked. “Who is this?” “Elvis.” “What time is it?” “Hammer time?” “Charley.” “Did you text me? Did your car break down?” “No and no. Why are you doing this to me?” She was funny. “Check your cell.” I heard a loud, sleepy sigh, some rustling of sheets, then, “It won’t come on.” “Not at all?” “No. What did you do to it?” “I ate it for breakfast. Check the battery compartment.” “Where the hell is that?” “Um, behind the battery door.” “Are you punking me?” I heard her fumbling with the phone. “Gem, if I was going to punk you, I wouldn't simply turn off your phone. I would pour honey in your hair while you slept. Or, you know, something like that.” “That was you?” she asked, appalled.
Darynda Jones (Third Grave Dead Ahead (Charley Davidson, #3))
I don't even want to think about all those dishes," Donny said. "Hey, now that I believe in demons and magic spells, who's going to tell me about little dish elves that come and clean your kitchen while you nap?" "There is a class of fairy called Nibs that will do it. But they come with their own set of issues. It's never worth the hassle of summoning them," Varnie answered. "I was totally kidding, but..." Donny eyed him suspiciously. "Wait, are you punking me? There really is no such thing as Nibs, is there?" Varnie smiled noncommitally. "Ame, is there sucha thing as Nibs?" Amelia bit her lip to keep from laughing. "I've never heard of them, but that doesn't mean they don't exist." "Amnesia boy?" I held up my hand. "Yeah, sorry. Amnesia." "You guys suck." She pouted.
Gwen Hayes (Falling Under (Falling Under, #1))
The kid pulled a Buck knife out of his pants pocket. "How about giving me your purse, bitch?" Sally hiked up his skirt, reached into his briefs and pulled out a Glock. "How about using that knife to slice off your balls?" Lula whipped a gun out of her red satin purse and Grandma hauled out her .45 long-barrel. "Day my make, punk," Grandma said. "Hey, I don't want any trouble," the kid said. "We were just having some fun." "I want to shoot him," Sally said. "Nobody'll tell, right?" "No fair," Lula said. "I want to shoot him." "Okay," Grandma said. "On the count of three, we'll all shoot him.
Janet Evanovich (Four to Score (Stephanie Plum, #4))
He was a boy, she was a girl Can I make it any more obvious, He was a punk, she did ballet, What more can I say, He wanted her, she wouldn't tell, but secretly she wanted him as well, All of her friends stuck up their nose, They had a problem with his baggy clothes He was a sk8er boi, she said "see you later boy" he wasn't good enough for her, he was a sk8er boi, she said "see you later boy", he wasn't good enough for her. Five years from now, she sits at home, feeding the baby, she's all alone, she turns on TV, guess who she sees, sk8er boi rockin' on MTV, she calls up her friends, they already know, and they got tickets to see his show
Avril Lavigne (Avril Lavigne - Let Go)
I’ve wanted everything in my life to change for so long, and when it’s finally about to, my urge to escape slows down. I think that’s why people stay unhappy for so long, you know? Miserable or not, it’s easier to stick with what’s familiar. Do you notice that, too? How all of us just want to get through life as quickly and as easily as possible? And even though we know that without risk there’s no reward, we’re still so scared to chance it?
Penelope Douglas (Punk 57)
A writer or any artist can’t expect to be embraced by the people. I've done records where it seemed like no one listened to them. You write poetry books that maybe 50 people read. And you just keep doing your work because you have to, because it’s your calling. But it’s beautiful to be embraced by the people. Some people have said to me, “Well, don’t you think that kind of success spoils one as an artist? If you’re a punk rocker, you don’t want to have a hit record…” And I say to them, “Fuck you!” One does their work for the people. And the more people you can touch, the more wonderful it is. You don’t do your work and say, “I only want the cool people to read it.” You want everyone to be transported, or hopefully inspired by it. When I was really young, William Burroughs told me, “Build a good name. Keep your name clean. Don’t make compromises. Don’t worry about making a bunch of money or being successful. Be concerned with doing good work. And make the right choices and protect your work. And if you can build a good name, eventually that name will be its own currency.
Patti Smith
Anything goes when everyone knows Where do you hide when their highs are your lows? So much, so hard, so long, so tired, Let them eat until you’re ground into nothing. Don’t you worry your glossy little lips. What they savor ‘ventually loses it’s flavor. I wanna lick, while you still taste like you. Bookmark it, says the cheerleader I promise we’ll come back to this spot. I have shit to do first. You won’t wait a lot. I can’t make her stay, and I can’t watch her go. I’ll keep her hellfire heart, And bookmark it ‘fore it goes cold. Fifty-seven times I didn’t call Fifty-seven letters I didn’t send, Fifty-seven stitches to breathe again, and then I fucking pretend. Fifty-seven days to not need you Fifty-seven times to give up on you Fifty-seven steps away from you, Fifty-seven nights of nothing but you.
Penelope Douglas (Punk 57)
A racist cop pulls over a black driver for little reason other than the fact that the driver is black and a recent robbery was committed by a couple of young black guys in a white community. The cop quickly realizes the driver is not one of the robbery suspects. He sees a man with a wife and two small children. They are not a couple of young punks. Still,he persists. Why? “He asks to see the driver’s license and registration. While locating the appropriate documents, the black driver respectfully volunteers that he is legally carrying a handgun. The cop panics—is it the image of a black man with a gun? He barks out conflicting orders and then shoots the man to death, in front of his family. Why? “Is it because the cop is an insensitive racist? Maybe he wasn’t trained or taught any better? Perhaps he lived a completely different life in a completely different world than that of the black man. In this cop’s world, were all black men potential criminals, people to be watched, people to be feared?
Mark M. Bello (Betrayal In Black (Zachary Blake Legal Thriller, #4))
Rock & Roll is so great, people should start dying for it. You don't understand. The music gave you back the beat so you could dream. A whole generation running with a Fender bass... The people just have to die for the music. People are dying for everything else, so why not the music? Die for it. Isn't it pretty? Wouldn't you die for something pretty? Perhaps I should die. After all, all the great blues singers did die. But life is getting better now. I don't want to die. Do I? - Lou Reed (1965-1968)
Legs McNeil (Please Kill Me: The Uncensored Oral History of Punk)
Amy turned to Nellie. "Can you create a diversion to draw the clerk outside?" The au pair was wary. "What kind of diversion?" "You could pretend to be lost," Dan proposed. "The guy comes out to give you directions, and we slip inside." "That's the most sexist idea I've ever heard," Nellie said harshly. "I'm female, so I have to be clueless. He's male, so he's got a great sense of direction." "Maybe you're from out of town," Dan suggested. "Wait–you are from out of town." Nellie stashed their bags under a bench and set Saladin on the seat with a stern "You're the watchcat. Anybody touches those bags, unleash your inner tiger." The Egyptian Mau surveyed the street uncertainly. "Mrrp." Nellie sighed. "Lucky for us there's no one around. Okay, I'm going in there. Be ready." The clerk said something to her–probably May I help you? She smiled apologetically. "I don't speak Italian." "Ah–you are American." His accent was heavy, but he seemed eager to please. "I will assist you." He took in her black nail polish and nose ring. "Punk, perhaps, is your enjoyment?" "More like a punk/reggae fusion," Nellie replied thoughtfully. "With a country feel. And operatic vocals." The clerk stared in perplexity. Nellie began to tour the aisles, pulling out CDs left and right. "Ah–Artic Monkeys–that's what I'm talking about. And some Bad Brains–from the eighties. Foo Fighters–I'll need a couple from those guys. And don't forget Linkin Park..." He watched in awe as she stacked up an enormous armload of music. "There," she finished, slapping Frank Zappa's Greatest Hits on top of the pile. "That should do for a start." "You are a music lover," said the wide-eyed cashier. "No, I'm a kleptomaniac." And she dashed out the door.
Gordon Korman (One False Note (The 39 Clues, #2))
I don't have to tell you things are bad. Everybody knows things are bad. It's a depression. Everybody's out of work or scared of losing their job. The dollar buys a nickel's worth, banks are going bust, shopkeepers keep a gun under the counter. Punks are running wild in the street and there's nobody anywhere who seems to know what to do, and there's no end to it. We know the air is unfit to breathe and our food is unfit to eat, and we sit watching our TV's while some local newscaster tells us that today we had fifteen homicides and sixty-three violent crimes, as if that's the way it's supposed to be. We know things are bad - worse than bad. They're crazy. It's like everything everywhere is going crazy, so we don't go out anymore. We sit in the house, and slowly the world we are living in is getting smaller, and all we say is, 'Please, at least leave us alone in our living rooms. Let me have my toaster and my TV and my steel-belted radials and I won't say anything. Just leave us alone.' Well, I'm not gonna leave you alone. I want you to get mad! I don't want you to protest. I don't want you to riot - I don't want you to write to your congressman because I wouldn't know what to tell you to write. I don't know what to do about the depression and the inflation and the Russians and the crime in the street. All I know is that first you've got to get mad. You've got to say, 'I'm a HUMAN BEING, God damn it! My life has VALUE!' So I want you to get up now. I want all of you to get up out of your chairs. I want you to get up right now and go to the window. Open it, and stick your head out, and yell, 'I'M AS MAD AS HELL, AND I'M NOT GOING TO TAKE THIS ANYMORE!' I want you to get up right now, sit up, go to your windows, open them and stick your head out and yell - 'I'm as mad as hell and I'm not going to take this anymore!' Things have got to change. But first, you've gotta get mad!... You've got to say, 'I'm as mad as hell, and I'm not going to take this anymore!' Then we'll figure out what to do about the depression and the inflation and the oil crisis. But first get up out of your chairs, open the window, stick your head out, and yell, and say it: "I'M AS MAD AS HELL, AND I'M NOT GOING TO TAKE THIS ANYMORE!
Paddy Chayefsky (Network [Screenplay])
THEY FOUND LEO AT THE TOP of the city fortifications. He was sitting at an open-air café, overlooking the sea, drinking a cup of coffee and dressed in…wow. Time warp. Leo’s outfit was identical to the one he’d worn the day they first arrived at Camp Half-Blood—jeans, a white shirt, and an old army jacket. Except that jacket had burned up months ago. Piper nearly knocked him out of his chair with a hug. “Leo! Gods, where have you been?” “Valdez!” Coach Hedge grinned. Then he seemed to remember he had a reputation to protect and he forced a scowl. “You ever disappear like that again, you little punk, I’ll knock you into next month!” Frank patted Leo on the back so hard it made him wince. Even Nico shook his hand. Hazel kissed Leo on the cheek. “We thought you were dead!” Leo mustered a faint smile. “Hey, guys. Nah, nah, I’m good.” Jason could tell he wasn’t good. Leo wouldn’t meet their eyes. His hands were perfectly still on the table. Leo’s hands were never still. All the nervous energy had drained right out of him, replaced by a kind of wistful sadness. Jason wondered why his expression seemed familiar. Then he realized Nico di Angelo had looked the same way after facing Cupid in the ruins of Salona. Leo was heartsick. As the others grabbed chairs from the nearby tables, Jason leaned in and squeezed his friend’s shoulder. “Hey, man,” he said, “what happened?” Leo’s eyes swept around the group. The message was clear: Not here. Not in front of everyone. “I got marooned,” Leo said. “Long story. How about you guys? What happened with Khione?” Coach Hedge snorted. “What happened? Piper happened! I’m telling you, this girl has skills!” “Coach…” Piper protested. Hedge began retelling the story, but in his version Piper was a kung fu assassin and there were a lot more Boreads. As the coach talked, Jason studied Leo with concern. This café had a perfect view of the harbor. Leo must have seen the Argo II sail in. Yet he sat here drinking coffee—which he didn’t even like—waiting for them to find him. That wasn’t like Leo at all. The ship was the most important thing in his life. When he saw it coming to rescue him, Leo should have run down to the docks, whooping at the top of his lungs. Coach Hedge was just describing how Piper had defeated Khione with a roundhouse kick when Piper interrupted. “Coach!” she said. “It didn’t happen like that at all. I couldn’t have done anything without Festus.” Leo raised his eyebrows. “But Festus was deactivated.” “Um, about that,” Piper said. “I sort of woke him up.” Piper explained her version of events—how she’d rebooted the metal dragon with charmspeak.
Rick Riordan (The House of Hades (Heroes of Olympus, #4))
There was no Disney World then, just rows of orange trees. Millions of them. Stretching for miles And somewhere near the middle was the Citrus Tower, which the tourists climbed to see even more orange trees. Every month an eighty-year-old couple became lost in the groves, driving up and down identical rows for days until they were spotted by helicopter or another tourist on top of the Citrus Tower. They had lived on nothing but oranges and come out of the trees drilled on vitamin C and checked into the honeymoon suite at the nearest bed-and-breakfast. "The Miami Seaquarium put in a monorail and rockets started going off at Cape Canaveral, making us feel like we were on the frontier of the future. Disney bought up everything north of Lake Okeechobee, preparing to shove the future down our throats sideways. "Things evolved rapidly! Missile silos in Cuba. Bales on the beach. Alligators are almost extinct and then they aren't. Juntas hanging shingles in Boca Raton. Richard Nixon and Bebe Rebozo skinny-dipping off Key Biscayne. We atone for atrocities against the INdians by playing Bingo. Shark fetuses in formaldehyde jars, roadside gecko farms, tourists waddling around waffle houses like flocks of flightless birds. And before we know it, we have The New Florida, underplanned, overbuilt and ripe for a killer hurricane that'll knock that giant geodesic dome at Epcot down the trunpike like a golf ball, a solid one-wood by Buckminster Fuller. "I am the native and this is my home. Faded pastels, and Spanish tiles constantly slipping off roofs, shattering on the sidewalk. Dogs with mange and skateboard punks with mange roaming through yards, knocking over garbage cans. Lunatics wandering the streets at night, talking about spaceships. Bail bondsmen wake me up at three A.M. looking for the last tenant. Next door, a mail-order bride is clubbed by a smelly ma in a mechanic's shirt. Cats violently mate under my windows and rats break-dance in the drop ceiling. And I'm lying in bed with a broken air conditioner, sweating and sipping lemonade through a straw. And I'm thinking, geez, this used to be a great state. "You wanna come to Florida? You get a discount on theme-park tickets and find out you just bough a time share. Or maybe you end up at Cape Canaveral, sitting in a field for a week as a space shuttle launch is canceled six times. And suddenly vacation is over, you have to catch a plane, and you see the shuttle take off on TV at the airport. But you keep coming back, year after year, and one day you find you're eighty years old driving through an orange grove.
Tim Dorsey (Florida Roadkill (Serge Storms, #1))