“
Don't untie me," she said, "no matter what happens or how much I plead. I'll want to go straight over the edge and drown myself."
"Are you trying to tempt me?"
"Ha-ha.
”
”
Rick Riordan (The Sea of Monsters (Percy Jackson and the Olympians, #2))
“
you've got to burn
straight up and down
and then maybe sidewise
for a while
and have your guts
scrambled by a
bully
and the demonic
ladies,
you've got to run
along the edge of
madness
teetering,
you've got to starve
like a winter
alleycat,
you've go to live
with the imbecility
of at least a dozen
cities,
then maybe
maybe
maybe
you might know
where you are
for a tiny
blinking
moment.
”
”
Charles Bukowski (Bone Palace Ballet: New Poems)
“
Yesterday, I cried.
I came home, went straight to my room,
sat on the edge of my bed,
kicked off my shoes, unhooked my bra,
and I had myself a good cry.
”
”
Iyanla Vanzant (Yesterday, I Cried)
“
The Word of God I think of as a straight edge, which shows up our own crookedness. We can't really tell how crooked our thinking is until we line it up with the straight edge of Scripture.
”
”
Elisabeth Elliot
“
As soon as the rocky coast line of the island came into view, I ordered one of the ropes to wrap around Annabeth's waist, tying her to the foremast.
"Don't untie me," she said, "no matter what happens or how much I plead. I'll want to go straight over the edge and drown myself."
"Are you trying to tempt me?"
"Ha-ha.
”
”
Rick Riordan (The Sea of Monsters (Percy Jackson and the Olympians, #2))
“
I don't drink."
"Oh My God, a straight-edged demon! I freaking love it!
”
”
Rachel Hawkins (Demonglass (Hex Hall, #2))
“
We walk – or shuffled along – about a yard and then I walked straight into a mailbox. I grunted. “Son of a bitch jumped right out in front of me!”
Kyler stopped, shaking his head. “You are a hazard to yourself right now.”
“I’m fine.” I waved him off, edging around the tricky inanimate object as I shot it a dark look. “I’m watching you.
”
”
Jennifer L. Armentrout (Frigid (Frigid, #1))
“
Straight edge means I'm better than you.
”
”
C.M. Punk
“
I wanted to walk straight on through the red grass and over the edge of the world, which could not be very far away. The light and air abot me told me that the world ended here: only the ground and sun and sky were left, and if one went a little farther there would only be sun and sky, and one would float off into them, like the tawny hawks which sailed over our heads making slow shadows on the grass.
”
”
Willa Cather (My Ántonia)
“
Nothing in nature is that even; man is the inventor of straight edges.
”
”
Stephen King (The Mist)
“
Every time the phone rang, my heart jumped. Was it Alexander? And when it wasn't him my heart would break into a million pieces. It had been two longs days since I had seen my Gothic mate. I was so preoccupied with Alexander, dreaming of the next time we'd be together, nothing else mattered. I didn't wash the spot where his tender love lips had pressed against my flesh. I was acting like I was straight out of a Gidget movie! What had happened to me? I was losing my edge! For the first time in my life I was really afraid. Afraid of never seeing him again and afraid of being rejected.
”
”
Ellen Schreiber (Vampire Kisses (Vampire Kisses, #1))
“
Despina edged closer. “When I was a little girl in Thebes, I remember asking my mother what heaven was. She replied, ‘A heart where love dwells.’ Of course, I then demanded to know what constituted hell. She looked me straight in the eye and said, ‘A heart absent love.’” Despina studied Shahrzad as she spoke.
”
”
Renée Ahdieh (The Wrath and the Dawn (The Wrath and the Dawn, #1))
“
I wanted to walk straight on through the red grass and over the edge of the world, which could not be very far away.
”
”
Willa Cather (My Ántonia)
“
Drinking is such a necessity to human life that people cannot fathom an individual who, like a child confined to a church pew, gets little enjoyment out of it and would rather do other things.
”
”
Criss Jami (Killosophy)
“
He was now beginning to wonder whether the jigsaw was the correct metaphor for relationships between me and women after all. It didn't take account of the sheer stubbornness of human beings, their determination to affix themselves to another even if they didn't fit. They didn't care about jutting off at weird angles, and they didn't care about phone booths and Mary, Queen of Scots. They were motivated not by seamless and sensible matching, but by eyes, mouths, smiles, minds, breasts and chests and bottoms, wit, kindness, charm, romantic history and all sorts of other things that made straight edges impossible to achieve.
”
”
Nick Hornby (Juliet, Naked)
“
The problem with ideas is that they never come all at once. They emerge like prairie dogs. An edge of ear, or the tip of a nose, and sometimes even the whole head. But if you look straight at an idea too fast, it can vanish back into the ground before you're even sure of what you've seen. Instead, you have to sneak up on it slowly, looking out of the corner of your eye, and then and only then you might glance up to get a clear look.
”
”
Maggie Stiefvater (All the Crooked Saints)
“
Decision is a sharp knife that cuts clean and straight; indecision, a dull one that hacks and tears and leaves ragged edges behind it.
”
”
L. Gordon Graham
“
When I could hold my eyes open long enough, I did stare up at the rain pelting down on me. I’ve never looked at it like that, straight up into the sky, and while I flinched more than I could actually see, when I could see it was absolutely beautiful. Like each drop rocketing towards me was separate from the thousands of others and for a suspended moment in time, I could glimpse it and see its delicate facets. I saw the gray clouds churning above me and felt the car shake when the wind from the traffic pushed against it. I shivered even though it’s warm enough to swim. But nothing I saw or felt or heard was as warm and fascinating as Andrew’s closeness.
”
”
J.A. Redmerski (The Edge of Never (The Edge of Never, #1))
“
I was on a mission. I had to learn to comfort myself, to see what others saw in me and believe it. I needed to discover what the hell made me happy other than being in love. Mission impossible.
When did figuring out what makes you happy become work? How had I let myself get to this point, where I had to learn me..? It was embarrassing. In my college psychology class, I had studied theories of adult development and learned that our twenties are for experimenting, exploring different jobs, and discovering what fulfills us. My professor warned against graduate school, asserting, "You're not fully formed yet. You don't know if it's what you really want to do with your life because you haven't tried enough things." Oh, no, not me.." And if you rush into something you're unsure about, you might awake midlife with a crisis on your hands," he had lectured it. Hi. Try waking up a whole lot sooner with a pre-thirty predicament worm dangling from your early bird mouth.
"Well to begin," Phone Therapist responded, "you have to learn to take care of yourself. To nurture and comfort that little girl inside you, to realize you are quite capable of relying on yourself. I want you to try to remember what brought you comfort when you were younger."
Bowls of cereal after school, coated in a pool of orange-blossom honey. Dragging my finger along the edge of a plate of mashed potatoes. I knew I should have thought "tea" or "bath," but I didn't. Did she want me to answer aloud?
"Grilled cheese?" I said hesitantly.
"Okay, good. What else?"
I thought of marionette shows where I'd held my mother's hand and looked at her after a funny part to see if she was delighted, of brisket sandwiches with ketchup, like my dad ordered. Sliding barn doors, baskets of brown eggs, steamed windows, doubled socks, cupcake paper, and rolled sweater collars. Cookouts where the fathers handled the meat, licking wobbly batter off wire beaters, Christmas ornaments in their boxes, peanut butter on apple slices, the sounds and light beneath an overturned canoe, the pine needle path to the ocean near my mother's house, the crunch of snow beneath my red winter boots, bedtime stories. "My parents," I said. Damn. I felt like she made me say the secret word and just won extra points on the Psychology Game Network. It always comes down to our parents in therapy.
”
”
Stephanie Klein (Straight Up and Dirty)
“
She collapsed at the bottom of the trail, at the edge of the ghost town. Dekka sat on Edilio and pressed down on the wound. The force of the blood was weaker now. She could almost hold the blood back now, not a good thing, no, because it meant he was almost finished, his brave heart almost done beating.
Dekka looked up straight into the glittering eyes of a coyote. She could sense the others around her, closing in. Wary but sensing that a fresh meal was close at hand.
”
”
Michael Grant (Hunger (Gone, #2))
“
In the end, he had to admit, he didn't really understand her. He didn't understand women. He didn't understand men. He didn't even understand children very well. All he really understood, he thought, was himself and the rest of the universe. Neither anything like completely, of course, but both well enough to know that what remained to be discovered would make sense; it would fit in, it could all be gradually and patiently fitted together a bit at a time, like an infinite jigsaw puzzle, with no straight edges to look for and no end in sight, but one in which there was always going to be somewhere for absolutely any piece to fit.
”
”
Iain Banks
“
The sad truth is, men love to follow a man other men fear,” said Clover. “Makes them feel fearsome, too. We tell the odd fond story of the good men. The straight edges. Your Rudd Threetrees, your Dogmen. But it’s the butchers men love to sing of. The burners and the blood-spillers. Your Cracknut Whirruns and your Black Dows. Your Bloody-Nines. Men don’t dream of doing the right thing, but of ripping what they want from the world with their strength and their will.
”
”
Joe Abercrombie (The Wisdom of Crowds (The Age of Madness #3))
“
I found myself teetering on the edge of Uh-oh, and looking straight down the barrel of Oh, shit.
”
”
Beth Harbison (When in Doubt, Add Butter)
“
Oh, you are the cutest thing I've ever seen," her voice rises a little higher the more excited she gets. Then she looks up straight at Camryn and says with a serious face, "Oh my God, I want one.
”
”
J.A. Redmerski (The Edge of Always (The Edge of Never, #2))
“
Imagine a vast sheet of paper on which straight Lines, Triangles, Squares, Pentagons, Hexagons, and other figures, instead of remaining fixed in their places, move freely about, on or in the surface, but without the power of rising above or sinking below it, very much like shadows—only hard with luminous edges—and you will then have a pretty correct notion of my country and countrymen.
”
”
Edwin A. Abbott (Flatland: A Romance of Many Dimensions)
“
Contrary to what most people think, making a decision is one of the easiest decisions in the world, as is more than proved by the fact that we make decision upon decision throughout the day, there, however, we run straight into the heart of the matter, for these decisions always come to us afterward with their particular little problems, or, to make ourselves quite clear, with their rough edges needing to be smoothed, the first of these problems being our capacity for sticking to a decision and the second our willingness to follow it through.
”
”
José Saramago (The Double)
“
The edge of a colossal jungle, so dark-green as to be almost black, fringed with white surf, ran straight, like a ruled line, far, far, away along blue sea whose glitter was blurred by a creeping mist.
”
”
Joseph Conrad (Heart of Darkness)
“
The way to success is not a straight line segment. It's a dotted line with little packs of failure filling the potholes of broken edges inbetween.
”
”
Israelmore Ayivor
“
Americans see history as a straight line and themselves standing at the cutting edge as representatives for all mankind.
”
”
Frances FitzGerald
“
We’re tying off string at the edge of Hampton’s claim when I notice Jefferson staring at me. “You don’t have to watch my eyes,” I grumble. “When I sense gold, I’ll tell you straight.”
“That’s not why I’m looking,” he replies, and Hampton fails to keep the grin from his face.
”
”
Rae Carson (Like a River Glorious (The Gold Seer Trilogy, #2))
“
Imagine a vast sheet of paper on which straight Lines, Triangles, Squares, Pentagons, Hexagons, and other figures, instead of remaining fixed in their places, move freely about, on or in the surface, but without the power of rising above or sinking below it, very much like shadows—only hard with luminous edges—and you will then have a pretty correct notion of my country and countrymen. Alas, a few years ago, I should have said "my universe:" but now my mind has been opened to higher views of things. In such a country, you will perceive at once that it is impossible that there should be anything of what you call a "solid" kind; but I dare say you will suppose that we could at least distinguish by sight the Triangles, Squares, and other figures, moving about as I have described them. On the contrary, we could see nothing of the kind, not at least so as to distinguish one figure from another. Nothing was visible, nor could be visible, to us, except Straight Lines; and the necessity of this I will speedily demonstrate.
”
”
Edwin A. Abbott (Flatland: A Romance of Many Dimensions)
“
You have a boyfriend and you still don't want to watch a love story?" Cece's voice had an edge of snide to it. Stay calm, Lexie. I looked at her and said with a straight face.
"I will not eat them in a house, I will not eat them with a mouse, I will not eat them in a box, I will not eat them with a fox. I will not eat them here or there I will not eat them anywhere."
[...]
"Ah, ah, ah man, Red just quoted Dr. Seuss!"
[...]
"In an argument"
[...]
"And totally won.
”
”
B.L. Brunnemer (When the Dead Come A Knockin' (The Veil Diaries, #2))
“
Ask me about my childhood, and I will tell you to walk to the edge of the woods with a choir of crickets chirping from every direction, a hot, humid breeze brushing through your hair, your feet, bare and callused. Stand there, unmoving, and watch the dance of ten thousand fireflies blinking on and off in the darkness. Inhale the scent of cured tobacco, freshly plowed southern soil, burning leaves, and honeysuckle. Swallow the taste of blackberries, picked straight from the bushes, and lick your teeth, the after-taste still sweet in your mouth. Now, stretch out on the ground and relax all your muscles. Watch nature's festival of flickering lights.
”
”
Brenda Sutton Rose
“
The heavy eyelids snapped open. Jack froze.
A huge gold-and-amber eye, as big as a dinner plater, stared at him. The dark pupil shrank, focusing.
Jack stood very still.
The colossal head turned, the scaled lip only three feet from Jack. The golden eyes gazed at him, wirling with fiery color.
Jack breathed in tiny, shallow breaths.
Dont blink. Don't blink...
Two gusts of wind erutped from the wyvern's nostrils Jack jumped straight up, bounced off the ground into another jump, and scrambled up the nearest tree.
In the clearing, Gaston bent over, guffawing like an idiot.
'It's not funny!
”
”
Ilona Andrews (Fate's Edge (The Edge, #3))
“
I don't need any bonus material to throw me over the edge later."
Or don a flight of stairs, under a bus, and straight back to the mental ward.
”
”
Myra McEntire (Hourglass (Hourglass, #1))
“
Celaena jabbed the cue, and hit the ball with such force that it zoomed toward the back wall of the table, knocking three colored balls out of its way before it collided with the number three ball, sending it shooting straight for a hole. It stopped rolling at the edge of the pocket. A shriek of rage ripped from her throat, and Celaena ran over to the pocket. She first screamed at the ball, then took the cue in her hands and bit down upon the shaft, still screaming through her clamped teeth. Finally the assassin stopped and slapped the three ball into the pocket.
”
”
Sarah J. Maas (Throne of Glass (Throne of Glass, #1))
“
Later, months later, when Jude thought back to the way it all went down -how did a burnout like him end up straight edge?- he'd remember that ambulance, just like the one he'd been unconscious inside. Its red cross, when viewed from the right angle, was an X on its side.
”
”
Eleanor Henderson (Ten Thousand Saints)
“
At the edge of the sea he took her to the ruins of the synagogue of Capernaum. Here, Jesus walked and taught and healed. Words came to Kitty’s mind that she thought she had forgotten. Jesus walked by the Sea of Galilee and saw two brethren, Simon called Peter and Andrew his brother casting a net into the sea ... And they went into Capernaum and straight away on the Sabbath He entered into the synagogue and taught. It was
”
”
Leon Uris (Exodus)
“
[excerpt] The usual I say. Essence. Spirit. Medicine. A taste. I say top shelf. Straight up. A shot. A sip. A nip. I say another round. I say brace yourself. Lift a few. Hoist a few. Work the elbow. Bottoms up. Belly up. Set ‘em up. What’ll it be. Name your poison. I say same again. I say all around. I say my good man. I say my drinking buddy. I say git that in ya. Then a quick one. Then a nightcap. Then throw one back. Then knock one down. Fast & furious I say. Could savage a drink I say. Chug. Chug-a-lug. Gulp. Sauce. Mother’s milk. Everclear. Moonshine. White lightning. Firewater. Hootch. Relief. Now you’re talking I say. Live a little I say. Drain it I say. Kill it I say. Feeling it I say. Wobbly. Breakfast of champions I say. I say candy is dandy but liquor is quicker. I say Houston, we have a drinking problem. I say the cause of, and solution to, all of life’s problems. I say god only knows what I’d be without you. I say thirsty. I say parched. I say wet my whistle. Dying of thirst. Lap it up. Hook me up. Watering hole. Knock a few back. Pound a few down. My office. Out with the boys I say. Unwind I say. Nurse one I say. Apply myself I say. Toasted. Glow. A cold one a tall one a frosty I say. One for the road I say. Two-fisted I say. Never trust a man who doesn’t drink I say. Drink any man under the table I say. Then a binge then a spree then a jag then a bout. Coming home on all fours. Could use a drink I say. A shot of confidence I say. Steady my nerves I say. Drown my sorrows. I say kill for a drink. I say keep ‘em comin’. I say a stiff one. Drink deep drink hard hit the bottle. Two sheets to the wind then. Knackered then. Under the influence then. Half in the bag then. Out of my skull I say. Liquored up. Rip-roaring. Slammed. Fucking jacked. The booze talking. The room spinning. Feeling no pain. Buzzed. Giddy. Silly. Impaired. Intoxicated. Stewed. Juiced. Plotzed. Inebriated. Laminated. Swimming. Elated. Exalted. Debauched. Rock on. Drunk on. Bring it on. Pissed. Then bleary. Then bloodshot. Glassy-eyed. Red-nosed. Dizzy then. Groggy. On a bender I say. On a spree. I say off the wagon. I say on a slip. I say the drink. I say the bottle. I say drinkie-poo. A drink a drunk a drunkard. Swill. Swig. Shitfaced. Fucked up. Stupefied. Incapacitated. Raging. Seeing double. Shitty. Take the edge off I say. That’s better I say. Loaded I say. Wasted. Off my ass. Befuddled. Reeling. Tanked. Punch-drunk. Mean drunk. Maintenance drunk. Sloppy drunk happy drunk weepy drunk blind drunk dead drunk. Serious drinker. Hard drinker. Lush. Drink like a fish. Boozer. Booze hound. Alkie. Sponge. Then muddled. Then woozy. Then clouded. What day is it? Do you know me? Have you seen me? When did I start? Did I ever stop? Slurring. Reeling. Staggering. Overserved they say. Drunk as a skunk they say. Falling down drunk. Crawling down drunk. Drunk & disorderly. I say high tolerance. I say high capacity. They say protective custody. Blitzed. Shattered. Zonked. Annihilated. Blotto. Smashed. Soaked. Screwed. Pickled. Bombed. Stiff. Frazzled. Blasted. Plastered. Hammered. Tore up. Ripped up. Destroyed. Whittled. Plowed. Overcome. Overtaken. Comatose. Dead to the world. The old K.O. The horrors I say. The heebie-jeebies I say. The beast I say. The dt’s. B’jesus & pink elephants. A mindbender. Hittin’ it kinda hard they say. Go easy they say. Last call they say. Quitting time they say. They say shut off. They say dry out. Pass out. Lights out. Blackout. The bottom. The walking wounded. Cross-eyed & painless. Gone to the world. Gone. Gonzo. Wrecked. Sleep it off. Wake up on the floor. End up in the gutter. Off the stuff. Dry. Dry heaves. Gag. White knuckle. Lightweight I say. Hair of the dog I say. Eye-opener I say. A drop I say. A slug. A taste. A swallow. Down the hatch I say. I wouldn’t say no I say. I say whatever he’s having. I say next one’s on me. I say bottoms up. Put it on my tab. I say one more. I say same again
”
”
Nick Flynn (Another Bullshit Night in Suck City)
“
Brewster Place became especially fond of its colored daughters as they milled like determined spirits among its decay, trying to make it home. Nutmeg arms leaned over windowsills, gnarled ebony legs carried groceries up double flights of steps, and saffron hands strung out wet laundry on backyard lines. Their perspiration mingled with the steam from boiling pots of smoked pork greens, and it curled on the edges of the aroma of vinegar douches and Evening in Paris cologne that drifted through the street where they stood together - hands on hips, straight-backed, round-bellied, high-behinded women who threw their heads back when they laughed and exposed strong teeth and dark gums. They cursed, badgered, worshiped, and shared their men. Their love drove them to fling dishcloths in someone else's kitchen to help him make the rent, or to fling hot lye to help him forget that bitch behind the counter at the five-and-dime. They were hard-edged, soft-centered, brutally demanding, and easily pleased, these women of Brewster Place. They came, they went, grew up, and grew old beyond their years. Like an ebony phoenix, each in her own time and with her own season had a story.
”
”
Gloria Naylor (The Women of Brewster Place)
“
He works with care. Straight lines, even edges. People don’t shovel snow that way anymore. Nowadays they just clear a way, they use snowblowers and all sorts of things. Any old method will do, scattering snow all over the place.
”
”
Fredrik Backman (A Man Called Ove)
“
seven.
seven was when ethan had learned to ride a bicycle.
macon was visited by one of those memories that dent the skin, that strain the muscles. he felt the seat of ethan's bike pressing into his hand--the curled-under edge at the rear that you hold onto when you're trying to keep a bicycle upright. he felt the sidewalk slapping against his soles as he ran. he felt himself let go, slow to a walk, stop with his hands on his hips to call out, "you've got her now! you've got her!" and ethan rode away from him, strong and proud and straight-backed, his hair picking up the light till he passed beneath and oak tree.
”
”
Anne Tyler (The Accidental Tourist)
“
erah Graesin had a silky, low voice. It was reputed to be sexy, but then, everything about Terah Graesin was supposed to be sexy. Kylar didn’t see it. Oh, she was pretty. She had a wide mouth, full lips, and the kind of figure that was unattainable for the majority of noblewomen who spent their days doing nothing more strenuous than issuing orders to the servants. Maybe it was that she was a little too self-consciously good-looking. She wore lots of makeup—expertly applied and subtle, but lots—and had tweezed her eyebrows down to tiny lines. The truth was, she held herself like he ought to admire her, and it pissed him off. What pissed him off more was that to look her in the eye with his disguise, he had to stare straight at her admittedly perky breasts. Dammit, why were breasts so intriguing?
”
”
Brent Weeks (Shadow's Edge (Night Angel, #2))
“
If I'm sad and feel like crying, I come to the swimming pool because if I cried at home, I'd cry and cry and be depressed for three days and three nights and then I couldn't stand it and I'd swallow a load of sleeping pills. Or drive east to the sea and just keep going straight into the water. Or walk off the edge of a clidd. So, I come here instead where there's so much water already I can weep in peace.
”
”
Xiaolu Guo (Twenty Fragments of a Ravenous Youth)
“
I’m going to a party tonight,” I said, partly just to say it out loud and partly to brag.
Conrad raised his eyebrows. “You?”
“Whose party?” Jeremiah demanded. “Kinsey’s?”
I put down my juice. “How’d you know?”
Jeremiah laughed and wagged his finger at me. “I know everybody in Cousins, Belly. I’m a lifeguard. That’s like being the mayor. Greg Kinsey works at that surf shop over by the mall.”
Frowning, Conrad said, “Doesn’t Greg Kinsey sell crystal meth out of his trunk?”
“What? No. Cam wouldn’t be friends with someone like that,” I said defensively.
“Who’s Cam?” Jeremiah asked me.
“That guy I met at Clay’s bonfire. He asked me to go to this party with him, and I said yes.”
“Sorry. You aren’t going to some meth addict’s party,” Conrad said.
This was the second time Conrad was trying to tell me what to do, and I was sick of it. Who did he think he was? I had to go to this party. I didn’t care if there was crystal meth or not, I was going. “I’m telling you, Cam wouldn’t be friends with someone like that! He’s straight edge.”
Conrad and Jeremiah both snorted. In moments like these, they were a team. “He’s straight edge?” Jeremiah said, trying not to smile. “Neat.”
“Very cool,” agreed Conrad.
I glared at the both of them. First they didn’t want me hanging out with meth addicts, and then being straight edge wasn’t cool either. “He doesn’t do drugs, all right? Which is why I highly doubt he’d be friends with a drug dealer.”
Jeremiah scratched his cheek and said, “You know what, it might be Greg Rosenberg who’s the meth dealer. Greg Kinsey’s pretty cool. He has a pool table. I think I’ll check this party out too.”
“Wait, what?” I was starting to panic.
“I think I’ll go too,” Conrad said. “I like pool.”
I stood up. “You guys can’t come. You weren’t invited.”
Conrad leaned back in his chair and put his arms behind his head. “Don’t worry, Belly. We won’t bother you on your big date.”
“Unless he puts his hands on you.” Jeremiah ground his fist into his hand threateningly, his blue eyes narrow. “Then his ass is grass.”
“This isn’t happening,” I moaned. “You guys, I’m begging you. Don’t come. Please, please don’t come.”
Jeremiah ignored me. “Con, what are you gonna wear?”
“I haven’t thought about it. Maybe my khaki shorts? What are you gonna wear?”
“I hate you guys,” I said.
”
”
Jenny Han (The Summer I Turned Pretty (Summer, #1))
“
It wasn't some Puritan thing. Straight-edge was asking adherents to take control of their lives, not to be blind consumers, and not to be tricked into thinking that drinking and drugs were cool since in fact they were the tools of a previous generation
”
”
Kim Gordon
“
Thought and science are therefore raising problems which their terms of study can never answer, many of which are doubtless problems only for thought. The trisection of an angle is similarly an insoluble problem only for compass and straight-edge construction, and Achilles cannot overtake the tortoise so long as their progress is considered piecemeal, endlessly having the distance between them. However, as it is not Achilles but the method of measurement which fails to catch up with the tortoise, so it is not man but his method of thought which fails to find fulfillment in experience.
”
”
Alan W. Watts (Nature, Man and Woman)
“
What are you doing here?"
He takes a deep breath. "I came for you."
"And how on EARTH did you know I was up here?"
"I saw you." He pauses. "I came to make another wish,and I was standing on Point Zero when I saw you enter the tower. I called your name,and you looked around,but you didn't see me."
"So you decided to just...come up?" I'm doubtful,despite the evidence in front of me.It must have taken superhuman strength for him to make it past the first flight of stairs alone.
"I had to.I couldn't wait for you to come down,I couldn't wait any longer. I had to see you now.I have to know-"
He breaks off,and my pulse races. What what what?
"Why did you lie to me?"
The question startles me.Not what I was expecting.Nor hoping.He's still on the ground,but he stares up at me.His brown eyes are huge and heartbroken. I'm confused. "I'm sorry, I don't know what-"
"November.At the creperie. I asked you if we'd talked about anything strange that night I was drunk in your room.If I had said anything about our relationship,or my relationship with Ellie.And you said no."
Oh my God. "How did you know?"
"Josh told me."
"When?"
"November."
I'm stunned. "I...I..." My throat is dry. "If you'd seen the look on your face that day.In the restaurant. How could I possibly tell you? With your mother-"
"But if you had,I wouldn't have wasted all of these months.I thought you were turning me down.I thought you weren't interested."
"But you were drunk! You had a girlfriend! What was I supposed to do? God,St. Clair,I didn't even know if you meant it."
"Of course I meant it." He stands,and his legs falter.
"Careful!"
Step.Step.Step. He toddles toward me,and I reach for his hand to guide him.We're so close to the edge. He sits next to me and grips my hand harder. "I meant it,Anna.I mean it."
"I don't under-"
He's exasperated. "I'm saying I'm in love with you! I've been in love with you this whole bleeding year!"
My mind spins. "But Ellie-"
"I cheated on her every day.In my mind, I thought of you in ways I shouldn't have,again and again. She was nothing compared to you.I've never felt this way about anybody before-"
"But-"
"The first day of school." He scoots closer. "We weren't physics partners by accident.I saw Professeur Wakefield assigning lab partners based on where people were sitting,so I leaned forward to borrow a pencil from you at just the right moment so he'd think we were next to each other.Anna,I wanted to be your partner the first day."
"But..." I can't think straight.
"I doubt you love poetry! 'I love you as certain dark things are loved, secretly,between the shadow and the soul.'"
I blink at him.
"Neruda.I starred the passage.God," he moans. "Why didn't you open it?"
"Because you said it was for school."
"I said you were beautiful.I slept in your bed!"
"You never mave a move! You had a girlfriend!"
"No matter what a terrible boyfriend I was,I wouldn't actually cheat on her. But I thought you'd know.With me being there,I thought you'd know."
We're going in circles. "How could I know if you never said anything?"
"How could I know if you never said anyting?"
"You had Ellie!"
"You had Toph! And Dave!
”
”
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
“
His hair was shorter than I remembered, tawny in this half-light, the tousled edges casually framing the clean, commanding lines of his face. His mouth, normally so stern was relaxed now and as I stared a slight sweet smile touched his lips, its curve softening the straight strong lines of his nose and brow. Finally, inevitably, I met his eyes and felt a connection that seared straight through me, down through my soles and away. Those eyes, darker than mine, the darkest blue, dark and as impenetrable as glaciers. Tonight he was real, so very real that my heart thumped, my blood sang, my legs shook.
”
”
Hannah Blatchford (Friend Or Fae)
“
This carpet,” said Abdullah, “unlike you, is of an ensorcellment so pure and excellent that it will listen only to the finest of language. It is at heart a poet among carpets.”
A certain smugness spread through the pile of the carpet. It held its tattered edges proudly straight and sailed sweetly forward into the golden sunlight above the mist.
”
”
Diana Wynne Jones
“
you booze, you lose
”
”
-Straight Edge Society
“
in fact, I’m an advocate for the straight edge. I don’t live it, but I advocate it. So I don’t encourage anyone to do any drugs, but on the other hand I believe in freedom.
”
”
Woody Harrelson
“
Everything feels wrong at night. Pieces out of place in my head. No straight edges in the jigsaw to anchor me.
”
”
Sarah Pinborough (Insomnia)
“
He stood naked at the edge of a cliff. THe lake lay far below him. A frozen explosion of granite burst in flight to the sky over motionless water. The water seemed immovable, the stone- flowing. The stone had the stillness of one last movement when thrust meets thrust and the currents are held in a pause more dynamic than motion. THe stone glowed wet with sunrays. The lake below was only a thin steel ring that cut the rocks in half. The rocks went on into the depth, unchanged. They began and ended in the sky so that the world seemed suspended in space, an island floating on on nothing, anchored to the feet of the man on the cliff.
His body leaned back against the sky. It was a body of long straight lines and angles each curve broken into planes. He stood rigid his hands hanging at his sides, palms out. He felt his shoulder blades drawn tight together. The curve of his neck, and the weight of the blood in his hands. He felt the wind behind him in the hollow of his spine. The wind waved his hair against the sky. His hair was neither blonde nor red, but the exact color or ripe orange rind... He stepped to the edge, raised his arms, and dived down into the sky below.
”
”
Ayn Rand (The Fountainhead)
“
Astrid Dane. . . Her long colorless hair was woven back into a braid, and her porcelain skin bled straight into the edges of her tunic. Her entire outfit was fitted to her like armor; the collar of her shirt was high and rigid, guarding her throat, and the tunic itself ran from chin to wrist to waist, less out of a sense of modesty, Kell was sure, than protection. Below a gleaming silver belt, she wore fitted pants that tapered into tall boots (rumor had it that a man once spat at her for refusing to wear a dress; she’d cut off his lips). The only bits of color were the pale blue of her eyes and the greens and reds of the talismans that hung from her neck and wrists and were threaded through her hair. . .
“I smell something sweet,” she said. She’d been gazing up at the ceiling. Now her eyes wandered
down and landed on Kell. “Hello, flower boy.
”
”
Victoria Schwab (A Darker Shade of Magic (Shades of Magic, #1))
“
It’s like nothing else exists in the world right now except him, me, touching, exploring, longing, needing, sharing, having. So much for my straight-edge vow, because I am drunk on our ing’s.
”
”
Rachel Cohn (Nick & Norah's Infinite Playlist)
“
The edge of a colossal jungle, so dark-green as to be almost black, fringed with white surf, ran straight, like a ruled line, far, far away along a blue sea whose glitter was blurred by a creeping mist.
”
”
Joseph Conrad (Joseph Conrad: The Essential Collection)
“
Brindled, patches of hair gone, one ear folded over ad the other standing straight and notched from fighting. He didn't seem to be any particular breed. Just big and rangy, right on the edge of ugly, though I would come to think of him as beautiful. He was Airedale crossed with hound crossed with alligator.
”
”
Gary Paulsen (My Life in Dog Years)
“
Tomorrow she’d look up tattoo removal. They were doing big things with lasers now. When Cal was just a little more stable, she’d break up with him, gently, and then she’d begin her project of helping everybody she could help, and after that she’d head out on a great long journey to absolutely nowhere and write a gorgeous poem cycle steeped in heavenly lavender-scented closure and also utter despair, a poem cycle you could also actually ride for its aerobic benefits, and she’d pedal that fucker straight across the face of the earth until at some point she’d coast right off the edge, whereupon she’d giggle and say, “Oh, shit.
”
”
Sam Lipsyte
“
But what might be written in the book which had rounded its edges off in his pocket, she did not know. What he thought they none of them knew. But he was absorbed in it, so that when he looked up, as he did now for an instant, it was not to see anything; it was to pin down some thought more exactly. That done, his mind flew back again and he plunged into his reading. He read, she thought, as if he were guiding something, or wheedling a large flock of sheep, or pushing his way up and up a single narrow path; and sometimes he went fast and straight, and broke his way through the bramble, and sometimes it seemed a branch struck at him, a bramble blinded him, but he was not going to let himself be beaten by that; on he went, tossing over page after page.
”
”
Virginia Woolf (To the Lighthouse)
“
Feel free to go over there and kick them while they’re down. When you’re done, tell them to clean everything up and head straight to the stables. Aunt Karen will be overjoyed to have two slaves for the next three weeks.
”
”
Ilona Andrews (Bayou Moon (The Edge, #2))
“
The sea was smooth, warm and as dark as black velvet, not a ripple disturbing the surface. The distant coastline of Albania was dimly outlined by a faint reddish glow in the sky. Gradually, minute by minute, this faint glow deepened and grew brighter, spreading across the sky. Then suddenly the moon, enormous, wine-red, edged herself over the fretted battlement of mountains, and threw a straight blood-red path across the dark sea. The owls appeared now, drifting from tree to tree as silently as flakes of soot, hooting in astonishment as the moon rose higher and higher, turning to pink, then gold, and finally riding in a nest of stars, like a silver bubble.
”
”
Gerald Durrell (My Family and Other Animals (Corfu Trilogy, #1))
“
A woman can always get some practical use from a torn-up life . . . She likes mending and patching it, making sure the edges are straight. She spreads the last shred out and takes its measure: 'What can I do with this remnant? How long does it need to last?
A man puts on his life ready-made. If it doesn't fit, he will try to exchange it for another. Only a fool of a man will try to adjust the sleeves or move the buttons; he doesn't know how.
”
”
Mavis Gallant (Paris Stories)
“
If your voice could overwhelm those waters, what would it say?
What would it cry of the child swept under, the mother
on the beach then, in her black bathing suit, walking straight out
into the glazed lace as if she never noticed, what would it say of the father
facing inland in his shoes and socks at the edge of the tide,
what of the lost necklace glittering twisted in foam?
If your voice could crack in the wind hold its breath still as the rocks
what would it say to the daughter searching the tidelines for a bottled message
from the sunken slaveships? what of the huge sun slowly defaulting into the clouds
what of the picnic stored in the dunes at high tide, full of the moon, the basket
with sandwiches, eggs, paper napkins, can-opener, the meal
packed for a family feast, excavated now by scuttling
ants, sandcrabs, dune-rats, because no one understood
all picnics are eaten on the grave?
”
”
Adrienne Rich (An Atlas of the Difficult World)
“
I may be drunk by morning but that will not do any good. I shall take the train to Paris anyway. The train will be the same, the people, struggling for comfort and, even, dignity on the straight-backed, wooden, third-class seats will be the same, and I will be the same. We will ride through the same changing countryside northward, leaving behind the olive trees and the sea and all of the glory of the stormy southern sky, into the mist and rain of Paris. Someone will offer to share a sandwich with me, someone will offer me a sip of wine, someone will ask me for a match. People will be roaming the corridors outside, looking out of windows, looking in at us. At each stop, recruits in their baggy brown uniforms and colored hats will open the compartment door to ask Complet? We will all nod Yes, like conspirators, smiling faintly at each other as they continue through the train. Two or three of them will end up before our compartment door, shouting at each other in their heavy, ribald voices, smoking their dreadful army cigarettes. There will be a girl sitting opposite me who will wonder why I have not been flirting with her, who will be set on edge by the presence of the recruits. It will all be the same, only I will be stiller.
”
”
James Baldwin (Giovanni’s Room)
“
Some villains, like Archex had been as Captain Cardinal, were conflicted, and Vi could carefully twist the key inside them until something clicked open. Some villains were just straight-up evil---like anyone with the last name Hux.
”
”
Delilah S. Dawson (Black Spire (Star Wars: Galaxy's Edge, #2))
“
A boy was staring at me.
I was quite sure I'd never seen him befroe. Long and leanly muscular, he dwarfed and the molded plastic elementary school chair he was sitting in. Mahogany hair, straight and short. He looked my age, maybe a year older, and he sat with his tailbone against the edge of the chair, his posture aggresively poor, one hand half in a pocket of dark jeans.
I looked away, suddenly conscious of my myriad insufficiencies. I was wearing old jeans, which had once been tight but now sagged in weird places, and a yellow T-shirt advertising a band I didn't even like anymore. Also my hair: I had this pageboy haircut, and I hadn't even bothered to, like, brush it. Furthermore, I had ridiculously fat chipmunked cheeks, a side effect of treatment. I looked like a normally proportioned person with a balloon for a head. This was not even to mention the canckle situation. And yet-I cut a glance to him, and his eyes were still on me.
”
”
John Green (The Fault in Our Stars)
“
Momma crossed her arms over her apron bib and worked the small of her back against the edge of the doorframe. Daddy drew a Tareyton out of the pack in his shirtpocket and looked straight at me and talked straight at Momma and said, “Madness.
”
”
T.R. Pearson (A Short History of a Small Place)
“
She held him at arms’ length, looked at the pipe still gripped in his hand, then looked at his face and read him like a book. She ran the tip of her red tongue slowly across her full cushiony, sensuous lips, making them wet-red and looked him straight in the eyes with her own glassy, speckled bedroom eyes.
The man drowned.
When he came up, he stared back, passion cocked, his whole black being on a live-wire edge. Ready! Solid ready to cut throats, crack skulls, dodge police, steal hearses, drink muddy water, live in a hollow log, and take any rape-fiend chance to be once more in the arms of his high-yellow heart.
”
”
Chester Himes (A Rage in Harlem (Harlem Cycle, #1))
“
For folks who have that casual-dude energy coursing through their bloodstream, that's great. But gays should not grow up alienated just for us to alienate each other. It's too predictable, like any other cycle of abuse. Plus, the conformist, competitive notion that by "toning down" we are "growing up" ultimately blunts the radical edge of what it is to be queer; it truncates our colorful journey of identity.
Said another way, it's like living in West Hollywood and working a gay job by day and working it in the gay nightlife, wearing delicate shiny shirts picked from up the gay dry cleaners, yet coquettishly left unbuttoned to reveal the pec implants purchased from a gay surgeon and shown off by prancing around the gay-owned-and-operated theater hopped up on gay health clinic steroids and wheat grass purchased from the friendly gay boy who's new to the city, and impressed by the monstrous SUV purchased from a gay car dealership with its rainbow-striped bumper sticker that says "Celebrate Diversity." Then logging on to the local Gay.com listings and describing yourself as "straight-acting."
Let me make myself clear. This is not a campaign for everyone to be like me. That'd be a total yawn. Instead, this narrative is about praise for the prancy boys. Granted, there's undecided gender-fucks, dagger dykes, faux-mos, po-mos, FTMs, fisting-top daddies, and lezzie looners who also need props for broadening the sexual spectrum, but they're telling their own stories.
The Cliff's Notes of me and mine are this: the only moments I feel alive are when I'm just being myself - not some stiff-necked temp masquerading as normal in the workplace, not some insecure gay boy aspiring to be an overpumped circuit queen, not some comic book version of swank WeHo living. If that's considered a political act in the homogenized world of twenty-first century homosexuals, then so be it.
— excerpt of "Praise For The Prancy Boys," by Clint Catalyst
appears in first edition (ISBN # 1-932360-56-5)
”
”
Mattilda Bernstein Sycamore (That's Revolting!: Queer Strategies for Resisting Assimilation)
“
Lia eyed me. She eyed Michael. She eyed Dean. “Honestly,” she said, “I doubt that anyone is as happy as Cassie is at this exact moment.”
I was getting better at ignoring Lia’s suggestive little digs, but this one hit its target, dead center. Squished in between Michael and Dean, I blushed. I was not going to go there—and I wasn’t going to let Lia ruin this.
A grim expression on his face, Dean stood and marched toward Lia. For a moment, I thought he might say something to her about spoiling the moment, but he didn’t. He just picked her up and tossed her over his shoulder.
“Hey!” Lia protested.
Dean grinned and threw her onto the sofa with Michael and me and then resumed his perch on the edge of the couch like nothing had happened. Lia scowled, and Michael poked her cheek.
“Admit it,” he said again. “You’re just as happy as we are.”
Lia tossed her hair over her shoulder and stared straight ahead, refusing to look any of us in the eye. “A little girl is going home,” she said. “Because of us. Of course I’m as happy as you are.”
“Given individual differences in serotonin levels, the probability that any four people would be experiencing identical levels of happiness simultaneously is quite—”
“Sloane,” Michael said, without bothering to turn around. “If you don’t finish that sentence, there’s a cup of fresh ground coffee in your future.”
“My immediate future?” Sloane asked suspiciously. Michael had a long history of blocking her consumption of caffeine.
Without a word, Michael, Lia, and I all turned to look at Dean. He got the message, stood up, and strode toward Sloane, giving her the exact same treatment he’d given Lia. When Dean tossed Sloane gently on top of me, I giggled and almost toppled onto the floor, but Lia grabbed hold of my collar.
We did it, I thought, as Michael, Lia, Sloane, and I elbowed for room and Dean stared on from his position, just outside the fray.
”
”
Jennifer Lynn Barnes (Killer Instinct (The Naturals, #2))
“
I feel I must burst because of all that life offers me and because of the prospect of death. I feel that I am dying of solitude, of love, of despair, of hatred, of all that this world offers me. With every experience I expand like a balloon blown up beyond its capacity. The most terrifying intensification bursts into nothingness. You grow inside, you dilate madly until there are no boundaries left, you reach the edge of light, where light is stolen by night, and from that plenitude as in a savage whirlwind you are thrown straight into nothingness. Life breeds both plenitude and void, exuberance and depression. What are we when confronted with the interior vortex which swallows us into absurdity? I feel my life cracking within me from too much intensity, too much disequilibrium. It is like an explosion which cannot be contained, which throws you up in the air along with everything else
”
”
Emil M. Cioran (On the Heights of Despair)
“
It’s at the edge where the truth lies. It’s like hair. Everyone brushes their hair so it looks good from straight on. Why? Because that’s how we see it in the mirror. Straight on. We only ever see ourselves straight on, so that’s the only angle we worry about.
”
”
Matthew FitzSimmons (The Short Drop (Gibson Vaughn, #1))
“
I don’t know what to . . . to think.” There was a horrifying burn of tears crawling up my throat.
“This is all overwhelming for you, I imagine. The whole world as you know it is on the brink of great change, and you’re here and don’t even know my name.” The man smiled so broadly, I wondered if it hurt. “You can call me Rolland.” Then he extended a hand.
My gaze dropped to it and I made no attempt to take it.
Rolland chuckled as he turned and strolled back to the desk. “So, you’re a hybrid? Mutated and linked to him on such an intense level that if one of you dies, so does the other?”
His question caught me off guard, but I kept quiet.
He sat on the edge of the desk. “You’re actually the first hybrid I’ve seen.”
“She really isn’t anything special.” The redhead sneered. “Frankly, she’s rather filthy, like an unclean animal.”
As stupid as it was, my cheeks heated, because I was filthy, and Daemon had just physically removed me from him. My pride—my everything—was officially wounded.
Rolland chuckled. “She’s had a rough day, Sadi.”
At her name, every muscle in my body locked up, and my gaze swung back to her. That was Sadi? The one Dee said was trying to molest Daemon—my Daemon? Anger punched through the confusion and hurt. Of course it would have to be a freaking walking and talking model and not a hag.
“Rough day or not, I can’t imagine she cleans up well.” Sadi looked at Daemon as she placed a hand on his chest. “I’m kind of disappointed.”
“Are you?” Daemon replied.
Every hair on my body rose as my arms unfolded.
“Yes,” she purred. “I really think you can do better. Lots better.” As she spoke, she trailed red-painted fingers down the center of his chest, over his abdomen, heading straight for the button on his jeans.
And oh, hell to the no. “Get your hands off him.”
Sadi’s head snapped in my direction. “Excuse me?”
“I don’t think I stuttered.” I took a step forward. “But it looks like you need me to repeat it. Get your freaking hands off him.”
One side of her plump red lips curled up. “You want to make me?”
In the back of my head, I was aware that Sadi didn’t move or speak like the other Luxen. Her mannerisms were too human, but then that thought was quickly chased away when Daemon reached down and pulled her hand away.
“Stop it,” he murmured, voice dropped low in that teasing way of his.
I saw red.
The pictures on the wall rattled and the papers on the desk started to lift up. Static charged over my skin. I was about to pull a Beth right here, seconds away from floating to the ceiling and ripping out every strand of red—
“And you stop it,” Daemon said, but the teasing quality was gone from his words. There was a warning in them that took the wind right out of my pissed-off sails.
The pictures settled as I gaped at him. Being slapped in the face would’ve been better.
”
”
Jennifer L. Armentrout (Opposition (Lux, #5))
“
skidded to the other side and disappeared into the pines. Pelt bristling, eyes wide, Snowfur streaked after them, over the oily Thunderpath. Bluefur froze. A monster was roaring straight at Snowfur. Without slowing down, it slammed into her body. Bluefur heard the dull thump, then the howl of the monster as it thundered away, leaving Snowfur’s body lying like a wet leaf at the edge of the Thunderpath. “No!
”
”
Erin Hunter (Bluestar's Prophecy (Warriors Super Edition, #2))
“
T IME'S a circumference
Whereof the segment of our station seems
A long straight line from nothing into naught.
Therefore we say " progress, " " infinity " —
Dull words whose object
Hangs in the air of error and delights
Our boyish minds ahunt for butterflies.
For aspiration studies not the sky
But looks for stars; the victories of faith
Are soldiered none the less with certainties,
And all the multitudinous armies decked
With banners blown ahead and flute before
March not to the desert or th' Elysian fields,
But in the track of some discovery,
The grip and cognizance of something true,
Which won resolves a better distribution
Between the dreaming mind and real truth.
I cannot understand you.
'T is because
You lean over my meaning's edge and feel
A dizziness of the things I have not said.
”
”
Trumbull Stickney
“
Of course," Tom said softly, "you could leave in your wedding dress, and go with me straight to the railway carriage... where I could help you remove it."
A quicksilver shiver chased through her. "Would you prefer that?"
His palm smoothed over the satin of her upper sleeve, and then he rubbed an edge of the fabric gently between his thumb and forefinger. "As a man who likes to unwrap his own presents... yes.
”
”
Lisa Kleypas (Chasing Cassandra (The Ravenels, #6))
“
His mouth comes down on mine, harder now, more demanding, a raw, hungry need in him rising to the surface. “You belong to me,” he growls. “Say it.”
“Yes. Yes, I belong to you.” His mouth finds mine again, demanding, taking, drawing me under his spell.
“Say it again,” he demands, nipping my lip, squeezing my breast and nipple, and sending a ripple of pleasure straight to my sex.
“I belong to you,” I pant.
He lifts me off the ground with the possessive curve of his hand around my backside, angling my hips to thrust harder, deeper. “Again,” he orders, driving into me, his cock hitting the farthest point of me and blasting against sensitive nerve endings.
“Oh … ah … I … I belong to you.”
His mouth dips low, his hair tickling my neck, his teeth scraping my shoulders at the same moment he pounds into me and the world spins around me, leaving nothing but pleasure and need and more need.
I am suddenly hot only where he touches, and freezing where I yearn to be touched. Lifting my leg, I shackle his hip, ravenous beyond measure, climbing to the edge of bliss, reaching for it at the same time I’m trying desperately to hold back. Chris is merciless, wickedly wild, grinding and rocking, pumping.
“I love you, Sara,” he confesses hoarsely, taking my mouth, swallowing the shallow, hot breath I release, and punishing me with a hard thrust that snaps the last of the lightly held control I possess. Possessing me. A fire explodes low in my belly and spirals downward, seizing my muscles, and I begin to spasm around his shaft, trembling with the force of my release.
With a low growl, his muscles ripple beneath my touch and his cock pulses, his hot semen spilling inside me. We moan together, lost in the climax of a roller-coaster ride of pain and pleasure, spanning days apart, and finally collapse in a heap and just lie there. Slowly, I let my leg ease from his hip to the ground, and Chris rolls me to my side to face him.
Still inside me, he holds me close, pulling the jacket up around my back, trailing fingers over my jaw. “And I belong to you.
”
”
Lisa Renee Jones (Being Me (Inside Out, #2))
“
By now I am sure you have guessed Peter's plan of escape, because you know a good deal more than Peyna did when he read Peter's requests. But in any case, the time has come to tell you straight out. He planned to use linen threads to make a rope. The threads would come, of course, from the edges of the napkins. He would descend this rope to the ground and so escape. Some of you may be laughing very hard at this idea.
”
”
Stephen King (Eyes Of The Dragon)
“
It was a strange world ahead that would unfold, a thunderhead of a world with jagged lightning edges. Many got it wrong and never did get it right. I went straight into it. It was wide open. One thing for sure, not only was it not run by God, but it wasn't run by the devil either.
”
”
Bob Dylan (Chronicles, Volume One)
“
We don’t, not any of us, get to this point clean. No. We’re all dirty and ragged. Rough edges and sharp corners. Fault lines and demolition zones. We’ve got tear gas riot squads aiming straight for the protest lines of our weary souls. Landmines in our chests that we trip over every time we try to hide from the terrifying tremble of our own war torn hearts....But it is your history that delivered you this roadmap of scars. Those healed wounds and their jagged edges are proof of your infinite ability to survive, to knit broken back to wholeness, to refuse that the end is every really the end...
Make friends with your teardown. Do not run from your bar brawl for forgiveness. Sit with the times you’ve fucked up and the times you lost all and the days your redemption was delivered by the hand of the last person you ever expected to give anything but darkness. And through it all know that your walled up and torn down, graffiti-covered heart is still the most beautiful thing I have ever seen.
”
”
Jeanette LeBlanc
“
Damen turned his eyes to Laurent. A picture of cool, difficult distance confronted him. Laurent sat in brief conversation, wrist balanced on the edge of the great table, fingertips resting on the base of a goblet. From the severe, straight-backed posture to the impersonal grace of his cupped yellow head; from his detached blue eyes to the arrogance of his cheekbones, Laurent was complicated and contradictory, and Damen could look nowhere else. As
”
”
C.S. Pacat (Prince's Gambit (Captive Prince, #2))
“
At one end of the field there was a square lump of a motor home and at the other end was an old school bus that had been painted white and rigged as a camper. The bus had been given a name, “The Dog of the South,” which was painted in black on one side, but not by a sign painter with a straight-edge and a steady hand. The big childish letters sprawled at different angles and dribbled at the bottom. The white paint had also been applied in a slapdash manner, and it had drawn up in places, presenting a crinkled finish like that seen on old adding machines and cash registers. This thing was a hippie wagon.
”
”
Charles Portis (The Dog of the South)
“
Spring had come early that year, with warm quick rains and sudden frothing of pink peach blossoms and dogwood dappling with white stars the dark river swamp and far-off hills. Already the plowing was nearly finished, and the bloody glory of the sunset colored the fresh-cut furrows of red Georgia clay to even redder hues. The moist hungry earth, waiting upturned for the cotton seeds, showed pinkish on the sandy tops of furrows, vermilion and scarlet and maroon where shadows lay along the sides of the trenches. The whitewashed brick plantation house seemed an island set in a wild red sea, a sea of spiraling, curving, crescent billows petrified suddenly at the moment when the pink-tipped waves were breaking into surf. For here were no long, straight furrows, such as could be seen in the yellow clay fields of the flat middle Georgia country or in the lush black earth of the coastal plantations. The rolling foothill country of north Georgia was plowed in a million curves to keep the rich earth from washing down into the river bottoms.
It was a savagely red land, blood-colored after rains, brick dust in droughts, the best cotton land in the world. It was a pleasant land of white houses, peaceful plowed fields and sluggish yellow rivers, but a land of contrasts, of brightest sun glare and densest shade. The plantation clearings and miles of cotton fields smiled up to a warm sun, placid, complacent. At their edges rose the virgin forests, dark and cool even in the hottest noons, mysterious, a little sinister, the soughing pines seeming to wait with an age-old patience, to threaten with soft sighs: "Be careful! Be careful! We had you once. We can take you back again.
”
”
Margaret Mitchell (Gone with the Wind)
“
Winter? Everything all right?” “I can’t go there,” Winter said. “Why not?” Qibli asked, startled. “It’s cursed.” Winter waved a talon at the sharp-edged shapes of the mountains. “No IceWing has ever returned from those mountains alive. They’re a legend as old as Darkstalker in our tribe.” “With a poetically ominous-sounding name, I bet,” said Qibli. “Peaks of Doom? Mountain Range of Certain Death?” Winter frowned at him. “We call them Darkstalker’s Teeth,” he said with immense dignity. “Seriously?” Qibli cried. “SERIOUSLY? A mountain range called Darkstalker’s Teeth, and you never thought maybe the old Night Kingdom was on the other side?” “It’s not like I think about it very often!” Winter objected. “And no, honestly, we all assumed he went around cursing random parts of Pyrrhia as traps for IceWings to fall into.” “What are we waiting for?” Anemone demanded, flying back to them. “Winter thinks the mountains are going to eat him,” Qibli answered. “I DO NOT,” Winter protested. “But I do think they’re going to kill me, yes.” “Um, a whole horde of dragons just flew over them a few days ago.” Anemone flicked her tail at the evening sky, dimming to purple. “And they’re all fine.” “Because they’re not IceWings,” Winter pointed out. “The mountains only eat IceWings,” Qibli explained with a straight face. “STOP THAT,” Winter hissed at him. “It’s a REAL CURSE.” “If it’s real, then it’s not a curse, it’s a spell,” Qibli said practically. “And if it’s a spell, then Darkstalker cast it, in which case the earring will protect you.” Winter touched his ear doubtfully. One piece of jewelry against centuries of nightmare stories … Qibli could practically see Winter’s courage trying to stamp out his childhood fears. “You’ll make it through,” he said. “Remember, Moon is on the other side.” He knew that would work, because it was working for him. Winter gave him a puzzled look, as though he would never understand Qibli. “Yes,” he said. “All right. Let’s fly.” “Fiiiiiiiiiiiiiiiiiiiiiiiiiiiiiinally,” Anemone grouched, wheeling about in the sky. As
”
”
Tui T. Sutherland (Darkness of Dragons (Wings of Fire #10))
“
In case I’m not around to save your luscious ass, I wanted to know about the garage.”
She tipped her head, then said with a straight face devoid of humor, “You think my ass is luscious?”
He fought off another grin and shrugged. “Even for a man with hands my size, it’s big enough for a handful. But it’s not out of proportion with your equally notable rack.”
That must not have been the sweet talk Priss wanted, given her darkening expression.
Both hands fisted. “Pig.”
“You asked.
”
”
Lori Foster (Trace of Fever (Men Who Walk the Edge of Honor, #2))
“
Yet it was an odd twist of language. Based on the way people usually used the words, Christian was traight and Patrick was gay. But Christian, when he got wasted, was gay if you used the old-fashioned, oh-so-merry definition of the word, while Patrick was straight-edge because he didn't drink to the point of passing out.
”
”
Lauren Myracle (Shine)
“
A wise man knows how little he knows." In life, there is no end to the lessons that can be learned. Wisdom is not a task that can be completed or a race that can be won. It is a constant development that lasts a lifetime. Every day is a chance to gain experience. Every mistake is an opportunity to learn something new. To cease the pursuit of wisdom is to walk in a straight line through a dark forest. Arrogance refuses the help of maps or the guidance of others, forging onward and looking only in the direction ahead. Though signs point in warning, a foolish person is too blinded by pride to observe their surroundings — too oblivious to see the cliff's edge in front of them until it is too late. The wisest study their successes to find what they should repeat, and study their failures to avoid the same
”
”
Illuminatiam (Illuminations: Wisdom From This Planet's Greatest Minds)
“
In reference to the search for Lincoln's killers as it took to the Maryland swamps:
"The method of searching the swamps is simple yet arduous. First, the troops assemble on the edge of bogs with names like Allen’s Creek, Scrub Swamp, and Atchall’s Swamp, standing at loose attention in the shade of a thick forest of beech, dogwood, and gum trees. Then they form two lines and march straight forward, from one side to the other. As absurd as it seems to the soldiers, marching headlong into cold mucky water, there is no other way of locating Booth and Herold. Incredibly, eighty-seven of these brave men will drown in their painstaking weeklong search for the killers.
”
”
Bill O'Reilly (Killing Lincoln: The Shocking Assassination that Changed America Forever)
“
I flew straight out of heaven, a mad bird full of secrets. I came into being as I came into being. I grew as I grew. I changed as I change. My mind is fire, my soul fire. The cobra wakes and spits fire in my eyes. I rise through ochre smoke into black air enclosed in a shower of stars. I am what I have made. I am the seed of every god, beautiful as evening, hard as light. I am the last four days of yesterday, four screams from the edges of earth—beauty, terror, truth, madness—the phoenix on his pyre.
”
”
Normandi Ellis (Awakening Osiris: A New Translation of the Egyptian Book of the Dead)
“
I suppose people were trying to be kind and protect me from the humiliation of discovering that, even after an operation to straighten my ridiculous nose, I would still look a mess. The trauma of finding out that a straight-nosed Stephen looked every bit as unappetising as a bent-nosed Stephen might have tipped me completely over the edge.
”
”
Stephen Fry (Moab Is My Washpot)
“
He jumped to his feet a few moments later, his eye a little wild around the edges, and his fur was sticking straight out, making him look like a mutant Pomeranian.
”
”
Shayne Silvers (Knightmare (The Nate Temple Series, #12))
“
She’d seen the face of the devil, and the devil could go straight to hell.
”
”
Kyla Stone (Edge of Defiance (Edge of Collapse, #5))
“
A compass calibrated by my greed is a rather shrewd way to legitimize my agenda. However, true north on a compass such as this is a straight line to the edge of a really big cliff.
”
”
Craig D. Lounsbrough
“
First Blood Rambo knife by Jimmy Lile. It features a saw, a guard with straight and Philips screwdriver heads, holes in the guard for a wrist lanyard,
”
”
David Morrell (The Naked Edge: A Cavanaugh/Protector Novel)
“
This is why I should consider breaking my straight-edge vow. Beer most certainly would help this situation. It probably couldn’t make it any worse. Basic
”
”
Rachel Cohn (Nick & Norah's Infinite Playlist)
“
Where’d it go? I said.
Where’d what go? She said.
The ring, I said.
What ring? She said.
She got straight down and looked in the pool : she saw the winged thing.
That’s not a ring, she said. That’s a seed.
I told her what happened : she laughed.
Oh, she said. That sort of ring. I thought you meant a ring for a finger, like a wedding ring or a gold ring.
My eyes filled with tears and she saw.
Why are you crying? She said. Don’t cry. Your sort of ring is much better than those.
It went, I said. It’s gone.
Ah, she said. Is that why you’re crying? But it hasn’t gone at all. And that’s why it’s better than gold. It hasn’t gone, it’s just that we can’t see it any more. In fact, it’s still going, still growing. It’ll never stop going, or growing wider and wider, the ring you saw. You were lucky to see it at all. Cause when it got to the edge of the puddle it left the puddle and entered the air instead, it went invisible. A marvel. Didn’t you feel it go through you? No? But I did, you’re inside it now. I am too. We both are. And the yard. And the brickpiles. And the sandpiles … See how far your eye can go. … It’s passing through them and nothing and nobody will feel a thing but there it is doing it nonetheless. … The ring you saw in the water’ll never stop travelling till the edge of the world and then when it reaches the edge it’ll go beyond that too. Nothing can stop it.
”
”
Ali Smith (How to be Both)
“
Sometimes you must allow your eyes to adjust to a truer shape of something you’d once molded and possibly loved but perhaps never wanted. Something to unravel now, straight from these roots. Something that at some point, you loosened your fingers around. Something that at some stage, you finally outgrew. So allow this chapter to hold you in darkly wrapped nights while allowing desires to just be desires before lighting that flame stemmed from your longing and churned into fuel so when it is time, you’ll have enough strength to surrender to fire that holds the burn long enough to finally take flight.
”
”
Victoria Erickson (Edge of Wonder: Notes from the Wildness of Being)
“
I wanted to walk straight on through the red grass and over the edge of the world, which could not be very far away. The light and air about me told me that the world ended here: only the ground and sun and sky were left, and if one went a little farther there would only be sun and sky, and one would float off into them, like the tawny hawks which sailed over our heads making slow shadows on the grass.
”
”
Willa Cather (My Ántonia)
“
The duke brought her hand to his mouth and, his azure eyes glittering in the candlelight, pressed a kiss to the inside of her wrist.
And then the edge of his teeth.
She felt the warm softness of his lips, the prickle of against tender skin, and a sort of shock seemed to go straight through the center of her body.
He let her go and her wrist felt the cold of night. "Séraphine. The burning one. I should've known.
”
”
Elizabeth Hoyt (Duke of Sin (Maiden Lane, #10))
“
Jeremiah came over after a while. He sat on the edge of my chair and drank from my thermos of Kool-Aid.
“She’s pretty,” I said.
“Who? Yolie?” He shrugged. “She’s nice. One of my many admirers.”
“Ha!”
“So what about you? Cam Cameron, huh? Cam the vegetarian. Cam the straight edge.”
I tried not to smile. “So what? I like him.”
“He’s kind of a dork.”
“That’s what I like about him. He’s…different.”
He frowned slightly. “Different from who?”
“I don’t know.” But I did know. I knew exactly who he was different from.
“You mean he’s not a dick like Conrad?”
I laughed, and so did he. “Yeah, exactly. He’s nice.”
“Just nice, huh?”
“More than nice.”
“So you’re over him, then? For real?” We both knew the “him” he was talking about.
“Yes,” I told him.
“I don’t believe you,” Jeremiah said, watching me closely-just like when he was trying to figure out what kind of hand I had in Uno.
I took off my sunglasses and looked him in the eye. “It’s true. I’m over him.”
“We’ll see,” Jeremiah said, standing up. “My break’s over. Are you okay over here? Wait around and I’ll drive us home. I can put your bike in the back.”
I nodded, and watched him walk back to the lifeguard chair. Jeremiah was a good friend. He’d always been good to me, watched out for me.
”
”
Jenny Han (The Summer I Turned Pretty (Summer, #1))
“
Do I need to check up on you guys later? You know the rules.No sleeping in opposite-sex rooms."
My face flames,and St. Clair's cheeks grow blotchy. It's true.It's a rule. One that my brain-my rule-loving, rule-abiding brain-conveniently blocked last night. It's also one notoriously ignored by the staff.
"No,Nate," we say.
He shakes his shaved head and goes back in his apartment. But the door opens quickly again,and a handful of something is thrown at us before it's slammed back shut.
Condoms.Oh my God, how humiliating.
St. Clair's entire face is now bright red as he picks the tiny silver squares off the floor and stuffs them into his coat pockets. We don't speak,don't even look at each other,as we climb the stairs to my floor. My pulse quickens with each step.Will he follow me to my room,or has Nate ruined any chance of that?
We reach the landing,and St. Clair scratches his head. "Er..."
"So..."
"I'm going to get dressed for bed. Is that all right?" His voice is serious,and he watches my reaction carefully.
"Yeah.Me too.I'm going to...get ready for bed,too."
"See you in a minute?"
I swell with relief. "Up there or down here?"
"Trust me,you don't want to sleep in my bed." He laughs,and I have to turn my face away,because I do,holy crap do I ever. But I know what he means.It's true my bed is cleaner. I hurry to my room and throw on the strawberry pajamas and an Atlanta Film Festival shirt. It's not like I plan on seducing him.
Like I'd even know how.
St. Clair knocks a few minutes later, and he's wearing his white bottoms with the blue stripes again and a black T-shirt with a logo I recognize as the French band he was listening to earlier. I'm having trouble breathing.
"Room service," he says.
My mind goes...blank. "Ha ha," I say weakly.
He smiles and turns off the light. We climb into bed,and it's absolutely positively completely awkward. As usual. I roll over to my edge of the bed. Both of us are stiff and straight, careful not to touch the other person. I must be a masochist to keep putting myself in these situations. I need help. I need to see a shrink or be locked in a padded cell or straitjacketed or something.
After what feels like an eternity,St. Clair exhales loudly and shifts. His leg bumps into mine, and I flinch. "Sorry," he says.
"It's okay."
"..."
"..."
"Anna?"
"Yeah?"
"Thanks for letting me sleep here again. Last night..."
The pressure inside my chest is torturous. What? What what what?
"I haven't slept that well in ages."
The room is silent.After a moment, I roll back over. I slowly, slowly stretch out my leg until my foot brushes his ankle. His intake of breath is sharp. And then I smile,because I know he can't see my expression through the darkness.
”
”
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
“
He took a ragged breath. “You should know that I’ve always wanted you, Cat. I’ve had fantasies so wicked, it would send us both straight to hell if I told them to you. And the way I want you has nothing to do with the color of your hair, or the appalling fashions you wear.” His hand passed gently over her head. “Catherine Marks, or whoever you are … I have the most profane desire to be in bed with you for … oh, weeks, at least … committing every mortal sin known to man. I’d like to do more than sketch you naked. I want to draw directly on you with feather and ink … flowers around your breasts, trails of stars down your thighs.” He let his warm lips brush the edge of her ear. “I want to map your body, chart the north, south, east, and west of you. I would—” “Don’t,” she said, scarcely able to breathe. A rueful laugh escaped him. “I told you. Straight to hell.
”
”
Lisa Kleypas (Married By Morning (The Hathaways, #4))
“
It’s… did it happen to you at the home? Where you grew up?”
There was something odd in Sirius’ voice. Remus found he couldn’t speak, so he just nodded. Sirius nodded too. “I’ve got scars.” He said, so quietly that Remus thought he’d misheard at first.
Sirius bent down, and pulled up his trouser leg, turning his ankle to show Remus the marks there. His scars weren’t like Remus’ – which were big and rough and jagged, full of rage and hunger. The silver stripes on the backs of Sirius’ legs were thin and straight; uniform in their cruelty. Remus stared for a few seconds, before Sirius dropped the edge of the fabric and straightened up.
They stared each other down for a full minute. Remus feeling very hot, Sirius’ eyes cool and calm. Then it broke.
“Shall we go and watch James making a prat of himself?” Sirius asked.
Remus nodded again, and they both stepped back out into the cold autumn air.
”
”
MsKingBean89 (All the Young Dudes)
“
Hiroyuki Agawa describes a meeting in which an army officer seated next to the admiral rose to his feet “and began to harangue those assembled at interminable length.” Yamamoto stealthily edged the man’s chair back several feet. When he had finished speaking and tried to sit down, the officer missed the chair and fell sprawling on the floor. The admiral kept a straight face, looked straight ahead, and continued the meeting as if nothing had happened.
”
”
Ian W. Toll (Pacific Crucible: War at Sea in the Pacific, 1941–1942)
“
The Labyrinth, a walled garden where humans tortured plants and flowers into growing in straight lines and sharp corners so unnatural that it hurt the mind to see, was east of Thorn’s court, on the very edge of the Center Kingdom.
”
”
Jon Evans (Beasts of New York)
“
We entered the cool cave of the practice space with all the long-haired, goateed boys stoned on clouds of pot and playing with power tools. I tossed my fluffy coat into the hollow of my bass drum and lay on the carpet with my worn newspaper. A shirtless boy came in and told us he had to cut the power for a minute, and I thought about being along in the cool black room with Joey. Let's go smoke, she said, and I grabbed the cigarettes off the amp. She started talking to me about Wonder Woman. I feel like something big is happening, but I don't know what to do about it. With The Straight Girl? I asked in the blankest voice possible. With everything. Back in the sun we walked to the edge of the parking lot where a black Impala convertible sat, rusted and rotting, looking like it just got dredged from a swamp. Rainwater pooling on the floor. We climbed up onto it and sat our butts backward on the edge of the windshield, feet stretched into the front seat. Before she even joined the band, I would think of her each time I passed the car, the little round medallions with the red and black racing flags affixed to the dash. On the rusting Chevy, Joey told me about her date the other night with a girl she used to like who she maybe liked again. How her heart was shut off and it felt pretty good. How she just wanted to play around with this girl and that girl and this girl and I smoked my cigarette and went Uh-Huh. The sun made me feel like a restless country girl even though I'd never been on a farm. I knew what I stood for, even if nobody else did. I knew the piece of me on the inside, truer than all the rest, that never comes out. Doesn't everyone have one? Some kind of grand inner princess waiting to toss her hair down, forever waiting at the tower window. Some jungle animal so noble and fierce you had to crawl on your belly through dangerous grasses to get a glimpse. I gave Joey my cigarette so I could unlace the ratty green laces of my boots, pull them off, tug the linty wool tights off my legs. I stretched them pale over the car, the hair springing like weeds and my big toenail looking cracked and ugly. I knew exactly who I was when the sun came back and the air turned warm. Joey climbed over the hood of the car, dusty black, and said Let's lie down, I love lying in the sun, but there wasn't any sun there. We moved across the street onto the shining white sidewalk and she stretched out, eyes closed. I smoked my cigarette, tossed it into the gutter and lay down beside her. She said she was sick of all the people who thought she felt too much, who wanted her to be calm and contained. Who? I asked. All the flowers, the superheroes. I thought about how she had kissed me the other night, quick and hard, before taking off on a date in her leather chaps, hankies flying, and I sat on the couch and cried at everything she didn't know about how much I liked her, and someone put an arm around me and said, You're feeling things, that's good. Yeah, I said to Joey on the sidewalk, I Feel Like I Could Calm Down Some. Awww, you're perfect. She flipped her hand over and touched my head. Listen, we're barely here at all, I wanted to tell her, rolling over, looking into her face, we're barely here at all and everything goes so fast can't you just kiss me? My eyes were shut and the cars sounded close when they passed. The sun was weak but it baked the grime on my skin and made it smell delicious. A little kid smell. We sat up to pop some candy into our mouths, and then Joey lay her head on my lap, spent from sugar and coffee. Her arm curled back around me and my fingers fell into her slippery hair. On the February sidewalk that felt like spring.
”
”
Michelle Tea
“
New Rule: You don't have to teach both sides of a debate if one side is a load of crap. President Bush recently suggested that public schools should teach "intelligent design" alongside the theory of evolution, because after all, evolution is "just a theory." Then the president renewed his vow to "drive the terrorists straight over the edge of the earth."
Here's what I don't get: President Bush is a brilliant scientist. He's the man who proved you could mix two parts booze with one part cocaine and still fly a jet fighter. And yet he just can't seem to accept that we descended from apes. It seems pathetic to be so insecure about your biological superiority to a group of feces-flinging, rouge-buttocked monkeys that you have to make up fairy tales like "We came from Adam and Eve," and then cover stories for Adam and Eve, like intelligent design! Yeah, leaving the earth in the hands of two naked teenagers, that's a real intelligent design.
I'm sorry, folks, but it may very well be that life is just a series of random events, and that there is no master plan--but enough about Iraq.
There aren't necessarily two sides to every issue. If there were, the Republicans would have an opposition party. And an opposition party would point out that even though there's a debate in schools and government about this, there is no debate among scientists. Evolution is supported by the entire scientific community. Intelligent design is supported by the guys on line to see The Dukes of Hazzard.
And the reason there is no real debate is that intelligent design isn't real science. It's the equivalent of saying that the Thermos keeps hot things hot and cold things cold because it's a god. It's so willfully ignorant you might as well worship the U.S. mail. "It came again! Praise Jesus!"
Stupidity isn't a form of knowing things. Thunder is high-pressure air meeting low-pressure air--it's not God bowling. "Babies come from storks" is not a competing school of throught in medical school.
We shouldn't teach both. The media shouldn't equate both. If Thomas Jefferson knew we were blurring the line this much between Church and State, he would turn over in his slave.
As for me, I believe in evolution and intelligent design. I think God designed us in his image, but I also think God is a monkey.
”
”
Bill Maher (The New New Rules: A Funny Look At How Everybody But Me Has Their Head Up Their Ass)
“
Bliss?” I called.
“Yeah?”
“Check the drawers of the nightstand! She was playing with it in the middle of the night, and I think I remember taking it away and sticking it in there.”
“Okay!”
Through the open door, I watched her circle around the edge of the bed. I walked in place for a few seconds, letting my feet drop a little heavier than necessary, then opened and closed the door like I’d gone back inside the bathroom. Then I hid in the space between the back of the bedroom door and the wall where I could just see through the crack between the hinges. She pulled open the top drawer, and my heartbeat was like a bass drum. I don’t know when it had started beating so hard, but now it was all that I could hear.
It wasn’t like I was asking her to marry me now. I just knew Bliss, and knew she tended to panic. I was giving her a very big, very obvious hint so that she’d have time to adjust before I actually asked her. Then in a few months, when I thought she’d gotten used to the idea, I’d ask her for real.
That was the plan anyway. It was supposed to be simple, but this felt… complicated. Suddenly, I thought of all the thousands of ways this could go wrong. What if she freaked out? What if she ran like she did our first night together? If she ran, would she go back to Texas? Or would she go to Cade who lived in North Philly? He’d let her stay until she figured things out, and then what if something developed between them?
What if she just flat out told me no? Everything was good right now. Perfect, actually. What if I was ruining it by pulling this stunt?
I was so caught up in my doomsday predictions that I didn’t even see the moment that she found the box. I heard her open it though, and I heard her exhale and say, “Oh my God.”
Where before my mouth had been dry, now I couldn’t swallow fast enough. My hands were shaking against the door. She was just standing there with her back to me. I couldn’t see her face. All I could see was her tense, straight spine. She swayed slightly.
What if she passed out? What if I’d scared her so much that she actually lost consciousness? I started to think of ways to explain it away.
I was keeping it for a friend?
It was a prop for a show?
It was… It was… shit, I didn’t know.
I could just apologize. Tell her I knew it was too fast.
I waited for her to do something—scream, run, cry, faint. Anything would be better than her stillness. I should have just been honest with her. I wasn’t good at things like this. I said what I was thinking—no plans, no manipulation.
Finally, when I thought my body would crumble under the stress alone, she turned. She faced the bed, and I only got her profile, but she was biting her lip. What did that mean? Was she just thinking? Thinking of a way to get out of it?
Then, slowly, like the sunrise peeking over the horizon, she smiled.
She snapped the box closed.
She didn’t scream. She didn’t run. She didn’t faint.
There might have been a little crying.
But mostly… she danced.
She swayed and jumped and smiled the same way she had when the cast list was posted for Phaedra. She lost herself the same way she did after opening night, right before we made love for the first time.
Maybe I didn’t have to wait a few months after all.
She said she wanted my best line tomorrow after the show, and now I knew what it was going to be.
”
”
Cora Carmack (Losing It (Losing It, #1))
“
by the assault. Shading his eyes against the dazzle from the window, he peered down into the shadows. “Oh, hallo there, wee dog,” he said politely, and took a step forward, knuckles stretched out. Bouton raised the growl a few decibels, and he took a step back. “Oh, like that, is it?” Jamie said. He eyed the dog narrowly. “Think it over, laddie,” he advised, squinting down his long, straight nose. “I’m a damn sight bigger than you. I wouldna undertake any rash ventures, if I were you.” Bouton shifted his ground slightly, still making a noise like a distant Fokker. “Faster, too,” said Jamie, making a feint to one side. Bouton’s teeth snapped together a few inches from Jamie’s calf, and he stepped back hastily. Leaning back against the wall, he folded his arms and nodded down at the dog. “Well, you’ve a point there, I’ll admit. When it comes to teeth, ye’ve the edge on me, and no mistake.” Bouton cocked an ear suspiciously at this gracious speech, but went back to the low-pitched growl. Jamie hooked one foot over the other, like one prepared to pass the time of day indefinitely. The multicolored light from the window washed his face with blue, making him look like one of the chilly marble statues in the cathedral next door. “Surely you’ve better things to do than harry innocent visitors?” he asked, conversationally. “I’ve heard of you—you’re the famous fellow that sniffs out sickness, no? Weel, then, why are they wastin’ ye on silly things like door-guarding, when ye might be makin’ yourself useful smelling gouty toes and pustulant arseholes?
”
”
Diana Gabaldon (Dragonfly in Amber (Outlander, #2))
“
When it got dark I jogged along to the Town Hall--God knows how I got there--and sat on the edge of the balustrade. I tore a pocket out of my coat and took to chewing it; not with any defined object, but with dour mien and unseeing eyes, staring straight into space.
”
”
Knut Hamsun (Hunger)
“
In nature, we find so may things. At the water's edge, atop a mountain, or in the middle of a park, I watch my children flourish in who they are. With all the distractions, toys, and walls out of the way, the essence of who they are just shines. When I remember to pay attention, I see it radiating so strongly that I can't help but be brought right into it myself. My children are experts on breathing, on living; they know how to do it. And the open air? Why, that's breath itself. When I find myself in the midst of unsettling chaos-full of more commitments and expectations that we can really handle-I need to look no further than my little ones for the answer to what I've forgotten: Stop. Breathe. Listen. Then we head straight to the beach, or right to the woods, and play until we find ourselves restored.
”
”
Amanda Blake Soule (Handmade Home: Simple Ways to Repurpose Old Materials into New Family Treasures)
“
I made him look at my showpiece, a straight-edged Egyptian stamp with a pyramid that was listed in the catalog for four hundred marks. He shrugged. If I cared that much about my collection, maybe I should hang on to it. Was I even allowed to be selling it? What did my parents say about it? I tried to bargain. If the stamp with the pyramid wasn’t that valuable, I would just keep it. Then he could only give me thirty marks. So the stamp with the pyramid was valuable after all? In the end I got seventy marks. I felt cheated, but I didn’t care.
”
”
Bernhard Schlink (The Reader)
“
At childhood’s end, the houses petered out
into playing fields, the factory, allotments
kept, like mistresses, by kneeling married men,
the silent railway line, the hermit’s caravan,
till you came at last to the edge of the woods.
It was there that I first clapped eyes on the wolf.
He stood in a clearing, reading his verse out loud
in his wolfy drawl, a paperback in his hairy paw,
red wine staining his bearded jaw. What big ears
he had! What big eyes he had! What teeth!
In the interval, I made quite sure he spotted me,
sweet sixteen, never been, babe, waif, and bought me a drink,
my first. You might ask why. Here’s why. Poetry.
The wolf, I knew, would lead me deep into the woods,
away from home, to a dark tangled thorny place
lit by the eyes of owls. I crawled in his wake,
my stockings ripped to shreds, scraps of red from my blazer
snagged on twig and branch, murder clues. I lost both shoes
but got there, wolf’s lair, better beware. Lesson one that night,
breath of the wolf in my ear, was the love poem.
I clung till dawn to his thrashing fur, for
what little girl doesn’t dearly love a wolf?
Then I slid from between his heavy matted paws
and went in search of a living bird – white dove –
which flew, straight, from my hands to his hope mouth.
One bite, dead. How nice, breakfast in bed, he said,
licking his chops. As soon as he slept, I crept to the back
of the lair, where a whole wall was crimson, gold, aglow with books.
Words, words were truly alive on the tongue, in the head,
warm, beating, frantic, winged; music and blood.
But then I was young – and it took ten years
in the woods to tell that a mushroom
stoppers the mouth of a buried corpse, that birds
are the uttered thought of trees, that a greying wolf
howls the same old song at the moon, year in, year out,
season after season, same rhyme, same reason. I took an axe
to a willow to see how it wept. I took an axe to a salmon
to see how it leapt. I took an axe to the wolf
as he slept, one chop, scrotum to throat, and saw
the glistening, virgin white of my grandmother’s bones.
I filled his old belly with stones. I stitched him up.
Out of the forest I come with my flowers, singing, all alone.
Little Red-Cap
”
”
Carol Ann Duffy (The World's Wife)
“
Look—here’s a table covered with a red cloth. On it is a cage the size of a small fish aquarium. In the cage is a white rabbit with a pink nose and pink-rimmed eyes. In its front paws is a carrot-stub upon which it is contentedly munching. On its back, clearly marked in blue ink, is the numeral 8. Do we see the same thing? We’d have to get together and compare notes to make absolutely sure, but I think we do. There will be necessary variations, of course: some receivers will see a cloth which is turkey red, some will see one that’s scarlet, while others may see still other shades. (To color-blind receivers, the red tablecloth is the dark gray of cigar ashes.) Some may see scalloped edges, some may see straight ones. Decorative souls may add a little lace, and welcome—my tablecloth is your tablecloth, knock yourself out.
”
”
Stephen King (On Writing: A Memoir of the Craft)
“
What I am recommending to the unmarried person, therefore, comes straight out of the Word: Stay out of bed unless you there alone! I know that advice is difficult to put into practice today. But I didn't make the rules. I'm just passing them along. God's moral laws are not designed to oppress us or deprive us of pleasure. They are there to protect us from the devastation of sin, including disease, heartache, divorce, and spiritual death. Abstinence before marriage and fidelity afterward is the Creator's own plan, and no one has devised a way to improve on it.
”
”
James C. Dobson (Life on the Edge: A Young Adult's Guide to a Meaningful Future)
“
As I say, when the sisters think you’re crazy and embarrassing; and the brothers want to break you open to see what makes you work inside; and the white girls look at you like some exotic morsel that has just crawled out of the walls onto their plate (but don’t they love to rub their straight skirts up against the edge of your desk in the college literary magazine office after class); and the white boys all talk either money or revolution but can never quite get it up—then it doesn’t really matter too much if you have an Afro long before the word even existed.
”
”
Audre Lorde (Zami)
“
You did a fine job mending Maria’s dress.” “I was glad to help.” She looks down at her shoes, scuffed gray at the toes but polished all the same. She blushes, caught in the hot rush of some emotion, some thought she will never share with Anton. He offers an arm. “Shall we go in?” When the ceremony is over and the bells ring out brightly, Anton feels as tired as Elisabeth looks, as stunned and committed. They have said the holy words before God; they have taken the sacrament and made their pledge. There is no going backward now. Their road stretches out before them, straight
”
”
Olivia Hawker (The Ragged Edge of Night)
“
There are two kinds of knowing. The kind that resides in your brain, with straight edges and smooth planes, and fits tidily between memories like a book on a shelf. The kind that matches your hopes and tells you everything is as it should be. But then there’s the knowing that comes for you at night, after layers of consciousness have been peeled off by the exhaustion of the day. It lives in that pit in your stomach, jagged and dark. The kind of knowing that won’t let you rest until you finally surrender and let it, in all its ferocious and hideous glory, step into the light. The
”
”
Sarah Fine (Splinter (Reliquary, #2))
“
Ford and Arthur talking:
"This is very, very serious indeed. The Guide has been taken over. It's been bought out."
Arthur leapt up. "Oh, very serious," he shouted. "Please fill me in straight away on some corporate publishing politics! I can't tell you how much it's been on my mind of late!"
"You don't understand! There's a whole new Guide!"
"Oh!" shouted Arthur again. "Oh! Oh! Oh! I'm incoherent with excitement! I can hardly wait for it to come out to find out which are the most exciting spaceports to get bored hanging about in in some globular cluster I've never heard of. Please, can we rush to a store that's got it right this very instant?"
Ford narrowed his eyes. "This is what you call sarcasm, isn't it?"
"Do you know," bellowed Arthur, "I think it is? I really think it might just be a crazy little thing called sarcasm seeping in at the edges of my manner of speech! Ford, I have had a fucking bad night! Will you please try and take that into account while you consider what fascinating bits of badger-sputumly inconsequential trivia to assail me with next?"
...
"Temporal reverse engineering."
Arthur put his head in his hands and shook it gently from side to side.
"Is there any humane way," he moaned, "in which I can prevent you from telling me what temporary reverse bloody-whatsiting is?"
...
"I leaped out of a high-rise office window."
This cheered Arthur up. "Oh!" he said. "Why don't you do it again?"
"I did."
"Hmmm," said Arthur, disappointed. "Obviously no good came of it."
...
"What was the self-sacrifice?"
"I jettisoned half of a much-loved and I think irreplaceable pair of shoes."
"Why was that self-sacrifice?"
"Because they were mine!" said Ford, crossly.
"I think we have different value systems."
"Well, mine's better.
”
”
Douglas Adams (Mostly Harmless (Hitchhiker's Guide to the Galaxy, #5))
“
At the same time he realized how far they were above the city and the lights below seemed to be calling him. He walked to the balcony’s edge and looked over. Looking straight down, he seemed to be standing on a cliff in the wilderness, seeing a kingdom and a river which had not been seen before.
”
”
James Baldwin (Another Country)
“
While Molly stood off to the side laughing, both dogs bounding around her, Priss snuggled up against Matt and got twirled right off her feet.
She put her head back and laughed aloud. Her hands clung to Matt’s shoulders.
Her pelvis flattened against his.
Long ropes of hair wrapped in silver foil stuck out around her head. She wore a cape and she had cotton wrapped in and around her toes.
For a woman set on murdering her father, she looked mighty happy.
Liger was the only one to notice Trace’s entrance. The big cat jumped down from the windowsill and started his way. Chris and Dare crowded in behind Trace.
And still Trace stood there in the open doorway, frozen with some anomalous, churning emotion.
Yeah, Matt was more than able to handle Priss. The son-of-a-bitch had just picked her up off her feet. Again.
And again, Priss held on to him.
Near his ear, Chris said, “Yeah, uh, this might be a good time to remind you that Matt is gay.”
“Somehow,” Trace told him, “that’s not mattering to me much right now.”
Dare said, “You never know when to quit, do you, Chris?”
As Matt twirled her around, Priss laughed without reserve, and Trace wanted her so damn bad that he couldn’t see straight.
”
”
Lori Foster (Trace of Fever (Men Who Walk the Edge of Honor, #2))
“
Shaftoe opens his eyes just as the tarp is being peeled back from the open top of the truck. He stares straight up into a blue Italian sky torn around the edges by the scrabbling branches of desperate trees. “Shit!” he says. “What’s wrong, Sarge?” “I just always say that when I wake up,” Shaftoe says.
”
”
Neal Stephenson (Cryptonomicon)
“
Funnel
The family story tells, and it was told true,
of my great-grandfather who begat eight
genius children and bought twelve almost-new
grand pianos. He left a considerable estate
when he died. The children honored their
separate arts; two became moderately famous,
three married and fattened their delicate share
of wealth and brilliance. The sixth one was
a concert pianist. She had a notable career
and wore cropped hair and walked like a man,
or so I heard when prying a childhood car
into the hushed talk of the straight Maine clan.
One died a pinafore child, she stays her five
years forever. And here is one that wrote-
I sort his odd books and wonder his once alive
words and scratch out my short marginal notes
and finger my accounts.
back from that great-grandfather I have come
to tidy a country graveyard for his sake,
to chat with the custodian under a yearly sun
and touch a ghost sound where it lies awake.
I like best to think of that Bunyan man
slapping his thighs and trading the yankee sale
for one dozen grand pianos. it fit his plan
of culture to do it big. On this same scale
he built seven arking houses and they still stand.
One, five stories up, straight up like a square
box, still dominates its coastal edge of land.
It is rented cheap in the summer musted air
to sneaker-footed families who pad through
its rooms and sometimes finger the yellow keys
of an old piano that wheezes bells of mildew.
Like a shoe factory amid the spruce trees
it squats; flat roof and rows of windows spying
through the mist. Where those eight children danced
their starfished summers, the thirty-six pines sighing,
that bearded man walked giant steps and chanced
his gifts in numbers.
Back from that great-grandfather I have come
to puzzle a bending gravestone for his sake,
to question this diminishing and feed a minimum
of children their careful slice of suburban cake.
”
”
Anne Sexton
“
At first glance, the stewardess appears to have been a reflection of conservative postwar gender roles—an impeccable airborne incarnation of the mythical homemaker of the 1950s who would happily abandon work to settle down with Mr. Right. A high-flying expert at applying lipstick, warming baby bottles, and mixing a martini, the stewardess was popularly imagined as the quintessential wife to be. Dubbed the “typical American girl,” this masterful charmer—known for pampering her mostly male passengers while maintaining perfect poise (and straight stocking seams) thirty thousand feet above sea level—became an esteemed national heroine for her womanly perfection.
But while the the stewardess appears to have been an airborne Donna Reed, a closer look reveals that she was also popularly represented as a sophisticated, independent, ambitious career woman employed on the cutting edge of technology. This iconic woman in the workforce was in a unique position to bring acceptance and respect to working women by bridging the gap between the postwar domestic ideal and wage work for women. As both the apotheosis of feminine charm and American careerism, the stewardess deftly straddled the domestic ideal and a career that took her far from home. Ultimately, she became a crucial figure in paving the way for feminism in America.
”
”
Victoria Vantoch (The Jet Sex: Airline Stewardesses and the Making of an American Icon)
“
I looked at her without a word. She held an edge of the beach towel in each hand, pressing the edges against her cheeks. White smoke was rising from the cigarette between her fingers. With no wind to disturb it, the smoke rose straight up, like a miniature smoke signal. She was apparently having trouble deciding whether to cry or to laugh. At least she looked that way to me. She wavered atop the narrow line that divided one possibility from the other, but in the end she fell to neither side. May Kasahara pulled her expression together, put the towel on the ground, and took a drag on her cigarette. The time was nearly five o’clock, but the heat showed no sign of abating.
”
”
Haruki Murakami (The Wind-Up Bird Chronicle)
“
Hana starts off down the road. I’m tempted to watch her go. I get the urge to memorize her walk—to imprint her in my brain somehow, just as she is—but as I’m watching her waver in and out of the fierce sunlight, her silhouette gets confused with another one in my head, a shadow weaving in and out of darkness, about to walk off the cliff, and I don’t know who I’m looking at anymore.
Suddenly the edges of the world are blurring and there’s a sharp pain in my throat, so I turn around and walk quickly toward the house.
“Lena!” she calls out to me, just before I reach the gate.
I spin around, heart leaping, thinking maybe she’ll be the one to say it. I miss you. Let’s go back.
Even from a distance of fifty feet, I can see Hana hesitating. Then she makes this fluttering gesture with her hand and calls out, “Never mind.” This time when she turns around she doesn’t waver. She walks straight and quickly, turns a corner, and is gone.
But what did I expect?
That’s the whole point, after all: There’s no going back.
”
”
Lauren Oliver (Delirium (Delirium, #1))
“
We need good liturgies, and we need natural ones; we need a life neither patternless nor over patterned, if the city is to be built. And I think the root of it all is caring. Not that that will turn the trick all by itself, but that we can produce nothing good without it. True liturgies take things for what they really are, and offer them up in loving delight. Adam naming the animals is instituting the first of all the liturgies; speech, by which man the priest of creation picks up each of the world's pieces and by his wonder bears it into the dance. "By George," he says, "there's an elephant in my garden; isn't that something!" Adam has been at work a long time; civilization is the fruit of his priestly labors. Culture is the liturgy of nature as it is offered up by man. But culture can come only from caring enough about things to want them really to be themselves - to want the poem to scan perfectly, the song to be genuinely melodic, the basketball actually to drop through the middle of the hoop, the edge of the board to be utterly straight, the pastry to be really flaky. Few of us have very many great things to care about, but we all have plenty of small ones; and that's enough for the dance. It is precisely through the things we put on the table, and the liturgies we form around it, that the city is built, caring is more than half the work.
”
”
Robert Farrar Capon (Bed and Board: Plain Talk About Marriage)
“
What happened to you?” she asked.
“Bullets hurt,” he said. “It missed the artificial arm by two inches, damn the marksman. I hate people who can’t shoot straight.”
“How many this time?” she asked with a smile.
“Just one,” he said. “In the shoulder. It’s much better now.” He shook his head. “I’m getting too old for this. I’ve got so many broken bones that I can’t move fast enough anymore.”
She smiled wider. “Someday you’ll find a woman who’s worth giving up the danger for.” The smile faded. “You’re like Tate. He loves his work. He probably lives on adrenaline. Funny. I never understood that before. Now suddenly everything is clear. I was living on pipe dreams.”
He sighed. “It was more than his heritage that kept him away from you,” he said. “I knew, but I couldn’t explain it to you. Work like ours demands sacrifice. Any loved one can become a hostage. Any relationship can take away the edge we need when we’re under fire. A man with something to lose isn’t a man to send on a potential suicide mission. Take your mind off the objective for one minute, and you’re dead.
”
”
Diana Palmer (Paper Rose (Hutton & Co. #2))
“
Below them the town was laid out in harsh angular patterns. The houses in the outskirts were all exactly alike, small square boxes painted gray. Each had a small, rectangular plot of lawn in front, with a straight line of dull-looking flowers edging the path to the door. Meg had a feeling that if she could count the flowers there would be exactly the same number for each house. In front of all the houses children were playing. Some were skipping rope, some were bouncing balls. Meg felt vaguely that something was wrong with their play. It seemed exactly like children playing around any housing development at home, and yet there was something different about it. She looked at Calvin, and saw that he, too, was puzzled.
”
”
Madeleine L'Engle (A Wrinkle in Time (Time Quintet, #1))
“
I yanked the knife out as I strode back into the room, throwing my bag to the side and pulling the blade free as I kicked the door shut. We were dropped almost entirely into darkness, but Aly must have sensed the danger in the room with her because she scrambled away as I stalked toward her, fear edging out lust. I raised the blade high. She threw herself to the far side of the bed. “What are you –” I stabbed the knife down. Straight into the corner of her mattress. She clapped her hands over her mouth to muffle her horrified scream. I crooked a finger at her, beckoning her forward. “Come here, Aly,” I said, wrapping my other hand around the knife handle so there would be no mistaking my intent. “I want to watch you ride it.
”
”
Navessa Allen (Lights Out (Into Darkness, #1))
“
Chaos was the fuel of Israel. It was a country built on shifting tectonic plates. Things were constantly colliding. Everything led to the edge, the next moment of rupture, but life became most vivid at moments of danger. It was why people drove so fast and so close. It was why they didn’t wait in lines at the airport. It was why the cafés throbbed in the mornings. It was why the markets were so loud and raw. People were chaotic in unison. Molecular in their turmoil. But it worked. Even the polar opposites were attracted to one another. Occasionally they would bash together and it made the ground pulse. There was left and there was right, and there was Orthodox and secular, and there was Arab and Jew, and there was gay and straight, there was high-tech and hippie, and there was rich and fiercely poor. Israel was a condensed everywhere. A tiny country bursting at the seams, but they were in this together. Every dream and neurosis under the sun. The psychoses. The passivities. The pretensions. The pride. The electricity of it all. And the fear too. Everyone wore a loud armor. Always in search of a debate over who and what and where they were.
”
”
Colum McCann (Apeirogon)
“
I think it's that you're too white - too pure and white. You must not understand how heartless it is to tell foolish people it's ok to be foolish, how cruel it is to tell crappy people it's ok to be crappy - and you don't even attempt to understand why seeing defects and calling them viruses is sheer malice. You don't have a clue about how irreversibly damaging it is to affirm something that's negative. You can't accept everything. If you did, no one would bother trying anymore. They'd lose the will to improve - but you aren't the least bit wary of foolishness or crappyness. You always run straight off to do the right think knowing that people are going to try to take advantage of you because you don't pay the fact any mind, and you try to act ethically even though you know it makes you stick out like a sore thumb. What could be more frightening than that? I'm impressed that you've managed to live your life on such a razor's edge and still be in sound health. I'll give you that. So in conclusion, you're not a good person, you're not a saint, you're not a holy mother - you're just dull when it comes to darkness. That just makes you... a failure as a creature.
”
”
NisiOisiN (猫物語 (白) [Nekomonogatari] (Bakemonogatari, #4, Part 2))
“
And even in the open air the stench of whiskey was appalling. To this fiendish poison, I am certain, the greater part of the squalor I saw is due. Many of these vermin were obviously not foreigners—I counted at least five American countenances in which a certain vanished decency half showed through the red whiskey bloating. Then I reflected upon the power of wine, and marveled how self-respecting persons can imbibe such stuff, or permit it to be served upon their tables. It is the deadliest enemy with which humanity is faced. Not all the European wars could produce a tenth of the havock occasioned among men by the wretched fluid which responsible governments allow to be sold openly. Looking upon that mob of sodden brutes, my mind’s eye pictured a scene of different kind; a table bedecked with spotless linen and glistening silver, surrounded by gentlemen immaculate in evening attire—and in the reddening faces of those gentlemen I could trace the same lines which appeared in full development of the beasts of the crowd. Truly, the effects of liquor are universal, and the shamelessness of man unbounded. How can reform be wrought in the crowd, when supposedly respectable boards groan beneath the goblets of rare old vintages? Is mankind asleep, that its enemy is thus entertained as a bosom friend? But a week or two ago, at a parade held in honour of the returning Rhode Island National Guard, the Chief Executive of this State, Mr. Robert Livingston Beeckman, prominent in New York, Newport, and Providence society, appeared in such an intoxicated condition that he could scarce guide his mount, or retain his seat in the saddle, and he the guardian of the liberties and interests of that Colony carved by the faith, hope, and labour of Roger Williams from the wilderness of savage New-England! I am perhaps an extremist on the subject of prohibition, but I can see no justification whatsoever for the tolerance of such a degrading demon as drink.
”
”
H.P. Lovecraft (Lord of a Visible World: An Autobiography in Letters)
“
The human mind is grown inside a 0.0013 cubic meters crystalline calcium phosphate box on the 149 million km2 rocky surface of a 510 million km2 planet that is falling in a straight line over curved space at 108,000 kilometres per hour inside the gravity well of a 6 trillion km2 star on a 250 million year sojourn around the centre of a galaxy containing some 400 billion stars and trillions of planets and moons. The immediate solar system appears to end at the Kuiper Belt, its outer edge a mind-stunning 7 billion kilometres away, yet the outermost reach of the Heliosphere is still another 5 billion kilometres further out. The furthest object, however, within the Sun’s gravity well, Sedna, marks the solar system’s diameter to in fact be a sense-jarring 287 billion kilometres in length.
”
”
John Zande (The Owner of All Infernal Names: An Introductory Treatise on the Existence, Nature & Government of our Omnimalevolent Creator)
“
Just as with your women, you attempt to render existence in terms of perfection," said Billy. "Life is a rough approximation of things hoped for. You need to revel in the misfires. In the scars and dings. You need to develop a taste for regret. It's the malt vinegar of emotions-drink it straight from the bottle and it'll eat yer guts. Add a sprinkle here and there and it puts a living edge on things.
”
”
Michael Perry
“
Plowing through life, you’re bound to run into obstructions. Some of life’s trials result from mistakes and missteps, and some from poor choices. I know about that too, because I’ve made my share of blunders and had to face the consequences.
Other times, the unexpected lands in your hands like a wayward ball and the “trouble” coming at you is like a 250-pound linebacker blitzing straight off the edge.

”
”
Jake Byrne
“
She didn’t notice the partially fogged vanity mirror as she walked toward the bathroom, either—two thick fluffy towels in hand. Not until she was inside anyway and a pair of jeans and fringed leather chaps tossed carelessly over the edge of the vanity came into view.
She almost dropped the towels as she spun around.
“Hey.”
The Dixie Chicks crooning, there’s your trouble, straight into her ear was a particularly ironic twist.
”
”
Amy Andrews (Troy (American Extreme Bull Riders Tour, #5))
“
Hiroyuki Agawa describes a meeting in which an army officer seated next to the admiral rose to his feet “and began to harangue those assembled at interminable length.” Yamamoto stealthily edged the man’s chair back several feet. When he had finished speaking and tried to sit down, the officer missed the chair and fell sprawling on the floor. The admiral kept a straight face, looked straight ahead, and continued the meeting as if nothing had happened
”
”
Ian W. Toll (Pacific Crucible: War at Sea in the Pacific, 1941–1942)
“
Do you want to know my favorite?” My grip tightened on the railing. In. Out. “Andromeda.” Allister moved closer. “An autumn constellation, forty-four light-years away.” His steps were smooth and indifferent, but his voice was dry, as though he found my panic attack positively boring. His attitude brought a small rush of annoyance in, but it was suddenly swayed as my lungs contracted and wouldn’t release. I couldn’t keep a strangled gasp from escaping. “Look up.” It was an order, carrying a harsh edge. With no fight in me, I complied and tilted my head. Tears blurred my vision. Stars swam together and sparkled like diamonds. I was glad they weren’t. Humans would find a way to pluck them from the sky. “Andromeda is the dim, fuzzy star to the right. Find it.” My eyes searched it out. The stars weren’t often easy to see, hidden behind smog and the glow of city lights, but sometimes, on a lucky night like tonight, pollution cleared and they became visible. I found the star and focused on it. “Do you know her story?” he asked, his voice close behind me. A cold wind touched my cheeks, and I inhaled slowly. “Answer me.” “No,” I gritted. “Andromeda was boasted to be one of the most beautiful goddesses.” He moved closer, so close his jacket brushed my bare arm. His hands were in his pockets and his gaze was on the sky. “She was sacrificed for her beauty, tied to a rock by the sea.” I imagined her, a red-haired goddess with a heart of steel chained to a rock. The question bubbled up from the depths of me. “Did she survive?” His gaze fell to me. Down the tear tracks to the blood on my bottom lip. His eyes darkened, his jaw tightened, and he looked away. “She did.” I found the star again. Andromeda. “Ask me what her name means.” It was another rough demand, and I had the urge to refuse. To tell him to stop bossing me around. However, I wanted to know—I suddenly needed to. But he was already walking away, toward the exit. “Wait,” I breathed, turning to him. “What does her name mean?” He opened the door and a sliver of light poured onto the terrace. Black suit. Broad shoulders. Straight lines. His head turned just enough to meet my gaze. Blue. “It means ruler of men.” An icy breeze almost swallowed his words before they reached me, whipping my hair at my cheeks. And then he was gone.
”
”
Danielle Lori (The Maddest Obsession (Made, #2))
“
Chase took a long breath. “There’s no way around saying this, other than just coming straight out with it. I’ve been an idiot—an ass. Time and time again, I’ve done the wrong thing by you.”
Her mouth dropped open.
“And this whole time I’d been trying to do the right thing by not being with you. I didn’t want to betray Mitch by hooking up with his little sister. I didn’t want to somehow mess up our friendship either, because you have been such a huge part of my life.” He took a deep breath. “And I never wanted to be like my father—to treat you like he treated my mom. And it was stupid—I get that now. Chad was right. Father never loved our mother, but it’s different for me—it’s different for us. It always has been.”
The whole time he spoke, he never looked away from her. She opened her mouth to say something but he rushed ahead. “But all I’ve managed to do is screw things up. That night in the club…I wasn’t drunk.”
Madison shifted uncomfortably. “I know.”
“It was a lame excuse, and I’m sorry. That night—I should’ve told you how I really felt. And every night thereafter,” he said, taking a step forward. “I should’ve told you how I felt the night in that damn cabin, too.”
Her heart swelled as hope grew in a tangle of emotions she could never unravel. All of this seemed surreal. Tears rushed her eyes as she reached behind her, grasping the edges of her desk. “And how do you feel?”
Chase’s smile revealed those deep dimples she loved, and when he spoke, his voice was husky. “Aw hell, Maddie, I’m not good at this kind of stuff. You…you are my world. You’ve always been my world, ever since I can remember.”
At Bridget’s soft inhale, Madison placed a trembling hand over her mouth.
Stepping forward, he placed a hand over hers, gently pulling it away from her mouth. “It’s the truth. You are my everything. I love you. I have for longer than I realized. Please tell me my boneheadedness hasn’t screwed things up beyond repair for us.
”
”
J. Lynn (Tempting the Best Man (Gamble Brothers, #1))
“
I placed my hands on the edge of the table and leaned into her, extremely annoyed. “I’ve been cooking since I was a kid. I’ve been cooking this dish for three years straight through culinary school. I could make this food in my goddamn sleep and it would taste like something I’d feed to the president. My food isn’t bland. My food is flavorful, and delicious. And you are just nuts!” I hollered. “Why are you yelling?” she whispered. “I don’t know!” She laughed, making me want to kiss her.
”
”
Brittainy C. Cherry (The Fire Between High & Lo (Elements, #2))
“
There was a big “Sesame Street Live” extravaganza over at Madison Square Garden, so thousands of people decided to make a day of it and go straight from Sesame Street to Santa. We were packed today, absolutely packed, and everyone was cranky. Once the line gets long we break it up into four different lines because anyone in their right mind would leave if they knew it would take over two hours to see Santa. Two hours — you could see a movie in two hours. Standing in a two-hour line makes people worry that they’re not living in a democratic nation. People stand in line for two hours and they go over the edge. I was sent into the hallway to direct the second phase of the line. The hallway was packed with people, and all of them seemed to stop me with a question: which way to the down escalator, which way to the elevator, the Patio Restaurant, gift wrap, the women’s rest room, Trim-A-Tree. There was a line for Santa and a line for the women’s bathroom, and one woman, after asking me a dozen questions already, asked, “Which is the line for the women’s bathroom?” I shouted that I thought it was the line with all the women in it. She said, “I’m going to have you fired.” I had two people say that to me today, “I’m going to have you fired.” Go ahead, be my guest. I’m wearing a green velvet costume; it doesn’t get any worse than this. Who do these people think they are? “I’m going to have you fired!” and I wanted to lean over and say, “I’m going to have you killed.
”
”
David Sedaris (Holidays on Ice)
“
He'd seen the deadness in her eyes that night in the tunnels, along with the wrath and exhaustion and sorrow. He'd see her go over the edge when Nehemia died, and knew what she'd done to Grave in retribution. He didn't doubt for one heartbeat that she could snap again. There was such glittering darkness in her, an endless rift straight through her core. Nehemia's death had shattered her. What he had done, his role in that death, had shattered her, too. He just prayed she could piece herself back together again.
”
”
Sarah J. Maas (Heir of Fire (Throne of Glass, #3))
“
She had just given Liger his food when a tap sounded on the connecting door. Priss’s heart leaped into her throat.
With excitement.
Not dread, or annoyance, or even indifference.
Pure, sizzling stimulation. Suddenly she was wide-awake.
Tamping down her automatic smile, Priss leaned on the door. “Yeah?”
“Open up.”
Still fighting that twitching grin, Priss tried to sound disgruntled as she asked, “Why?”
Something hit the door—maybe his head—and Trace said, “I heard you up and moving around, Priss. I have coffee ready, but if you don’t want any—”
Being a true caffeine junkie, she jerked open the door. “Oh, bless you, man.” She took the cup straight out of Trace’s hand, drank deeply and sighed as the warmth penetrated the thick fog of novel sentiment. “Ahhhh. Nirvana. Thank you.”
Only after the caffeine ingestion did she notice that Trace wore unsnapped jeans and nothing else. Her eyes flared wide and her jaw felt loose. Holy moly.
“That was my cup,” Trace told her, bemused.
But Priss could only stare at him. Despite the delicious coffee she’d just poured in it, her mouth went dry.
When she continued to stare at him, at his chest and abdomen, her gaze tracking a silky line of brown hair that disappeared into his jeans, Trace crossed his arms.
Her gaze jumped to his face and she found him watching her with equal fascination.
A little lost as to the reason for that look, Priss asked with some belligerence, “What?”
With a cryptic smile, Trace shook his head. “Never mind. Help yourself, and I’ll get another.”
Oh, crap, she’d snatched away his cup! “Sorry.”
He lifted a hand in dismissal and went to the coffee machine sitting atop the dresser. His jeans rode low on his hips. The sun had darkened his skin, creating a sharp contrast to his fair hair.
Another drink was in order, and another sigh of bliss. Hoping to regain her wits, Priss said, “God, nothing in the world tastes better than that first drink of coffee.”
Trace looked over his shoulder, his attention zeroing in on her mouth, then her chest and finally down to her bare legs. “Oh, I don’t know about that.
”
”
Lori Foster (Trace of Fever (Men Who Walk the Edge of Honor, #2))
“
A young woman stood before the railing, speaking to the reception clerk. Her slender body seemed out of all scale in relation to a normal human body; its lines were so long, so fragile, so exaggerated that she looked like a stylized drawing of a woman and made the correct proportions of a normal being appear heavy and awkward beside her. She wore a plain gray suit; the contrast between its tailored severity and her appearance was deliberately exorbitant—and strangely elegant.She let the finger tips of one hand rest on the railing, a narrow hand ending the straight imperious line of her arm. She had gray eyes that were not ovals, but two long, rectangular cuts edged by parallel lines of lashes; she had an air of cold serenity and an exquisitely vicious mouth. Her face, her pale gold hair, her suit seemed to have no color, but only a hint, just on the verge of the reality of color, making the full reality seem vulgar. Keating stood still, because he understood for the first time what it was that artists spoke about when they spoke of beauty.
”
”
Ayn Rand
“
New flames built inside her. He swiped a tongue down her sensitive folds once, twice before returning to her clit.
Jada cried out, her throat arching. Aching.
He didn’t stop.
Not when she pleaded. Not when she begged. Thank God. She panted for more. Implored him to release her from this torture. To keep going. He took his cues from her, alternating between slowing and quickening the pace of his fingers and tongue as she responded. “Yes. Like that. Please. Donovan.”
She looked down as he looked up. The expression on his face dazzled her. Determined. Intense. Focused on her. Making sure she was taken care of. Turned on. Wild. “Anything you want, baby.”
He lowered his head and continued to feast on her like she was a banquet. Strong glides of his tongue were followed by slower swirls. Right when she was about to explode, he gentled his touch. The torture continued until she couldn’t take it anymore. “Donovan,” she pleaded. “I…can’t…”
“I got you, baby.”
A gentle squeeze of her clit with his teeth and she soared over the edge, tumbling straight down into the abyss.
”
”
Jamie Wesley (Fake It Till You Bake It (Sugar Blitz, #1))
“
Alex took the train down from Boston on the appointed day. She wore a new navy blue dress and matching coat she had bought to wear to her graduation dinner in six weeks. And in case she was late and had to run through the station to make it in time, she had worn little flat black suede shoes, and she looked more than ever like a schoolgirl with her shining dark straight hair down her back, when she arrived at Rose’s office at two-thirty. She was very nervous and her eyes were huge, as she sat anxiously at the edge of a chair across from Rose’s desk.
”
”
Danielle Steel (The Right Time)
“
Colby’s resourceful, I’ll give him that.”
“You used to be good friends.”
“We were, until he started hanging around Cecily,” came the short reply. “I’m not as angry at him as I was. But it seems that he has to have a woman to prop him up.”
“Not necessarily,” Matt replied. “Sometimes a good woman can save a bad man. It’s an old saying, but fairly true from time to time. Colby was headed straight to hell until Cecily put him on the right track. It’s gratitude, but I don’t think he can see that just yet. He’s in between mourning his ex-wife and finding someone to replace her.” He leaned back again. “I feel sorry for him. He’s basically a one-woman man, but he lost the woman.”
Tate packed back to the wing chair and sat down on the edge. “He’s not getting Cecily. She’s mine, even if she doesn’t want to admit it.”
Matt stared at him. “Don’t you know anything about women in love?”
“Not a lot,” the younger man confessed. “I’ve spent the better part of my life avoiding them.”
“Especially Cecily,” Matt agreed. “She’s been like a shadow. You didn’t miss her until you couldn’t see her behind you anymore.”
“She’s grown away from me,” Tate said. “I don’t know how to close the gap. I know she still feels something for me, but she wouldn’t stay and fight for me.” He lifted his gaze to Matt’s hard face. “She’s carrying my child. I want both of them, regardless of the adjustments I have to make. Cecily’s the only woman I’ve ever truly wanted.”
Matt spread his hands helplessly. “This is one mess I can’t help you sort out,” he said at last. “If Cecily loves you, she’ll give in sooner or later. If it were me, I’d go find her and tell her how I really felt. I imagine she’ll listen.”
Tate stared at his shoes. He couldn’t find the right words to express what he felt.
“Tate,” his father said gently, “you’ve had a lot to get used to lately. Give it time. Don’t rush things. I’ve found that life sorts itself out, given the opportunity.”
Tate’s dark eyes lifted. “Maybe it does.” He searched the other man’s quiet gaze. “It’s not as bad as I thought it was, having a foot in two worlds. I’m getting used to it.”
“You still have a unique heritage,” Matt pointed out. “Not many men can claim Berber revolutionaries and Lakota warriors as relatives.
”
”
Diana Palmer (Paper Rose (Hutton & Co. #2))
“
Oh no,” she breathed. “Not the Highwoods.” She called after the coach as it rumbled off into the distance. “Mrs. Highwood, wait! Come back. I can explain everything. Don’t leave!”
“They seem to have already left.”
She turned on Bram, flashing him an angry blue glare. The force of it pushed against his sternum. Not nearly sufficient to move him, but enough to leave an impression.
“I do hope you’re happy, sir. If tormenting innocent sheep and blowing ruts in our road weren’t enough mischief for you today, you’ve ruined a young woman’s future.”
“Ruined?” Bram wasn’t in the habit of ruining young ladies-that was his cousin’s specialty-but if he ever decided to take up the sport, he’d employ a different technique. He edged closer, lowering his voice. “Really, it was just a little kiss. Or is this about your frock?”
His gaze dipped. Her frock had caught the worst of their encounter. Grass and dirt streaked the yards of shell-pink muslin. A torn flounce drooped to the ground, limp as a forgotten handkerchief. Her neckline had likewise strayed. He wondered if she knew her left breast was one exhortation away from popping free of her bodice altogether. He wondered if he should stop staring at it.
No, he decided. He would do her a favor by staring at it, calling her attention to what needed to be repaired. Indeed. Staring at her half-exposed, emotion-flushed breast was his solemn duty, and Bram was never one to shirk responsibility.
“Ahem.” She crossed her arms over her chest, abruptly aborting his mission.
“It’s not about me,” she said, “or my frock. The woman in that carriage was vulnerable and in need of help, and…” She blew out a breath, lifting the stray wisps of hair from her brow. “And now she’s gone. They’re all gone.” She looked him up and down. “So what is it you require? A wheelwright? Supplies? Directions to the main thoroughfare? Just tell me what you need to be on your way, and I will happily supply it.”
“We won’t put you to any such trouble. So long as this is the road to Summerfield, we’ll-“
“Summerfield? You didn’t say Summerfield.”
Vaguely, he understood that she was vexed with him, and that he probably deserved it. But damned if he could bring himself to feel sorry. Her fluster was fiercely attractive. The way her freckles bunched as she frowned at him. The elongation of her pale, slender neck as she stood straight in challenge.
She was tall for a woman. He liked his women tall.
“I did say Summerfield,” he replied. “That is the residence of Sir Lewis Finch, is it not?”
Her brow creased. “What business do you have with Sir Lewis Finch?”
“Men’s business, love. The specifics needn’t concern you.”
“Summerfield is my home,” she said. “And Sir Lewis Finch is my father. So yes, Lieutenant Colonel Victor Bramwell”-she fired each word as a separate shot-“you concern me.
”
”
Tessa Dare (A Night to Surrender (Spindle Cove, #1))
“
As of old Phoenician men, to the Tin Isles sailing
Straight against the sunset and the edges of the earth,
Chaunted loud above the storm and the strange sea's wailing,
Legends of their people and the land that gave them birth-
Sang aloud to Baal-Peor, sang unto the horned maiden,
Sang how they should come again with the Brethon treasure laden,
Sang of all the pride and glory of their hardy enterprise,
How they found the outer islands, where the unknown stars arise;
And the rowers down below, rowing hard as they could row,
Toiling at the stroke and feather through the wet and weary weather,
Even they forgot their burden in the measure of a song,
And the merchants and the masters and the bondsmen all together,
Dreaming of the wondrous islands, brought the gallant ship along;
So in mighty deeps alone on the chainless breezes blown
In my coracle of verses I will sing of lands unknown,
Flying from the scarlet city where a Lord that knows no pity,
Mocks the broken people praying round his iron throne,
-Sing about the Hidden Country fresh and full of quiet green.
Sailing over seas uncharted to a port that none has seen.
”
”
C.S. Lewis (Spirits in Bondage: A Cycle of Lyrics (Cosimo Classics Literature))
“
Niru, you're welcome to stay if you want, Ms. McConnell says to me without looking up from her desk. Without students in the classroom she is much smaller and more feminine. I stare at her legs visible beneath her desk and at the way her blonde hair falls about her face as she reads the New Yorker. Porn makes it look so easy, so casual, so routine. Older women are supposed to crave fresh young meat, to lick their pen tops absentmindedly while thinking about us, to squeeze their legs together in a good faith effort to keep from corrupting the younger generations. And I am supposed to stumble forward both confused and uncontrolled, pulled by my relentless desire like light towards a black hole. Except I am unmoved. I imagine Ms. McConnell naked, perched at the edge of her desk, legs crossed waiting for me to cross the room and give her what she needs. That's how they always say it, that they will take what they want, get what they need, that hardcore sex is good punishment for bad behavior. I wonder if it would set the record straight for me.
It's nice outside, Ms. McConnell says, you should enjoy the day. Her stare makes me feel like she can read my thoughts and I am suddenly embarrassed.
”
”
Uzodinma Iweala (Speak No Evil)
“
There was some that they called crayons, which one of the daughters which was dead made her own self when she was only fifteen years old. They was different from any pictures I ever see before—blacker, mostly, than is common. One was a woman in a slim black dress, belted small under the armpits, with bulges like a cabbage in the middle of the sleeves, and a large black scoop-shovel bonnet with a black veil, and white slim ankles crossed about with black tape, and very wee black slippers, like a chisel, and she was leaning pensive on a tombstone on her right elbow, under a weeping willow, and her other hand hanging down her side holding a white handkerchief and a reticule, and underneath the picture it said “Shall I Never See Thee More Alas.” Another one was a young lady with her hair all combed up straight to the top of her head, and knotted there in front of a comb like a chair-back, and she was crying into a handkerchief and had a dead bird laying on its back in her other hand with its heels up, and underneath the picture it said “I Shall Never Hear Thy Sweet Chirrup More Alas.” There was one where a young lady was at a window looking up at the moon, and tears running down her cheeks; and she had an open letter in one hand with black sealing wax showing on one edge of it, and she was mashing a locket with a chain to it against her mouth, and underneath the picture it said “And Art Thou Gone Yes Thou Art Gone Alas.” These was all nice pictures, I reckon, but I didn’t somehow seem to take to them, because if ever I was down a little they always give me the fan-tods. Everybody was sorry she died, because she had laid out a lot more of these pictures to do, and a body could see by what she had done what they had lost. But I reckoned that with her disposition she was having a better time in the graveyard.
”
”
Mark Twain (The Adventures of Huckleberry Finn (Adventures of Tom and Huck, #2))
“
At very best there are two problems with ideology. The first is that it does not represent or conform to or even address reality. It is a straight-edge ruler of a fractal universe. And the second is that it inspires in its believers the notion that the fault here lies with miscreant fact, which should therefore be conformed to the requirements of theory by all means necessary. To the ideologue this would amount to putting the world right, ridding it of ambiguity and of those tedious and endless moral and ethical questions that dog us through life, and that those around us so rarely answer to our satisfaction.
”
”
Marilynne Robinson (When I Was a Child I Read Books)
“
...Here, let me see. Stop rubbing it so I can -"
He wicks his hand away from his eye just as I lean, and his elbow collides with the side of my face, hard enough that I'm knocked sideways. I try to grab the bedpost, but my hands are so slippery that Islide right off, and crash to the floor, my head connecting painfully with the corner of the drawer I left open. The bottle of oil falls off the edge and shatters into a soupy, amber pool.
"What happened! Are you alright?"
Percy's got one eye open but blinking frantically, hand extended blindly to me.
"I'm fine!"
I touch the back of my head, and it comes back damp and red.
"No, wait, I'm bleeding."
"You're bleeding!?" He yelps.
"It's fine! "
"It's clearly not if you're bleeding."
I can feel a trickle down the back of my neck, and I clap a hand against it, like I can force the blood to stay inside me if I just press tightly enough.
"It's fine!"
My wrist is wet, and I look just as a drizzle of blood courses down my arm into the crook of my elbow.
"God, this is really bleeding!"
My vision swims, and when I reach to steady myself I put my hand straight into the oily puddle of lineament, and I crash backward onto the floor.
Percy tries to come to my aid, but with one eye closed, he misjudges were he places his foot and steps on me. I screech and he slips and he slips, one leg tangled up in the sheets, and then suddenly the bedroom door bangs opens and there's Scipio. I scream and Percy screams and Scipio lets loud a horrified gurgle, and then Felicity appears behind him in the doorway, claps her hands over her eyes, tries to run with her hands still covered, and slips in one of the dripping puddles we left on the stairs. Her feet go out from under her, and she lands flat on her back at the top of the stairs, hands still valiantly clapped over her eyes, which rather ruins it all.
”
”
Mackenzi Lee (The Gentleman’s Guide to Getting Lucky (Montague Siblings, #1.5))
“
Gregori stepped away from the huddled mass of tourists, putting distance between himself and the guide. He walked completely erect,his head high, his long hair flowing around him. His hands were loose at his sides, and his body was relaxed, rippling with power.
"Hear me now, ancient one." His voice was soft and musical, filling the silence with beauty and purity. "You have lived long in this world, and you weary of the emptiness. I have come in anwer to your call."
"Gregori.The Dark One." The evil voice hissed and growled the words in answer. The ugliness tore at sensitive nerve endings like nails on a chalkboard. Some of the tourists actually covered their ears. "How dare you enter my city and interfere where you have no right?"
"I am justice,evil one. I have come to set your free from the bounaries holding you to this place." Gregori's voice was so soft and hypnotic that those listening edged out from their sanctuaries.It beckoned and pulled, so that none could resist his every desire.
The black shape above their head roiled like a witch's cauldron. A jagged bolt of lightning slammed to earth straight toward the huddled group. Gregori raised a hand and redirected the force of energy away from the tourists and Savannah. A smile edged the cruel set of his mouth. "You think to mock me with display,ancient one? Do not attempt to anger what you do not understand.You came to me.I did not hunt you.You seek to threaten my lifemate and those I count as my friends.I can do no other than carry the justice of our people to you." Gregori's voice was so reasonable, so perfect and pure,drawing obedience from the most recalcitrant of criminals.
The guide made a sound,somewhere between disbelief and fear.Gregori silenced him with a wave of his hand, needing no distractions. But the noise had been enough for the ancient one to break the spell Gregori's voice was weaving around him. The dark stain above their heads thrashed wildly, as if ridding itself ot ever-tightening bonds before slamming a series of lightning strikes at the helpless mortals on the ground.
Screams and moans accompanied the whispered prayers, but Gregori stood his ground, unflinching. He merely redirected the whips of energy and light, sent them streaking back into the black mass above their heads.A hideous snarl,a screech of defiance and hatred,was the only warning before it hailed. Hufe golfball-sized blocks of bright-red ice rained down toward them. It was thick and horrible to see, the shower of frozen blood from the skies. But it stopped abruptly, as if an unseen force held it hovering inches from their heads.
Gregori remained unchanged, impassive, his face a blank mask as he shielded the tourists and sent the hail hurtling back at their attacker.From out of the cemetery a few blocks from them, an army of the dead rose up. Wolves howled and raced along beside the skeletons as they moved to intercept the Carpathian hunter.
Savannah. He said her name once, a soft brush in her mind.
I've got it, she sent back instantly.Gregori had his hands full dealing with the abominations the vampire was throwing at him; he did't need to waste his energy protecting the general public from the apparition. She moved out into the open, a small, fragile figure, concentrating on the incoming threat.
To those dwelling in the houses along the block and those driving in their cars, she masked the pack of wolves as dogs racing down the street.The stick=like skeletons, grotesque and bizarre, were merely a fast-moving group of people. She held the illusion until they were within a few feet of Gregori.Dropping the illusion, she fed every ounce of her energy and power to Gregori so he could meet the attack.
”
”
Christine Feehan (Dark Magic (Dark, #4))
“
As if somehow irony,” she recaps for Maxine, “as practiced by a giggling mincing fifth column, actually brought on the events of 11 September, by keeping the country insufficiently serious — weakening its grip on ‘reality.’ So all kinds of make-believe—forget the delusional state the country’s in already—must suffer as well. Everything has to be literal now.”
“Yeah, the kids are even getting it at school.” Ms. Cheung, an English teacher who if Kugelblitz were a town would be the neighborhood scold, has announced that there shall be no more fictional reading assignments. Otis is terrified, Ziggy less so. Maxine will walk in on them watching Rugrats or reruns of Rocko’s Modern Life, and they holler by reflex, “Don’t tell Ms. Cheung!”
“You notice,” Heidi continues, “how ‘reality’ programming is suddenly all over the cable, like dog shit? Of course, it’s so producers shouldn’t have to pay real actors scale. But wait! There’s more! Somebody needs this nation of starers believing they’re all wised up at last, hardened and hip to the human condition, freed from the fictions that led them so astray, as if paying attention to made-up lives was some form of evil drug abuse that the collapse of the towers cured by scaring everybody straight again.
”
”
Thomas Pynchon (Bleeding Edge)
“
The tower, I should have said, was square; and in every corner the step was made of a great stone of a different shape to join the flights. Well, I had come close to one of these turns, when, feeling forward as usual, my hand slipped upon an edge and found nothing but emptiness beyond it. The stair had been carried no higher; to set a stranger mounting it in the darkness was to send him straight to his death; and (although, thanks to the lightning and my own precautions, I was safe enough) the mere thought of the peril in which I might have stood, and the dreadful height I might have fallen from, brought out the sweat upon my body and relaxed my joints.
”
”
Robert Louis Stevenson (Delphi Complete Works of Robert Louis Stevenson (Illustrated))
“
I remember sitting here," he said, "and watching you over there." He pointed, but I didn't have to look. Before Cameron and I got close, I spent a lot of lunches the same way, starting off eating and reading on my special bench on the other side of the yard, followed by walking the perimeter of the playground, balancing on the small cement curb that separated the blacktop from the landscaping, around and around and around, hoping I looked busy and like it didn't matter that I had no friends.
I sat next to Cameron on the bench. "What did you think when you used to watch me?"
He leaned his head against the building. "That I understood you. That you'd understand me."
"Do you remember the first time you talked to me? Because I don't. I've been trying to remember for years and I can't get it."
"You don't remember? Wasn't me that talked to you. You talked to me."
I scooted forward on the bench and looked at him. "I did?"
"You walked right across the yard here at recess," he said, pointing. "Came straight up to me." He laughed. "You looked so determined. I was scared you were gonna kick me in the shins or something."
I didn't remember this at all, any of it.
"You said you were starting a club," he continued. "Asked me if I wanted to join."
"Wait..." Something was there, at the very edge of my memory, coming into focus. "Do you remember if it happened to be May Day?"
"That the one with the pole and all the ribbons?"
"Yes!"
"Yep. All the girls had ribbons in their hair but you."
Jordana wouldn't let me wear ribbons. She said my hair was too greasy and I might give someone lice, and somehow I submitted to her logic. "I do remember," I said softly. "I haven't thought of that in forever. I kept thinking that you were the one to make friends with me first."
"Nope." He smiled. "You started this whole thing. I wanted to, but you were the one with the guts to actually do it."
"I think of myself as being a coward, and a baby, scared all the time."
He got quiet. We watched kids in the schoolyard playing basketball. "You're not," he finally said. "You know that." He got up suddenly. "Let's go. We got one more stop.
”
”
Sara Zarr (Sweethearts)
“
Summary of Rule #4 The core idea of this book is simple: To construct work you love, you must first build career capital by mastering rare and valuable skills, and then cash in this capital for the type of traits that define compelling careers. Mission is one of those traits. In the first chapter of this rule, I reinforced the idea that this trait, like all desirable career traits, really does require career capital—you can’t skip straight into a great mission without first building mastery in your field. Drawing from the terminology of Steven Johnson, I argued that the best ideas for missions are found in the adjacent possible—the region just beyond the current cutting edge. To encounter these ideas, therefore, you must first get to that cutting edge, which in turn requires expertise. To try to devise a mission when you’re new to a field and lacking any career capital is a venture bound for failure. Once you identify a general mission, however, you’re still left with the task of launching specific projects that make it succeed. An effective strategy for accomplishing this task is to try small steps that generate concrete feedback—little bets—and then use this feedback, be it good or bad, to help figure out what to try next. This systematic exploration can help you uncover an exceptional way forward that you might have never otherwise noticed. The little-bets strategy, I discovered as my research into mission continued, is not the only way to make a mission a success. It also helps to adopt the mindset of a marketer. This led to the strategy that I dubbed the law of remarkability. This law says that for a project to transform a mission into a success, it should be remarkable in two ways. First, it must literally compel people to remark about it. Second, it must be launched in a venue conducive to such remarking. In sum, mission is one of the most important traits you can acquire with your career capital. But adding this trait to your working life is not simple. Once you have the capital to identify a good mission, you must still work to make it succeed. By using little bets and the law of remarkability, you greatly increase your chances of finding ways to transform your mission from a compelling idea into a compelling career.
”
”
Cal Newport (So Good They Can't Ignore You: Why Skills Trump Passion in the Quest for Work You Love)
“
Her attention was fixed so completely on Jane that she did not see her own death hurtling toward her head. The poker slammed into Edwina’s skull, and Lily felt the crack of crushing bone, transmitted straight to her hand through wrought iron. Edwina dropped to the floor without uttering a sound. Lily lost her grip, and the falling poker clanged as it hit wood. She stared down at what she had just done. At Edwina’s head, the skull caved in. At the blood, flowing like a black river. And suddenly the room darkened, and her legs wobbled out from beneath her. She slid to the floor, landing on her rump. She dropped her head in her lap and could feel nothing: no pain, no sensation at all in her limbs. She was floating disembodied on the edge of blackness.
”
”
Tess Gerritsen (The Mephisto Club)
“
Most people-all, in fact, who regard the whole heaven as finite-say it lies at the centre. But the Italian philosophers known as Pythagoreans take the contrary view. At the centre, they say, is fire, and the earth is one of the stars, creating night and day by its circular motion about the centre. They further construct another earth in opposition to ours to which they give the name counterearth. In all this they are not seeking for theories and causes to account for observed facts, but rather forcing their observations and trying to accommodate them to certain theories and opinions of their own. But there are many others who would agree that it is wrong to give the earth the central position, looking for confirmation rather to theory than to the facts of observation. Their view is that the most precious place befits the most precious thing: but fire, they say, is more precious than earth, and the limit than the intermediate, and the circumference and the centre are limits. Reasoning on this basis they take the view that it is not earth that lies at the centre of the sphere, but rather fire. The Pythagoreans have a further reason. They hold that the most important part of the world, which is the centre, should be most strictly guarded, and name it, or rather the fire which occupies that place, the 'Guardhouse of Zeus', as if the word 'centre' were quite unequivocal, and the centre of the mathematical figure were always the same with that of the thing or the natural centre. But it is better to conceive of the case of the whole heaven as analogous to that of animals, in which the centre of the animal and that of the body are different. For this reason they have no need to be so disturbed about the world, or to call in a guard for its centre: rather let them look for the centre in the other sense and tell us what it is like and where nature has set it. That centre will be something primary and precious; but to the mere position we should give the last place rather than the first. For the middle is what is defined, and what defines it is the limit, and that which contains or limits is more precious than that which is limited, see ing that the latter is the matter and the former the essence of the system. (2-13-1)
There are similar disputes about the shape of the earth. Some think it is spherical, others that it is flat and drum-shaped. For evidence they bring the fact that, as the sun rises and sets, the part concealed by the earth shows a straight and not a curved edge, whereas if the earth were spherical the line of section would have to be circular. In this they leave out of account the great distance of the sun from the earth and the great size of the circumference, which, seen from a distance on these apparently small circles appears straight. Such an appearance ought not to make them doubt the circular shape of the earth. But they have another argument. They say that because it is at rest, the earth must necessarily have this shape. For there are many different ways in which the movement or rest of the earth has been conceived. (2-13-3)
”
”
Aristotle (The Works of Aristotle, Vol. 7: On the Heavens)
“
The careful, embroidered stitches delineated a coil of some sort. It looked rather like a halved snail shell, but the interior was divided into dozen of intricate chambers.
"Is that a nautilus?" he asked.
"Close, but no. It's an ammonite."
"An ammonite? What's an ammonite? Sounds like an Old Testament people overdue for smiting."
"Ammonites are not a biblical people," she replied in a tone of strained forbearance. "But they have been smited."
"Smote."
With a snap of linen, she shot him a look. "Smote?"
"Grammatically speaking, I think the word you want is 'smote.' "
"Scientifically speaking, the word I want is 'extinct.' Ammonites are extinct. They're only known to us in fossils."
"And bedsheets, apparently."
"You know..." She huffed aside a lock of hair dangling
in her face. "You could be helping."
"But I'm so enjoying watching," he said, just to devil her. Nonetheless, he picked up the edge of the top sheet and fingered the stitching as he pulled it straight. "So you made this?"
"Yes." Though judging by her tone, it hadn't been a labor of love. "My mother always insisted, from the time I was twelve years old, that I spend an hour every evening on embroidery. She had all three of us forever stitching things for our trousseaux."
'Trousseaux.' The word hit him queerly. "You brought your trousseau?"
"Of course I brought my trousseau. To create the illusion of an elopement, obviously. And it made the most logical place to store Francine. All these rolls of soft fabric made for good padding."
Some emotion jabbed his side, then scampered off before he could name it. Guilt, most likely. These were sheets meant to grace her marriage bed, and she was spreading them over a stained straw-tick mattress in a seedy coaching inn.
"Anyhow," she went on, "so long as my mother forced me to embroider, I insisted on choosing a pattern that interested me. I've never understood why girls are always made to stitch insipid flowers and ribbons."
"Well, just to hazard a guess..." Colin straightened his edge. "Perhaps that's because sleeping on a bed of flowers and ribbons sounds delightful and romantic. Whereas sharing one's bed with a primeval sea snail sounds disgusting."
Her jaw firmed. "You're welcome to sleep on the floor."
"Did I say disgusting? I meant enchanting. I've always wanted to go to bed with a primeval sea snail.
”
”
Tessa Dare (A Week to be Wicked (Spindle Cove, #2))
“
You were just in South Dakota a couple of weeks ago,” he pointed out. “Why didn’t you get it then?”
“It wasn’t available then.” She brushed back a tiny strand of loose hair. “Don’t cross-examine me, okay? It’s been a long day.”
He ran a hand around the back of his neck, under his braid of hair, and stared at her own hair in the tight bun at her nape as she replaced the errant strand. “I thought you took it down at night.”
“At bedtime,” she corrected.
His eyes narrowed. “Lucky Colby,” he said deliberately.
She wasn’t going to give him any rope to hang her with. She just smiled.
He glared at her. “He won’t change,” he said flatly.
“I don’t care,” she said. “I appreciate all you’ve done for me, Tate, but my private life is my own business, not yours.”
“That’s a hell of a way to talk to me.”
“That works both ways,” she replied, eyes narrowing. “What gives you the right to ask questions about the men I date?”
Her words made him mad. His lips compressed until they made a straight line. He looked like his father when he was angry. He finished his coffee in a tense silence and got to his feet. He glanced at his watch. “I’ve got to go. I just wanted to see how you were.”
“You just wanted to see if Colby was here,” she corrected and smiled mirthlessly when he blinked.
“You know I don’t approve of Colby,” he told her.
“Like I care?” she said.
He took a step toward her. His black eyes glittered with conflicting emotions. She aroused him more lately than any woman he’d ever known. Just looking at her sent him over the edge.
On some level she recognized the tension in him, the need that he was denying. He was upset about Matt Holden pulling him out of the security work, not because of the money, but rather because it seemed nothing more than spite. Actually Holden was saving them both from a political upheaval because he could have been accused of nepotism. But deeper than that was a frustration because he wanted a woman he couldn’t have. Cecily knew that at some level. He was trying to start a fight. She couldn’t let him.
“Colby is a sweet man,” she said gently. “He’s good company and he doesn’t drink around me, ever.”
“He’s an alcoholic,” he said quietly, trying to control the anger.
“I told you before, he’s in therapy,” she said. “He’s trying, Tate.”
“So you expect me not to worry about you? After what my own father put me and my mother through?
”
”
Diana Palmer (Paper Rose (Hutton & Co. #2))
“
to be happy This requires a round mirror and a photograph of yourself taken in happier times. The photograph should include no one but yourself. Prop the mirror so that it stands straight on its edge. Next, place the picture on a nearby table, the wall, a chair, or on some other object. The picture should be reflected within the mirror. Allow the mirror to reflect the photograph for at least three minutes. During this time, recall those happier days. Immerse yourself in them. Don’t allow your concentration to waver and melt into a sea of tears concerning your current state; keep your mind firmly fixed on those happier days. Now, sit within the mirror’s reflection, i.e., between the mirror and the picture. Stay there until your sadness truly blossoms into happiness. Repeat as needed.
”
”
Scott Cunningham (Earth, Air, Fire & Water: More Techniques of Natural Magic (Llewellyn's Practical Magick Series))
“
Gentle hands, soft lips, and hot little breaths down my stomach. Pleasure, a thick syrup pouring over my limbs. My cock rose, growing heavy with desire. We were so new together, by all accounts, I should be panting madly, trying to take over. But I was slowly heating wax molding to her will.
Emma palmed me through my briefs, and I grunted. I wanted them off, no barriers between us. As if she heard the silent demand, she kissed my nipple and slowly eased the briefs down. I lifted my butt to help her. My dick slapped against my belly as it was freed. Emma made a noise of appreciation and then wrapped her clever fingers around me.
"Please," I whispered. My body was weak, but my need grew stronger, drowning out everything else. She complied, stroking, her lips on my lower abs, teasing along the V leading to my hips.
"Em..." My plea broke off into a groan as her hot mouth enveloped me. There were no more words. I let her have me, do as she willed, and I was thankful for it.
And it felt so good I could only lie there and take it, try not to thrust into her mouth like an animal. But she pulled free with a lewd pop and gazed up at me.
Panting lightly, I stared back at her, ready to promise her anything, when she kissed my pulsing tip. "Go ahead," she said. "Fuck my mouth."
I almost spilled right there. She sucked me deep once more, and a sound tore out of me that was part pained, part "Oh God, please don't ever stop." The woman was dismantling me in the best of ways.
Waves of heat licked up over my skin as I pumped gently into her mouth, keeping my moves light because I didn't want to hurt her, and because denying myself was outright torture. Apparently, I was into that.
She sucked me like I was dessert----all the while, her hand stroking steady circles on the tight, sensitive skin of my lower abs. It was that touch, the knowledge that she was doing this because she wanted to take care of me, that rushed me straight to the edge.
My trembling hand touched the crown of her head. "Em. Baby, I'm gonna..." I gasped as she did something truly inspired with her tongue. "I'm gonna..."
She pulled free with one last suck and surged up to kiss me, her hand wrapping around my aching dick and stroking it. Panting into her mouth, my kiss frantic and sloppy, I came with a shudder of pleasure. And all the tension, all the pain, dissolved like a sugar cube dropped into hot tea.
”
”
Kristen Callihan (Make It Sweet)
“
Lambspun’s Whodunnit Shell Very Easy Knit with Bulky Yarn GAUGE: 2 sts/in MATERIALS: US size 15 needles (or size to obtain gauge), 14-inch straight Very bulky yarn with gauge of 2 sts per inch INSTRUCTIONS: BACK: With yarn required for gauge, CO 40, 44, 46, 50, 52 sts. Work in garter stitch, (knit every row) or if you like an edge that rolls, work in stockinette (knit one row, purl one row) throughout garment. Continue in garter or stockinette until piece measures 8, 8.5, 9, 9, 9 inches or desired length to armhole. At armhole edges BO 3 sts once, 2 sts once, 1 st once. Work on remaining 28, 32, 34, 38, 40 sts until piece measures 14.5, 15, 15.5, 16, 16.5 inches. NECK SHAPING: Work 11, 12, 12, 14, 15 sts. Join second ball of yarn and bind off center 6, 8, 10, 10, 10 sts. Work remaining sts, turn. Working both sides at once, bind off 1 st from the neck edge 3 times. Continue working on reaming sts until piece measures 17, 18, 18.5, 19, 19.5 inches. Place remaining 8, 9, 9, 11, 12 sts on holders. FRONT: CO 39, 43, 45, 49, 51 sts. Work in garter stitch, (knit every row) or if you like an edge that rolls, work in stockinette (knit one row, purl one row) throughout garment. Continue in garter or stockinette until piece measures 8, 8.5, 9, 9, 9 inches or desired length to armhole. At armhole edges BO 3 sts once, 2 sts once, 1 st once. Work on remaining 28, 32, 34, 38, 40 sts until piece measures 14.5, 15, 15.5, 16, 16.5 inches. NECK SHAPING: Same as for back. FINISHING: Join shoulders with three-needle bind off. Single crochet around every edge. Hand seam sides together. Pattern courtesy of Lambspun of Colorado, Fort Collins, Colorado.
”
”
Maggie Sefton (Double Knit Murders (A Knitting Mystery #1-2))
“
They had just docked in Greece and the passengers learned they would be quarantined and not be allowed to go ashore...
"It was the bitterest disappointment we had yet experienced. To lie a whole day in sight of the Acropolis, and yet be obliged to go away without visiting Athens! Disappointment was hardly a strong enough word to describe the circumstances....At eleven o'clock at night, when most of the ship's company were abed, four of us stole softly ashore in a small boat, a clouded moon favoring the enterprise...Once ashore and seeing no road, we took a tall hill to the left of the distant Acropolis for a mark, and steered straight for it over all obstructions...The full moon was riding high in the cloudless heavens now. We sauntered carelessly and unthinkingly to the edge of the lofty battlements of the citadel, and looked down---- a vision! And such a vision! Athens by moonlight!
”
”
Mark Twain (The Innocents Abroad: Or, the New Pilgrim's Progress, Volume 2)
“
And yes, many of us became fathers to fully understand what it means to be a father.
Albert Einstein once said: "Every man is a genius but if you judge a fish by its ability to climb trees, it will spend the rest of its life believing that its stupid."
To the men who never let other people’s metrics of success become the yardstick with which they measure theirs. It is no coincidence that we are diagrammatically represented by a circle with an arrow on the edge that points out.
To all of us who may not always be "there" so that we can always "be there",
To every hunter, every fighter, every missionary,
To every planter and tiller of a garden of eden,
To every warrior, conqueror of territories, every man always going out so he can bring something home.
To every provider and protector of his family.
Every defender of his domain and representative of God in the lives of his dependants.
To every man that choose character over caliber,
Every Major General, Lord of the Rings,
Lion of the Tribe of his house.
To every correcter with a shout,
Every tough and tender 9-ribbed carrier of his cross.
For every skill, strength, qualification and effort that we put into building meaningful relationships with our women, bonds with our children, and shield through tough times.
For every ‘crave’ for success without substituting values.
For the unconditional love, unflinching sacrifice, and diehard determination to go places our parents never imagined for themselves.
To those who happily lead, as though money, fame and power didn’t exist.
To those who stand tall and sit straight,
Who understand that it doesn't take a 6-figure to be a Father figure.
Happy Father's Day to every man who understands the responsibility and deserves the title.
*Happy Father's Day to You and Me.*
”
”
Olaotan Fawehinmi (The Soldier Within)
“
Speaking is impossible. I can't even get my muscles in my own control well enough to shake my head. My damaged lungs make this terrible, keening noise when I try to breathe. I sound like a rabbit in a snare, exhausted by its own thrashing. /Put me out of my misery,/ I think. That's what we do to animals in pain.
When I don't speak, Saad runs a hand over his shaved head. ... If he had any sense, he'd get up, walk straight back to the harbor, board the Dey, and leave me to my insanity.
But instead, he shifts his weight, so he's not crouched but sitting beside me.
"It just has to pass," he says, partly a question, partly an instruction. He reaches into his coat, then takes my hand and presses the spyglass into it. I close my fist around the cracked edge until it cuts me. Saad sits with me and we wait together, beneath the black sky, a painted ship crowning us as the world around me fills with water. "Just let it pass.
”
”
Mackenzi Lee (The Nobleman's Guide to Scandal and Shipwrecks (Montague Siblings, #3))
“
Mag Rogan and I stood on the edge of a cliff. Below us, the ground plunged so far down that it was as if the planet itself had ended at our feet. The wind tugged at my hair. He was wearing those dark pants again and nothing else. The hard muscle corded his torso, fueled by an overpowering, almost savage strength. Not the mindless brutality of a common thug or the cruel power of an animal, but an intelligent, stubborn, human strength. It was everywhere: in the set of his broad shoulders, in the turn of his head on a muscular neck, in the tilt of his square jaw. He turned to me and his whole body tightened, the muscles flexing and hardening, his hands ready to grip and crush, his eyes alert, missing nothing, and blazing with the brilliant electric blue of magic. I could picture him getting his sword and walking alone onto the drawbridge to defend his castle against a horde of invaders with that exact look on his face.
He was terrifying, and I wanted to run my hands down that chest and feel the hard ridges of his abs. I was some special kind of idiot.
Magic roiled about him, ferocious and alive, a pet monster with vicious teeth. He moved toward me, bringing it with him. “Tell me about Adam Pierce.”
I reached over and put my hand on his chest. His skin was burning hot. The muscle tensed under my fingers. An eager electric shiver ran through me. I wanted to lean against that chest and kiss the underside of that jaw, tasting his sweat on my tongue. I wanted him to like it.
“What happened to the boy?” I asked. “The one who destroyed a city in Mexico? Is he still inside?”
“Nevada!” My mother’s voice cut through my dreams like a knife.
I sat straight up in my bed.
Okay. I was either way more messed up inside, or Mad Rogan was a strong projector and could shoot images straight into my mind. Either way was bad. What happened to the boy . . . I needed to have my head examined.
”
”
Ilona Andrews (Burn for Me (Hidden Legacy, #1))
“
I tell you, I know what it is.” “What is it? What is it? Is it hard or soft? Harry. Is it blue? Is it red? Does it have polka dots?” It hits Rabbit depressingly that he really wants to be told. Underneath all this I-know-more-about-it-than-you heresies-of-the-early-Church business he really wants to be told about it, wants to be told that it is there, that he’s not lying to all those people every Sunday. As if it’s not enough to be trying to get some sense out of this crazy game you have to carry around this madman trying to swallow your soul. The hot strap of the bag gnaws at his shoulder. “The truth is,” Eccles tells him with womanish excitement, in a voice embarrassed but determined, “you’re monstrously selfish. You’re a coward. You don’t care about right or wrong; you worship nothing except your own worst instincts.” They reach the tee, a platform of turf beside a hunchbacked fruit tree offering fists of taut ivory-colored buds. “Let me go first,” Rabbit says. “ ’Til you calm down.” His heart is hushed, held in mid-beat, by anger. He doesn’t care about anything except getting out of this tangle. He wants it to rain. In avoiding looking at Eccles he looks at the ball, which sits high on the tee and already seems free of the ground. Very simply he brings the clubhead around his shoulder into it. The sound has a hollowness, a singleness he hasn’t heard before. His arms force his head up and his ball is hung way out, lunarly pale against the beautiful black blue of storm clouds, his grandfather’s color stretched dense across the north. It recedes along a line straight as a ruler-edge. Stricken; sphere, star, speck. It hesitates, and Rabbit thinks it will die, but he’s fooled, for the ball makes its hesitation the ground of a final leap: with a kind of visible sob takes a last bite of space before vanishing in falling. “That’s it!” he cries and, turning to Eccles with a grin of aggrandizement, repeats, “That’s it.
”
”
John Updike (Rabbit, Run (Rabbit Angstrom, #1))
“
— and then you’re in serious trouble, very serious trouble, and you know it, finally, deadly serious trouble, because this Substance you thought was your one true friend, that you gave up all for, gladly, that for so long gave you relief from the pain of the Losses your love of that relief caused, your mother and lover and god and compadre, has finally removed its smily-face mask to reveal centerless eyes and a ravening maw, and canines down to here, it’s the Face In The Floor, the grinning root-white face of your worst nightmares, and the face is your own face in the mirror, now, it’s you, the Substance has devoured or replaced and become you, and the puke-, drool-and Substance-crusted T-shirt you’ve both worn for weeks now gets torn off and you stand there looking and in the root-white chest where your heart (given away to It) should be beating, in its exposed chest’s center and center-less eyes is just a lightless hole, more teeth, and a beckoning taloned hand dangling something irresistible, and now you see you’ve been had, screwed royal, stripped and fucked and tossed to the side like some stuffed toy to lie for all time in the posture you land in. You see now that It’s your enemy and your worst personal nightmare and the trouble It’s gotten you into is undeniable and you still can’t stop. Doing the Substance now is like attending Black Mass but you still can’t stop, even though the Substance no longer gets you high. You are, as they say, Finished. You cannot get drunk and you cannot get sober; you cannot get high and you cannot get straight. You are behind bars; you are in a cage and can see only bars in every direction. You are in the kind of a hell of a mess that either ends lives or turns them around. You are at a fork in the road that Boston AA calls your Bottom, though the term is misleading, because everybody here agrees it’s more like someplace very high and unsupported: you’re on the edge of something tall and leaning way out forward….
”
”
David Foster Wallace
“
I see bacon, green peppers, mushrooms... those are all found in Napolitan Spaghetti. I guess instead of the standard ketchup, he's used curry roux for the sauce?
The noodles look similar to fettuccini."
"Hm. I'm not seeing anything else that stands out about it. Given how fun and amusing the calzone a minute ago was...
... the impact of this one's a lot more bland and boring..."
W-what the heck? Where did this heavy richness come from? It hits like a shockwave straight to the brain!
"Chicken and beef stocks for the base... with fennel and green cardamom for fragrance! What an excellent, tongue-tingling curry sauce! It clings well to the broad fettuccini noodles too!"
"For extra flavor is that... soy sauce?"
"No, it's tamari soy sauce!
Tamari soy sauce is richer and less salty than standard soy sauce, with a more full-bodied sweetness to it. Most tamari is made on Japan's eastern seaboard.
"
"That's not all either! I'm picking up the mellow hints of cheese! But I'm not seeing a single shred of any kind of cheese in here. Where's it hiding?"
"Allow me to tell you, sir. First, look at the short edge of a noodle, please."
?! What on earth?!
This noodle's got three layers!"
"For the outer layers, I kneaded turmeric into the pasta dough. But for the inner layer, I added Parmesan cheese!"
"I see! It's the combination of the tamari soy sauce and the parmesan cheese that gives this dish its incredible richness!"
"Yeah, but wait a minute! If you go kneading cheese right into the noodles, wouldn't it just melt back out when you boiled them?"
No... that's why they're in three layers! With the cheese in the middle, the outer layers prevented it from melting out!
The deep, rich curry sauce, underscored with the flavor of tamari soy sauce...
... and the chewy noodles, which hit you with the mellow, robust taste of parmesan cheese with every bite!
Many people are familiar with the idea of coating cream cheese in soy sauce...
... but who would have thought parmesan cheese would match this well with tamari soy sauce!
”
”
Yūto Tsukuda (食戟のソーマ 7 [Shokugeki no Souma 7] (Food Wars: Shokugeki no Soma, #7))
“
007: What are the CIA going to say about all this? After all, it's bare-faced poaching.
Tanner: They don't own Japan. Anyway, they're not here to know. That's up to this fellow Tanaka. He'll have to fix the machinery for getting it into the Australian Embassy. That's his worry. But the whole thing's on pretty thin ice. The main problem is to make sure he doesn't go straight along to the CIA and tell 'em of your approach. If you get blown, we'll just have to get the Australians to hold the baby. They've don it before when we've been bowled out edging our way into the pacific. We're good friends with their service. First-rate bunch of chaps. And, anyway, the CIA's hands aren't as clean as all that. We've got a whole file of cases where they've crossed wires with us round the world. Often dangerously. We can throw that book at McCone if this business blows up in our faces. But part of your job is to see that it doesn't.
007: Seems to me I'm getting all balled up in high politics. Not my line of country at all.
”
”
Ian Fleming (You Only Live Twice (James Bond, #12))
“
I go straight toward the last place where I felt safe: Tobias’s small apartment. The second I reach the door, I feel calmer.
The door is not completely closed. I nudge it open with my foot. He isn’t there, but I don’t leave. I sit on his bed and gather the quilt in my arms, burying my face in the fabric and taking deep breaths of it through my nose. The smell it used to have is almost gone, it’s been so long since he slept on it.
The door opens and Tobias slips in. My arms go limp, and the quilt falls into my lap. How will I explain my presence here? I’m supposed to be angry with him.
He doesn’t scowl, but his mouth is so tense that I know he’s angry with me.
“Don’t be an idiot,” he says.
“An idiot?”
“You were lying. You said you wouldn’t go to Erudite, and you were lying, and going to Erudite would make you an idiot. So don’t.”
I set the blanket down and get up.
“Don’t try to make this simple,” I say. “It’s not. You know as well as I do that this is the right thing to do.”
“You choose this moment to act like the Abnegation?” His voice fills the room and makes fear prickle in my chest. His anger seems too sudden. Too strange. “All that time you spent insisting that you were too selfish for them, and now, when your life is on the line, you’ve got to be a hero? What’s wrong with you?”
“What’s wrong with you? People died. They walked right off the edge of a building! And I can stop it from happening again!”
“You’re too important to just…die.” He shakes his head. He won’t even look at me--his eyes keep shifting across my face, to the wall behind me or the ceiling above me, to everything but me. I am too stunned to be angry.
“I’m not important. Everyone will do just fine without me,” I say.
“Who cares about everyone? What about me?”
He lowers his head into his hand, covering his eyes. His fingers are trembling.
Then he crosses the room in two long strides and touches his lips to mine. Their gentle pressure erases the past few months, and I am the girl who sat on the rocks next to the chasm, with river spray on her ankles, and kissed him for the first time. I am the girl who grabbed his hand in the hallway just because I wanted to.
”
”
Veronica Roth (Insurgent (Divergent, #2))
“
One method that Einstein employed to help people visualize this notion was to begin by imagining two-dimensional explorers on a two-dimensional universe, like a flat surface. These “flatlanders” can wander in any direction on this flat surface, but the concept of going up or down has no meaning to them. Now, imagine this variation: What if these flatlanders’ two dimensions were still on a surface, but this surface was (in a way very subtle to them) gently curved? What if they and their world were still confined to two dimensions, but their flat surface was like the surface of a globe? As Einstein put it, “Let us consider now a two-dimensional existence, but this time on a spherical surface instead of on a plane.” An arrow shot by these flatlanders would still seem to travel in a straight line, but eventually it would curve around and come back—just as a sailor on the surface of our planet heading straight off over the seas would eventually return from the other horizon. The curvature of the flatlanders’ two-dimensional space makes their surface finite, and yet they can find no boundaries. No matter what direction they travel, they reach no end or edge of their universe, but they eventually get back to the same place. As Einstein put it, “The great charm resulting from this consideration lies in the recognition that the universe of these beings is finite and yet has no limits.” And if the flatlanders’ surface was like that of an inflating balloon, their whole universe could be expanding, yet there would still be no boundaries to it.10 By extension, we can try to imagine, as Einstein has us do, how three-dimensional space can be similarly curved to create a closed and finite system that has no edge. It’s not easy for us three-dimensional creatures to visualize, but it is easily described mathematically by the non-Euclidean geometries pioneered by Gauss and Riemann. It can work for four dimensions of spacetime as well. In such a curved universe, a beam of light starting out in any direction could travel what seems to be a straight line and yet still curve back on itself. “This suggestion of a finite but unbounded space is one of the greatest ideas about the nature of the world which has ever been conceived,” the physicist Max Born has declared.
”
”
Walter Isaacson (Einstein: His Life and Universe)
“
But Winifred had insisted on these outfits. She said I'd need to dress the part, no matter what my deficiencies, which should never be admitted by me. "Say you have a headache," she told me. "It's always an acceptable excuse."
She told me many other things as well. "It's all right to show boredom," she said. "Just never show fear. They'll smell it on you, like sharks, and come in for the kill. You can look at the edge of the table - it lowers your eyelids - but never look at the floor, it makes your neck look weak. Don't stand up straight, you're not a soldier. Never cringe. If someone makes a remark that's insulting to you, say Excuse me? as if you haven't heard; nine times out of ten they won't have the face to repeat it. Never raise your voice to a waiter, its vulgar. Make them bend down, it's what they're for. Don't fidget with your gloves or your hair. Always look as if you have something better to do, but never show impatience. When in doubt, go to the powder room, but go slowly. Grace comes from indifference." Such were her sermons. I have to admit, despite my loathing of her, that they have proved to be of considerable value in my life.
”
”
Margaret Atwood (The Blind Assassin)
“
The road to success is rarely a straight line. For me, it’s always been more like a maze. Many times, when I thought I’d finally cracked the code, had it all figured out, and found the straight path to certain victory, I hit a wall or got spun into a turnaround. When that happens, we have two choices. We can stay stuck or regroup, back up, and try again. That’s where evolution begins. Hitting those walls time and again will harden and streamline you. Having to back up and formulate a new plan without any assurances it will ever pan out will tune your SA up and develop your problem-solving skills and your endurance. It will force you to adapt. When that happens hundreds of times over the course of many years, it is physically exhausting and mentally draining, and it becomes damn near impossible to believe in yourself or your future. A lot of people abandon belief at that point. They swirl in the eddies of comfort or regret, perhaps claim their victimhood, and stop looking for their way out of the maze. Others keep believing and find a way out but hope to never slip into a trap like that ever again, and those skills they’d honed and developed whither. They lose their edge.
”
”
David Goggins (Never Finished: Unshackle Your Mind and Win the War Within)
“
Even if they took him, she said, she would go with him. They could not separate them against their wills, she said. Shuffling the edges straight, she did up the papers, and tied the parcel almost without looking, sitting beside him, he thought, as if all her petals were about her. She was a flowering tree; and through her branches looked out the face of a lawgiver, who had reached a sanctuary where she feared no one; not Holmes; not Bradshaw; a miracle, a triumph, the last and greatest. Staggering he saw her mount the appalling staircase, laden with Holmes and Bradshaw, men who never weighed less than eleven stone six, who sent their wives to Court, men who made ten thousand a year and talked of proportion; who different in their verdicts (for Holmes said one thing, Bradshaw another), yet judges they were; who mixed the vision and the sideboard; saw nothing clear, yet ruled, yet inflicted. “Must” they said. Over them she triumphed. “There!” she said. The papers were tied up. No one should get at them. She would put them away. And, she said, nothing should separate them. She sat down beside him and called him by the name of that hawk or crow which being malicious and a great destroyer of crops was precisely like him. No one could separate them, she said.
”
”
Virginia Woolf (Complete Works of Virginia Woolf)
“
You feel so overwritten you're like a palimpsest;
the original girl almost lost under years of scrawling
yet you nurture an illusion of beauty,
brush your hair in the dark
so when your reflection finally catches up with you
you stare straight past that older woman
to the skateboard dancers behind
hitting the frosty air
with exuberant grace.
On the loose in the morning city reminds you of lovers,
catching the tram to work in last night's laddered stockings,
the sharp-edged day already intruding like a hangover.
It's not the sex you miss or the hotel mornings
but the reassurance of strangers and that wild card.
Now everything's played out the same,
no surprises in the pack except those dealt by disaster.
Early this morning such certainty dragged on your thoughts
they stumbled flat-footed through the breakfast silence
and you knew neither the apples
orchard fresh, crisp as snow
nor the blue bowl they posed in were enough.
People disappear all the time,
emerge like summer snakes newly marked and glittering
into a clean desert.
Without the photo of a child you carry in your wallet
which reminds you who you have become
you'd catch a train to Musk or Mollymook,
some place your fingers have strayed over.
Even thinking that, you turn your face into the wind,
keep walking that same old line in your new flamboyant shoes.
Oh my treacherous heart.
”
”
Catherine Bateson (The Vigilant Heart)
“
Statement Preliminary to the Invention of Solace
Whether they bend as compliantly as black leaves
Curved and hanging in the heavy dew in the grey dawn,
Or whether they wait as motionless as ice-coated
Insects and spears of roots on a northern cliff;
Whether they tighten once like the last white edge
Of primrose taken suddenly skyward
By a gust of frost, or swallow as hard as stones
Careened and scattered by a current of river;
Whether they mourn by the bright light of grief
Running like a spine of grass straight through the sound
Of their songs, or whether they fall quietly
Through indefinite darkness like a seed of sorrel
Bound alive beneath snow;
whether they mourn in multitudes, blessed
like a congregation of winter forest moaning for the white
drifting children of storms they can never remember,
or whether they grieve separately, divided
even from themselves, parted like golden plovers blown
and calling over a buffeted sea;
something must come to them, something as clear and fair
and continuous as the eye of the bluegill open in calm water,
something as silent as the essential spaces of breath
heard inside the voice naming all of their wishes,
something touching them in the same way the sun deep
in the pit of the pear touches the spring sky by the light
of its own leaf. A comfort understood like that
must be present now and possible.
”
”
Pattiann Rogers (Quickening Fields (Penguin Poets))
“
And he felt it.
Rogal Dorn had been feeling it for days, weeks, building up, up, up, rising over him like a black fog, dragging at his limbs, clogging his mind, making him question every decision he made, every order he gave.
He hadn’t had any respite at all, of any kind, for three months. Three months! His sharpness was going now, his reactions were slower. A billion functionaries depending on him for everything, reaching out to him, suffocating him with their endless demands, pleas for help, for guidance. A billion eyes, on him, all the time.
And he’d fought, too. He’d fought. He’d fought primarchs, brothers he’d once thought of as equals or betters. He’d seen the hatred in Perturabo’s eyes, the mania in Fulgrim’s, stabbing at him, poisoning him. Every duel, every brief foray into combat, had chipped a bit more off, had weakened the foundations a little further. Fulgrim had been the worst. His brother’s old form, so pleasing to the eye, had gone, replaced by bodily corruption so deep he scarcely had the words for it. That degradation repulsed him almost more than anything else. It showed just how far you could fall, if you lost your footing in reality completely.
You couldn’t show that repulsion. You couldn’t betray the doubt, or give away the fatigue. You couldn’t give away so much as a flicker of weakness, or the game was up, so Dorn’s face remained just as it always had been – static, flinty, curt. He kept his shoulders back, spine straight. He hid the fevers that raged behind his eyes, the bone-deep weariness that throbbed through every muscle, all for show, all to give those who looked up to him something to cling on to, to believe in. The Emperor, his father, was gone, silent, locked in His own unimaginable agonies, and so everything else had crashed onto his shoulders. The weight of the entire species, all their frailties and imperfections, wrapped tight around his mouth and throat and nostrils, choking him, drowning him, making him want to cry out loud, to cower away from it, something he would never do, could never do, and so he remained where he was, caught between the infinite weight of Horus’ malice and the infinite demands of the Emperor’s will, and it would break him, he knew, break him open like the walls themselves, which were about to break now too, despite all he had done, but had it been enough, yes it had, no it could not have been, they would break, they must not break…
He clenched his fist, curling the fingers up tight. His mind was racing again. He was on the edge, slipping into a fugue state, the paralysis he dreaded. It came from within. It came from without. Something – something – was making the entire structure around him panic, weaken, fail in resolve. He was not immune. He was the pinnacle – when the base was corrupted, he, too, eventually, would shatter.
”
”
Chris Wraight (Warhawk (The Siege of Terra, #6))
“
To her astonishment, he did not bear her to the floor, but lifted her in his arms instead, so that her legs wrapped around his waist. He held her weight easily, bracing her against the wall for balance, one arm protecting her from the roughness of the plaster. Her eyes widened as she felt the hard, blunt shape of his sex nudging, probing, sliding easily inside her. She was filled, impaled, her body open and helpless against the heavy intrusion. Gasping in pleasure, she clutched at the backs of his shoulders, her fingers clinging into the soft wool of his coat. It felt strangely erotic to be clasped against his fully clothed body, her bare skin tingling from the abrasion of fabric. Hungering for a taste of his skin, she tugged at his black stock and buried her mouth against the damp side of his neck.
"Do you love me?" he smattered, deliberately allowing her weight to press downward, forcing her even harder onto his stiff erection.
"Yes... oh, Grant..." She arched and cried out as pleasure crested inside her, spreading through her in deep, rolling waves.
"Tell me," he said harshly, moving in deeper, slower thrusts that drove straight into the core of her body. She writhed, her legs flexing as she felt the ebbing sensation build again.
"I love you," she gasped. "Love you... love you..."
The words sent him over the dizzying edge of rapture, and he drove inside her with a groan, all his senses dissolving in blissful release.
”
”
Lisa Kleypas (Someone to Watch Over Me (Bow Street Runners, #1))
“
more than anything.” He turned to Jean Louise. “Seven-thirty tonight and no Landing. We’ll go to the show.” “Okay. Where’re you all going?” “Courthouse. Meeting.” “On Sunday?” “Yep.” “That’s right, I keep forgetting all the politicking’s done on Sunday in these parts.” Atticus called for Henry to come on. “Bye, baby,” he said. Jean Louise followed him into the livingroom. When the front door slammed behind her father and Henry, she went to her father’s chair to tidy up the papers he had left on the floor beside it. She picked them up, arranged them in sectional order, and put them on the sofa in a neat pile. She crossed the room again to straighten the stack of books on his lamp table, and was doing so when a pamphlet the size of a business envelope caught her eye. On its cover was a drawing of an anthropophagous Negro; above the drawing was printed The Black Plague. Its author was somebody with several academic degrees after his name. She opened the pamphlet, sat down in her father’s chair, and began reading. When she had finished, she took the pamphlet by one of its corners, held it like she would hold a dead rat by the tail, and walked into the kitchen. She held the pamphlet in front of her aunt. “What is this thing?” she said. Alexandra looked over her glasses at it. “Something of your father’s.” Jean Louise stepped on the garbage can trigger and threw the pamphlet in. “Don’t do that,” said Alexandra. “They’re hard to come by these days.” Jean Louise opened her mouth, shut it, and opened it again. “Aunty, have you read that thing? Do you know what’s in it?” “Certainly.” If Alexandra had uttered an obscenity in her face, Jean Louise would have been less surprised. “You—Aunty, do you know the stuff in that thing makes Dr. Goebbels look like a naive little country boy?” “I don’t know what you’re talking about, Jean Louise. There are a lot of truths in that book.” “Yes indeedy,” said Jean Louise wryly. “I especially liked the part where the Negroes, bless their hearts, couldn’t help being inferior to the white race because their skulls are thicker and their brain-pans shallower—whatever that means—so we must all be very kind to them and not let them do anything to hurt themselves and keep them in their places. Good God, Aunty—” Alexandra was ramrod straight. “Well?” she said. Jean Louise said, “It’s just that I never knew you went in for salacious reading material, Aunty.” Her aunt was silent, and Jean Louise continued: “I was real impressed with the parable where since the dawn of history the rulers of the world have always been white, except Genghis Khan or somebody—the author was real fair about that—and he made a killin’ point about even the Pharaohs were white and their subjects were either black or Jews—” “That’s true, isn’t it?” “Sure, but what’s that got to do with the case?” When Jean Louise felt apprehensive, expectant, or on edge, especially when confronting her aunt, her brain clicked to the meter of Gilbertian tomfoolery. Three sprightly figures
”
”
Harper Lee (Go Set a Watchman)
“
Galveston?” he asked in that amazing voice, still surprising me by keeping our conversation going.
“Yeah. Staying at a beach house and everything. Totally slumming it and having a miserable time, you know?” I gave him a real smile that time.
Rip just raised his brows.
“I promised her I would go visit, and she promised she would come up too... What’s that face for?” I surprised myself by laughing. “I don’t believe it either. I’ll get lucky if she comes once. I’m not that delusional.”
I didn’t imagine the way his cheek twitched again, just a little, just enough to keep the smile on my face.
“I’m stuck making my own lunches from now on. I have nobody to watch scary movies with who’s more dramatic than I am screaming at the scary parts. And my house is empty,” I told him, going on a roll.
“Your lunches?” was what he picked up on.
I wasn’t sure how much he’d had to drink that he was asking me so many questions, but I wasn’t going to complain. “I can’t cook to save my life, boss. I thought everyone knew. Baking is the only thing I can handle.”
“You serious?” he asked in a surprised tone.
I nodded.
“For real?”
“Yeah,” I confirmed. “I can’t even make rice in an Instant Pot. It’s either way too dry or it’s mush.” Oh. “An Instant Pot is—”
“I know what it is,” he cut me off.
It was my turn to make a face, but mine was an impressed one. He knew what an Instant Pot was but not a rom-com. Okay. “Sorry.”
He didn’t react to me trying to tease him, instead he asked, “You can’t even make rice in that?”
“Nope.”
“You know there’s instructions online.”
Was he messing with me now? I couldn’t help but watch him a little. How much had he drunk already? “Yeah, I know.”
“And you still screw it up?”
I blinked, soaking up Chatty Cathy over here like a plant that hadn’t seen the sun in too long. “I wouldn’t say I screw it up. It’s more like… you either need to chew a little more or a little less.”
It was his turn to blink.
“It’s a surprise. I like to keep people on their toes.”
If I hadn’t been guessing that he’d had a couple drinks before, what he did next would have confirmed it.
His left cheek twitched. Then his right one did too, and in the single blink of an eye, Lucas Ripley was smiling at me.
Straight white teeth. That not-thin but not-full mouth dark pink and pulled up at the edges. He even had a dimple.
Rip had a freaking dimple.
And I wanted to touch it to make sure it was real.
I couldn’t help but think it was just about the cutest thing I had ever seen, even though I had zero business thinking anything along those lines. But I was smart enough to know that I couldn’t say a single word to mention it; otherwise, it might never come out again.
What I did trust myself to do was gulp down half of my Sprite before saying, “You can make rice, I’m guessing?” If he wanted to talk, we could talk. I was good at talking.
“Uh-huh,” he replied, sounding almost cocky about it.
All I could get myself to do in response was grin at him, and for another five seconds, his dimple—and his smile—responded to me.
”
”
Mariana Zapata (Luna and the Lie)
“
Sometimes life could be astonishingly efficient in dispensing mortifications. In the space of a minute, she would be exposed before three male visitors to be both freakishly tall and an abominably poor sculptor. What would come next? Perhaps her father would invite the men to count her freckles, one by one. They’d be here until moonrise.
Suddenly, Bramwell was at her side.
“This?” he asked, touching a finger to the model’s edge.
She cringed, wishing she could deny it. “Yes, thank you.”
As he retrieved the model from the shelf, she stole glances at him out of the corner of her eye. She had to admit, the Rycliff title suited him. Give the man a mace and a chain mail vest, and she could easily have mistaken him for a medieval warrior, squeezed through some rocky gap in the centuries to emerge in modern day. From the sheer size of him, large and solid all over, to that squared jaw, shadowed with a day’s or more growth of whiskers. He moved with more power than grace, and he wore his dark hair long, tied back at his nape with a bit of leather cord. And the way he’d looked at her just before that kiss-as though he would devour her, and she would enjoy it-was straight from the Dark Ages.
As he presented the crumbling mess of sun-dried clay and pasted-on moss, Susanna fought the urge to blow dust off the thing. Evidently the maids couldn’t reach this shelf, either.
“Isn’t it clever?” Her father took the model from Bramwell’s hands and held it up. “Susanna made this when she was fifteen years old.”
“Fourteen,” she corrected, cursing herself a moment later. Because “fourteen” somehow made it better?
”
”
Tessa Dare (A Night to Surrender (Spindle Cove, #1))
“
The watcher’s eyes are likely to swivel forward in a sequence of stately turns as the screen’s pixel glows: each quarter-ounce mass of eyeball tugged by six flat muscles, in a glissando slide within the slippery fat lining the orbital cavity. The eye blinks, the widened pupils are in position, and the incoming electromagnetic waves roar in. Ripping through the thin layer of the cornea, they decelerate slightly, with their outermost edges forming a nearly flat plane as they travel inward, carrying the as-yet-undetected signal from the screen deep into the waiting human. The waves continue through the liquid of the aqueous humor and on to the gaping hole of the pupil. The human may have squinted to avoid the glare, but human reflexes work at the rate of slow thousandths of a second and are no match for these racing intruders. The pupil is crossed without obstruction. The stiff lens just below focuses the incoming waves even more, sending them into the inland sea of the jellylike vitreous humor deeper down in the eye. A very few of the incoming electric waves explode against the organic molecules in their way, but most simply whirl through those soft biological barriers and continue straight down, piercing the innermost wrapping of the eyeball, till they reach the end-point of their journey: the fragile, stalklike projection from the living brain known as the retina. And deep inside there, in the dark, barely slowed from their original 670 million mph, the waves splatter into the ancient, moist blood vessels and cell membranes, and something unexpected happens. An electric current switches on.
”
”
David Bodanis (Electric Universe: How Electricity Switched on the Modern World)
“
The journey up to battle camp started badly.
“If you can’t even load a bloody truck with all your kit properly, then you’ve got no bloody chance of passing what’s ahead of you, I can assure you of that!” Taff, our squadron DS, barked at us in the barracks before leaving.
I, for one, was more on edge than I had ever felt so far on Selection.
I was carsick on the journey north, and I hadn’t felt that since I’d been a kid heading back to school. It was nerves.
We also quizzed Taff for advice on what to expect and how to survive the “capture-initiation” phase.
His advice to Trucker and me was simple: “You two toffs just keep your mouths shut--23 DS tend to hate recruits who’ve been to private school.”
The 23 SAS were running the battle camp (it generally alternated between 21 and 23 SAS), and 23 were always regarded as tough, straight-talking, hard-drinking, fit-as-hell soldiers. We had last been with them at Test Week all those months earlier, and rumor was that “the 23 DS are going to make sure that any 21 recruits get it the worst.”
Trucker and I hoped simply to try and stay “gray men” and not be noticed. To put our heads down and get on and quietly do the work.
This didn’t exactly go according to plan.
“Where are the lads who speak like Prince Charles?” The 23 DS shouted on the first parade when we arrived.
“Would you both like newspapers with your morning tea, gents?” the DS sarcastically enquired.
Part of me was tempted to answer how nice that would be, but I resisted.
The DS continued: “I’ve got my eye on you two. Do I want to have to put my life one day in your posh, soft hands? Like fuck I do. If you are going to pass this course you are going to have to earn it and prove yourself the hard way. You both better be damned good.”
Oh, great, I thought.
I could tell the next fortnight was going to be a ball-buster.
”
”
Bear Grylls (Mud, Sweat and Tears)
“
Behind her, where Tony had been standing, shadows moved, then a hand gently grasped Elizabeth’s elbow, and a deep, husky voice said near her ear, “Dance with me, Elizabeth.”
Shock stiffened her body, slamming against the barricade of numbness that Elizabeth was trying to keep intact. Still gazing straight ahead, she said very calmly and politely, “Would you do me a great service?”
“Anything,” he agreed.
“Go away. And stay away.”
“Anything,” he amended with a solemn smile in his voice, “but that.”
She felt him move closer behind her, and the nervous quaking she’d conquered hours before jarred through her again, awakening her senses from their blissful anesthesia. His fingers lightly caressed her arm, and he bent his head closer to hers. “Dance with me.”
In the arbor two years ago, when he had spoken those words, Elizabeth had let him take her in his arms. Tonight, despite the fact that she was no longer being totally ostracized, she was still teetering on the edge of scandal, and she shook her head. “I don’t think that would be wise.”
“Nothing we’ve ever done has been wise. Let’s not spoil our score.”
Elizabeth shook her head, refusing to turn, but the pressure on her elbow increased until she had no choice. “I insist.”
Reluctantly she turned and looked at him. “Why?”
“Because,” he said, smiling tenderly into his eyes, “I’ve already danced seven dances, all of them with ugly women of unimpeachable reputations, so that I’d be able to ask you, without causing more gossip to hurt you.”
The words, as well as his softness, made her wary. “What do you mean by the last part of that?”
“I know what happened to you after the weekend we were together,” he said gently. “Your Lucinda laid it all out for Duncan. Don’t look so hurt-the only thing she did wrong was to tell Duncan rather than me.”
The Ian Thornton who was talking to her tonight was almost achingly familiar; he was the man she’d met two years ago.
“Come inside with me,” he urged, increasing the pressure on her elbow, “and I’ll begin making it up to you.
”
”
Judith McNaught (Almost Heaven (Sequels, #3))
“
Curtis Bane screamed and though I came around fast and fired in the same motion, he’d already pulled a heater and begun pumping metal at me. We both missed and I was empty, that drum clicking uselessly. I went straight at him. Happily, he too was out of bullets and I closed the gap and slammed the butt of the rifle into his chest. Should’ve knocked him down, but no. The bastard was squat and powerful as a wild animal, thanks to being a coke fiend, no doubt. He ripped the rifle from my grasp and flung it aside. He locked his fists and swung them up into my chin, and it was like getting clobbered with a hammer, and I sprawled into a row of trash cans. Stars zipped through my vision. A leather cosh dropped from his sleeve into his hand and he knew what to do with it all right. He swung it in a short chopping blow at my face and I got my left hand up and the blow snapped my two smallest fingers, and he swung again and I turned my head just enough that it only squashed my ear and you better believe that hurt, but now I’d drawn the sawback bayonet I kept strapped to my hip, a fourteen-inch grooved steel blade with notched and pitted edges—Jesus-fuck who knew how many Yankee boys the Kraut who’d owned it gashed before I did for him—and stabbed it to the guard into Bane’s groin. Took a couple of seconds for Bane to register it was curtains. His face whitened and his mouth slackened, breath steaming in the chill, his evil soul coming untethered. He had lots of gold fillings. He lurched away and I clutched his sleeve awkwardly with my broken hand and rose, twisting the handle of the blade side to side, turning it like a car crank into his guts and bladder, putting my shoulder and hip into it for leverage. He moaned in panic and dropped the cosh and pried at my wrist, but the strength was draining from him and I slammed him against the wall and worked the handle with murderous joy. The cords of his neck went taut and he looked away, as if embarrassed, eyes milky, a doomed petitioner gaping at Hell in all its fiery majesty. I freed the blade with a cork-like pop and blood spurted down his leg in a nice thick stream and he collapsed, folding into himself like a bug does when it dies.
”
”
Laird Barron (The Beautiful Thing That Awaits Us All)
“
Dear Brave People,
I realise that it appears I'm fearless. I can make that presentation with ease, I can stand near the edge of the cliff and look down, and I can befriend that spider in the bathroom. (He's called Steve).
But recently I've realised that's not what makes people brave. Brave has a different meaning.
I'm afraid of people leaving. After I watched my best friend become someone else's and I was forced into befriending my childhood bully, I realised I don't want to let myself go through this again. I see my fear come through when questioning my boyfriend;s affections. I see it when I distance myself from my friends who are going to leave for university. Isee it in my overanalysis of my parents' relationship and paranoia over a possible divorce.
I don't want to be alone.
I'm afraid of failure. I aced my exams and the bar has moved up again. I have those high expectations along with everyone else, but I know now that maybe the tower is just too tall, and I should've built stronger foundations. I act like I know what I'm doing, but really I'm drifting away from the shore faster and faster.
I don't want to let anyone down.
I'm afraid of change. I don't know where I lie anymore. I thought I knew what to do in my future, but I can't bear to think that I'm now not so sure. I thought I was completely straight, but now it's internal agony as I'm not so sure. Turns out I thought a lot of things.
I don't want my life to not be the way I expected.
I may not be scared of crowds. Or the dark. Or small spaces. But I am afraid.
I am afraid of responsibility; I am afraid of not living up to expectations, of the changing future, of growing up, not knowing, sex, relationships, hardship, secrets, grades, judgment, falling short, loneliness, change, confusion, arguments, curiosity, love, hate, losing, pressure, differences, honesty, lies.
I am afraid of me.
Yet, despite this, I know I am brave. I know I am brave because I've accepted my invisible fears and haven't let them overcome me.
I want you to know that you're brave because you know your fears. You're brave because you introduced yourself. You're brave because you said "No, I don't understand." You're brave because you're here.
I hope you can learn from me and be brave in your own way. I know I am.
-B
”
”
Emily Trunko (Dear My Blank: Secret Letters Never Sent)
“
That was the whole trouble with police work. You come plunging in. a jagged Stone Age knife, to probe the delicate tissues of people's relationships, and of course you destroy far more than you discover. And even what you discover will never be the same as it was before you came; the nubbly scars of your passage will remain. At the very least. you have asked questions that expose to the destroying air fibers that can only exist and fulfill their function in coddling darkness. Cousin Amy, now, mousing about in back passages or trilling with feverish shyness at sherry parties—was she really made all the way through of dust and fluff and unused ends of cotton and rusty needles and unmatching buttons and all the detritus at the bottom of God's sewing basket? Or did He put a machine in there to tick away and keep her will stern and her back straight as she picks out of a vase of brown-at-the-edges dahlias the few blooms that have another day's life in them? Or another machine, one of His chemistry sets, that slowly mixes itself into an apparently uncaused explosion, poof!, and there the survivors are sitting covered with plaster dust among the rubble of their lives. It's always been the explosion by the time the police come stamping in with ignorant heels on the last unbroken bit of Bristol glass; with luck they can trace the explosion back to harmless little Amy, but as to what set her off—what were the ingredients of the chemistry set and what joggled them together—it was like trying to reconstruct a civilization from three broken pots and a seven-inch lump of baked clay which might, if you looked at its swellings and hollows the right way, have been the Great Earth Mother. What's more. people who've always lived together think that they are still the same—oh, older of course and a bit more snappish, but underneath still the same laughing lad of thirty years gone by. "My Jim couldn't have done that." they say. "I know him. Course he's been a bit depressed lately, funny like. but he sometimes goes that way for a bit and then it passes off. But setting fire to the lingerie department at the Army and Navy, Inspector—such a thought wouldn't enter into my Jim's head. I know him." Tears diminishing into hiccuping snivels as doubt spreads like a coffee stain across the threadbare warp of decades. A different Jim? Different as a Martian, growing inside the ever-shedding skin? A whole lot of different Jims. a new one every seven years? "Course not. I'm the same. aren't I, same as I always was—that holiday we took hiking in the Peak District in August thirty-eight—the same inside?"
Pibble sighed and shook himself. You couldn't build a court case out of delicate tissues. Facts were the one foundation.
”
”
Peter Dickinson (The Glass-Sided Ant's Nest (Jimmy Pibble #1))
“
Hey,” he said, his hand gently rubbing my back. I heard the diesel rattle of vehicles driving away from the scene.
“Hey,” I replied, sitting up and looking at my watch. It was 5:00 A.M. “Are you okay?”
“Yep,” he said. “We finally got it out.” Marlboro Man’s clothes were black. Heavy soot covered his drawn, exhausted face.
“Can I go home now?” I said. I was only halfway kidding. And actually, I wasn’t kidding at all.
“Sorry about that,” Marlboro Man said, still rubbing my back. “That was crazy.” He gave a half-chuckle and kissed my forehead. I didn’t know what to say.
Driving back to his house, the pickup was quiet. My mind began to race, which is never good at five in the morning. And then, inexplicably, just as we reached the road to his house, I lost it.
“So, why did you even take me there, anyway?” I said. “I mean, if I’m just going to ride in someone’s pickup, why even bring me along? It’s not like I was any help to anyone…”
Marlboro Man glanced over at me. His eyes were tired. “So…did you want to operate one of the sprayers?” he asked, an unfamiliar edge to his voice.
“No, I just…I mean…” I searched for the words. “I mean, that was just ridiculous! That was dangerous!”
“Well, prairie fires are dangerous,” Marlboro Man answered. “But that’s life. Stuff like this happens.”
I was cranky. The nap had done little to calm me down. “What happens? You just drive right into fires and throw caution to the wind? I mean, people could die out there. I could have died. You could have died! I mean, do you realize how crazy that was?”
Marlboro Man looked straight ahead, rubbing his left eye and blinking. He looked exhausted. He looked spent.
We arrived in his driveway just in time to see the eastern sun peeking over the horse barn. Marlboro Man stopped his pickup, put it into park, and said, still looking straight ahead, “I took you with me…because I thought you’d like to see a fire.” He turned off the pickup and opened his door. “And because I didn’t want to leave you here by yourself.”
I didn’t say anything. We both exited the pickup, and Marlboro Man began walking toward his house. And then, still walking, he said it--words that chilled me to the bone.
“I’ll see you later.” He didn’t even turn around.
I stood there, not knowing what to say, though deep down I knew I wouldn’t have to. I knew that just as he’d always done anytime I’d ever been rendered speechless in his presence, he’d speak up, turn around, come to my rescue, hold me in his arms…and infuse love into my soul, as only he could do. He always swooped in to save me, and this time would be no different.
But he didn’t turn around. He didn’t speak up. He simply walked toward the house, toward the door on his back porch--the same porch door where, hours earlier, he and I had stood in a complete fit of romance and lust, where the heat between us was but a foreshadowing of the fire waiting for us in that distant prairie.
”
”
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
“
Archer arrived early the next morning. Grey was still asleep on the sofa in his study when he heard tapping on the window.
He opened his eyes and immediately regretted it as the sharp light of day pierced his brain. Squinting, he tried to focus on his brother, since he already knew who his visitor was. Only one person ever announced himself so annoyingly.
“Open the bloody window, Grey!”
Grumbling, Grey slowly rose into a full sitting position. His back and neck were stiff and his head felt as though someone had kicked it repeatedly from all sides. And his mouth! Christ, he didn’t want to even think about what might have died inside it.
He staggered to the window, unlatched it and swung it open. “What the hell do you want?”
Wide-eyed, Archer made a tsking noise. “Is that any way to greet your favorite brother?”
“You’re not my favorite,” Grey scowled.
Unaffected, Archer easily adapted. “Is that any way to greet your second-favorite brother?”
Grey grinned, he couldn’t help it. Archer had always had a knack for making him smile, just as he had a knack for pissing him off as well. “I’m hung over and feel like shite. What do you want?”
“You look like shite. What’s this I hear about you making an appearance at Saint’s Row last night?”
“Rose tell you that?”
“She did. I’m surprised you took such a risk just to see her.”
Grey thought of her in that teal gown, the lights illuminating the luster of her skin. “It was worth it.”
“Worth it, eh? So worth it you immediately came home and got sloshed.”
“Something like that. And then Rose came home and I got even more sloshed.”
Archer’s expression turned to concern as he leaned against the window frame. “What happened?”
Grey shrugged. He’d already revealed more than he’d wanted. “Suffice it to say she now knows what kind of man I am.”
His brother snorted. “That girl has always known exactly what kind of man you are.”
The words were plain enough, but there was a cryptic edge to them that had Grey puzzled. “What the hell does that mean?”
Arch shook his head. “Come to the stables with me. I want to show you something.”
He looked down at himself. He was wearing the same clothes he’d worn last night and he was wrinkled beyond hope. Not to mention that he smelled like a distillery-an unwashed one at that. And his mask was up in his room. What if someone happened by and saw him…
He wasn’t a coward. He just didn’t wish to be seen looking less than his best.
An oath punctuated the early morning air. Grey was grabbed by the front of the shirt and yanked-hard. His only course of action was to brace one booted foot on the bottom sill to keep from falling.
Of course, that action only succeeded in making it easier for Archer to haul him completely out onto the lawn. He landed hard on both feet, the impact going straight to his ready-to-implode skull.
“What the hell?” Fist cocked, Grey punched his brother in the shoulder. “Jesus, man! What are you about?”
Archer punched him back. It hurt, and oddly enough it seemed to wake him up-clear the fog and some of the pressure surrounding his brain. “I’m trying to help you, you bugger.”
“To do what?” Grey demanded. “Die?
”
”
Kathryn Smith (When Seducing a Duke (Victorian Soap Opera, #1))
“
The translucent, golden punch tastes velvety, voluptuous and not off-puttingly milky. Under its influence, I stage a party for my heroines in my imagination, and in my flat. It's less like the glowering encounter I imagined between Cathy Earnshaw and Flora Poste, and more like the riotous bash in Breakfast at Tiffany's.
Not everyone is going to like milk punch. So there are also dirty martinis, and bagels and baklava, and my mother's masafan, Iraqi marzipan. The Little Mermaid is in the bath, with her tail still on, singing because she never did give up her soaring voice. Anne Shirley and Jo March are having a furious argument about plot versus character, gesticulating with ink-stained hands. Scarlett is in the living room, her skirts taking up half the space, trying to show Lizzy how to bat her eyelashes. Lizzy is laughing her head off ut Scarlett has acquired a sense of humour, and doesn't mind a bit. Melanie is talking book with Esther Greenwood, who has brought her baby and also the proofs of her first poetry collection. Franny and Zooey have rolled back the rug and are doing a soft shoe shuffle in rhinestone hats. Lucy Honeychurch is hammering out some Beethoven (in this scenario I have a piano. A ground piano. Well, why not?) Marjorie Morningstar is gossiping about directors with Pauline and Posy Fossil. They've come straight from the shows they're in, till in stage make-up and full of stories. Petrova, in a leather aviator jacket, goggles pushed back, a chic scarf knotted around her neck, is telling the thrilling story of her latest flight and how she fixed an engine fault in mid-air. Mira, in her paint-stained jeans and poncho, is listening, fascinated, asking a thousand questions. Mildred has been persuaded to drink a tiny glass of sherry, then another tiny glass, then another and now she and Lolly are doing a wild, strange dance in the hallway, stamping their feet, their hair flying wild and electric. Lolly's cakes, in the shape of patriarchs she hates, are going down a treat. The Dolls from the Valley are telling Flora some truly scandalous and unrepeatable stories, and she is firmly advising them to get rid of their men and find worthier paramours. Celie is modelling trousers of her own design and taking orders from the Lace women; Judy is giving her a ten-point plan on how to expand her business to an international market. She is quite drunk but nevertheless the plan seems quite coherent, even if it is punctuated by her bellowing 'More leopard print, more leopard print!'
Cathy looks tumultuous and on the edge of violent weeping and just as I think she's going to storm out or trash my flat, Jane arrives, late, with an unexpected guest. Cathy turns in anticipation: is it Heathcliff? Once I would have joined her but now I'm glad it isn't him. It's a better surprise. It's Emily's hawk. Hero or Nero. Jane's found him at last, and has him on her arm, perched on her glove; small for a bird of prey, he is dashing and patrician looking, brown and white, observing the room with dark, flinty eyes. When Cathy sees him, she looks at Jane and smiles.
And in the kitchen is a heroine I probably should have had when I was four and sitting on my parents' carpet, wishing it would fly. In the kitchen is Scheherazade.
”
”
Samantha Ellis
“
Oh, by the way, security told me earlier that some guy showed up, claiming to be your assistant.”
“Already? What time is it?”
“It’s almost one o’clock,” he says. “Are you telling me you actually hired someone?”
My heart drops.
I shove past Cliff, ignoring him as he calls for me, wanting his question answered. I head straight for security, spotting Jack standing along the side with a guard, looking somewhere between disturbed and amused.
“Strangest shit I’ve ever witnessed in Jersey,” Jack says, looking me over. “And that’s saying something, because I once saw a chimpanzee roller skating, and that was weird as fuck.”
“I’m going to take that as a compliment, even though I know it isn’t one,” I say, grabbing his arm and making him follow me. It’s about a two-and-a-half hour drive to Bennett Landing, but I barely have two hours. “Please tell me you drove.”
Before he can respond, I hear Cliff shouting as he follows. “Johnny! Where are you going?”
“Oh, buddy.” Jack glances behind us at Cliff. “Am I your getaway driver?”
“Something like that,” I say. “You ever play Grand Theft Auto?”
“Every fucking day, man.”
“Good,” I say, continuing to walk, despite Cliff attempting to catch up. “If you can get me where I need to be, there will be one hell of a reward in it for you.”
His eyes light up as he pulls out a set of car keys. “Mission accepted.”
There’s a crowd gathered around set. They figured out we’re here. They know we’re wrapping today. I scan the area, looking for a way around them.
“Where’d you park?” I ask, hoping it’s anywhere but right across the street.
“Right across the street,” he says.
Fuck.
I’m going to have to go through the crowd.
“You sure you, uh, don’t want to change?” Jack asks, his eyes flickering to me, conflicted.
“No time for that.”
The crowd spots me, and they start going crazy, making Cliff yell louder to get my attention, but I don’t stop. I slip off of set, past the metal barricades and right into the street, as security tries to keep the crowd back, but it’s a losing game. So we run, and I follow Jack to an old station wagon, the tan paint faded.
“This is what you drive?”
“Not all of us grew up with trust funds,” he says, slapping his hand against the rusted hood. “This was my inheritance.”
“Not judging,” I say, pausing beside it. “It’s just all very ‘70s suburban housewife.”
“That sounds like judgment, asshole.”
I open the passenger door to get in the car when Cliff catches up, slightly out of breath from running. “What are you doing, Johnny? You’re leaving?”
“I told you I had somewhere to be.”
“This is ridiculous,” he says, anger edging his voice. “You need to sort out your priorities.”
“That’s a damn good idea,” I say. “Consider this my notice.”
“Your notice?”
“I’m taking a break,” I say. “From you. From this. From all of it.”
“You’re making a big mistake.”
“You think so?” I ask, looking him right in the face. “Because I think the mistake I made was trusting you.”
I get in the car, slamming the door, leaving Cliff standing on the sidewalk, fuming.
Jack starts the engine, cutting his eyes at me. “So, where to? The unemployment office?”
“Home,” I say, “and I need to get there as soon as possible, because somebody is waiting for me, and I can't disappoint her.
”
”
J.M. Darhower (Ghosted)
“
Suddenly he felt his foot catch on something and he stumbled over one of the trailing cables that lay across the laboratory floor. The cable went tight and pulled one of the instruments monitoring the beam over, sending it falling sideways and knocking the edge of the frame that held the refractive shielding plate in position. For what seemed like a very long time the stand wobbled back and forth before it tipped slowly backwards with a crash.
‘Take cover!’ Professor Pike screamed, diving behind one of the nearby workbenches as the other Alpha students scattered, trying to shield themselves behind the most solid objects they could find. The beam punched straight through the laboratory wall in a cloud of vapour and alarm klaxons started wailing all over the school. Professor Pike scrambled across the floor towards the bundle of thick power cables that led to the super-laser, pulling them from the back of the machine and extinguishing the bright green beam.
‘Oops,’ Franz said as the emergency lighting kicked in and the rest of the Alphas slowly emerged from their hiding places. At the back of the room there was a perfectly circular, twenty-centimetre hole in the wall surrounded by scorch marks. ‘I am thinking that this is not being good.’
Otto walked cautiously up to the smouldering hole, glancing nervously over his shoulder at the beam emitter that was making a gentle clicking sound as it cooled down.
‘Woah,’ he said as he peered into the hole. Clearly visible were a series of further holes beyond that got smaller and smaller with perspective. Dimly visible at the far end was what could only be a small circle of bright daylight.
‘Erm, I don’t know how to tell you this, Franz,’ Otto said, turning towards his friend with a broad grin on his face, ‘but it looks like you just made a hole in the school.’
‘Oh dear,’ Professor Pike said, coming up beside Otto and also peering into the hole. ‘I do hope that we haven’t damaged anything important.’
‘Or anyone important,’ Shelby added as she and the rest of the Alphas gathered round.
‘It is not being my fault,’ Franz moaned. ‘I am tripping over the cable.’
A couple of minutes later, the door at the far end of the lab hissed open and Chief Dekker came running into the room, flanked by two guards in their familiar orange jumpsuits. Otto and the others winced as they saw her. It was well known already that she had no particular love for H.I.V.E.’s Alpha stream and she seemed to have a special dislike for their year in particular.
‘What happened?’ she demanded as she strode across the room towards the Professor. Her thin, tight lips and sharp cheekbones gave the impression that she was someone who’d heard of this thing called smiling but had decided that it was not for her.
‘There was a slight . . . erm . . . malfunction,’ the Professor replied with a fleeting glance in Franz’s direction. ‘Has anyone been injured?’
‘It doesn’t look like it,’ Dekker replied tersely, ‘but I think it’s safe to say that Colonel Francisco won’t be using that particular toilet cubicle again.’ Franz visibly paled at the thought of the Colonel finding out that he had been in any way responsible for whatever indignity he had just suffered. He had a sudden horribly clear vision of many laps of the school gym somewhere in his not too distant future.
”
”
Mark Walden (Aftershock (H.I.V.E., #7))
“
Chapter 1
Death on the Doorstep LIVY HINGE’S AUNT lay dying in the back yard, which Aunt Neala thought was darned inconvenient. “Nebula!” she called, hoping her weakened voice would reach the barn where that lazy cat was no doubt taking a nap. If Neala had the energy to get up and tap her foot she would. If only that wretched elf hadn’t attacked her, she’d have made her delivery by now. Instead she lay dying. She willed her heart to take its time spreading the poison. Her heart, being just as stubborn as its owner, ignored her and raced on. A cat with a swirling orange pattern on its back ran straight to Neala and nuzzled her face. “Nebula!” She was relieved the cat had overcome its tendency to do the exact opposite of whatever was most wanted of it. Reaching into her bag, Neala pulled out a delicate leaf made of silver. She fought to keep one eye cracked open to make sure the cat knew what to do. The cat took the leaf in its teeth and ran back toward the barn. It was important that Neala stay alive long enough for the cat to hide the leaf. The moment Neala gave up the ghost, the cat would vanish from this world and return to her master. Satisfied, Neala turned her aching head toward the farmhouse where her brother’s family was nestled securely inside. Smoke curled carelessly from the old chimney in blissful ignorance of the peril that lay just beyond the yard. The shimmershield Neala had created around the property was the only thing keeping her dear ones safe. A sheet hung limply from a branch of the tree that stood sentinel in the back of the house. It was Halloween and the sheet was meant to be a ghost, but without the wind it only managed to look like old laundry. Neala’s eyes followed the sturdy branch to Livy’s bedroom window. She knew what her failure to deliver the leaf meant. The elves would try again. This time, they would choose someone young enough to be at the peak of their day dreaming powers. A druid of the Hinge bloodline, about Livy’s age. Poor Livy, who had no idea what she was. Well, that would change soon enough. Neala could do nothing about that now. Her willful eyes finally closed. In the wake of her last breath a storm rose up, bringing with it frightful wind and lightning. The sheet tore free from the branch and flew away. The kitchen door banged open. Livy Hinge, who had been told to secure the barn against the storm, found her lifeless aunt at the edge of the yard. ☐☐☐ A year later, Livy still couldn’t think about Aunt Neala without feeling the memories bite at her, as though they only wanted to be left alone. Thankfully, Livy wasn’t concerned about her aunt at the moment. Right now, Rudus Brutemel was going to get what was coming to him. Hugh, Livy’s twin, sat next to her on the bus. His nose was buried in a spelling book. The bus lurched dangerously close to their stop. If they waited any longer, they’d miss their chance. She looked over her shoulder to make sure Rudus was watching. Opening her backpack, she made a show of removing a bologna sandwich with thick slices of soft homemade bread. Hugh studied the book like it was the last thing he might ever see. Livy nudged him. He tore his eyes from his book and delivered his lines as though he were reading them. “Hey, can I have some? I’m starving.” At least he could make his stomach growl on demand.
”
”
Jennifer Cano (Hinges of Broams Eld (Broams Eld, #1))